DOCSLIB.ORG

Yo Yo You Better Ask Somebody Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Yo Yo You Better Ask Somebody Mp3, Flac, Wma Yo Yo You Better Ask Somebody mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: You Better Ask Somebody Country: US Released: 1993 Style: Gangsta MP3 version RAR size: 1450 mb FLAC version RAR size: 1955 mb WMA version RAR size: 1816 mb Rating: 4.2 Votes: 420 Other Formats: MP1 MIDI ASF RA AA VOX MP4 Tracklist Hide Credits IBWin' Wit My Crewin' 1 Producer – Q.D. III*Written-By – Quincy D. III*, Yo Yo*Written-By [Sample] – C. Ridenhour*, 3:56 L. Williamson*, N. Rogers* Can You Handle It? 2 Producer – The Baker Boys*, Ice CubeWritten-By – Yo Yo*Written-By [Sample] – Carl 3:04 Ridenhour*, Keith Boxley Westside Story Producer – Derrick McDowell, Ice Cube, Lay LawWritten-By – Ice CubeWritten-By ["Big Bag Theory" Sample] – Donnie R. Sterling*, George Clinton, Jr.*, Ronald Dunbar*Written- 3 4:53 By ["Mr. Wiggles" Sample] – Bernie Worrell, George Clinton, Jr.*, Michael HamptonWritten-By ["Sir Nose D'voidoffunk" Sample] – Bernie Worrell, George Clinton, Jr.*, William "Bootsy" Collins* Mackstress Producer – Krazy Toons*, Ice Cube, Q.D. III*Written-By – Yo Yo*Written-By ["Do That Stuff" 4 3:51 Sample] – B. Worrell*, G. Shider*, G. Clinton, Jr.*Written-By ["Sing A Simple Song" Sample] – S. Stewart* 20 Sack 5 3:10 Producer – Q.D. III*Written-By – Yo Yo* You Better Ask Somebody 6 3:28 Producer – Ice Cube, Q.D. III*Written-By – Ice Cube They Shit Don't Stink Producer – The Baker Boys*, Ice CubeWritten-By – Ice CubeWritten-By ["Get Off Your Ass 7 3:40 And Jam" Sample] – George Clinton, Jr.*Written-By ["Stoned Is The Way Of The Walk" Sample] – Larry Muggerud, Louis Freeze* Letter To The Pen Featuring – Martin Lawrence Producer – Ice Cube, TootieWritten-By – Yo Yo*Written-By ["Funny Worm" Sample] – A. Noland*, G. Webster*, W. Morrison*, L. Bonner*, M. Jones*, R. 8 3:38 Middlebrooks*Written-By ["Impeach The President" Sample] – Roy C. HammondWritten-By ["La Di Da Di" Sample] – Douglas Davis*, Ricky WaltersWritten-By ["Nuthin' But A 'G' Thang" Sample] – Al Haywoof*, Snoop* Givin' It Up Producer – Mr. WoodyWritten-By – Lil "E", Idle Joe*, Yo Yo*Written-By ["Baby" Sample] – 9 Cheryl Lynn, Ray Parker, Jr.*Written-By ["Just Funnin'" Sample] – Howard King, James 3:41 Mtume, Reginald Lucas*Written-By ["Sir Nose D'Voidoffunk" Sample] – Bernie Worrell, George Clinton, Jr.*, William Collins* Pass It On Producer – Ice Cube, Pockets Written-By – Chann , Dawn , Lady "T", Nick Nack , Shorty , 10 Sukii, Yo Yo*Written-By ["Give Me Some Emotion" Sample] – Cheryl Pitts, Robert Barnes*, 4:02 Webster LewisWritten-By ["Poison" Sample] – Elliot StraiteWritten-By ["Stoned Is The Way Of Walk"] – Larry Muggerud, Louis Freeze* Girls Got A Gun 11 Producer – Ice Cube, Q.D. III*Written-By – Ice CubeWritten-By ["Raw" Sample] – Antonio 2:56 HardyWritten-By ["Shotgun" Sample] – Autry DeWald* The Bonnie And Clyde Theme 12 Featuring – Ice CubeProducer – Pockets Written-By – Ice Cube, Yo Yo*Written-By [Sample] 4:12 – B. Wright*, R. Miller*, W. Irwin* Companies, etc. Phonographic Copyright (p) – Atlantic Recording Corporation Copyright (c) – Atlantic Recording Corporation Phonographic Copyright (p) – WEA International Inc. Copyright (c) – WEA International Inc. Pressed By – Specialty Records Corporation Record Company – BMG Direct Marketing, Inc. – D 154353 Licensed To – BMG Direct Marketing, Inc. Licensed From – Sony Music Entertainment Licensed From – Def Jam Recordings Inc. Licensed From – Polygram Special Markets Licensed From – Warner Special Products Licensed From – Westbound Records Licensed From – Tuff City Records Licensed From – Danya Records Licensed From – MCA Records Licensed From – Cold Chillin' Licensed From – Are You Experienced? Ltd. Licensed From – Slash Records Licensed From – Arista Records, Inc. Produced For – Street Knowledge Productions Mastered At – Masterdisk Published By – Street Knowledge Music Published By – Deep Technology Music Published By – Shocklee Music Published By – Dos Hermanos Music Published By – Gangsta Boogie Music Published By – Def American Songs, Inc. Published By – Lawhouse Music Published By – Bridgeport Music, Inc. Published By – Rubberband Music, Inc. Published By – Songs of Polygram Inc. Published By – Rightsong Music Published By – Warner-Tamerlane Publishing Corp. Published By – Music Corporation of America Published By – Mijac Music Published By – MCA Music Publishing Published By – BMG Songs, Inc. Published By – Cypress Funky Music Published By – Night Stawka Music Published By – Sony Tunes Inc. Published By – Music Of The World Published By – Jim-Edd Music Published By – Street Tuff Tunes Published By – Danica Music Published By – Slick Rick Music Published By – Entertaining Music Published By – Hittin' The Switch Music Published By – Ensign Music Corp. Published By – Skarab Publishing Corp. Published By – Raydiola Music Published By – Butterfly Gong Published By – High Frost Publishing Published By – Webo Music, Inc. Published By – Gadtoon Music Published By – Epic/Solar Songs Inc. Published By – Sony Songs Inc. Published By – Cold Chillin' Music Publishing Published By – WB Music Corp. Published By – Stone Agate Music Credits Art Direction – Thomas Bricker Co-producer – The Baker Boys*, Krazy Toons*, Lay Law, Mr. Woody, Night Stawka, Pockets , Q.D. III* Management – Wesley Cullars, Wess Management Mastered By – Tony Dawsey Other [Fashion Styling] – Lisa Michelle Photography By – Michael Miller Producer [Executed By], Executive-Producer – Ice Cube Notes Track 1 published by Street Knowledge Music / Deep Technology Music (ASCAP). Contains a sample from "Buckwilin'", published by Shocklee Music (BMI), as recorded by Terminator X, under license from Sony Music Entertainment. Track 2 published by Street Knowledge Music / Dos Hermanos / Gangsta Boogie Music (ASCAP). Contains a sample from "Welcome To The Terrordome", published by Def American Songs, as recorded by Public Enemy, under license from Sony Music Entertainment and Def Jam Recordings, Inc. Track 3 published by Street Knowledge Music / Lawhouse Music (ASCAP). Contains samples from "Sir Nose D'Voidoffunk", published by Bridgeport Music, Inc. (BMI) / Rubberband Music (adm. by Songs Of PolyGram) (BMI) / Rightsong Music (admin. by Warner-Tamerlane Music, Inc.) (BMI), as recorded by Parliament, under license from PolyGram Special Markets; "Mr. Wiggles", published by Bridgeport Music, Inc. (BMI) / Rightsong Music (admin. by Warner-Tamerlane Music, Inc.) (BMI), as recorded by Parliament, under license from PolyGram Special Markets; and "Big Bang Theory", published by Bridgeport Music, Inc. (BMI) / Rightsong Music (admin. by Warner-Tamerlane Music, Inc.) (BMI), as recorded by Parliament, under license from PolyGram Special Markets. Track 4 published by Street Knowledge Music / Gangsta Boogie Music / Deep Technology Music (ASCAP). Contains samples from "Do That Stuff", published by Bridgeport Music, Inc. (BMI) / Rightsong Music (BMI), as recorded by Parliament, under license from PolyGram Special Markets; "Top Billin'", published by Music Corporation Of America (BMI), as recorded by Audio Two, under license from Warner Special Products; and "Sing A Simple Song", published by Mijac Music. Track 5 published by Street Knowledge Music / Deep Technology Music (ASCAP). Track 6 published by Gangsta Boogie Music / Deep Technology Music (ASCAP). Track 7 published by Gangsta Boogie Music / Dos Hermanos (ASCAP). Contains samples from "Get Off