Georgia Southern University Digital Commons@Georgia Southern Electronic Theses and Dissertations Graduate Studies, Jack N. Averitt College of Spring 2010 Kinship: Margaret Mitchell's Gone With The Wind and the Irish Big House Genre Patricia Homer Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/etd Recommended Citation Homer, Patricia, "Kinship: Margaret Mitchell's Gone With The Wind and the Irish Big House Genre" (2010). Electronic Theses and Dissertations. 179. https://digitalcommons.georgiasouthern.edu/etd/179 This thesis (open access) is brought to you for free and open access by the Graduate Studies, Jack N. Averitt College of at Digital Commons@Georgia Southern. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact
[email protected]. KINSHIP: MARGARET MITCHELL’S GONE WITH THE WIND AND THE IRISH BIG HOUSE GENRE by PATRICIA HOMER (Under the Direction of Howard Keeley) ABSTRACT Critics have largely dismissed Margaret Mitchell’s best-selling novel Gone with the Wind as a serious work of literature. Although various references to Irish culture permeate Gone with the Wind, the novel has not been compared to any Irish literature or mythology. This thesis compares Gone with the Wind with Irish Big House literature and mythology through the lens of biography and history. The works of William Butler Yeats, Maria Edgeworth, and Edith Somerville and Martin Ross are also employed to show evidence of the connection of Gone with the Wind to Irish Big House literature. This comparison results in a new approach to Margaret Mitchell’s Gone with the Wind that affords a new reading of the novel.