Robert-Malina-Editor-Credits.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

Robert-Malina-Editor-Credits.Pdf ROBERT MALINA Editor Editor PROJECT DIRECTOR STUDIO/PRODUCTION CO. MAGIC CAMP* Mark Waters Disney+ / Walt Disney Pictures GODZILLA: KING OF THE MONSTERS* Michael Dougherty Legendary Entertainment / Warner Bros. MOTHER’S DAY Garry Marshall Open Road Films DRAFT DAY* Ivan Reitman Summit Entertainment HANDSOME (short) Christopher Canfield Independent T IS FOR TWIG (short) Judson Scott Independent PARANORMAL ACTIVITY 3 VFX Editor Henry Joost + Ariel Schulman Paramount Pictures HOTEL FOR DOGS Co-Editor Thor Freudenthal DreamWorks SKG RETURN TO HOUSE ON HAUNTED HILL Victor Garcia Warner Premiere / Dark Castle MY SUPER EX-GIRLFRIEND Associate Editor Ivan Reitman Regency / 20th Century Fox “CHERRY LEE” (music video) Artist: Dover Scott Marshall Epic Records R.H.F.P. Greg Brooks Catharsis Films SPIN CYCLE Scott Marshall Galilay Entertainment Assistant Editor (select) PROJECT DIRECTOR STUDIO/PRODUCTION CO. TERMINATOR GENISYS** Alan Taylor (Editor: Roger Barton) Paramount Pictures SEVENTH SON** Sergei Bodrov (Editor: Paul Rubell) Universal Pictures BATTLESHIP** Peter Berg (Editor: Paul Rubell) Universal Pictures THE AVENGERS** Joss Whedon Marvel / Walt Disney Studios (Editors: Paul Rubell, Jeffrey Ford) THOR** Kenneth Branagh (Editor: Paul Rubell) Paramount Pictures VALENTINE’S DAY Garry Marshall (Editor: Bruce Green) New Line 2012** Roland Emmerich Columbia Pictures (Editors: David Brenner, Peter Elliot) WANTED** Timur Bekmambetov (Editor: David Brenner) Universal Pictures THE BOURNE ULTIMATUM** Paul Greengrass (Editor: Chris Rouse) Universal Pictures THANK YOU FOR SMOKING* Jason Reitman (Editor: Dana Glauberman) Room 9 Entertainment BE COOL** F. Gary Gray MGM (Editors: Sheldon Kahn, Chris Rouse) THE GOODBYE GIRL (mow)** Richard Benjamin (Editor: Jackie Cambas) TNT RAISING HELEN Garry Marshall Touchstone Pictures (Editors: Bruce Green, Tara Tempione) CRADLE 2 THE GRAVE*** + VFX Editor Andrzej Bartkowiak (Editor: Derek Brechin) Warner Bros. GHOST SHIP* + VFX Editor Steve Beck (Editor: Roger Barton) Warner Bros. PEARL HARBOR*** Michael Bay (Editors: Chris Lebenzon, Touchstone Pictures Steve Rosenblum, Mark Goldblatt, Roger Barton) HERE ON EARTH**** Mark Piznarski (Editor: Robert Franzen) Fox 2000 RUNAWAY BRIDE**** Garry Marshall (Editor: Bruce Green) Paramount Pictures “SMELLS LIKE TEEN SPIRIT” (music video) Sam Bayer DGC Records Artist: Nirvana - Set P.A. * Additional Editor ** 1st Assistant Editor *** Avid Assistant **** Apprentice Editor Los Angeles New York p/323.856.3000 EasternTalent.net p/646.650.2422 .
