Knowledge Is Power

Total Page:16

File Type:pdf, Size:1020Kb

Knowledge Is Power Knowledge Is Power By Charles Knight Knowledge is Power CHAPTER I Let us suppose a man brought up in civilized life, cast upon a desert landwithout food, without clothes, without fire, without tools. We see the human being in the very lowest state of helplessness. Most of the knowledge he had acquired would be worse than useless; for it would not be applicable in any way to his new position. Let the land upon which he is thrown produce spontaneous fruitslet it be free from ferocious animalslet the climate be most genialstill the man would be exceedingly powerless and wretched. The first condition of his lot, to enable him to maintain existence at all, would be that he should labour. He must labour to gather the berries from the treeshe must labour to obtain water from the rivuletshe must labour to form a garment of leaves, or of some equally accessible material, to shield his body from the sunhe must labour to render some cave or hollow tree a secure place of shelter from the dews of night. There would be no intermission of the labour necessary to provide a supply of food from hand to mouth, even in the season when wild fruits were abundant. If this labour, in the most favourable season, were interrupted for a single day, or at most for two or three days, by sickness, he would in all probability perish. But, when the autumn was past, and the wild fruits were gone, he must prolong existence as some savage tribes are reported to doby raw fish and undressed roots. The labour of procuring these would be infinitely greater than that of climbing trees for fruit. To catch fish without nets, and scratch up roots with naked hands, is indeed painful toil. The helplessness of this man's condition would principally be the effect of one circumstance;he would possess no accumulation of former labour by which his present labour might be profitably directed. The power of labour would in his case be in its least productive state. He would partly justify the assertion that man has the feeblest natural means of any animal;because he would be utterly unpossessed of those means which the reason of man has accumulated around every individual in the social state. We asked the reader to suppose a civilized man in the very lowest state in which the power of labour may be exercised, because there is no record of any civilized man being for any length of time in such a state. Ross Cox, a Hudson's Bay trader, whose adventures were given to the world some twenty years ago, was in this state for a fortnight; and his sufferings may furnish some idea of the greater miseries of a continuance in such a powerless condition. Having fallen asleep in the woods of the northwest of America, which he had been traversing with a large party, he missed the traces of his companions. The weather being very hot, he had left nearly all his clothes with his horse when he rambled from his friends. He had nothing to defend himself against the wolves and serpents but a stick; he had nothing of which to make his bed but long grass and rushes; he had nothing to eat but hips and wild cherries. The man would doubtless have perished, unless he had met with some Indians, who knew better how to avail themselves of the spontaneous productions around them. But this is not an instance of the continuance of Labour in the lowest state of its power. The few individuals, also, who have been found exposed in forests, such as Peter the Wild Boy, and the Savage of Aveyron,who were discovered, the one about a century ago, in Germany, the other about forty years since, in France,differed from the civilized man cast naked upon a desert shore in this particulartheir wants were of the lowest nature. They were not raised above the desires of the most brutish animals. They supplied those desires after the fashion of brutes. Peter was enticed from the woods by the sight of two apples, which the man who found him displayed. He did not like bread, but he eagerly peeled green sticks, and chewed the rind. He had, doubtless, subsisted in this way in the woods. He would not, at first, wear shoes, and delighted to throw the hat which was given him into the river. He was brought to England, and lived many years with a farmer in Hertfordshire. During the Scotch Rebellion, in , he wandered into Norfolk; and having been apprehended as a suspicious character, was sent to prison. The gaol was on fire; and Peter was found in a corner, enjoying the warmth of the flames without any fear. The Savage of Aveyron, in the same manner, had the lowest desires and the feeblest powers. He could use his hands, for instance, for no other purpose than to seize upon an object; and his sense of touch was so defective, that he could not distinguish a raised surface, such as a carving, from a painting. This circumstance of the low physical and intellectual powers of these unfortunate persons prevents us exhibiting them as examples of the state which we asked the reader to suppose. Let us advance another step in our view of the power of Labour. Let us take a man in one respect in the same condition that we supposedleft upon a desert land, without any direct social aid; but with some help to his labour by a small Accumulation