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Spoken Latin in the Late Middle Ages and Renaissance Revisited
The Journal of Classics Teaching (2020), 21, 66–71 doi:10.1017/S2058631020000446 Forum Spoken Latin in the Late Middle Ages and Renaissance Revisited Terence Tunberg Key words: Latin, immersion, communicative, Renaissance, speaking, conversational An article by Jerome Moran entitled ‘Spoken Latin in the Late tained its role as the primary language by which the liberal arts and Middle Ages and Renaissance’ was published in the Journal of sciences were communicated throughout the Middle Ages and Classics Teaching in the autumn of 2019 (Moran, 2019). The author Renaissance. Latin was the language of teaching and disputation in of the article contends that ‘actual real-life conversations in Latin the schools and universities founded during the medieval centuries. about everyday matters’ never, or almost never took place among Throughout this immensely long period of time, the literate and educated people in the late Middle Ages and Renaissance. A long- educated were, of course, always a small percentage of the total standing familiarity with quite a few primary sources for the Latin population. But for virtually all of the educated class Latin was an culture of Renaissance and early modern period leads us to a rather absolute necessity; and for nearly all of them Latin had to be learned different conclusion. The present essay, therefore, revisits the main in schools. Their goal was not merely to be able to read the works of topics treated by Moran. Latin authors, the Latin sources of the liberal arts and theology, but We must differentiate Latin communication from vernacular also to be able to use Latin themselves as a language of communica- communication (as Moran rightly does), and keep in mind that the tion in writing and sometimes in speaking. -
A Renaissance for Medieval Classics
JOHN HARVard’s JournAL really anything that could serve the same can keep a medieval spelling,” Ziolkow Jan Ziolkowski functions as the Loeb for the medieval pe ski explains. “It’s going to throw people riod, and that was a frustration for me as I who are trained in classical Latin, to get thought about trying to communicate my some of the spellings that we’ve got, I feel field to a wider public.” The project in no doubt about that; however, they’ll have cubated until Ziolkowski was appointed the English alongside to help them get ac director of Dumbarton Oaks in the sum customed to it, so I hope the novelty will mer of 2007, when he began to discuss the excite people rather than deter them.” process of bringing it into existence with But Ziolkowski also hopes the series HUP. will appeal more broadly, serving both the Sharmila Sen, general editor for the hu lay reader and the specialist. “You have to manities at HUP, oversees DOML (www. appeal to a wide audience, but also satisfy hup.harvard.edu/collection.php?cpk=1320) the erudite people,” he explains. This ap as well as its predecessors and compan proach has also informed the selection of ions, the Loeb Classical Library and I the texts for DOML: “I’ve been trying to Tatti Renaissance Library (see “Reread strike a balance between something that ing the Renaissance,” MarchApril 2006, people will have heard of before, and then page 34). “There is a thousandyear gap some texts that are quite offbeat.” between Loeb and I Tatti, so DOML per Three titles will formally open the proj forms a muchneeded function of making ect. -
15Th-17Th Century) Essays on the Spread of Humanistic and Renaissance Literary (15Th-17Th Century) Edited by Giovanna Siedina
45 BIBLIOTECA DI STUDI SLAVISTICI Giovanna Siedina Giovanna Essays on the Spread of Humanistic and Renaissance Literary Civilization in the Slavic World Civilization in the Slavic World (15th-17th Century) Civilization in the Slavic World of Humanistic and Renaissance Literary Essays on the Spread (15th-17th Century) edited by Giovanna Siedina FUP FIRENZE PRESUNIVERSITYS BIBLIOTECA DI STUDI SLAVISTICI ISSN 2612-7687 (PRINT) - ISSN 2612-7679 (ONLINE) – 45 – BIBLIOTECA DI STUDI SLAVISTICI Editor-in-Chief Laura Salmon, University of Genoa, Italy Associate editor Maria Bidovec, University of Naples L’Orientale, Italy Scientific Board Rosanna Benacchio, University of Padua, Italy