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2015-2016 Official Manual
CHAPTER 3 FEDERAL GOVERNMENT The “Castle” ruins at Ha Ha Tonka State Park. Photo courtesy of Missouri State Archives 80 OFFICIAL MANUAL Members, President Obama’s Cabinet Joseph R. Biden, Vice President www.whitehouse.gov/vicepresident John Kerry, Secretary of State United States www.state.gov Jack Lew, Secretary, Department of the Treasury Government www.treasury.gov Ashton Carter, Secretary, Department of Defense www.defense.gov Executive Branch Loretta E. Lynch, Attorney General, Department Barack H. Obama, President of the United States of Justice The White House www.usdoj.gov 1600 Pennsylvania Ave. N.W., Washington, D.C. 20500 Sally Jewell, Secretary, Department of the Interior Telephone: (202) 456-1414 www.doi.gov www.whitehouse.gov Thomas J. Vilsack, Secretary, Department of Agriculture The president and the vice president of the www.usda.gov United States are elected every four years by a Penny Pritzker, Secretary, Department of majority of votes cast in the Electoral College. Commerce These votes are cast by delegates from each state www.commerce.gov who traditionally vote in accordance with the Thomas E. Perez, Secretary, Department of Labor majority of the state’s voters. States have as many www.dol.gov electoral college votes as they have congressio- Sylvia Matthews Burwell, Secretary, Department nal delegates. Missouri has 10 electoral college of Health and Human Services votes—one for each of the eight U.S. Congress www.hhs.gov districts and two for the state’s two seats in the Julián Castro, Secretary, Department of Housing U.S. Senate. and Urban Development www.hud.gov The president is the chief executive of the Anthony Foxx, Secretary, Department of United States, with powers to command the Transportation armed forces, control foreign policy, grant re- www.dot.gov prieves and pardons, make certain appointments, Ernest Moniz, Secretary, Department of Energy execute all laws passed by Congress and present www.energy.gov the administration’s budget. -
Federal Government
CHAPTER 3 FEDERAL GOVERNMENT President Truman and Winston Churchill in Fulton, MO, 1946. Gerald R. Massie 100 OFFICIAL MANUAL Members, President Obama’s Cabinet Joseph R. Biden, Vice President www.whitehouse.gov/vicepresident John Kerry, Secretary of State United States www.state.gov Jack Lew, Secretary, Department of the Treasury Government www.treasury.gov Chuck Hagel, Secretary, Department of Defense www.defense.gov Executive Branch Eric H. Holder Jr., Attorney General, Department Barack H. Obama, President of the United States of Justice The White House www.usdoj.gov 1600 Pennsylvania Ave. N.W., Washington, D.C. 20500 Sally Jewell, Secretary, Department of the Interior Telephone: (202) 456-1414 www.doi.gov www.whitehouse.gov Thomas J. Vilsack, Secretary, Department of Agriculture The president and the vice president of the www.usda.gov United States are elected every four years by a ma- Penny Pritzker, Secretary, Department of jority of votes cast in the Electoral College. These Commerce votes are cast by delegates from each state who www.commerce.gov traditionally vote in accordance with the majority Thomas E. Perez, Secretary, Department of Labor www.dol.gov of the state’s voters. States have as many electoral Kathleen Sebelius, Secretary, Department of college votes as they have congressional del- Health and Human Services egates. Missouri has 10 electoral college votes— www.hhs.gov one for each of the eight U.S. Congress districts Shaun L.S. Donovan, Secretary, Department of and two for the state’s two seats in the U.S. Senate. Housing and Urban Development The president is the chief executive of the Unit- www.hud.gov ed States, with powers to command the armed Anthony Foxx, Secretary, Department of Transportation forces, control foreign policy, grant reprieves and www.dot.gov pardons, make certain appointments, execute all Ernest Moniz, Secretary, Department of Energy laws passed by Congress and present the admin- www.energy.gov istration’s budget. -
The Notebook of Bass Otis, Philadelphia Portrait Painter
