188 Rock Art Research 2018 - Volume 35, Number 2, pp. 188-248. L. MARYMOR
KEYWORDS: Australia – Aboriginal rock art – Bibliography – Rock art studies
AUSTRALIAN ROCK ART BIBLIOGRAPHY EXTRACTED FROM THE ROCK ART STUDIES BIBLIOGRAPHIC DATABASE FOR THE YEARS 1841 TO 2018 — PART 1
Leigh Marymor
Abstract. The Rock Art Studies Bibliographic Database is an open access, online resource that fulfils the need for a searchable portal into the world’s rock art literature. Gearedto the broadest interests of rock art researchers, students, cultural resource managers and the general public, the RAS database makes rock art literature accessible through a simple search interface that facilitates inquiries into multiple data fields, including authors’ names, title and publication, placename and subject keywords, ISBN/ISSN number and abstract. The results of a data search can further be sorted by any of the data fields, including: authors’ names, date, title and so forth. An ever increasing number of citations within the database include web links to online versions of the reference cited, and many citations include full author’s abstracts. The data compilation has been undertaken by Leigh Marymor with the year 2018 marking the 25th year of continuous revision and expansion of the data. Over 37 200 citations are currently contained in the database. The RAS database first launched online as a joint project of the Bay Area Rock Art Research Association and University of California’s Bancroft Library. After thirteen years of collaboration, the project found a new home and collaborator at the Anthropology Department at the Museum of Northern Arizona. The Australian Rock Art Bibliography results from an export of approximately 1980 citations from the RAS da- tabase and captures a freeze-frame in the state of Australian rock art literature as compiled here in the year 2018. The online version of the RAS Bibliographic Database at the Museum of Northern Arizona is updated annually, and we refer the reader to that resource for up-to-date bibliographic data revisions and additions. Researchers who consult the online database in concert with their reference to the Australian Rock Art Bibliography will discover a powerful ally in further refining geographic and thematic inquiries.
Preface evidence may relate to body art, the pigmenting of Australia has one of the largest concentrations of artefacts and possibly rock art. rock art of any country. It is estimated that there are Across Australia rock art in the form of paintings, at least 100 000 sites but because there is no national drawings, petroglyphs and stencils is common. In database and there are many areas yet to be surveyed many ways Australia can be considered the stencil we do not know exactly how many rock art sites there capital of the world, with millions of stencils across are. Each year hundreds of undocumented sites are the country. These include not only hands and other located and recorded across Australia by teams of human body parts but also a range of traditional and archaeologists working with Indigenous Traditional introduced objects, plants, animal feet and occasionally Owners, Aboriginal ranger groups or avid bush walk- stencilled birds or fish. Prints are less frequent and less ers (hikers) with an interest in heritage. widespread. Finger flutings are found in underground The oldest scientifically dated rock art is 28 000 limestone caves near Mount Gambier, South Australia years of age but used pieces of ochre and ochre on rock and the Nullarbor Plain of South Australia and Western fragments have been recovered from archaeological de- Australia. In the Top End of the Northern Territory posits dated to over 60 000 years. People used pigment and the Kimberley figures and abstract designs were upon arrival in Australia and ever since. The earliest sometimes made with the resinous wax of native bees. These rock art designs are particularly amenable to 1 The Rock Art Studies Bibliographic Database can be radiocarbon dating, with the oldest dated to about searched on the Internet at: https://musnaz.org/search_rock_ 4000 years of age. art_studies_db/. Some areas of Australia, such as Kakadu-Arnhem Rock Art Research 2018 - Volume 35, Number 2, pp. 188-248. L. MARYMOR 189 Land in the Northern Territory, the Kimberley and motif(s). Biblio. Pilbara of Western Australia and far north Queensland Akerman, Kim, 2009 (Dec). ‘Interaction Between Humans have large concentrations of rock art, lengthy sequenc- and Megafauna Depicted in Australian Rock Art?’ in Antiqui- es extending over tens of thousands of years and have ty, Project Gallery, Vol. 83(322), Antiquity Publications, ISSN: been intensively researched for over 100 years. How- 0003-598X. http://www.antiquity.ac.uk/projgall/akerman322/ ever, exciting new discoveries are regularly made and (2/21/2012). there is much ongoing research. Since 2008, this has Keywords: Drysdale River, Kimberley, Western Australia. Humans interacting with megafauna. Thylacine. Internet. included a focus on very recent rock art, made after the arrival of Asians such as Macassans in the north and Akerman, Kim, 2014. Wanjina: Notes on Some Iconic Ancestral Europeans across Australia. Not only has introduced Beings of the Northern Kimberley, Prepublication manuscript, 194 subject matter been studied but also traditional subjects pgs, Kimberley Foundation, Melbourne, Australia. ISBN: and designs that continued to be made post-contact. 9780859056281. http://www.kimberleyfoundation.org.au/ uploads/41632/ufiles/Wanjina_LR.pdf (11/8/2016). In various parts of Australia communities still retain Keywords: Kimberley, north-west Australia. Wanjina rock art. significant stories associated with rock art imagery Internet. and across Australia rock art continues to be very im- Akerman, Kim, 2016. Wanjina: Notes on Some Iconic Ancestral portant for Indigenous peoples, including Torres Strat Beings of the Northern Kimberley, 179 pgs, Hesperian Press, Islanders and Aboriginal Tasmanians. Victoria Park, Western Australia. ISBN: 9780859056281. Rock art caught the attention of the first Europeans Keywords: Kimberley, north-west Australia. Wanjina rock art. to settle in Australia, in what is now Sydney, in the late Biblio, Internet. 1700s and has been studied ever since. This has led to Akerman, K. and Willing, T., 2009. ‘An Ancient Rock Paint- a vast and growing list of publications. The Australian ing of a Marsupial Lion, Thylacoleo Carnifex, from the Kim- Rock Art Bibliography, with approximately 1980 citations berley, Western Australia’ in Antiquity, Project Gallery, Vol. exported from the RAS database provides the ‘state 83(319):1-4, Antiquity Publications, ISSN: 0003-598X. http:// of the art’ as of mid-2018. This is a very important re- www.antiquity.ac.uk/projgall/akerman319/ (5/26/2017). source for students, Aboriginal communities, rock art Keywords: Kimberley, Western Australia. Marsupial Lion, Thylacoleo carnifex motif(s). Biblio. researchers and the general public and the first time such a comprehensive bibliography of Australian rock Allen, H., Langley, M. and Taçon, P.S.C., 2016. ‘Bone Pro- art has been compiled. No doubt it will continue to jectile Points in Prehistoric Australia: Evidence from Archae- grow as Australia has one of the world’s most active ologically Recovered Implements, Ethnography and Rock rock art research communities. Art’ in Osseous Projectile Weaponry: Towards an Understanding of Pleistocene Cultural Variability, M. Langley, ed., 209-218, Springer, New York, New York, Australia. Prof. Paul S. C. Taçon Keywords: Aboriginal rock art. Projectile point motif(s). Biblio. ARC Laureate Fellow and Director of the Place, Evo- Ambrose, W.R., 1975. ‘Rock Art and its Natural Propensity lution and Rock Art Heritage Unit, Griffith University, for Deterioration’ in The Preservation of Australia’s Aboriginal Queensland, Australia Heritage