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The Twenty Greatest Music Concerts I've Ever Seen
THE TWENTY GREATEST MUSIC CONCERTS I'VE EVER SEEN Whew, I'm done. Let me remind everyone how this worked. I would go through my Ipod in that weird Ipod alphabetical order and when I would come upon an artist that I have seen live, I would replay that concert in my head. (BTW, since this segment started I no longer even have an ipod. All my music is on my laptop and phone now.) The number you see at the end of the concert description is the number of times I have seen that artist live. If it was multiple times, I would do my best to describe the one concert that I considered to be their best. If no number appears, it means I only saw that artist once. Mind you, I have seen many artists live that I do not have a song by on my Ipod. That artist is not represented here. So although the final number of concerts I have seen came to 828 concerts (wow, 828!), the number is actually higher. And there are "bar" bands and artists (like LeCompt and Sam Butera, for example) where I have seen them perform hundreds of sets, but I counted those as "one," although I have seen Lecompt in "concert" also. Any show you see with the four stars (****) means they came damn close to being one of the Top Twenty, but they fell just short. So here's the Twenty. Enjoy and thanks so much for all of your input. And don't sue me if I have a date wrong here and there. -
Music & Film Memorabilia
MUSIC & FILM MEMORABILIA Friday 11th September at 4pm On View Thursday 10th September 10am-7pm and from 9am on the morning of the sale Catalogue web site: WWW.LSK.CO.Uk Results available online approximately one hour following the sale Buyer’s Premium charged on all lots at 20% plus VAT Live bidding available through our website (3% plus VAT surcharge applies) Your contact at the saleroom is: Glenn Pearl [email protected] 01284 748 625 Image this page: 673 Chartered Surveyors Glenn Pearl – Music & Film Memorabilia specialist 01284 748 625 Land & Estate Agents Tel: Email: [email protected] 150 YEARS est. 1869 Auctioneers & Valuers www.lsk.co.uk C The first 91 lots of the auction are from the 506 collection of Jonathan Ruffle, a British Del Amitri, a presentation gold disc for the album writer, director and producer, who has Waking Hours, with photograph of the band and made TV and radio programmes for the plaque below “Presented to Jonathan Ruffle to BBC, ITV, and Channel 4. During his time as recognise sales in the United Kingdom of more a producer of the Radio 1 show from the than 100,000 copies of the A & M album mid-1980s-90s he collected the majority of “Waking Hours” 1990”, framed and glazed, 52 x 42cm. the lots on offer here. These include rare £50-80 vinyl, acetates, and Factory Records promotional items. The majority of the 507 vinyl lots being offered for sale in Mint or Aerosmith, a presentation CD for the album Get Near-Mint condition – with some having a Grip with plaque below “Presented to Jonathan never been played. -
High-Fidelity-1955-Nov.Pdf
November 60 cents SIBELIUS AT 90 by Gerald Abraham A SIBELIUS DISCOGRAPHY by Paul Affelder www.americanradiohistory.com FOR FINE SOUND ALL AROUND Bob Fine, of gt/JZe lwtCL ., has standardized on C. Robert Fine, President, and Al Mian, Chief Mixer, at master con- trol console of Fine Sound, Inc., 711 Fifth Ave., New York City. because "No other sound recording the finest magnetic recording tape media hare been found to meet our exact - you can buy - known the world over for its outstanding performance ing'requirements for consistent, uniform and fidelity of reproduction. Now avail- quality." able on 1/2-mil, 1 -mil and 11/2-mil polyester film base, as well as standard plastic base. In professional circles Bob Fine is a name to reckon auaaaa:.cs 'exceed the most with. His studio, one of the country's largest and exacting requirements for highest quality professional recordings. Available in sizes best equipped, cuts the masters for over half the and types for every disc recording applica- records released each year by independent record lion. manufacturers. Movies distributed throughout the magnetically coated world, filmed TV broadcasts, transcribed radio on standard motion picture film base, broadcasts, and advertising transcriptions are re- provides highest quality synchronized re- corded here at Fine Sound, Inc., on Audio products. cordings for motion picture and TV sound tracks. Every inch of tape used here is Audiotape. Every disc cut is an Audiodisc. And now, Fine Sound is To get the most out of your sound recordings, now standardizing on Audiofilm. That's proof of the and as long as you keep them, be sure to put them consistent, uniform quality of all Audio products: on Audiotape, Audiodiscs or Audiofilm. -
We Are the CHAMPAGNE-IONS!