The Notebook of Bass Otis, Philadelphia Portrait Painter THOMAS KNOLES INTRODUCTION N 1931, Charles H. Taylor, Jr., gave the American Antiquarian Society a small volume containing notes and sketches made I by Bass Otis (1784-1 S6i).' Taylor, an avid collector of Amer- ican engravings and lithographs who gave thousands of prints to the Society, was likely most interested in Otis as the man generally credited with producing the first lithographs made in America. But to think of Otis primarily in such terms may lead one to under- estimate his scope and productivity as an artist, for Otis worked in a wide variety of media and painted a large number of portraits in the course of a significant career which spanned the period between 1812 and 1861. The small notebook at the Society contains a varied assortment of material with dated entries ranging from 1815 to [H54. It includes scattered names and addresses, notes on a variety of sub- jects, newspaper clippings, sketches for portraits, and even pages on which Otis wiped off his paint brush. However, Otis also used the notebook as an account book, recording there the business side of his life as an artist. These accounts are a uniquely important source of information about Otis's work. Because Otis was a prohfic painter who left many of his works unsigned, his accounts have been I. The notebook is in the Manuscripts Department, American Andquarian Society. THOMAS KNOLES is curator of manuscripts at the American Andquarian Society. Copyright © i<^j3 by American Andquarian Society Í79 Fig. I. Bass Otis (i7«4-iH6i), Self Portrait, iHfio, oil on tin, y'/z x f/i inches. -
A Catalogue of the Collection of American Paintings in the Corcoran Gallery of Art
A Catalogue of the Collection of American Paintings in The Corcoran Gallery of Art VOLUME I THE CORCORAN GALLERY OF ART WASHINGTON, D.C. A Catalogue of the Collection of American Paintings in The Corcoran Gallery of Art Volume 1 PAINTERS BORN BEFORE 1850 THE CORCORAN GALLERY OF ART WASHINGTON, D.C Copyright © 1966 By The Corcoran Gallery of Art, Washington, D.C. 20006 The Board of Trustees of The Corcoran Gallery of Art George E. Hamilton, Jr., President Robert V. Fleming Charles C. Glover, Jr. Corcoran Thorn, Jr. Katherine Morris Hall Frederick M. Bradley David E. Finley Gordon Gray David Lloyd Kreeger William Wilson Corcoran 69.1 A cknowledgments While the need for a catalogue of the collection has been apparent for some time, the preparation of this publication did not actually begin until June, 1965. Since that time a great many individuals and institutions have assisted in com- pleting the information contained herein. It is impossible to mention each indi- vidual and institution who has contributed to this project. But we take particular pleasure in recording our indebtedness to the staffs of the following institutions for their invaluable assistance: The Frick Art Reference Library, The District of Columbia Public Library, The Library of the National Gallery of Art, The Prints and Photographs Division, The Library of Congress. For assistance with particular research problems, and in compiling biographi- cal information on many of the artists included in this volume, special thanks are due to Mrs. Philip W. Amram, Miss Nancy Berman, Mrs. Christopher Bever, Mrs. Carter Burns, Professor Francis W. -
Blue Book, Official Manual, Secretary of State, Federal Government, Missouri
CHAPTER 3 Federal Government Edward Gill with his bicycle, 1932 Gill Photograph Collection Missouri State Archives 104 OFFICIAL MANUAL ND DIV TA ID S E D E E PLU UM RI BU N S U W W E D F E A T I L N L U www.doc.gov; SALUS X ESTO LE P O P A U L I S UP R E M M D C C C X X Robert M. Gates, Secretary of Defense; www.defencelink.mil; Margaret Spellings, Secretary of Education; United States www. ed.gov; Samuel W. Bodman, Secretary of Energy; www.energy.gov; Government Michael O. Leavitt, Secretary of Health and Hu man Services; www.hhs.gov; Michael Chertoff, Secretary of Homeland Secu- Executive Branch rity; www.dhs.gov; George W. Bush, President of the United States Alphonso Jackson, Secretary of Housing and The White House Urban Development; www.hud.gov; 1600 