BIBLIOGRAPHY

Adams, D. (1992 [1979]). The Hitchhiker’s guide to the galaxy: A trilogy in four parts . London: Pan Books. Althusser, L. (2006 [1971]). Ideology and ideological state apparatuses [Notes towards an investigation]. In A. Sharma & A. Gupta (Eds.), The anthropology of the state: A reader (pp. 86–111). Malden, MA: Blacwell Publishing. Archer, M. S. (2000). Being human: The problem of agency . Cambridge: Cambridge Univeristy Press. Arnold, M. (1878). Equality (address delivered at the Royal Institution). The Fortnightly Review, XXIII (135), 313–334. Arnold, M. (2006 [1869]). Culture and anarchy . Oxford: Oxford University Press. Audi, R. (Ed.). (1999). The Cambridge dictionary of philosophy . Cambridge: Cambridge University Press. Baggini, J., & Southwell, G. (2002). Philosophy: Key themes . Basingstoke (Houndsmills): Palgrave Macmillan. Bailey, P. (1998). Popular culture and performance in the Victorian City . Cambridge: Cambridge University Press. Banks, I. M. (1994). A few notes on the culture. Retrieved from Vavatch.co.uk Web site: http://www.vavatch.co.uk/books/banks/cultnote.htm. Banks, I. M. (2008a). Matter . London: Hachette Digital/Little, Brown Book Group. Banks, I. M. (2008 [1987]). Consider Phlebas . London: Hachette Digital/Little, Brown Book Group. Banks, I. M. (2008 [1996]). Excession . London: Hachette Digital/Little, Brown Book Group. Banks, I. M. (2008 [1988]). The player of games . London: Hachette Digital/ Orbit. Banks, I. M. (2008 [1990]). Use of weapons . London: Hachette Digital/Orbit.

© The Editor(s) (if applicable) and The Author(s) 2016 117 A. McKee, FUN!, DOI 10.1057/978-1-137-49179-4 118 BIBLIOGRAPHY

Banks, I. M. (2010a). Surface detail . London: Hachette Digital/Little, Brown Book Group. Banks, I. M. (2010 [2000]). Look to windward . London: Hachette Digital. Banks, I. M. (2012). The hydrogren sonata . London: Hachette Digital. Barrey, S., Baudrin, M., & Cochoy, F. (2010). From fun foods to fun stories. Young Consumers, 11 (2), 138–147. doi: 10.1108/17473611011065827 . Begley, P. (2014, November 1–2). Call of duty? the rise of empathy gaming. The Sydney Morning Herald , p. 33. Beistegui, M. (2012). Aesthetics after metaphysics: From mimesis to metaphor . New York, NY: Routledge. Bersamin, M. M., Zamboanga, B. L., Schwartz, S. J., Donnellan, M. B., Hudson, M., Weisskirch, R. S., et al. (2014). Risky business: Is there an association between casual sex and mental health among emerging adults? The Journal of Sex Research, 51 (1), 43–51. doi: 10.1080/00224499.2013.772088 . Blackburn, S. (Ed.). (2008). The Oxford dictionary of philosophy (2nd ed.). Oxford: Oxford University Press. Blake, J. (2012, January 14–15). Sumptuous sequel thrills despite plausibility gaps. The Sydney Morning Herald . Bloomfi eld, P. (2014). The virtues of happiness: A theory of the good life . Oxford: Oxford University Press. Bolton, S. C., & Houlihan, M. (2009). Are we having fun yet? A consideration of workplace fun and engagement. Employee Relations, 31 (6), 556–568. doi: 10.1108/01425450910991721 . Bosshart, L., & Macconi, I. (1998). Defi ning “entertainment”. Communication Research Trends, 18 (3), 3–6. Boyes, C. (2010). What are the secrets of great sound design? SFX, 200 , 138. Boyle, D., Hodge, J. w., & Welsh, I. b. o. t. n. b. (Writers). (1996). Trainspotting. In A. Macdonald (Producer): Polygram Filmed Entertainment. Bradshaw, P. (2010). The killer inside me. The Guardian . Retrieved from the Guardian Web site: http://www.theguardian.com/fi lm/2010/jun/03/the- killer-inside-me-review. Brandt, R. B. (1979). A theory of the good and the right . Oxford: Clarendon. Brody, R. (2014). In search of challenging cinema. The New Yorker . Retrieved from The New Yorker Web site: http://www.newyorker.com/culture/richard- brody/search-challenging-cinema. Brougére, G. (2013). Licensing and the rhetoric of fun: The cute and the cool. Young Consumers, 14 (4), 342–350. doi: 10.1108/YC-03-2013-00354 . Brown, C. (1996). Utopias and heterotopias: The ‘Culture’ of Iain M. Banks. In D. Littlewood & P. Stockwell (Eds.), Impossibility fi ction: Alternativity, extrapo- loation, speculationn (pp. 57–74). Amsterdam: Rodopi. Bryant, J., & Vorderer, P. (2006). Psychology of entertainment . Mahwah, NJ: Lawrence Erlbaum. BIBLIOGRAPHY 119

