AFB.16. JAN SANDERSVAN HEMESSEN. DE ROEPINGVAN MATTHEUS. Bg..DE CHRISTuSFIGUUR RECHTSEEN STUK BIJGEWERKT ENTOEGEVOEGD IN 1630. MUNCHEN,ALTE PINAKOTHEK.
Overzicht der Litteratuur betreffende
Nederlandsche Kunst
Engeland en Amerika, door The Courtauld Institute of Art, London. I. GENERAL. 1. Giese (Rachel). - Erasmus and the fine arts. Journal of Modern History, Sept. 1935, VII, pp. 257-79. (An account of the works attributed to him, including the pen sketches recently discovered in a manuscript of his annotations to the epistles of St. Jerome, of his relations with Durer and Holbein, and of his attitude to art.) II. SCULPTURE. 2. Michalopulo (Jeanne). -- A Flemish (?) altarpiece. Burlington lVlagazine, jar. 1935, LXVI, p. 46, illus. (Relates a carved oak reredos from the Hirsch collection to a
283 similar altarpiece from Rieden in Swabia, and suggests either that they both belong to a Lower Swabian group, or that the Hirsch altarpiece is a Flemish work of c. 1445-70 and the Rieden altar an almost contemporary German copy.) III. DRAWING. a. General. - 3. Popham (A. E.). Netherlandish landscape drawings. British Museum Quarterly, Aug. 1935, X, pp. 19-21. (Notes on four drawings from an album found in Llanover - House library and presented to the British Museum by A. Jowett. Venetian scene by L. Toeput, a castle by C. Liefrinck the younger, an Italian port by A. Casembrot, and a landscape by G. van Coninxloo.) b. Dutch. - 4. Aert Claesz. Wescher (Paul). Aert Claesz (Aertgen van Leyden), 1498-1562 - - St. Sebastian with a kneeling donor Erlangen, University Library. Old Master Drawings, March 1935, IX, pp. 65-6, illus. (A brush drawing in ink on red tinted paper, showing German influence, and previously classified as German. Here attributed to Aertgen.) - - 5. Hendrik Goltzius. Dodgson (Campbell). Hendrik Goltzius (1558-1616) Study - of a tree London, collection of Mr. F. Falconer Madan. Old Master Drawings, March 1935, IX, p. 66, illus. (Pen and ink and watercolour, signed with monogram. A description.) - 6. Willem van de Velde, Sr. & Jr. National Maritime Museum: acquisitions since the last report. Society for Nautical Research, annual report, 1934, pp. 26-126, illus. (A list, including 109 drawings of maritime subjects by the two Van de Veldes). - 7. Govaert Flinck. Rosenberg (Jakob). Govaert Flinck (1615-1660) - A pair of - peacocks Goldsche collection, Berlin. Old Master Drawings, Dec. 1935, X, pp. 46-8, illus. (Drawing in red and black chalks and sepia formerly described as Italian work of the 18th century. Ascribed to Flinck on grounds of style and its connection with Flinck's allegorical picture commemorating the birth of William, Prince of Orange, known through C. van Dalen's engraving). 8. David Teniers the younger. - Parker (K. T.). David Teniers the Younger (1610-1690) - - Design for tapestry London, collection of the late Mr. Henry Oppenheimer. Old Master Drawings, March 1935, IX, p. 67, illus. (A working drawing, in pen and ink and colour wash, for an armorial tapestry not identified. With an authentic signature.) c. Flemish.
9. Roger van der Weyden. - Winkler (Friedrich). An attribution to Roger van der Weyden. Old Master Drawings, June 1935, X, pp. 1-3, illus. (Study for a head of St. Joseph, recently acquired by the Ashmolean Museum, Oxford, related to the Milaflores Altar in Berlin.) - 10. Hugo van der Goes (style of) Popham (A. E.). Style of Hugo van der Goes (c. 1440-1482) - Profile head of a girl - Harrowgate, collection of Mr. Alfred Jowett. Old Master Drawings, March 1935, IX, pp. 63-4, illus. (Claims general conformity with the style of the school.) - 11. Jan Gossaert. Winkler (Friedrich). Jan Gossaert, called Mabuse (c. 1478-1535). - The Emperor Augustus and the Tiburtine Sibyl Berlin Print Room. Old Master Drawings, Sept. 1935, X, pp. 30-31, illus. (Inscribed "Arnout de beer van Mecheln' , but signed "Jenni(n)". The author shows the connection with the Grimani Breviary and Simon Bening. A drawing of a warrior by Gossaert, in the Dresden Print Room, is also reproduced and described.)