Recommended publications
  • Premiere Props • Hollyw Ood a Uction Extra Vaganza VII • Sep Tember 1 5
    Premiere Props • Hollywood Auction Extravaganza VII • September 15-16, 2012 • Hollywood Live Auctions Welcome to the Hollywood Live Auction Extravaganza weekend. We have assembled a vast collection of incredible movie props and costumes from Hollywood classics to contemporary favorites. From an exclusive Elvis Presley museum collection featured at the Mississippi Music Hall Of Fame, an amazing Harry Potter prop collection featuring Harry Potter’s training broom and Golden Snitch, to a entire Michael Jackson collection featuring his stage worn black shoes, fedoras and personally signed items. Plus costumes and props from Back To The Future, a life size custom Robby The Robot, Jim Carrey’s iconic mask from The Mask, plus hundreds of the most detailed props and costumes from the Underworld franchise! We are very excited to bring you over 1,000 items of some of the most rare and valuable memorabilia to add to your collection. Be sure to see the original WOPR computer from MGM’s War Games, a collection of Star Wars life size figures from Lucas Film and Master Replicas and custom designed costumes from Bette Midler, Kate Winslet, Lily Tomlin, and Billy Joel. If you are new to our live auction events and would like to participate, please register online at HollywoodLiveAuctions.com to watch and bid live. If you would prefer to be a phone bidder and be assisted by one of our staff members, please call us to register at (866) 761-7767. We hope you enjoy the Hollywood Live Auction Extravaganza V II live event and we look forward to seeing you on October 13-14 for Fangoria’s Annual Horror Movie Prop Live Auction.
    [Show full text]
  • Terminator 2 L’Homme
    TERMINATOR 2 L’HOMME D’ACIERPrenez un tyran (James Cameron), mettez le au défi de boucler une superproduction tonitruante en moins d’un an. Vous obtiendrez 10 Terminator 2 : Le Jugement dernier (un chef-d’œuvre) et beaucoup, beaucoup, de larmes, de sang et de sueur. Une question continue de tarauder les équipes du film depuis : et si c’était en fait le réalisateur le vrai Terminator ? À l’heure où le film sort en 3D le mystère reste entier. PAR DAVID FAKRIKIAN 11 TERMINATOR 2 : LE JUGEMENT DERNIER ctobre 1990. Dans un cinéma géant de Los Angeles, les lumières de la salle baissent. Les bandes- annonces démarrent. Comme d’habitude, les spectateurs continuent de parler entre les previews, peu concernés par ce qui passe sur la toile blanche. Quand, soudain, un bruit synthétique déchire l’écran. La musique paraît familière. À l’image, des bras mécaniques se rejoignent, des gerbes d’étincelles éclaboussent le cadre. Une chaîne de fabrication apparaît. Et le tout, progressivement, forme un endosquelette en métal. On n’entend plus un mot. La salle retient son souffle. L’endosquelette vient se placer entre deux énormes presses industrielles qui se referment. Puis se rouvrent, montrant le squelette maintenant recouvert de chair humaine. Un corps apparaît. C’est celui d’un acteur que la salle reconnaît immédiatement : Arnold Schwarzenegger. La caméra remonte le long de ce corps – il serre le poing puis son visage et il ouvre enfin ses yeux, rouges comme l’enfer. Des portes en métal se referment sur l’écran, avec les bancs-titres « T2 » puis « Terminator 2 : Judgement Day ».
    [Show full text]
  • Transatlantica, 1 | 2018 Le Regard Impossible 2
    Transatlantica Revue d’études américaines. American Studies Journal 1 | 2018 Slavery on Screen / American Women Writers Abroad: 1849-1976 Le regard impossible Réflexions sur les présupposés et les mécanismes idéologiques des images de synthèse photoréalistes dans le blockbuster hollywoodien contemporain Mathias Kusnierz Édition électronique URL : http://journals.openedition.org/transatlantica/11812 DOI : 10.4000/transatlantica.11812 ISSN : 1765-2766 Éditeur AFEA Référence électronique Mathias Kusnierz, « Le regard impossible », Transatlantica [En ligne], 1 | 2018, mis en ligne le 01 septembre 2019, consulté le 29 avril 2021. URL : http://journals.openedition.org/transatlantica/11812 ; DOI : https://doi.org/10.4000/transatlantica.11812 Ce document a été généré automatiquement le 29 avril 2021. Transatlantica – Revue d'études américaines est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. Le regard impossible 1 Le regard impossible Réflexions sur les présupposés et les mécanismes idéologiques des images de synthèse photoréalistes dans le blockbuster hollywoodien contemporain Mathias Kusnierz 1 Dans son livre de 1966 intitulé Special Effects in Motion Pictures, Frank P. Clark expose, à destination des techniciens d’Hollywood, les différentes manières d’élaborer les effets spéciaux d’un film. Son inventaire s’étend du trucage le plus simple – un écran de fumée, par exemple (40-43) – aux effets spéciaux les plus élaborés, comme l’animation image par image (108-109) ou la construction de maquettes animées complexes (89, 146, 152). Le livre de Clark se veut un exposé technique, sans parti pris, et appuyé sur une solide connaissance pratique du métier de concepteur d’effets spéciaux.
