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PRODUCTION GUIDE by Del Mehes and Yves Gagnon

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PRODUCTION GUIDE by Del Mehes and Yves Gagnon l_lMt_MAlI PRODUCTION GUIDE by Del Mehes and Yves Gagnon . Sarah Carson art d. Misha Petrow set Drapeau 2nd assLcam. Michel Girard LES PRODUCTIONS dec Daniel Von Blomberg prop master boom Thiern, Hoffman key grip Serge he following is a list of films in production (actually before John K. Wright cam. op. Don Sweene\ Grenier stills Takashi Seida ward. the cameras) and in negotiation in Canada. Needless to say, CLAUDE LEGER ist asst cam. Don Biller sd. mix. Louise Jobin ward.dresscr Diane Pa- T, the films which are still in the project stage are subject to (514) 288-6251 Michael Tromer key grip Edwin Quinn quet prod.asst. Michele Forest Chris­ Ihanges. A third category. In Pre-production, will be used to ^ip Tom Gilligan, William Kerwick tian Bernard pub.reL Monique Mallei THE MAN FROM 5A gaffer Richard Quinian elec Ray For­ Leger 1514) 288-6251 Lp. George Segal, ^dicate films which are in active pre-production, having set a After being suspended since December tune, Charles Meere, Francis Brady, Mike Irene Cara, Nicholas Campbell, Clark date for the beginning of principal photography and being 1981, shooting started again on March 12 Proscia jr. generator Vincent Brady Johnson, Barbara Cook, Joyce Gordon, Isngaged in casting and crewing). Films are listed by the name of for 5 weeks in Sonolab Studios in Mon­ consult, to cost. des. Ruth Morley Andy Martin Thomson, Laura Harring­ treal, with a new budget of $6.2M. Before cost des. Edna Hart ward.superv. ton. Bob Lawrence, Terry Hellis, Peter the company which initiated the project, or with which the there was a one week shoot in New York Jennifer Nichols ward.asst. Eddie Wise, Emidio R. Michetti, Antonia Ray, project is popularly associated. This is not necessarily the name and two weeks in Montreal. The initial Brenner make-up Joe Cranzano hair Charlotte Jones, Matt Craven, Arleigh of the production company. Where the two companies are crew and cast lists are : p.€i Neighbour Phil Lito transp. capt. Harry Leavey Peterson, Tony Sherwood, Chris Russo. different the name of the production company, if known, is also Film Inc. p. Claude L6ger p. asst Anne drivers James Sweeney, William Buck- Joel Kramer, Polly Magaro. George Har­ Burke d.'8 a»Bt Suzanne Fisher d. Max man sr., Chester Malino wski prod.asst ris, George E. Zeeman, Ernesto Gasco, given. In instances where a producer has asked us not to list a Fisher 1st a-d. Pierre Magny sc Leila Alan Steinfeld Evan Hollister Mirand, Norris Domingue, Basen, MaxFisherconLMarieLaHayep. Pierre Lalonde, Irene Kessler, Gloria Iri- project or to withhold certain credits due to ongoing negotiations, MONTREAL CREW and a.d. Marie man. Francine Forest compt.Micheline zarry. Roland Nincheri, Johnny O'Ncil, we have respected his request. Theberge ard a.d. Martha Laing unit Bonin p.sec. Jacqueline Wanner art d. John Aichinger, Steven Lanke. Paul Be- man. Michelle St-Arnaud cast.dir. Anne Pritchard art dep. coord. Barbara dard, Jose Santos, Michael Dynia, Frank Arden Ryshpan art design Charles Shrier d.o.p. Fran<;ois Protat sd. Patrick Antonsen, Harold