Your Ass And Jam", published by Bridgeport Music, Inc. (BMI), as recorded by Funkadelic, under license from Westbound Records; and "Stoned Is The Way Of The Walk", published by MCA Music Publishing (ASCAP) / BMG Songs, Inc. / Cypress Funky Music (ASCAP), as recorded by Cypress Hill, under license from Sony Music Entertainment, Inc. Track 8 published by Street Knowledge Music / Night Stawka Music / Gangsta Boogie Music (ASCAP). Contains samples from "Nuthin' But A 'G' Thang", published by Sony Tunes (ASCAP) / Music Of The World / Jim Edd Music (BMI), as recorded by Dr. Dre, under license from Warner Special Products; "Impeach The President", published by Street Tuff Tunes (ASCAP), as recorded by Roy C. Hammond, under license from Tuff City Records; "Funky Worm", published by Bridgeport Music, Inc., as recorded by The Ohio Players, under license from Westbound Records; and "La Di Da Di", published by Danica Music (BMI) / Slick Rick Music (BMI) / Entertaining Music (BMI), as recorded by Slick Rick & Doug E. Fresh, under license from Danya Records. Track 9 published by Hittin' The Switch Music / Street Knowledge Music (ASCAP). Contains samples from "Just Funnin'", published by Ensign Music Corp. (BMI) / Skarab Publishing Corp. (BMI), as recorded by Mtume, under license from Sony Music Entertainment; "Baby", published by Raydiola Music (ASCAP) / Butterfly Gong Music (BMI), as recorded by Cheryl Lynn, under license from Sony Music Entertainment; and "Sir Nos D'Voidoffunk", published by Bridgeport Music, Inc. (BMI) / Rubberband Music (adm. by Songs Of PolyGram) (BMI) / Rightsong Music (admin. by Warner- Tamerlane Music, Inc.) (BMI), as recorded by Parliament, under license from PolyGram Special Markets. Track 10 published by Street Knowledge Music / Deep Technology Music (ASCAP). Contains samples from "Stoned Is The Way Of The Walk", published by MCA Music Publishing (ASCAP) / BMG Songs, Inc. / Cypress Funky Music (ASCAP), as recorded by Cypress Hill, under license from Sony Music Entertainment, Inc.; "Poison", published by Hip City Music (BMI) / Hight Frost Publishing (BMI), as recorded by Bell Biv Devoe, under license from MCA Records;
Load more

Recommended publications
  • Mose Davis Public Relations Information
    Mose Davis Public Relations Information “My name is Mose…and you can call me Mose” – Mose Davis That quote from Mose Davis can be heard on Hamilton Bohannon’s hit record “Let’s Start the Dance”. The tune is a smoking-hot club classic. And the quote cuts through the clutter and camouflage of funk wannabes, to reveal a pure fact – Mose is Mose. Before Stevie Wonder, before Bernie Worrell, there was Mose Davis pushing the frontiers of funk with his use of the organ as the source of the bass line, during the late 1960’s. And if imitation is the highest form of flattery, then Mose Davis has been flattered by the best. And some of the biggest names in hip-hop have sampled a sip of Mose’s musical brew, including Snoop, Mary J. Blige and Queen Latifah. Classically trained at the Detroit Conservatory of Music, Mose Davis is an exceptional jazz artist and prominent fixture on the Atlanta music scene. Davis identifies jazz greats, Jimmy Smith and Ahmad Jamal among his musical influences. Davis performs with top acts across the country and internationally. Mose Davis has performed with Candi Staton, The Isley Brothers, Marlena Shaw, David Ruffin, Ray Parker, Jr., The Counts, Funkadelics and Carl Anderson. His festival appearances include The Atlanta Jazz Festival (with the Atlanta Symphony Orchestra), The Macon Jazz Festival and the internationally renowned Spoleto Festival. And now comes the new CD, “Sunshine”. “It’s a mix of jazz – the rough and the smooth – blended with some Latin and rock influences,” Davis says.