Bryant, J., & Zillmann, D. (1994). Media effects: Advances in theory and research . Hillsdale, NJ: L Erlbaum Associates. Burnham, D., & Skilleas, O. M. (2012). The aesthetics of wine . Somerset, NJ: Wiley-Blackwell. Burns, S. J. w., & Anderson, B. d. (2014). . . Los Angeles, Ca: Fox Entertainment Cahn, S. M. (2014). Foreword. In C. Vitrano (Ed.), The nature and value of hap- piness (p. ix). Boulder, CO: Westview Press. Chaplin, C. (1966). My autobiography . Harmondsworth, Middlesex: Penguin. Saber Chtourou, M., & Souiden, N. (2010). Rethinking the TAM model: Time to consider fun. Journal of Consumer Marketing, 27 (4), 336–344. doi: 10.1108/ 07363761011052378 . Chupack, C. W., & McDougall, C. d. (2002). Unoriginal Sin. Sex and the City . New York, NY: HBO. Clear, N. (2013). Refreshingly unconcerned with the vulgar exigencies of veracity and value judgement: The Utopian visions of Iain M Banks’ The Culture and Constant’s New Babylon. Design Ecologies, 5 (1), 34–63. doi: 10.1386/des.3.1.34_1 . Cohen, D. X. w., & Muzquiz, R. d. (2012). Free will hunting. . Los Angeles, CA. Cooper, D. E. (1997). Introduction. In D. E. Cooper (Ed.), Aesthetics: The classic readings (pp. 1–10). Oxford: Blackwell Publishers. Corte, C., & Sommers, M. S. (2005). Alcohol and risky behaviors. Annual Review of Nursing Research, 23 , 327–360. Cunningham, H. (2014). Time, work and leisure: Life changes in England since 1700 . Manchester: Manchester University Press. Dante, J. (1990), Gremlins 2: the new batch , Los Angeles, CA: Warner Bros. Davies, R. T. w., & Boak, K. d. (Writers). (2005). World war three. In R. T. Davies (Producer), Doctor Who . London: BBC. Davies, R. T. w., & Lyn, E. d. (Writers). (2005). The end of the world. In R. T. Davies (Producer), Doctor Who . London: BBC. Davies, R. T. w., & Teague, C. d. (Writers). (2007). The sound of drums. In R. T. Davies (Producer), Doctor Who . London: BBC. De Iulio, S. (2010). The construction of fun in food advertisements targeting children. Young Consumers, 11 (2), 96–107. doi: 10.1108/17473611011065782 . Debord, G. (1977). Society of the spectacle . Detroit, MI: Black and Red. Delle Fave, A. (2013). The exploration of happiness: Present and future perspec- tives. In A. Delle Fave (Ed.), The exploration of happiness (pp. 3–14). Dordrecht: Springer. Dictionary, U. (Undated). Too much fun. Retrieved February 4, 2015, from http://www.urbandictionary.com/defi ne.php?term=Too+much+fun. Donohue, J. (2010). Staircases and their theatrical impact. Popular Entertainment Studies, 1 (2), 111–113. 120 BIBLIOGRAPHY