SEPTEMBER 30, 2009 PAGE: 5 BEST CHEF IN CHESCO C H PAGE: 6 E S CHILI T COOKOFF E R PAGE: 16 C O JOHN LILLEY U N WWW.DAILYLOCAL.COM/CC T Y C U IS IN E & N IG H T L IF E RESTAURANT FESTIVAL PAGE: 13 e e are th S! w NE-ION AG GE: 8 CHAMP PA Twice a month we will be featuring Jimmy’s BBQ of Frazer with some great local blues bands and our we known draft and bottled beer selection. Please che www.ronsoriginal.com for dates OCTOBER FEATURES ll SAUSAGE & PEPPERS APPETIZER ck $5.99 CAPRESE DI PARMA SALAD $6.99 POLLO PRIIMAVERA NACHOS $6.99 8 OZ.F ILET MIGNON DINNER $15.99 VEAL MARSALA DINNER $17.99 RAVIOLI AURORA WITH CHICKEN $12.99 BLACK & WHITE MUSSELS & SHRIMP $9.99 0547642 xxx xxx /PAGE 3 TABLE SEPT. 30, 2009 MAGA xxx ZINE CHESTER COUNTY CUISINE & NIGHTLIFE xx xxx OF www.dailylocal.com/CC STAFF: xx xxxCONTENTS Randall P. Notter Publisher Andrew M. Hachadorian Editor Justin McAneny Contributing Writer/Editorial Coordinator PAGE: 4 Autumnal Tricia A. Johnston Bliss Advertising Director CC is a magazine of the Daily Local News, pub- lished every other Wednesday and distributed free throughout Chester County. Our offi ces are located at 250 North Bradford Avenue, West Chester PA. PAGE: 6 Copyright 2009, Daily Local News. Reproduction Chili of CC, in part or in whole, is prohibited without written permission. Cookoff PAGE: 8 Chester County To advertise in CC, call Road Trip Jim Steinbrecher at 610-430-1138. -
Songs by Title
Karaoke Song Book Songs by Title Title Artist Title Artist #1 Nelly 18 And Life Skid Row #1 Crush Garbage 18 'til I Die Adams, Bryan #Dream Lennon, John 18 Yellow Roses Darin, Bobby (doo Wop) That Thing Parody 19 2000 Gorillaz (I Hate) Everything About You Three Days Grace 19 2000 Gorrilaz (I Would Do) Anything For Love Meatloaf 19 Somethin' Mark Wills (If You're Not In It For Love) I'm Outta Here Twain, Shania 19 Somethin' Wills, Mark (I'm Not Your) Steppin' Stone Monkees, The 19 SOMETHING WILLS,MARK (Now & Then) There's A Fool Such As I Presley, Elvis 192000 Gorillaz (Our Love) Don't Throw It All Away Andy Gibb 1969 Stegall, Keith (Sitting On The) Dock Of The Bay Redding, Otis 1979 Smashing Pumpkins (Theme From) The Monkees Monkees, The 1982 Randy Travis (you Drive Me) Crazy Britney Spears 1982 Travis, Randy (Your Love Has Lifted Me) Higher And Higher Coolidge, Rita 1985 BOWLING FOR SOUP 03 Bonnie & Clyde Jay Z & Beyonce 1985 Bowling For Soup 03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 BOWLING FOR SOUP '03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 Bowling For Soup 03 Bonnie And Clyde Jay Z & Beyonce 1999 Prince 1 2 3 Estefan, Gloria 1999 Prince & Revolution 1 Thing Amerie 1999 Wilkinsons, The 1, 2, 3, 4, Sumpin' New Coolio 19Th Nervous Breakdown Rolling Stones, The 1,2 STEP CIARA & M. ELLIOTT 2 Become 1 Jewel 10 Days Late Third Eye Blind 2 Become 1 Spice Girls 10 Min Sorry We've Stopped Taking Requests 2 Become 1 Spice Girls, The 10 Min The Karaoke Show Is Over 2 Become One SPICE GIRLS 10 Min Welcome To Karaoke Show 2 Faced Louise 10 Out Of 10 Louchie Lou 2 Find U Jewel 10 Rounds With Jose Cuervo Byrd, Tracy 2 For The Show Trooper 10 Seconds Down Sugar Ray 2 Legit 2 Quit Hammer, M.C. -
ARTS V- Entertainment
ARTS V- entertainment Titian Schlummernde Venus” (1510) Erotica? Pornography? Who Sees What? rt and the erotic and/or pornographic image have maintained a long and in cestuous alliance. Indeed, perhaps the first known work of sculpture recovered, the Paleolithic “ Venus of Wildendorf” reflects in a size somewhat larger than a person’s thumb a avoluptuous fem ale form radiating with sexual potency. The representation of woman as sexual goddess has continued to preoccupy virtually every cultural epoch. Our own age is no ex ception. In fact, images of women in a sexual context have become so