284 - 12. Pieter Brueghel the Elder. Popham (A. E.). Pieter Brueghel the Elder (c. 1530-1569) - - A stormy sea with shops and a town in the distance London, collection of Captain Bruce Ingram. Old Master Drawings, March 1935, IX, pp. 64-5, illus. (Discusses the question of date, and the unusual composition.) - 13. Pieter Brueghel the Elder. Tolnai (Karl). Three unnoticed drawings by Pieter Brueghel. Old Master Drawings, Dec. 1935, X, pp. 37-9, illus. (Three mountain landscapes at Chatsworth, one of which, together with a drawing at Dresden, served for the print Insidiosus Auceps.) - 14. Pieter de Witte. Rosenberg (Jakob). Pieter Candido (c. 1548-1628) - Study for - an allegorical figure of Ambition Berlin Print Room. Old Master Drawings, Sept. 1935, X, pp. 31-3, illus. (Important as the only drawing known for the ceiling painting made for the Kaisersaal of the Munich Residence, now in the Luitpold Gymnasium. Formerly placed amongst anonymous German drawings of the 17th century.) 15. Peter Paul Rubens. - Poole (Emily). A drawing by Peter Paul Rubens (1577-1640.) Bulletin of the Cincinnati Art Museum, April 1935, VI, pp. 30-34, illus. (A half- length male figure formerly in the Heseltine and Richter collections, recently acquired by a Cincinnati collector. Described in the sale catalogue as a "Probable study for a river god", but considered by Gliick to be a study of Job, possibly for the lost triptych painted for the Guild of Musicians at Brussels. The suggestions and evidence are here summarised.) 16. Peter Paul Rubens. - Popham (A. E.). Drawings by Rubens and Van Dyck from the National Gallery. British Museum Quarterly, Aug. 1935, X, pp. 10-18, illus. (Including one by Van Dyck, the Crucifixion from the Lawrence collection, drawn from the picture in St. Michel, Ghent, for the engraving by Schelte a Bolswert, and fifteen by Rubens and his school, purchased from the Peel collection, and previously in Lawrence's collection. Each is described and its history recorded.)
IV. PAINTING. a. Dutch.
17. Wilenski (Reginald Howard). An introduction to Dutch art. London: Faber & Faber, 1935. (A cheap edition of a book first published in 1929 as a popular critical introduction to the exhibition of Dutch art at Burlington House.) 18. Borenius (Tancred). Treasures from the Rothermere collection, part. III. Apollo, Dec. 1935, XXII, pp. 329-34, illus. (Describes the Dutch pictures of the 17th century in the collection.) 19. Isaack van Ruisdael. - Simon (Kurt Erich). Isaack van Ruisdael. Burlington Magazine, July 1935, LXVII, pp. 7-23, illus. (Gives to the artist several pictures hitherto ascribed to Gerrit van Hees. See also the discussion of the subject between A. Bredius, J. Hewitt and the author in letters to the Burlington, Oct. 1935, p. 178, Dec. 1935, p. 279, and Feb. 1936, p. 103.) 20. Frans Hals. - Fell (H. Granville). A recovered Franz Hals. Connoisseur, Feb. 1935, XCV, p. 105, illus. (Brief note on the portrait of Hendrik Swalmius, 1639, recently come into the possession of Messrs. Asscher & Welker.) - 21. Bartholomeus van der Helst. Kay (H. Isherwood). A painting by Van der Helst. Connoisseur, March, 1935 XCV, p. 156 illus. (An unpublished version, in reverse, of the "Woman behind a green curtain" at Dresden.) - 22. Jan Steen. Martin (Willi). Jan Steen as a landscape painter. Burlington Magazine, Nov. 1935, LXVII, pp. 211-12, illus. (Publishes three unknown paintings and notes successive influences upon the work of the artist in its development from pure landscape to genre.)