Eagleston, R. (2004). One and the same? Ethics, aesthetics and truth. Poetics Today, 25 (4), 595–608. doi: 10.1215/03335372-25-4-595 . Eather, N., Morgan, P. J., & Lubans, D. R. (2011). Improving health-related fi t- ness in children: The fi t-4-Fun randomized controlled trial study protocol. BMC Public Health, 11 , 902–913. doi: 10.1186/1471-2458-11-902 . Elias, N. (1994 [1939]). The civilising process. Malden, MA: Blackwell Publishing. Erion, G. J., & Zeccardi, J. A. (2001). Marge’s moral motivation. In W. Irwin, M. T. Conrad, & A. J. Skoble (Eds.), The Simpsons and philosophy: The D’oh! of Homer (pp. 46–58). Chicago, IL: Open Court. Feldman, F. (1997). Utilitarianism, hedonism and desert . Cambridge: Cambridge University Press. Fieser, J., & Lillegard, N. (2002). A historical introduction to philosophy: Texts and interactive guides . New York, NY: Oxford University Press. Foucault, M. (1965). Madness and civilisation . New York: Pantheon Books. Fish, M. (director), & Liddi-Brown, A. (writer) (2013). Seven fi fty-two. In S. Rhimes (Producer), Scandal . Los Angeles, CA: ABC. Garnett, J. (2006). Introduction. In J. Garnett (Ed.), Culture and anarchy (pp. vii–xxviii). Oxford: Oxford University Press. Goldblatt, D., & Paden, R. (2011). The aesthetics of architecture: Philosophical investigations into the art of building . Oxford: Wiley-Blackwell. Goldman, W. (1996). Adventures in the screen trade: A personal view of Hollywood . London: Abacus. Goldsworthy, K. (2012, January 7–8). “Micro’. The Sydney Morning Herald . Gosling, J. (2000). Hedonism. In E. Craig (Ed.), Concise Routledge encyclopedia of philosophy (p. 336). London: Routledge. Greve, B. (2012). Happiness . London: Routledge. Guide, T. (undated). The 21 biggest WTF moments on Scandal so far. TV Guide . Retrieved from http://www.tvguide.com/special/winter-preview/gallery/ scandal-wtf-moments-1090513/. Hartley, J., Montgomery, M., Rennie, E., & Brennan, M. (2002). Communication, cultural and media studies: The key concepts . London: Routledge. Hasino, K. d., Watanabe, A. d., Kido, A. d., Tanaka, Y. w., & Kawasaki, A. w. (2008). Shin Megami Tensei: Persona 4 . Tokyo: Atlus Co Ltd. Hemsath, D. (1997). Are we having fun yet? The Journal for Quality and Participation, 20 (5), 52–53. Henderson, K., Glancy, M., & Little, S. (1999). Putting the fun into physical activity. Journal of Physical Education, Recreation and Dance, 70 (8), 43–45. 49. Hesmondhalgh, D., & Pratt, A. (2005). Cultural industries and cultural policy. International Journal of Cultural Policy, 11 (1), 1–13. Hetu, R., & Fortin, M. (1995). Potential risk of hearing damage associated with exposure to highly amplifi ed music. Journal of the American Academy of Audiology, 6 , 378–386. BIBLIOGRAPHY 121

Hoed, R. C. D., & Elliott, C. (2013). Parents’ views of supermarket fun foods and the question of responsible marketing. Young Consumers, 14 (3), 201–215. doi: 10.1108/YC-10-2012-00319 . Hoggart, R. (1998 [1957]). The uses of literacy . New Brunswick: Transaction Publishers. Holmes, R. w., Lewis, G. w., & Russell, P. d. (Writers). (1975). Pyramids of Mars. In P. Hinchcliffe (Producer), Doctor Who . London, UK: BBC. Horkheimer, M., & Adorno, T. W. (1972 [1944]). Dialectic of enlightenment . New York, NY: Continuum. Horwich, D. (2002). Culture clash: Ambivalent heroes and the ambiguous Utopia in the work of Iain M Banks. Strange Horizons . Retrieved from http://www. strangehorizons.com/2002/20020121/culture_clash.shtml. Huizinga, J. (1970 [1949]). Homo Ludens: A study of the play element in culture . London: Temple Smith. Hurran, N. d., & Moffat, S. w. (Writers). (2014). His last vow. In S. Moffat (Producer), Sherlock . London: BBC. Iannone, A. P. (2001). Dictionary of world philosophy . London: Routledge. Indiana, G. (2010). Andy Warhol and the can that sold the world . New York, NY: Basic Books. Ingleby, R. (1998, October 3). Private view. The Independent . Retrieved from http:// www.independent.co.uk/arts-entertainment/private-view-1175872.html. Irwin, W., Conrad, M. T., & Skoble, A. J. (2001). Introdution: Meditations on Springfi eld? In W. Irwin, M. T. Conrad, & A. J. Skoble (Eds.), The Simpsons and philosophy: The D’oh! of Homer (pp. 1–3). Chicago, IL: Open Court. Jameson, F. (1991). Postmodernism, or, the cultural logic of late capitalism . Durham: Duke University Press. Jameson, F. (2006). Archaeologies of the Future: the desire called Utopia and other science fi ction, London and New York: Verso. Jarrett, O. S., & Burnley, P. (2010). Lessons on the role of fun/playfulness from a geology undergraduate summer research program. Journal of Geoscience Education, 58 (2), 110–119. Jeffreys, S. (2009). The Industrial Vagina: The political economy of the global sex trade . London: Routledge. Karl, K., Peluchette, J., Hall, L., & Harland, L. (2005). Attitudes toward work- place fun: A three sector comparison. Journal of Leadership and Organizational Studies, 12 (2), 1–17. Keeler, K. a. D. X. C. w., & Carey-Hill, D. d. (2008). ’s big score. Futurama . Los Angeles, Ca: Fox Home Entertainment. Kelly, J. R. (1996). Leisure . Boston, MA: Allyn and Bacon. Kendrick, W. (1991). The Thrill of Fear: 250 years of scary entertainment . New York, NY: Grove. Kerslake, P. (2007). Science fi ction and empire . Liverpool: Liverpool University Press. 122 BIBLIOGRAPHY