Maria Cristina Bragone, University of Pavia, Italy Claudia Olivieri, University of Catania, Italy Francesca Romoli, University of Pisa, Italy Laura Rossi, University of Milan, Italy Marco Sabbatini, University of Pisa, Italy International Scientific Board Giovanna Brogi Bercoff, University of Milan, Italy Maria Giovanna Di Salvo, University of Milan, Italy Alexander Etkind, European University Institute, Italy Lazar Fleishman, Stanford University, United States Marcello Garzaniti, University of Florence, Italy Harvey Goldblatt, Yale University, United States Mark Lipoveckij, University of Colorado-Boulder , United States Jordan Ljuckanov, Bulgarian Academy of Sciences, Bulgaria Roland Marti, Saarland University, Germany Michael Moser, University of Vienna, Austria Ivo Pospíšil, Masaryk University, Czech Republic Editorial Board Giuseppe Dell’Agata, University of Pisa, Italy Essays on the Spread of Humanistic and Renaissance Literary Civilization in the Slavic World (15th-17th Century) edited by Giovanna Siedina FIRENZE UNIVERSITY PRESS 2020 Essays on the Spread of Humanistic and Renaissance Literary Civilization in the Slavic World (15th- 17th Century) / edited by Giovanna Siedina. – Firenze : Firenze University Press, 2020. -
Renaissance Receptions of Ovid's Tristia Dissertation
RENAISSANCE RECEPTIONS OF OVID’S TRISTIA DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Gabriel Fuchs, M.A. Graduate Program in Greek and Latin The Ohio State University 2013 Dissertation Committee: Frank T. Coulson, Advisor Benjamin Acosta-Hughes Tom Hawkins Copyright by Gabriel Fuchs 2013 ABSTRACT This study examines two facets of the reception of Ovid’s Tristia in the 16th century: its commentary tradition and its adaptation by Latin poets. It lays the groundwork for a more comprehensive study of the Renaissance reception of the Tristia by providing a scholarly platform where there was none before (particularly with regard to the unedited, unpublished commentary tradition), and offers literary case studies of poetic postscripts to Ovid’s Tristia in order to explore the wider impact of Ovid’s exilic imaginary in 16th-century Europe. After a brief introduction, the second chapter introduces the three major commentaries on the Tristia printed in the Renaissance: those of Bartolomaeus Merula (published 1499, Venice), Veit Amerbach (1549, Basel), and Hecules Ciofanus (1581, Antwerp) and analyzes their various contexts, styles, and approaches to the text. The third chapter shows the commentators at work, presenting a more focused look at how these commentators apply their differing methods to the same selection of the Tristia, namely Book 2. These two chapters combine to demonstrate how commentary on the Tristia developed over the course of the 16th century: it begins from an encyclopedic approach, becomes focused on rhetoric, and is later aimed at textual criticism, presenting a trajectory that ii becomes increasingly focused and philological. -
[Life of Pompey] , Latin Translation by Antonius Tudertinus Pacinus
PLUTARCH, Pompei viri illustris vita [Life of Pompey] , Latin translation by Antonius Tudertinus Pacinus [or Jacopo Angeli da Scarperia] In Latin, decorated manuscript on paper Northern Italy, Lombardy, perhaps Ferrara or Mantova?, c. 1470-80 71 ff., preceded and followed by [3] paper flyleaves, complete (collation: i-vi10, vii10+1), vertical catchwords, on thick paper with watermark of the type Briquet, “Basilic,” no. 2671: Ferrare, 1471 or no. 2672-2673: Mantoue, 1478-1483, written in an Italian humanistic slightly sloping cursive script, in brown ink, on up to 21 long lines (justification 140 x 90 mm.), headings in margins in pale red ink, blank space left for initial on fol. 1, contemporary marginal annotations in brown ink. Nineteenth-century English brown Russia binding, smooth back with blind tooling and gilt lettering: ”Pompei Vita / Plutarchus / MS.”, blind-stamped and gilt with monogram and motto on upper board, and arms on lower cover, brown paper endleaves, edges gilt (Upper inner hinge loose, binding a bit scuffed, occasional minor stains to paper, else in very good condition). Dimensions 215 x 155 mm. Containing Plutarch’s life of Pompey the Great, the Roman republican hero often hailed as an antagonist of tyranny, this is one of about 50 recorded Renaissance manuscripts of the Latin translation from the Greek original completed by either Antonius Tudertinus Pacinus or Jacopo Angeli da Scarperia. The present manuscript provides testimony that the lives continued to circulate independently in manuscript form, even after their assembly into one common collection. PROVENANCE 1. Script and watermarks all point to an Italian origin for this manuscript, likely Northern Italy, Lombardy. -
