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GDR Films Various Authors
GDR Bulletin Volume 2 Issue 1 February Article 4 1976 GDR Films various authors Follow this and additional works at: https://newprairiepress.org/gdr This work is licensed under a Creative Commons Attribution-Share Alike 4.0 License. Recommended Citation authors, various (1976) "GDR Films," GDR Bulletin: Vol. 2: Iss. 1. https://doi.org/10.4148/gdrb.v2i1.323 This Announcement is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in GDR Bulletin by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. authors: GDR Films -it- Mr. Peet fought in the Spanish Civil War with the British Battalion of the Inter• militarist society. Even such classics as Kiohard Wagner's THE national Brigade. After service with the FLYING DUTCHMAN. Geore Buchner's WOZZECK. and E. T. A. Hoffman's THE DEVIL'S ELIXIR are recreated from a socialist British Army in the Middle East during point of view. Thus the socialist realism of East German cinema can be studied as a cultural extension of a government that had the World War II he became editor of the enormous task of unifying a shattered nation and declared its belief in a democratic, humanist society constructed on the firm Jerusalem Radio. He later became a cor• foundation of socialism. It is not the purpose of this program to question the reality of these commitments, but it is necessary to respondent for Reuter's in Vienna, War• consider these stated national goals since they are reflected in the cut and fabric of the cinema from the German Democratic saw and West Berlin. -
New German Critique, No. 49, Special Issue on Alexander
new critiquegqrpian I L Number49 Winter1990 SPECIAL ISSUE ON ALEXANDER KLUGE AlexanderKluge The Assaultof the Presenton the Restof Time EricRentschler RememberingNot to Forget: A RetrospectiveReading of Kluge'sBrutality in Stone TimothyCorrigan The Commerceof Auteurism:a Voice withoutAuthority HelkeSander "You Can't AlwaysGet WhatYou Want": The Filmsof AlexanderKluge HeideSchliipmann Femininityas ProductiveForce: Kluge and CriticalTheory GertrudKoch AlexanderKluge's Phantomof the Opera AlexanderKluge On Opera, Filmand Feelings RichardWolin On MisunderstandingHabermas: A Responseto Rajchman JohnRajchman Rejoinder to Richard Wolin Marc Silberman Remembering History:The Filmmaker Konrad Wolf This content downloaded on Fri, 18 Jan 2013 09:51:49 AM All use subject to JSTOR Terms and Conditions NEW GERMAN an interdisciplinary journal of german studies CRITIQUE Editors:David Bathrick(Ithaca), Helen Fehervary(Columbus), Miriam Hansen (Chicago), AndreasHuyssen (New York),Anson Rabinbach (New York),Jack Zipes (Minneapolis). ContributingEditors: Leslie Adelson (Columbus), Geoff Eley (AnnArbor), Ferenc Feher (New York),Agnes Heller (New York),Peter U. Hohendahl(Ithaca), Douglas Kellner (Austin),Eberhard Kn6dler-Bunte (Berlin), Sara Lennox (Amherst),Andrei Markovits (Cambridge),Biddy Martin (Ithaca), Rainer Naigele (Baltimore),Eric Rentschler (Irvine),Henry Schmidt (Columbus), James Steakley (Madison). AssistantEditors: Ned Brinkley(Ithaca), and Karen Kenkel(Ithaca). ProjectAssistant: Cynthia Herrick (Ithaca). Publishedthree times a yearby TELOS PRESS, 431 E. 12thSt., New York,NY 10009. NewGerman Critique No. 49 correspondsto Vol. 17,No. 1. ? New GermanCritique Inc. 1990.All rightsreserved. New GermanCritique is a non-profit,educational organiza- tionsupported by theDepartment of GermanLiterature of CornellUniversity and by a grantfrom the Departmentof Germanand College of Humanitiesof Ohio State University. All editorialcorrespondence should be addressedto: NEW GERMAN CRITIQUE, Departmentof GermanStudies, 185 GoldwinSmith Hall, CornellUniversity, Ithaca, New York 14853. -
9780801460067.Pdf