Labuschagne, D. (2011). Deconstructing Utopia in science fi ction: Irony and the resituation of the subject in Iain M Banks’s’ The Player of Games. Journal of Literary Studies, 27 (2), 58–76. doi: 10.1080/02564718.2011.580655 . Lash, S., & Luhry, C. (2007). Global culture industry: The mediation of things . London: Polity. Leavis, Q. D. (1968 [1932]). Fiction and the reading public . London: Chatto & Windus. Levine, L. (1988). Highbrow/lowbrow: The emergence of cultural hierarchy in America . Cambridge, MA: Harvard University Press. Lippens, R. (2002). Imachinations of peace: Scientifi ctions of peace in Iain M Banks’s’ The Player of Games. Utopian Studies, 13 (1), 135–147. Liu, C. (2005). Art escapes criticism, or Adorno’s museum. Cultural Critique, 60 , 217–244. Long, T. W., & Kramer, L. d. (2000). Skinner’s sense of snow. The Simpsons . Los Angeles, CA: Fox. Lyas, C. (1993). Aesthetics. London: Routledge. Manns, J. W. (1998). Aesthetics . Armonk, NY: M Em Sharpe. Marino, F. (director), Cohen, D. X., & Groening, M. (writers). (2010). . In D. X. Cohen (Producer), Futurama . Los Angeles, CA: . Martin, M. W. (2013). Paradoxes of Happiness. In A. Delle Fave (Ed.), The explora- tion of happiness: Present and future perspectives (pp. 31–46). Dordrecht: Springer. Martin, T. w., & Anderson, B. d. (2001). Pokey Mom. The Simpsons . Los Angeles, CA: Fox. McDowell, A. (2010). What’s the secret of creating a believable vision of the future? SFX, 200 , 139. McKee, A. (2003). Textual analysis: A beginner’s guide . London: Sage. McKee, A. (2005) ‘Interview with Kate Orman’, Continuum: journal of media and cultural studies 19(1), 131–143. McKee, A. (2007a). The fans of cultural theory. In J. Gray, C. Sandvoss, & C. L. Harrington (Eds.), Fandom: Identities and communities in a mediated world (pp. 88–97). New York, NY: New York University Press. McKee, A. (2007b). Introduction. In A. McKee (Ed.), Beautiful things in popular culture (pp. 1–14). Malden, MA: Blackwells. McKee, A. (2014). Humanities and social scientifi c research methods in porn studies. Porn Studies, 1(1-2), 53–64. McKinstry, P. (2010). What’s the secret of great SF design? SFX, 200 , 118. McLaughlin, T. (1996). Streets smarts and critical theory: Listening to the vernacu- lar . Madison: University of Wisconsin Press. Millbank, L. (2012). Under duress: Agency, power and consent, part two: “yes”. A Radical Transfeminist . Retrieved January 30, 2012, from http://radtransfem. wordpress.com/2012/01/23/under-duress-agency-power-and-consent- part-two-yes/. BIBLIOGRAPHY 123

