The Testimony Jan 1869 -Feb. 1870
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Juno Covella, Perpetual Calendar of the Fellowship of Isis By: Lawrence Durdin-Robertson All Formatting Has Been Retained from the Original
Fellowship of Isis Homepage http://www.fellowshipofisis.com Juno Covella, Perpetual Calendar of the Fellowship of Isis By: Lawrence Durdin-Robertson All formatting has been retained from the original. Goddesses appear in BOLD CAPITAL letters. The Month of April APRIL 1st Roman: CERES. (Brewer, Dict.) "April Fool Perhaps it may be a relic of the Roman 'Cerealia', held at the beginning of April". See also under April 12th. Roman: CONCORDIA, VENUS and FORTUNA; The Veneralia. (Seyffert, Dict.) "Concordia . The goddess Concordia was also invoked with Venus and Fortuna, by married women on the 1st of April". (Ovid, Fasti, IV. 133) "April 1st Duly do ye worship the goddess (i.e. -Venus), ye Latin mothers and brides, and ye, too, who wear not the fillets and long robe (Frazer: 'courtesans'). Take off the golden necklaces from the marble neck of the goddess; take off her gauds; the goddess must be washed from top to toe. Then dry her neck and restore to it her golden necklaces; now give her other flowers, now give her the fresh-blown rose. Ye, too, she herself bids bathe under the green myrtle. Learn now why ye give incense to Fortuna Virilis in the place which reeks of warm water. All women strip when they enter that place Propitiate her with suplications; beauty and fortune and good fame are in her keeping". (Plutarch, Lives, Numa) on the month of April; "the women bathe on the calends, or first day of it, with myrtle garlands on their heads." (Philocalus, Kal. Anno 345) "April 1. Veneralia Ludi. (Montfaucon, Antiq. -
Kynomartyrion)
DOG SACRIFICE IN ANCIENT AND MODERN GREECE: FROM THE SACRIFICE RITUAL TO DOG TORTURE (KYNOMARTYRION) Manolis G. Sergis Abstract: The article presents and discusses the custom of kynomartyrion (dog torture) which took place in the Greek lands until the 1980s. In many areas it stopped in the 1930s because of its cruelty. The author begins his discussion with the presentation of some elements that are related to the dog. More spe- cifically, the dog is an animal that entered the humanized environment long ago and belongs to the creatures whose nature is twofold because it is part of the human and the non-human worlds and it has been treated as twofold by at least the Indo-Europeans. It is also maintained that the liminal Hellenistic period was decisive for the formation of folk worship because of the religious syncre- tism and the invasion of demons that dominated in the Eastern Mediterranean. The author points out its remarkable similarities to ancient Greek and Roman (and Indo-European) fertile, cathartic and other sacrificial practices. Due to industrialization of agriculture and rationalization of the magical way of thought of the “traditional” peasant, performance of the custom was transformed into a folkloric, spectacular one with intensely violent and sadistic behaviour on the part of humans in the places where it still took place after 1960. The writer argues that violence was always an inherent characteristic of the custom. None- theless, the archaic, and later folk thinking ritualized the performance and attributed to it a different facet, devoid of any sacred elements, during the 20th century where its inherent violence was manifested in its raw essence. -
Magic in Private and Public Lives of the Ancient Romans
