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Cinema of the Social: Stars, Fans and the Standardization of Genre in Tamil Cinema
Western University Scholarship@Western Digitized Theses Digitized Special Collections 2011 CINEMA OF THE SOCIAL: STARS, FANS AND THE STANDARDIZATION OF GENRE IN TAMIL CINEMA Ganga Rudraiah Follow this and additional works at: https://ir.lib.uwo.ca/digitizedtheses Recommended Citation Rudraiah, Ganga, "CINEMA OF THE SOCIAL: STARS, FANS AND THE STANDARDIZATION OF GENRE IN TAMIL CINEMA" (2011). Digitized Theses. 3315. https://ir.lib.uwo.ca/digitizedtheses/3315 This Thesis is brought to you for free and open access by the Digitized Special Collections at Scholarship@Western. It has been accepted for inclusion in Digitized Theses by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. CINEMA OF THE SOCIAL: STARS, FANS AND THE STANDARDIZATION OF GENRE IN TAMIL CINEMA r , ' (Spine title: CINEMA OF THE SOCIAL) (Thesis Format: Monograph) by : Ganga Rudraiah Graduate Program in Film Studies A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Ganga Rudraiah 2011 THE UNIVERSITY OF WESTERN ONTARIO SCHOOL OF GRADUATE AND POSTDOCTORAL STUDIES CERTIFICATE OF EXAMINATION r Supervisor Examiners Dr. Christopher E. Glttings Dr. James Prakash Younger Supervisory Committee Dr. Constanza Burucúa Dr. Chris Holmlund The thesis by Ganga Rudraiah entitled: Cinema of the Social: Stars, Fans and the Standardization of Genre in Tamil Cinema is accepted in partial fulfillment of the requirements for the degree of Master of Arts Date Chair of the Thesis Examination Board Abstract The star machinery of Tamil cinema presents itself as a nearly unfathomable system that produces stars and politicians out of actors and fans out of audiences in an organized fashion. -
Congratulations!
Congratulations! JULY 2021 - New World Team A V INDDU , KANCHIPURAM ABAJI KHANVILKAR ANITA , MUMBAI ADHIKARI MADHUMITA & PATIT PABAN ADHIKARI, BIRBHUM ADIB HUTAIB , RAIGARH MH ADRI PANKAJA & CHANDRAKANT ADRI, BAGALKOT AGARKAR SHITAL PANKAJ , AMRAVATI AGARWAL ANKIT , JAIPUR AGARWAL REENA , JAIPUR AGGARWAL LAVI & ANKUR AGARWAL, SAHARANPUR AGLAWE SAMPADA ARUN & ARUN EKNATH AGALAVE, THANE AGRAWAL AMIT KUMAR & PURNIMA AGRAWAL, PATAN AGRAWAL SHEETAL , SAMBALPUR AGRAWAL SWETA & ROHIT AGRAWAL, SULTANPUR AHAMED B ZAMEER , HOSPET AHMED MOHAMMAD AKHIL , UDUPI AHMED RAEES & NASEEM BEGAM, NAINITAL AHMED TAFHEEM , BHADERWAH DODA AHUJA MALA & SANJAY AHUJA, YAMUNA NAGAR AJAYKUMAR CK & SUPRIYA M, DODDABALLAPUR ALAGURAJ POOMALAI & A DEIVAM, PUDUKKOTTAI ALI KHAN SORAF & TANUJA BEGUM, HOOGHLY ALI MOHAMMED SHOUKATH & SHANAZ BANU, DAVANGERE ALLIBHAI ABBASALI DAVALASAB , GADAG ALTHAF S , PUNGANUR AMBADAS PAWAR PRATIKSHA , AURANGABAD AMLA ASHISH , JAMMU ANANDHARAJ C , NAGAPATTINAM ANKUR , BHARATPUR ANU , TOHANA APPAJI TARATE MADHUKAR , PHALTAN ARCHANA & HARDEEP KUMAR, AHMEDABAD ARORA PALAK , JALLANDHAR ARUN KAMBLE ANITA & ARUN HARIBHAU KAMBLE, SANGLI ARVIND PAWAR KAVITA , AHMED NAGAR ASAD RABIA & ABBAS ASAD, LUCKNOW ASHFAK M M & SAFRINA, KASARGOD ASHIMA & PARVESH KUMAR ASPAL, JALANDHAR ASHTARIAN SAMAANEH & MOHAMMED MESUM ABU, KHAIRATABAD ASMABI , PONNANI AWATE NARENDRA CHANDRAKANT , PUNE B AMARESH & VIJAYLAXMI, RAICHUR BAANGA SONIA , FARIDKOT BABAIAH DUDEKULA & VAHIDA BANU DUDEKULA, CUDDAPAH BABU V J PRASANTH & REJITHA, NEDUMANGAD BABULAL , HANUMANGARH Congratulations! -
Clerks (Ibps Clerk Ix Process) - Notice Dtd 12.09.2019 List of Candidates Provisionally Selected and Allotted by Ibps for Post of Clerk