    [Show full text]
  • The Futurism of Hip Hop: Space, Electro and Science Fiction in Rap
    Open Cultural Studies 2018; 2: 122–135 Research Article Adam de Paor-Evans* The Futurism of Hip Hop: Space, Electro and Science Fiction in Rap https://doi.org/10.1515/culture-2018-0012 Received January 27, 2018; accepted June 2, 2018 Abstract: In the early 1980s, an important facet of hip hop culture developed a style of music known as electro-rap, much of which carries narratives linked to science fiction, fantasy and references to arcade games and comic books. The aim of this article is to build a critical inquiry into the cultural and socio- political presence of these ideas as drivers for the productions of electro-rap, and subsequently through artists from Newcleus to Strange U seeks to interrogate the value of science fiction from the 1980s to the 2000s, evaluating the validity of science fiction’s place in the future of hip hop. Theoretically underpinned by the emerging theories associated with Afrofuturism and Paul Virilio’s dromosphere and picnolepsy concepts, the article reconsiders time and spatial context as a palimpsest whereby the saturation of digitalisation becomes both accelerator and obstacle and proposes a thirdspace-dromology. In conclusion, the article repositions contemporary hip hop and unearths the realities of science fiction and closes by offering specific directions for both the future within and the future of hip hop culture and its potential impact on future society. Keywords: dromosphere, dromology, Afrofuturism, electro-rap, thirdspace, fantasy, Newcleus, Strange U Introduction During the mid-1970s, the language of New York City’s pioneering hip hop practitioners brought them fame amongst their peers, yet the methods of its musical production brought heavy criticism from established musicians.
    [Show full text]
  • Funk Is Its Own Reward": an Analysis of Selected Lyrics In
    ABSTRACT AFRICAN-AMERICAN STUDIES LACY, TRAVIS K. B.A. CALIFORNIA STATE UNIVERSITY DOMINGUEZ HILLS, 2000 "FUNK IS ITS OWN REWARD": AN ANALYSIS OF SELECTED LYRICS IN POPULAR FUNK MUSIC OF THE 1970s Advisor: Professor Daniel 0. Black Thesis dated July 2008 This research examined popular funk music as the social and political voice of African Americans during the era of the seventies. The objective of this research was to reveal the messages found in the lyrics as they commented on the climate of the times for African Americans of that era. A content analysis method was used to study the lyrics of popular funk music. This method allowed the researcher to scrutinize the lyrics in the context of their creation. When theories on the black vernacular and its historical roles found in African-American literature and music respectively were used in tandem with content analysis, it brought to light the voice of popular funk music of the seventies. This research will be useful in terms of using popular funk music as a tool to research the history of African Americans from the seventies to the present. The research herein concludes that popular funk music lyrics espoused the sentiments of the African-American community as it utilized a culturally familiar vernacular and prose to express the evolving sociopolitical themes amid the changing conditions of the seventies era. "FUNK IS ITS OWN REWARD": AN ANALYSIS OF SELECTED LYRICS IN POPULAR FUNK MUSIC OF THE 1970s A THESIS SUBMITTED TO THE FACULTY OF CLARK ATLANTA UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THEDEGREEOFMASTEROFARTS BY TRAVIS K.
