Quarterly Statement for Mortgage Servicing Activity
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
NV5 Global, Inc. Form 8-K Current Event Report Filed 2021-08-25
SECURITIES AND EXCHANGE COMMISSION FORM 8-K Current report filing Filing Date: 2021-08-25 | Period of Report: 2021-08-24 SEC Accession No. 0001628280-21-017611 (HTML Version on secdatabase.com) FILER NV5 Global, Inc. Mailing Address Business Address 200 SOUTH PARK ROAD 200 SOUTH PARK ROAD CIK:1532961| IRS No.: 453458017 | State of Incorp.:DE | Fiscal Year End: 0101 SUITE 350 SUITE 350 Type: 8-K | Act: 34 | File No.: 001-35849 | Film No.: 211207240 HOLLYWOOD FL 33021 HOLLYWOOD FL 33021 SIC: 7380 Miscellaneous business services (954) 495-2112 Copyright © 2021 www.secdatabase.com. All Rights Reserved. Please Consider the Environment Before Printing This Document UNITED STATES SECURITIES AND EXCHANGE COMMISSION WASHINGTON, D.C. 20549 FORM 8-K CURRENT REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 Date of Report (Date of earliest event reported) August 24, 2021 NV5 GLOBAL, INC. (Exact Name of Registrant as Specified in Its Charter) Delaware 001-35849 45-3458017 (State or Other Jurisdiction (Commission File Number) (I.R.S. Employer Identification No.) of Incorporation) 200 South Park Road, Suite 350 Hollywood, Florida 33021 (Address of Principal Executive Offices) (Zip Code) (954) 495-2112 (Registrant’s Telephone Number, Including Area Code) n/a (Former Name or Former Address, if Changed Since Last Report) Check the appropriate box below if the Form 8-K filing is intended to simultaneously satisfy the filing obligation of the registrant under any of the following provisions (see General Instruction A.2. below): ☐ Written communications pursuant to Rule 425 under the Securities Act (17 CFR 230.425) ☐ Soliciting material pursuant to Rule 14a-12 under the Exchange Act (17 CFR 240.14a-12) ☐ Pre-commencement communications pursuant to Rule 14d-2(b) under the Exchange Act (17 CFR 240.14d-2(b)) ☐ Pre-commencement communications pursuant to Rule 13e-4(c) under the Exchange Act (17 CFR 240.13e-4(c)) Securities registered pursuant to Section 12(b) of the Exchange Act: Copyright © 2021 www.secdatabase.com. -
Emotional and Linguistic Analysis of Dialogue from Animated Comedies: Homer, Hank, Peter and Kenny Speak
Emotional and Linguistic Analysis of Dialogue from Animated Comedies: Homer, Hank, Peter and Kenny Speak. by Rose Ann Ko2inski Thesis presented as a partial requirement in the Master of Arts (M.A.) in Human Development School of Graduate Studies Laurentian University Sudbury, Ontario © Rose Ann Kozinski, 2009 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 OttawaONK1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-57666-3 Our file Notre reference ISBN: 978-0-494-57666-3 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
TCN GO Sun Aug 28, 2011
Schedule Program Guide For TCN/GO Sun Aug 28, 2011 06:00 THUNDERBIRDS Repeat WS G Terror in NYC Follow the adventures of the International Rescue, an organisation created to help those in grave danger in this marionette puppetry classic. 07:00 KIDS WB SUNDAY WS G Hosted by Lauren Phillips and Andrew Faulkner. 07:05 THE FLINTSTONES Repeat G Rooms For Rent Fred and Barney's peaceful homes are jeopardized when Betty and Wilma rent rooms to two bongo-playing college students. 07:30 SMURFS Repeat G Soothsayer Smurfette A fortune teller's magical doll dress ends up being Smurfette's new dress of Baby Smurf's birthday party. 08:00 LOONEY TUNES CLASSICS G Adventures of iconic Looney Tunes characters Bugs Bunny, Daffy Duck, Tweety, Silvester, Granny, the Tasmanian Devil, Speedy Gonzales, Marvin the Martian Wile E. Coyote and the Road Runner. 08:30 CAMP LAZLO Repeat WS G Weakest Link/ Lumpy Treasure The campers send the Jelly Beans on a "wild goose chase" so they won't bungle the camp inspection! 09:00 SYM-BIONIC TITAN Repeat PG The Ballad of Scary Mary While attending to a "Scary Mary" party, Lance, Ilana and Octus soon find themselves battling against a chameleon-like Mutraddi that can morph into anyone. Cons.Advice: Some Violence 09:30 BEN 10 Repeat WS PG Secret of the Omnitrix During a battle with Animo, a headstrong Ben in hero mode, doesn't listen to reason from Max and Gwen, and gets engulfed in a weird energy light. Cons.Advice: Mild Violence 11:00 POWER RANGERS SAMURAI WS PG Ive Got a Spell on Blue Cons.Advice: Some Violence 11:30 WACKY RACES Repeat G Speeding for Smogland / Race Rally to Raleigh On the set of a medieval-themed movie, Dastardly attempts to trap the racers with the castle gate and drawbridge. -
2020 South Park County Sanitation District for the Fiscal Year Ended June 30, 2020
South Park County Sanitation District (A Component Unit of the County of Sonoma) Independent Auditor’s Reports, Management’s Discussion and Analysis and Basic Financial Statements For the Fiscal Year Ended June 30, 2020 South Park County Sanitation District For the Fiscal Year Ended June 30, 2020 Table of Contents Page(s) Independent Auditor’s Report ....................................................................................................... 1-2 Management’s Discussion and Analysis (Required Supplementary Information) ................. 3-10 Basic Financial Statements: Statement of Net Position ............................................................................................................ 11 Statement of Revenues, Expenses and Changes in Net Position ................................................. 12 Statement of Cash Flows ............................................................................................................. 13 Notes to the Basic Financial Statements ................................................................................. 14-25 Compliance: Report on Internal Control Over Financial Reporting and on Compliance and Other Matters Based on an Audit of Financial Statements Performed in Accordance with Government Auditing Standards ........................ 26-27 3562 Round Barn Circle, Suite 300 Santa Rosa, CA 95403 (707) 542-3343 Office (707) 527-5608 Fax pbllp.com Independent Auditor's Report Board of Directors South Park County Sanitation District Santa Rosa, California Report on -
Gruda Mpp Me Assis.Pdf
MATEUS PRANZETTI PAUL GRUDA O DISCURSO POLITICAMENTE INCORRETO E DO ESCRACHO EM SOUTH PARK ASSIS 2011 MATEUS PRANZETTI PAUL GRUDA O DISCURSO POLITICAMENTE INCORRETO E DO ESCRACHO EM SOUTH PARK Dissertação apresentada à Faculdade de Ciências e Letras de Assis – UNESP – Universidade Estadual Paulista para a obtenção do título de Mestre em Psicologia (Área de Conhecimento: Psicologia e Sociedade) Orientador: Prof. Dr. José Sterza Justo Trabalho financiado pela CAPES ASSIS 2011 Dados Internacionais de Catalogação na Publicação (CIP) Biblioteca da F.C.L. – Assis – UNESP Gruda, Mateus Pranzetti Paul G885d O discurso politicamente incorreto e do escracho em South Park / Mateus Pranzetti Paul Gruda. Assis, 2011 127 f. : il. Dissertação de Mestrado – Faculdade de Ciências e Letras de Assis – Universidade Estadual Paulista Orientador: Prof. Dr. José Sterza Justo. 1. Humor, sátira, etc. 2. Desenho animado. 3. Psicologia social. I. Título. CDD 158.2 741.58 MATEUS PRANZETTI PAUL GRUDA O DISCURSO POLITICAMENTE INCORRETO E DO ESCRACHO EM “SOUTH PARK” Dissertação apresentada à Faculdade de Ciências e Letras de Assis – UNESP – Universidade Estadual Paulista para a obtenção do título de Mestre em Psicologia (Área de Conhecimento: Psicologia e Sociedade) Data da aprovação: 16/06/2011 COMISSÃO EXAMINADORA Presidente: PROF. DR. JOSÉ STERZA JUSTO – UNESP/Assis Membros: PROF. DR. RAFAEL SIQUEIRA DE GUIMARÃES – UNICENTRO/ Irati PROF. DR. NELSON PEDRO DA SILVA – UNESP/Assis GRUDA, M. P. P. O discurso do humor politicamente incorreto e do escracho em South Park. -
Going Down to South Park: Reporting the News on Television’S Most Politically and Socially Irreverent Animated Series
Going Down to South Park: Reporting the News on Television’s Most Politically and Socially Irreverent Animated Series By Todd Smilovitz Abstract The image of the journalist on South Park is not one to be proud of. Journalists appear on more than half of the episodes in the show’s first nine seasons, but they are mostly purveyors of news that is opinionated, baseless, soft, sentimental, naïve, late-breaking and/or sensationalistic. Behind all of this shallow reporting is a quest by news media for ratings: the profit motive distorts news. The fact that almost all South Park journalism is broadcast news, which naturally tends to focus on sound bites rather than in-depth analysis, only enhances this effect. Whether the image of the journalist on South Park is a reflection of the modern American media, or vice versa, is left unsettled and to the eye of the beholder. * * * “A Sexy Action News Team Special Report: ‘Cough Medicine Abuse in School’ with the Sexy Action School News Team. It’s the report you can’t afford to miss.”1 -- Announcer setting up the boys’ final attempt to grab high ratings for their elementary school news show While this Sexy Action News Team special report could actually be seen as investigative journalism, it only comes about after more sensationalistic methods for becoming the number Going Down to South Park By Todd Smilovitz 2 one South Park Elementary School news show fail. In other words, the serious, investigative content of the show is only incidental to the profit motive. Live, late-breaking special reports by eyewitness news teams are the real king of South Park journalism. -
July 2021 Data Practices Policy
Le Sueur County Data Practices Policies (Policies for Members of the Public and Data Subjects) Identification of Staff with Data Practices Responsibilities Responsible Authority Joseph Martin, Le Sueur County 88 South Park Ave, Le Center, MN 56057 Telephone: 507-357-2251; Fax: 507-357-6375 Data Practices Compliance Official Brett Mason, Sheriff's Office Emily O’Brien 88 South Park Ave, Le Center, MN 56057 Telephone: 507-357-2251; Fax: 507-357-6375 Brent Christian, Attorney's Office 88 South Park Ave, Le Center, MN 56057 Telephone: 507-357-2251; Fax: 507-357-6375 Sharon Budin, Recorder's Office 88 South Park Ave, Le Center, MN 56057 Telephone: 507-357-2251; Fax: 507-357-6375 Danielle Blaschko, Auditor/Treasurer's Office 88 South Park Ave, Le Center, MN 56057 Telephone: 507-357-2251; Fax: 507-357-6375 Shayne Bender, Assessor's Office 88 South Park Ave, Le Center, MN 56057 Telephone: 507-357-2251; Fax: 507-357-6375 Susan Rynda, Human Services 88 South Park Ave, Le Center, MN 56057 Telephone: 507-357-2251; Fax: 507-357-6375 Megan Kirby, Public Health 88 South Park Ave, Le Center, MN 56057 Telephone: 507-357-2251; Fax: 507-357-6375 Mark Roemhildt, Veterans Services 88 South Park Ave, Le Center, MN 56057 Telephone: 507-357-2251; Fax: 507-357-6375 Cindy Westerhouse, Human Resources 88 South Park Ave, Le Center, MN 56057 Telephone: 507-357-2251; Fax: 507-357-8607 1 All data requests must be made to the Responsible Authority (RA) or designee. Regardless of which staff person actually manages a data request, the RA ultimately is responsible. -
1 United States District Court for The
UNITED STATES DISTRICT COURT FOR THE SOUTHERN DISTRICT OF NEW YORK ________________________________________ ) VIACOM INTERNATIONAL INC., ) COMEDY PARTNERS, ) COUNTRY MUSIC TELEVISION, INC., ) PARAMOUNT PICTURES ) Case No. 1:07-CV-02103-LLS CORPORATION, ) (Related Case No. 1:07-CV-03582-LLS) and BLACK ENTERTAINMENT ) TELEVISION LLC, ) DECLARATION OF WARREN ) SOLOW IN SUPPORT OF Plaintiffs, ) PLAINTIFFS’ MOTION FOR v. ) PARTIAL SUMMARY JUDGMENT ) YOUTUBE, INC., YOUTUBE, LLC, and ) GOOGLE INC., ) Defendants. ) ________________________________________ ) I, WARREN SOLOW, declare as follows: 1. I am the Vice President of Information and Knowledge Management at Viacom Inc. I have worked at Viacom Inc. since May 2000, when I was joined the company as Director of Litigation Support. I make this declaration in support of Viacom’s Motion for Partial Summary Judgment on Liability and Inapplicability of the Digital Millennium Copyright Act Safe Harbor Defense. I make this declaration on personal knowledge, except where otherwise noted herein. Ownership of Works in Suit 2. The named plaintiffs (“Viacom”) create and acquire exclusive rights in copyrighted audiovisual works, including motion pictures and television programming. 1 3. Viacom distributes programs and motion pictures through various outlets, including cable and satellite services, movie theaters, home entertainment products (such as DVDs and Blu-Ray discs) and digital platforms. 4. Viacom owns many of the world’s best known entertainment brands, including Paramount Pictures, MTV, BET, VH1, CMT, Nickelodeon, Comedy Central, and SpikeTV. 5. Viacom’s thousands of copyrighted works include the following famous movies: Braveheart, Gladiator, The Godfather, Forrest Gump, Raiders of the Lost Ark, Breakfast at Tiffany’s, Top Gun, Grease, Iron Man, and Star Trek. -
Semitic Stereotypes: How Being a Jewish Stereotype, Speaking Jewish English and Being a Negative Character Are Correlated on South Park and Family Guy
Article Semitic Stereotypes: How Being a Jewish Stereotype, Speaking Jewish English and Being a Negative Character Are Correlated on South Park and Family Guy Matias R. Porsgaard Introduction In audio-visual media like cartoons there are two factors creators can manipulate to create an impression: sound and picture. Both provide information about how the creators envision certain characters and social groups. In comedy it is often easier to resort to stereotypes than creating detailed personalities when inventing new characters, especially if the characters’ primary function is to make an audience laugh. This article will examine how the American comedy cartoons South Park and Family Guy construct and present Jewish characters. I will argue that the ‘negative’ Jewish characters of the shows (Mort Goldman from Family Guy and Kyle Schwartz and Sheila Broflovski from South Park) are portrayed as Jewish stereotypes while the ‘neutral’/‘positive’ Jewish characters (Gerald and Kyle Broflovski from South Park and Max Weinstein from Family Guy) are not. The three stereotypical characters also speak a distinct ‘Jewish English’, which includes using certain phonetic variations typically associated with New York English as well as Yiddish loanwords, and the other characters do not. Based on the analysis presented in this article, I argue that on South Park and Family Guy there is a correlation between being stereotypically Jewish, speaking a non-standard ‘Jewish English’ and being a negative character, and this can have serious consequences for real American Jews. The visual and behavioural Jewish stereotypes in South Park and Family Guy One very powerful method of expression in cartoons is the way that the characters are drawn: what type of clothes they wear, what colours they prefer and how their bodies look. -
Additional Images of Journalists in South Park by Todd Smilovitz
