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Annual Report (Abridged)
2015 Department of Records (DoR) Annual Report (Abridged) Note: This is an abridged version of the report. Due to it being published in the winter of 2017, some data is not included as it is updated in real time and does not stay the same as the data at the end of a year does in some reports. We apologize for this and will be sure the missing sections are included in next year’s report. Napoleonic Wargames Club Popular Games and Scenarios: Games Game Battles* Campaign Waterloo (HPS) 407 Campaign Leipzig (JTS) 343 Campaign Eckmühl (HPS) 182 Campaign Austerlitz (HPS) 161 Napoleon's Russian Campaign (HPS) 111 Campaign Jena-Auerstedt (HPS) 103 Campaign Wagram (HPS) 72 Napoleon In Russia (Talonsoft) 65 Bonaparte's Peninsular War (JTS) 63 Campaign Bautzen (JTS) 58 Campaign 1814 (JTS) 54 Battleground Waterloo (Talonsoft) 43 Prelude To Waterloo (Talonsoft) 39 Les Grognards (HistWar) 30 Napoleon's Campaigns (AGEOD) 10 Commander: Napoleon At War 5 Crown of Glory: Emperor's Edition 5 Les Grognards (HistWar) - old version 3 Napoleonic Wargames Club (NWC) © 2016 Battleground Waterloo (Talonsoft, French version) 2 Egypt (mod) 1 The Eagle has Landed (Andy Barns) 0 Crown of Glory 0 Napoleon at Golymin (Greg Gorsuch) 0 Battlefield Eylau (Greg Gorsuch) 0 All 1757 Scenarios** Scenario Battles* The Waterloo Campaign, June 1815 43 The Battle of Quatre Bras - Historical, June 16, 1815 38 Hypothetical battles - v 10 35 #22H. The Battle of Austerlitz (HTH) 32 07. Kutuzov Turns to Fight 27 The Ridge - D'Erlon's Attack - Phase 1 23 14. The Battle of Waterloo 22 The Fall Campaign of 1813 22 Custom scenario 21 Waterloo - Historical 19 002. -
The Furnishing of the Neues Schlob Pappenheim
The Furnishing of the Neues SchloB Pappenheim By Julie Grafin von und zu Egloffstein [Master of Philosophy Faculty of Arts University of Glasgow] Christie’s Education London Master’s Programme October 2001 © Julie Grafin v. u. zu Egloffstein ProQuest Number: 13818852 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 13818852 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 l a s g o w \ £5 OG Abstract The Neues SchloB in Pappenheim commissioned by Carl Theodor Pappenheim is probably one of the finest examples of neo-classical interior design in Germany retaining a large amount of original furniture. Through his commissions he did not only build a house and furnish it, but also erected a monument of the history of his family. By comparing parts of the furnishing of the Neues SchloB with contemporary objects which are partly in the house it is evident that the majority of these are influenced by the Empire style. Although this era is known under the name Biedermeier, its source of style and decoration is clearly Empire. -
Juan Mauricio Rugendas Letters, 1835-1845 Finding
Special Collections and University Archives UMass Amherst Libraries Johann Moritz Rugendas Collection 1835-1845 1 box (0.5 linear ft.) Call no.: MS 271 About SCUA SCUA home Credo digital Scope Overview Series 1. Domingo de Oro Series 2. Juan Gualberto Godoy Series 3. Juan de Espinosa Series 4: José Javier y Tomás Bustamante Inventory Series 1: Domingo de Oro Series 2: Juan Gualberto Godoy Series 3: Juan de Espinosa Series 4: José Javier y Tomás Bustamante Admin info Download xml version print version (pdf) Read collection overview The painter Johann Moritz Rugendas was born in Augsburg, Germany, in 1802, and achieved fame for his depictions of the landscape, natural history, and cultural history of South American early in the era of independence. Beginning as a member of George Heinrich Langsdorff's scientific expedition to Minas Gerais in 1821, and then on his own, Rugendas traveled widely in Brazil, Mexico, Argentina, Uruguay, Chile, and Peru. His best-known published work is the monumental four-volume set, Malerische Reise in Brasilien (1827-1835). The Rugendas collection consists of 192 letters and 4 poems written to Rugendas by four of his South American artist friends who shared his passion for the country and culture of Argentina. See similar SCUA collections: Arts and literature Central and South America Background on Johann Moritz Rugendas Johann Moritz Rugendas (also known as Juan Mauricio Rugendas) was among the most influential European artists to travel in South America during the first half of the nineteenth century. Born in Augsburg (present-day Germany) on Mar. 29, 1802, and raised in a family of renowned painters and engravers, Rugendas was provided with a strong academic artistic foundation, training in father's art school and studying under the painter Albrecht Adam and then under Lorenz Quaglio at the Academy of Arts in Munich. -