UCLA Center for Medieval and Renaissance Studies 2009 – 2010
UCLA Center for Medieval and Renaissance Studies Non-Profit Org. Box 951485 U.S. Postage Los Angeles, CA 90095-1485 PAID UCLA UCLA Center for Medieval and UCLA Medieval Centerfor Renaissance Studies 2009 –2010 CMRS STAFF 2009 - 2010 The UCLA Center for Medieval and Renaissance Studies (CMRS) was established during academic year Director 1962-63 through the inspiration of the distinguished historian Lynn White, who served as its first director. Brian P. Copenhaver The Center’s goal is to promote interdisciplinary and cross-cultural studies of the period from late antiquity 310.825.1880 to the mid-seventeenth century in order to better understand cultural, social, religious, and political issues [email protected] that are rooted in the deep past yet continue to resonate in our contemporary world. Associate Director, Medieval Studies Associate Director, Renaissance Studies As an Organized Research Unit of the University of California, CMRS supports the research activities of Zrinka Stahuljak Massimo Ciavolella some 140 faculty members in twenty-eight different academic disciplines and programs. The Center offers 310.825.1880 310.825.5943 fellowships and support for both graduate and undergraduate education; it sponsors lectures, seminars, and [email protected] [email protected] conferences; and it hosts visiting scholars and other researchers. Its publications include Viator, internationally recognized as one of the best scholarly journals in the field, Comitatus, one of the oldest graduate student Assistant to the Director Publications Director journals, and Cursor Mundi, a series of single-authored books and multi-authored collections conceived as a Karen E. Burgess Blair Sullivan companion to Viator. -
Jodi Cranston Department of the History of Art & Architecture Boston
Jodi Cranston Department of the History of Art & Architecture Boston University 725 Commonwealth Avenue Boston, Massachusetts 02215 email: [email protected] Professional Experience Boston University Professor, Department of the History of Art & Architecture 1998-present; awarded tenure September 2004; promoted September 2013 Columbia University Preceptor, Department of Art History and Archaeology 1994-1997 Education Ph.D., 1998; M.Phil. 1994; M.A., 1992, Columbia University, History of Art Dissertation: “Dialogues with the Beholder: The Poetics of Portraiture in the Italian Renaissance” Advisor: Professor David Rosand B.A., 1991; Yale University Highest Honors in Renaissance Studies Graduated summa cum laude Publications Books: The Green Worlds of Renaissance Venice. Penn State University Press, January 2019. Awarded Millard Meiss Award for Publication Subvention, CAA, December 2017; additional subvention grants from the BU Center for the Humanities and BU College of Arts and Sciences The Muddied Mirror: Materiality and Figuration in Titian’s Later Paintings. Penn State University Press, February 2010. Reviews: Burlington Magazine; Renaissance Quarterly; Sixteenth-Century Journal Venetian Painting Matters, 1450-1750. Edited by Jodi Cranston. New York: Brepols, 2015. Review: Renaissance Quarterly 1 The Poetics of Portraiture in the Italian Renaissance. Cambridge and New York: Cambridge University Press, 2000. Reviews: CAA Reviews; Art Bulletin; Renaissance Quarterly; Sixteenth-Century Journal; Journal of Aesthetics and Art Criticism Digital -
Renaissance to the East: Western Scholarship's Blind Spot Or Justified
