Bridget Carrington Thesis 14 Works Cited
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An Independent Study, the Future of Artists and Architecture? Screening Programme, Selected by Vanessa Scully 19 October 2019
Thamesmead Texas presents: An independent study, the future of artists and architecture? Screening programme, selected by Vanessa Scully 19 October 2019 Thamesmead Texas presents a selection of experimental and documentary films on social housing, gentrification and regeneration from the 1970’s – present day London. Selected by artist Vanessa Scully, as part of the series ‘Thamesmead Texas presents: An independent study, the future of artists and architecture? This screening event sits within a new installation entitled ‘Heavy View’ by British Artist Laura Yuile that developed out of Yuile’s consideration of technological and architectural obsolescence. TACO!, 30 Poplar Place, Thamesmead, London SE28 8BA. Saturday 19 October, 7-10pm. Part One: Meanwhile space in London*, shorts Katharine Meynell, Kissing (2014), 3:00 mins, digital video John Smith, Dungeness (1987) 3:35 mins, 16mm film William Raban, Cripps at Acme (1981), 5:35 mins, 16mm film Wendy Short, Overtime (2016), 10:09 mins, digital video Channel 4, Home Truths – Art and Soul (2014), 4:51 mins, digital video Vanessa Scully, No 1 The Starliner v1 (2014), 1:05 mins, 35mm slides and digital video Vanessa Scully, No 1 The Starliner v2 (2014), 1:05 mins, 35mm slides and digital video Vanessa Scully, No 1 The Starliner v3 (2014), 1:05 mins, 35mm slides and digital video John Smith & Jocelyn Pook, Blight (1996), 16 mins, 16mm film Part Two: A history of social housing in London, feature Tom Cordell, Utopia London (2010), 82 mins, digital video and archive material Tessa Garland, Here East (2017), 5:42 mins, HD video Part One: into his thirties) a figure to add to the pantheon of profoundly subversive, wildly misbehaved, and Katharine Meynell, Kissing (2014) perhaps genuinely unhinged twentieth-century artists, alongside Jack Smith, Harry Smith, Kenneth “Made in response to a word drawn from a hat with Anger, Chris Burden, Joe Coleman, and others.” LUX 13 Critical Forum, I kissed the iconic Balfron Jared Rap-fogelVol. -
Irish Gothic Fiction
THE ‘If the Gothic emerges in the shadows cast by modernity and its pasts, Ireland proved EME an unhappy haunting ground for the new genre. In this incisive study, Jarlath Killeen shows how the struggle of the Anglican establishment between competing myths of civility and barbarism in eighteenth-century Ireland defined itself repeatedly in terms R The Emergence of of the excesses of Gothic form.’ GENCE Luke Gibbons, National University of Ireland (Maynooth), author of Gaelic Gothic ‘A work of passion and precision which explains why and how Ireland has been not only a background site but also a major imaginative source of Gothic writing. IRISH GOTHIC Jarlath Killeen moves well beyond narrowly political readings of Irish Gothic by OF IRISH GOTHIC using the form as a way of narrating the history of the Anglican faith in Ireland. He reintroduces many forgotten old books into the debate, thereby making some of the more familiar texts seem suddenly strange and definitely troubling. With FICTION his characteristic blend of intellectual audacity and scholarly rigour, he reminds us that each text from previous centuries was written at the mercy of its immediate moment as a crucial intervention in a developing debate – and by this brilliant HIST ORY, O RIGI NS,THE ORIES historicising of the material he indicates a way forward for Gothic amidst the ruins of post-Tiger Ireland.’ Declan Kiberd, University of Notre Dame Provides a new account of the emergence of Irish Gothic fiction in the mid-eighteenth century FI This new study provides a robustly theorised and thoroughly historicised account of CTI the beginnings of Irish Gothic fiction, maps the theoretical terrain covered by other critics, and puts forward a new history of the emergence of the genre in Ireland. -
Making Amusement the Vehicle of Instruction’: Key Developments in the Nursery Reading Market 1783-1900
1 ‘Making amusement the vehicle of instruction’: Key Developments in the Nursery Reading Market 1783-1900 PhD Thesis submitted by Lesley Jane Delaney UCL Department of English Literature and Language 2012 SIGNED DECLARATION 2 I, Lesley Jane Delaney confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. ––––––––––––––––––––––––––––––––––––––– ABSTRACT 3 ABSTRACT During the course of the nineteenth century children’s early reading experience was radically transformed; late eighteenth-century children were expected to cut their teeth on morally improving texts, while Victorian children learned to read more playfully through colourful picturebooks. This thesis explores the reasons for this paradigm change through a study of the key developments in children’s publishing from 1783 to 1900. Successively examining an amateur author, a commercial publisher, an innovative editor, and a brilliant illustrator with a strong interest in progressive theories of education, the thesis is alive to the multiplicity of influences on children’s reading over the century. Chapter One outlines the scope of the study. Chapter Two focuses on Ellenor Fenn’s graded dialogues, Cobwebs to catch flies (1783), initially marketed as part of a reading scheme, which remained in print for more than 120 years. Fenn’s highly original method of teaching reading through real stories, with its emphasis on simple words, large type, and high-quality pictures, laid the foundations for modern nursery books. Chapter Three examines John Harris, who issued a ground- breaking series of colour-illustrated rhyming stories and educational books in the 1810s, marketed as ‘Harris’s Cabinet of Amusement and Instruction’. -
