Alcoholism in Employment: Bibliography and References, with Selected Annotations
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Fall 05 Newsletter.P65
FULLERTON HERITAGE Fall Volume 12 Number 1 October 2005 Fox Theatre Art: Italian Renaissance Theme Work of Noted Artist John Gabriel Beckman hile the Fox Fullerton Theatre Foundation was working to save the Fox Theatre, it was Wdiscovered that artwork and murals in the auditorium and mezzanine were created by notable artist John Gabriel Beckman. Drawings from the Beckman family also showed that the well-known muralist had designed the Theatre’s elaborate stage curtain and panels for the foyer. Most of the media attention has been directed toward restoring the six canvas California history murals designed by Anthony B. Heinsbergen (1894-1991) on the east and west walls of the auditorium, but it is Beckman’s classically- inspired artwork that actually complements the Italian Renaissance theme of the Theatre, adding a touch of grandeur and lavishness to the interior. Beckman’s John Gabriel Beckman pictured in his studio artwork for the Fox followed an iconographic decorative scheme . it is Beckman’s classically- dozens of motion pictures and designed to match the Italian television programs. Born in Renaissance and baroque style of inspired artwork that actually Astoria, Oregon in 1898, where his the Theatre. The auditorium complements the Italian family practiced medicine, ceiling features a repeating floral Beckman was raised in San Fran- pattern, the mezzanine ceiling is Renaissance theme of the cisco where he survived the 1906 covered with angels, urns, and Theatre, adding a touch of earthquake and ensuing fires. His classical erotic Greek myth (e.g., grandeur and lavishness to the parents sent him to Russia to Leda and the swan), and the study architecture at the age of 12, proscenium is decorated with interior. -
Indices for Alley Sing-A-Long Books
INDICES FOR ALLEY SING-A-LONG BOOKS Combined Table of Contents Places Index Songs for Multiple Singers People Index Film and Show Index Year Index INDICES FOR THE UNOFFICIAL ALLEY SING-A-LONG BOOKS Acknowledgments: Indices created by: Tony Lewis Explanation of Abbreviations (w) “words by” (P) “Popularized by” (CR) "Cover Record" i.e., a (m) “music by” (R) “Rerecorded by” competing record made of the same (wm) “words and music by” (RR) “Revival Recording” song shortly after the original record (I) “Introduced by” (usually the first has been issued record) NARAS Award Winner –Grammy Award These indices can be downloaded from http://www.exelana.com/Alley/TheAlley-Indices.pdf Best Is Yet to Come, The ............................................. 1-6 4 Between the Devil and the Deep Blue Sea .................. 2-6 nd Bewitched .................................................................... 1-7 42 Street (see Forty-Second Street) ........................ 2-20 Beyond the Sea ............................................................ 2-7 Bicycle Built for Two (see Daisy Bell) ..................... 2-15 A Big Spender ................................................................. 2-6 Bill ............................................................................... 1-7 A, You’re Adorable (The Alphabet Song) .................. 1-1 Bill Bailey, Won’t You Please Come Home ............... 1-8 Aba Daba Honeymoon, The ........................................ 1-1 Black Coffee ............................................................... -
Jules Dassin BRUTE FORCE 1947, (98 Min.)