    [Show full text]
  • Université De Montréal Un Regard Hors De Soi : Étude Des Rapports Entre
    Université de Montréal Un regard hors de soi : Étude des rapports entre corps, caméra et espace dans l’histoire des techniques de prise de vues au cinéma par Philippe Bédard Département d’histoire de l’art et d’études cinématographiques Faculté des arts et des sciences Thèse présentée en vue de l’obtention du grade de Philosophiæ Doctor (Ph. D.) en Études cinématographiques Septembre 2020 © Philippe Bédard, 2020 Université de Montréal Département d’histoire de l’art et d’études cinématographiques, Faculté des arts et des sciences Cette thèse intitulée Un regard hors de soi : Étude des rapports entre corps, caméra et espace dans l’histoire des techniques de prise de vues au cinéma Présentée par Philippe Bédard A été évaluée par Carl Therrien Président-rapporteur Richard Bégin Directeur de thèse Carl Therrien Membre du jury Antoine Gaudin Évaluateur externe I RÉSUMÉ En tant que phénomène divisé entre technique et esthétique, le mouvement de caméra s’avère parfois difficile à analyser. Comme le remarque Vivian Sobchack (1982, 317), le vocabulaire typiquement utilisé pour aborder les mouvements de caméra nous renvoie à leur processus de création et n’est pas suffisant pour rendre compte de l’expérience que nous en avons lors du visionnement d’un film. Le projet de cette thèse est d’aborder les mouvements de caméra du point de vue des rapports qui se tissent entre la caméra, le corps et l’espace, et ce, à la fois au moment de la production d’un film et dans le cadre de l’expérience spectatorielle. Un phénomène particulier guide notre étude, soit ce que nous appelons l’ « image exo- centrique ».
    [Show full text]
  • Sunday Morning Grid 12/7/14 Latimes.Com/Tv Times
    SUNDAY MORNING GRID 12/7/14 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Face the Nation (N) The NFL Today (N) Å Football Pittsburgh Steelers at Cincinnati Bengals. (N) Å 4 NBC News (N) Å Meet the Press (N) Å News (N) Swimming PGA Tour Golf Hero World Challenge, Final Round. (N) Å 5 CW News (N) Å In Touch Paid Program 7 ABC News (N) Å This Week News (N) News (N) Wildlife Outback Explore World of X 9 KCAL News (N) Joel Osteen Mike Webb Paid Woodlands Paid Program 11 FOX Paid Joel Osteen Fox News Sunday FOX NFL Sunday (N) Football Indianapolis Colts at Cleveland Browns. (N) Å 13 MyNet Paid Program Paid Program 18 KSCI Paid Program Church Faith Paid Program 22 KWHY Como Local Jesucristo Local Local Gebel Local Local Local Local Transfor. Transfor. 24 KVCR The Omni Health Revolution With Tana Amen Dr. Fuhrman’s End Dieting Forever! Å Joy Bauer’s Food Remedies (TVG) Deepak 28 KCET Raggs Space Travel-Kids Biz Kid$ News Asia Biz Things That Aren’t Here Anymore More Things Aren’t Here Anymore 30 ION Jeremiah Youssef In Touch Hour Of Power Paid Program Holiday Heist (2011) Lacey Chabert, Rick Malambri. 34 KMEX Paid Program República Deportiva (TVG) Al Punto (N) 40 KTBN Walk in the Win Walk Prince Redemption Liberate In Touch PowerPoint It Is Written B. Conley Super Christ Jesse 46 KFTR Tu Dia Tu Dia Beverly Hills Chihuahua 2 (2011) (G) The Chronicles of Narnia: The Lion, the Witch and the Wardrobe Fútbol MLS 50 KOCE Wild Kratts Maya Rick Steves’ Europe Rick Steves Suze Orman’s Financial Solutions for You (TVG) The Roosevelts: An Intimate History 52 KVEA Paid Program Raggs New.