International Pathway Programmes 2019/20
International Pathway Programmes 2019/20 London’s Campus University roehampton.ac.uk/pathway University of Roehampton Contents Welcome 4 Why Roehampton? 6 Our campus 9 Studying at Roehampton 10 Campus map 12 Supporting you 14 Free London 18 London’s campus university 20 Living costs 22 Sport at Roehampton 24 Your Students’ Union 26 Accommodation 28 Arriving at Roehampton 30 Pre-Sessional English 32 The Pathway College is a partnership between the University of Roehampton and QA Higher International Foundation Education – a UK Higher Education provider. The pathway programmes are validated by the Programme 34 University of Roehampton and taught by QA Higher Education. The University of Roehampton and QA Higher Education are committed to being equal Progression options 36 opportunities education providers and will therefore make reasonable adjustments for disabled applicants and students. How to apply 40 The information given in this publication is accurate at the time of going to print in March 2019 Our location and contacts 42 and the University of Roehampton and QA Higher Education will use all reasonable efforts to deliver the programmes as described. The University and QA Higher Education reserve the right to withdraw or change the programmes or programme combinations included in this prospectus. These changes will only be made as a result of UK legal compliance, minimum student number requirements or for course validation reasons and applicants will be contacted by the University or QA Higher Education in the instance of these changes occurring. Please check the website for up-to-date information on our programmes: roehampton.ac.uk/pathway 2 3 roehampton.ac.uk/pathway University of Roehampton Welcome At Roehampton, we believe passionately in the benefits of a university education undertaken away from your home country. -
Going/Or Eternity: a Child's Garden of Verses
Going/or Eternity: A Child's Garden of Verses • Elizabeth Waterston • Resume: Dans cet article, Elizabeth Waterston tente d'expliquer la fortune litteraire du recueil de poemes de Robert Louis Stevenson, A Child's Garden of Verses, dont Ie succes reste encore tres vifde nos jours. D'apres elle, plusieurs auteurs ont tout simplement oublie I'influence marquante que ces poemes ont exerce sur leur premiere jeunesse. Summary: Elizabeth Waterston discusses the reasons for the continued popularity of Robert Louis Stevenson's A Child's Garden of Verses, and suggests that many writers have forgotten the strength of the poems' influence on their pre-school days. TA T hen Robert Louis Stevenson rhymed "children" with "bewildering" r V in the trial edition of his verses for children, his friend Sidney Colvin objected. "A Cockney rhyme," he jotted into the margin of the little book titled Penny Whistles.1 Stevenson responded with his own marginal jotting, "Good enough for me.... These are rhymes, jingles; I don't go for eternity." Whether or not he thought he was in the race for immortality when he published his little rhymes, A Child's Garden of Verses, first published in 1885, has proved to have great survival power. It is still available in all sorts of editions, vari- ously illustrated, and is still a preeminent choice of educators as well as of parents and care-givers. It is a book for children too young to express an opinion of its charms; but many of us re-open it as adults to discover just how deeply it has sunk into our pores. -
Buses from Roehampton and Queen Mary's University
Buses from Roehampton and Queen Mary’s Hospital East Acton Du Cane Road Old Brompton Road Brunel Road Hammersmith Hospital WEST 430 72 East Acton South Kensington EAST BROMPTON for the Museums White City West Brompton 170 ACTON for BBC TV Centre Victoria Shepherd's Bush Lillie Road Victoria Coach Station Hammersmith HAMMERSMITH Fulham Palace Road Fulham Cemetery 85 Chelsea 265 Royal Hospital Road Putney Bridge Castelnau River Thames River Thames Barnes 493 Red Lion Putney North Sheen St. Mary's Church Manor Circus Battersea Bridge Road Rocks Lane RICHMOND Lower Richmond Road Lower Richmond Road Festing Road The Embankment Richmond BARNES Lower Richmond Road Lower Richmond Road PUTNEY Commondale Ruvigny Gardens Putney High Street Sheen Road Upper Richmond Upper Richmond Queens Road Road West Road West Barnes Common Barnes for North Sheen Thornton Road Priests Bridge Roehampton lane Upper Upper Upper Richmond East Sheen Upper Richmond Upper Richmond Road Richmond Road Richmond Road Richmond Road Putney Lombard Road Bus Station Sheen Lane Road West Priory Lane Gipsy Lane Leisure Centre Arts Theatre Kings Road Barnes Rosslyn Park R.F.C. Upper Upper Richmond Road Richmond Road Dover House Woodborough Road Methodist Church Roehampton Lane Road Fairacres Gibbon Walk UÚ Putney Hill ÚX ELMSHAW RD HAWK ESBURY ROAD St. John’s Avenue GB Clapham Junction Digby Stuart HC College CLAPHAM The yellow tinted area includes every bus PARKSTEAD ROAD stop up to about one-and-a-half miles from Roehampton University Queen Mary’s JUNCTION Roehampton and Queen Mary's Hospital. HD Hospital GA AY Putney Hill Main stops are shown in the white area CRESTW Ú AY South Thames College outside. -