National Seminar on Aboriginal Antiquities in Australia, 15 June 2018 May 1972, Prehistory and Material Culture Series No. 11; Aus- tralian Aboriginal Studies No. 54, 108-111, Australian Institute of Aboriginal and Torres Strait Islander Studies, Canberra, A. Reader [Publishing House], 1891. Archaic Rock Inscrip- Australia. tions. An Account of the Cup & Ring Markings of the Sculptured Keywords: Australia. Inappropriateness of indoor art conservation Stones of the Old and New Worlds, Nature Worship and Mystical methods for outdoor Aboriginal art problems. Weathering. AHCBS, Series, 99 pgs, A. Reader, London, England. AATA. Keywords: World. Cup and ring motif(s). Baal. Phallic symbols. Ambrose, W.R., 1984 (Nov). ‘Site Evaluation as a Prerequisite Internet, LMRAA. to the Management of Art Sites’ in The State of Australian Adam, Leonhard, 1952. ‘The Rock Paintings near Glen Isla, Rock Art Research and Conservation in 1980, Rock Art Victoria Range, Victoria’ in Mankind, Vol. 4:343-346, Anthro- Research, Vol. 1(2):136-138, Australian Rock Art Research pological Society of New South Wales, Sydney, Australia. Association, Melbourne, Australia. ISSN 0813-0426. http://onlinelibrary.wiley.com/doi/10.1111/j.1835-9310.1952. Keywords: Australia. Cultural resource management. Weathering. Moisture control. LMRAA, AHCBS. tb00260.x/full (8/25/2017). Keywords: Glen Isla, Victoria Range, Victoria, Australia. Wiley. Anati, E., 1978. ‘L’Uomo, l’Albero, lo Spirito. La Pittura su Corteccia degli Aborigeni Australiani’ in L’Umana Avventura, Adlam, N., 1988. ‘Ancient Art Dates Back’ in Territory Digest, Vol. (1):57-76, Jaca Book, Milan, Italy. Vol. 10(3):34-37. Keywords: Australia. Aboriginal rock art. EAB. Keywords: Northern Territory, Australia. Radiocarbon direct dating. Cultural resource management. Conservation and preservation. Anati, Emmanuel, 1989. ‘Australia: Quando l’Arte è Eterna’ AHCBS. in Archeo, Vol. (53):104-111, Rome, Italy. Akerman, K., 1998. ‘A Rock Painting, Possibly of the Now Keywords: Australia. EAB. Extinct Marsupial Thylacoleo (Marsupial Lion), from the Anati, Emmanuel, 1997. Höhlenmalelrei. Die Bilderwelt der North Kimberley, Western Australia’ in The Beagle, Records Prähistorischen Felskunst, 422 pgs, Benziger Verlag, Zürich & of the Museum and Art Gallery of the Northern Territory, Vol. Düsseldorf, Germany. 14:117-121. Keywords: World. Published previously in Italian in 1995 and 1997. Keywords: Kimberley, Western Australia. Marsupial lion, Thylacoleo Broad regional overviews. Biblio, EAB, LMRAA. 190 Rock Art Research 2018 - Volume 35, Number 2, pp. 188-248. L. MARYMOR Anati, Emmanuel, 2001 (Mar). ‘Australia. Studi Comparativi Keywords: Animal scratch markings. Incised line motifs. Comment tra Arte Rupestre ed Arte su Oggetti Movibili’ inB.C. Notizie, on Kevin Sharpe, 2004, ‘Line Markings: Human or Animal Origin,’ 41, Centro Camuno di Studi Preistorici, Capo di Ponte, Italy. RAR 21(1):57-70. LMRAA. Keywords: Australia. EAB. Aslin, G.D., Bednarik, E.K. and Bednarik, R.G., 1985 (May). Anati, Emmanuel, 2001 - 2002. ‘Miti e Memorie dell’Epoca ‘The ‘Parietal Markings Project’ - A Progress Report’ in Rock dei Sogni: La Pittura su Corteccia degli Aborigeni Australiani’ Art Research, Vol. 2(1):71-74, Australian Rock Art Research in Bollettino del Centro Camuno di Studi Preistorici,Vol. 33:117- Association, Melbourne, Australia. ISSN 0813-0426. 139, Centro Camuno di Studi Preistorici, Capo di Ponte, Italy. Keywords: Mt. Gambier region, southern South Australia. Pleisto- ISSN: 0577-2168. cene cave art. Natural and man-made markings. LMRAA, AHCBS. Keywords: Australia. Aboriginal rock art. EAB. Aslin, Geoffrey D. and Bednarik, Robert G., 1984 (May). Anati, Emmanuel, 2003. Aux Origines de l’Art. 50,000 Ans ‘Karlie - Ngoinpool Cave: A Preliminary Report’ in Rock d’Art Prehistorique et Tribal, 510 pgs, Fayard, Paris, France. Art Research, Vol. 1(1):36-45, Australian Rock Art Research ISBN 10 2213616329. Association, Melbourne, Australia. ISSN 0813-0426. Keywords: World. Prehistoric art. Includes bibliographical references Keywords: Karlie-Ngoinpool Cave, South Australia. Pleistocene cave (p. [463]-494). In French. Biblio, LMRAA, EAB, Internet. art. Petroglyphs. Non-figurative cave art. LMRAA, AHCBS, AATA. Ang-gnarra Aboriginal Corporation, 1996. Quinkan Rock Aslin, G.D. and Bednarik, R.G., 1984 (Nov). ‘Koorine Cave, Art, Ang-gnarra Aboriginal Corporation, Laura, Australia. South Australia’ in Rock Art Research, Vol. 1(2):142-144, Aus- Keywords: Cape York Peninsula, northeast Australia. Quinkan rock tralian Rock Art Research Association, Melbourne, Australia. art. Biblio. ISSN 0813-0426. Keywords: Koorine Cave, South Australia. Groove, finger lines. Anonymous, 1997 (Nov). ‘The Jinmium Controversy’ in LMRAA. National Pictographic Society Newsletter, Vol. 8(2):4, National Pictographic Society, Winslow, Washington. Aslin, G.D. and Bednarik, R.G., 1985 (Nov). ‘Moora Cave Keywords: Jinmium, Australia. Direct dating techniques have placed - A Preliminary Report’ in Rock Art Research, Vol. 2(2):160- rock art at this site at c. 75,000 years bp. Further attempts to confirm 165, Australian Rock Art Research Association, Melbourne, the dates are called for. LMRAA. Australia. ISSN 0813-0426. Keywords: Moora Cave, Mt. Gambier, south-eastern South Australia. Anonymous, 2004 (Jun). ‘Dampier Report May 2004’ in Pleistocene cave art. Finger flutings. Karake style. LMRAA, AHCBS. AURA Newsletter,Vol. 21(1):2-4, Australian Rock Art Research Association, Melbourne, Australia. ISSN 0813 - 2666. Attenbrow, Val and Kononenko, Nina, 2017 (Jul 7). ‘Cre- Keywords: Dampier Archipelago, Western Australia.Cultural ating Sydney-Hawkesbury Rock Engravings: A Mangrove resource management. Conservation and preservation. Pollution. Mountain Engraving Tool’ in Archaeology in Oceania, Oceania LMRAA. Publications, University of Sydney, ISSN: 0003-8121. http:// Armitage, R.A., David, B., Hyman, M., Rowe, M.W., Tuniz, onlinelibrary.wiley.com/doi/10.1002/arco.5131/fullJPG&do- C., Lawson, E., Jacobsen, G. and Hua, Q., 1998. ‘Radiocarbon cId=GALE%7CA339202311&callistoContentSet=PER&i- Determination on Chillagoe Rock Paintings: Small Sample sAcrobatAvailable=false (8/23/2107). Accelerator Mass Spectrometry’ in Records of the Australian Keywords: Mangrove Mountain, Sydney-Hawkesbury region, NSW, Australia. Production methodology. Basalt engraving tool. Wiley. Museum, Vol. 5:285-290, Australian Museum, ISSN 0067-1975. https://www.academia.edu/1941553/Radiocarbon_determi- Aubert, Maxime, 2012. ‘A Review of Rock Art Dating in the nations_on_Chillagoe_rock_paintings_Small_sample_accel- Kimberley, Western Australia’ in Journal of Archaeological erator_mass_spectrometry (4/24/2017). Science, Vol. 39(2):573-577, Elsevier Ltd., ISSN: 0305-4403. Keywords: Chillagoe, Australia. Direct dating. Charcoal pigments: https://www.academia.edu/1324329/A_review_of_rock_art_ plasma extraction of organic carbon. Biblio, MWRBRAD, Academia. dating_in_the_Kimberley_Western_Australia (5/12/2014). edu. Keywords: Kimberley, Western Australia. Direct dating techinques. Arndt, W., 1962. ‘The Interpretation of Delemere Lightning AATA, Refdoc.fr, Academia.edu, KRAI, RASNWV. Paintings and Rock Markings’ in Oceania, Vol. 32(3):163-177, Australian Council for the Arts, 1975. ‘Gugu-Yulanji Galler- University of Sydney, Sydney, Australia, Online ISSN:1834- ies: Abstracts from a Feasibility Study Prepared for the Aus- 4461. tralian Council for the Arts’ in The Preservation of Australia’s Keywords: Australia. Aboriginal rock art. Delemere Lightning Aboriginal Heritage National Seminar on Aboriginal Antiquities paintings.Biblio. in Australia, May 1972, Prehistory and Material Cultures Series Ashley, Michael and Perlingieri, Cinzia, 2012. ‘Chapter No. 11; Australian Aboriginal Studies No. 54, 127-138, Australian 37: Engaging a New Digital Citizenry’ in A Companion to Institute of Aboriginal