Polish Battles and Campaigns in 13Th–19Th Centuries
POLISH BATTLES AND CAMPAIGNS IN 13TH–19TH CENTURIES WOJSKOWE CENTRUM EDUKACJI OBYWATELSKIEJ IM. PŁK. DYPL. MARIANA PORWITA 2016 POLISH BATTLES AND CAMPAIGNS IN 13TH–19TH CENTURIES WOJSKOWE CENTRUM EDUKACJI OBYWATELSKIEJ IM. PŁK. DYPL. MARIANA PORWITA 2016 Scientific editors: Ph. D. Grzegorz Jasiński, Prof. Wojciech Włodarkiewicz Reviewers: Ph. D. hab. Marek Dutkiewicz, Ph. D. hab. Halina Łach Scientific Council: Prof. Piotr Matusak – chairman Prof. Tadeusz Panecki – vice-chairman Prof. Adam Dobroński Ph. D. Janusz Gmitruk Prof. Danuta Kisielewicz Prof. Antoni Komorowski Col. Prof. Dariusz S. Kozerawski Prof. Mirosław Nagielski Prof. Zbigniew Pilarczyk Ph. D. hab. Dariusz Radziwiłłowicz Prof. Waldemar Rezmer Ph. D. hab. Aleksandra Skrabacz Prof. Wojciech Włodarkiewicz Prof. Lech Wyszczelski Sketch maps: Jan Rutkowski Design and layout: Janusz Świnarski Front cover: Battle against Theutonic Knights, XVI century drawing from Marcin Bielski’s Kronika Polski Translation: Summalinguæ © Copyright by Wojskowe Centrum Edukacji Obywatelskiej im. płk. dypl. Mariana Porwita, 2016 © Copyright by Stowarzyszenie Historyków Wojskowości, 2016 ISBN 978-83-65409-12-6 Publisher: Wojskowe Centrum Edukacji Obywatelskiej im. płk. dypl. Mariana Porwita Stowarzyszenie Historyków Wojskowości Contents 7 Introduction Karol Olejnik 9 The Mongol Invasion of Poland in 1241 and the battle of Legnica Karol Olejnik 17 ‘The Great War’ of 1409–1410 and the Battle of Grunwald Zbigniew Grabowski 29 The Battle of Ukmergė, the 1st of September 1435 Marek Plewczyński 41 The -
PRESS RELEASE NEUMEISTER Special Auction FINE ART and ANTIQUES 365 on 24 September 2014
1/4 5 PRESS RELEASE NEUMEISTER special auction FINE ART AND ANTIQUES 365 on 24 September 2014 Munich, 22 July 2014 Family Bonds – 100 paintings of Wittelsbach and Habsburg possession In a spectacular evening sale on 24 September 2014 NEUMEISTER Fine Art Auctioneers will auction about one hundred paintings and drawings from the collection of the former ruling houses of Bavaria and Austria. Many new discoveries. ”It’s a very special opportunity auctioning off this unique collection of paintings stemming from several estates. An auction reminiscining me of classical attic sales like at Chatsworth 2010 or the Guelph auction of 2005.“ enthuses Katrin Stoll, owner of Munich based auction house NEUMEISTER Fine Art Auctioneers. ”Of course it is the imperial, royal and princely origin, that dynastic element, which makes this auction so outstanding. Its spell, this touching human charm, however, is due to the privacy, the intimacy, one feels when looking at these pictures, most of which have never before been on public display. Take the children’s portraits for instance: The children of Gisela, which the Austrian Emperor's daughter had portrayed for the proud imperial grandparents, or the portrait of Marie Valerie as a two-year old by Hans Makart, which the emperor gave to his wife on the occasion of a return from one of her travels ... This sale really is a very unique opportunity to acquire historic memorabilia – not least about Empress Elisabeth, also known as Sisi.“ Almost all objects called up in this auction (Preview Days in NEUMEISTER’s Vienna office from 10 to 13 September, and at the Munich headquarter from 18 to 22 September), may they be estimated high or low, may they be quaint or charming, or, as in one or two cases truly tragic, have always been in the possession of the Habsburg and Wittelsbach families. -
CARL VON CLAUSEWITZ, HIS TRINITY, and the 1812 RUSSIAN CAMPAIGN PART ONE Though He Wrote His Seminal Work on War Almost 200 Year
Journal of Slavic Military Studies, 19: 295–341, 2006 Copyright © Taylor & Francis Group, LLC ISSN 1351-8046 print DOI: 10.1080/13518040600697944 FSLV1351-8046Journal of Slavic Military Studies,Studies Vol. 19, No. 02, April 2006: pp. 0–0 CARL VON CLAUSEWITZ, HIS TRINITY, AND THE 1812 RUSSIAN CAMPAIGN ClausewitzBrian Drohan and the 1812 Campaign Brian Drohan This article analyzes the 1812 Russian campaign using Clausewitz’s con- cept of the trinitarian nature of war. This approach uses a case study to delve deeply into understanding the subtle, philosophical nature of Clausewitz’s trinity. The article is serialized into two parts; the first dis- cusses each of the trinity’s elements. The second part applies each trini- tarian element to the Russian campaign. PART ONE Though he wrote his seminal work On War almost 