alarmingly com monplace that one is coerced into endorsing it. And that is precisely why the accelerated ex ploitation of these images through the media is so insidious. A naked woman lying suggestively upon a bed is a scene celebrated and culturally legitamatized by Titian, Rembrandt, Goya, Watteau, Manet and just about every other greater or lesser talent that has applied paint to a surface. This particular kind of image has become so ingrained in us that we accept and even pay homage to it as part of our history. In both a high and low art form people of both sexes continue to help foster and encourage it. The men who buy Playboy and the women who buy Cosmopolitan are, in truth, purchasing one and the same image. In fact, we have become so saturated with these images that they tend to cancel one another out, leaving us benumbed to their subtle manipulation. This is commonplace, a fam iliar aspect of everyday life. -
Table of Contents
1 •••I I Table of Contents Freebies! 3 Rock 55 New Spring Titles 3 R&B it Rap * Dance 59 Women's Spirituality * New Age 12 Gospel 60 Recovery 24 Blues 61 Women's Music *• Feminist Music 25 Jazz 62 Comedy 37 Classical 63 Ladyslipper Top 40 37 Spoken 65 African 38 Babyslipper Catalog 66 Arabic * Middle Eastern 39 "Mehn's Music' 70 Asian 39 Videos 72 Celtic * British Isles 40 Kids'Videos 76 European 43 Songbooks, Posters 77 Latin American _ 43 Jewelry, Books 78 Native American 44 Cards, T-Shirts 80 Jewish 46 Ordering Information 84 Reggae 47 Donor Discount Club 84 Country 48 Order Blank 85 Folk * Traditional 49 Artist Index 86 Art exhibit at Horace Williams House spurs bride to change reception plans By Jennifer Brett FROM OUR "CONTROVERSIAL- SUffWriter COVER ARTIST, When Julie Wyne became engaged, she and her fiance planned to hold (heir SUDIE RAKUSIN wedding reception at the historic Horace Williams House on Rosemary Street. The Sabbats Series Notecards sOk But a controversial art exhibit dis A spectacular set of 8 color notecards^^ played in the house prompted Wyne to reproductions of original oil paintings by Sudie change her plans and move the Feb. IS Rakusin. Each personifies one Sabbat and holds the reception to the Siena Hotel. symbols, phase of the moon, the feeling of the season, The exhibit, by Hillsborough artist what is growing and being harvested...against a Sudie Rakusin, includes paintings of background color of the corresponding chakra. The 8 scantily clad and bare-breasted women. Sabbats are Winter Solstice, Candelmas, Spring "I have no problem with the gallery Equinox, Beltane/May Eve, Summer Solstice, showing the paintings," Wyne told The Lammas, Autumn Equinox, and Hallomas. -
Real-Time Encoding of Motion: Answerable Questions and Questionable Answers from the Fly’S Visual System
From: Motion Vision - Computational, Neural, and Ecological Constraints Edited by Johannes M. Zanker and Jochen Zeil Springer Verlag, Berlin Heidelberg New York, 2001 Real-Time Encoding of Motion: Answerable Questions and Questionable Answers from the Fly’s Visual System Rob de Ruyter van Steveninck1, Alexander Borst2 and William Bialek1 1NEC Research Institute, Princeton, USA; 2ESPM-Division of Insect Biology, University of California at Berkeley, Berkeley, USA 1. Introduction Much of what we know about the neural processing of sensory information has been learned by studying the responses of single neurones to rather simplified stimuli. The ethologists, however, have argued that we can reveal the full richness of the nervous system only when we study the way in which the brain deals with the more complex stimuli that occur in nature. On the other hand it is possible that the processing of natural signals is decomposable into steps that can be understood from the analysis of simpler signals. But even