and Torres Strait Islander Studies, Rock Art, Jo McDonald and Peter Veth, eds, Companions to Canberra, Australia. Archaeology, 660-669, Wiley-Blackwell Publishing, ISBN 10: Keywords: Gugu-Yulanji, Laura, Queensland, Australia. Cultural 1444334247 ISBN 13: 9781444334241. resource management. Conservation and preservation. AHCBS. Keywords: Australia. Documentation. Digital heritage. Internet. Australian Heritage Commission, 1991. Australia’s Rock Art Digital archive. Metadata. LMRAA. (Second Edition), Australian Heritage Commission Bibliography Ashton, M.R., Roberts, R.G. and Yoshida, H., 1999. ‘Lu- Series, Vol. (2):45 pgs, Heritage Australia Information System minescence Dating of Rock Art Using Mud-Wasp Nests’ in (HERA), Canberra, Australia. Geological Society of Australia Abstracts, 62:57. Keywords: Australia. Bibliography contains 335 citations BIBLIO, Keywords: Australia. Luminescence dating. Mud-wasp nests. Bancroft, LMRAA. Uncover. Australian National Parks and Wildlife Service, 1980. Aslin, Geoffrey D., 2004 (May). ‘Origin of Line Markings Nomination of Kakadu National Park for Inclusion in the in Caves Ascertainable’ in Rock Art Research, Vol. 21(1):70- World Heritage List, 32 pgs, Australian National Parks and 73, Australian Rock Art Research Association, Melbourne, Wildlife Service, Canberra, Australia. Australia. ISSN 0813-0426. Keywords: Kakadu National Park, Australia. Cultural resource Rock Art Research 2018 - Volume 35, Number 2, pp. 188-248. L. MARYMOR 191 management. Conservation and preservation. World Heritage List Balme, Jane and O’Connor, Sue, 2014. ‘Rock Art and Con- nomination is for both cultural and natural attributes. AHCBS. tinuity in the South Central Kimberley Region of Western Australian National Parks and Wildlife Service, 1986. Special Australia’ in Rock Art Studies, Volume II: Interpretation Through Feature on Cultural Site Management, Australian Ranger Bulletin, Multidisciplinary Approaches, Bansi Lal Malla, ed., 19-42, Vol. 4(1), Canberra, Australia. Indira Ghandi National Centre for the Arts in association Keywords: Australia. Cultural resource management. Conservation with Aryan Books International, New Delhi, India. ISBN: and Preservation. PCARB, AATA. 978-81-7305-492. Keywords: Oscar Napier Range, Kimberley region, Western Austra- Australian National University, Department of Prehistory lia. Wanjina. Contact period rock art. Biblio, LMRAA. and Australian National Parks and Wildlife Service, 1980. Archaeological Research in the Kakadu Park: A Consulting Balme, Jane and O’Connor, Sue, 2015 (Mar). ‘A ‘Port Scene’, Report to the Australian National Parks and Wildlife Service, Identity and Rock Art of the Inland Southern Kimberley, 178 pgs, The Working Group, Canberra, Australia. Western Australia’ in Rock Art Research, Vol. 32(1):75-83, Aus- Keywords: Kakadu National Park, Australia. Cultural resource tralian Rock Art Research Association, Melbourne, Australia. management. Conservation and preservation. Reports by multiple ISSN 0813-0426. authors. AHCBS. Keywords: Southern Kimberley, Western Australia. Historic (contact) rock art. ‘Mimbi’ Port scene panel. Boat, ship motif(s). LMRAA, Australian Rock Art Research Association, 2002 (Jun.). ‘List Worldcat.org. of Contents of Rock Art Research from May 1984 to Present’ in AURA Newsletter,Vol. 19(1):1-12, Australian Rock Art Re- Bandi, H.G., Breuil, Henri, Berger-Kirchner, Lilo, Lhote, search Association, Melbourne, Australia. ISSN 0813 - 2666. Henri, et al, 1961. The Stone Age: Forty Thousand Years of Rock Keywords: Australia. World. Rock Art Research Journal. Title index Art, translated from the German by A. E. Keep, Art of the World, (bibliography). LMRAA. 249 pgs, Methuen, London, England. Keywords: France. Spain. Europe. Algeria. North Africa. South Awabakal Newcastle Aboriginal Cooperative and Hunter Africa. Australia. Biblio, LMRAA. Development Board, 1982. Kerrabee Dam Site Anthropo- logical Survey, Restricted access report, 1 volume, Awabakal Barker, Bryce, Lamb, Lara, Delannoy, Jean-Jacques, David, Newcastle Aboriginal Cooperative, Newcastle, Australia. Bruno, Gunn, Robert, Chalmin, Emilie, Castets, Geraldine, Keywords: Kerrabee Dam, Hunter Region, NSW, Australia. Aborig- Aplin, Ken, Sardier, Benjamin, Moffat, Ian, Mialanes, inal rock art. Bora ring, painting sites, rock engraving sites. AHCBS. Jerome, Katherine, Margaret, Geneste, Jean-Michel and Hoerle, Stephane, 2017. ‘Archaeology of JSARN–124 Site 3, Baglin, D. and Mullins, B., 1971. Aboriginal Art of Australia, Central-Western Arnhem Land: Determining the Age of the 34 pgs, Horwitz, Sydney, Australia. Keywords: Australia. Legends. Ceremonies. Decorative design. So-Called ‘Genyornis’ Painting’ in The Archaeology of Rock Petroglyphs, cave paintings, bark paintings. AHCBS. Art in Western Arnhem Land, Australia, Bruno David, Paul Tacon, Jean- Jacques Delannoy and Jean-Michel Geneste, Bahn, P.G., 1996. ‘Further Back Down Under’ in Nature, eds, Terra Australis, Vol. 47:423-496, Australian National Vol. 383:577-578, Nature Publishing Group, ISSN: 0028-0836 University (ANU) E Press, Canberra, Australia. ISBN (print): EISSN: 1476-4687. doi:10.1038/383577a0 . 9781760461614 ISBN (online): 9781760461621. http://press- Keywords: Australia. Aboriginal rock art. RASNW2, RASNW3, files.anu.edu.au/downloads/press/n3991/pdf/book.pdf?ref- Internet. erer=3991 (11/29/2017). Bahn, Paul G., 1998. Cambridge Illustrated History of Prehis- Keywords: Jawoyn Aboriginal rock art. Dating. Archaeological con- toric Art, 302 pgs, Cambridge University Press, Cambridge, text. Rock falls. ‘Genyornis’, megafauna motif(s). Internet, JSTOR. England. ISBN 0-521-45473-5. Barker, Bryce, Sale, Katherine and Watchman, Alan, 1997 Keywords: World. Survey of prehistoric art. General reader. Rock (Nov). ‘Authentication of Rock Art in the Whitsunday Islands, art studies. ‘Discovery’ of prehistoric art. Body adornment. Portable art. Interpretation. LMRAA, EPA, AATA. Queensland, Australia’ in Rock Art Research, Vol. 14(2):113- 123, Australian Rock Art Research Association, Melbourne, Bahn, Paul, 2002. ‘L’Art Paleolithique de Plein Air dans le Australia. ISSN 0813-0426. Monde Extra-Europeen’ in L’Art Paleolithique a l’Air Libre. Le Keywords: Hook Island, Nara Inlet, Whitsunday Islands, Australia. Paysage Modifie par l’Image, Tautavel - Campome, 7-9 Octobre Pigment analysis used to authenticate Aboriginal authorship of 1999, D. Sacchi, ed., 209-215, GAEP and GEOPRE, Carcas- pictograms. LMRAA. sonne. ISBN: 2-9518735-0-6. Barry, Michael, 1995. The Archaeology of Prehistoric Draw- Keywords: World. Paleolithic. Open air art sites. RASNW3, LMRAA. ings: The Bradshaws of the Kimberley, 54 pgs, University of Ballard, Chris, 1992. ‘Painted Rock Art Sites in Western Mel- Sydney, Sydney, Australia. anesia: Locational Evidence for an ‘Austronesian’ Tradition’ Keywords: Kimberley, Australia. Bradshaw rock art. Biblio. in State of the Art: Regional Rock Art Studies in Australian and Barry, Michael, 1997. Would Sooner Not Call Them Brad- Melanesia, J. McDonald and I.P. Haskovec, eds, Occasional shaws: The Argument, Bachelor of Arts Honours Thesis AURA Publication, Vol. 1(6):94-106, Australian Rock Art Re- (Honours IV), Vol. 1:164 pgs, School of Archaeology, Uni- search Association, Melbourne, Australia, ISBN: 0646090836, versity of Sydney, Sydney, Australia. 