    [Show full text]
  • The Real Frank Zappa Book Contents
    The Real Frank Zappa Book by Frank Zappa with Peter Occhiogrosso eVersion 3.0 - click for copyright info and scan notes THIS BOOK IS DEDICATED TO GAIL, THE KIDS, STEPHEN HAWKING AND KO-KO. F.Z. August 23, 1988 06:39:37 Contents INTRODUCTION -- Book? What Book? 1 How Weird Am I, Anyway? 2 There Goes the Neighborhood 3 An Alternative to College 4 Are We Having a Good Time Yet? 5 The Log Cabin 6 Send In the Clowns 7 Drool, Britannia 8 All About Music 9 A Chapter for My Dad 10 The One You've Been Waiting For 11 Sticks & Stones 12 America Drinks and Goes Marching 13 All About Schmucks 14 Marriage (as a Dada Concept) 15 "Porn Wars" 16 Church and State 17 Practical Conservatism 18 Failure 19 The Last Word Introduction Book? What Book? I don't want to write a book, but I'm going to do it anyway, because Peter Occhiogrosso is going to help me. He is a writer. He likes books -- he even reads them. I think it is good that books still exist, but they make me sleepy. The way we're going to do it is, Peter will come to California and spend a few weeks recording answers to 'fascinating questions,' then the tapes will be transcribed. Peter will edit them, put them on floppy discs, send them back to me, I will edit them again, and that result will be sent to Ann Patty at Poseidon Press, and she will make it come out to be 'A BOOK.' One of the reasons for doing this is the proliferation of stupid books (in several languages) which purport to be About Me .
    [Show full text]
  • Parliament Gold Mp3, Flac, Wma
    Parliament Gold mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Gold Country: Europe Released: 2005 Style: P.Funk MP3 version RAR size: 1479 mb FLAC version RAR size: 1961 mb WMA version RAR size: 1108 mb Rating: 4.5 Votes: 622 Other Formats: DXD AA VQF ADX MP4 VOC WMA Tracklist 1-1 Up For The Down Stroke 5:08 1-2 Testify 3:54 1-3 All Your Goodies Are Gone 5:04 1-4 Chocolate City 5:37 1-5 Ride On 3:34 1-6 P. Funk (Wants To Get Funked Up) 7:40 1-7 Give Up The Funk (Tear The Roof Off The Sucker) 5:46 1-8 Mothership Connection (Star Child) 6:12 1-9 Handcuffs 4:00 1-10 Do That Stuff 4:48 1-11 Dr. Funkenstein 5:45 1-12 Funkin' For Fun 5:55 Dr. Funkentstein's Supergroovalistic-Prosifunkstication Medley: Let's Take It To The 1-13 5:06 Stage/Take Your Dead Ass Home (Say Som'n Nasty) (Live) 1-14 Fantasy Is Reality 5:55 2-1 Flash Light (12-inch Version) 10:45 2-2 Bop Gun (Endangered Species) 8:30 2-3 Funkentelechy 10:54 2-4 Mr. Wiggles 6:43 2-5 Aqua Boogie (A PsychoAlphaDiscoBetaBioAquaDoLoop) (12" Version) 9:23 2-6 Rumpofsteelskin 5:34 2-7 Party People (Single Edit) 4:46 2-8 Theme From The Black Hole 4:38 2-9 The Big Bang Theory 7:10 2-10 Agony Of DeFeet (Single Edit) 4:25 Companies, etc. Phonographic Copyright (p) – Island Def Jam Music Group Copyright (c) – Island Def Jam Music Group Record Company – UMG Recordings, Inc.
