DOCSLIB.ORG

Bridget Carrington Thesis 14 Works Cited

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Bridget Carrington Thesis 14 Works Cited DOCTORAL THESIS Paths of virtue? The development of fiction for young adult girls 1750-1890 Carrington, Bridget Award date: 2009 General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 29. Sep. 2021 Paths of Virtue? Works Cited Addison, J. ed. D.E. Bond (1965) Pleasures of the Imagination in The Spectator. Oxford: University Press (articles first published 1699 onwards). Agnew, K. & M. Nimon (2001) ‘Young Adult Fiction’ in V. Watson (2002) Cambridge Guide to Children’s Books in English, Cambridge: University Press. Aiken, J & A. (1773) Miscellaneous Pieces in Prose, London: Johnson Albert, N. (1941) East Lynne: Mrs. Henry Wood’s Celebrated Novel made into a Spirited and Powerful Mellow Drammer in Three Acts, New York: Samuel French. Alcott, L.M. (1868) Little Women, or Meg, Jo, Beth and Amy, Boston, Mass.: Roberts Bros. Alcott, L.M. (1870) An Old-Fashioned Girl, Boston, Mass.: Roberts Brothers. Alcott, L.M. (1965) Eight Cousins, London: Rupert Hart-Davis (first published 1875). Alderson, B. (2006) ‘The Universality of Tracts in Butts, D. and P. Garrett (eds.) From the Dairyman’s Daughter to Worrals of the WAAF: The Religious Tract Society, Lutterworth Press and Children’s Literature, Cambridge: Lutterworth Press. Allen, W. (1970) The English Novel: A short critical history, London: Penguin, (first published 1954). A Lover of Virtue (1950) Critical Remarks on Sir Charles Grandison, Clarissa and Pamela. Enquiring Whether they have a Tendency to corrupt or improve the Public Taste and Morals in a Letter to the Author, London: J. Dowse, first published 1754,reprinted as The Augustan Reprint Society Publication Number 21 (Series IV, No. 3 (1950), Los Angeles: University of California. Altick, R.. (1957) The English Common Reader: A social history of the mass reading public 1800-1900, Chicago: University Press. Anonymous (1974) The Paths of Virtue Delineated; or, the history in miniature of the celebrated Pamela, Clarissa Harlowe, and Sir Charles Grandison, familiarized and adapted to the capacities of youth, in The Life and times of seven major British writers. Richardsonia XIV, New York: Garland Publishing Inc. (The Paths of Virtue first published 1756). Anonymous (1864-1883) The Young Ladies’ Journal, London: Harrison & Viles. Anonymous (1898-99) Girls’ Best Friend, Eltham, Kent: Friendly Fiction. Anonymous (1898) Sweethearts, np: Hamilton. Anonymous (1870-1879) Wedding Belles, np: Brett. Anonymous (1886) advertisement for Colonel Cheswick’s Campaign in The Academy, issue 29:144, London: J. Murray. Anonymous (1845) Obituary ‘Ann Radcliffe’ in The Gentleman's Magazine, July 1845, p86, London: 330 Paths of Virtue? The Gentleman’s Magazine. Anonymous (1929) ‘Obituary: Lady Lugard’ in The Times, 29th Janusry, 1929, London: The Times. Anonymous (1799) Kilverstone Castle, London: T. Fisher. Anonymous (1802) The Secret Oath: or, Blood-stained Dagger, a Romance, London: Tegg & Castleman. Anonymous, after Richardson, S.(c1774) The History of Sir Charles Grandison and the Hon. Miss Byron; in which is Included Memoirs of a Noble Italian Family, London: Richard Snagg. Anonymous reporter (1864) ‘The Archbishop of York address to the Huddersfield Church Institute’ in The Times, 2nd November 1864. Anonymous reviewer (1877) ‘Review of Castle Blair by Florence Shaw’ [sic] in The Times, 6th December 1877, London: The Times. Anonymous reviewer (1882) ‘Hector’, in The Times, October 18th. 1882, London: The Times. Anonymous reviewer (1884) ‘Children’s Books’ in The Nation, October 23rd 1884, New York: The Nation. Anonymous reviewer (1886) ‘Recent Novels: Colonel Cheswick’s Campaign’ in The Nation, July 1st 1886, New York: The Nation. Anonymous reviewer (1886) ‘Minor Fiction: Colonel Cheswick’s Campaign’ in The Literary World, May 29th 1886, Princeton: James Clark & Co. Anonymous reviewer (1886) ‘Colonel Cheswick’s Campaign’ in Notes on Books, being a quarterly analysis of the works published by Messrs Longman & Co., February 27th 1886, London: Longman, Green & Co. Anonymous reviewer (1886) ‘Colonel Cheswick’s Campaign’ in The Scottish Review, vol. 7, (ed. W. Metcalfe & R. Erskine), Edinburgh: A. Gardner. Anonymous correspondent (1863) in the Medical Critic and Psychological Journal, 3, 1863 (ed. F. Winslow), np: John W. Davies. Appleyard, J.A. (1994) Becoming a Reader: The Experience of Fiction from Childhood to Adulthood, Cambridge: University Press. Ariès, P. (transl. R. Baldick) (1962) Centuries of Childhood: A Social History of Family Life, New York: Vintage. Arizpe, E. & M. Styles (2006) Reading Lessons from the Eighteenth Century: Mothers, children and texts, Lichfield: Pied Piper Publishing. Arnett, J.J. (2004) Emerging Adulthood: The Winding Road From the Late Teens Though the Twenties, Oxford: University Press. Arnold, E., H.D. Traill and W.L. Courtney (1899) ‘100 Best Novels’ in the Daily Telegraph, 1899, London: Daily Telegraph. Ashcroft, B., G. Griffiths and H. Tiffin (1989) The Empire Writes Back: Theory and practice in post- colonial literatures, London: Routledge. 331 Paths of Virtue? Ashfield, A. (ed) (1997) Romantic Women Poets 1770-1838: An Anthology, New York: Manchester University Press. Austen, H. (1817) ‘Biographical Notice of the Author’ in J. Austen Northanger Abbey: and Persuasion, London: John Murray. Austen, J ed. B.C. Southam (1980) Jane Austen’s ‘Sir Charles Grandison’, Oxford: Clarendon Press. Austen, J. ed. D. Blair (2000) Northanger Abbey, London: Wordsworth (first published 1818). Austen, J. (1978) ‘Elinor and Marianne’ in Austen, J. (1978) Love and Freindship and Other Early Works, London: The Women’s Press. Austen, J. (2008) Juvenilia, Newcastle: Cambridge Scholars Publishing. Austen, J. (2003) Emma, London: Penguin (first published 1816). Austen, J. (2006) Mansfield Park, London: Penguin (first published 1814). Austen, J. (1818) Persuasion, London: John Murray. Austen, J. (1811) Sense and Sensibility, London: Thomas Egerton. Austen, J. (1978) Love and Freindship and Other Early Works, London: The Women’s Press. Austen, J. (2005) Lesley Castle, The History of England, Catharine, London: Hesperus Press. Austen, J. ed. R.W. Chapman (1933) Jane Austen’s Letters to her sister Cassandra and Others, Oxford: University Press. Austen, J. ed. R.W. Chapman (1955) Jane Austen’s Letters, Oxford: World’s Classics. Austen, J. ed. D. Le Faye (1995) Jane Austen’s Letters, Oxford: University Press. Austen-Leigh, J.E. rev. R.W. Chapman (1951) Memoir of Jane Austen, Oxford: Clarendon Press. Avery, G. (1965) Nineteenth Century Children: Heroes and Heroines in English Children’s Stories 1780-1900, London: Hodder & Stoughton. Avery, G. (1975) Childhood’s Pattern: A Study of the heroes and heroines of children’s fiction 1770-1950, London: Jonathan Cape. Bage, R. (1784) Barham Downs, London: G. Wilkie. Baldick, C. ed. (1993) The Oxford Book of Gothic Tales, Oxford: University Press Barker-Benfield, G.J. (1999) ‘Sensibility’ in An Oxford Companion to the Romantic Age, Oxford: University Press. Barrett, C. F. (1800) The Black Castle or, Spectre of the Forest, London: S. Fisher. Barrett, M., (1982) ‘Feminism and the Definition of Cultural Politics’ in Feminism, Culture, and Politics (ed. R. Brunt and C. Rowan), London: Wishart & Davis. Barbauld, A. L. (1820) ‘On the Origin and Progress of Novel-writing’ in J. Breen (1996) Women Romantics 1785-1832: Writing in Prose, London: Everyman. Barbauld, A. L.