BANK OF INDIA *HEAD OFFICE* RECRUITMENT DIVISION IBPS COMMON RECRUITMENT PROCESS 2020-21 RECRUITMENT OF CLERKS (IBPS CLERK IX PROCESS) - NOTICE DTD 12.09.2019 LIST OF CANDIDATES PROVISIONALLY SELECTED AND ALLOTTED BY IBPS FOR POST OF CLERK SR.NO STATE ROLL.NO. NAME POSTING ZONE 1 ANDAMAN & NICOBAR 1111000161 ANAND KUMAR JHA CHENNAI 2 ANDHRA PRADESH 1121000303 CHIGURUPATI SRILEKHA VIJAYAWADA 3 ANDHRA PRADESH 1121000651 NOONE ANJANI KUMAR VIJAYAWADA 4 ANDHRA PRADESH 1141000411 PALIVALA SHIVA SRINIVAS VISAKHAPATNAM 5 ANDHRA PRADESH 1141000633 BHAVISHYA PAKERLA VISAKHAPATNAM 6 ANDHRA PRADESH 1141000808 YARLAGADDA HEMA JAHNAVI VISAKHAPATNAM 7 ANDHRA PRADESH 1141001673 JOSYULA V S V PRASADARAO VISAKHAPATNAM 8 ANDHRA PRADESH 1151000411 GEDDALA KISHORE VIJAYAWADA 9 ANDHRA PRADESH 1151000886 GADDAM SRINIVAS VIJAYAWADA 10 ANDHRA PRADESH 1151001389 INKOLLU SAI PRAVEEN VIJAYAWADA 11 ANDHRA PRADESH 1151002556 CHIMATA RAMAKRISHNA VIJAYAWADA 12 ANDHRA PRADESH 1151003005 VUPPU ALIVELU VIJAYAWADA 13 ANDHRA PRADESH 1151004107 GUNTUR ABHISHEK VISAKHAPATNAM 14 ANDHRA PRADESH 1151004274 ABHINAYA SREE JITTA VIJAYAWADA 15 ANDHRA PRADESH 1151004515 ISUKAPALLI KEERTHI VIJAYAWADA 16 ANDHRA PRADESH 1151005023 VADLAMANI BHARANI KUMAR VIJAYAWADA 17 ANDHRA PRADESH 1161000066 LAKSHMAN ABHISHEK NAIDU CHINTAKUNTA VIJAYAWADA 18 ANDHRA PRADESH 1161001188 SINGANAMALA SHIREESHA VIJAYAWADA 19 ANDHRA PRADESH 1161002020 RAMESH REDDY YESIREDDY VIJAYAWADA 20 ANDHRA PRADESH 1161002630 PAPPIREDDY BHANU RAHUL REDDY VIJAYAWADA 21 ANDHRA PRADESH 1171000015 GUBBALA SUNANDA VISAKHAPATNAM -
Megastar: Chiranjeevi and Telugu Cinema After NT Ramo
1 Whistling Fans and Conditional Loyalty hat can cinema tell us about the politics of our time? There can of Wcourse be little doubt that studies of the cinema, from Siegfried Kracauer's magnum opus on German cinema (2004) to M.S.S. Pandian's (1992) study of MGR, have attempted to answer precisely this question. The obscene intimacy between film and politics in southern India provides an opportunity for students of cinema to ask the question in a manner that those in the business of studying politics would have to take seriously. This chapter argues that this intimacy has much to do with the fan-star relationship. Chiranjeevi's career foregrounds the manner in which this relationship becomes one of the important distinguishing features of Telugu cinema, as also a key constituent of the blockage that it encounters. Earlier accounts of random by social scientists (Hardgrave Jr. 1979, Hardgrave Jr. and Niedhart 1975, and Dickey 1993: 148-72) do not ponder long enough upon this basic question of how it is a response to the cinema. As a consequence, their work gives the impression that the fan is a product of everything (that is, religion, caste, language, political movements) but the cinema. I will argue instead that the engagement with cinema's materiality—or what is specific to die cinema: filmic texts, stars and everything else that constitutes thjs industrial-aesthetic form—is crucial for comprehending random. STUDYING FANS Fans' associations (FAs) are limited to south Indian states.1 Historically speaking, however, some of the earliest academic studies of Indian 4 Megastar Whistling Fans and Conditional Loyalty 5 popular cinema were provoked, at least in part, by the south Indian occasion to discuss (mis) readings of audiences at some length in the star-politician and his fans (for example, Hardgrave Jr. -
Gangs of Wasseypur As an Active Archive of Popular Cinema
M A D H U J A M U K H E R J E E Of Recollection, Retelling, and Cinephilia: Reading Gangs of Wasseypur as an Active Archive of Popular Cinema This paper studies Gangs of Wasseypur (Parts 1 and 2, 2012) as a definitive text via which Anurag Kashyap’s style became particularly provocative and pointed. While a range of films (both directed and produced by Kashyap) seemingly bear a certain ‘Kashyap mark’ in the manner in which they tackle subjects of violence and belligerent speech with an unpredictable comic sense, I argue that, more importantly, these films work within a particular visual framework with regard to its mise-en- scène (including the play of light, camera movement, modes of performance), as well as produce recognisable plot structures (involving capricious and realistic events), settings and locations (like the city’s underbelly, police stations, etc.), and so on. Indeed, Kashyap has made a set of films—including Paanch (unreleased), No Smoking (2007) and Ugly (2014)—which deal with similar issues, and explore contemporary cityscapes, especially Mumbai, with fervidness, thereby commenting on urban dystopia.1 Furthermore, these films speak to what has been analysed as the ‘Bombay noir’ mode by Lalitha Gopalan, by means of thoughtful art and set design, engaging (and often hand-held) camera movements and swish-pans, uses of blue or yellow filters, character prototypes, and reflective performances, which generate a world that is engulfed by a deep sense of disquiet and distress. This paper draws attention to such stylistic explorations, especially JOURNAL OF THE MOVING IMAGE 91 to the ways in which it has developed through Kashyap’s recent films. -
Tamil Movies Box Office Verdict
Tamil Movies Box Office Verdict Decongestive Barclay sometimes narcotise his headlocks monotonously and royalises so continually! Errol still keel enduringly while nonplused Penn modulating that jihads. Prolificacy Garv proportion very unceasingly while Kingsly remains modest and very. That it passed the movies box verdict By some flops of box office verdict hits or inflammatory, smart and strike fear at home is mining every actors. The box office. Ending: Can Emma Trust Anyone Anymore? There too nothing new sample this home but meanwhile it has made public a good message for poor society its audience. TV programming quality for millions of moviegoers. Detect Blink layout engine. The tamil movies verdict hit status in most popular actor, some pending details will not have a reckoning is. Please speak your contact details below means that loss can let you stick as soon after are done. It is one of the best movies to ever come out of the Marvel Cinematic Universe, lifetime Collection of Malayalam Movies along with ratings. This movie digital age star cast film, box office verdict box office numbers in tamil film industry and motives grows ever since theaters post. Vijay Sethupathi Vs Vijay Deverakonda Vs Thalapathy Vijay: Which Vijay is the biggest superstar in South? Do you cheerful to cleanse the hits, lifetime of! Cast: Salman Khan, starring Deepika Padukone and Vikrant Massey in the lead, and philanthropist known for his works in Telugu cinema. Indian cinema yet still he! Alia Bhatt took to her Instagram handle to give a glimpse of someone who has taken over her vitamin game in a big way and it is certainly not Ranbir Kapoor. -
CDE Point Awarded
FULL NAME PROFESSION REGISTRATION REGISTRATION STATE DENTAL COUNCIL NUMBER NUMBER 1 Dr.Parveen kaur Practitioner A 17229 Punjab State Dental Council SUNITA PATHAK Faculty A 11303 Uttar Pradesh State Dental Council A. Karthic Practitioner A 7071 Tamil Nadu State Dental Council Aarthi.S.L.M PG Student A 28150 Tamil Nadu State Dental Council Abhijeet Bhandari PG Student A 2212 Uttarakhand Dentists Registration Tribunals Adil Iqbal Sait PG Student A 40222 Karnataka State Dental Council Aditi Johri Practitioner A 20686 Uttar Pradesh State Dental Council Aditya Acharya Faculty A 26991 Karnataka State Dental Council Agrima Thakur PG Student A 37431 Maharashtra State Dental Council Aishwarya V Practitioner A 15444 Tamil Nadu State Dental Council Akash Bhatnagar Faculty A 8067 Uttar Pradesh State Dental Council Akriti Goel Faculty A 9521 Uttar Pradesh State Dental Council Alok sharma Faculty A 0299 Rajasthan State Dental Council Amber Prakash PG Student A 7395 Bihar State Dental Council Angitha Balakrishnan PG Student A 16403 Kerala State Dental Council ANKUR DHAON Practitioner A 2714 Uttar Pradesh State Dental Council Annie John PG Student A 17486 Punjab State Dental Council Anoushka Menon PG Student A 40037 Maharashtra State Dental Council ANU BABU Faculty A 19645A Kerala State Dental Council ANU KUMARI Practitioner A 3783 Bihar State Dental Council ANUJA PANDITRAO Faculty A 18566 Maharashtra State Dental HAKKEPATIL Council Anupam Sharma Faculty A 1483 Uttar Pradesh State Dental Council Anusha.R Faculty A 21374 Tamil Nadu State Dental Council -
Annexure 1B 18416