    [Show full text]
  • An Afrofuturistic Reading of Parliament-Funkadelic Joshua Bird Western Washington University, [email protected]
    Occam's Razor Volume 3 (2013) Article 6 2013 Climbing Aboard the Mothership: An Afrofuturistic Reading of Parliament-Funkadelic Joshua Bird Western Washington University, [email protected] Follow this and additional works at: https://cedar.wwu.edu/orwwu Part of the Arts and Humanities Commons Recommended Citation Bird, Joshua (2013) "Climbing Aboard the Mothership: An Afrofuturistic Reading of Parliament-Funkadelic," Occam's Razor: Vol. 3 , Article 6. Available at: https://cedar.wwu.edu/orwwu/vol3/iss1/6 This Research Paper is brought to you for free and open access by the Western Student Publications at Western CEDAR. It has been accepted for inclusion in Occam's Razor by an authorized editor of Western CEDAR. For more information, please contact [email protected]. 29 OCCAM’S RAZOR Bird: Climbing Aboard the Mothership OCCAM’S RAZOR 30 “What’s happening CC? They still call it the White House, but that’s CLIMBING a temporary condition ABOARD too. Can you dig it, CC” THE MOTHERSHIP In his 1994 essay Black to the Future, place I eat” (Heron). Clinton was the group’s newly acquired fortune, George cultural critic Mark Dery coined the term mastermind behind the 1970s funk Clinton assembled a five man backing “Afrofuturism” and defined it as such: collective Parliament-Funkadelic, and band that was dubbed Funkadelic (a “Speculative fiction that treats African- his artistic vision included extensive portmanteau of funk and psychedelic) AN elements of science fiction. Through the to complement the five vocalists. Due to American themes and addresses
    [Show full text]
  • «Ss¡® I E Y , MISTER, GUESS W H a T ?” I Feel a Small Hand Pulling My Coat Sleeve § and Look Down to See a Young Black Kid About Seven Staring up at Me
    «ss¡® I E Y , MISTER, GUESS w h a t ?” I feel a small hand pulling my coat sleeve § and look down to see a young black kid about seven staring up at me. It’s October 28, 1976, and I’m in the New Orleans Civic Auditorium, a hall packed with riggers, gaffers, soundmen and musicians. An incredible event B Y TOM V I C K E R S Parliament-Funkadelic, Is about to unfold. “Mister, you The band kicked into the deadly groove of “Dr. Funkenstein.” circa 1974: Calvin know what’s going to happen here As George strutted down the stairway, the audience was groov­ Simon, Bernie Worrell, tomorrow night? The Mothership ing so hard that the whole arena was shaking. Joints were lit, Grady Thomas, is going to land right on that stage, and the sweet smell of reefer filled the hall as the crowd "Boogie" Mosson, and Dr. Funkenstein himself is screamed, clapped and celebrated as if it had just witnessed the "Fuzzy" Haskins, going to be here,” he continues, Second Coming. It was a moment that I will remember as long George Clinton,"Tiki" unaware that Dr. Funkenstein as I live, and anyone who saw the Mothership land back in the Fulwood, Garry Shider, himself, George Clinton, is stand­ day had their lives permanently changed. Michael Hampton, ing less than six feet away. The kid And those geepies, like the New Orleans kid, made George guitarist Ron continues rapping to me as the sil­ one of the most sampled producers in hip-hop. Rappers from Bykowski, Ray Davis ver Mothership is hoisted to a Dr.
    [Show full text]
  • The Moving Power of Parliament Funkadelic
    Funk Is Its Own Reward: The Moving Power of Parliament Funkadelic An Honors Thesis by Vladimir Gutkovich Contents Introduction: Make my Funk the P-Funk! 3 I. The Birth and Rise of the P-Funk Empire: A Discography Synopsis 11 II. Everything is on the ONE: The Music of the Funk Mob 22 1. Musical Beginnings: “Free Your Mind, And Your Ass Will Follow” 24 2. Everything is on the ONE! 28 3. Controlled Chaos: P-Funk’s Anti-Formula 33 4. Funk as a Way of Life 35 III. Funkentelechy: The P-Funk Vision 38 1. Funk Used to Be a Bad Word 39 2. The Politics of P-Funk 41 i. P-Funk Vs. American Wrongs 41 ii. P-Funk and Black America 44 iii. One Nation Under a Groove 47 3. Transcefunkadentalism: The Church of Funk 50 iv. The Dogma of P-Funk 50 v. Funk is its Own Reward: The Prescriptive Philosophy of P-Funk 53 IV. Parliament Funkadelic Live: No Ordinary Funk Show 60 1. Learning to Play LIVE 63 2. Larger than Life: Costumes, Characters and Charisma 64 3. Visualizing the Myth: Props at P-Funk Shows 66 4. P-Funk and Dancing: Salvation by Way of (Communal) Booty-Shaking 68 V. “Mothership Connection” Live 72 Conclusion: “Ain’t No Party Like a P-Funk Party, ‘Cause a P-Funk Party Don’t Stop!” 82 1 1. George Clinton and P-Funk’s Careers Since the 1980’s 82 2. Parliament Funkadelic and Hip-Hop 86 3. Rising Above it All: P-Funk and Trancing 90 Appendix A: A Partial Discography of Parliament, Funkadelic, George Clinton, and the P-Funk All-Stars 95 Works Cited 98 Albums Cited 101 Appendix B: Vladimir Gutkovich’s Thesis Recital 103 2 Introduction: Make My Funk the P-Funk! “While most critics want to put the holy trinity [Beatles, Stones, Zeppelin] on a pedestal, with the world domination of hip-hop culture and the large role that P-Funk has played in the sound of hip-hop music, I dare say that P-Funk’s impact can be felt much more strongly thirty years later than of those three bands.