COLLECTANEA PHILOLOGICA XXIII, 2020: 53–72 http://dx.doi.org/10.18778/1733-0319.23.04 Idaliana KACZOR Uniwersytet Łódzki MAGIC IN PRIVATE AND PUBLIC LIVES OF THE ANCIENT ROMANS The Romans practiced magic in their private and public life. Besides magical practices against the property and lives of people, the Romans also used generally known and used protective and healing magic. Sometimes magical practices were used in official religious ceremonies for the safety of the civil and sacral community of the Romans. Keywords: ancient magic practice, homeopathic magic, black magic, ancient Roman religion, Roman religious festivals MAGIE IM PRIVATEN UND ÖFFENTLICHEN LEBEN DER ALTEN RÖMER Die Römer praktizierten Magie in ihrem privaten und öffentlichen Leben. Neben magische Praktik- en gegen das Eigentum und das Leben von Menschen, verwendeten die Römer auch allgemein bekannte und verwendete Schutz- und Heilmagie. Manchmal wurden magische Praktiken in offiziellen religiösen Zeremonien zur Sicherheit der bürgerlichen und sakralen Gemeinschaft der Römer angewendet. Schlüsselwörter: alte magische Praxis, homöopathische Magie, schwarze Magie, alte römi- sche Religion, Römische religiöse Feste Magic, despite our sustained efforts at defining this term, remains a slippery and obscure concept. It is uncertain how magic has been understood and practised in differ- ent cultural contexts and what the difference is (if any) between magical and religious praxis. Similarly, no satisfactory and all-encompassing definition of ‘magic’ exists. It appears that no singular concept of ‘magic’ has ever existed: instead, this polyvalent notion emerged at the crossroads of local custom, religious praxis, superstition, and politics of the day. Individual scholars of magic, positioning themselves as ostensi- bly objective observers (an etic perspective), mostly defined magic in opposition to religion and overemphasised intercultural parallels over differences1. -
Sacred Image, Civic Spectacle, and Ritual Space: Tivoli’S Inchinata Procession and Icons in Urban Liturgical Theater in Late Medieval Italy
SACRED IMAGE, CIVIC SPECTACLE, AND RITUAL SPACE: TIVOLI’S INCHINATA PROCESSION AND ICONS IN URBAN LITURGICAL THEATER IN LATE MEDIEVAL ITALY by Rebekah Perry BA, Brigham Young University, 1996 MA, University of Massachusetts Amherst, 2006 Submitted to the Graduate Faculty of the Kenneth P. Dietrich School of Arts & Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2011 UNIVERSITY OF PITTSBURGH Kenneth P. Dietrich School of Arts & Sciences This dissertation was presented by Rebekah Perry It was defended on October 28, 2011 and approved by Franklin Toker, Professor, History of Art and Architecture Anne Weis, Professor, History of Art and Architecture Bruce Venarde, Professor, History Alison Stones, Professor, History of Art and Architecture ii Copyright © by Rebekah Perry 2011 iii SACRED IMAGE, CIVIC SPECTACLE, AND RITUAL SPACE: TIVOLI’S INCHINATA PROCESSION AND ICONS IN URBAN LITURGICAL THEATER IN LATE MEDIEVAL ITALY Rebekah Perry, PhD University of Pittsburgh, 2011 This dissertation examines the socio-politics of urban performance and ceremonial imagery in the nascent independent communes of late medieval Lazio. It explores the complex manner in which these central Italian cities both emulated and rejected the political and cultural hegemony of Rome through the ideological and performative reinvention of its cult icons. In the twelfth century the powerful urban center of Tivoli adopted Rome’s grandest annual public event, the nocturnal Assumption procession of August 14-15, and transformed it into a potent civic expression that incorporated all sectors of the social fabric. Tivoli’s cult of the Trittico del Salvatore and the Inchinata procession in which the icon of the enthroned Christ was carried at the feast of the Assumption and made to perform in symbolic liturgical ceremonies were both modeled on Roman, papal exemplars. -
Newsletter Nov 2011
imperi nuntivs The newsletter of Legion Ireland --- The Roman Military Society of Ireland In This Issue • New Group Logo • Festival of Saturnalia • Roman Festivals • The Emperors - AD69 - AD138 • Beautifying Your Hamata • Group Events and Projects • Roman Coins AD69 - AD81 • Roundup of 2011 Events November 2011 IMPERI NUNTIUS The newsletter of Legion Ireland - The Roman Military Society of Ireland November 2011 From the editor... Another month another newsletter! This month’s newsletter kind grew out of control so please bring a pillow as you’ll probably fall asleep while reading. Anyway I hope you enjoy this months eclectic mix of articles and info. Change Of Logo... We have changed our logo! Our previous logo was based on an eagle from the back of an Italian Mus- solini