of former industry. We have instances on record of this next state. In the year a Moskito Indian was left by accident on the island of Juan Fernandez, in the Pacific Ocean; the English ship in which he was a sailor having been chased off the coast by some hostile Spanish vessels. Captain Dampier describes this man's condition in the following words: "This Indian lived here alone above three years; and although he was several times sought after by the Spaniards, who knew he was left on the island, yet they could never find him. He was in the woods hunting for goats, when Captain Watlin drew off his men, and the ship was under sail before he came back to shore. He had with him his gun, and a knife, with a small horn of powder, and a few shot; which being spent, he contrived a way, by notching his knife, to saw the barrel of his gun into small pieces, wherewith he made harpoons, lances, hooks, and a long knife; heating the pieces first in the fire, which he struck with his gunflint, and a piece of the barrel of his gun, which he hardened, having learnt to do that among the English. The hot pieces of iron he would hammer out and bend as he pleased with stones, and saw them with his jagged knife, or grind them to an edge by long labour, and harden them to a good temper as there was occasion. With such instruments as he made in that manner, he got such provisions as the island afforded, either goats or fish. He told us that at first he was forced to eat seal, which is very ordinary meat, before he had made hooks; but afterwards he never killed any seals but to make lines, cutting their skins into thongs. He had a little house, or hut, half a mile from the sea, which was lined with goat's skin; his couch, or barbecu of sticks, lying along about two feet distance from the ground, was spread with the same, and was all his bedding. He had no clothes left, having worn out those he brought from Watlin's ship, but only a skin about his waist. He saw our ship the day before we came to an anchor, and did believe we were English; and therefore killed three goats in the morning, before we came to an anchor, and dressed them with cabbage, to treat us when we came ashore." Here, indeed, is a material alteration in the wealth of a man left on an uninhabited island. He had a regular supply of goats and fish; he had the means of cooking this food; he had a house lined with goats' skins, and bedding of the same; his body was clothed with skins; he had provisions in abundance to offer, properly cooked, when his old companions came to him after three years' absence. What gave him this power to labour profitably?to maintain existence in tolerable comfort? Simply, the gun, the knife, and the flint, which he accidentally had with him when the ship sailed away. The flint and the bit of steel which he hardened out of the gunbarrel gave him the means of procuring fire; the gun became the material for making harpoons, lances, and hooks, with which he could obtain fish and flesh. Till he had these tools, he was compelled to eat seal's flesh. The instant he possessed the tools, he could make a selection of what was most agreeable to his taste. It is almost impossible to imagine a human being with less accumulation about him. His small stock of powder and shot was soon spent, and he had only an iron gunbarrel and a knife left, with the means of changing the form of the gunbarrel by fire. Yet this single accumulation enabled him to direct his labour, as all labour is directed even in its highest employment, to the change of form and change of place of the natural supplies by which he was surrounded.
Recommended publications
  • June 1984 Kansas City's Free Music and Entertainment Newspaper Issue 42 Modern English: from Punk to Classical
    All the Bulk rate news US Postage that's fH paid permit to pitch no. 2419 C PITCtI KCMO June 1984 Kansas City's free music and entertainment newspaper Issue 42 Modern English: From punk to classical is time and is at Worlds of Fun on June 8. Bassist Conroy talked with KC Pitch about the band. how it began and the hard-to-define Modern sound. all met in Culchester, England, 50 miles outside London. We thought it would be a real good to be in a band, so we all went out and thought we After two That British band Modern English performs at Worlds of Fun on music. It's something we've always wanted to do and we really got the chance on this his own words, "Ever- record." changing. Very hard to I wouldn't really are quite con­ These distinct of touring on the mind like to what we are like because tomorrow way we write our songs. We English and and loss of love ("Heart") I'd we were absolutely like it." don't want to do two songs the same, describe, and last year's "I Melt Listen to their new album and for sound like a young man struck with yourself. Modern English. with all of it's diver­ of fever. Lead vocalist sify and different dimensions. is a band that lyrics "He's the deserves to heard Trivial pursuits with Rhino Records Annette, the Monkees and "the world's only senior citizen Jewish rock band" words are the By Steve Walker the soundtracks to Blood Feast and 2000 surmise, platinum records do not crowd the eccentric in­ Maniacs with music by Herschell Gordon walls of Rhino's Santa Monica offices.
    [Show full text]
  • Big Sid” Catlett: the Development of Modern Jazz Drumming Style”
    ARTIMISI, ANTHONY B., D.M.A. The Study of Jeff Porcaro's Musical Style and the Development of an Analytical Model for the Study of Drum Set Style in Popular Music. (2011) Directed by Dr. David Nelson and Dr. Kristopher Keeton. 206 pp. Jeffrey Thomas Porcaro was one of the preeminent drummers from the middle of the 1970‘s through his untimely passing on August 5, 1992. He was a founding member of the Grammy Award winning band, Toto, and the list of albums on which his drumming appears includes six hundred ninety-three entries. His willingness to help others and commitment to excellence made a lasting impact on the drumming community and the music industry as a whole. The goal of this research was to complete an analysis of Porcaro‘s drumming style. In order to accomplish this goal, a model was developed that allowed for the analysis of drum set performance based on Robert Breithaupt‘s article entitled ―Musical Considerations for Drumset Improvisation.‖ This article identified nine strategies teachers can use with young students regarding drum set improvisation. Seven of these strategies were used to form a comparative analytical model of musical elements which created a summary of drumming style implemented on Jeff Porcaro for the purposes of this paper: Dynamics, Rate of Strokes, Accents, Rests and Rhythmic Figures, Unisons, Hand-to-Foot Distribution and Special Effects. Porcaro‘s peers and colleagues identified six songs as being representative of his drumming: Boz Scaggs‘s ―Lowdown,‖ ―Lido Shuffle,‖ ―Gimme the Goods‖ and ―Jojo,‖ Steely Dan‘s ―Gaucho,‖ and Toto‘s ―Rosanna.‖ The analytical model applied to the choruses of these songs shows that Porcaro manipulated the different musical elements in a variety of way in order to build to a musical peak during the final chorus of each song.
    [Show full text]
  • Rock Album Discography Last Up-Date: September 27Th, 2021
    Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least.
    [Show full text]
  • Max's CD Collection
    Max's CD Collection (as of Mon Feb 10 18:13:08 CET 2003) 625 records by 298 artists. Pop CDs 607 records by 290 artists. Artist Title Year Notes Location (Various) Le Meilleur du Rock Progressif Européen 1994 Compilation (7,5) Mannerisms 1994 (2,19) The Glory of Gershwin 1994 (1,10) La Yellow 357 1995 Compilation (8,12) Le Meileur du Rock Progressif Instrumental 1995 (7,10) Supper's Ready 1995 (2,15) XTC - A Testimonial Dinner 1995 (2,21) The Cocktail Shaker 1997 Compilation (8,14) Select Hot! 1998 Compilation (4,6) Classic Rock vol. 10 1999 (2,13) Uncut vol. 7 1999 Compilation (2,16) Uncut vol. 9 1999 Compilation (4,9) Uncut 2000 vol. 3 2000 Compilation (4,17) Uncut - September 2001 2001 Compilation (8,15) Rock Save The Queen 2002 Compilation (9,25) Uncut - Neat Neat Neat 2002 Compilation (9,7) 10,000 Maniacs MTV Unplugged 1993 (6,42) 3 Mustaphas 3 Heart of Uncle 1989 (2,11) Soup of The Century 1990 (3,5) 4 Non Blondes Bigger, Better, Faster, More! 1992 (3,9) A A vs. Monkey Kong 1999 (9,27) Exit Stage Right 2000 Live (9,21) Hi-Fi Serious 2002 (9,14) Abel Ganz Gratuitous Flash 1982 (3,20) The Dangers of Strangers 1985 (7,11) Gullibles Travels 1987 (7,10) The Deafening Silence 1994 (7,7) AC/DC High Voltage 1976 (5,14) Let There Be Rock 1977 (3,13) Highway to Hell 1979 (5,15) Back in Black 1980 (6,40) Live 1992 Live (4,15) Alan Parsons Project, The Tales of Mystery and Imagination 1976 (7,11) The Turn of a Friendly Card 1980 (7,11) All About Eve Scarlet and Other Stories 1989 (7,3) Almond, Marc Jacques 1989 (9,4) Amos, Tori Little Earthquakes 1991 (3,14) Boys for Pele 1996 (4,9) From The Choirgirl Hotel 1998 (1,13) From The Glastonbury Hotel 1999 Live, Bootleg (1,16) To Venus And Back 1999 2 CD.