    [Show full text]
  • What Adolescent African American Males Say About the Visual Culture That Pervades Popular Music Videos
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2010 What African American Male Adolescents Say About Music Videos with Implications for Art Education Zerric Clinton Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF VISUAL ARTS, THEATRE, AND DANCE WHAT AFRICAN AMERICAN MALE ADOLESCENTS SAY ABOUT MUSIC VIDEOS WITH IMPLICATIONS FOR ART EDUCATION BY ZERRIC CLINTON A Dissertation submitted to the Department of Art Education in partial fulfillment of the requirements for the degree Doctor of Philosophy Degree Awarded: Spring Semester 2010 Copyright © 2010 Zerric Clinton All Rights Reserved The members of the committee approve the dissertation of Zerric Clinton defended on April 1, 2010. ___________________________ Tom Anderson Professor Directing Dissertation ___________________________ Martell Teasley University Representative ___________________________ Pat Villeneuve Committee Member ___________________________ Dave Gussak Committee Member Approved: ______________________________________________________ Dave Gussak, Chair, Department of Art Education _____________________________________________________ Sally McRorie, Dean, College of Visual Arts, Theatre, and Dance The Graduate School has verified and approved the above-named committee members. ii ACKNOWLEDGMENTS I give thanks to Almighty God who has kept me throughout this sometimes arduous phase of my life. I would like to thank all committee members: First, I have to thank my committee chair Dr. Tom Anderson who has kept me on track with his encouragement and unwavering belief that I could do this. Next, I would like to thank committee member Dr. Melanie Davenport who helped me to work through some major logistic issues early on. To Dr. Martell Teasley who has given me insights that only he could throughout this process.
    [Show full text]
  • Tony's Itunes Library
    Music 2053 songs, 6:16:50:58 total time, 9.85 GB Name Time Album Artist ABC 2:54 The Ultimate Collection The Jackson 5 Across 110th Street 3:51 Midnight Mover - The Bobby Womack ... Bobby Womack Addiction 4:27 Late Registration Kanye West AEIOU 8:41 Freestyle Explosion, Vol. 3 Freeze African Dance 6:08 1989 Keep On Movin' Soul II Soul African Mailman 3:10 Nina Simone Piano Afro Loft Theme 6:06 Om 100: A Celebration of the 100th Re... Various Artists The After 6 Mix (Juicy Fruit Part Ll) 3:25 Juicy Fruit Mtume After All 4:19 Al Jarreau After The Love Is Gone 3:58 The Best Of Earth, Wind & Fire Vol.II Earth Wind & Fire After the Morning After 5:33 Maze ft Frankie Beverly Again 5:02 Once Again John Legend Agony Of Defeet 4:28 The Best Of Parliament: Give Up The ... Parliament Ai No Corrida 6:26 The Dude Quincy Jones Ain't Gon' Beg You 4:14 Free Yourself Fantasia Ain't No Mountain High Enough 3:30 25 #1 Hits From 25 Years, Vol. I Diana Ross Ain't No Stopping Us Now 7:03 Boogie Nights Soundtrack McFadden & Whitehead Ain't No Sunshine 2:07 Lean On Me: The Best Of Bill Withers Bill Withers Ain't No Sunshine 3:44 Greatest Hits Dangelo Ain't No Sunshine 11:04 Wattstax - The Living Word (disc 2 of 2) Isaac Hayes Ain't Nobody 4:48 Night Clubbing Rufus and Chaka Kahn Ain't too proud to beg 2:32 The Temptations Ain't We Funkin' Now 5:36 Classics, Vol.