    [Show full text]
  • 2019-MESA-Update-Of-Services.Pdf
    1 Our Mission • Connect our members with their most important customers • Promote thought leadership, industry initiatives and accomplishments of our members • Support service providers in advancing efficiencies in the creation, production and distribution of media and entertainment • Provide measurable sales & marketing value and ROI to its members. 2 Who We Are • MESA is dedicated to advancing the digital transformation of media & entertainment, with strategic focus on: • Content Protection & Cybersecurity • Information Technology • Data, AI, Workflow & Devices • Since 2008 the Media & Entertainment Services Alliance (MESA) has served senior studio/network executives along with their trusted service providers with information services, collaborative meetings, industry events and initiatives. 3 Our Communities & Initiatives MESA represents four, strategic communities through 12 annual face-to-face meetings, 40,000 daily newsletter and journal readers, and 15,000 social media market influencers. The cornerstone of MESA’s value proposition is the strength of increased industry collaboration through our communities and initiative based associations, coalitions and workgroups. MESA activities and services are available to qualified content owners/distributors and service provider members only. Content IT, Enterprise, Metadata, AI, Protection & Data, Analytics Workflow Cybersecurity & Software & Devices 4 Who We Serve MESA represents companies that provide technology solutions and services to media & entertainment leaders, including: • Content
    [Show full text]
  • Kong: Skull Island Announced
    News release February 2017 MADAME TUSSAUDS LONDON GOES APE OVER KONG: SKULL ISLAND DELIVERY Iconic attractions in London and New York get set to welcome Kong: Skull Island experience 21st February 2017. Today, Madame Tussauds London signed for a monstrous delivery that is set to be a roaring success at the iconic attraction, with the arrival of a larger than life Kong: Skull Island experience. In partnership with Legendary Pictures and Warner Bros. Pictures, Madame Tussauds London and Madame Tussauds New York will bring the experience to life with an eight-foot, multi-sensory animatronic head of the gigantic ape that will wow and terrify visitors in equal measure. Guests can expect to embark on an adventure deep into the tropical environment of the infamous Skull Island, where they will be challenged to evade the traps of colossal petrifying spiders and uncover artifacts from the film. As they journey through the secluded bamboo jungle, they will be joined by a new wax figure of Captain James Conrad, played by British actor Tom Hiddleston in the upcoming film, before coming face to face with the enormous breathing, blinking, snarling and roaring mystical monster himself. The enormous animatronic Kong head, made from 64 square metres of specialist faux hair, took 72 days to build and create by 33 team members. Each movement of the head uses state of the art pneumatic controls which was designed specifically for Kong. The system precisely controls the pressure and flow of air to recreate life like facial movements, grunts, snorts and roars made by the ferocious beast.
    [Show full text]
  • The Eddie Awards Issue
    THE MAGAZINE FOR FILM & TELEVISION EDITORS, ASSISTANTS & POST- PRODUCTION PROFESSIONALS THE EDDIE AWARDS ISSUE IN THIS ISSUE Golden Eddie Honoree GUILLERMO DEL TORO Career Achievement Honorees JERROLD L. LUDWIG, ACE and CRAIG MCKAY, ACE PLUS ALL THE WINNERS... FEATURING DUMBO HOW TO TRAIN YOUR DRAGON: THE HIDDEN WORLD AND MUCH MORE! US $8.95 / Canada $8.95 QTR 1 / 2019 / VOL 69 Veteran editor Lisa Zeno Churgin switched to Adobe Premiere Pro CC to cut Why this pro chose to switch e Old Man & the Gun. See how Adobe tools were crucial to her work ow and to Premiere Pro. how integration with other Adobe apps like A er E ects CC helped post-production go o without a hitch. adobe.com/go/stories © 2019 Adobe. All rights reserved. Adobe, the Adobe logo, Adobe Premiere, and A er E ects are either registered trademarks or trademarks of Adobe in the United States and/or other countries. All other trademarks are the property of their respective owners. Veteran editor Lisa Zeno Churgin switched to Adobe Premiere Pro CC to cut Why this pro chose to switch e Old Man & the Gun. See how Adobe tools were crucial to her work ow and to Premiere Pro. how integration with other Adobe apps like A er E ects CC helped post-production go o without a hitch. adobe.com/go/stories © 2019 Adobe. All rights reserved. Adobe, the Adobe logo, Adobe Premiere, and A er E ects are either registered trademarks or trademarks of Adobe in the United States and/or other countries.