285 23. Jan Vermeer. - Lambotte (Paul). An unknown portrait by Jan Vermeer of Delft. Apollo, Jan. 1935, XXI, p. 47, illus. (Note on a portrait identified before 1914 by Hofstede de Groot. The inscription and identity of the sitter are briefly discussed). -- 24. David Beck. Steneberg (Karl Eric). The portrait collection of Queen Christina (Of Sweden). Connoisseur, March 1935, XCV, pp. 130-34, illus. (A survey of the historical portraits painted for Christina by her court painters D. Beck and S. Bourdon, c. 1650, now scattered.) - 25. Jacob van Ruisdael. Simon (Kurt Erich). "Doctor" Jacob van Ruisdael. Burlington Magazine, Sept. 1935, LXVII, pp. 132-5. (Notes on the question of the identity of Jacob van Ruisdael with Dr. Jacobus Ruysdael who took his medical degree at Caen, Oct. 15, 1676.) - 26. Jacob van Ruisdael. Woodall (Mary). A note on Gainsborough and Ruisdael. Burlington Magazine, Jan. 1935, LXVI, pp. 40-45, illus. (Refers to a black chalk drawing by Gainsborough in the Whitworth Art Gallery, Manchester, copied from Ruisdael's "La Foret" in the Louvre, and relates both to the "View of Cornard Wood" in the National Gallery.) 27. Aelbert Cuyp. - Ryckevorsel (J. L. A. A. M. van). A view of lVymegen, by Aelbert Cuyp, in the Bridgewater House collection. Burlington Magazine, Dec. 1935, LXVII, p. 279, illus. (Called in the catalogue "The landing of Prince Maurice at Dort". The author re-identifies the town by means of a preliminary drawing for the picture now in the Communal Museum at Nymegen.) 28. Vincent van Gogh. - Vincent van Gogh. Introduction and notes selected from the letters of the artist. Edited by Alfred H. Barr. New York: Museum of Modern Art, 1935. (Profusely illustrated catalogue of a loan exhibition at the Museum of Modern Art.) b. Flemish. 29. Juan de Flandes (?) - Mayer (August L.). A puzzling Flemish portrait. Burlington Magazine, Aug. 1935, LXVII, p. 88, illus. (Portrait of a man in the Palacio Nacional, Madrid, formerly attributed to Durer, but here to a Flemish painter, perhaps Juan de Flandes.) - 30. Master Michiel. Baldass (Ludwig). The portraiture of Master Michiel. Burlington Magazine, Aug. 1935, LXVII, pp. 77-82, illus. (Survey and chronology of the works attributed to the artist, with a discussion of the derivation of his style.) 31. Quentin Matsys. - The Rest on the Flight into Egypt, by Quentin Matsys. Apollo, Aug. 1935, XXII, p. 112, illus. (Reproduction and description of a picture exhibited by T. Harris, June-July 1935.) - 32. (Unknown Artist). Elderkin (George W.). Echoes of antiquity. I. A. Flemish painting of the Ship of Salvation. Art Bulletin, March 1935, XVII, pp. 99-100, illus. (Discusses the remodelling of the motive of Odysseus and the Syrens into a Christian allegory.) 33. Steven van der Meulen. - Constable (W. G.). A new work by "the famous paynter Steven". Burlington Magazine, Sept. 1935, LXVII, pp. 135-6, illus. (Portrait of Erik XIV of Sweden, at the Castle of Gripsholm, possibly to be identified with one . recorded as having been painted by "Master Staffan" and presented to Queen Elizabeth in 1561). 34. Pieter Paul Rubens. - Borenius (Tancred). A new Rubens. Burlington Magazine, Febr. 1935, LXVI, pp. 52-4, illus. (Sketch in oils of two heads, c. 1624, suggestive of the models used in the "Adoration of the Magi" at Antwerp.) 35. Pieter Paul Rubens. - Mayer (August L.). The portrait of H61?ne Fourment in a black mantilla, by Rubens. Burlington Magazine, Nov. 1935, LXVII, p. 224, illus. . (Note on a newly-discovered version, attributed to Rubens of the doubtful picture in the Gustave de Rothschild collection, Paris.)