9780646090832. Keywords: Kimberley, Australia. Bradshaw rock art. Aboriginal Keywords: Western Melanesia. Australia. Austronesian Tradition. rock art. Biblio. LMRAA, Biblio. Barry, Michael and Clegg, John, 2005. ‘Snames and Science’ Balme, Jane, Davidson, Iain, Mc Donald, Jo, Stern, Nicola in Making Marks. Graduate Studies in Rock Art Research at the and Veth, Peter, 2009. ‘Symbolic Behaviour and the Peo- New Millennium, Occasional Paper, Vol. (5):65-80, American pling of the Southern Arc Route to Australia’ in Quaternary Rock Art Research Association, Tucson, Arizona. International, Vol. 202:59-68, International Union for Qua- Keywords: Elvina Track, Sydney, Australia. Aboriginal rock art. Rock ternary Research, ISSN: 1040-6182. https://doi.org/10.1016/j. feature: Sname. Fire scar. LMRAA. quaint.2008.10.002 (11/9/2017). Keywords: Southern Arc. Australia. First people. ScienceDirect. Barry, Michael and White, Peter, 2004. ‘‘Exotic Bradshaws’ 192 Rock Art Research 2018 - Volume 35, Number 2, pp. 188-248. L. MARYMOR or Australian ‘Gwion’: An Archaeological Test’ in Australian tralia. Aboriginal Studies, Vol. (1):37-44, Australian Institute of Ab- Keywords: Mount Gambier, South Australia. Cave art, finger flutings, original and Torres Strait Islander Studies, ISSN: 0729-4352. limestone cave. Bancroft. Keywords: Central Australia. Archaeology. Bradshaw (Gwion) Bednarik, Robert G., ed., 1984 (May). Rock Art Research, motif(s). RASNW3, Internet. Vol. 1(1):1-72, Australian Rock Art Research Association, Basedow, H., 1907. ‘Felsgravierungen Hohen Alters in Zen- Melbourne, Australia. ISSN 0813-0426. tral-Australien’ in Zeitschrift fur Ethnologie, Vol. 39:707-717, Keywords: Australia. Collected papers. LMRAA. Dietrich Reimer Verlag GmbH, Berlin, Germany. Bednarik, Robert G., ed., 1984 (Nov). Rock Art Research, Keywords: Central Australia. Aboriginal rock art. Pleistocene rock Vol. 1(2):73-156, Australian Rock Art Research Association, art. Biblio. Melbourne, Australia. ISSN 0813-0426. Basedow, Herbert, 1914. ‘Aboriginal Rock Carvings of Great Keywords: Australia. China. Asia. Collected papers. LMRAA. Antiquity in South Australia’ in Journal of the Royal Anthro- Bednarik, Robert G., 1985. ‘Parietal Finger Markings in Aus- pological Institute, Vol. 44:195-211, London, England. http:// tralia’ in Bollettino del Centro Camuno di Studi Preistorici,Vol. www.jstor.org/stable/2843536 (8/22/2017). 22:83-88, Centro Camuno di Studi Preistorici, Valcomonica, Keywords: South Australia. Aboriginal rock art. 17 full page plates. Biblio, RASNW3, JSTOR. Italy. ISSN: 0577-2168. Keywords: Malangine Cave, Koongine Cave, Australia. Parietal Beckett, Jeremy,1963. ‘Rock Art in the Torres Strait Islands’ finger markings (flutings), cave art, limestone caves. ICOMOS, in Mankind, Vol. 6:52-54, Anthropological Society of New LMRAA, Bancroft. South Wales, Sydney, Australia. http://onlinelibrary.wiley. Bednarik, Robert G., ed., 1985 (May). Rock Art Research, com/doi/10.1111/j.1835-9310.1963.tb00341.x/full (8/24/2017). Vol. 2(1):1-92, Australian Rock Art Research Association, Keywords: Torres Strait Islands, Australia. Biblio, Wiley. Melbourne, Australia. ISSN 0813-0426. Bednarik, Robert G., 1973. ‘Wohnhöhlen bei Tom Price Keywords: Australia. Collected papers. LMRAA. (Nordwest-Australien)’ in Die Höhle, Vol. 24:140-145, Verband Bednarik, Robert G., ed., 1985 (Nov). Rock Art Research, Österreichischer Höhlenforscher, Vienna, Austria. Vol. 2(2):94-180, Australian Rock Art Research Association, Keywords: Tom Price, Pilbara, Western Australia. Cave art. Archae- Melbourne, Australia. ISSN 0813-0426. ology. Stone tools. Bancroft. Keywords: Australia. France. Europe. Southern Africa. Collected Bednarik, Robert G., 1977. ‘A Survey of Prehistoric Sties in papers. LMRAA. the Tom Price Region, North West Australia’ in Archaeology Bednarik, R.G., 1986. ‘Cave Use by Australian Pleistocene and Physical Anthropology in Oceania, Vol. 12(1):51-76 Sydney, Man’ in Proceedings of the University of Bristol Spelaeological Australia, ISSN: 0003-8121. Society, Vol. 17:227-245, University of Bristol Spelaeological Keywords: Tom Price Region, North West Australia. Aboriginal rock Society. art. Preliminary survey. AHCBS. Keywords: Perth, Nullarbor, Mt. Gambier, Buchan, Australia. Cave Bednarik, Robert G., 1979. ‘The Potential of Rock Art Pat- art, petroglyphs, rock paintings. Bancroft, Biblio. ination Analysis in Australian Archaeology - Part 1’ in The Bednarik, Robert G., 1986. ‘The Parietal Art of South Aus- Artefact, Ossa, Paul, ed., Vol. 4(14):38, Archaeological and tralia’ in Anthropological Society of South Australia Journal, Anthropological Society of Victoria, Melbourne, Australia. Vol. 24(1):3-21, Anthropological Society of South Australia. Keywords: Australia. Rock patination analysis. Weathering indices Keywords: Human markings on the walls and ceilings of deep analysis of petroglyphs. Biblio, MWRBRAD. limestone caves, finger flutings, petroglyphs. Dating, radiocarbon Bednarik, Robert G., 1979. ‘The Potential of Rock Art Pat- and U/Th analysis. AHCBS, Bancroft, MWRBRAD. ination Analysis in Australian Archaeology - Part 2’ in The Bednarik, Robert G., 1986 (May). ‘Parietal Finger Markings Artefact, Ossa, Paul, ed., Vol. 5:47-77, Archaeological and in Europe and Australia’ in Rock Art Research, Vol. 3(1):30-61, Anthropological Society of Victoria, Melbourne, Australia. 159-170, Australian Rock Art Research Association, Mel- Keywords: Australia. Patination, weathering, geochemistry, archae- bourne, Australia.ISSN 0813-0426. ology. Bancroft. Keywords: Australia. Europe. Pleistocene cave art. Finger flutings. Bednarik, Robert G., 1983. ‘The Australian Rock Art Research Comparative study. Comments by: Whitney Davis, P.G. Bahn, David Association’ in Australian Archaeology, Vol. 17:146, Australian R. Moore, Hugh Cairns, and Alexander Gallus. Interim reply by author. Further comments by: Elery Hamilton-Smith, Jean Clottes, Archaeological Association, Inc., Canberra, Australia.ISSN: and Paul Faulstich with reply by author In RAR Vol. 3 No. 2, 1986. 0312-2417. LMRAA, AHCBS, Bancroft. Keywords: Australia. Australian Rock Art Research Association (AURA). Rock art studies. Bancroft. Bednarik, Robert G., ed., 1986 (May). Rock Art Research, Vol. 3(1):1-96, Australian Rock Art Research Association, Bednarik, R.G., 1984. ‘On the Nature of Psychograms’ in The Melbourne, Australia. ISSN 0813-0426. Artefact, Ossa, Paul, ed., Vol. 8(3-4):27-32, Archaeological and Keywords: Australia. Collected papers. LMRAA. Anthropological Society of Victoria, Melbourne, Australia. Keywords: Australia. Psychograms. ALOD. Bednarik, Robert G., ed., 1986 (Nov)., Rock Art Research, Vol. 3(2):98-196, Australian Rock Art Research Association, Bednarik, R.G., 1984. ‘Die Bedeutung der Paläolithischen Melbourne, Australia. ISSN 0813-0426. Fingerlinientradition’ in Anthropologie, Vol. 23(1):73-79, Keywords: Australia, England, southern France. Europe. Collected Moravské Muzeum, Brno, Czech Republic. ISSN: 0323-1119. papers. LMRAA. Keywords: Southern Australia, western Europe. Cave art, finger flutings, limestone caves. Dating. Radiocarbon and UT/Th analysis. Bednarik, Robert G., 1987. ‘The Cave Art of Western Aus- Bancroft, MWRBRAD. tralia’ in The Artefact, Robert G. Bednarik, ed., Vol. 12:1-16, Archaeological and Anthropological Society of Victoria, Bednarik, R.G., 1984. ‘Karake Cave — a Preliminary Report’ Melbourne, Australia. in The Artefact, Ossa, Paul, ed., Vol. 8:33-35, Archaeological Keywords: Perth region, Western Australia. Cave art, petroglyphs, and Anthropological Society of Victoria, Melbourne, Aus- finger flutings. Biblio. Bancroft. Rock Art Research 2018 - Volume 35, Number 2, pp. 188-248. L. MARYMOR 193 Bednarik, Robert G., 1987. ‘Rock Art Research in Australia (silicas, oxalates) which also separate various paint layers. LMRAA. - A General Outline’ in Actas del VIII Simposio Internacional Bednarik, Robert G., 1992. ‘Base pour des Etudes de Pointe de Arte Rupestre Americano, 227-232, Museo del Hombre Do- des Débuts de l’Art’ in L’Anthropologie, Vol. 96(2-3):369-374, minicano, Santo Domingo, Dominican Republic. Masson, Paris, France. ISSN: 0003-5521. Keywords: Australia. Rock art studies. LMRAA. Keywords: Australia. Research methodology. Microanalysis. Ref- Bednarik, Robert G., ed., 1987 (May). Rock Art Research, doc.fr. Vol. 5(1):1-88, Australian Rock Art Research Association, Bednarik, Robert G., 1993. ‘The Cave Art of Australia’ in Melbourne, Australia. ISSN 0813-0426. American Indian Rock Art, Santa Barbara, California, Vol. XII:81- Keywords: Australia. India. Peru. Collected papers. LMRAA. 