RENAISSANCE TO THE EAST: WESTERN SCHOLARSHIP’S BLIND SPOT OR JUSTIFIED NEGLECT? V l a d i m i r B u b r i n UDK: 821.163.42.09»14/15« Vladimir Bubrin Pregledni rad T o r o n t o [email protected] This paper examines why Renaissance scholarship in the West pays only passing attention to the developments south of Venice and east of Nuremberg–Leipzig–Wittenberg on the example of recently published reference books and books on reading and printing in the Renaissance: Paul F. Grendler’s Encyclopedia of the Renaissance (1999); The Oxford Companion to the Book (2009); Andrew Pettegree’s The Book in the Renaissance (2010); Guglielmo Cavallo’s & Roger Chartier’s A History of Reading in the West (1999); and Jean- François Gilmont’s The Reformation and the Book (1996). While a rich body of literature on the Renaissance exists in the areas peripheral to the mainstream (Croatia, Bohemia, Poland, Hungary), there is little evidence of any dovetailing of research in the West into areas beyond its traditional boundaries. This gives rise to questions: Is there a blind spot in Western scholarship when it comes to the Renaissance to the east? Can the disregard be explained or justified? Obstacles to a more inclusive scholarship are examined and opportunities for a greater integration of research are explored. Key words: Western Renaissance scholarship, Renaissance in Croatia and Eastern Europe, integration of Renaissance research, incunabula, 16th century book, Renaissance book market. It is very common to read claims, in Croatian literature on the Renaissance in general and studies on the 15th and 16th century culture of the book and printing in particular, that Croatia was integrally connected to European cultural develop- ments and accomplishments of that period. -
NLN Fall 2017.Pdf (235.5Kb)
123 seventeenth-century news NEO-LATIN NEWS Vol. 65, Nos. 3 & 4. Jointly with SCN. NLN is the official publica- tion of the American Association for Neo-Latin Studies. Edited by Craig Kallendorf, Texas A&M University; Western European Editor: Gilbert Tournoy, Leuven; Eastern European Editors: Jerzy Axer, Barbara Milewska-Wazbinska, and Katarzyna Tomaszuk, Centre for Studies in the Classical Tradition in Poland and East- Central Europe, University of Warsaw. Founding Editors: James R. Naiden, Southern Oregon University, and J. Max Patrick, University of Wisconsin-Milwaukee and Graduate School, New York University. ♦ ♦ Geschichte der neulateinische Literatur: Vom Humanismus bis zur Gegenwart. By Martin Korenjak. Munich: C. H. Beck, 2016. 304 pp. €26.95. As a number of people have noticed, Neo-Latin as a discipline seems to have reached a crossroads. After a hiatus of almost forty years, during which the field was well served by Josef IJsewijn and Dirk Sacré’s Companion to Neo-Latin Studies (Leuven, 1977), three new handbooks have recently appeared in rapid succession: Brill’s Encyclopaedia of the Neo-Latin World, ed. Philip Ford, Jan Bloemendal, and Charles Fantazzi (Leiden, 2014); The Oxford Handbook of Neo- Latin, ed. Sarah Knight and Stefan Tilg (Oxford, 2015); and A Guide to Neo-Latin Literature, ed. Victoria Moul (Cambridge, 2017). At the same time, my “Recent Trends in Neo-Latin Studies,” Renaissance Quarterly 69 (2016): 617–29 appeared, signifying that Neo-Latin has received the same recognition that English, history, and German have in the journal of record for the period in which the greatest amount of Neo-Latin literature was produced. -
1 James Hankins Department of History Harvard University Chronological List of Publications
1 James Hankins Department of History Harvard University Chronological List of Publications IN PRESS “Petrarch and the Canon of Neo-Latin Literature” to be published in the proceedings of the conference the conference “Petrarca, l’Umanesimo e la civiltà europea,” Florence, Italy, December 2004, sponsored the Comitato Nazionale per il VII Centenario della Nascita di Francesco Petrarca. “The Chronology of Leonardo Bruni’s Later Works (1437-1443).” Forthcoming in Studi medievali e umanistici 5 (2007). “Monstrous Melancholy: Ficino and the Physiological Causes of Atheism,” forthcoming in a volume tentatively entitled, Laus Platonici philosophi: Marsilio Ficino and His Influence,” ed. Stephen Clucas and Valerie Rees (Brill). “Malinconia mostruosa: Ficino e le cause fisiologiche dell’atesimo,” the same in Italian translation, forthcoming in Rinascimento 2007. “Humanist Academies and Platonic Academies,” forthcoming in the proceedings of the conference, From the Roman Academy to the Danish Academy in Rome, ed. H. Ragn Jensen and M. Pade, to appear in Analecta Romana Instituti Danici Supplementum. French and Italian translations of Plato in the Italian Renaissance (1990) are to appear, respectively, with Les Belles Lettres (Paris), tr. Yves-Alain Segonds, and the press of the Scuola Normale Superiore, Pisa (Edizioni del SNS), tr. Stefano Baldassarri. A new, revised edition of the English original is forthcoming from Brill. 