September 23, 2008 (XVII:5) Jules Dassin BRUTE FORCE 1947, (98 min.) Directed by Jules Dassin Written by Richard Brooks Produced by Mark Hellinger Cinematography by William H. Daniels Film Editing by Edward Curtiss Burt Lancaster... Joe Collins Hume Cronyn... Capt. Munsey Charles Bickford... Gallagher Yvonne De Carlo... Gina Ferrara Ann Blyth... Ruth Ella Raines... Cora Lister Anita Colby... Flossie Sam Levene... Louie Miller #7033 Jeff Corey... 'Freshman' Stack Roman Bohnen... Warden A.J. Barnes Sir Lancelot... Calypso Jay C. Flippen... Hodges Howard Duff... Robert 'Soldier' Becker Art Smith... Dr. Walters Whit Bissell... Tom Lister JULES DASSIN (18 December 1911, Middletown, Connecticut— 31 March 2008, Athens, Greece, complications from flu) directed 25 films, the last of which was Circle of Two (1980). Some of the others were Topkapi (1964), Phaedra (1962), Celui qui doit mourir/He Who Must Die (1957), Du rififi chez les homes/Riffifi (1955), Night and the City (1950), Thieves' Highway (1949), The and 1931). He was nominated for three best cinematography Naked City (1948), Brute Force (1947), The Canterville Ghost Oscars (How the West Was Won 1962, Cat on a Hot Tin Roof (1944), Nazi Agent (1942) and The Tell-Tale Heart (1941 1958, and Anna Christie) and won one (Naked City 1948). He shot 164 films, the last of which was Move (1970). Some of the RICHARD BROOKS (18 May 1912, Philadelphia, Pennsylvania— others were Marlowe (1969), In Like Flint (1967), Von Ryan's 11 March 1992, Beverly Hills, California, congestive heart Express (1965), The Prize (1963), All the Fine Young Cannibals failure) wrote 36 screenplays and directed 24 films. -
A Tribute to Michael Curtiz 1973
Delta Kappa Alpha and the Division of Cinema of the University of Southern California present: tiz November-4 * Passage to Marseilles The Unsuspected Doctor X Mystery of the Wax Museum November 11 * Tenderloin 20,000 Years in Sing Sing Jimmy the Gent Angels with Dirty Faces November 18 * Virginia City Santa Fe Trail The Adventures of Robin Hood The Sea Hawk December 1 Casablanca t December 2 This is the Army Mission to Moscow Black Fury Yankee Doodle Dandy December 9 Mildred Pierce Life with Father Charge of the Light Brigade Dodge City December 16 Captain Blood The Private Lives of Elizabeth and Essex Night and Day I'll See You in My Dreams All performances will be held in room 108 of the Cinema Department. Matinees will start promptly at 1:00 p.m., evening shows at 7:30 p.m. A series of personal appearances by special guests is scheduled for 4:00 p.m. each Sunday. Because of limited seating capacity, admission will be on a first-come, first-served basis, with priority given to DKA members and USC cinema students. There is no admission charge. * If there are no conflicts in scheduling, these programs will be repeated in January. Dates will be announced. tThe gala performance of Casablanca will be held in room 133 of Founders Hall at 8:00 p.m., with special guests in attendance. Tickets for this event are free, but due to limited seating capacity, must be secured from the Cinema Department office (746-2235). A Mmt h"dific Uredrr by Arthur Knight This extended examination of the films of Michael Only in very recent years, with the abrupt demise of Curtiz is not only long overdue, but also altogether Hollywood's studio system, has it become possible to appropriate for a film school such as USC Cinema. -
SING-A-LONG BOOK (Revision Two, August, 2007)
AN UNOFFICIAL ALLEY SING-A-LONG BOOK (Revision Two, August, 2007) AN UNOFFICIAL ALLEY SING-A-LONG BOOK (Revision Two, August 2007 Acknowledgments: Original Concept, Research, Layout and Design: Robert V. Carey Assistant: Joanne M. Binder Edited by: Robert V. Carey & Paul Rose Revision One Research and Layout: Paul Rose Revision Two Research and Layout: Paul Rose Special Appreciation for Sponsorship: Richard McCall, Dave Chapman, Kitty Explanation of Abbreviations (w) “words by” (P) “Popularized by” (CR) "Cover Record" i.e., a (m) “music by” (R) “Rerecorded by” competing record made of the same (wm) “words and music by” (RR) “Revival Recording” song shortly after the original record (I) “Introduced by” (usually the first has been issued record) NARAS Award Winner –Grammy Award The contents of this volume are intended solely for entertainment purposes. The contents contained herein are not to be distributed in whole or in part for commercial use. All copyrights, international and otherwise are secured and reserved by the copyright holders. For all works contained herein: Unauthorized copying, arranging, adapting, recording or public performance for commercial gain is an infringement of copyright. If you “accidentally” take this book home, shame on you. These books have been donated by other patrons of The Alley. Please know that each copy cost one of your fellow singers about $14. CALL ME IRRESPONSIBLE .......................... 