(1778) Lessons for children, from three to four years old, London: J. Johnson. Barbauld, A. L. (1820) The British Novelists, London: F. C. and J. Rivington (first published 1810). Batchelor, J. (2002) ‘Sir Charles Grandison’, (1753) in Literary Encyclopedia at www.litencyc.com, accessed 09/04/05. 332 Paths of Virtue? Bator, R. (ed.) (1983) Signposts to Criticism of Children’s Literature, Chicago: American Library Association. Batts, J. S. (1976) British Manuscript Diaries of the Nineteenth Century, Fontwell: Centaur Press. Beetham, M. (1996) A Magazine of her Own?: Domesticity and desire in the woman’s magazine 1800-1914, London: Routledge. Beetham, M. & K. Boardman (eds.) (2001) Victorian Women’s Magazines: An anthology, Manchester: University Press. Beeton, S. et al (1864-18770 The Young Englishwoman, London: S. O. Beeton, later Ward, Lock & Co. Belanger, J. P. Garside and A.Mandal (2006) Circulating Library Check-List compiled online at http://english.ucsb.edu:591/rchrono/ (accessed 24/01/06). Bilston, S. (2004) The Awkward Age in Women’s Popular Fiction 1850-1900: Girls and the Transition to Womanhood, Oxford: Clarendon Press. Blair, H. (1783) Lectures on Rhetoric and Belles Lettres, Edinburgh and London: A. Strahan, T. Cadell, and W. Creech. Bond, J. (1753) An Essay on the Incubus, or Night-Mare, London: I. Wilson. Boswell, J. (1791) Life of Samuel Johnson.LL.D, London: Charles Dilly. Bowker,
Load more

Recommended publications
  • An Independent Study, the Future of Artists and Architecture? Screening Programme, Selected by Vanessa Scully 19 October 2019
    Thamesmead Texas presents: An independent study, the future of artists and architecture? Screening programme, selected by Vanessa Scully 19 October 2019 Thamesmead Texas presents a selection of experimental and documentary films on social housing, gentrification and regeneration from the 1970’s – present day London. Selected by artist Vanessa Scully, as part of the series ‘Thamesmead Texas presents: An independent study, the future of artists and architecture? This screening event sits within a new installation entitled ‘Heavy View’ by British Artist Laura Yuile that developed out of Yuile’s consideration of technological and architectural obsolescence. TACO!, 30 Poplar Place, Thamesmead, London SE28 8BA. Saturday 19 October, 7-10pm. Part One: Meanwhile space in London*, shorts Katharine Meynell, Kissing (2014), 3:00 mins, digital video John Smith, Dungeness (1987) 3:35 mins, 16mm film William Raban, Cripps at Acme (1981), 5:35 mins, 16mm film Wendy Short, Overtime (2016), 10:09 mins, digital video Channel 4, Home Truths – Art and Soul (2014), 4:51 mins, digital video Vanessa Scully, No 1 The Starliner v1 (2014), 1:05 mins, 35mm slides and digital video Vanessa Scully, No 1 The Starliner v2 (2014), 1:05 mins, 35mm slides and digital video Vanessa Scully, No 1 The Starliner v3 (2014), 1:05 mins, 35mm slides and digital video John Smith & Jocelyn Pook, Blight (1996), 16 mins, 16mm film Part Two: A history of social housing in London, feature Tom Cordell, Utopia London (2010), 82 mins, digital video and archive material Tessa Garland, Here East (2017), 5:42 mins, HD video Part One: into his thirties) a figure to add to the pantheon of profoundly subversive, wildly misbehaved, and Katharine Meynell, Kissing (2014) perhaps genuinely unhinged twentieth-century artists, alongside Jack Smith, Harry Smith, Kenneth “Made in response to a word drawn from a hat with Anger, Chris Burden, Joe Coleman, and others.” LUX 13 Critical Forum, I kissed the iconic Balfron Jared Rap-fogelVol.