then, to prove that this is the case one must do the experiment and use complex natural stimuli. In the past decade there has been renewed interest in moving beyond the simple sensory inputs that have been the workhorse of neurophysiology, and a key step in this program has been the development of more powerful tools for the analysis of neural responses to complex dynamic inputs. The motion sensitive neurones of the fly visual sys- tem have been an important testing ground for these ideas, and there have been several key results from this work: 1. The sequence of spikes from a motion sensitive neurone can be decoded to recover a continuous estimate of the dynamic velocity trajectory (Bialek et al. -
The Top 7000+ Pop Songs of All-Time 1900-2017
The Top 7000+ Pop Songs of All-Time 1900-2017 Researched, compiled, and calculated by Lance Mangham Contents • Sources • The Top 100 of All-Time • The Top 100 of Each Year (2017-1956) • The Top 50 of 1955 • The Top 40 of 1954 • The Top 20 of Each Year (1953-1930) • The Top 10 of Each Year (1929-1900) SOURCES FOR YEARLY RANKINGS iHeart Radio Top 50 2018 AT 40 (Vince revision) 1989-1970 Billboard AC 2018 Record World/Music Vendor Billboard Adult Pop Songs 2018 (Barry Kowal) 1981-1955 AT 40 (Barry Kowal) 2018-2009 WABC 1981-1961 Hits 1 2018-2017 Randy Price (Billboard/Cashbox) 1979-1970 Billboard Pop Songs 2018-2008 Ranking the 70s 1979-1970 Billboard Radio Songs 2018-2006 Record World 1979-1970 Mediabase Hot AC 2018-2006 Billboard Top 40 (Barry Kowal) 1969-1955 Mediabase AC 2018-2006 Ranking the 60s 1969-1960 Pop Radio Top 20 HAC 2018-2005 Great American Songbook 1969-1968, Mediabase Top 40 2018-2000 1961-1940 American Top 40 2018-1998 The Elvis Era 1963-1956 Rock On The Net 2018-1980 Gilbert & Theroux 1963-1956 Pop Radio Top 20 2018-1941 Hit Parade 1955-1954 Mediabase Powerplay 2017-2016 Billboard Disc Jockey 1953-1950, Apple Top Selling Songs 2017-2016 1948-1947 Mediabase Big Picture 2017-2015 Billboard Jukebox 1953-1949 Radio & Records (Barry Kowal) 2008-1974 Billboard Sales 1953-1946 TSort 2008-1900 Cashbox (Barry Kowal) 1953-1945 Radio & Records CHR/T40/Pop 2007-2001, Hit Parade (Barry Kowal) 1953-1935 1995-1974 Billboard Disc Jockey (BK) 1949, Radio & Records Hot AC 2005-1996 1946-1945 Radio & Records AC 2005-1996 Billboard Jukebox -
The Beatles and the Crisis of Self-Identity
Sosland Journal 77 THE BEATLES AND THE CRISIS OF SELF-IDENTITY Jared Gutzmer “Ringo- a lovely performer. George- a mystical unre- alized talent. But John and Paul, Saints John and Paul, were, and made, and aureoled and beatifi ed and eternalized the concept that shall always be known, remembered and deeply loved as The Beatles” -Leonard Bernstein The Beatles are one of the most popular bands of all time. This is an undisputed fact no matter the location. They were so popular that in America, they had to stop touring due to the screaming fans which caused the band not to be able to hear themselves. Never before was there a group that was so incredibly popular in history. This popularity and other fac- tors led the members of the Beatles to change as individuals and as a group as they matured musically and mentally. Their identity shifted from a group identity to a self-identity. From the Beatles fi rst album, Please Please Me, to their last, Let It Be, the shift in their identity can be seen through their music and the appearances that led to individualism and eventually their downfall. 78 Sosland Journal The Music “It would not seem quite so likely that the accompany- ing fever known as Beatlemania will also be success- fully exported. On this side of the Atlantic it is dazed stuff.” -Jack Gould, New York Times television critic The Beatles music and lyrics changed drastically from their fi rst to last album due to adapting to a changing soci- ety, musical maturity, and their increased popularity. -