    [Show full text]
  • Liner Notes, No. 22
    ARCHIVES OF AFRICAN AMERICAN MUSIC AND CULTURE liner notesNO. 22 / 2017-2018 featuring Bootsy Collins & Dr. Scot Brown aaamc mission From the Desk of the Director The AAAMC is devoted to the collection, preservation, and dissemination of materials for Greetings, repository recognized and utilized the purpose of research and by multiple constituencies within the study of African American When I began my new role as Director university and beyond. Much gratitude is music and culture. of the AAAMC on January 1, 2018, it owed to these two prestigious scholars in aaamc.indiana.edu was evident to me that the past directors, Black music who carried the torch as past Drs. Portia Maultsby and Mellonee directors. Burnim, established a firm foundation As current Director of the AAAMC, Table of Contents and legacy for me to extend upon. Dr. my vision is to increase our collection Maultsby founded AAAMC in 1991 acquisitions and visibility in ways that From the Desk of working tirelessly for over two decades foster unique interactions amongst and the Director .........................2 while collecting a treasure trove of vital between the academy, industry and information representing our current community sectors. With this broad In the Vault: holdings on Black music and culture, vision in mind, I have initiated a few Recent Donations .................3 which include both published and strategies for success. First, during unpublished materials in a variety of spring 2018, I developed a new forum formats: A/V time-based media, paper, series called “Groovin’ Black” where Bootsy Collins Comes photographs, memorabilia (wood, metal, students, premiere scholars, acclaimed to Campus ...........................4 plastic, cloth, etc.).
    [Show full text]
  • Parliament Mothership Connection (Conexión Maternal) Mp3, Flac, Wma
    Parliament Mothership Connection (Conexión Maternal) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Mothership Connection (Conexión Maternal) Country: Spain Released: 1976 Style: P.Funk, Funk MP3 version RAR size: 1446 mb FLAC version RAR size: 1272 mb WMA version RAR size: 1476 mb Rating: 4.5 Votes: 675 Other Formats: MOD MIDI AA AU VOX MP2 VQF Tracklist Hide Credits P. Funk (Wants To Get Funked Up) A1 7:42 Written-By – B. Worrell*, B. Collins*, G. Clinton* Mothership Connection (Star Child) A2 6:14 Written-By – B. Worrell*, B. Collins*, G. Clinton* Unfunky UFO A3 4:24 Written-By – B. Collins*, G. Shider*, G. Clinton* Supergroovalisticprosifunkstication B1 5:01 Written-By – B. Worrell*, B. Collins*, G. Shider*, G. Clinton* Handcuffs B2 4:01 Written-By – G. Clinton*, G. Goins*, J. McLaughlin* Give Up The Funk (Tear The Roof Off The Sucker) B3 5:45 Written-By – B. Collins*, G. Clinton*, J. Brailey* Night Of The Thumpasorus Peoples B4 5:12 Written-By – B. Collins*, G. Shider*, G. Clinton* Credits Arranged By [Horns] – Bernie Worrell, Fred Wesley Arranged By [Rhythm] – Bootsie Collins*, George Clinton Art Direction, Design – Gribbitt* Backing Vocals [Extraterrestial Voices], Handclaps [Good Time Hand Clappers] – Archie Ivy, Bryna Chimenti, Debbie Edwards, Debra Wright*, Gary Cooper*, Pam Vincent, Rasputin Boutte, Sidney Barnes, Taka Kahn Bass – Bootsie Collins*, Cordell Mosson Drums, Percussion – Bootsie Collins*, Gary Cooper*, Jerome Brailey, Tiki Fulwood Engineer – Ralph (Oops) Jim Callow*, Jim Vitti Guitar – Bootsie Collins*, Gary Shider*, Glen Goins, Michael Hampton Horns – Boom , Fred Wesley, Joe Farrell, Macco Parker*, Michael Brecker, Randy Brecker Keyboards, Synthesizer – Bernie Worrell Management – R.S.A.
    [Show full text]