    [Show full text]
  • Irish Gothic Fiction
    THE ‘If the Gothic emerges in the shadows cast by modernity and its pasts, Ireland proved EME an unhappy haunting ground for the new genre. In this incisive study, Jarlath Killeen shows how the struggle of the Anglican establishment between competing myths of civility and barbarism in eighteenth-century Ireland defined itself repeatedly in terms R The Emergence of of the excesses of Gothic form.’ GENCE Luke Gibbons, National University of Ireland (Maynooth), author of Gaelic Gothic ‘A work of passion and precision which explains why and how Ireland has been not only a background site but also a major imaginative source of Gothic writing. IRISH GOTHIC Jarlath Killeen moves well beyond narrowly political readings of Irish Gothic by OF IRISH GOTHIC using the form as a way of narrating the history of the Anglican faith in Ireland. He reintroduces many forgotten old books into the debate, thereby making some of the more familiar texts seem suddenly strange and definitely troubling. With FICTION his characteristic blend of intellectual audacity and scholarly rigour, he reminds us that each text from previous centuries was written at the mercy of its immediate moment as a crucial intervention in a developing debate – and by this brilliant HIST ORY, O RIGI NS,THE ORIES historicising of the material he indicates a way forward for Gothic amidst the ruins of post-Tiger Ireland.’ Declan Kiberd, University of Notre Dame Provides a new account of the emergence of Irish Gothic fiction in the mid-eighteenth century FI This new study provides a robustly theorised and thoroughly historicised account of CTI the beginnings of Irish Gothic fiction, maps the theoretical terrain covered by other critics, and puts forward a new history of the emergence of the genre in Ireland.
    [Show full text]
  • Making Amusement the Vehicle of Instruction’: Key Developments in the Nursery Reading Market 1783-1900
    1 ‘Making amusement the vehicle of instruction’: Key Developments in the Nursery Reading Market 1783-1900 PhD Thesis submitted by Lesley Jane Delaney UCL Department of English Literature and Language 2012 SIGNED DECLARATION 2 I, Lesley Jane Delaney confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. ––––––––––––––––––––––––––––––––––––––– ABSTRACT 3 ABSTRACT During the course of the nineteenth century children’s early reading experience was radically transformed; late eighteenth-century children were expected to cut their teeth on morally improving texts, while Victorian children learned to read more playfully through colourful picturebooks. This thesis explores the reasons for this paradigm change through a study of the key developments in children’s publishing from 1783 to 1900. Successively examining an amateur author, a commercial publisher, an innovative editor, and a brilliant illustrator with a strong interest in progressive theories of education, the thesis is alive to the multiplicity of influences on children’s reading over the century. Chapter One outlines the scope of the study. Chapter Two focuses on Ellenor Fenn’s graded dialogues, Cobwebs to catch flies (1783), initially marketed as part of a reading scheme, which remained in print for more than 120 years. Fenn’s highly original method of teaching reading through real stories, with its emphasis on simple words, large type, and high-quality pictures, laid the foundations for modern nursery books. Chapter Three examines John Harris, who issued a ground- breaking series of colour-illustrated rhyming stories and educational books in the 1810s, marketed as ‘Harris’s Cabinet of Amusement and Instruction’.
    [Show full text]
  • International Pathway Programmes 2019/20
    International Pathway Programmes 2019/20 London’s Campus University roehampton.ac.uk/pathway University of Roehampton Contents Welcome 4 Why Roehampton? 6 Our campus 9 Studying at Roehampton 10 Campus map 12 Supporting you 14 Free London 18 London’s campus university 20 Living costs 22 Sport at Roehampton 24 Your Students’ Union 26 Accommodation 28 Arriving at Roehampton 30 Pre-Sessional English 32 The Pathway College is a partnership between the University of Roehampton and QA Higher International Foundation Education – a UK Higher Education provider. The pathway programmes are validated by the Programme 34 University of Roehampton and taught by QA Higher Education. The University of Roehampton and QA Higher Education are committed to being equal Progression options 36 opportunities education providers and will therefore make reasonable adjustments for disabled applicants and students. How to apply 40 The information given in this publication is accurate at the time of going to print in March 2019 Our location and contacts 42 and the University of Roehampton and QA Higher Education will use all reasonable efforts to deliver the programmes as described. The University and QA Higher Education reserve the right to withdraw or change the programmes or programme combinations included in this prospectus. These changes will only be made as a result of UK legal compliance, minimum student number requirements or for course validation reasons and applicants will be contacted by the University or QA Higher Education in the instance of these changes occurring. Please check the website for up-to-date information on our programmes: roehampton.ac.uk/pathway 2 3 roehampton.ac.uk/pathway University of Roehampton Welcome At Roehampton, we believe passionately in the benefits of a university education undertaken away from your home country.