Annual Report and Financial Statements 2019/20
Annual Report and Financial Statements 2019/20 Roehampton University Company Registration Number 5161359 (England and Wales) Contents Chair of Council’s Welcome ..................................................................................... 4 Strategic Report ........................................................................................................... 6 Key Performance Indicators.................................................................................. 8 Financial Review ....................................................................................................10 Student Experience ...............................................................................................12 Staff Experience.....................................................................................................15 Learning, Teaching and Student Success ........................................................16 Research .................................................................................................................18 Outreach, Participation and Community Engagement .................................. 20 Responsible University .........................................................................................22 Risk and Uncertainty .............................................................................................24 Members of Council Report ...................................................................................26 Statement of Public Benefit.................................................................................28 -
Getting to Elm Grove Location
University of Roehampton London SW15 5PH Elm Grove Grove House Parkstead House GETTING TO ELM GROVE LOCATION MAP Elm Grove is situated on the main campus of the University of Roehampton, please enter through the main University gates off Roehampton Lane. Elm Grove and Welcome Centre reception is situated to the left as you enter through these gates or if you are wishing to park please turn right for the main car park. TRAVELLING BY PUBLIC TRANSPORT TRAVELLING BY CAR CENTRAL ELM GROVE LONDON BARNES National rail From central London BR STATION CHMOND ROAD AR) R RI (SOUTH CIRCUL A3 • Southwest Trains service from London Waterloo to Barnes. • A3 south from London A205 UPPE 0 6 HEATHROW AIRPORT • Southwest Trains service from Clapham Junction to Barnes. • Turn right on to Roehampton Lane A308 R ROEHAMPTON O • Please visit National Rail Enquiries for arrival and departure times. • Follow Roehampton Lane for one mile, after Clarence Lane on the CLUB EH AM left take the second left. After entering through the main gates, • Please note that Elm Grove is a 15 minute walk from Barnes train P T Elm Grove is situated slightly to the left. ROEHAMPTON O GROVE HOUSE station or if you prefer : PRIORY N L A • Take a bus by exiting the station and crossing over the bridge N E By car from the North BANK OF ENGLAND signposted towards Roehampton. The 265 bus stop is on the SPORTS CENTRE ROEHAMPTON E left hand side of the road. CLUB QUEENS N BUILDING LA • M1 south to junction 6A (M25 direction Heathrow) GOLF COURSE • Alight at Roehampton University Main Entrance bus stop; walk N O • M40 south to junction 1A (M25 direction Heathrow) CLARENC T up towards the traffic lights, cross over the road. -
The Annual Report of the Library Company of Philadelphia for the Year 2010
THE ANNUAL REPORT OF THE LIBRARY COMPANY OF PHILADELPHIA FOR THE YEAR 2010 PHILADELPHIA: The Library Company of Philadelphia 1314 Locust Street Philadelphia, Pennsylvania 19107 2011 as of December 31, 2010 President Beatrice W. B. Garvan Vice President B. Robert DeMento Secretary Helen S. Weary Treasurer Robert J. Christian Trustees Lois Green Brodsky Gordon M. Marshall Harry S. Cherken, Jr. Martha Hamilton Morris Robert J. Christian Stacy Slattery Richards B. Robert DeMento James R. Roebuck, Jr. Davida T. Deutsch Howell K. Rosenberg Beatrice W. B. Garvan Carol E. Soltis Autumn Adkins Graves Peter Stallybrass William H. Helfand John C. Tuten Charles B. Landreth Ignatius C. Wang Elizabeth P. McLean Helen S. Weary Trustees Emeriti Peter A. Benoliel Charles E. Rosenberg Roger S. Hillas William H. Scheide David W. Maxey Seymour I. Toll Susan O. Montgomery Michael Zinman Director John C. Van Horne James N. Green Librarian Rachel D’Agostino Curator of Printed Books Alfred Dallasta Chief of Maintenance and Security Ruth Hughes Chief Cataloger Cornelia S. King Chief of Reference Phillip S. Lapsansky Curator of African Americana Cathy Matson Director, Program in Early American Economy and Society Jennifer W. Rosner Chief of Conservation Nicole Scalessa Information Technology Manager Sarah J. Weatherwax Curator of Prints & Photographs Front Cover: Mother Goose’s Melodies, the Only Pure Edition (New York and Boston, ca. 1854). Gift of Michael Zinman. TABLE OF CONTENTS REPORT OF THE PRESIDENT 4 REPORT OF THE TREASURER 8 REPORT OF THE DIRECTOR 10 REPORT OF THE LIBRARIAN 12 THE MICHAEL ZINMAN COLLECTION OF Early 30 AMERICAN CHILDREN’S BOOKS WOMAN’S HISTORY: Teachers AND Students IN AND 51 OUT OF THE Classroom RIGHT LIVING BY THE BOOK: A GIFT OF Mothers’ 59 Manuals from CHARLES E. -