era coin. The new logo is based on the leaping boar image depicted on the antefix found at Chester. Two versions exist. The first is for a white back- ground and the second for black or a dark back- ground. For our logo we have framed the boar in a victory wreath with a purple ribbon. We tried various colour ribbons but purple worked out best - red made it look like a Christmas wreath! I have sent these logo’s to a garment manufacturer in the UK and should have prices back shortly for group jackets, sweat shirts and polo shirts. Roof antefix with leaping boar The newsletter of Legion Ireland - The Roman Military Society of Ireland. Page 2 Imperi Nuntius - Winter 2011 The newsletter of Legion Ireland - The Roman Military Society of Ireland. -
Calendar of Roman Events
Introduction Steve Worboys and I began this calendar in 1980 or 1981 when we discovered that the exact dates of many events survive from Roman antiquity, the most famous being the ides of March murder of Caesar. Flipping through a few books on Roman history revealed a handful of dates, and we believed that to fill every day of the year would certainly be impossible. From 1981 until 1989 I kept the calendar, adding dates as I ran across them. In 1989 I typed the list into the computer and we began again to plunder books and journals for dates, this time recording sources. Since then I have worked and reworked the Calendar, revising old entries and adding many, many more. The Roman Calendar The calendar was reformed twice, once by Caesar in 46 BC and later by Augustus in 8 BC. Each of these reforms is described in A. K. Michels’ book The Calendar of the Roman Republic. In an ordinary pre-Julian year, the number of days in each month was as follows: 29 January 31 May 29 September 28 February 29 June 31 October 31 March 31 Quintilis (July) 29 November 29 April 29 Sextilis (August) 29 December. The Romans did not number the days of the months consecutively. They reckoned backwards from three fixed points: The kalends, the nones, and the ides. The kalends is the first day of the month. For months with 31 days the nones fall on the 7th and the ides the 15th. For other months the nones fall on the 5th and the ides on the 13th. -
Precincts of Venus: Towards a Prehistory of Ovidian Genre Joseph Farrell University of Pennsylvania, [email protected]
University of Pennsylvania ScholarlyCommons Departmental Papers (Classical Studies) Classical Studies at Penn 2005 Precincts of Venus: Towards a Prehistory of Ovidian Genre Joseph Farrell University of Pennsylvania, [email protected] Follow this and additional works at: http://repository.upenn.edu/classics_papers Part of the Classics Commons Recommended Citation Farrell, J. (2005). Precincts of Venus: Towards a Prehistory of Ovidian Genre. Hermathena, 177/178 27-69. Retrieved from http://repository.upenn.edu/classics_papers/158 This paper is posted at ScholarlyCommons. http://repository.upenn.edu/classics_papers/158 For more information, please contact [email protected]. Precincts of Venus: Towards a Prehistory of Ovidian Genre Disciplines Arts and Humanities | Classics This journal article is available at ScholarlyCommons: http://repository.upenn.edu/classics_papers/158 Precincts of Venus: towards a prehistory of Ovidian genre by Joseph Farrell 1. Introduction One of the characteristically Ovidian themes in contemporary Latin studies is the plasticity of genre and the inventiveness with which Roman poets address generic concerns. Coming to terms with this problem has greatly advanced recent work on Latin poetry. In particular, our heightened ability to appreciate the shimmering ambiguity of Ovidian genre has led to a much more productive model for practising the hermeneutics of indeterminacy than had been current in Latin studies. Another recent gain has been an increased understanding of Ovidian genre in its historical -
Romana Stasolla, Stefano Tortorella Direttore Responsabile: Domenico Palombi
