Dipinti Del Xix Secolo
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The Rough Guide to Naples & the Amalfi Coast
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Giacomo Di Chirico Appennino / 4.16
APPENNINO / 4.16 RINO CARDONE / GIACOMO DI CHIRICO APPENNINO / 4.16 Rino Cardone Giacomo Di Chirico La sua vita, i suoi contemporanei e il mercato dell’arte / 1 L a breve, intensa e molto tormentata vita Siamo nella seconda metà dell’Ottocento e la dell’artista lucano Giacomo Di Chirico (Venosa, città di Parigi era, in quel momento, mèta ambi- 1844-Napoli, 1883) coincide con quello straordi- ta di molti pittori italiani, come Saverio Altamura nario periodo della storia dell’arte del XIX secolo (Foggia, 1826-Napoli, 1897), Domenico Morel- che, da una parte, in Europa, segnò lo sviluppo li (Napoli, 1823-1901) e Filippo Palizzi (Vasto, della cultura borghese e la fine del mecenatismo 1818-Napoli, 1899): i quali dai loro frequenti aristocratico (legato alle famiglie nobili) e, dall’al- viaggi, compiuti oltralpe, ricavavano una serie tra parte, in Italia, portò alla nascita del realismo d’impressioni estetiche e di stimoli artistici, che poi pittorico, contraltare estetico (per nulla antagonista applicavano nel loro lavoro creativo di tutti i giorni, e in piccola parte, addirittura, alleato per le scelte a fruizione non solo propria, ma dei tanti artisti con pittoriche che effettuarono alcuni suoi protagoni- i quali amavano intrattenersi. sti, ma non Giacomo Di Chirico) dell’esperienza Fu, in particolare, con gli artisti Domenico impressionista francese. Morelli e Filippo Palizziche Giacomo Di Chirico Il nome di Giacomo Di Chirico (vissuto per soli intrecciò una buona amicizia durante la sua per- trentanove anni e morto in un manicomio, sembra manenza a Napoli, seguita ai tre anni da lui stes- per le gravi complicazioni subite al cuore a causa so trascorsi a Roma. -
Vendita All'asta N
Vendita all’Asta n. 103 giovedì 26 Maggio 2016 ore 19:00 Esposizione: Napoli, via Tito Angelini, 29 da venerdì 20 a giovedì 26 Maggio 2016 orario 10:00 -19:00 domenica 22: 10:00-14:00 / 16:00-20:00 giovedì 26: 10:00-14:00 Via Tito Angelini, 29 Tel. (39) 081 372 33 15 Napoli 80129 Telefax (39) 081 229 12 37 email: [email protected] website: www.vincentgalleria.it DIPINTI DEL XIX E XX SECOLO PROVENIENTI DA COLLEZIONI PRIVATE 68 ANONIMO TEDESCO (Attivo del XIX secolo) Scena di genere litografia, cm 50x68 Provenienza: Antica Libreria Regina, Napoli; coll. privata, Napoli Stima: € 400/800 69 HACKERT GEORGE (1755 - 1805) Veduta del Porto e Badia di Palermo da un’opera 68 del fratello Jakob Philipp Hackert (1737-1807) acquaforte, cm 63x87 Stima: € 400/800 70 HACKERT GEORGE (1755 - 1805) La rada di Napoli da un’opera del fratello Jakob Philipp Hackert (1737-1807) acquaforte, cm 66x90 Stima: € 400/800 69 71 ANONIMO INIZI XIX SECOLO Villa comunale gouaches su carta, cm 38x70 Stima: € 600/1.200 72 ANONIMO INIZI XIX SECOLO Napoli da Mergellina gouaches su carta, cm 38x70 70 Stima: € 500/1.000 4 71 72 5 73 SCUOLA DI POSILLIPO INIZI DEL XIX SECOLO Paesaggio olio su carta rip. su tela, cm 28,5x19 Stima: € 350/650 74 LANZA GIOVANNI GIORDANO (Napoli 1827 - 1890) Sorrento acquerello su carta, cm 16x24 firmato in basso a sinistra: G.G. Lanza Stima: € 750/1.350 75 DUCLERE TEODORO (Napoli 1815 - 1869) Villa Tasso a Sorrento olio su carta rip. -
ART HISTORY REVEALED Dr