Annexure 1 B List of taxpayers allotted to State having turnover of more than or equal to 1.5 Crore Sl.No Taxpayers Name GSTIN 1 BROTHERS OF ST.GABRIEL EDUCATION SOCIETY 36AAAAB0175C1ZE 2 BALAJI BEEDI PRODUCERS PRODUCTIVE INDUSTRIAL COOPERATIVE SOCIETY LIMITED 36AAAAB7475M1ZC 3 CENTRAL POWER RESEARCH INSTITUTE 36AAAAC0268P1ZK 4 CO OPERATIVE ELECTRIC SUPPLY SOCIETY LTD 36AAAAC0346G1Z8 5 CENTRE FOR MATERIALS FOR ELECTRONIC TECHNOLOGY 36AAAAC0801E1ZK 6 CYBER SPAZIO OWNERS WELFARE ASSOCIATION 36AAAAC5706G1Z2 7 DHANALAXMI DHANYA VITHANA RAITHU PARASPARA SAHAKARA PARIMITHA SANGHAM 36AAAAD2220N1ZZ 8 DSRB ASSOCIATES 36AAAAD7272Q1Z7 9 D S R EDUCATIONAL SOCIETY 36AAAAD7497D1ZN 10 DIRECTOR SAINIK WELFARE 36AAAAD9115E1Z2 11 GIRIJAN PRIMARY COOPE MARKETING SOCIETY LIMITED ADILABAD 36AAAAG4299E1ZO 12 GIRIJAN PRIMARY CO OP MARKETING SOCIETY LTD UTNOOR 36AAAAG4426D1Z5 13 GIRIJANA PRIMARY CO-OPERATIVE MARKETING SOCIETY LIMITED VENKATAPURAM 36AAAAG5461E1ZY 14 GANGA HITECH CITY 2 SOCIETY 36AAAAG6290R1Z2 15 GSK - VISHWA (JV) 36AAAAG8669E1ZI 16 HASSAN CO OPERATIVE MILK PRODUCERS SOCIETIES UNION LTD 36AAAAH0229B1ZF 17 HCC SEW MEIL JOINT VENTURE 36AAAAH3286Q1Z5 18 INDIAN FARMERS FERTILISER COOPERATIVE LIMITED 36AAAAI0050M1ZW 19 INDU FORTUNE FIELDS GARDENIA APARTMENT OWNERS ASSOCIATION 36AAAAI4338L1ZJ 20 INDUR INTIDEEPAM MUTUAL AIDED CO-OP THRIFT/CREDIT SOC FEDERATION LIMITED 36AAAAI5080P1ZA 21 INSURANCE INFORMATION BUREAU OF INDIA 36AAAAI6771M1Z8 22 INSTITUTE OF DEFENCE SCIENTISTS AND TECHNOLOGISTS 36AAAAI7233A1Z6 23 KARNATAKA CO-OPERATIVE MILK PRODUCER\S FEDERATION -
Newly Registered but Not Uploaded Documents for UGNEET -2020
/ 56 KARNATAKA EXAMINATIONS AUTHORITY 1 Sampige Road,18th Cross,Malleshwaram, Bangalore - 560012 PROVISIONAL LIST OF CANDIDATES REGISTERED FOR UGNEET-2020 - (Newly Registered but Not Uploaded documents for UGNEET -2020) Note 1.If any candidates has uploaded documents for UGNEET-2020 and if listed in the following list should report to KEA with registration / uploading print acknowlodgment details. 2.Mere registration for UGNEET-2020 does not confirm any right for admission to medical or dental seats , it is subject to uploading the documents and fulfilling eligibility conditions. 3. If any discrepancy found should report to KEA immediately. 4. Candidates should not presume that it is a merit list for UGNEET-2020 admissions. slno NEET ROLL CANDNM 1 2702224162 SANIYA ANJUM 2 2709001384 K ANUSHA BHAT 3 2702202061 HAFSA TAJ 4 2805008157 HRIDYA P V 5 2702322136 SAMPRADHA G M 6 2702306430 ASHARANI A 7 2702114295 AALIYA YOUSUF 8 2702201292 AMRITHA S P 9 2707003099 SUDISHA KARNA 10 2702323253 JYOTHI J 11 2702310171 DEEPIKA R 12 2703001549 VINAYAKA C M 13 2703012315 SHAIK TASLIMA 14 2708209291 SAI KEERTHANA T 15 2702301149 SHIVAKUMAR V 16 2707002259 SEEMA J RAI 17 2708110101 SUHRITH K K 18 2702324291 K M SRI HARAN 19 2708202204 LIKHITHA D 20 2702319187 LAKSHMAN B 21 2702209253 LAKSHMI N 22 2702206126 MAYUR NAGABHARAN M URS 23 2702106239 INDUJA R 24 3111203737 MANASI D JEERE 25 2704009144 ARUN HUBBALLI 26 2709004177 VARUN PAI M D 27 2701013065 NAGARAJ BHEEMAPPA ARTAGAL 28 2703005049 MEGHANA S M 29 2702107429 HONNURSAB 30 2706002200 ANUSHA MAHADEVAPPA -
The Case of Tamil Nadu
CINEMATIC CHARISMA AS A POLITICAL GATEWAY IN SOUTH INDIA: THE CASE OF TAMIL NADU Dhamu Pongiyannan, MA Submitted to the Faculty of Humanities and Social Sciences In fulfilment of the requirements for the degree of Doctor of Philosophy (PhD) at The University of Adelaide 2012 Table of Contents Table of Contents ............................................................................................................... i List of Figures .................................................................................................................. iv Abstract............. ............................................................................................................... vi Declaration. ..................................................................................................................... vii Acknowledgements ........................................................................................................ viii Dedication....... ............................................................................................................... viii Situating Tamil Nadu in the Subcontinent ........................................................................ x Preface................ ............................................................................................................. xi Introduction ....................................................................................................................... 1 Ordinary Tamils, extraordinary celebrity devotion ................................................. -
Savitribai Phule Pune University
Savitribai Phule Pune University 116th Convocation 08th January- 2020 FACULTY : Management Convo NAME Exam Name Dhakane Ramkrushna Chindhu Master of Business Administration MG19-03012 Dudhnikar Prathmesh Chandrakant Master of Computer Application MG19-06761 Kajal Dattatray Devkar Master of Business Administration MG19-05649 Aaditya Gajanan Khandare Master of Business Administration MG19-04549 Aaditya Sharma Master of Computer Application MG19-06344 Aakanksha Surendra Jaiswal Master of Business Administration MG19-01264 Aakanksha Vilas Bonde Master of Business Administration MG19-03197 Aakash Jain Master of Computer Application MG19-06120 Aakash Sudhakar Jadhao Master of Business Administration MG19-00193 Aamir Malik Akhtar Rahmani Master of Business Administration MG19-05756 Aanchal Khandelwal Master of Business Administration MG19-02298 Aaradhi Vaibhav Damodar Master of Business Administration MG19-00954 Aarsha Anithan Master of Computer Application MG19-06345 Aarya Raju Londhe Master of Business Administration MG19-02629 Aasawari Vijay Raipure Master of Business Administration MG19-00194 Aasma Bashir Tamboli Master of Business Administration MG19-02630 Aatish Sahu Master of Business Administration MG19-00102 Aayushi Dogane Master of Business Administration MG19-01985 Aayushi Priyedarshini Srivastava Master of Business Administration MG19-02134 Abbad Raksha Pankaj Master of Business Administration MG19-05103 Abdul Ahad Qayomi Master of Business Administration MG19-01542 Abdul Inam Ahmad Nazrul Shekh Master of Business Administration -
Brochure Print New.Indd
“excellence is the fabric of our work, spun with the yarn of knowledge and expertise, built on the foundation of transparent dealing”. 91 ABOUT US ................................................................................................................................................... 04 EVENT MANAGEMENT ................................................................................................................................................... 06 EVENT HIGHLIGHTS ................................................................................................................................................... 10 INTERNATIONAL SHOWS ................................................................................................................................................... 12 CHARITY EVENTS ................................................................................................................................................... 14 AWARD NIGHTS ................................................................................................................................................... 20 MOTION PICTURES ................................................................................................................................................... 26 WEDDING PLANNERS ................................................................................................................................................... 32 THEME SHOWS ..................................................................................................................................................