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by St Andrews Research Repository NUOVA SERIE Rivista del Dipartimento di Scienze dell’antichità Sezione di Archeologia Fondatore: GIULIO Q. GIGLIOLI Direzione Scientifica MARIA CRISTINA BIELLA, ENZO LIPPOLIS, LAURA MICHETTI, GLORIA OLCESE, DOMENICO PALOMBI, MASSIMILIANO PAPINI, MARIA GRAZIA PICOZZI, FRANCESCA ROMANA STASOLLA, STEFANO TORTORELLA Direttore responsabile: DOMENICO PALOMBI Redazione: FABRIZIO SANTI, FRANCA TAGLIETTI Vol. LXVIII - n.s. II, 7 2017 «L’ERMA» di BRETSCHNEIDER - ROMA Comitato Scientifico PIERRE GROS, SYBILLE HAYNES, TONIO HÖLSCHER, METTE MOLTESEN, STÉPHANE VERGER Il Periodico adotta un sistema di Peer-Review Archeologia classica : rivista dell’Istituto di archeologia dell’Università di Roma. - Vol. 1 (1949). - Roma : Istituto di archeologia, 1949. - Ill.; 24 cm. - Annuale. - Il complemento del titolo varia. - Dal 1972: Roma: «L’ERMA» di Bretschneider. ISSN 0391-8165 (1989) CDD 20. 930.l’05 ISBN CARTACEO 978-88-913-1563-2 ISBN DIGITALE 978-88-913-1567-0 ISSN 0391-8165 © COPYRIGHT 2017 - SAPIENZA - UNIVERSITÀ DI ROMA Aut. del Trib. di Roma n. 104 del 4 aprile 2011 Volume stampato con contributo di Sapienza - Università di Roma INDICE DEL VOLUME LXVIII ARTICOLI AMBROGI A. (con un’appendice di FERRO C.), Un rilievo figurato di età tardo- repubblicana da un sepolcro dell’Appia antica ............................................... p. 143 BALDASSARRI P., Lusso privato nella tarda antichità: le piccole terme di Palazzo Valentini e un pavimento in opus sectile con motivi complessi...................... » 245 BARATTA G., Falere tardo-antiche ispaniche con quattro passanti angolari: aggiornamenti e ipotesi sulla funzionalità del tipo ......................................... » 289 BARBERA M., Prime ipotesi su una placchetta d’avorio dal Foro Romano ......... -
Post Scriptum: a Number of Observations, with Hindsight
Post Scriptum: A Number of Observations, with Hindsight Astronomia Etrusco-Romana was first published in Italian in 2003, following Astronomy and Calendar in Ancient Rome—The Eclipse Festivals in 2001, and Le Feste di Venere—Fertilità femminile e configurazioni astrali nel calendario di Roma antica in 1996. In nigh on a decade of ‘‘crazy, desperate’’ study, as Giacomo Leopardi would have it, I have reconstructed a solid framework of the Roman calendar’s astronomical underpinnings, especially the Numan calendar. Stars, Myths and Rituals in Etruscan Rome makes only minimal adjustments to this framework, as well as adding some interesting elements to the fray. Over this time—and at long last—there has been a radical change in our understanding of man’s relationship with the heavens during the time of Rome’s early kings. The eighth century BCE calendars that have survived the centuries are no longer viewed as the basic calendars of an agricultural and pastoral society, lacking in any consideration for heavenly phenomena or the movements of heavenly bodies; calendar feast days are no longer considered simple anniversaries of natural events, such as storing away grain or lambing time. On the contrary, the Romulean calendar demonstrates an awareness of a number of significant celestial phenomena, while the Numan calendar and cycle are a highly advanced—indeed, close to perfect—mechanism for monitoring observable movements in the solar system. The end result of this research is a demonstration not just that Romans in Augustus’ day were mistaken in their belief—asserted time and time again by Ovid, our best witness1—that Romans were uninterested in and had no understanding of astronomy. -
A Roman Cult in the Italian Countryside? the Compitalia and the Shrines of the Lares Compitales