286 36. Pieter Paul Rubens. - Scharf (Alfred). Rubens' portraits of Charles V and Isabella. Burlington Magazine, June 1935, LXVI, pp. 259-66, illus. (Discusses a double portrait and a half-length cf Charles V in armour, both copied from lost Titians, which have just come to light.) 37. Pieter Paul Rubens. - Wehle (Harry B.). A state portrait by Rubens. Bulletin of the Metropolitan Museum of Art, New York, March 1935, XXX, pp. 60-61, illus. (Description of the portrait of Anne of Austria, recently acquired for the Museum, and notes on its probable date and history.) 38. Anthony van Dyck. - The appraisement of Vandyck's pictures. Genealogists' Magazine, Dec. 1935, VII, pp. 177-9. (The deposition of Van Dyck's servant, Theodore Hess, concerning the value of the pictures left in the possession of the artist's widow.) 39. Anthony van Dyck. - Kelly (Francis M.). A Van Dyck from the Cabinet de Gaignieres in the Whitney collection, New York. Apollo, Aug. 1935, XXII, pp. 91-4, illus. (Here identified as a portrait of Henry, 5th Duke of Guise, painted c. 1634. Formerly accepted as William Villiers, Viscount Grandison. See also a letter from O. F. Morshead, with a reproduction of the Windsor drawing for the picture, Oct. 1935, p. 245.) 40. Anthony van Dyck. - Lambotte (Paul). The Cordes portraits at Brussels. Apollo, April 1935, XXI, pp. 231-2, illus. (Ascribed to Rubens, but here identified as early works by Van Dyck.) - 41. Philip Fruytiers. Gray (Arthur B.). The portrait of King Charles I in St. Michael's Church, Cambridge. Cambridge Public Library Record, Sept. 30, 1935, VII, pp. 101-7. (Claimed as the work of Philip Fruytiers and the original of Hertock's engraving). 42. Peter Lely. - Furst (Herbert). The new Lelys in the Italian Embassy. Apollo, June 1935, XXI, pp. 369-71, illus. (Portraits of Henrietta Boyle, Jane Middleton, Nell Gwynn and Barbara Villiers, commissioned by Cosimo III dei Medici.) V. ENGRAVING. a. Dutch. 43. Cornelis Anthoniszoon (Theunissen). - Dodgson (Campbell). An unknown portrait of Edward VI. Connoisseur, Sept. 1935, XCVI, pp. 144-5, illus. (Woodcut portrait in the Chapter Library at Canterbury, tentatively attributed to Cornelis Anthoniszoon on the grounds of its resemblance to a group of royal portraits from the Ducal Museum at Gotha, now in the Amsterdam Print Room.) b. Flemish. - 44. Alaert Claesz. Tietze-Conrat (Erika). Mantegna or Pollaiuolo? Burlington Magazine, Nov. 1935, LXVII, pp. 217-9, illus. (Discusses the authorship of the lost fresco of the "Mourning over the body of Gattamelata", and the relationship of the engraving by Alaert Claesz to the fresco and to the various known drawings from the latter.) 45. Frans Crabbe van Espleghem. - Popham (A. E.). The engravings of Frans Crabbe van Espleghem. Print Collector's Quarterly, April 1935, XXII, pp. 93-115, illus. (A full account of his work and discussion of the sources of his style.) 46. Frans Crabbe. - Popham (A. E.). Catalogue of engravings and etchings of Frans Crabbe. Print Collectors' Quarterly, July 1935, XXII, pp. 195-211, illus. 47. Jost de Negker. - Dodgson (Campbell). The earliest works of Jost de Negker. Print Collector's Quarterly, Jan. 1935, XXII, pp. 9-17, illus. (An annotated list of wood engravings made before he migrated to Augsburg, adding to those already known a print of "Our Lady of the seven Dolours" with heraldic decorations, possibly earlier than the rest. The evidences of date are discussed, and the use for which the woodcut was designed.) 48. J. P. F. Lamoriniere. - Baxandall (D. Kighley). The etched work of Lamoriniere. Apollo, Dec. 1935, XXII, pp. 347-9, illus. (A short appreciation.)