Pennsylvania Ave., N.W. Dirk Kempthorne, Secretary of the Interior; Washington, D.C. 20500 www.doi.gov; Telephone: (202) 456-1414 Alberto Gonzales, Attorney General; www.usdoj.gov; www.whitehouse.gov Elaine Chao, Secretary of Labor; www.dol.gov; Condoleezza Rice, Secretary of State; Note: Salary information in this section is taken from www.state.gov; “Legislative, Executive and Judicial Officials: Process for Mary E. Peters, Secretary of Transportation; Adjusting Pay and Current Salaries,” CRS Report for Con- www.dot.gov; gress, 07-13-2007. Henry M. Paulson Jr., Secretary of the Treasury; The president and the vice president of the www.ustreas.gov; United States are elected every four years by a Jim Nicholson, Secretary of Veterans Affairs; majority of votes cast in the electoral college. -
Historiogtl Review
Historiogtl Review The State Historical Society of Missouri COLUMBIA. MISSOURI The George Caleb Bingham portrait of Confederate jS General Joseph O. Shelby, an unlisted painting that had jg| been in the Shelby family for nearly three-quarters of a | century, is a recent gift to the State Historical Society of JS Missouri by General Shelby's grandson, J O Shelby Jersig, ffl Lt. Col. Ret., United States Marine Corps, Clovis, New gj Mexico. y A native Kentuckian, General Shelby is best remem- pi bered as a Missouri manufacturer, farmer and Confederate M cavalry general. Hailed by some authorities as the best cav alry general of the South, his Missouri forays were highlights of the Trans-Mississippi Army of the Confederacy. At the time of his death in 1897, General Shelby was United States Marshall for the western district of Missouri. m Shelby's portrait, along with fourteen other canvases, one miniature and drawings, engravings and lithographs by Bingham were prepared for display in the Art Gallery, at m the Society's Sesquicentennial Convention, October 3, 1970, and will remain on display until late summer, 1971. On exhibit in the Society's corridors are the tinted en- JU gravings of Karl Bodmer's illustrations, prepared in the field during 1833-34, for Prince Maximilians of Wied's Travels in j|j the Interior of North America, published in the 1840s. MISSOURI HISTORICAL REVIEW Published Quarterly by THE STATE HISTORICAL SOCIETY OF MISSOURI COLUMBIA, MISSOURI RICHARD S. BROWNLEE EDITOR DOROTHY CALDWELL ASSOCIATE EDITOR JAMES W. GOODRICH ASSOCIATE EDITOR The MISSOURI HISTORICAL REVIEW is owned by the State Historical Society of Missouri and is published quarterly at 201 South Eighth Street, Columbia, Missouri 65201. -
Bass Otis (1784-1861), 1860
BASS OTIS (1784-1861), 1860 self-portrait oil on tin 10 1/8 x 8 1/4 (25.72 x 20.96) inscribed, on verso: ‘Bass Otis/Painted by himself/Aged 76/ for F. J. Dreer, AD 1860’ Gift of Charles Henry Taylor, Jr., 1928 Weis 91 Hewes Number: 91 Ex. Coll.: Ferdinand Julius Dreer (1812-1902); sold at ‘F. J. Dreer’s Collection of Oil Portraits and Engravings,’ auction by Stan T. Henkels, June 6, 1913; purchased by Charles E. Goodspeed for $65; sold to donor. Exhibitions: 1969, ‘A Society’s Chief Joys,’ Grolier Club, New York, no. 212. 1976, ‘Bass Otis: Painter, Portraitist and Engraver,’ Historical Society of Wilmington, Delaware, no. 80. Publications: Wayne Craven and Gainor B. Davis, Bass Otis: Painter, Portraitist and Engraver (Wilmington, Del.: Historical Society of Delaware, 1976), 112. William Dunlap, A History of the Rise and Progress of the Arts of Design in the United States, 3 vols. (Boston: C. E. Goodspeed & Co., 1918), 2: 282. Thomas Knoles, ‘The Notebook of Bass Otis: Philadelphia Portrait Painter,’ Proceedings of the American Antiquarian Society 103 (April 1993): 180. Pennsylvania Magazine of History and Biography 37 (October 1913): frontispiece. A Society’s Chief Joys (Worcester: American Antiquarian Society, 1969), 104. That Bass Otis became an artist, specializing in portrait painting, instead of taking up the family trade of scythe-making in the area of Bridgewater, Massachusetts, was a result of following his natural inclination. He learned the basic elements of grinding pigments and mixing colors from a coach maker. He may have studied with Gilbert Stuart in Boston between 1805 and 1808 before moving to New York City, where he may have worked briefly as an assistant to John Wesley Jarvis (1780-1840).1 In 1812 Otis moved to Philadelphia, where his portraits were well-received. -