87, American Rock Art Research Association, San Miguel, Bednarik, Robert G., ed., 1987 (May). Rock Art Research, California. Vol. 4(1):1-88, Australian Rock Art Research Association, Keywords: Mt. Gambier, southern South Australia. Pleistocene cave Melbourne, Australia. ISSN 0813-0426. art. Parietal finger fluting marks. LMRAA. Keywords: Australia. Canada. United States. North America. Col- Bednarik, Robert G., 1993. ‘Oldest Dated Rock Art in the lected papers. LMRAA. World’ in International Newsletter on Rock Art, Vol. (4):5-6, Bednarik, Robert G., ed., 1987 (Nov). Rock Art Research, Comite International d’Art Rupestre, Foix, France. ISSN Vol. 4(2):90-180, Australian Rock Art Research Associ- 1022-3282. http://www.icomos.org/centre_documentation/ ation, Melbourne, Australia. ISSN 0813-0426. inora/inora4/inora-4.pdf (4/22/2017). Keywords: Wharton Hill, Australia. Radiocarbon direct date of Keywords: Australia. Spain. Zimbabwe. Collected papers. LMRAA. petroglyph varnish at c. 40,000 bp. Bednarik, Robert G., 1988. The Paroong Cave Preservation LMRAA (PHOTO COPY). Project: A Report prepared for the Australian Institute of Bednarik, Robert G., 1993. ‘Developments in Rock Art Paint Aboriginal Studies, 63 pgs, Australian Institute of Aboriginal Analysis’ in International Newsletter on Rock Art, Vol. (4):10- Studies, Canberra, Australia. 12, Comite International d’Art Rupestre, Foix, France. ISSN Keywords: Mount Gambier, South Australia. Conservation and site 1022-3282. http://www.icomos.org/centre_documentation/ management. Protection. Visitor control. PCARB, AHCBS. inora/inora4/inora-4.pdf (4/22/2017). Bednarik, Robert G., 1989. ‘Rock Art Conservation and Keywords: Niaux, France. Sandy Creek 2, Queensland and Cape York Protection in Australia’ in Preserving Our Rock Art Heritage, Peninsula, Australia. Paint. Pigment analysis. LMRAA. Occasional Paper, Vol. (1):43-47, American Rock Art Research Bednarik, Robert G., 1993 (Jun). ‘Rock Art Management in Association, San Miguel, California. Australia’ in Pictogram, Vol. 6(1):1-7, South African Rock Art Keywords: Australia. Cultural resource management. Conservation Research Association, Windhoek, Namibia. and preservation. LMRAA, PCARB. Keywords: Australia. Conservation. Preservation. Cultural resource Bednarik, R.G., 1989. ‘Australian Rock Art Dating Consulta- management. LMRAA. tion’ in AURA Newsletter, Vol. 6:2. ISSN 0813 - 2666. Bednarik, Robert G., 1993 (Nov). ‘About Cupules’ in Rock Keywords: Australia. Dating. MWRBRAD. Art Research, Vol. 10(2):138-139, Australian Rock Art Research Bednarik, R.G., 1990. ‘Geochemical Methods for Dating Rock Association, Melbourne, Australia. ISSN 0813-0426. Art’ in AURA Newsletter, Vol. 7:3. ISSN 0813 - 2666. Keywords: Turtle Rock, north Queensland, Australia. Cupules. Keywords: Australia. Dating. MWRBRAD. Chronology. LMRAA. Bednarik, R.G., 1994. ‘Malangine and Koongine Caves, South Bednarik, Robert G., 1991. ‘The Paroong Cave Preservation Australia’ in The Artefact, Robert G. Bednarik, ed., Vol. 17:43- Project’ in Rock Art and Posterity. Conserving, Managing, and 60, Archaeological and Anthropological Society of Victoria, Recording Rock Art. Part 1: Rock Art Conservation and Site Melbourne, Australia. Management, Occasional AURA Publication, Vol. (4):66-70, Keywords: Malangine and Koongine Caves, Australia. Aboriginal Australian Rock Art Research Association, Melbourne, Aus- cave art. Biblio, AATA. tralia. ISBN 0-646-03751-X. Keywords: Mount Gambier, South Australia. Conservation and Bednarik, Robert G., 1994. ‘Rock Art Conservation in Aus- site management. Protection. Visitor control. LMRAA, PCARB, tralia’ in Purakala, Giriraj Kumar, ed., Vol. 5(1-2):31-40, Rock AHCBS, AATA. Art Society of India, Dayalbagh, Agra, India. Keywords: Australia. Cultural resource management. Conservation Bednarik, Robert G., 1991. ‘Call for a Deontology of Rock and preservation. Biblio, LMRAA. Art Research’ in Australian Aboriginal Studies, Vol. (2):56-61, Australian Institute of Aboriginal and Torres Strait Islander Bednarik, Robert G., 1994. ‘Some Deontological Home Studies, Canberra, Australia. ISSN: 0729-4352. Truths in Archaeology’ in Australian Archaeology, Vol. 39:124- Keywords: Conservation and preservation. Ethics. Destructive 126, Australian Archaeological Association, Inc., Canberra, recording methods, sample removal, custodianship of sites. ALOD, Australia. ISSN: 0312-2417. AHCBS, Internet. Keywords: Australia. Rock art studies. Biblio. Bednarik, R.G., 1992. ‘Rock Art and Rock Art Research in Bednarik, Robert G., 1995. ‘Conservacion del Arte Rupestre Australia’ in Adoranten Arrskrift 1992 For, 18-22, Scandina- en Australia’ in Administracion y Conservacion de Sitios de Arte vian Society for Prehistoric Art, Tanumshede, Sweden. ISSN Rupestre, Contribuciones al Estudio del Arte Rupestre Sudamerica- 0349-8808. no, Vol. (4):9-21, Sociedad de Investigacion del Arte Rupestre Keywords: Australia. Aboriginal rock art. Biblio, LMRAA. de Boiivia (SIARB), La Paz, Bolivia. Keywords: Australia. Cultural Resource Management. Conservation Bednarik, Robert G., 1992. ‘Physical Stratigraphy of Aus- and Preservation. LMRAA, AATA. tralian Rock Paintings’ in International Newsletter on Rock Art, Vol. (2):5-6, Comite International d’Art Rupestre, Foix, Bednarik, Robert G., 1995. ‘Rock Art Conservation in Aus- France. ISSN 1022-3282. http://www.icomos.org/centre_doc- tralia’ in Bollettino del Centro Camuno di Studi Preistorici,Vol. umentation/inora/inora2/inora-2.pdf (4/22/2017). 28:132-137, Centro Camuno di Studi Preistorici, Capo di Keywords: Aboriginal rock paintings concealed by mineral deposits Ponte, Italy. ISSN: 0577-2168. 194 Rock Art Research 2018 - Volume 35, Number 2, pp. 188-248. L. MARYMOR Keywords: Australia. Aboriginal rock art. Conservation and pres- Caulfield South, Australia, ISBN-10: 0958680213, ISBN-13: ervation. Biblio, IAAL. 978-0958680219. Bednarik, Robert G., 1995 (Apr). ‘Taking the Style Out of Keywords: Australia. Research methodology. Dating. Biblio, RASNW3 (cites pgs 45-51), MWRBRAD. the Panaramitee Style’ in AURA Newsletter, Vol. 12(1):1-5, Australian Rock Art Research Association, Melbourne, Aus- Bednarik, R.G., 2000. ‘Microerosion Analysis - A Recap’ in tralia. ISSN 0813 - 2666. Advances in Dating Australian Rock-Markings: Papers from the Keywords: Panaramitee, Australia. Author disputes that a cohesive First Australian Rock-Picture Dating Workshop, G.K. Ward and Panaramitee style has been demonstrated. LMRAA. C. Tuniz, eds, Occasional AURA Publication, Vol. (10):52-54, Bednarik, Robert G., 1996. ‘Recent Developments in Aus- Australian Rock Art Research Association, Caulfield South, tralian Rock Art Research’ in International Newsletter on Rock Australia, ISBN-10: 0958680213, ISBN-13: 978-0958680219. Art, Vol. (15):26-29, Comite International d’Art Rupestre, Keywords: Australia. Research methodology. Dating. Microerosion analysis. RASNW3, MWRBRAD. Foix, France. ISSN 1022-3282. http://www.icomos.org/cen- tre_documentation/inora/inora15/inora-15.pdf (4/22/2017). Bednarik, R., 2001. ‘Dating Australian Cave Petroglyphs’ in Keywords: Australia. Aboriginal rock art. LMRAA. Cave Art Research, Vol. 1:1-8, Australian Rock Art Research Association, Victoria, Australia. Bednarik, Robert G., 1997. ‘The Early Rock Art of Australia’ Keywords: Australia. Aboriginal cave art. Biblio. in Bollettino del Centro Camuno di Studi Preistorici,Vol. 30:57-64, Centro Camuno di Studi Preistorici, ISSN: 0577-2168. Bednarik, Robert G., 2001. ‘Breakthrough in Dating Aus- Keywords: Australia. Aboriginal rock art. Pleistocene. Biblio, Ref- tralian Ice Age Rock Art’ in Minerva, Vol. 12(5):2-3, London, doc.fr. England. Keywords: Australia. Dating. Weathering indices analysis of