200 years ago, Carl von Clausewitz’s intellectual achievements still dominate the study of warfare across the globe. One of Clausewitz’s theoretical insights in particular remains especially relevant at the beginning of the 21st century. Clausewitz developed a subtle, philosophical understanding of the nature of war as a human phenome- non articulated in his concept commonly called the Clausewitzian Trinity. This essay approaches the tripartite nature of war with a largely philo- sophical perspective: It will examine each trinitarian element individually as Clausewitz characterized those elements. Next, this article will analyze each element of the trinity as it is expressed in Napoleon’s Russian cam- paign of 1812. By viewing the tripartite definition of the nature of war through the lens of a historical campaign, historians and military thinkers will achieve a more comprehensive, holistic understanding of the trinity. -
Eugene De Beauharnais
EUGENE DE BEAUHARNAIS Exposition présentée par la Fondation Napoléon, le Musée national des châteaux de Malmaison et Bois-Préau et la Réunion des Musées nationaux sur le site internet www.napoleon.org © Fondation Napoléon, avril 2000, tous droits réservés Une Vie en images [La Famille] Hector Viger (1819-1879) Visite de Joséphine (sic) de Beauharnais à son mari Alexandre détenu au Luxembourg Malmaison, Musée national du château ã RMN-D.Arnaudet Ce tableau réalisé sous le Second Empire montre une scène qui n’eut jamais lieu. Joséphine, qui se nommait encore Rose, était séparée de son mari Alexandre de Beauharnais depuis plusieurs années. Ni elle, ni ses enfants Eugène et Hortense ne lui rendirent visite lors de son incarcération au Luxembourg en mars 1794. Rose fut arrêtée peu après et enfermée dans l’ancien couvent des Carmes. Elle fut libérée le 6 août. Alexandre avait été guillotiné le 23 juillet. En dépit de son caractère imaginaire, l’œuvre n’en reste pas moins remarquable par le souci d’exactitude dans le rendu tant des détails du décor que des visages et des attitudes d’une famille menacée sous la Terreur. Le tableau a été exposé au Salon de 1867. Auguste Raffet (1804-1860) Le jeune Beauharnais redemande à Napoléon l’épée de son père Paris, Bibliothèque Thiers ã Bibliothèque Thiers-J.-L.Charmet Cette lithographie de 1826 s’inspire d’une anecdote célèbre extraite du Mémorial de Sainte-Hélène. En octobre 1795, le petit Eugène s’était présenté devant le général Bonaparte et l’avait supplié de conserver l’épée de son père qui avait été général de la République. -
Glasnost and the Great Patriotic War
THE NATIONAL COUNCIL FOR SOVIET AND EAST EUROPEAN RESEARC H TITLE : Glasnost and the Great Patriotic War AUTHOR: Nin a Tumarkin CONTRACTOR: Wellesley College PRINCIPAL INVESTIGATOR : Nin a Tumarkin COUNCIL CONTRACT NUMBER : 804-07 DATE : April 199 1 The work leading to this report was supported by funds provided by the National Councilfor Soviet and Eas t European Research. The analysis and interpretations contained in the report are those of the author. NCSEER NOTE This paper is a contemporary, analytical discussion of the impact of Glasnost on Soviet citizens ' perceptions of the experiences and memories of World War II, The Great Patriotic War." It is expected to be published in a more compressed form in an upcoming issue of The Atlantic. Summary of Final Report GLASNOST AND THE GREAT PATRIOTIC WAR Nina Tumarkin Today, fifty years after Operation Barbarossa, the 1941 German invasion of the Sovie t Union, the winds of glasnost and perestroikahave demolished that sonorous combination of self- pity and self-congratulation that for so long had characterized the official memorialization of th e "Great Patriotic War" . An enshrined, idealized saga is being replaced with raw human memory . "Our understanding of the war," historian Mikhail Gefter remarked to me not long ago, "i s being transformed from a heroic farce to the tragedy that it really was . " My final report is a summary article based on my forthcoming book, Russia Remember s the War . In 1985, when I began the book, its subject was the cult of the Great Patriotic War i n the Soviet Union . The astonishing events of the past five years have forced me to transform th e book into an exploration of the history, successes, and sudden demise of the war cult . -
Napoleon's Men