Holden, Jean Thivier- Please telephone additions and up-dates information to: Dunlop art dep. adm. Tina Boden Rousseau cost. des. Fran(;ois Laplante ge, Ingrid Vanderwater, Evere Ferguson, jpinema Canada (416) 366-0355 or (514) 272-5354. prod, asst, Roger Dufresne set dec make-up Marie-Angele Protat hair­ Robert Spivak, Kevin Brownie, David Serge Bureau asstdec. Denis Hamel dresser Gaetan Noiseux. Samain, Francis Lamer, Ada Fuoco, const. Harold Trasher, Normand Sarra- Film credit abbreviations NEW-YORK CHEW 2nd a.d. Roger ChaHes Manuel. Marty Star, Ben Lawson, zing head carp. Bruce Jackson,'Claude IL director asst d. assistant director sc. script adapt, adaptation diaL dialogue Pugliese trainee Ann Egbert intern. Christine Reamus, Deepak Massand, Simard sp. efx. John Meighen prop .wfv/dop. photography sp. ph. etx. special photographic effects ed. editor sup. ed. Richard Schiessigner p.man. Pete Run- Jacqueline Williams, Robert Jezek, master Jacques Chamberland props supenrisingeditor sd. sound sd. ed. sound editor sd. rec sound recording p. des. folo assL to p. Diane Foti p. coor. Lynn Griffith. production designer art d. art director set dec set decorator m. music cost. Vincent Fournier 1st asst.cam. Yves costumes Lp. leading players exec. p. executive producer p. p[X)ducer assoc. p. associate producer line p. line producer p. sup. production supervisor p. man. pmduction manager p.c production company dist distributor An asterisk (*) fdl- loH'ing the film's title indicates financial pai-ticipation by the Canadian Film Development Corporation. ON LOCATIO^ BC/RADIO-CANADA CINE ST-HENRI INC. P14) 285-2863 (514) 333-3336 EMPIRE INC. BONHEUR D'OCCASION/ Shooting began December 4, 1981 and THE TIN FLUTE should be completed at end of August Feature film and a five hours TV series, p.c. CBC/RadioCanada in collabora­ based on the book by Gabrielle Roy. Shot tion with the National Film Board exec, in Montreal (St-Henri area) for six months p. Mark Blandford p. Paul Risacher d. with a budget of $3.4M. p. Marie-Jos6e penys Arcand, Doug Jackson sc Douglas Raymond assoc p. Dorothy Courtois, Bowie p. man. Connie Ballam a.d. 1 st: Paterson Ferns exec. p. Bob Verrall sex louise Turcotte Gerlache 2nd: Hans Claude Fournier, Marie-Josee Raymond Vandersluys cont, Johanne Pr^gent eng. adapt. B.A. Cameron d.o.p. Four­ unit man. MauriceGingras, Jackie Van nier Lp. Marilyn Lightstone, Mireille Echten, Yvon Payette assoc. p. (NFB) Deyglun, Michel Forget, Pierre Chagnon. Stefan Wodoslawsky, Dorothy Courtois Martin Newfeld. ^dni. (NFB) Tamars Lynch p. sec. Lisc Gagn^ d.o.p. Alain Dostie cam. op. Michel Caron asst. cam. 1st; Daniel LIGHSTCAPE MOTION Jobin ; 2nd : Nathalie Moliavko-Visotski «d. Richard Besse boom Ester Auger PICTURE COMPANY LTD. Jaffcr Roger Martin, Mike Borlace elec. (416) 465-1098 jjCIaude Derasp, Norman Viau, Pierre Charpentier key grip Emmanuel Lepi- THE MUSIC OF THE no, Johnny Daoust art d. Pierre Garneau SPHERES cast d. Emma Hodgson casL asst Shooling began Oct, 4, 1980 in Toronto. Barbara Cartwright, Sophie S6n6cal Budget; $110,000. A sciti comic horror »et design Hubert Poirier asst, dec. film shot in'English and French- p. Robert Chabot, Pierre Despars, Jean Philip Jackson d. Philip Jackson p. Leroux make-up artist Guy