She's So Unusual
“She’s So Unusual”--Cyndi Lauper (1983) Added to the National Registry: 2018 Essay by Dale Sherman (guest post)* Album cover Original label Back of album When Cyndi Lauper was signed to Portrait Records to do a solo album in Fall 1982, the plans by those at the label for the recording sessions were not that unusual: place the spunky unknown in front of a microphone to sing songs producer Rick Chertoff had collected and be satisfied with a hit single or two. Little did they realize that Cyndi was not some waif-like innocent, unfamiliar with the big, bad world of the music business. Instead, through her determination to make sure her personality and creativity came through in the music, “She’s So Unusual” (released October 1983), would result in four U.S. top ten singles (and a fifth that made the top forty), multiple awards from the recording and video industries, and ultimately produce a legacy of material that has been remixed, reinvented, and interpreted by many fellow artists over the years. Born June 22, 1953 in Brooklyn, Cyndi had already been a professional singer for nearly ten years before beginning work on “She’s So Unusual,” and was quite wise to the inevitable ups and downs that come with making it in the music business. Cyndi’s early years in cover bands meant only long hours with little creative output, and eventually having to spend a long year with a voice coach to regain her four-octave vocal range after damaging her vocal cords by using improper voice technique. -
NOVEMBER 1986 on Occasion, Special-Interest Publications Like Interfacing Equipment, and So On
in this issue . VOL. 10, NO. 11 Features Cover Photo by Rick Mattingly Columns EDUCATION ELECTRONIC INSIGHTS Midi And The Electronic Drummer: Part 2 by Jim Fiore 40 IN THE STUDIO Working With Arrangers/Producers Mattingly by Ndugu Chancler 42 Rick THE MACHINE SHOP by Living With The Machine by Simon Goodwin 56 Photo BASICS Working With A Metronome by Kenny Zail..... 64 ROCK 'N' JAZZ CLINIC Playing Around With Time by Rod Morgenstein 72 JAZZ DRUMMERS' WORKSHOP JOE MORELLO A Melodic Approach To Soloing When it comes to technique, Joe Morello is in a class by by Stanley Ellis 80 himself, and his work with the Dave Brubeck Quartet proved that he knew how to use that technique musically. Now, as a ROCK CHARTS teacher, Morello is passing down his expertise to a new Mel Gaynor: "Alive And Kicking" generation of drummers. by Andy Rankin 96 by Rick Mattingly 16 CONCEPTS Getting Unstuck DAVID UOSIKKINEN by Roy Burns . 110 CLUB SCENE Although the Hooters seemed to suddenly come out of nowhere, drummer David Uosikkinen explains the years of Hearing Aid development that led to the group's unique sound. by Rick Van Horn 112 by Robert Santelli 22 EQUIPMENT STAYING IN SHAPE: SETUP UPDATE Terry Bozzio And Rick Marotta 74 ELECTRONIC REVIEW TIPS FROM THE PROS Simmons SDS1000 And Rack PART 2 by Bob Saydlowski, Jr 114 The finest drummers in the business share the exercises, diets, JUST DRUMS 118 and warm-ups that keep them in top physical condition. by Ron Spagnardi 26 PROFILES UP AND COMING BARRIEMORE Marillion's Ian Mosley BARLOW by Susan Alexander 38 His experiences with such artists as Jethro Tull, Yngwie Malmsteem, and Robert Plant have given Barrie Barlow some NEWS strong opinions about the current state of music—opinions UPDATE 6 that he's happy to share without pulling punches, INDUSTRY HAPPENINGS 116 by Teri Saccone 30 DEPARTMENTS EDITOR'S OVERVIEW 2 GENE CHRISMAN READERS' PLATFORM 4 His name might not be on the tip of every drummer's tongue, but the list of artists that Gene Chrisman has recorded with is ASK A PRO 10 a virtual Who's Who of the music business.