Legal Tender Series editor: Peter Uwe Hohendahl, Cornell University Signale: Modern German Letters, Cultures, and Thought publishes new English- language books in literary studies, criticism, cultural studies, and intellectual history pertaining to the German-speaking world, as well as translations of im- portant German-language works. Signale construes “modern” in the broad- est terms: the series covers topics ranging from the early modern period to the present. Signale books are published under a joint imprint of Cornell University Press and Cornell University Library in electronic and print formats. Please see http://signale.cornell.edu/. Legal Tender Love and Legitimacy in the East German Cultural Imagination John Griffi th Urang A Signale Book Cornell University Press and Cornell University Library Ithaca, New York Cornell University Press and Cornell University Library gratefully acknowledge the support of The Andrew W. Mellon Foundation for the publication of this volume. Copyright © 2010 by Cornell University All rights reserved. Except for brief quotations in a review, this book, or parts thereof, must not be reproduced in any form without permission in writing from the publisher. For information, address Cornell University Press, Sage House, 512 East State Street, Ithaca, New York 14850. First published 2010 by Cornell University Press and Cornell University Library Printed in the United States of America Library of Congress Cataloging-in-Publication Data Urang, John Griffi th, 1975– Legal tender : love and legitimacy in the East German cultural imagination / John Griffi th Urang. p. cm. — (Signale : modern German letters, cultures, and thought) Includes bibliographical references and index. ISBN 978-0-8014-7653-2 (pbk. -
LEUCHTKRAFT N Editorial: 20 Jahre DEFA-Stiftung Jeder Tag Ein Abenteuer
LEUCHTKRAFT 2018 Journal der DEFA-Stiftung Journal derJournal DEFA-Stiftung n Editorial: 20 Jahre DEFA-Stiftung Jeder Tag ein Abenteuer So hieß ein Buch, das mich durch meine Kindheit be- kraft« vor und spielen auf einen Film an, den die Mit- gleitete. Der Autor, seinen Namen habe ich vergessen, arbeiterinnen und Mitarbeiter der DEFA-Stiftung sehr beschrieb eine Fahrradtour rund um die Welt. Eine lieben, Jochen Kraußers grotesken Leuchtkraft der Reise, die von platten Reifen, verschlissenen Felgen, Ziege. Wir wollen damit einige Schlaglichter auf unsere steinigen Aufstiegen, kurvenreichen Abfahrten und Arbeit werfen, auf Geleistetes und noch Kommendes. vielen Begegnungen mit meist sympathischen Zeitge- Ein Text über Marion Keller, die erste Regisseurin der nossen begleitet war. Jeder Tag ein Abenteuer? – Das DEFA, soll neugierig machen auf das im Februar 2019 wäre für die Arbeit in der DEFA-Stiftung womöglich erscheinende Buch »Sie«, in dem wir rund sechzig übertrieben. Ganz falsch ist dieser Vergleich aber nicht: Porträts von Frauen versammeln, die zwischen 1945 und Unser Archiv mit rund 12.000 Filmen aus fast fünf Jahr- 1990 in den DEFA-Studios arbeiteten. Außerdem erin- zehnten birgt so viel Spannendes, Überraschendes und nert sich Filmkomponist Peter Rabenalt an seine Lehrer noch Unentdecktes, dass es eine andauernde Freude von der DEFA und Filmhistoriker Jeanpaul Goergen an ist, diese Schätze zu heben und sie gemeinsam mit un- Karlheinz Munds außergewöhnlichen Dokumentarfilm seren Partnern und Freunden für ein heutiges, vor allem Memento über die jüdischen Friedhöfe Berlins. Lutz junges Publikum zu erschließen. Dammbeck, Sylke Laubenstein-Polenz und Melanie Vor zwanzig Jahren, am 6. Dezember 1998, wurde die Hauth reflektieren über aktuelle Probleme und Chan- DEFA-Stiftung gegründet. -
Titel Kino 1/2001 Rv
EXPORT-UNION OF GERMAN CINEMA 1/2001 At Berlin in Competition MY SWEET HOME by Filippos Tsitos Special Report TALENT MADE IN GERMANY BETWEEN THE PRIVATE AND THE POLITICAL Portrait of Margarethe von Trotta Kino Scene from “MY Scene from SWEET HOME“ GERMAN CINEMA We make the best even better Subtitling Dubbing Post-Production DVD-Mastering Graphic Design tel: +49-2205/9211-0 fax: +49-2205/9211-99 www.untertitelung.de [email protected] NEW ADDRESS as of march 2001 Sonnenstrasse 21 D-80331 Munich phone +49-89-59 97 87 0 GERMAN Export-Union des Deutschen Films GmbH CINEMA www.german-cinema.de · email: [email protected] KINO 1/2001 33 Suck My Dick 6 Talent Made In Germany Oskar Roehler Talent Agencies in Germany 34 Der Tanz mit dem Teufel – Die Entführung des Richard Oetker 13 On People And The Times Peter Keglevic Portrait of directors Barbara and Winfried Junge 34 A Woman And A Half – Hildegard Knef Clarissa Ruge 14 Between The Private And The Political Portrait of director Margarethe von Trotta 17 Personal Contacts Count World Sales Portrait: Exportfilm Bischoff 36 German Classics 18 ”MEDIA LUNA, That’s My Passion!“ 36 Lissy World Sales Portrait: Media Luna, Ida Martins Konrad Wolf 37 Metropolis 20 ODEON FILM: The Makings Of Fritz Lang An International Player 38 Tag der Idioten Producer’s Portrait: Odeon Film DAY OF THE IDIOTS Werner Schroeter 22 KINO news 26 In Production 40 New German Films 26 Anam – Meine Mutter 40 100 Pro Buket Alakus Simon Verhoeven 26 Auf den Flüssen 41 Als Großvater Rita Hayworth liebte Gordian Maugg -