12 A CAN’T HELP FALLING IN LOVE WITH YOU ..................................................................... 14 A, YOU’RE ADORABLE (THE ALPHABET CAN’T HELP LOVIN’ DAT MAN .................. 13 SONG) ........................................................... 1 CAN’T WE BE FRIENDS ............................... 14 ABA DABA HONEYMOON, THE ..................... 1 CAROLINA IN THE MORNING .................... -
Newsletter 01/09 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 01/09 DIGITAL EDITION Nr. 243 - Januar 2009 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 3 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 01/09 (Nr. 243) Januar 2009 editorial Hallo Laserdisc- und DVD-Fans, zwischen zwei Double Features (ein Hallo Laser Hotline Team, liebe Filmfreunde! Film vor Mitternacht, der zweite da- aus Eurem letzten Editorial (Newsletter Nr. 242) meine ich herauszuhören ;-) , dass der Herzlich willkommen zur ersten Ausga- nach) oder dem überlangen gewöhnliche Sammler von Filmen, Musik und be unseres Newsletters im Jahre 2009! AUSTRALIA, den Theo fachmännisch was auch immer, irgendwann auf den Down- Allen unseren guten Vorsätzen für das so aufbereitete, dass es kurz vor Mit- load via Internet angewiesen sein wird. Ich neue Jahr zum Trotz leider wieder mit ternacht eine Pause gab. Immerhin fan- denke (hoffe), nein! Ich verstehe alle Be- fürchtungen, dennoch, solange unsere Gene- etwas Verspätung. Alte Gewohnheiten den sich für alle Filmpakete auch Zu- ration lebt, wird es runde Scheiben geben! los zu werden ist eben nicht so einfach. schauer – wenn auch nicht sehr viele. Glaubt mir! Aber es gilt natürlich wie immer unser Doch aller Anfang ist schwer. Hier wird Das Internet ist im Access-Bereich bei der Leitspruch: “Wir arbeiten daran!” Ein sicherlich bei der nächsten Silvester- doppelten Maximalrate von DVD angelangt, dennoch tun sich alle VOD (video on Gutes hat die kleine Verspätung je- Film-Party die Mundpropaganda zu demand)- Dienste extrem schwer. -
Download This
2280 NPS Form 10-900 ^ Ktl*-1^^**—-~~ | |DMB No. 1024-0018 (Oct. 1990) United States Department of the Interior National Park Service Sb |3 National Register of Historic Places Registration Form This form is for use in nominating or requesting determinations for individual properties and districts. See instructions in How to Complete the National Register of Historic Places Registration Form (National Register Bulletin 16A). Complete each item by marking "x" in the appropriate box or by entering the information requested. If any item does not apply to the property being documented, enter "N/A" for "not applicable." For functions, architectural classification, materials, and areas of significance, enter only categories and subcategories from the instructions. Place additional entries and narrative items on continuation sheets (NPS Form 10-900a). Use a typewriter, word processor, or computer, to complete all items. 1. Name of Property___________________________________________________ historic name Fox Fullerton Theatre Complex____________________________ other names/site number Chapman's Alician Court Theatre; Chapman Theatre; Mission Court Theatre; Universal Mission Court Theatre; Fox Mission Theatre; Fox Fullerton Theatre; Firestone Tire and Rubber Building; Roy J. Lyon Firestone Service Station____________________________ 2. Location street & number 500-512 North Harbor Boulevard Fullerton NA D not for publication city or town Fullerton ____________________ ___NA O vicinity state California________ code CA county Orange_ code 059_ zip code 92832 3. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act of 1986, as amended, I hereby certify that this E nomination D request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Pla meets the proc idural and professional requirements set forth in 36 CFR Part 60. -