Miller, G. (2007). Beyond make-believe: Play in the science fi ction of Iain (M.) Banks. In D. Mead & P. Frelike (Eds.), Playing the universe: Games and gaming in science fi ction (pp. 55–65). Lublin: Wydawnictwo Uniwerstetu Marii Curie-Sklodowskiej. Moffat, S. w., & Talalay, R. d. (Writers). (2014). Death in heaven. In S. Moffat (Producer), Doctor Who . London, UK: BBC. Moore, A. (2013). Hedonism. In E. N. Zalta (Ed.), The Standord encyclopedia of philosophy (Winter 2013 ed.). Morris, L. (2012, January 7–8). ‘Penny Vincenzi’. The Sydney Morning Herald . Morton, O. (1996). A cultured man. Wired . Retrieved from http://yoz.com/ wired/2.06/features/banks.html. Myerson, R. B. (1991). Game theory: Analysis of confl ict . Boston, MA: Harvard University Press. Nasaw, D. (1993). Going out: The rise and fall of public amusements . Cambridge, MA: Harvard University Press. Nastuk, M., & Scully, B. w. (Writers). (1999). Make room for Lisa. In M. Scully (Producer), The Simpsons . Las Vegas, CA: Fox. Navas, E. (2012). Remix theory: The aesthetics of sampling . New York, NY: Springer. Needham, A. (2011). Anselm Kiefer: ‘Art is diffi cult, it’s not entertainment’. The Guardian . Retrieved from the Guardian Web site: http://www.theguardian. com/artanddesign/2011/dec/08/anselm-kiefer-art-white-cube. Nolan, C. (2008). Batman: the Dark Knight, Los Angeles, CA: Warner Bros. Ohmann, R. (1996). Selling culture: Magazines, markets and class at the turn of the century . London: Verso. Olding, R. (2013, July 20–21). Dead drunk never drunk enough. Sydney Morning Herald , p. 5. Onfray, M. (2002). L’Invention du plaisir. Fragments cyrenaiques [The Invention of Pleasure: Cyreniac Fragments] . Paris: Le Livre de Poche. Orwell, G. (1984 [1940]). Boys’ weeklies The Decline of the English Murder (pp. 31–68). London: Penguin. Pateman, M. (2006). The aesthetics of culture in buffy the vampire slayer . Jefferson, NC: McFarland. Peiss, K. (1986). Cheap amusements: Working women and leisure in turn-of-the- century New York . Philadelphia, PA: Temple University Press. Plato. (1974). The republic (D. Lee, Trans. 2nd ed.). Harmondsworth: Penguin. Pobje, B. (2013, August 5). Here comes the (nice) judge. Sydney Morning Herald , p. 4. Poris, M. (2005). Understanding what fun means to today’s kids. Young Consumers, 6 (4), 14–22. Porter, B. F. (2001). The good life: Alternatives in ethics . Cumnor Hill: Rowan & Littlefi eld Publishers Inc. Potter, W. J. (2013). Media effects . Thousand Oaks, CA: Sage Publications. 124 BIBLIOGRAPHY

Robin, S. (director), & Wilding, M. (writer) (2012). Crash and burn. In S. Rhimes (Producer), Scandal . Los Angeles, CA: ABC. Roper, D. (1978). Reviewing before the Edinburgh, 1788–1802 . Cranbury, NJ: Associated University Presses Inc. Rumpala, Y. (2012). Artifi cal intelligences and political organization: An explora- tion based on the science fi ction work on Iain M Banks. Technology in Society, 34 , 23–32. doi: 10.1016/j.techsoc.2011.12.005 . Scheff, J., & Kotler, P. (1996). Crisis in the arts: The marketing response. California Management Review, 39 (1), 28–52. Schulz, L. E., & Bonawitz, E. B. (2007). Serious fun: Preschoolers engage in more exploratory play when evidence is confounded. Developmental Psychology, 43 (4), 1045–1050. doi: 10.1037/0012-1649.43.4.1045 . Seldes, G. (1962 [1957]). The seven lively arts . New York, NY: A S Barnes & Co. Sheehan, P. (2002). Modernism, narrative and humanism . Cambridge: Cambridge University Press. Shore, D. (writer and director), Blake, P. (writer) and Attie, E. (writer) (2012). Everybody Dies. In D. Shore (producer), House . Lose Angeles, CA: Fox. Shrum, L. J. (Ed.). (2012). The psychology of entertainment media: Blurring the lines between entertainment and persuasion (2nd ed.). New York, NY: Routledge. Smith, O. (2014). Berlin, London, Paris: The world’s most “fun” city named. Traveller . Retrieved from Traveller Web site: http://www.traveller.com.au/ berlin-london-paris-the-worlds-most-fun-city-named-11o00i. Sparks, G. G. (2010). Media effects research: A basic overview (3rd ed.). Boston, MA: Wadsworth, Cengage Learning. Stolnitz, J. (1965). Introduction. In J. Stolnitz (Ed.), Aesthetics (pp. 1–20). New York, NY: Macmillan Publishing Co Inc. Storey, J. (2003). Inventing popular culture: From folklore to globalization . Oxford: Blackwell. Swanton, C. (2005). Virtue ethics: A pluralistic view . Oxford: Clarendon. Tanner, T. (1987). Scenes of nature, signs of men . Cambridge: Cambridge University Press. Tarantino, Q. (Writer). (1992). Reservoir dogs . Los Angeles, CA: Miramax Films. Tolkien, J. R. R. (1965) The Lord of the Rings: The Two Towers , New York: Ballantine. Tripbase. (2010). The Trainspotter’s Guide. Tripbase . Retrieved from Tripbase Web site: http://www.tripbase.com/c/trainspotting/. TV Tropes. (undated-a). Home page. TV Tropes . Retrieved from TV Tropes Web site: http://tvtropes.org/pmwiki/pmwiki.php/Main/HomePage. TV Tropes. (undated-b). It amused me. TV Tropes . Retrieved from TV Tropes Web site: http://tvtropes.org/pmwiki/pmwiki.php/Main/ItAmusedMe. TV Tropes. (undated-c). Very special episode. TV Tropes . Retrieved 3 February 2015, from http://tvtropes.org/pmwiki/pmwiki.php/Main/VerySpecialEpisode. BIBLIOGRAPHY 125