0821-07_Babesch_83_08 23-09-2008 16:06 Pagina 111 BABESCH 83 (2008), 111-132. doi: 10.2143/BAB.83.0.2033102. A Roman cult in the Italian countryside? The Compitalia and the shrines of the Lares Compitales T.D. Stek Abstract The Roman religious festival of the Compitalia (‘cross-roads festival’) was celebrated in both city and coun- tryside. It is generally assumed that it originated as a rural cult which was later incorporated in the city, where it became the principal festival of the vici or urban quarters. In this paper it will be argued that the spread of the Compitalia might have been in the opposite direction; in this view the Compitalia, a Roman urban festi- val with administrative aspects, was spread outside Rome alongside Roman influence. It is not known where the Compitalia were celebrated in the countryside. It will be suggested that ancient ‘Italic’ sanctuaries have been re-used for celebrating the Roman rite of the Compitalia, apparently by now functioning within a Roman administrative and religious system.* the separation between city cult and family or farm cult should not be exaggerated (Beard/North/Price 1998, 50) INTRODUCTION. THE COMPITALIA: A PARADOXICAL both to what we would define the ‘private’ and PICTURE to the ‘public’ domain. Another paradoxical aspect regards the location At the end of a letter to Atticus (2.3), Cicero of the Compitalia. The festival is often associated writes, probably from his country house, after with the urban plebs, and therefore placed in an having referred to the political situation in Rome urban setting. -
Nota Bene-- C:\USERS\GRAF.65\DESKTOP
CHAPTER F IVE THE L UPERCALIA F ROM A UGUSTUS TO C ONSTANTINE P ORPHYROGENITUS LUPERCALIA AFTER A UGUSTUS Like many other festivals of the city of Rome, the Lupercalia became almost invisible during the first three centuries of the Imperial epoch. Only because of their special social cachet did the Luperci and their rites not entirely become invisible during the imperial centuries. Theirs was the only priestly sodalitas that Augustus reserved for the knights, whereas all other sodalitates became the privilege of the senatorial aristocracy. To be made a lupercus turned into a highly- coveted status symbol of “near-aristocracy” that was publicly marked with the statue of the new lupercus already in Julio-Claudian times – a new habit of this age, as the Elder Pliny tells us, himself of an equestrian background 1. Inscriptions from both Rome and the provinces show how to be adlected a lupercus in Rome was viewed as an important early step of an equestrian cursus honorum ; sacris ____________________________ 1Plin. Nat. 34.18: Among the Roman innovations in the iconography of statues Lupercorum habitu tam noviciae sunt quam quae nuper prodiere paenulis indutae ; see Veyne (1960), 105. – On the transformation of the Lupercalia between Caesar and Augustus see Ferriès (2009). -2- Festivals in the Greek East lupercalibus functo , “to have performed one’s duty as a lupercus” remained a major career step through most of the imperial age 2. The last lupercus whom we meet in inscriptions is L. Crepereius Rogatus, vir clarissimus , a member of the senatorial elite of the earlier fourth century, a young man when Diocletian came to power 3. -
General Index
GENERAL INDEX Absyrtus 34 7 Allecto 106, 109 Achates 180 Allius (in Catullus) 107-8 Achelous 288, 292, 301 Alpheus 284 Achilles 128, 249, 288-89 + n. 53, Althea 291 289, 317' 322, 394-96 Amata 106-7, 109 Acmon 322 Amor(es) 242, 405 Acoetes 265-66, 292 see also Cupid Acontius 137-38 Amphimedon 241 Acrisius 289 anachronisms 280, 316, 320, 377, Actaeon 262-64, 379-80, 433 422 Actium, battle of 204 Romanizing 306, 315, 325 Adonis 286, 377 analepsis see flashback adynaton/ a 342, 365-66, 374 Ancaeus 377 Aeacus 284 Anchises 179, 223 Aeneas 128, 206, 312, 326, 437 ancile 224-25, 230 apotheosis of 199-200, 311-12, Andromeda 240-42, 244, 289 321-27, 329 Anna (sister of Dido) 180-81 in Fasti 179-80, 182, 203, 212, Anna Perenna 172, 183, 198, 214, 230 213 n. 43, 397 in Met. 309-12, 322-24, 326-27 identified with Anna, sister of Dido Virgil's 128, 179-80, 207, 240-42, 180 244-45, 249, 263, 289, 396 Antimachus 50 Aesacus 307, 318-19, 326 Antinous 242 Aeschylus 130, 259, 267 Antony, Marc (Marcus Antonius) 8, see also tragedy, Greek 197 n. 2, 206 Aesculapius 173-74 Aphrodite 173, 212 Aetas Ovidiana 413, 422 see also Venus see also Ovid, medieval reception of; Apollo 11-12, 47, 67, 84, 163, Ovid, works of, s.v. transmission 177-78, 184, 186, 230, 376, 437 Aethion 241 Callimachean 28, 175 aetiology 174-75, 178, 193-95, oracle of, at Delos 263 208-9, 213, 248, 252, 257, 274, oracle of, at Delphi 240, 250, 253, 276-77, 318-19, 324, 326, 398 263 see also 'aition' in Met.