ART HISTORY REVEALED Dr. Laurence Shafe This course is an eclectic wander through art history. It consists of twenty two-hour talks starting in September 2018 and the topics are largely taken from exhibitions held in London during 2018. The aim is not to provide a guide to the exhibition but to use it as a starting point to discuss the topics raised and to show the major art works. An exhibition often contains 100 to 200 art works but in each two-hour talk I will focus on the 20 to 30 major works and I will often add works not shown in the exhibition to illustrate a point. References and Copyright • The talks are given to a small group of people and all the proceeds, after the cost of the hall is deducted, are given to charity. • The notes are based on information found on the public websites of Wikipedia, Tate, National Gallery, Oxford Dictionary of National Biography, Khan Academy and the Art Story. • If a talk uses information from specific books, websites or articles these are referenced at the beginning of each talk and in the ‘References’ section of the relevant page. The talks that are based on an exhibition use the booklets and book associated with the exhibition. • Where possible images and information are taken from Wikipedia under 1 an Attribution-Share Alike Creative Commons License. • If I have forgotten to reference your work then please let me know and I will add a reference or delete the information. 1 ART HISTORY REVEALED 1. Impressionism in London 1. -
Degli Artisti
Vendita all’Asta n. 114 sabato 8 Aprile 2016 ore 17:00 IMPORTANTI DIPINTI DEL XIX SECOLO PROVENIENTI DA COLLEZIONI PRIVATE Esposizione: Napoli, via Tito Angelini, 29 da sabato 1 a venerdì 7 Aprile 2017 dalle 10:00 alle 19:00 domenica 2: 10:00-14:00 / 16:00-20:00 Via Tito Angelini, 29 Tel. (39) 081 372 33 15 Napoli 80129 Telefax (39) 081 229 12 37 email: [email protected] website: www.vincentgalleria.it 61 GIARDIELLO GIUSEPPE 62 SOLARI ACHILLE (Napoli 1871 - 1916) (Napoli 1835 - ?) Il tram a Posillipo Sorrento olio su tela, cm 25,5x39,5 olio su tavola, cm 18,5x37 firmato in basso a sinistra: Giardiello firmato in basso a sinistra: Solari Stima: € 800/1.600 Stima: € 1.300/2.200 2 63 SOLARI ACHILLE 64 SOLARI ACHILLE (Napoli 1835 - ?) (Napoli 1835 - ?) Pozzuoli Posillipo da Villa Canonico olio su tavola, cm 33x18 olio su tavola, cm 33x18 firmato in basso a sinistra: Solari firmato in basso a sinistra: Solari Stima: € 900/1.500 Stima: € 1.300/2.200 3 65 PISTILLI ULRICO (Napoli 1854-1950) Interno con figura olio su tela, cm 57,5x49 firmato a lato a destra: U. Pistilli Stima: € 700/1.500 66 RICCIARDI OSCAR (Napoli 1864 - 1935) Granatello olio su tavola, cm 18x28 firmato, datato e iscritto in basso a sinistra: Ricciardi Napoli 1899 Stima: € 1.600/2.200 4 67 SCOPPETTA PIETRO (Amalfi, SA 1863 - Napoli 1920) La parigina olio su cartone, cm 22,5x17 firmato e iscritto in alto a sinistra: P. Scoppetta Paris Stima: € 2.500/4.500 5 68 TOFANO EDOARDO (Napoli 1838 - Roma 1920) L’attesa acquerello su carta, cm 28x42,5 firmato in basso a destra: E. -
Vincenzo Gemito (1852-1929) October 2019 Sculptor of the Neapolitan Soul from 15 October 2019 to 26 January 2020
PRESS KIT Vincenzo Gemito (1852-1929) October 2019 Sculptor of the Neapolitan soul from 15 October 2019 to 26 January 2020 Tuesday to Sunday 10am to 6pm INFORMATIONS Late opening Friday until 9pm www.petitpalais.paris.fr . Museo e Certosa di San Martino, Photo STUDIO SPERANZA STUDIO Photo Head of a young boy Naples. Fototeca del polo museale della campaniaNaples. Fototeca Vincenzo Gemito, PRESS OFFICER : Mathilde Beaujard [email protected] / + 33 1 53 43 40 14 Exposition organised in With the support of : collaboration with : Vincenzo Gemito (1852-1929), Sculptor of the Neapolitan soul- from 15 October 2019 to 26 January 2020 SOMMAIRE Press release p. 3 Guide to the exhibition p. 5 The Exhibition catalogue p. 11 The Museum and Royal Park of Capodimonte p. 12 Paris Musées, a network of Paris museums p. 19 About the Petit Palais p. 20 Practical information p. 21 2 Vincenzo Gemito (1852-1929), Sculptor of the Neapolitan soul- from 15 October 2019 to 26 January 2020 PRESS RELEASE At the opening of our Neapolitan season, the Petit Pa- lais is pleased to present work by sculptor Vincenzo Gemito (1852-1929) that has never been seen in France. Gemito started life abandoned on the steps of an or- phanage in Naples. He grew up to become one of the greatest sculptors of his era, celebrated in his home- town and later in the rest of Italy and Europe. At the age of twenty-five, he was a sensation at the Salon in Paris and, the following year, at the 1878 Universal Ex- position. -