    [Show full text]
  • Top 40 Singles Top 40 Albums
    24 June 1984 CHART #431 Top 40 Singles Top 40 Albums Footloose Wouldn't It Be Good Footloose OST The Swing 1 Kenny Loggins 21 Nik Kershaw 1 Various 21 INXS Last week 1 / 8 weeks CBS Last week 20 / 7 weeks WEA Last week 1 / 4 weeks Platinum / CBS Last week 14 / 8 weeks WEA Let's Hear It For The Boy Doctor Doctor Born In The U.S.A. You'll Never Take The Country Out O... 2 Deniece Williams 22 Thompson Twins 2 Bruce Springsteen 22 Patsy Riggir Last week 3 / 4 weeks CBS Last week 14 / 5 weeks FESTIVAL Last week - / 1 weeks CBS Last week 36 / 5 weeks CBS To All The Girls I've Loved Before They Don't Know Elaine Paige Stages Genesis 3 Julio Iglesias & Willie Nelson 23 Tracey Ullman 3 Elaine Paige 23 Genesis Last week 2 / 6 weeks CBS Last week 26 / 6 weeks VIRGIN Last week 3 / 2 weeks K-TEL Last week 20 / 28 weeks Gold / POLYGRAM I'm Only Shooting Love I'll Say Goodbye Into The Gap Thriller 4 Time Bandits 24 Dance Exponents 4 Thompson Twins 24 Michael Jackson Last week 5 / 6 weeks CBS Last week 21 / 11 weeks FESTIVAL Last week 2 / 7 weeks Platinum / FESTIVAL Last week 25 / 69 weeks Platinum / CBS Nelson Mandela Just Be Good To Me Mirror Moves No Parlez 5 Special AKA 25 The S.O.S. Band 5 Psychedelic Furs 25 Paul Young Last week 7 / 4 weeks FESTIVAL Last week 18 / 12 weeks CBS Last week 7 / 5 weeks CBS Last week 16 / 36 weeks Platinum / CBS I Want To Break Free The Longest Time Rebel Yell Pleasure Victims 6 Queen 26 Billy Joel 6 Billy Idol 26 Berlin Last week 16 / 6 weeks EMI Last week 39 / 3 weeks CBS Last week 4 / 10 weeks Platinum / FESTIVAL
    [Show full text]
  • Musicians List Pdf Site
    lin’/2002, west coast coolin’/2004, stay with me/2007 – Paul Brown white sand/2007 – Jonathan Butler surrender/2002 Alex Acuña – Cafe Soul All Stars/Love Pages various artists/2005 – Vanessa Carlton be not nobody/2002 – Chiara Civello last quarter percussion, drums moon/2005 – Steve Cole between us/2000, ny la/2003 – Brian Culbertson nice & slow/2001, come on up/2003, it’s on Los Angeles - 1978-2007 tonight/2005, a soulful christmas/2006 – Eric Darius just getting started/2006 – Will Downing emotions/2003, soul sym- AO R Light Mellow cool sound edition/2001 – AO R Light Mellow warner edition/2001 – Anri 16th summer breeze/1994, phony/2005 – George Duke duke/2005 – Richard Elliot chill factor/1999, crush/2001 – Forever, for always, for luther twin soul/1997 – David Baerwald bedtime stories/1990 – David Benoit full circle/2006 – Stephen Bishop saudade/2007 various artists/2004 – Michael Franks rendezvous in rio/2006 – Kenny G paradise/2002 – Jeff Golub do it again/2002, soul – Boys Club boys club/1988 – Brian Bromberg choices/2004 – Jackson Browne world in motion/1989 – Severin Browne sessions/2003 – Euge Groove euge groove/2000, play date/2002, livin’ large/2004 – Everette Harp for the love/2000, all from the edge of the world/1995 – Larry Carlton friends/1983, last nite/1987, kid gloves/1992 – Oscar Castro-Neves all for you/2004, in the moment/2006 – Paul Jackson, Jr. the power of the string/2001, still small voice/2003 – Bob James one/2006 – Joe Cocker night calls/1991 – Shawn Colvin fat city/1992 – Rita Coolidge and so is love/2005
    [Show full text]
  • Jeff Porcaro from Wikipedia, the Free Encyclopedia