Juneau man. Gabrielle de Monlmollin sc. Philip make-up assts. Jean-Charles Pelchat, Jackson, Gabrielle de Montmollin Claudie Taiilon hair stylist Jean d.o.p. Nadine Mumenick cont Doris Viriaio, Guy Roy cost. des. Fernand Lapierre dial coach Vseult Bu-xel Hainville cost. assL Renee Tarfid, minialures Michael M. Sloan, Jeff Ber­ plaude Gagnon, Denise D'Arcy dressers tram, Grand Illusion Co. sd. Ross Red- Jeannelte Si-Laurent, Andre Vouton fern Lp. Anne Dansereau, Peter Brikma- staging crew ieader Raymond Fon­ nis, Jacques Couture, Kenneth Gordon, taine staging crew Fernand Charpen­ Ken Lemaire, Sandy Kyser. tier, Michel Martinez, Fernand Harnois, Donato Monaco sp. efx. Gilles Roussel •e( dec. Herve Ouimet prop. masL POUNDMAKER Maurice Dumas design coord. Ray­ PRODUCTIONS LTD. mond Leslage stills Andr6 Lecoz drivers Jacques Champagne, Brian (416) 961-1730 Camacho, Raymond Castonguay. Daniel THE LIFE AND TIJVIES Uzycki tp, Kenneth Welsh, Jennifer OF EDWIN ALONZO BOYD ile, Peter Dvorsky, Martha Henry, Mitch Feature length docu-drama began shoot­ tartin, Joe Ziegler, Gabriel Arcand, ing Feb 9th in Toronto. 20 day shoot ^nald Pilon, Robert Clothier, Pamela budgetled at $240,000. p.c. Poundmaker lledfem, Lynn Jackson, Paul Hubert, Mi- Productions Ltd e«ec. p. Barry Pearson reille ThibauU, Paule Baillargeon, Gra­ superv. p. Jeny Lawton d. Les Bose ham Bachelor, Tony Van Bridge, Robin ass'L p./p. man. Shirley Gill d.o.p. Ed Ward unit pub. Lana iny (514) 285-2863, Higginson loc man. Keith Large ass't d. Nick Gray ed. Chris Hutton research Jarri Brodie, Nanci White gaffer/grlp Jim Wright a**"* cam. Rob MacDonald p. •••'t Malcolm GlaMfbrd, WckQuinian Lp. Gordon Pinienl Cinema Canada - April 1982/51 CINE MffTT DREAM MACHINE MUTUAL NETWORK FILM PRODUCTIONS LTD. PRODUCTIONS FILMS CORP. (514) 849-6051 (604) 980-8082 (416) 690-9497 LES PRODUCTIONS RUBICON FILM FOR THOSE 1 LOVED7 SAJO AND HER BEAVER AU NOM DE FORBIDDETrWORLDi S.E.P.T. INC. PRODUCTIONS INC. TOUS LES MIENS (514) 270-1496 PEOPLE (Formerly Tales of Terror^ (416) 226-9102 A six hours TV series and a two hours fea­ Nine episodes of 30 min. for TV. Hiji Based on the novel of the same name by ture film both shot in English and LATCLITDES^O IS RAOUL WALLENBERG Grey Owl. Start date J une 1982, budget of episode (60 min.) to be shot March Ul in French. That co-production Canada/ Northern Ontario. To be co-produced A 13 half-hour series for television to be A one-hour TV Documentary that will S2^M. CO-p. RoVjert Nichol p. man. Bob France, based on the book by Martin shot in January 1982, with an estimated take place in Canada, U.S.A.J England, Akester SCP. Michael Mercer d. Nichol. with Canadian Pay TV Film Produclion Gray, will start shooting on August '82 sc/d. Michael Chandlerstoryed.jQho budget of $390,000 p. and d. Andre A. Israel and Sweden, to be shot from March until December in Canada, France and Belanger concept & sc. Ijjuise Pelletier 1st. p. Wayne Arron, David Harel assoc. T Goodehild p. man. Christian Daiifel other countries, with a budget of $10M. sp. efx Yanis Ertmanis apt d. Metro- pub. no. Sheila Burke, N.B.: This docu­ p. David Yorke sc Peter Lauterman d. co-p.c. Producteurs Associ^s (France) David Harel d.o.p.
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