Vebber, D. w., & Sandoval, S. d. (2012). (s07e08). Futurama . USA: Comedy Central. Veblen, T. (2007 [1899]). The theory of the leisure class (M. Banta Ed.). Oxford: Oxford University Press. Vorderer, P., Klimmt, C., & Ritterfi eld, U. (2004). Enjoyment: At the heart of media entertainment. Communication Theory, 14 (4), 388–408. Wallace, J. M. (2001). A (Karl, not Groucho) Marxist in Springfi eld. In W. Irwin, M. T. Conrad, & A. J. Skoble (Eds.), Simpsons and philosophy: The D’oh! of Homer (pp. 235–251). Chicago, IL: Open Court. Warburton, M. w., & Anderson, B. d. (2004). Co-dependents’ day. The Simpsons . Los Angeles, CA: Fox. Warde, A., Wright, D., & Gayo-Cal, M. (2007). Understanding cultural omnivo- rousness: Or, the myth of the cultural omnivore. Cultural Sociology, 1 (2), 143–164. Weitzman, E. (2008). No fun: Aporias of pleasure in Adorno’s aesthetic theory. German Quarterly, 81 (2), 185–220. Weller, P. d., & Hoselton, D. w. (Writers). (2012). Post Mortem, House . Los Angeles, CA: Fox. Whisnant, R. (2004). Confronting pornography: Some conceptual basics. In C. Stark & R. Whisnant (Eds.), Not for sale: Feminists resisting prostitution and pornography (pp. 15–27). Melbourne, VIC: Spinifex Press. Williams, O. (2009). Exclusive: Iain M Banks talks culture empire. Retrieved from Empire Web site: http://www.empireonline.com/news/story.asp?NID=26180. Williams, R. (1961). The long revolution . Toronto, ON: Broadview Press. Williams, R. (1976). Keywords: A vocabulary of culture and society . London: Fontana/Croom Helm. Winter, J. (2014). “Moments in the fall”: Neoliberal globalism and Utopian anarcho- socialist desire in Ken MacLead’s Fall Revolution Quartet and Iain M Banks’s Culture series. Extrapolation, 55 (3), 323–348. doi: 10.3828/extr.2014.18 . Wonderland Fun Park. (2014). Wonderland Fun Park. Retrieved November 18, 2014, from http://www.wonderlandfunpark.com.au/. Woodman, E. (2014). Building next to a masterpiece: Steven Holl at Glasgow School of Art. The Telegraph . Retrieved from the Telegraph Web site: http:// www.telegraph.co.uk/culture/10667772/Building-next-to-a-masterpiece- Steven-Holl-at-Glasgow-School-of-Art.html. Yaitanes, G. D., & Hess, S. W. (Writers). (2011). Charity case, House . Los Angeles, CA: Fox. Zillmann, D., & Vorderer, P. (2000a). Preface. In D. Zillmann & P. Vorderer (Eds.), Media entertainment: The psychology of its appeal (pp. vi–x). Mahwah, NJ: Lawrence Erlbaum Associates. Zillmann, D., & Vorderer, P. (Eds.). (2000b). Media entertainment: The psychology of its appeal . Mahwah, NJ: Lawrence Erlbaum Associates Publishers. INDEX