    [Show full text]
  • Going/Or Eternity: a Child's Garden of Verses
    Going/or Eternity: A Child's Garden of Verses • Elizabeth Waterston • Resume: Dans cet article, Elizabeth Waterston tente d'expliquer la fortune litteraire du recueil de poemes de Robert Louis Stevenson, A Child's Garden of Verses, dont Ie succes reste encore tres vifde nos jours. D'apres elle, plusieurs auteurs ont tout simplement oublie I'influence marquante que ces poemes ont exerce sur leur premiere jeunesse. Summary: Elizabeth Waterston discusses the reasons for the continued popularity of Robert Louis Stevenson's A Child's Garden of Verses, and suggests that many writers have forgotten the strength of the poems' influence on their pre-school days. TA T hen Robert Louis Stevenson rhymed "children" with "bewildering" r V in the trial edition of his verses for children, his friend Sidney Colvin objected. "A Cockney rhyme," he jotted into the margin of the little book titled Penny Whistles.1 Stevenson responded with his own marginal jotting, "Good enough for me.... These are rhymes, jingles; I don't go for eternity." Whether or not he thought he was in the race for immortality when he published his little rhymes, A Child's Garden of Verses, first published in 1885, has proved to have great survival power. It is still available in all sorts of editions, vari- ously illustrated, and is still a preeminent choice of educators as well as of parents and care-givers. It is a book for children too young to express an opinion of its charms; but many of us re-open it as adults to discover just how deeply it has sunk into our pores.
    [Show full text]
  • Buses from Roehampton and Queen Mary's University
    Buses from Roehampton and Queen Mary’s Hospital East Acton Du Cane Road Old Brompton Road Brunel Road Hammersmith Hospital WEST 430 72 East Acton South Kensington EAST BROMPTON for the Museums White City West Brompton 170 ACTON for BBC TV Centre Victoria Shepherd's Bush Lillie Road Victoria Coach Station Hammersmith HAMMERSMITH Fulham Palace Road Fulham Cemetery 85 Chelsea 265 Royal Hospital Road Putney Bridge Castelnau River Thames River Thames Barnes 493 Red Lion Putney North Sheen St. Mary's Church Manor Circus Battersea Bridge Road Rocks Lane RICHMOND Lower Richmond Road Lower Richmond Road Festing Road The Embankment Richmond BARNES Lower Richmond Road Lower Richmond Road PUTNEY Commondale Ruvigny Gardens Putney High Street Sheen Road Upper Richmond Upper Richmond Queens Road Road West Road West Barnes Common Barnes for North Sheen Thornton Road Priests Bridge Roehampton lane Upper Upper Upper Richmond East Sheen Upper Richmond Upper Richmond Road Richmond Road Richmond Road Richmond Road Putney Lombard Road Bus Station Sheen Lane Road West Priory Lane Gipsy Lane Leisure Centre Arts Theatre Kings Road Barnes Rosslyn Park R.F.C. Upper Upper Richmond Road Richmond Road Dover House Woodborough Road Methodist Church Roehampton Lane Road Fairacres Gibbon Walk UÚ Putney Hill ÚX ELMSHAW RD HAWK ESBURY ROAD St. John’s Avenue GB Clapham Junction Digby Stuart HC College CLAPHAM The yellow tinted area includes every bus PARKSTEAD ROAD stop up to about one-and-a-half miles from Roehampton University Queen Mary’s JUNCTION Roehampton and Queen Mary's Hospital. HD Hospital GA AY Putney Hill Main stops are shown in the white area CRESTW Ú AY South Thames College outside.