petro- Bednarik, Robert G., 1997. ‘An Engraved Slate Fragment glyphs. Pleistocene. Ice Age. Biblio, MWRBRAD. from Walyunga, Western Australia’ in Records of the Austra- lian Museum, Vol. 18(3):317-321, Australian Museum, ISSN Bednarik, Robert G., 2001 (Jul). ‘Something Old, Something 0067-1975. New’ in AURA Newsletter,Vol. 18(1):1-6, Australian Rock Art Keywords: Walyunga, Western Australia. Aboriginal portable ‘art’. Research Association, Melbourne, Australia. ISSN 0813 - 2666. Biblio. Keywords: Australia. Aboriginal rock art. Rock art studies. State of the art. LMRAA. Bednarik, R.G., 1998. ‘Microscopic Analysis of ‘Engraved Plaques’ and Other Objects from Devil’s Lair’ in Journal Bednarik, Robert G., 2001 (May). ‘Pilbara Petroglyphs Dated’ of Royal Society of Western Australia, Vol. 81:165-175, Royal in Rock Art Research, Vol. 18(1):55-57, Australian Rock Art Society of Western Australia. Research Association, Melbourne, Australia. ISSN 0813-0426. Keywords: Devil’s Lair, south-west Australia. Portable ‘rock art’. Keywords: Pilbara, Australia. Petroglyphs. Direct dating. Microero- Limestone plaques. Late Pleistocene. Microscopic analysis. Repli- sion analysis technique. LMRAA, MWRBRAD. cation. Geomorphological study. https://www.rswa.org.au/publi- Bednarik, Robert G., 2001 (Nov). ‘The Taphonomy of Bees- cations/Journal/81(3)/81(3)bednarik.pdf (6/21/2018). LMRAA, Biblio. wax Figures’ in Rock Art Research, Vol. 18(2):91-95, Australian Bednarik, Robert G., 1998. ‘Direct Dating Results from Aus- Rock Art Research Association, Melbourne, Australia. ISSN tralian Cave Petroglyphs’ in Geoarchaeology: An International 0813-0426. Journal, Vol. 13(4):411-418, John Wiley & Sons, Inc., Print Keywords: Northern Territory, Australia. Beeswax figures. Dating. ISSN: 0883-6353, Online ISSN: 1520-6548. Taphonomy. LMRAA, MWRBRAD. Keywords: Australia. Aboriginal rock art. Direct dating. Accretions Bednarik, Robert G., ed., 2001 (May). Rock Art Research, associated with petroglyphs: radiocarbon and UT/Th analysis. Biblio, Vol. 18(1):72 pgs, Australian Rock Art Research Association, AATA, MWRBRAD. Melbourne, Australia. ISSN 0813-0426. Bednarik, Robert G., 1998 (Sep). ‘Cupulas: El Arte Rupestre Keywords: Central Asia. Australia. Venezuela. South America. Mas Antiguo que se ha Preservado’ in Boletin de Sociedad de Collected papers. LMRAA. Investigacion del Arte Rupestre de Bolivia, Vol. 12:26-35, Socie- Bednarik, Robert G., ed., 2001 (Nov). Rock Art Research, Vol. dad de Investigacion del Arte Rupestre de Bolivia (SIARB), 18(2):140 pgs, Australian Rock Art Research Association, La Paz, Bolivia. Melbourne, Australia. ISSN 0813-0426. Keywords: Asia, Europe, Australia, Americas. Bolivia. Cupules. The Keywords: Norway. Europe. Australia. Israel. Mideast. Indonesia. earliest surviving rock art that we know about. LMRAA. Southeast Asia. Morocco. North Africa. Collected papers. LMRAA. Bednarik, Robert G., ed., 1999 (Jun). Rock Art Research, Vol. Bednarik, R.G., 2002. ‘About the Age of Pilbara Rock Art’ in 16(1):1-72, Australian Rock Art Research Association, Mel- Anthropos, Vol. 97(1):201-215, Anthropos Institute, Fribourg, bourne, Australia. ISSN 0813-0426. Germany. ISSN: 0257-9774. Keywords: Italy. Australia. Bolivia. Norway. Collected papers. Keywords: Pilbara Region, Dating. Weathering indices analysis of LMRAA. petroglyphs. Biblio, MWRBRAD, Refdoc.fr. Bednarik, Robert G., 2000 (Nov). ‘Earliest Known Bednarik, Robert G., 2002. ‘Dampier Petroglyphs: Call for Historical Rock Art in Australia’ in Rock Art Research, Urgent Help (Australia)’ in International Newsletter on Rock Vol. 17(2):131-133, Australian Rock Art Research As- Art, Vol. (34):7-10, Comite International d’Art Rupestre, Foix, sociation, Caulfield South, Australia. ISSN 0813-0426. France. ISSN 1022-3282. http://www.icomos.org/centre_doc- Keywords: Eastern Pilbara, Australia. Historic rock art inscribed umentation/inora/inora34/inora-34.pdf (4/22/2017). with date 1771. Nautical motif. LMRAA. Keywords: Murujuga, Dampier Archipelago, Australia. Cultural resource management. Conservation and preservation. LMRAA. Bednarik, R.G., 2000. ‘Some Problems with ‘Direct Dating’ of Rock-Pictures’ in Advances in Dating Australian Rock-Markings: Bednarik, Robert G., 2002. ‘First Dating of Pilbara Petro- Papers from the First Australian Rock-Picture Dating Workshop, glyphs’ in Records of the Western Australian Museum, Vol. G.K. Ward and C. Tuniz, eds, Occasional AURA Publication, 20:415-429, Western Australian Museum. http://museum. Vol. (10):104-109, Australian Rock Art Research Association, wa.gov.au/sites/default/files/FIRST%20DATING%20OF%20 Rock Art Research 2018 - Volume 35, Number 2, pp. 188-248. L. MARYMOR 195 PILBARA%20PETROGLYPHS.pdf (8/2/2017). Melbourne, Australia. ISSN 0813-0426. Keywords: Pilbara, Australia. Dating. Weathering indices analysis of Keywords: Dampier Archipelago, Murujaga (Burrup Peninsula). petroglyphs. Biblio, RASNW3, MWRBRAD, Academia.edu, Internet. Australia. Austronesia. Collected papers. LMRAA. Bednarik, Robert G., 2002 (Jun.). ‘The Campaign to Save Bednarik, Robert G., 2004 (Jun.). ‘A Recipe for Failure’ in the Dampier Rock Art’ in AURA Newsletter, Vol. 19(2):13- AURA Newsletter,Vol. 21(1):5-6, Australian Rock Art Research 16, Australian Rock Art Research Association, Melbourne, Association, Melbourne, Australia. ISSN 0813 - 2666. Australia. ISSN 0813 - 2666. Keywords: Dampier Archipelago, Western Australia. Cultural re- Keywords: Dampier Archipelago, Australia. Cultural resource man- source management. Pollution. LMRAA. agement. Petrochemical industry threatens rock art sites. LMRAA. Bednarik, Robert G., 2004 (Jun.). ‘Dampier Report October Bednarik, Robert G., 2002 (Nov). ‘The Murujuga Campaign 2004’ in AURA Newsletter, Vol. 21(2):13-16, Australian Rock of 1868’ in Rock Art Research, Vol. 19(2):133-134, Australian Art Research Association, Melbourne, Australia. ISSN 0813 Rock Art Research Association, Melbourne, Australia. ISSN - 2666. 0813-0426. Keywords: Dampier Archipelago, Western Australia. Conservation Keywords: Murujuga, Australia. ‘Flying Foam Massacre.’ Aboriginal and preservation. Pollution. Vandalism. LMRAA. land claims. LMRAA. Bednarik, Robert G., 2004 (May). ‘Rock Markings of Humans Bednarik, Robert G., 2002 (Nov). ‘The Survival of the Muru- and Other Animals’ in Rock Art Research, Vol. 21(1):73-77, juga (Burrup) Petroglyphs’ in Rock Art Research, Vol. 19(1):29- Australian Rock Art Research Association, Melbourne, Aus- 40, Australian Rock Art Research Association, Melbourne, tralia. ISSN 0813-0426. Australia. ISSN 0813-0426. Keywords: Koonalda Cave, Australia. Animal scratch markings. Keywords: Murujuga, Western Australia. Conservation and preser- Incised lines. Comment on Kevin Sharpe, 2004, ‘Line Markings: vation. Industrial development. LMRAA, Academia.edu. Human or Animal Origin’, RAR 21(1):57-70. LMRAA. Bednarik, Robert G., ed., 2002 (May). Rock Art Research, Bednarik, Robert G., 2004 (Nov). ‘IFRAO’s Dampier Cam- Vol. 19(1):76 pgs, Australian Rock Art Research Association, paign’ in Rock Art Research, Vol. 21(2):207-210, Australian Melbourne, Australia. ISSN 0813-0426. Rock Art Research Association, Melbourne, Australia. ISSN Keywords: Dampier Archipelago, Murujaga. Australia. Austronesia. 