A Banks, Iain M. 83, 87–90, 93, 95–7, , Douglas, 42, 54, 59, 86, 103–9 93, 108 Batman: The Dark Knight , 64 Adorno, Theodor, 43 Baumgarten, Alexander, 16 aesthetics, 6–9, 16, 17, 19, 20, 25–27, Bell, Clive, 8 30, 58–59, 112 Bird in a Gilded Cage , 24 Aliens , 62 Boyes, Christopher, 19 Ally Sloper’s Half Holiday , 22 Britain, 20, 84, 87 American Idol , 19 Buchan, John, 20 America’s Next Top Model , 19 Buffalo Fair, 23 antihedonism, 43 Buffy the Vampire Slayer , 16, 25 Aristotle, 7, 48 Byrne, Rose, 69 Arnold, Matthew, 57 art, 5–9, 11, 12, 14–17, 22, 27, 40, 43, 100, 112 C artist, 3, 7–9, 17, 19, 26, 67 Cambridge Dictionary of Artistic, 7, 8, 12, 58 Philosophy , 30 Australia’s got Talent , 30 Case, Nicky, 9 Avatar , 19 Chesterton, G.K., 20 Christie, Agatha, 2, 20 Close, Glenn, 69 B Collins, Jackie, 7 Baggini, Julian, 8 Communications , Media and Cultural Bailey, Peter, 58, 85 Studies: The Key Concepts , 4, 6, 30 Baker, Houston, 53 Consider Phlebus , 105

© The Editor(s) (if applicable) and The Author(s) 2016 127 A. McKee, FUN!, DOI 10.1057/978-1-137-49179-4 128 INDEX

consumers, 1–4, 8–9, 11, 17, 21–2, Epitaph of By-words , 31 24, 33–5, 39–41, 43–4, 83, ER , 78 111–2, 114–5 ethics , 27–8, 44, 62, 67, 69 Cooper, D.E. 12, 16 Critique of Judgment , 16 CSI , 78 F cultural systems, 11, 27 Fielding, Henry, 32 cultural values, 27, 41 Foucault, Michel, 111 Cumberbatch, Benedict, 70 Frankfurt School, 30 Curious World of Professor Fun , 112 French, 22, 111 Futurama , 2–3, 9, 31, 44–5, 61, 79–81, 83 D Damages , 69 Danto, Arthur, 43 G debauchery, 37, 39, 47, 56, 61, 70, Gadamer, Hans Georg, 43 79–81, 83, 89–90, 92, 95, 97, Greeks, 12 100, 112–3 Ancient, 16 Della Fave, Antonella, 48, 49 Gremlins 2 , 62, 64 Dexter , 66 Dialectic of Enlightenment , 43 Dickens, Charles, 32 H Discworld, 25 Hartley, John, 9 Doc Savage, The Man of Bronze, 25 hedonism, 33, 44–6, 48, 53, 57, 61, Doctors without Borders, 72 108 Doctor Who , 19, 64, 114 Hedonismbot, 44–5, 61 Nu-Who, 64–5 hedonist , 44–5 Downey Jr., Robert, 70 hedonistic, 45–8, 59, 103 Doyle, Arthur Conan, 20 Hegel, Georg Wilhelm, 43 Dr. Seuss, 32 Heidegger, Martin, 43 Henry IV , Part 2 , 27 Hitchcock, Alfred, 34 E Hitchhiker’s Guide to the Galaxy , 42 education, 15, 96 Hoggart, Richard, 54–5, 57, 59, 69, educational, 12, 27, 33, 34, 38–40, 93, 108 84, 100 Hollywood, 34 Elias, Norbert, 85 Holmes, Sherlock, 20, 69–70 Elliot, Charlene, 6 Homer’s Odyssey , 23 English , 43 Homo Ludens , 50 entertainment, 1–45, 49, 56, 58–9, House , 61, 69–79 61–70, 72, 74–81, 83–4, 86, 89, How Girls go to Bed , 18 92, 95–100, 105, 108–9, 111–5 How Girls Undress , 18 Epicurus, 44, 45 Huizinga, Johan, 50 INDEX 129