    Jeff Porcaro From Wikipedia, the free encyclopedia Jeffrey Thomas "Jeff" Porcaro (April 1, 1954 – August 5, 1992) was an Jeff Porcaro American drummer, songwriter, and producer best known for his work with the rock band Toto. Porcaro is one of the most recorded session musicians in history,[3] working on hundreds of albums and thousands of sessions.[4] While already an established studio player in the 1970s, he came to prominence in the United States as the drummer on the Steely Dan album Katy Lied. AllMusic has characterized him as "arguably the most highly regarded studio drummer in rock from the mid-'70s to the early '90s", further stating that "It is no exaggeration to say that the sound of mainstream Jeff Porcaro on the drums on the Toto pop/rock drumming in the 1980s Fahrenheit World Tour in Blaisdell Arena, was, to a large extent, the sound of Honolulu, Hawaii, November 10, 1986 [4] Jeff Porcaro." Background information Birth name Jeffrey Thomas Porcaro Contents Born April 1, 1954 South Windsor, 1 Biography Connecticut 1.1 Personal life Died August 5, 1992 (aged 38) 1.2 Career Los Angeles 1.3 Death Genres Hard rock, pop rock, AOR, 2 Equipment progressive rock, jazz, jazz 3 Discography 3.1 With Toto fusion[1][2] 3.2 Other artists Occupation(s) Musician, songwriter, 4 See also producer 5 References 6 External links Instruments Drums, percussion Years active 1971–1992 Associated Toto, Nik Kershaw, Sonny Biography acts and Cher, Steely Dan, Boz Scaggs, Clover, Pink Floyd, Personal life Dire Straits Porcaro was born in Hartford, Connecticut, the eldest son of Los Angeles session percussionist Joe Porcaro and his wife, Eileen.
    [Show full text]
  • Ff{H($Flfj CONVERTS to ATOMIC POWER with THEIR LATEST ALBUM
    SM 14011 EB049GREENLYMONT0O M A R 8 6 NEWSPAPER MONTY GREENLY 03 10 3740 ELM UC Y LONG BEACH CA 90A.07 A Billboard Publication The International Newsweekly Of Music & Home Entertainment May 26, 1984 S3 (U.S.) INDUSTRY CONCERNED Singapore Country Chart Wars States Act To Pass `Stonewalls' In volving Publishers Music Reps Video Rating Laws NEW YORK -A legislative trend minors from renting both R- and X- In Indie Promo $$ By LEO SACKS that could end up bringing govern- rated cassettes. And additional bills By EDWARD MORRIS ment regulation to the home video pending in Maryland would prohibit NEW YORK Government offi- marketplace has caught the home the sale and rental of R- and X -rated NASHVILLE -As the jostling for otherwise their songs won't be select- - won't be cut cials in Singapore "stonewalled" a video industry unprepared. Two cassettes to minors, the public dis- country chart position continues to ed for singles or, worse, group of U.S. businessmen and com- states have already passed laws that play of video packaging depicting the intensify with tighter playlists and at all. merce and copyright representatives turn the Motion Picture Assn. of same kinds of acts, and the playing of more breaking acts, record labels and Even publishers who have a com- not hiring promoters last month when they met to discuss America (MPAA)'s voluntary rat- R- and X -rated features on in -store producers are turning more often to pany policy of if there commercial counterfeiting there. ings system into full -scale legal re- video screens.