0813-0426. Collected papers. LMRAA. Keywords: Dampier Archipelago, Western Australia. Conservation and preservation. LMRAA. Bednarik, Robert G., 2003 (Apr.). ‘Dampier Report April 2003’ in AURA Newsletter,Vol. 20(1):5-8, Australian Rock Art Bednarik, Robert G., 2006. Australian Apocalypse. The Story Research Association, Melbourne, Australia. ISSN 0813 - 2666. of Australia’s Greatest Cultural Monument, Occasional AURA Keywords: Dampier Archipelago, Australia. Conservation and pres- Publication, Vol. (14):64 pgs, Australian Rock Art Research ervation. Petrochemical industry threatens rock art sites. LMRAA. Association. Bednarik, Robert G., 2003 (Apr.). ‘The History of the Damp- Keywords: Murujuga, Dampier Archipelago, Australia. Industrial development. Pollution. Political action. LMRAA. ier Issue - Instalment 2’ in AURA Newsletter, Vol. 20(1):8-9, Australian Rock Art Research Association, Melbourne, Aus- Bednarik, Robert G., 2006. ‘The Known Cave Art of South tralia. ISSN 0813 - 2666. Australia’ in Cave Art Research, Vol. 6:1-14, Australian Rock Keywords: Dampier Archipelago, Australia. Conservation and Art Research Association, Victoria, Australia. preservation. Petrochemical industry. Politics, chronology of events. Keywords: South Australia. Aboriginal cave art. Biblio. LMRAA. Bednarik, Robert G., 2006. ‘Australian Apocalypse – Petro- Bednarik, Robert G., 2003 (Apr.). ‘Letters to the Premier glyphs Under Threat’ in Teaching History, Vol. 40(3):36-41. of Western Australia’ in AURA Newsletter, Vol. 20(1):10-12, Keywords: Dampier Archaepelago, Western Australia. Cultural Australian Rock Art Research Association, Melbourne, Aus- resource management. Conservation and preservation. Bancroft. tralia. ISSN 0813 - 2666. Keywords: Dampier Archipelago, Australia. Petrochemical industry Bednarik, Robert G., 2006 (Nov). ‘Editorial’ in Rock Art threatens rock art sites. Politics: letters of support. LMRAA. Research, Vol. 23(2):148-152, Australian Rock Art Research Bednarik, Robert G., 2003 (Apr.). ‘Dampier Petition Com- Association, Melbourne, Australia. ISSN 0813-0426. Keywords: Australia. World. Rock art studies. Cultural resource ments’ in AURA Newsletter, Vol. 20(1):13-16, Australian management. Conflict of interests: archaeologists, developers, Rock Art Research Association, Melbourne, Australia. ISSN government. LMRAA. 0813 - 2666. Keywords: Dampier Archipelago, Australia. Aboriginal rock art. Bednarik, Robert G., 2007 (May). ‘Dampier Rainwater as Conservation and preservation. Petrochemical industry. Signed Acidic as Beer: CSIRO’ in Rock Art Research, Vol. 24(1):139- comments from the Internet petition for support. LMRAA. 141, Australian Rock Art Research Association, Melbourne, Bednarik, Robert G., 2003 (Nov). ‘The Earliest Evidence of Australia. ISSN 0813-0426. Paleoart’ in Rock Art Research, Vol. 20(2):89-135, Australian Keywords: Dampier Archapelago, Western Australia. Conservation and preservation. Acid rain. Air pollution. LMRAA. Rock Art Research Association, Melbourne, Australia. ISSN 0813-0426. Bednarik, R.G., 2007 (May). ‘Progress with Rock Art Protec- Keywords: World. Pleistocene palaeoart. Mobiliary palaeoart. Art tion in Tasmania’ in Rock Art Research, 24(1):135, Australian origins. LMRAA, MWRBRAD, Biblio. Rock Art Research Association, Melbourne, Australia, ISSN Bednarik, Robert G., 2003 (Nov). ‘Crusade for Science’ in 0813-0426. Rock Art Research, Vol. 20(2):121-128, Australian Rock Art Keywords: Tasmania, Australia. Cultural resource management. Research Association, Melbourne, Australia. ISSN 0813-0426. Conservation and preservation. LMRAA. Keywords: World. Pleistocene palaeoart. Art origins. Reply to Com- Bednarik, Robert G., 2007 (Nov). ‘The Science of Dampier ments on Robert G. Bednarik, 2004, RAR, 20(2):89-135. LMRAA. Rock Art - Part 1’ in Rock Art Research, Vol. 24(2):209-246, Bednarik, Robert G., ed., 2003 (May). Rock Art Research, Australian Rock Art Research Association, Melbourne, Aus- Vol. 20(1):86 pgs, Australian Rock Art Research Association, tralia. ISSN 0813-0426. 196 Rock Art Research 2018 - Volume 35, Number 2, pp. 188-248. L. MARYMOR Keywords: Dampier Archipelago, Western Australia. Lithology, 1407306340. weathering, surface acretions, classification. LMRAA. Keywords: World. Cup mark, cupule. Ethnography. Rock art Studies. LMRAA (digital download copy). Bednarik, Robert G., 2007 (Nov). ‘Good Progress at Dampier’ in Rock Art Research, Vol. 24(2):267-271, Australian Rock Art Bednarik, Robert G., 2010 (May). ‘Australian Rock Art of the Research Association, Melbourne, Australia. ISSN 0813-0426. Pleistocene’ in Rock Art Research, Vol. 27(1):95-120, Australian Keywords: Dampier Archipelago, Western Australia. Cultural Rock Art Research Association, Melbourne, Australia. ISSN resource management. Conservation and preservation. LMRAA. 0813-0426. Keywords: Australia. Pleistocene rock art. Panaramitee ‘style’. Bednarik, Robert G., 2008. ‘The Origins of ‘Modern Humans’ Weathering indices analysis of petroglyphs. LMRAA, MWRBRAD, and Palaeoart Reconsidered’ in Pleistocene Palaeoart of the Refdoc.fr. World. Proceedings of the XV UISPP World Congress (Lisbon, 4-9 September 2006) / Actes du XV Congrès Mondial (Lisbonne, Bednarik, Robert G., 2010 - 2011. ‘The Nature of Australian 4-9 Septembre 2006) Vol. 19, Session C80, edited by Robert G. Pleistocene Rock Art’ in Symposium 5: L’Art Pléistocène en Bednarik and Derek Hodgston British Archaeological Reports Australie, Préhistoire, Art et Sociétés: Bulletin de la Société Préhis- (BAR) International Series, Vol. (S1804):41-48, Archaeopress, torique de l’Ariège, Vol. 65-66:184-185, Société Préhistorique Publishers of British Archaeological Reports, Oxford, En- de l’Ariège, Tarascon, France. ISSN 1954-5045. Keywords: Australia. Pleistocene rock art. Dialnet. gland. ISBN 9781407302911. Keywords: Australia. Asia. Africa. Europe. Palaeoart. Origins of mod- Bednarik, Robert G., 2011 (May). ‘The Dampier Campaign’ ern humans. Early symboling behaviour. Bancroft, LMRAA, Biblio. in Rock Art Research, Vol. 28(1):27-34, Australian Rock Art Bednarik, Robert G., 2008 (Nov). ‘On Cupule Interpretation’ Research Association, Melbourne, Australia. ISSN 0813-0426. in Rock Art Research, Vol. 25(2):214-221, Australian Rock Art Keywords: Dampier Archipelago, Western Australia. Conservation and preservation. Cultural heritage activism. LMRAA., Refdoc.fr. Research Association, Melbourne, Australia. ISSN 0813-0426. Keywords: Australia. World. Reply to Comments on Robert G. Bednarik, Robert G., 2011 (May). ‘Inherited vs. Recent Bednarik, ‘Cupules’ in RAR, 25:61-100. Geomorphology. Weathering Accretions’ in Rock Art Research, Vol. 28(1):41-42, Australian pans. LMRAA. Rock Art Research Association, Melbourne, Australia. ISSN Bednarik, R.G., 2009. ‘Dampier Rock Art Precinct, Western 0813-0426. Australia’ in L’Art Parietal: Conservation Mise en Valeur Com- Keywords: Murujuga, Dampier Archipelago, Australia. Conservation munication, Concours de l’UNESCO, du Conseil General de la and preservation. Geology. Comment on Mike Donaldson, ‘Un- derstanding the Rocks: Rock Art and the Geology of the Murujuga Dordogne, du Ministere de la Culture et de la Communication, (Burrup Peninsula’, RAR, (28)1:35-43. LMRAA.` 187-198, Societe des Amis du Musee National de Prehistoire et de la Recherche Archeologique, Les Eyzies, France. ISBN Bednarik, R., 2012. ‘The Nature of Australian Pleistocene 2-911233-07-7. Rock Art’ in L’Art Pleistocene dans le Monde / Actes du Con- Keywords: Dampier Archipelago, Western Australia. Aboriginal gres IFRAO, Tarascon-sur-Ariege, Sept. 2010, Jean Clottes, rock art. Biblio. ed., Bulletin de la Societe Prehistorique Ariege-Pyrenees, Vol. Bednarik, Robert G., 2009 (May). ‘Editorial’ in Rock Art LXV-LXVI:Book: 184-185, CD: 1037-1048, Societe Prehis- Research, Vol. 26(1):4-6, Australian Rock Art Research Asso- torique Ariege-Pyrenees, Tarascon-sur-Ariege, France. ISBN ciation, Melbourne, Australia. ISSN 0813-0426. 