NAPOLEON S MEN This page intentionally left blank Napoleon's Men The Soldiers of the Revolution and Empire Alan Forrest hambledon continuum Hambledon Continuum The Tower Building 11 York Road London, SE1 7NX 80 Maiden Lane Suite 704 New York, NY 10038 First Published 2002 in hardback This edition published 2006 ISBN 1 85285 269 0 (hardback) ISBN 1 85285 530 4 (paperback) Copyright © Alan Forrest 2002 The moral right of the author has been asserted. All rights reserved. Without limiting the rights under copyrights reserved above, no part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted in any form or by any means (electronic, mechanical, photocopying, recording or otherwise), without the prior written permission of both the copyright owner and the above publisher of this book. A description of this book is available from the British Library and the Library of Congress. Typeset by Carnegie Publishing, Lancaster, and printed in Great Britain by MPG Books, Cornwall. Contents Illustrations vii Introduction ix Acknowledgements xvii 1 The Armies of the Revolution and Empire 1 2 The Soldiers and their Writings 21 3 Official Representation of War 53 4 The Voice of Patriotism 79 5 From Valmy to Moscow 105 6 Everyday Life in the Armies 133 7 The Lure of Family and Farm 161 8 From One War to Another 185 Notes 205 Bibliography 227 Index 241 This page intentionally left blank Illustrations Between pages 108 and 109 1 Napoleon Bonaparte, crossing the Alps in 1800 2 Volunteers enrolling 3 Protesting -
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Albrecht Adam Created Several Oil Paintings of the King Creators
herd of Weil in 1932, as well as in numerous private This series of articles covers the most important aspects and state breeding programs worldwide. King Wilhelm of the work and life of Orientalist artists depicting Arabian I of Wurttemberg founded a stud farm near Stuttgart horses. However, there were many others – some more, ORIENTALISM AND THE ARABIAN HORSE : PART 7 in 1817 using only the noblest and purest blood lines some less, well-known. Moreover, one should not forget from Arabia – a very uncommon practice at that time. the numerous works of art which were not signed by their Albrecht Adam created several oil paintings of the king creators. Some of them are real treasures – even if we will riding on his noble steeds as well as fantastic portraits never know who was the mastermind behind them. When of King Wilhelm’s exclusive Arabian horses. we marvel at old Arabian horse pictures today, we should ALBRECHT ADAM briefly think of the brilliant artists who left us this source of In 1844 Albrecht Adam painted the Arabian stallion inspiration. They were thrilled by the same passion as we Siglavi – one of the foundation sires of the Lipizzan are today: The beauty and spirit of Arabian horse! Noerdlingen 1786 – München 1862 race. Another of Albrecht Adam’s most beautiful paintings depicting Arabian horses shows five Arabian stallions with their grooms in front of the royal stable For inquiries regarding the Arabian horse in art please in Munich. Adam created this charming work of art in contact: 1834. Albrecht Adam was a versatile painter, always By Judith Wich-Wenning true to nature with great love for the details. -
Making Jews Modern in the Polish Borderlands
Out of the Shtetl Making Jews Modern in the Polish Borderlands NANCY SINKOFF OUT OF THE SHTETL Program in Judaic Studies Brown University Box 1826 Providence, RI 02912 BROWN JUDAIC STUDIES Series Editors David C. Jacobson Ross S. Kraemer Saul M. Olyan Number 336 OUT OF THE SHTETL Making Jews Modern in the Polish Borderlands by Nancy Sinkoff OUT OF THE SHTETL Making Jews Modern in the Polish Borderlands Nancy Sinkoff Brown Judaic Studies Providence Copyright © 2020 by Brown University Library of Congress Control Number: 2019953799 Publication assistance from the Koret Foundation is gratefully acknowledged. Open access edition funded by the National Endowment for the Humanities/ Andrew W. Mellon Foundation Humanities Open Book Program. The text of this book is licensed under a Creative Commons Attribution-Non- Commercial-NoDerivatives 4.0 International License: https://creativecom- mons.org/licenses/by-nc-nd/4.0/. To use this book, or parts of this book, in any way not covered by the license, please contact Brown Judaic Studies, Brown University, Box 1826, Providence, RI 02912. In memory of my mother Alice B. Sinkoff (April 23, 1930 – February 6, 1997) and my father Marvin W. Sinkoff (October 22, 1926 – July 19, 2002) CONTENTS Acknowledgments....................................................................................... ix A Word about Place Names ....................................................................... xiii List of Maps and Illustrations .................................................................... xv Introduction: