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CONCERT CALENDAR See page 1 Beethoven I 1 pm Friday May 1 Fitters’ Workshop 6 2 Beethoven II 3.30 pm Friday May 1 Fitters’ Workshop 6 3 Bach’s Universe 8 pm Friday May 1 Fitters’ Workshop 16 4 Beethoven III 10 am Saturday May 2 Fitters’ Workshop 7 5 Beethoven IV 2 pm Saturday May 2 Fitters’ Workshop 7 6 Beethoven V 5.30 pm Saturday May 2 Fitters’ Workshop 8 7 Bach on Sunday 11 am Sunday May 3 Fitters’ Workshop 18 8 Beethoven VI 2 pm Sunday May 3 Fitters’ Workshop 9 9 Beethoven VII 5 pm Sunday May 3 Fitters’ Workshop 9 Sounds on Site I: 10 Midday Monday May 4 Turkish Embassy 20 Lamentations for a Soldier 11 Silver-Garburg Piano Duo 6 pm Monday May 4 Fitters’ Workshop 24 Sounds on Site II: 12 Midday Tuesday May 5 Mt Stromlo 26 Space Exploration 13 Russian Masters 6 pm Tuesday May 5 Fitters’ Workshop 28 Sounds on Site III: 14 Midday Wednesday May 6 Shine Dome 30 String Theory 15 Order of the Virtues 6 pm Wednesday May 6 Fitters’ Workshop 32 Sounds on Site IV: Australian National 16 Midday Thursday May 7 34 Forest Music Botanic Gardens 17 Brahms at Twilight 6 pm Thursday May 7 Fitters’ Workshop 36 Sounds on Site V: NLA – Reconciliation 18 Midday Friday May 8 38 From the Letter to the Law Place – High Court Barbara Blackman’s Festival National Gallery: 19 3.30 pm Friday May 8 40 Blessing: Being and Time Fairfax Theatre 20 Movers and Shakers 3 pm Saturday May 9 Fitters’ Workshop 44 21 Double Quartet 8 pm Saturday May 9 Fitters’ Workshop 46 Sebastian the Fox and Canberra Girls’ Grammar 22 11 am Sunday May 10 48 Other Animals Senior School Hall National Gallery: 23 A World of Glass 1 pm Sunday May 10 50 Gandel Hall 24 Festival Closure 7 pm Sunday May 10 Fitters’ Workshop 52 1 Chief Minister’s message Festival President’s Message Welcome to the 21st There is nothing quite like the Canberra International Music sense of anticipation, before Festival: 10 days, 24 concerts the first note is played, for the and some of the finest music delights and surprises that will Canberrans will hear this unfold over the 10 days of the Festival. -
Mohawk Valley Irish Cultural
MOHAWK VALLEY IRISH CULTURAL Volume 14, Issue 6 EVENTS NEWSLETTER June 2017 Celebrate Joyce’s Legacy on Varick Street on “Bloomsday” The city of Utica will be transformed into Dublin for one day on Saturday, June 17, as the Utica NY Area Irish Coalition will present its first “Bloomsday” Celebration with a pub crawl visiting seven stops along Varick Street in the city’s brewery district. In James Joyce’s monumental classic “Ulysses,” (often cited as the greatest English-language novel of all time) June 16 is the date that the book’s protagonist, Leopold Bloom, undertakes his one day sojourn through the streets of Dublin. Since the first two-man Bloomsday celebration in 1954, that date (or as near as practicable) continues to be celebrated in countries as far-ranging as Hungary, Italy, Australia and the Czech Republic, with a range of cultural activities including readings and dramatizations of scenes from the novel (as well as the responsible partaking of adult beverages). The UNYAIC event will start at noon with a brief gathering at Utica Brews, located at 809 Court St., Utica, and will proceed, in order, to the Saranac Brewery, Nail Creek Pub, the new Irish Cultural Building site, O’Donnell’s, The Sanctuary, and will finish at 5 PM at the Celtic Harp. Each stop will feature short readings from the book and live Irish music, and food and drinks will be available for purchase. Participants will receive a special commemorative T-shirt and will also get a passport stamped at each stop to be eligible for prize drawings at the end of the crawl. -
Maarja Nuut Davíð Þór Jónsson Rahim Alhaj & Karim
Seidler Salon Series MAARJA NUUT DAVÍÐ ÞÓR JÓNSSON RAHIM ALHAJ & KARIM WASFI GENEVIEVE LACEY, DANIEL YEADON & NEAL PERES DA COSTA GOLDNER STRING QUARTET VOX CLAMANTIS Photo: Photo: Nicholas Watt Music and architecture come together in a series of talks and concerts hosted in, and inspired by, the unique buildings of Australia’s most famous modernist architect, Harry Seidler. I am so pleased to welcome you to experience music in Seidler spaces. The five venues cover 50 years of architectural creativity; each one makes a distinct spatial experience. It was the Rose Seidler house of 1950 which brought Harry to Australia; 9–28 JANUARY it instantly became a beacon for modernism, creating an informal way of life and blending with nature. Our own house at Killara almost 20 years later is where Harry loved to play Bach on the piano. The house is tougher, made of concrete and stone, a split-level construction; both houses remain identical to the time of their completion. The Milsons Point apartment of 1988 and Cove Apartments of 2003 illustrate Harry’s increasing use of grand curved spaces, and the Elizabeth Street office venue of the late ’90s is an example of robust commercial architecture. Harry and I loved having music fill the spaces and I hope you will also enjoy music in architecture. Penelope Seidler December 2017 2 Photo: Photo: Renee Altrov Jón Páll Eyjolfsson Photo: MAARJA NUUT DAVÍÐ ÞÓR JÓNSSON ESTONIA ICELAND SEIDLER PENTHOUSE, NORTH SYDNEY HARRY AND PENELOPE SEIDLER HOUSE, KILLARA 9 JANUARY AT 6.30PM 13 JANUARY AT 2.30PM & 6.30PM 10 JANUARY AT 6.30PM 90 MINS 11 JANUARY AT 11AM & 6.30PM 90 MINS TALK TALK Philip Cox in conversation with Simon Marnie Penelope Seidler AM in conversation with (ABC Radio Sydney) Simon Marnie (ABC Radio Sydney) One of Australia’s pre-eminent architects, Philip Cox Inside the Harry and Penelope Seidler home that they designed buildings feature across our major cities. -
Grammy Nominee Celtic Woman Brings New Live Show Homecoming Tour to the Kimmel Center Cultural Campus March 22, 2018
Tweet It! Experience @Celtic_Woman as they return to the @KimmelCenter 3/22 w/ #Homecoming! More info @KimmelCenter.org Press Contact: Monica Robinson Rachel Goldman 215-790-5847 267-765-3712 [email protected] [email protected] GRAMMY NOMINEE CELTIC WOMAN BRINGS NEW LIVE SHOW HOMECOMING TOUR TO THE KIMMEL CENTER CULTURAL CAMPUS MARCH 22, 2018 FOR IMMEDIATE RELEASE (Philadelphia, PA, January 17, 2018) – Celtic Woman (www.celticwoman.com), the multi-platinum international music sensation, is returning to the Kimmel Center for the Performing Arts’ Academy of Music on Thursday, March 22, 2018 with a brand new live show. The much-anticipated concert, Homecoming Tour, will feature the angelic voices of Susan McFadden, Mairéad Carlin, Éabha McMahon, and the breathtaking Celtic violinist Tara McNeill, accompanied by a full ensemble of musicians and dancers. “The Kimmel Center strives to present music from around the globe, showcasing a wide variety of cultures and traditions,” said Anne Ewers, President and CEO of the Kimmel Center for the Performing Arts. “We welcome the return of Celtic Woman – a breathtaking ensemble that brings us a new and worldly experience every time they visit.” Celebrating Ireland’s rich musical and cultural heritage, Celtic Woman combines the finest musical talent with epic stage productions to present a unique, inspiring live experience. From the debut, Celtic Woman has touched the hearts of a huge global audience. Now, with Homecoming, Celtic Woman brings the next chapter of an extraordinary musical journey. It’s a universal celebration of life. It’s traditional and contemporary. Other featured upcoming performances at the Kimmel Center Cultural Campus include: Deepak Chopra (March 15, 2018, Merriam Theater), Rain – A Tribute to the Beatles (March 23-25, 2018, Academy of Music), Patti LaBelle (April 5, 2018, Academy of Music), Brit Floyd Eclipse World Tour 2018 (April 6, 2018, Academy of Music), and Jerry Seinfeld (April 7, 2018, Academy of Music). -
Multi-Platinum International Music Sensation Celtic Woman to Present Newest Show at the Academy of Music April 14, 2017
Tweet it! You’ll be feeling the luck of the Irish when @Celtic_Woman take the stage with a brand new show at @KimmelCenter’s Academy of Music 4/14 Press Contact: Amanda Conte 215-790-5847 [email protected] MULTI-PLATINUM INTERNATIONAL MUSIC SENSATION CELTIC WOMAN TO PRESENT NEWEST SHOW AT THE ACADEMY OF MUSIC APRIL 14, 2017 FOR IMMEDIATE RELEASE (Philadelphia, PA, February 22, 2017) –– Multi-platinum International music sensation Celtic Woman bring their captivating new show to the Academy of Music, April 14, 2017 at 7:30 p.m. Featuring songs from their latest album, Voices of Angels, the newly Grammy-nominated group showcases the angelic voices of Susan McFadden, Mairéad Carline, Eabha McMahon, and new Celtic violinist Tara McNeill, accompanied by a full ensemble of musicians and dancers. “This group of incredibly talented women have taken traditional Irish music and found a way to make it even more approachable,” said Anne Ewers, President and CEO of the Kimmel Center for the Performing Arts. “The voices of the Celtic Woman performers, interwoven with a full band and dancers, will create an enchanting evening for all.” Celtic Woman showcases exceptional skill and high energy that brings fresh perspective to centuries of musical and cultural tradition. The performance will feature many songs from their #1 Billboard album, Voices of Angels, and magnificent arrangements of timeless Irish traditional and contemporary standards in the group’s award-winning style, all set to a new stage design, stunning wardrobes, and superb choreography. Celtic Woman formed in 2004 featuring exceptional classically and traditionally trained Irish female musicians. -
Historical Performance Practice at the Beginning of the New Millennium
Historical Performance Practice at the beginning of the new millennium Dorottya Fabian An interest in early music and performing practices of the past has a long history by now. Its characteristics in the nineteenth century have been mapped by several authors, especially in relation to the revival of Johann Sebastian Bach’s music, the Cecilian Movement and various musical developments in England. Even more pub- lications are available on its twentieth-century history.1 The initiatives during the early decades (e.g. the organ and recorder movements of the 1920s, the establish- ing of the Schola Cantorum in Basel in 1933) and the contribution of pioneers like Wanda Landowska and Arnold Dolmetsch have been extensively studied togeth- er with lesser-known figures, places and institutions.2 But as is well-known, it was during the second half of the twentieth century that the Early Music or Historically Informed Performance Movement has truly taken off, becoming a major force in the world of classical music. Many books and papers have been dedicated to the history of this development, its various phases, musical characteristics, key figures, aesthetic outlook and philosophical assumptions, and its achievements. There was a burgeon- ing of such literature and heated debates during the 1980s and 1990s followed by more comprehensive and ‘corrective’ analyses published during the early years of the 2000s, most focussing on the second half of the twentieth century.3 Much less has 1 Harry Haskell, The Early Music Revival – A History, London 1988; George B. Stauffer, Changing Issues of Performance Practice, in: John Butt (Hg.), Cambridge Companion to Bach, Cambridge 1997, S. -
December 8, 2016 Celtic Woman 'Voices of Angels' Debuts at #1 on Billboard World and Classical Charts Album Remains In
DECEMBER 8, 2016 CELTIC WOMAN ‘VOICES OF ANGELS’ DEBUTS AT #1 ON BILLBOARD WORLD AND CLASSICAL CHARTS ALBUM REMAINS IN TOP FIVE ON BOTH CHARTS GROUP HONORED WITH FIRST-EVER GRAMMY NOMINATION Multi-platinum international music sensation Celtic Woman’s latest studio album VOICES OF ANGELS (released November 18 on Manhattan/Caroline) follows in the group’s tradition of #1 albums, entering the World Billboard chart at the top position, where it remains for week two; this marks the group’s 12th #1 entry. In addition, for the first time in the group’s legacy, a Celtic Woman album entered the Billboard Classical chart at #1,holding at #2 in its second week. Meanwhile, Celtic Woman’s Destiny--currently #5 on the Billboard World chart--released earlier this year was just nominated for a Grammy Award in the category of Best World Music Album. This marks the group’s first-ever nomination. To celebrate the nomination, the group hosted a Facebook Live session yesterday (Wednesday, December 7). To view the conversation, click here. VOICES OF ANGELS contains some of the most popular songs from the Celtic Woman repertoire, along with several previously unrecorded tracks, all with stunning new orchestral arrangements recorded with the 72-piece Orchestra of Ireland. Celtic Woman has a remarkable 12- year-legacy of introducing the most talented singers and musicians from Ireland onto the world stage. VOICES OF ANGELS showcases the angelic voices of Susan McFadden, Mairéad Carlin, Éabha McMahon and introduces the breathtaking new Celtic violinist Tara McNeill. The foursome are currently on a short run of holiday-themed dates in late 2016 (at which they’ll introduce U.S. -
Salvaging the Style of Frei Aber Einsam in the Music of Brahms
Graduate Theses, Dissertations, and Problem Reports 2018 Salvaging the Style of Frei Aber Einsam in the music of Brahms: Proposing a Historically Informed Performance Practice for the Three Sonatas for Violin and Piano of Johannes Brahms, Opp. 78, 100, and 108 Phillip Alexander Ducreay Follow this and additional works at: https://researchrepository.wvu.edu/etd Part of the Musicology Commons, and the Music Performance Commons Recommended Citation Ducreay, Phillip Alexander, "Salvaging the Style of Frei Aber Einsam in the music of Brahms: Proposing a Historically Informed Performance Practice for the Three Sonatas for Violin and Piano of Johannes Brahms, Opp. 78, 100, and 108" (2018). Graduate Theses, Dissertations, and Problem Reports. 7494. https://researchrepository.wvu.edu/etd/7494 This Thesis is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. Salvaging the Style of Frei Aber Einsam in the music of Brahms: Proposing a Historically Informed Performance Practice for the Three Sonatas for Violin and Piano of Johannes Brahms, Opp. -
DEAN Brett Dean
BrettDEAN Brett Dean Introduction 1 English 1 CONTENTS German 1 Biography 2 OF English 2 German 4 Abbreviations 6 Works 7 Stage Works 7 TABLE Full Orchestra 8 Chamber Orchestra 13 Solo Instrument(s) and Orchestra 16 Voice(s) and Orchestra 17 Ensemble and Chamber without Voice(s) 18 Ensemble and Chamber with Voice(s) 21 Piano 22 Instrumental 23 Choral 24 Miscellaneous Works 24 Arrangements 25 Recordings 26 Boosey & Hawkes addresses 27 Composers list 29 Cover photo: Noosa Weekender Magazine Printed by DMP Digital Druck, Berlin Jan 2006 If Brett Dean were a writer, he would belong to the category of keen and committed observers. His hallmark would be clarity of statement in a sophisticated yet comprehensible language characterised by humanity. Although it is not surprising to find such character attributes in a composer and musician, it is astounding that the composer Brett Dean can communicate so directly in a musical language that is unconditionally contemporary. This may be due to the open-mindedness of a man for whom it is not enough to write music for music’s sake but who wants to present to an audience his love of playfulness, pensive reflection and emotional engagement. The spectator experiences this range like a kaleidoscope in the ballet One of a Kind; hundreds and thousands focuses on building a bridge to INTRODUCTION popular music; and Carlo is evocative of the sensibility of the Renaissance. Dean’s compositions Intimate Decisions and Beggars and Angels were inspired by cycles of works of the same title by his wife, the painter Heather Betts. -
Merry, Merry, Sarasota!
Robert Vodnoy, Music Director and Conductor Johanna Fincher, soprano Aaron Romm, trumpet Nicholas Arbolino, English horn December 10, 2019, 7:30 p.m. Church of the Redeemer Merry, Merry, Sarasota! Christmas Eve Suite Niels Gade Christmas Cantata Allesandro Scarlatti Siegfried Idyll Richard Wagner Intermission Symphony no. 26 (Lamentations) Joseph Haydn Quiet City Aaron Copland Sandman Song and Evening Song Engelbert Humperdinck Charlie Brown Christmas Vince Guaraldi and George Mendelson/arr. David Pugh White Christmas Irving Berlin/arr. Bruce Chase A Mad Russian Christmas Paul O’Neill, Robert Kinkel, Pyotr Ilych Tchaikovsky/arr. Bob Philips Season Sponsors: Great Music—Great Space Concert Series Funded in part by an Arts and Cultural Alliance of Sarasota County’s Opportunity Grant, powered by the State of the Arts Florida license plates Orchestra Personnel Concertmaster: David Qi—first season playing Concertmaster with the chamber orchestra. David plays violin in the Sarasota Orchestra. Principal Second Violin: Laurie Vodnoy-Wright has been Principal Second Violin since the orchestra’s inception. She is also the orchestra’s Personnel Manager and Librarian. Laurie has performed throughout the United States, Austria and Israel. Violin 1: Margot Zarzycka—first season with the chamber orchestra. Margot plays violin in the Sarasota Orchestra and is a violinist in the Sarasota Bay Arts Piano Trio. Violin 2: Shawna Trost has played in the chamber orchestra since its inception. She plays violin in the Sarasota Orchestra. Principal Viola: Sun-Young Gemma Shin—first season with the chamber orchestra. Sun-Young plays violin in The Venice Symphony Orchestra, and is Associate Concertmaster of the Champaign-Urbana Symphony Orchestra (Illinois). -