An Early Friend of Degas Tn Florence: a Newly-Identified Portrait Drawing of Degas by Giovanni Fattori
NORMA BROUDE An Early Friend of Degas tn Florence: A Newly-Identified Portrait Drawing of Degas by Giovanni Fattori O N 4th August r8s8, Edgar Degas arrived in Florence as the lished in 1893, a book chronicling the history of the renowned guest of his aunt and uncle Bellelli.1 Intending at first to Gaffe Michelangiolo, popular meeting-place of artists and stop only briefly on his way home to France, he subse patriots in Florence during the 185o's and early '6o's. 'Nel quently decided to stay and await the return of his aunt r855,' wrote Signorini, 'feci anch'io la mia prima comparsa al Laura, who had been called before his arrival to the bedside Michelangiolo insieme con Odoardo Borrani, e vennero con noi . .. of her ailing father in Naples. Despite the frequent and Degas e Morot [sic], Tissot e Lafenestre . .. .'8 And further on, insistent summonses issued by his own father over the next ennumerating the artists from all over the world who had months, Degas, a usually dutiful son, repeatedly put off his once gathered at the Gaffe, Signorini lists again : 'Dalla departure for home, and did not in fact leave Florence until Francia quattro giovani studenti oggi notissimi nel mondo dell'arte, the end of March r8sg, some eight months after his arrival.2 il Degas, il Morot [sic], il Tissot e Lafenestre .. .' 9 In addition, The important role which this Florentine sojourn played in the artist Baccio Maria Bacci, a late student of the Tuscan Degas's early development has long been recognized by painter Giovanni Fattori, has referred upon several -
Mattia & Marianovella Romano
Mattia & MariaNovella Romano MariaNovella Mattia & MariaNovella Romano A Selection of Master Drawings A Selection of Master Drawings Drawings are sold mounted but not framed. © Copyright Mattia & Maria Novelaa Romano, 2014 Designed by Mattia & Maria Novella Romano and Saverio Fontini Mattia & Maria Novella Romano 36, Borgognissanti 50123 Florence – Italy Telephone +39 055 239 60 06 Email: [email protected] www.antiksimoneromanoefigli.com Mattia & Maria Novella Romano A Selection of Master Drawings 2014 F R FRATELLI ROMANO 36, Borgo Ognissanti Florence - Italy Acknowledgements We would like to thank all those who have contributed, directly or indirectly, in the preparation of this catalogue: Paolo Agresti, Claire Anderson, Paolo Antonacci, Francesca Antonacci, Riccardo Bacarelli, Francesca Baldassarri, Andrea Baldinotti, Novella Barbolani Di Montauto, Jean François Baroni, Jean-Luc Baroni, Jean-Marc Baroni, Novella Baroni, Franck Baulme, Steven Beale, Bruno Botticelli, Gabriele Caioni, Lester Carissimi, Marco Chiarini, Vittorio Chierici, Steve Cohen, José de la Mano, Carlo Falciani, Federica Faraone, Georges Franck, Ketty Gottardo, Debra Gray, Tara Hanks, Martin Hirschboeck, Mattia Jona, Christian Lapeyre, Damiano Lapiccirella, Mrs. and Mr. Lightburn, Laura Lombardi, Laurie and Emmanuel Marty de Cambiaire, Carlotta Mascherpa, Lorenza Melli, Emanuela Moltani, Fabrizio Moretti, Giovanni Nincheri, Stephen Ongpin,Walter Padovani, Benjamin Peronnet, Alexandre Piatti, Cristina Ranzato, Marco Riccomini, Crispian Riley- Smith, Cristiana Romalli, Alessandro Romano, Simone Romano, Gregory Rubinstein, Matteo Salamon, Annalisa Scarpa, John Schlichte Bergen, Vittorio Sgarbi, Julien Stock, Dino Tomasso, Raffaello Tomasso, Trinity House Paintings, Sarah Vowles, Mia N.Weiner, Monroe Warshaw, Filippo Zito. A special thanks goes to the Musée des Beaux- Arts de Nancy and to Luisa Berretti, Lorenza Di Bartolomeo, Maria Cecilia Fabbri, Francesco Grisolia, Donatella Innocenti, Ellida Minelli, Sharon and Patrick Syz for their contributions and precious help. -