I Marxist, 51, 90 I Asked Johnny Jones so I Know Now , 18 Matter , 106 If You Were the Only Girl in the World , 24 McDowell, Alex, 19 Ikea, 1 McKee, Alan, 12, 29, 41, 61, 83, 111 International Shakespeare , 15 McKellen, Ian, 70 Italian , 23 McKinstry, Peter, 19 McLaughlin, Thomas, 53, 58 media effects, 1–2, 4–6, 9, 41, 43, 44, J 59, 112, 115 Jameson, Frederick, 87 Miller, Johnny Lee, 70, 107 Jerome, Jerome K., 31, 32 Mills, John Stuart, 48 Minority Report , 19 Miracle of the Red Sea, 23 K Morton, O., 108 Kant, 6, 16 Munsey, Frank, 13 Kendrick, Walter, 13 Munseys , 24 Keywords , 30 Mutoscope, 18 Kiefer, Anselm, 17 Mykonos , 71, 73 King Lear , 14 Koontz, Dean, 2 Kotler , 16 N NBC , 9 Neander Valley, 3 L New York Association of Working Latin , 7 Girls’ Societies, 26 Leavis, Q.D., 22 New York Sun , 13 Levine, Lawrence, 14, 21 Lipscomb, A.A., 15 Lloyd, Marie, 18 O London Hippodrome, 24 Ohmann, Richard, 12–13 Look to Windward , 93–5, 98–101, Oktoberfest, 2–3, 10 104–6 Old Mother Riley, 20 Love Never Dies , 16 Oliver Twist , 25 Luncan, Arthur, 20 Orman, Kate, 42 Lyas, Colin, 6, 7 Orwell, George, 23, 57 Oxford English Dictionary ( OED) 17, 30–3, 37 M Macbeth , 14 Malraux, Andre, 7 P Manns, J.W. 6, 8 Payne Fund Studies, 5 Married with Children , 8 Peiss, Kathy, 56, 59, 85 Martin, M.W., 48 Peter Pan, 25 130 INDEX

Perry, Katy, 1 T Persona 4 , 64 Terminator 2 , 62 Pitt, George Dibdin, 14 The Adventures of Obadiah Oldbuck , Planet Express, 2 20 Plato , 3–4, 7, 12, 27 The Dictionary of World Philosophy , 30 pleasure, 15, 23–4, 28–9, 32–7, 39, The Girls Progressive Society, 26 41, 43–8, 53, 55–9, 61, 64, The Life of Moses , 23 68–70, 75, 77, 79, 81, 84, 89, The Middle , 30 92–3, 108, 111–4 The Oxford Dictionary of Philosophy , 30 Poe, Edgar Allen, 70 The Perils of Pauline , 20 Porter, B.F. 46–7, 56, 58 The Player of Games , 103 Potter, W. James, 5 The Practice , 78 Pratchett, Terry, 25 The Simpsons , 35–9, 47 Project Runway , 30 The Two Towers , 42 Thirty Rock , 9 Tolkien, JRR, 42 R Tolstoy, 7 Real Housewives of Atlanta , 1 Trainspotting , 113–4 Reservoir Dogs , 64 Travolta, John, 80 Trip to the Moon , 23 TV Tropes , 63 S Saturday Night Fever , 80 Scandal , 61, 65–9 U Scheff, Joanne, 16 Uncle Tom’s Cabin , 25 serialty, 11, 17, 20, 35 University Society, 15 Sex and the City , 29 Urban Dictionary , 31–3, 37, 63, 79 Shakespeare, William, 5, 12, 14–15, Use of Weapons , 90–3 21–2 Utopia , 87, 96 Shusterman, Richard, 43 Utopian, 87, 92, 96, 103 Sopranos , 66 Southwell, Gareth, 8 Sparks, Glenn, 5 V Spongebob Squarepants, 3 Vitagraph, 23 Star Trek II: the Wrath of Khan , 64 Star Wars , 19 story , 2, 11, 17, 19–21, 24–5, 45, W 65–76, 98–100, 113 Warhol, Andy, 1 Superman, 26 Weitzmann, Erica, 43 Surface Detail , 106 When Your Hair has Turned to Swift, Jonathan, 31, 32 Silver , 24 INDEX 131

Williams, Raymond, 22, 30, 84, 85, X 87, 105, 107 X-Men: Days of the Future Past , 7 Winter, Jerome, 96 Wire , 66 Y World’s Work , 14 YouTube, 22, 71