    [Show full text]
  • The Next Growth Strategy for Hallyu 79
    Lee & Kim / The Next Growth Strategy for Hallyu 79 THE NEXT GROWTH STRATEGY FOR HALLYU A Comparative Analysis of Global Entertainment Firms Yeon W. Lee Seoul School of Integrated Science and Technology [email protected] Kyuchan Kim Korea Culture and Tourism Institute [email protected] Abstract Previous policy approaches on Hallyu have been focused on the role of government engagement, particularly in fostering diversity and equal business opportunities for small-and-medium enterprises (SMEs). However, a more strategic approach to the cultural industries should be implemented by carefully examining the role of the private sector, particularly the role of large enterprises (LEs). his is important because LEs have an overarching and fundamentally diferentiated role in increasing the size of industry through their expansive value-creating activities and diversiied business areas. his study focuses on the complementary roles of SMEs and LEs in facilitating the growth of Hallyu by bringing in the perspective of value chain diversiication and the modiied value chain framework for the ilm industry. By conducting a comparative analysis of the global entertainment irms in the US, China, and Japan, this study reveals how LEs in the global market enter and explore new industries within culture and continue to enhance their competitiveness. By forming a business ecosystem through linking their value-creating activities as the platform of network, this study looks into the synergistic role among enterprises of diferent size and scale and suggests that Korea’s policy for Hallyu should reorient toward a new growth strategy that encourages the integrative network of irms where the value activities of LEs serve as the platform for convergence.
    [Show full text]
  • ANGEL DEANGELIS Hair Stylist IATSE 798
    ANGEL DEANGELIS Hair Stylist IATSE 798 FILM HUSTLERS Department Head Director: Lorene Scafaria PRIVATE LIFE Department Head Director: Tamara Jenkins SHOW DOGS Department Head – Las Vegas Shoot Director: Raja Gosnell COLLATERAL BEAUTY Department Head Director: David Frankel Cast: Helen Mirren, Ed Norton, Keira Knightley THE AMAZING SPIDER-MAN 2 Department Head Director: Marc Webb Cast: Dane DeHaan THE HEAT Department Head Director: Paul Feig Cast: Melissa McCarthy MUHAMMAD ALI’S GREATEST FIGHT Department Head Director: Stephen Frears Cast: Christopher Plummer, Benjamin Walker, Frank Langella JACK REACHER Department Head Director: Christopher McQuarrie Cast: Rosamund Pike, Robert Duvall, Richard Jenkins, Werner Herzog, Jai Courtney, Joseph Sikora, GODS BEHAVING BADLY Department Head Director: Marc Turtletaub Cast: Alicia Silverstone, Edie Falco, Ebon Moss-Bachrach, Oliver Platt, Christopher Walken, Rosie Perez, Phylicia Rashad THE AMAZING SPIDER-MAN Key Hair (New York) Director: Marc Webb Cast: Embeth Davidtz NEW YEAR’S EVE Department Head Director: Garry Marshall Cast: Jessica Biel, Zac Efron, Cary Elwes, Alyssa Milano, Carla Gugino, Jon Bon Jovi, Sofia Vergara, Lea Michele, James Belushi, Abigail Breslin, Josh Duhamel, Cherry Jones, THE MILTON AGENCY 6715 Hollywood Blvd #206, Los Angeles, CA 90028 Angel DeAngelis Telephone: 323.466.4441 Facsimile: 323.460.4442 Hair [email protected] www.miltonagency.com Page 1 of 5 THE SITTER Department Head Director: David Gordon Green Cast: Jonah Hill, Ari Graynor PREMIUM RUSH Department Head