287 VI. APPLIED ARTS. a. Tapestries. - 49. Kendrick (A. F.). A Brussels tapestry. Apollo, Nov. 1935, XXII, p. 280. (Discusses a panel representing St. Veronica, probably c. 1500, and suggests that it was designed under the influence of Matsys, if not copied from an actual picture.) 50. Ackerman (Phyllis). Two "signed" tapestries in the collection of Mrs. Christian Holmes. Apollo, July 1935, XXII, pp. 32-5, illus. (Discusses various problems connected with the signing of tapestries and the identification of authors, in relation to two panels signed by Jean de Vroome representing a scene from a romance and the author himself.) - 51. Ackerman (Phyllis). An important early XVIth century tapestry. Apollo, Febr. 1935, XXI, pp. 95-7, illus. (Discusses the style and composition of a panel representing the Carrying of the Cross, in the Nelson Foundation, Kansas City, and by means of the inscription identifies the maker as Jacob de Camp, who was associated with Jean de Vroome.) - 52. Ackerman (Phyllis). The Lady and the Unicorn. Burlington Magazine, Jan. 1935, LXVI, pp. 35-6, illus. (Discusses the iconography of the series of tapestries known by the above name in the museum at Cluny, explaining them as belonging to the cult of the Virgin.) - 53. Rorimer (James J.). A gift of four tapestries. Bulletin of the Metropolitan Museum of Art, New York, July 1935, XXX, pp. 138-41, illus. (Description of the panels, of the first third of the 16th century, showing events in the life of Hercules. Reference is made to the records of the firms of Sarrasin and Poissonnier of Tournai, but no conclusive evidence is drawn.) 54. Marillier (H. C.). - The Revenge: a document in tapestry. Times, Febr. 2, 1935, pp. 13-14, illus. (Dutch tapestry at the Musée du Cinquantenaire resembling one of those, known only in Pine's engraving, ordered by Queen Elizabeth to commemorate the defeat of the Armada.) 55. Weibel (Adele Coulin). Tapestries by Peeter Wauters. - Bulletin of the Detroit Institute of Arts, Jan. 1935, XIV, pp. 44-7, illus. (Describes two signed panels "Le Trot" and "Croupades par le Droitte", the designer of the cartoons being unknown.) b. Brasses. - 56. Whiting (C. E.). The Topcliffe brass. Transactions of the Monumental Brass Society, Dec. 1934, VII, pp. 23-7, illus. The reverse of the Topcliffe brass. Yorkshire Archaeological Journal, 1935, XXXII, pp. 167-9, illus. (Discusses a Flemish brass of 1391, showing on the reverse fragments of the figures of a man and woman and an inscription with the date 1335, also Flemish.) - 57. Pearson (R. H.). A hidden brass in the church of St. Jacques at Bruges. Transactions of the Monumental Brass Society, Dec. 1935, VII, pp. 71-5, illus. (Describes the doors of a tabernacle cut from the brass of a Spanish merchant and his wife, c.1520.) c. Glass. - 58. Buckley (Wilfred). D. Wolff and the glasses that he engraved. London: Methuen, 1935. (The author has identified Wolff himself, of whom he gives a biography, and deals with the whole group of glasses called "Wolff glasses", discussing the question of actual authorship.) d. Ceramics. - 59. Honey (W. B.). Elers ware. Transactions of the English Ceramic Circle, 1934, No. 2, pp. 7-16, illus. (An account of the work of two Dutch potters who came to England c. 1688 and worked with at Fulham and in Dwight .- . - Staffordshire).
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