Vincenzo Irolli "Popular Scene"
anticSwiss 26/09/2021 20:47:30 http://www.anticswiss.com Vincenzo Irolli "popular scene" FOR SALE ANTIQUE DEALER Period: 19° secolo - 1800 Luxury Art Gallery Vattaro Style: Alta epoca 393457682034 Height:33cm Width:37cm Material:olio su tavola Price:10000€ DETAILED DESCRIPTION: Vincenzo Irolli (Naples, 30 September 1860 - Naples, 27 November 1949) was an Italian painter. He approached painting at the age of seventeen when he enrolled in the Academy of Fine Arts in Naples, where he had Gioacchino Toma and Federico Maldarelli for teachers. In that same year (1877) his curiosity as an artist was struck by the work Corpus Domini by Francesco Paolo Michetti exhibited at the National Exhibition of Naples. He spent his youth in the paternal home of Calvizzano, often visiting the art dealer Ragozzino in Naples, who oversaw the distribution of his works. In 1878 with the work Portrait of the painter Izzo he was noticed by Domenico Morelli for the use of a strong palette and, in 1879, he was present for the first time at the Promotrice of Naples with the work Felice Rimembranza; the same year he won first prize at the XV Exhibition of the Promoter Salvator Rosa, an event that made it known to the general public, and favored a remarkable artistic and commercial fortune. From 1880 onwards, free from the Academy, he began his long and uninterrupted artistic career. Morelli's admiration for the portraits of Carmine Franchi and Avvocato Monaci once again aroused the Neapolitan Promoter of 1886. He was often present in the exhibitions of the Neapolitan Promoting Society: in 1881 with Una testa, in 1883 with Studio dal vero, in 1885 with For the name day of his uncle, Impression of the double bass player Franchi and He became so, in 1891 with Primavera, in 1892 with Half figure. -
ITALIAN ART SOCIETY NEWSLETTER XXIX, 1, Winter 2018
ITALIAN ART SOCIETY NEWSLETTER XXIX, 1, Winter 2018 An Affiliated Society of: College Art Association Society of Architectural Historians International Congress on Medieval Studies Renaissance Society of America Sixteenth Century Society & Conference American Association of Italian Studies President’s Message from Sean Roberts Scholars Committee member Tenley Bick, exploring the theme of “Processi italiani: Examining Process in Postwar March 21, 2017 Italian Art, 1945-1980.” The session was well-attended, inspired lively discussion between the audience and Dear Members of the Italian Art Society: speakers, and marks our continued successful expansion into the fields of modern and contemporary Italian Art. Dario As I get ready to make the long flight to New Donetti received a Conference Travel Grant for Emerging Orleans for RSA, I write to bring you up to date on our Scholars to present his paper “Inventing the New St. Peter’s: recent events, programs, and awards and to remind you Drawing and Emulation in Renaissance Architecture.” The about some upcoming dates for the remainder of this conference also provided an opportunity for another in our academic year and summer. My thanks are due, as series of Emerging Scholars Committee workshops, always, to each of our members for their support of the organized by Kelli Wood and Tenley Bick. IAS and especially to all those who so generously serve CAA also provided the venue for our