    [Show full text]
  • High-Fidelity-1954-J
    Hi h osidelilq JAN. -FEB PRICE $1.00 -the IN M www.americanradiohistory.com now available on new edeir91,44, 10'/2" reel HERE'S A NEW 2500-foot reel with a number of improved design features that will appeal to many tape recordists. SOLID, ONE -PIECE CONSTRUCTION Audiotape can now be supplied on this light-weight a order, STANDARD N.A.B. HUB DIAMETER Fiberglas reel at no increase in price. For trial get in touch with your nearest Audio distributor. If he doesn't have the new reels in stock, have him contact 25% LIGHTER THAN ALUMINUM REEL our New York, Chicago or Hollywood office and we'll see that your requirements are promptly filled. HAS SMOOTHER FLANGE EDGES This is another example of how Audiotape gives you WILL NOT BEND extra value at no extra cost. Its performance speaks for itself. Output, frequency response, noise level and distortion are correctly proportioned for the most satis- RESISTS WARPING AND DISTORTION factory end result -with no compromise on quality any- where along the line. PRACTICALLY INDESTRUCTIBLE cuidiadisu AUDIO DEVICES, Inc. audiotape 444 MADISON AVE., NEW YORK 22, N.Y. -audiofilm Offices in Hollywood - Chicago u'ts Export Dept., 13 East 40th St., New York 16, N.Y., Cables "ARLAB" www.americanradiohistory.com llllnfesh There's More Tkawit from record with the C -108 Professional Audio Compensator The abundant flexibility of the beautiful new McIntosh C -108 Professional Audio Compensator assures you of the most listening pleasure from all of your records. Five bass turnover switches and five treble attenuation positions as well as variable bass and treble controls compensate for all recording curves - those in use today and any that may be used in the future.
    [Show full text]
  • Max's CD Collection
    Max's CD Collection (as of Mon Mar 19 11:59:42 CET 2001) 544 records by 262 artists. Pop CDs 528 records by 253 artists. 10,000 Maniacs MTV Unplugged 1993 (6,42) 3 Mustaphas 3 Heart of Uncle 1989 (2,11) Soup of The Century 1990 (3,5) 4 Non Blondes Bigger, Better, Faster, More! 1992 (3,9) Abel Ganz Gratuitous Flash 1982 (3,20) The Dangers of Strangers 1985 (7,11) Gullibles Travels 1987 (7,10) The Deafening Silence 1994 (7,7) AC/DC High Voltage 1976 (5,14) Let There Be Rock 1977 (3,13) Highway to Hell 1979 (5,15) Back in Black 1980 (6,40) Live 1992 Live (4,15) Alan Parsons Project, The Tales of Mystery and Imagination 1976 (7,11) The Turn of a Friendly Card 1980 (7,11) All About Eve Scarlet and Other Stories 1989 (7,3) Amos, Tori Little Earthquakes 1991 (3,14) Boys for Pele 1996 (4,9) From The Choirgirl Hotel 1998 (1,13) From The Glastonbury Hotel 1999 Live, Bootleg (1,16) To Venus And Back 1999 2 CD. Live (1,22) Anam (none) 1994 (7,4) Anderson, Bruford, Wakeman, An Evening of Yes Music Plus 1993 (4,11) Howe Anekdoten Vemod 1993 (2,10) Änglagård Hybris 1992 (2,1) Anyone's Daughter Piktors Verwandlungen 1993 (7,4) Aphrodite's Child 666 1971 2 CD. (6,12) Apple, Fiona Tidal 1996 (7,4) When The Pawn 1999 (3,24) Archer, Tasmin Great Expectations 1992 (7,4) Arena Songs From The Lion's Cage 1995 (7,5) Ars Nova Tränsi 1994 (7,5) Atlas Blå Vardag 1979 (7,5) Autour de Lucie Immobile 1997 (3,4) Bashung, Alain Osez Josephine 1991 (3,20) Beau Dommage (none) 1990 Compilation (7,13) Bellatrix G 1998 (4,13) Belle & Sebastian If You're Feeling Sinister 1996 (3,24) Tigermilk 1996 (1,5) 3.
    [Show full text]