    [Show full text]
  • Annual Report and Financial Statements 2019/20
    Annual Report and Financial Statements 2019/20 Roehampton University Company Registration Number 5161359 (England and Wales) Contents Chair of Council’s Welcome ..................................................................................... 4 Strategic Report ........................................................................................................... 6 Key Performance Indicators.................................................................................. 8 Financial Review ....................................................................................................10 Student Experience ...............................................................................................12 Staff Experience.....................................................................................................15 Learning, Teaching and Student Success ........................................................16 Research .................................................................................................................18 Outreach, Participation and Community Engagement .................................. 20 Responsible University .........................................................................................22 Risk and Uncertainty .............................................................................................24 Members of Council Report ...................................................................................26 Statement of Public Benefit.................................................................................28
    [Show full text]
  • Getting to Elm Grove Location
    University of Roehampton London SW15 5PH Elm Grove Grove House Parkstead House GETTING TO ELM GROVE LOCATION MAP Elm Grove is situated on the main campus of the University of Roehampton, please enter through the main University gates off Roehampton Lane. Elm Grove and Welcome Centre reception is situated to the left as you enter through these gates or if you are wishing to park please turn right for the main car park. TRAVELLING BY PUBLIC TRANSPORT TRAVELLING BY CAR CENTRAL ELM GROVE LONDON BARNES National rail From central London BR STATION CHMOND ROAD AR) R RI (SOUTH CIRCUL A3 • Southwest Trains service from London Waterloo to Barnes. • A3 south from London A205 UPPE 0 6 HEATHROW AIRPORT • Southwest Trains service from Clapham Junction to Barnes. • Turn right on to Roehampton Lane A308 R ROEHAMPTON O • Please visit National Rail Enquiries for arrival and departure times. • Follow Roehampton Lane for one mile, after Clarence Lane on the CLUB EH AM left take the second left. After entering through the main gates, • Please note that Elm Grove is a 15 minute walk from Barnes train P T Elm Grove is situated slightly to the left. ROEHAMPTON O GROVE HOUSE station or if you prefer : PRIORY N L A • Take a bus by exiting the station and crossing over the bridge N E By car from the North BANK OF ENGLAND signposted towards Roehampton. The 265 bus stop is on the SPORTS CENTRE ROEHAMPTON E left hand side of the road. CLUB QUEENS N BUILDING LA • M1 south to junction 6A (M25 direction Heathrow) GOLF COURSE • Alight at Roehampton University Main Entrance bus stop; walk N O • M40 south to junction 1A (M25 direction Heathrow) CLARENC T up towards the traffic lights, cross over the road.
    [Show full text]
  • The Annual Report of the Library Company of Philadelphia for the Year 2010
    THE ANNUAL REPORT OF THE LIBRARY COMPANY OF PHILADELPHIA FOR THE YEAR 2010 PHILADELPHIA: The Library Company of Philadelphia 1314 Locust Street Philadelphia, Pennsylvania 19107 2011 as of December 31, 2010 President Beatrice W. B. Garvan Vice President B. Robert DeMento Secretary Helen S. Weary Treasurer Robert J. Christian Trustees Lois Green Brodsky Gordon M. Marshall Harry S. Cherken, Jr. Martha Hamilton Morris Robert J. Christian Stacy Slattery Richards B. Robert DeMento James R. Roebuck, Jr. Davida T. Deutsch Howell K. Rosenberg Beatrice W. B. Garvan Carol E. Soltis Autumn Adkins Graves Peter Stallybrass William H. Helfand John C. Tuten Charles B. Landreth Ignatius C. Wang Elizabeth P. McLean Helen S. Weary Trustees Emeriti Peter A. Benoliel Charles E. Rosenberg Roger S. Hillas William H. Scheide David W. Maxey Seymour I. Toll Susan O. Montgomery Michael Zinman Director John C. Van Horne James N. Green Librarian Rachel D’Agostino Curator of Printed Books Alfred Dallasta Chief of Maintenance and Security Ruth Hughes Chief Cataloger Cornelia S. King Chief of Reference Phillip S. Lapsansky Curator of African Americana Cathy Matson Director, Program in Early American Economy and Society Jennifer W. Rosner Chief of Conservation Nicole Scalessa Information Technology Manager Sarah J. Weatherwax Curator of Prints & Photographs Front Cover: Mother Goose’s Melodies, the Only Pure Edition (New York and Boston, ca. 1854). Gift of Michael Zinman. TABLE OF CONTENTS REPORT OF THE PRESIDENT 4 REPORT OF THE TREASURER 8 REPORT OF THE DIRECTOR 10 REPORT OF THE LIBRARIAN 12 THE MICHAEL ZINMAN COLLECTION OF Early 30 AMERICAN CHILDREN’S BOOKS WOMAN’S HISTORY: Teachers AND Students IN AND 51 OUT OF THE Classroom RIGHT LIVING BY THE BOOK: A GIFT OF Mothers’ 59 Manuals from CHARLES E.