    [Show full text]
  • Meeting Notes Production
    Production Meeting Notes Week Ending: 08/09/2014 Columbia Production GRIMSBY (06/01/2014 - 09/07/2014) Matt Leonetti Title Clearance Status: THE CURSE OF HENDON Production Type: In House WBS Prod Id: Distributors: Columbia Corporation : Anonymous Pictures Limited Columbia Pictures Industries, Inc. Point Productions Limited Creative Executive Andrea Giannetti Production Executive Matt Leonetti Writing Phil Johnston Prod. Finance Executive Paul De Pace Peter Baynham Production Accountant Edward Allen Sacha Baron-Cohen Post Prod. Executive Steve Demko Producer Sacha Baron-Cohen VFX Executive Lori Furie Nira Park Project Attorney Fran Black Director Louis Leterrier Labor Relations Helayne Antler Executive Producer Louise Rosner Unit Production Manager Jeremy Burnage Eric Fellner Dianne Beatty Peter Baynham 1st Assistant Director Alexander Oakley Phil Johnston Production Designer Kave Quinn Todd Schulman Costume Designer Paco Delgado Anthony Hines Director Photography Oliver Wood Adam McKay Editor James Thomas James Biddle Tim Bevan Business Affairs Brian Burkin Business Affairs Admin. Rey Cuerdo Casting Director Lucy Bevan Talent Sacha Baron-Cohen Mark Strong Production Meeting Notes Printed: 08/11/2014 3:52 pm Page #: 1 * Signifies schedule has changed since previous week Prod House = Columbia Prod Status = Production Columbia Production GRIMSBY Continued .... Scheduled## Actual Estimated Finish: 09/04/2014 09/07/2014 Director's Cut: 09/15/2014 10 WK 09/15/2014 10WK Director's End Cut: 12/02/2014 11/26/2014 Screen for Studio: 12/04/2014
    [Show full text]
  • John Debney Composer
    JOHN DEBNEY COMPOSER AWARDS EMMY NOMINATION (2015) TEXAS RISING Outstanding Original Main Title Theme EMMY NOMINATION (2012) HATFIELDS & MCCOYS Best Original Dramatic Score OSCAR NOMINATION (2005) THE PASSION OF THE CHRIST Best Original Score EMMY AWARD (1996) THE CAPE Dramatic Underscore EMMY NOMINATION (1996) THE CAPE Best Main Title EMMY AWARD (1993) SEAQUEST Best Main Title EMMY AWARD (1989) THE YOUNG RIDERS Best Score EMMY NOMINATION (1989) THE YOUNG RIDERS Best Main Title MOTION PICTURES JINGLE JANGLE: A CHRISTMAS JOURNEY David E. Talbert, dir. Netflix COME AWAY Brenda Chapman, dir. Endurance Media DORA AND THE LOST CITY OF GOLD James Bobin, dir. Paramount ISN’T IT ROMANTIC Todd Strauss-Schulson, dir. Warner Bros. THE BEACH BUM Harmony Korine, dir. Anonymous Content 3349 Cahuenga Blvd. West, Los Angeles, California 90068 Tel. 818-380-1918 Fax 818-380-2609 Debney Page 1 of 6 JOHN DEBNEY COMPOSER MOTION PICTURES (continued) BRIAN BANKS Tom Shadyac, dir. Gidden Media THE GREATEST SHOWMAN Michael Gracey, dir. Fox BEIRUT Brad Anderson, dir. Warner Bros. HOME AGAIN Hallie Meyers-Shyer, dir. Open Road Films THE JUNGLE BOOK Jon Favreau, dir. Disney ICE AGE: COLLISION COURSE Mike Thurmeier, dir. Fox MOTHER’S DAY Garry Marshall, dir. Open Road Films LEAGUE OF GODS Koan Hui, dir. Asia Releasing THE YOUNG MESSIAH Cyrus Nowrasteh, dir. Focus Features THE SPONGEBOB MOVIE: SPONGE OUT OF WATER Paul Tibbitt, dir. Paramount Pictures THE COBBLER Thomas McCarthy, dir. Voltage Pictures DRAFT DAY Ivan Reitman, dir. Summit Entertainment WALK OF SHAME Steven Brill, dir. Lakeshore Entertainment ELIZA GRAVES Brad Anderson, dir. Millennium Films CAREFUL WHAT YOU WISH FOR (theme) Elizabeth Allen Rosenbaum, dir.
    [Show full text]