annual the organization as committee members and board Members Business Meeting. Minutes will be available at the members. IAS website shortly, but among the topics discussed were Since the publication of our last Newsletter, our the ongoing need for more affiliate society sponsored members have participated in sponsored sessions at sessions at CAA, the pros and cons of our current system of several major conferences, our 2018 elections have taken voting on composed slates of candidates selected by the place, and several of our most important grants have Nominating Committee, the increasingly low attendance of been awarded. -
Catalogo Della Ii Mostra Salernitana D’Arte
CATALOGO DELLA II MOSTRA SALERNITANA D’ARTE APRILE 1933 -XI y TIPI ANGELO TRANI Via G. Vekdi, 18 - NAPOLI CATALOGO TIPI ANGELO TRANI V i a G. V e r d i , 18 - N A P O L I CATALOGO . - COMITATO ORGANIZZATORE On. Avv. MARIO JANNELLI - Podestà di Salerno \ Prof SABATO VISCO - Coni. Prefettizio della Coni- / Presidenti missione Archeologica ; Dott • ANTONIO ANTONUCCI - Vice Prefetto Prof. GINO CHIERICI - Soprintendente all’arte med. e niod. della Campania Prof. AMEDEO MAIURI - Soprintendente alle antichità della Campania e del Molise. Prof. ANTONIO MARZULLO Ing. DOMENICO LORITO Ing. MICHELE DE ANGELIS Barone CARLO CHIARANDÀ Barone AGOSTINO DE ANGELIS Barone ODOARDO CASELLA Comm. OTTAVIO DE SICA Prof. PIETRO BARILLÀ - Rappresentante del Sindacato Arti stico della Campania. Prof. PAOLO EMILIO PASSARO Prof. ANTONIO FERRIGNO T — i A l a * JAUA JA. ■ s Al.A -XI ALA xm xn PIANTA DEI LOCALI DELL’ ESPOSIZIONE (1° P ia n o ) / A la .Xltli: » H —! JA l a 2QC n PIANTA DEI LOCALI DELL' ESPO SIZIO NE (2 ° P ia n o ) ELENCO DEGLI ARTISTI A L B IN O L. AVALLONE G. AVALLONE L. A V A L L O N E M. AVALLONE P. BARTOLOZZI F. BENOIST C. L. BERAGLIA G. BERAGLIA A. BOSCO FONSECA PIMENTEL F. BRANCACCIO G. BROCHEDON W. BRU N O P. CAMPANILE S. C A P O N E G. C A P O N E R. C A P U T O E. C A P U T O U. C A R U S O P. CASELLA BERAGLIA A. CHATELAIN A. U. -
Territori Della Cultura Rivista on Line Numero 4 Anno 2011 Iscrizione Al Tribunale Della Stampa Di Roma N
Centro Universitario Europeo per i Beni Culturali Ravello Territori della Cultura Rivista on line Numero 4 Anno 2011 Iscrizione al Tribunale della Stampa di Roma n. 344 del 05/08/2010 Territori della Cultura Centro Universitario Europeo per i Beni Culturali Sommario Ravello Comitato di redazione 5 La nuova sfida di RAVELLO LAB 6 Alfonso Andria Beni Culturali e conflitti armati 8 Pietro Graziani Conoscenza del patrimonio culturale Maria Rita Sanzi Di Mino Il sacro e l’ambiente 12 nel mondo antico Claudio La Rocca Lo scavo archeologico 16 di Piazza Epiro a Roma Lina Sabino Maiori (SA), Complesso Abbaziale 20 di Santa Maria de Olearia Roger Lefèvre L’enseignement des sciences 26 du patrimoine culturel dans un monde en changement: une Conférence à Varsovie et un Cours à Ravello en 2011 28 Massimo Pistacchi Storia della fonografia Cultura come fattore di sviluppo Stefania Chirico, Giuseppe Pennisi Strategie gestionali per la valorizzazione delle risorse culturali: 38 il caso di Ravenna Teresa Gagliardi Costruire in Costiera Amalfitana: 54 ieri, oggi e domani? Fabio Pollice, Giulia Urso Le città come fucine culturali. Per una lettura critica delle politiche 64 di rigenerazione urbana Sandro Polci Cult economy: un nuovo/antico driver 72 per i territori minori Metodi e strumenti del patrimonio culturale Maurizio Apicella From the Garden of the Hesperides 84 to the Amalfi Coast. The culture of lemons Matilde Romito Artiste straniere a Positano 90 fra gli anni Venti e gli anni Sessanta Luciana Bordoni Tecnologie 106 e valori culturali Antonio Gisolfi La risoluzione del labirinto 112 Simone Bozzato Territorio, formazione scolastica e innovazione.