    [Show full text]
  • Robert Louis Stevenson, 1850-1894
    Robert Louis Stevenson, 1850-1894 ARCHIVED ONLINE EXHIBIT Originally exhibited summer 1994-spring 1995 Thomas Cooper Library, University of South Carolina Text by Patrick Scott & Roger Mortimer, with assistance from Bruce Bowlin Archived October 13, 2013 TABLE OF CONTENTS Archived Online Exhibit ................................................................................................................................. 1 Introduction .................................................................................................................................................. 2 Early Life in Edinburgh .................................................................................................................................. 3 Travel Writing................................................................................................................................................ 8 The Fiction of Adventure ............................................................................................................................ 10 Stevenson as Poet and Essayist .................................................................................................................. 13 Stevenson and Henley ................................................................................................................................ 17 Sensation and Collaboration ....................................................................................................................... 19 In the South Seas .......................................................................................................................................
    [Show full text]
  • Edmund Evans Collection
    EDMUND EVANS COLLECTION Edmund Evans collection ................................................................................................... 4 Biographical sketch ......................................................................................................... 4 Scope and content ........................................................................................................... 4 Custodial history ............................................................................................................. 5 Related material in the Osborne Collection .................................................................... 5 Series and Items .................................................................................................................. 6 Series 1: The Alphabet of Flowers for Good Children .................................................. 6 The Alphabet of Flowers/for Good Children .............................................................. 6 A for anemones… ....................................................................................................... 6 B for the blue-bell… ................................................................................................... 6 C for convolvulus… .................................................................................................... 6 D is the daisy… ........................................................................................................... 6 E is the eglantine briar… ...........................................................................................
    [Show full text]
  • The Vicar of Wakefield (Oxford World's Classics)
    oxford world’s classics THE VICAR OF WAKEFIELD Oliver Goldsmith was born in 1730(?), the second son of Charles Goldsmith, curate of the parish of Kilkenny West in West Meath in Ireland. In 1745 he was admitted to Trinity College Dublin. He quickly dissipated his savings by gambling, which was to become an abiding interest. After periods at the Universities of Edinburgh and Leyden he spent 1755–6 travelling in Europe, where he is reputed to have eked out a living by playing the flute and disputing doctrinal points at monasteries and universities. Before embarking on a writing career he worked in London as an apothecary’s assistant, a doctor, and a school usher. A combination of overwork, worry, and poor self-treatment hastened his death in 1774. Goldsmith’s ability and range as a professional writer were considerable. Best known perhaps for The Vicar of Wakefield, he was also the author of biographies, anthologies, translations, poems (The Traveller, 1764, and The Deserted Village, 1770), plays (She Stoops to Conquer, 1773), as well as numerous reviews and essays. Arthur Friedman is the late distinguished Professor of English at the University of Chicago and editor of Goldsmith’s Collected Works. Robert L. Mack is a lecturer in the School of English at the University of Exeter. He has previously taught at Princeton University and Vanderbilt University, and is the editor of the Arabian Nights’ Entertainments and Oriental Tales for Oxford World’s Classics. His biog- raphy of the poet Thomas Gray was published by Yale University Press in 2000. oxford world’s classics For over 100 years Oxford World’s Classics have brought readers closer to the world’s great literature.
    [Show full text]