Notable Customs Officers in Texas History
Notable Customs Officers in Texas History Presented by the National Customs Museum Foundation Beverly Chew (1773-1851) Beverly Chew was the Collector of Customs at the Port of New Orleans from 1817-1829. During his tenure, he attempted to stop the smuggling operations of pirates Jean and Pierre Laffite who were operating from the Mexican-controlled island of Galveston. The Laffites were known to smuggle slaves and other merchandise from Galveston Island to the United States and then sell the illicit goods in New Orleans. Chew once wrote to the Secretary of State, “I deem it my duty to state that the most shameful violations of the slave act, as well as our revenue laws, continue to be practiced with impunity, by a motley mixture of freebooters and smugglers, at Galveston, under the Mexican flag”. George Fisher (1795-1873) Fisher was appointed the first Mexican Collector of Customs at Galveston in 1829. Fisher set up a Mexican Customhouse at Anahuac. His efforts to enforce Mexican Customs laws played a major role in events that lead to the Texas Revolution. Fisher is credited with being the first Czechoslovakian to settle in Texas. Fisher was a citizen of the United States, Mexico, the Republic of Texas and Hungary and he spoke nine languages. Samuel Swartwout (1783-1856) In 1829, Samuel Swartwout was appointed Collector of Customs at the Port of New York by President Andrew Jackson. Swartwout had property interests in Mexican- controlled Texas which he felt would be better served by an independent Texas government. Swartwout spent his own money to help finance the Texas Revolution including saving the Texas Navy from creditors when the Republic could not pay for ship repairs. -
'Sc "Lete Television Prog' Ams
EE• 'S C "LETE TELEVISION PROG' AMS THE The Showcase diforials olumn Comment ditor Speaks omplete hort Story TV Shows This Week MAY' 12, 1957 VOL. XXIX, No. 19 '-z. AT YOUR SERVICE... All the Time ! When you wont a dependablefuel Eor cooking,for hot water, for re- [rigeration,and for clothesdrying, you want gas!And Public Service i• onthe job 24 hours a day to bring you the dependableservice .l• the clean,blue gasflame! .THEBIG AND LITT•Haledon PAL openedits LittleLeaflue seas6nbefore a large crowd. Ceremoniessaw .player Norman Seespresenting the ..ballto Mayor ])ave Brown. Standing.next to PUBLIC $ERVI mayor are James Sees, PAL secretary. ! ß ::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::i:: i:.::::: ::::?::: ::::::::::::::::::::::::::: ::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: .... ::::::::::::::::::::::::::::::::::::::::::::::: ?:::::':'-?:•::.:::- :;::f:::i i :: ;•::'::'.½:•:: i:.'i•..... '-! ::i........ :::::::i:.½.?:.:. :..:::.?;):::-11.: :i::-.:::.::i::i:::.:::::::::::::::::::::::::::::::::::::: ::::::::::::!:::: ß- ".:' .," "" .................... :.................... ":'-L..:GETTING' THE HELEN MORGAN STORY -, • •!!:i:!:,.•!!._•:i'....::i::::i:•:..:.-./.:•i:::::.-:.:i...'•i:: ' : ' . ' '?::!:!•i:iii:i:i½i:::'!'.'-:-.,,.:!:•::i ............. ::.::i:i½i:ii?•iii•ii::•li.::•i•:.....> :_.":::.i :;.i - ß ß ' ,..:: '.'.<!i!!i:i:i•i;i-'?"-'.':': .:.:..... ß :. •!:::i'i;i' ] i:F' '"-::-::•:!:i' ' .. • . ':::.:-.,:• " "::i:!:i:.-'-:...::-'":::::-:::'- -
Alabama Theatre Photographs, Scrapbooks and Publications, 1929-1970 and Undated
BIRMINGHAM PUBLIC LIBRARY Department of Archives and Manuscripts Alabama Theatre Photographs, Scrapbooks and Publications, 1929-1970 and undated Background: The Alabama Theatre opened in 1927 and was originally operated by the Paramount-Publix Corporation. The theater was added to the National Register of Historic Places in 1979. Scope and Content: This collection contains two exterior photographs of the Alabama Theatre and 85 promotional photographs for movies shown at the theater; five scrapbooks containing photographs and brief stories about movie stars clipped from magazines; and two bound copies of the movie industry newspaper Publix Opinion. A large number of photographs showing the Alabama Theatre are found in the related collections listed below and other collections. Related Collections: Birmingham News Photographs A. C. Keily Photographs Photographs General Collection Charlie Preston Photographs Subject Areas: Motion picture theaters. Motion pictures. Size: 3 linear feet (4 boxes) Source: Alabama Theatre Restrictions: Standard preservation and copyright restrictions. Guide Prepared by: Thomas C. Haslett, Jr. and Jim Baggett File Number: Description: Photographs of the Alabama Theatre 387.1.1 Front exterior view of Alabama Theatre taken from across the street, circa 1960s. 387.1.2 View of marquee from street advertising The Pit and the Pendulum, circa 1961. Promotional Photographs 387.1.3 Bud Abbott and Lou Costello in Africa Screams, 1949. 