John Neagle Papers and Related Items 2112 Finding Aid Prepared by Cary Majewicz
John Neagle papers and related items 2112 Finding aid prepared by Cary Majewicz. Last updated on November 09, 2018. First edition Historical Society of Pennsylvania ; 2012 John Neagle papers and related items Table of Contents Summary Information....................................................................................................................................3 Biography/History..........................................................................................................................................4 Scope and Contents....................................................................................................................................... 5 Administrative Information........................................................................................................................... 6 Controlled Access Headings..........................................................................................................................6 Bibliography...................................................................................................................................................7 Collection Inventory...................................................................................................................................... 8 - Page 2 - John Neagle papers and related items Summary Information Repository Historical Society of Pennsylvania Creator Neagle, John, 1796-1865. Title John Neagle papers and related items Call number 2112 Date 1818-circa 1926, 1990, bulk 1820-1860 -
Paintings and Frescoes
CHAPTER XXI PAINTINGS AND FRESCOES EFORE the commencement of the Capitol extension, the large Westward the Course of Empire takes its Way [Plate 302], by paintings for the panels in the Rotunda were completed, with Emmanuel Leutze, a German artist of prominence, was ordered by one exception. Henry Inman, one of the four artists with General Meigs July 9, 1861, and completed in 1862. The representation whom contracts were made for the historical panels, died of pioneers with their wagons and camping outfits, the mountain BJanuary 17, 1846, without having commenced the painting, although scenery, and Daniel Boone, always attracts the attention of visitors. The he had received $6,000 on account for the work. March 3, 1847, a method of applying the paint to the wall adopted in this painting has contract was made with W. H. Powell to paint the vacant panel. It was been used only in this one instance in the Capitol. The basis is a thin not placed in the Rotunda until 1855. This panel, The Discovery of the layer of cement of powdered marble, quartz, dolomite, and air-worn Mississippi [Plate 299], is intended to depict De Soto and his small lime. The water colors are applied on this cement and fixed by a spray band of followers, the first Caucasians to see our mighty Mississippi. It of water-glass solution. By the method employed it is much easier to is a spirited composition, in no sense realistic, idealizing both make corrections in the painting than with ordinary fresco work. Spaniards and Indians. The Battle on Lake Erie [Plate 301], by W. -
John Neagle's Pat Lyon at the Forge
Bass Otis’ Interior of a Smithy; c. 1815; Oil on canvas; 50½” x 80½” Pennsylvania Academy of the Arts; Gift of the artist Art in the New World: the Glorified Laborer A painting of such content had never before been seen in either the Old or the New World. How was it possible for such a young artist to paint such an extraordinary subject? The answer to this question lies in the new nation’s perception of itself and its newfound ideals. The young country had just fought a war both for equality, where laborers were considered equal to gentlemen, and in support of a fair government with an egalitarian judicial system. Lyon’s story embodied both of these