2008 111. (with Ada Palmer). The Recovery of Ancient Philosophy in the Renaissance. A Brief Guide. (Istituto Nazionale di Studi sul Rinascimento, Quaderni di Rinascimento, vol. 44). Florence: Leo S. Olschki, 2008. VIII + 96 pp. 2 110. “Notes on the Composition and Textual Tradition of Leonardo Bruni’s Historiarum Florentini populi libri XII,” in Classica et Beneventana: Essays presented to Virginia Brown on the Occasion of her Sixty-Fifth Birthday, ed. -
Medieval and Renaissance Studies 2018-2019
MEDIEVAL AND RENAISSANCE STUDIES 2018-2019 MEDIEVAL AND RENAISSANCE STUDIES Dr. Sharon M. Rowley, Director McMurran Hall 209 (757) 594-7024 [email protected] The Minor Program in Medieval and Renaissance IDST 240. Medieval and Renaissance Perspectives (3-3-0) Studies (18 credits) [formerly MRST 200, equivalent] AIWT We look back to the middle ages for the origins of An interdisciplinary and trans-historical course examining the contemporary Western civilization and the liberal arts, cultures of medieval and early modern Europe. Students will and to the early modern period to learn about western learn about the foundations of western art, thought and culture: expansion, humanism and creativity. This minor brings scholasticism, humanism and the Liberal Arts; Christianity, together a dynamic set of courses across several departments, the Reformation and Islam; chivalry, feudalism and warfare; allowing students to explore the ways in which the legacies pandemic and plague; architecture and city-planning. These of medieval and early modern arts, history, literature and concepts will be studied through the lenses of medieval and theater, as well as philosophical, theological and political early modern arts, literature, history, theater, philosophy and thought have helped to shape our modern world. theology. Medieval and Renaissance Studies (MRST) minors will Core consider the world in which they live, as well as their place IDST 240 Medieval and Renaissance Perspectives in that world, from a trans-historical and multi-disciplinary Electives perspective. The MRST minor is open to all, but will appeal CLST 201 The Mythic Imagination especially to students majoring in art, art history, English, ENGL 200 Literary Foundations I: Ancient-17th Century government, history, modern and classical languages, music, ENGL 271 Arthurian Legend in Fiction and Film philosophy, religious studies and theater. -
African Art at the Portuguese Court, C. 1450-1521
African Art at the Portuguese Court, c. 1450-1521 By Mario Pereira A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Department of History of Art and Architecture at Brown University Providence, Rhode Island May 2010 © Copyright 2010 by Mario Pereira VITA Mario Pereira was born in Boston, Massachusetts in 1973. He received a B.A. in Art History from Oberlin College in 1996 and a M.A. in Art History from the University of Chicago in 1997. His master’s thesis, “The Accademia degli Oziosi: Spanish Power and Neapolitan Culture in Southern Italy, c. 1600-50,” was written under the supervision of Ingrid D. Rowland and Thomas Cummins. Before coming to Brown, Mario worked as a free-lance editor for La Rivista dei Libri and served on the editorial staff of the New York Review of Books. He also worked on the curatorial staff of the Isabella Stewart Gardner Museum where he translated the exhibition catalogue Raphael, Cellini and a Renaissance Banker: The Patronage of Bindo Altoviti (Milan: Electa, 2003) and curated the exhibition Off the Wall: New Perspectives on Early Italian Art in the Gardner Museum (2004). While at Brown, Mario has received financial support from the Graduate School, the Department of History of Art and Architecture, and the Program in Renaissance and Early Modern Studies. From 2005-2006, he worked in the Department of Prints, Drawings and Photographs at the Museum of Art, Rhode Island School of Design. In 2007-2008, he received the J. M. Stuart Fellowship from the John Carter Brown Library and was the recipient of an Andrew W.