Catalogue of Works by Sally Greenaway Ǣ
Catalogue of works by Sally Greenaway ǣ 'expressive, introspective and emotionally satisfying original compositions...' (Canberrajazz.net) µ«\RXUFKDUWVVRXQGDEVROXWHO\IDQWDstic ± ,UHDOO\DSSUHFLDWH\RXUZULWLQJVW\OHDQGVRSKLVWLFDWLRQLQ\RXURUFKHVWUDWLRQ«¶ -DPHV0XVWDID'LUHFWRU0HOERXUQH&RPSRVHU¶V%LJ%DQG Sally Greenaway is an experienced musical director, jazz musician, teacher and composer represented by the Australian Music Centre. She studied her first degree at the ANU School of Music Jazz Department, and her most recent post- graduate study was at London's prestigious Royal College of Music, where she was awarded several scholarships. Her composition and piano mentors include Joseph Horovitz, Debbie Wiseman, Jennie Musket, Lawrence Hobgood, Mike Moran, Bengt-Olov Palmqvist and Paul MacNamara. Sally is an experienced composer, both for the concert hall and for film. She has won several composition competitions, including the APRA JazzGroove Mothership Orchestra National Big Band Composition Competition 2008, and the Canberra International Music Festival Young Composer Awards 2009. She has also scored a number of film soundtracks both in Australia and in the UK. She has been commissioned many times and her works have been performed by world-class Finnish vocal ensemble Rajaton, ARIA award winning Australian pianist Sally Whitwell, the Melbourne Composers Big Band, Australian guitarist Steve Allen and many other ensembles around Australia. In October 2012 she appeared as composer-in-residence at 'Restrung', a festival of new music, writing for world-class ensemble 'Trichotomy'. ^ĂůůLJŝƐǁĞůůŬŶŽǁŶŝŶƚŚĞĂŶďĞƌƌĂŵƵƐŝĐƐĐĞŶĞ͕ŚĂǀŝŶŐǁŽƌŬĞĚǁŝƚŚŵĂŶLJŽĨĂŶďĞƌƌĂ͛s music ensembles. She is currently Musical Director for ConneXion Big Band and a member of Wicked-Strings! which features musicians from the Canberra Symphony Orchestra. She also teaches at the Canberra Institute of Technology's Music Industry Centre and has her own private teaching practice. -
2019 Music Church
2019 music for the church GIA PUBLICATIONS, INC. giamusic.com/ritualsong RITUAL SONG —SECOND EDITION giamusic.com/ritualsong A BALANCED MIX OF MUSICAL STYLES FROM CHANT TO CONTEMPORARY AND EVERYTHING IN BETWEEN Recordings Children’s Book pages 8 Wedding Resource page 9 pages 8 BLEST NEW are those WHO LOVE MUSIC FOR THE 2019 WEDDING LITURGY Hymnody Liturgical Collections pages 12 & 13 pages 6 & 7 Masses page 11 KNOWN UNK NOW NS O UR H EARTS A RE R ESTLESS Deep and Lasting Peace Michael Joncas 100 CONTEMPORARY TEXTS VOLUME 2 TO COMMON TUNES MASS of JOHN L. BELL & GRAHAM MAULE L I F E the LAMB I S John L. Bell • David Bjorlin • Mary Louise Bringle • Ben Brody CHANGED, Rory Cooney • Ruth Duck • Delores Dufner, OSB • David Gambrell Francis Patrick O’Brien Michael Joncas • Jacque Jones • Sally Ann Morris • Adam Tice New Instrumental Music E PHREM F EELEY GIA PUBLICATIONS, INC. page 10 & 13 N O T ENDED GIA PUBLICATIONS, INC. Volume 3 PAUL TATE Gathered to Worship Organ Music based on Hymn Tunes Prayer Resources GIA PUBLICATIONS, INC. Arranged by Mary Beth Bennett pages 6 & 7 Edwin T. Childs J. William Greene Raymond H. Haan Benjamin Kolodziej David Lasky Harold Owen Books for the Pastoral Musician Nicholas Palmer Robert J. Powell Bernard Wayne Sanders pages 9 & 10 HYMNS, PSALMS & PRAYERS TO END THE DAY Sing as Christ Inspires Your ong s Touchstones for Pastoral Musicians EVOKING SOUND GIA PUBLICATIONS, INC. DaviD haas The Complete Choral Warm-Up Sequences New Hymnal & Worship A COMPANION TO THE CHORAL WARM-UP CANTOS PARA Resource page 12 James Jordan EL PUEBLO DE DIOS Jesse Borower ONE LORD, ONE FAITH, ONE BAPTISM SONGS FOR THE PEOPLE OF GOD Skill Building Resources page 14 WELCOME We’ve been busier than ever developing new resources effort (page 12) .