Visiting Lecturers Various Authors
GDR Bulletin Volume 2 Issue 1 February Article 3 1976 Visiting Lecturers various authors Follow this and additional works at: https://newprairiepress.org/gdr This work is licensed under a Creative Commons Attribution-Share Alike 4.0 License. Recommended Citation authors, various (1976) "Visiting Lecturers," GDR Bulletin: Vol. 2: Iss. 1. https://doi.org/10.4148/ gdrb.v2i1.322 This Announcement is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in GDR Bulletin by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. authors:-3 Visiting- Lecturers theory in the GDR, including recent dis• (for example, history, sociology,etc.) are cussions and influences of Western theories, being invited from individuals or groups, especially "Rezeptionstheorie" but also including graduate students. The topics structuralism and other critical modes. An should be of interest to an audience outside oi interesting possibility might be to discuss German, too. It is planned to have presenta• to what degree such developments had an in• tions in the form of summaries or a set of fluence on the reception of bourgeois avant- theses, rather than long papers, and to have garde literature and/or on the production of a discussant for each. literature in the GDR. No papers will be Please submit ideas by March 15, 1976, read in the seminar. Proposals for discus• in duplicate to the co-chairpersons: one sion topics, which might take the form of copy to Gisela Bahr, Dept. of GREAL, Miami papers to be distributed to participants University, Oxford, Ohio 45056, and the other beforehand or presentation of short theses to Evelyn Beck, Dept. -
Geschlechterkonstruktionen Im West- Und Ostdeutschen Nachkriegsfilm Von 1945 Bis 1952 2007
Repositorium für die Medienwissenschaft Anja Horbrügger Aufbruch zur Kontinuität – Kontinuität im Aufbruch: Geschlechterkonstruktionen im west- und ostdeutschen Nachkriegsfilm von 1945 bis 1952 2007 https://doi.org/10.25969/mediarep/14356 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Horbrügger, Anja: Aufbruch zur Kontinuität – Kontinuität im Aufbruch: Geschlechterkonstruktionen im west- und ostdeutschen Nachkriegsfilm von 1945 bis 1952. Marburg: Schüren 2007 (Aufblende. Schriften zum Film 13). DOI: https://doi.org/10.25969/mediarep/14356. Erstmalig hier erschienen / Initial publication here: https://www.schueren-verlag.de/images/downloads/9783894724931.pdf Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Deposit-Lizenz (Keine This document is made available under a Deposit License (No Weiterverbreitung - keine Bearbeitung) zur Verfügung gestellt. Redistribution - no modifications). We grant a non-exclusive, Gewährt wird ein nicht exklusives, nicht übertragbares, non-transferable, individual, and limited right for using this persönliches und beschränktes Recht auf Nutzung dieses document. This document is solely intended for your personal, Dokuments. Dieses Dokument ist ausschließlich für non-commercial use. All copies of this documents must retain den persönlichen, nicht-kommerziellen Gebrauch bestimmt. all copyright information and other information regarding legal Auf sämtlichen Kopien dieses Dokuments müssen alle protection. You are not allowed to alter this document in any Urheberrechtshinweise und sonstigen Hinweise auf gesetzlichen way, to copy it for public or commercial purposes, to exhibit the Schutz beibehalten werden. Sie dürfen dieses Dokument document in public, to perform, distribute, or otherwise use the nicht in irgendeiner Weise abändern, noch dürfen Sie document in public. dieses Dokument für öffentliche oder kommerzielle Zwecke By using this particular document, you accept the conditions of vervielfältigen, öffentlich ausstellen, aufführen, vertreiben oder use stated above.