387.1.4 Fred Astaire in Irving Berlin's Blue Skies, 1946. 387.1.5 Gene Autrey in Manhattan Merry-Go-Round, undated. 387.1.6 Lucille Ball in Easy Living, 1949. 387.1.7 Dolores Costello Barrymore, in Little Lord Fauntleroy, 1936. 387.1.8 Ethel Barrymore, in The Red Danube, 1949. -
SHOW BOAT / 1936 (Magnólia) Um Filme De James Whale
CINEMATECA PORTUGUESA-MUSEU DO CINEMA O QUE QUERO VER 18 de dezembro de 2020 SHOW BOAT / 1936 (Magnólia) um filme de James Whale Realização: James Whale / Argumento: Oscar Hammerstein II, baseado na peça musical homónima de Oscar Hammerstein II e Jerome Kern, adaptada de um romance de Edna Ferber / Fotografia: John Mescall / Direcção Musical: Victor Baravelle / Direcção Coreográfica: Le Roy J. Prinz / Canções: “Ol’ Man River”, “Cotton Blossom”, “Where’s the Mate For Me”, “Make Believe”, “Can’t Help Lovin’Dat Man”, “I Have the Room Above Her”, “Gallivantin’Around”, “You Are Love”, “Ah Still Swites Me”, música de Jerome Kern e letra de Oscar Hammerstein II; “Bill”, música de Jerome Kern, letra de P.G. Wodehouse; “Goodbye, Ma Ladie Love”, música de Jerome Kern, letra de Joe Howard; “After the Ball”, música de Jerome Kern, letra de Charles K. Harris / Montagem: Ted Kent e Bernard W. Burton / Interpretação: Irene Dunne (Magnolia Hawks), Allan Jones (Gaylord Ravenal), Charles Winninger (Capitão Andy Hawks), Paul Robeson (Joe), Helen Westley (Parthy Hawks), Helen Morgan (Julie), Donald Cook (Steve), Sammy White (Frank), Sunny O’Dea (Kim Ravenal), Queenie Smith (Ellie), J. Farrell MacDonald (Windy), Hattie McDaniel (Queenie), etc. Produção: Carl Laemmle Jr. para a Universal / Cópia: da Cinemateca Portuguesa-Museu do Cinema, 35mm, preto e branco, legendada em português / Duração da versão original: 110 minutos / Duração da versão a exibir: 82 minutos / Estreia Mundial: Nova Iorque, 14 de Maio de 1936 / Estreia em Portugal: Cinemas Odeon e Palácio, a 10 de Marco de 1937. _____________________________ Antes do início impõe-se um breve aviso: esta cópia de Show Boat, recuperada do nitrato pela Cinemateca Portuguesa, foi adquirida à exploração comercial, nos finais dos anos 40. -
It's All for You – Table of Contents
ABC Television 5 Emil Abdelnour 5 Academy of Motion Picture Arts and Sciences 5 On Acting 9 Actresses Who Have Portrayed Judy Garland or Judy Garland Based Characters 9 Adrian 10 Advertisements 10 Ray Aghayan 11 Agents 11 Harry Akst 13 Edward Albee 13 Shana Alexander 13 Alice Adams 14 a/k/a Judy Garland Park 14 The Allen Brothers 15 Gene Allen 15 Peter Allen 16 Steve Allen 17 Woody Allen 18 June Allyson 18 Carleton Alsop 19 Vernon Alves 20 Ambassador Hotel 20 Americana Hotel 20 American Federation of Labor 20 Amsterdam, Netherlands 20 An Observation of FameäHollywood Style 21 Judith Anderson 21 The Andrews Sisters 21 Andy Hardy Meets Debutante 21 The Andy Williams Show 23 Annie Get Your Gun 23 Another World 25 Harry J. Anslinger 25 Army Archerd 26 Arie Crown Theater, Chicago, Illinois 26 Harold Arlen 26 Arthur 28 ASCAP Tribute to Harold Arlen 28 Betty Asher 28 Fred Astaire 29 Mary Astor 30 The Astrodome, Houston, Texas 31 Atlantic City Convention Hall 31 A Tree Grows in Brooklyn 32 James Aubrey 32 Auction of Judy Garland's Property 33 Auld Lang Syne 34 Pamela Austin 35 Autobiography 35 Autopsy 36 Richard Avedon 36 Awards 36 John Aylesworth 37 Babes in Arms 38 Babes on Broadway 39 Lauren Bacall 41 Back Bay Theater, Boston, Massachusetts 42 Jim Bailey 42 Pearl Bailey 43 Lucille Ball 43 Baltimore Civic Center 44 Tallulah Bankhead 44 Lynn Bari 44 The Barkleys of Broadway 44 Billy Barnes 45 Nancy Barr 46 Ethel Barrymore 46 Barry Norman's Hollywood Greats 47 Richard Barstow 47 Lionel Bart 47 Freddie Bartholomew 48 Count Basie 48 Shirley Bassey 48 Battle Hymn of the Republic 48 L.