principles. Not only did he represent the “American” ideal of starting from nothing and making something of oneself, but he also vindicated the new American political system. Judge Yates, the judge assigned to Lyon’s trial, stated in his last charge to the jury, “… the tradesman who depends upon his labor for his existence, is to be regarded as much as any other member of the community, Wealth and respectability of character should not weigh as a feather in the scale, when another man’s rights are violated. It is unquestionably time, that in our country at least, we stand up on the rights of man, neither wealth nor office create an unequal standing, or give to any man a superiority over his fellow citizens.”1 This novel outlook on laborers was also in large part due to the machinations of Benjamin Franklin. -
The Signevierist
The Signevierist Issue Number 2020-3 The Official Newsletter of the Fire Mark Circle of the Americas ___________________________________________________________________________________________________________________________ Mechanic Fire Company Hat One of The Philadelphia Contributionship’s most remarkable items in its firefighting collection is the Mechanic Fire Company hat illustrated here. The Mechanic Fire Company chose as its logo an image of the famous blacksmith and fire engine manufacturer, Pat Lyon at the Forge, copied after the famous commissioned portrait John Neagle painted in 1826-27. This is a red stovepipe hat, made of pressed felt, painted and varnished, made by James Hill whose shop at the time was located at 207 Callowhill Street, Philadelphia. On the front of the hat above the portrait of Pat Lyon at the Forge is a banner with the name of the company: Mechanic Fire Company; At the top of the hat are the owners initials R.S. and on the back of the hat is the symbol of the Fire Association to which the Mechanic Fire Company belonged. 1 This hat tells different stories: that of the fire engine manufacturer and unjustly accused robber of the Bank of Pennsylvania, and the hat’s owner, R. Sparks, mortally wounded in the Battle of Gettysburg. In 1798 Patrick Lyon was a well-established blacksmith working in Philadelphia having emigrated from Edinburgh Scotland in 1793 and working under the tutelage of Samuel Wheeler, a respected Philadelphia iron worker whose gates can still be seen at Christ Church, before setting up his own business. Lyon had previously learned the craft in London. Although he finished with formal education by age 11, he was interested in mathematics, philosophy and astronomy. -
Armstrong, James, 314 Armstrong, Jane
INDEX (Family names of value in genealogical research are printed in CAPITALS; names of places in italics) Abbott, Benjamin, a follower of Rev- America, Ship bringing German emi- erend George Whitefield, visits War- grants to America, 83, 87 wick iron plantation, 126; quoted, American Antiquarian Society, liter- 126 ary work of John Bach McMaster Abrams, Ray H., The Jeffersonian, at, 9, 15, 23 Copperhead Newspaper, by, 260 American Brasidas, General George Academy of Music, Philadelphia, 364, Gordon Meade, 152 365 American Colkitto, The, by Isaac R. Accident in Lombard Street, Philadel- Pennypacker, 138; General Philip phia, engraved by C. W. Peale, 285 H. Sheridan named American Col- Acrelius, Israel, author, 123, 131, 132 ; kitto, 152 Minister at Christiana, Delaware, American Historical Association, John. 132 ; visits Pennsylvania iron plan- Bach McMaster, President of, 1904- tations, 132 5, 23 Acton, Lord, 19 American Philosophical Society, 24, 55, 198; date of founding, 54; Adams, John, 21 collection of Charles Willson Peale Adams, Samuel, 13S removed to, 174 Addison, Joseph, 194 American Republican, published at Age, The, newspaper, 281 West Chester, 260 Agnew, Doctor D. Hayes, 42, 43, 53 Amusement Gardens in Philadelphia, Agricultural Societies in Pennsylvania, 289-298 124 Anderson, Arnold, 286 Albany, New York, Abraham Lincoln Andrews, Benjamin, William Bar- at, 266; contributions from, for tram visits, 200 Johnstown Flood Relief, 346 Annapolis, Maryland, 162, 163, 348; Alexander the Great, Military leader- St. Ann's Parish of,