Appendix: Additional Images of Journalists in South Park By Todd Smilovitz Episode 1: “Cartman Gets an Anal Probe.” First aired August 13, 1997. Directed by: Uncredited. Written by Trey Parker and Matt Stone. Aliens abduct Eric Cartman and install a satellite dish in his rectum. News 8 reports on crop circles, which actually look like Eric in outline. A field reporter says, “Could it be that aliens are trying to make contact with us here on Earth?” Episode 2: “Volcano.” First aired August 20, 1997. Directed by: Uncredited. Written by Trey Parker and Matt Stone. A volcano erupts near South Park while the boys are camping on its mountainside. Mostly banal reporting on the story by HBC standards, but Tom’s thoughts on the successful rescue of the boys is a bit melodramatic. “And now these humble people can rejoice and celebrate their jovial victory over nature. I’m getting word that the chef of the school cafeteria wants to sing a song about this thrilling struggle of humanity.” Episode 3: “Weight Gain 4000.” First aired August 27, 1997. Directed by: Uncredited. Written by Trey Parker and Matt Stone. Eric Cartman, already overweight, begins inhaling Weight Gain 4000 to become buff. Instead, he becomes a Jabba the Hut look-alike. Meanwhile, Kathy Lee Gifford is coming to town to present Eric with an award for best essay on the rainforest. He actually wrote the essay by copying from On Walden Pond. Unfortunately for Eric, Kathy Lee is almost assassinated and leaves town just before handing the award to Eric. Eric says, “Hey, wait a minute, when do I get to be on television?” The reporter answers, “Forget it, kid. -
10 Shake Apr 11
Firefox http://prtten04.networkten.com.au:7778/pls/DWHPROD/Program_Repor... SYDNEY PROGRAM GUIDE Sunday 11th April 2021 06:00 am Totally Wild CC C Get inspired by all-access stories from the wild side of life! 06:30 am Blaze And The Monster Machines (Rpt) G Cattle Drive When Blaze and Starla encounter a herd of cows wandering out in the desert, they must embark on a wild west adventure to bring them back to Starla's barn. 07:00 am Blaze And The Monster Machines (Rpt) G Dinosaur Parade Herds of dinosaurs are marching through Axle City! But when Crusher pushes his way into the parade, he scatters dinos everywhere, and it's up to Blaze, AJ and Zeg to find and rescue them. 07:30 am Paw Patrol (Rpt) G Pups Find A Genie / Pups Save A Tightrope Walker Rubble is granted three wishes when he finds an old brass Jack in the Box with a genie inside! It's time to call the PAW Patrol when seagulls threaten to ruin Francois Turbot's tightrope-walking act! 07:56 am Shake Takes 08:00 am Paw Patrol (Rpt) G Pups Save A Goldrush / Pups Save The Paw Patroller A grizzled old prospector discovers gold in Adventure Bay, and it's a bona fide gold rush! When Mayor Humdinger and the Catastrophe Crew try to steal the Paw Patroller, the chase becomes a rescue! 08:30 am SpongeBob SquarePants (Rpt) G Mimic Madness / House Worming SpongeBob learns that "imitation is the sincerest form of flattery" - too bad no one told him how to stop! When worms move in to SpongeBob's holes, he must hide his new friends from everyone else. -
The Essential Cult TV Reader
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Kentucky University of Kentucky UKnowledge American Popular Culture American Studies 2010 The Essential Cult TV Reader David Lavery Middle Tennessee State University Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Lavery, David, "The Essential Cult TV Reader" (2010). American Popular Culture. 2. https://uknowledge.uky.edu/upk_american_popular_culture/2 THE ESSENTIAL CULT TV READER Essential Readers in Contemporary Media and Culture This series is designed to collect and publish the best scholarly writing on various aspects of television, fi lm, the Internet, and other media of today. Along with providing original insights and explorations of critical themes, the series is intended to provide readers with the best available resources for an in-depth understanding of the fundamental issues in contemporary media and cultural studies. Topics in the series may include, but are not limited to, critical-cultural examinations of creators, content, institutions, and audiences associated with the media industry. Written in a clear and accessible style, books in the series include