Robert Louis Stevenson, 1850-1894
Robert Louis Stevenson, 1850-1894 ARCHIVED ONLINE EXHIBIT Originally exhibited summer 1994-spring 1995 Thomas Cooper Library, University of South Carolina Text by Patrick Scott & Roger Mortimer, with assistance from Bruce Bowlin Archived October 13, 2013 TABLE OF CONTENTS Archived Online Exhibit ................................................................................................................................. 1 Introduction .................................................................................................................................................. 2 Early Life in Edinburgh .................................................................................................................................. 3 Travel Writing................................................................................................................................................ 8 The Fiction of Adventure ............................................................................................................................ 10 Stevenson as Poet and Essayist .................................................................................................................. 13 Stevenson and Henley ................................................................................................................................ 17 Sensation and Collaboration ....................................................................................................................... 19 In the South Seas ....................................................................................................................................... -
Edmund Evans Collection
EDMUND EVANS COLLECTION Edmund Evans collection ................................................................................................... 4 Biographical sketch ......................................................................................................... 4 Scope and content ........................................................................................................... 4 Custodial history ............................................................................................................. 5 Related material in the Osborne Collection .................................................................... 5 Series and Items .................................................................................................................. 6 Series 1: The Alphabet of Flowers for Good Children .................................................. 6 The Alphabet of Flowers/for Good Children .............................................................. 6 A for anemones… ....................................................................................................... 6 B for the blue-bell… ................................................................................................... 6 C for convolvulus… .................................................................................................... 6 D is the daisy… ........................................................................................................... 6 E is the eglantine briar… ........................................................................................... -
The Vicar of Wakefield (Oxford World's Classics)
oxford world’s classics THE VICAR OF WAKEFIELD Oliver Goldsmith was born in 1730(?), the second son of Charles Goldsmith, curate of the parish of Kilkenny West in West Meath in Ireland. In 1745 he was admitted to Trinity College Dublin. He quickly dissipated his savings by gambling, which was to become an abiding interest. After periods at the Universities of Edinburgh and Leyden he spent 1755–6 travelling in Europe, where he is reputed to have eked out a living by playing the flute and disputing doctrinal points at monasteries and universities. Before embarking on a writing career he worked in London as an apothecary’s assistant, a doctor, and a school usher. A combination of overwork, worry, and poor self-treatment hastened his death in 1774. Goldsmith’s ability and range as a professional writer were considerable. Best known perhaps for The Vicar of Wakefield, he was also the author of biographies, anthologies, translations, poems (The Traveller, 1764, and The Deserted Village, 1770), plays (She Stoops to Conquer, 1773), as well as numerous reviews and essays. Arthur Friedman is the late distinguished Professor of English at the University of Chicago and editor of Goldsmith’s Collected Works. Robert L. Mack is a lecturer in the School of English at the University of Exeter. He has previously taught at Princeton University and Vanderbilt University, and is the editor of the Arabian Nights’ Entertainments and Oriental Tales for Oxford World’s Classics. His biog- raphy of the poet Thomas Gray was published by Yale University Press in 2000. oxford world’s classics For over 100 years Oxford World’s Classics have brought readers closer to the world’s great literature.