0245-9523. ISBN 987-2-9531148-3-6. http://www.fumdham. Keywords: Australia. World. Cultural resource management. Con- org.br/wp-content/uploads/2015/06/fumdhamentos_ix.pd- servation and preservation. LMRAA. f?x49464 (8/21/2017). Keywords: Australia. Pleistocene rock art. Biblio, LMRAA. Bednarik, Robert G., 2009 (May). ‘Experimental Colorimetric Analysis of Petroglyphs’ in Rock Art Research, Vol. 26(1):55-64, Bednarik, Robert G., 2012 (Nov). ‘U-Th Analysis and Rock Australian Rock Art Research Association, Melbourne, Aus- Art: A Response to Pike et al.’ in Rock Art Research, Vol. tralia. ISSN 0813-0426. https://www.academia.edu/people/ 29(2):244-246, Australian Rock Art Research Association, Mel- search?utf8=%E2%9C%93&q=petroglyphs (4/25/2017). bourne, Australia. ISSN 0813-0426. http://www.fumdham. Keywords: Western Australia. Saudi Arabia. Colorimetry of patina. org.br/wp-content/uploads/2015/06/fumdhamentos_ix.pd- Experimental method of dating petroglyphs. LMRAA, MWRBRAD, f?x49464 (8/21/2017). Academia.edu. Keywords: Cantabria, Spain. Malangine Cave, South Australia. Direct dating, U-Th analysis. Comment of Pike et al, in Science 336:1409- Bednarik, Robert G., 2009 (Nov). ‘State of the Art Summary 1413, 2012. LMRAA. for UNESCO’ in Rock Art Research, Vol. 26(2):238-241, Aus- tralian Rock Art Research Association, Melbourne, Australia. Bednarik, Robert G., 2013. ‘IFRAO Secures Protection of ISSN 0813-0426. Dampier Monument’ in La Pintura, Vol. 39(4):6-7, American Keywords: Australia. World. Documentation. Recording methodol- Rock Art Research Association, Lemon Grove, California. ogy. Cultural resource management. LMRAA. Keywords: Dampier Archipelago, Western Australia. Cultural resource management. Conservation and preservation. IFRAO. Bednarik, Robert G., 2010. ‘Pleistocene Rock Art in Australia’ LMRAA. in Anthropos, Vol. 105(1):3-12, Anthropos Institute, St Au- gustine, Germany. ISSN: 0257-9774. http://www.anthropos. Bednarik, Robert G., 2013. ‘History’s Largest Confrontation eu/anthropos/journal/abstracts/1051/01-Robert-G-Bednarik. Over Rock Art Protection’ in International Newsletter on Rock php (8-16-2011). Art, Vol. (67):15-19, Comite International d’Art Rupestre, Keywords: Australia. Pleistocene rock art. Weathering indices anal- Foix, France. ISSN 1022-3282. http://www.icomos.org/imag- ysis of petroglyphs. Biblio, MWRBRAD. es/Inora_67_2013_p.15-19_Bednarik.pdf (4/22/2017). Bednarik, Robert G., 2010. ‘A Short Ethnography of Cupules’ Keywords: Dampier Archipelago, Western Australia. Yaburara Ab- original rock art. Conservation and preservation. Biblio. in Mysterious Cup Marks: Proceedings of the First International Cupule Conference, R.G. Bednarik and R. Querejazu Lewis, Bednarik, Robert G., 2013. ‘Cultural Heritage Management, eds, British Archaeological Reports, Vol. (S2073):109-114, Ethics and Rock Art in Western Australia’ in Australian Archaeopress, Oxford, England. ISBN: 9781407306346, Aboriginal Studies, Vol. 2013(2):86-91, Australian Institute Rock Art Research 2018 - Volume 35, Number 2, pp. 188-248. L. MARYMOR 197 of Aboriginal and Torres Strait Islander Studies, Canberra, Bednarik, Robert G., 2017. Paleoart of the Ice Age, 260 pgs, Australia. ISSN: 0729-4352.
Part 2 of this bibliography will appear in the next issue of Rock Art Research and include the list of abbreviations used. Copyright of Rock Art Research is the property of Australian Rock Art Research Association and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. Rock Art Research 2019 - Volume 36, Number 1, pp. 49-93. L. MARYMOR 49
KEYWORDS: Australia – Aboriginal rock art – Bibliography – Rock art studies
AUSTRALIAN ROCK ART BIBLIOGRAPHY EXTRACTED FROM THE ROCK ART STUDIES BIBLIOGRAPHIC DATABASE FOR THE YEARS 1841 TO 2018 — PART 2
Leigh Marymor
Abstract. The Rock Art Studies Bibliographic Database is an open access, online resource that fulfils the need for a searchable portal into the world’s rock art literature. The Australian Rock Art Bibliography results from an export of approximately 1980 citations from the RAS da- tabase and captures a freeze-frame in the state of Australian rock art literature as compiled here in the year 2018. The online version of the RAS Bibliographic Database at the Museum of Northern Arizona is updated annually, and we refer the reader to that resource for up-to-date bibliographic data revisions and additions. Researchers who consult the online database in concert with their reference to the Australian Rock Art Bibliography will discover a powerful ally in further refining geographic and thematic inquiries.
Maynard, L., 1976. An Archaeological Approach to the Study Vol. (26):61-80, Australian Institute of Aboriginal Studies, of Australian Rock Art, Master’s Thesis, 255 pgs, University Canberra, Australia. of Sydney, Sydney, Australia. Keywords: Gallus Site, Koonalda Cave, Australia. Aboriginal rock Keywords: Australia. Aboriginal rock art. The role of rock art as an art. Biblio. archaeological artefact. Biblio, AHCBS, RASNW3. McBryde, Isabel, 1968. ‘Archaeological Investigations in the Maynard, L., 1976. ‘Restoration of Aboriginal Rock Art: The Graman District’ in Archaeology & Physical Anthropology in Moral Problem’ in Proceedings of the National Seminar on the Oceania, Vol. 3(2):77-93, ISSN: 0003-8121. Conservation of Cultural Material, Perth, 1973, Colin Pearson Keywords: Graman District, New South Wales, Australia. Aboriginal and Graeme L. Pretty, eds, 61-65, Australian Institute for the rock art. JSTOR. Conservation of Cultural Material (ICCM), ISBN 0-9597371- McCann, J. and Becker, N., 1989. ‘Ikey, Pikey, Psyche, Crikey, 0-3. Chillagoe’ in Geo, Vol. 11(2):28-35. Keywords: Australia. Aboriginal rock art. Repainting. Ethics. AATA. Keywords: Chillagoe, Australia. Regional overview of regional Maynard, L., 1977. ‘Classification and Terminology in Aus- features of interest, including rock art. AHCBS. tralian Rock Art’ in Form in Indigenous Art: Schematisation in McCarthy, Frederick D., 1939. ‘Aboriginal Art’ in Art in the Art of Aboriginal Australia and Prehistoric Europe, Peter J. Australia. Art and Architecture, Kenneth Wilkinson, ed., A Ucko, ed., 387-402, Australian Institute of Aboriginal Studies, Sydney Morning Herald Publication, Third series(77):53-62, Canberra, Australia, ISBN-10: 0391008641, ISBN-13: 978- John Fairfax and Sons Pty. Limited, Sydney, Australia. 0391008649. Keywords: Australia. Aboriginal rock art. With two tipped-in color Keywords: Australia. Aboriginal rock art. Classification. Terminol- prints by W.P. Kinsela. LMRAA. ogy. Typology. LMRAA, Biblio, AHCBS. McCarthy, F.D., 1939. ‘The Aboriginal Rock Engravings of Maynard, L., 1979. ‘The Archaeology of Australian Aboriginal the Sydney District’ in Australian Museum Magazine, Vol. Art’ in Exploring the Visural Art of Oceania: Australia, Melanesia, 6:401-409, Australian Museum. Micronesia and Polynesia, S.M. Mead, ed., 83-110, University Keywords: Sydney, Australia. Aboriginal rock art. Biblio. Press of Hawaii, Honolulu, Hawaii, Online ISSN:1834-4461. Keywords: Australia. Aboriginal rock art. Archaeology. Biblio, McCarthy, F.D., 1939. ‘Pictorial Composition in Australian AHCBS, RASNW3. Aboriginal Rock Art’ in Australian Museum Magazine, Vol. 7(1):17-20, Australian Museum. Maynard, L., 1980. ‘Aboriginal Rock Carvings in the Sydney Keywords: Australia. Aboriginal rock art. (A very early use of the Area’ in The Aborigines of New South Wales, C. Haigh and W. terminology ‘rock art’). Biblio. Goldstein, eds, 109-111, National Parks and Wildlife Service, Sydney, Australia. McCarthy, F.D., 1939. ‘The Aboriginal Rock Paintings of New Keywords: Sydney, New South Wales, Australia. Aboriginal rock South Wales’ in Australian Museum Magazine, Vol. 7:50-56, art. Style. Weathering effects on Hawkesbury sandstone. AHCBS. Australian Museum. Keywords: New South Wales, Australia. Aboriginal rock art. Biblio. Maynard, L. and Edwards, R., 1971. ‘Wall Markings’ in Ar- chaeology of the Gallus Site, Koonalda Cave, R.V.S. Wright, ed., McCarthy, F.D., 1941. ‘Records of Rock Engravings in the 50 Rock Art Research 2019 - Volume 36, Number 1, pp. 49-93. L. MARYMOR Sydney District: I-VII’ in Mankind, Vol. 3:42-56, Anthro- Casting. Molds.Biblio, AATA. pological Society of New South Wales, Sydney, Australia. McCarthy, Frederick D., 1956. ‘Rock Engravings of the Syd- http://onlinelibrary.wiley.com/doi/10.1111/j.1835-9310.1941. ney-Hawkesbury District, Part 1: Flat Rocks Ridge: A Daruk tb00148.x/full (8/24/2017). Ceremonial Ground’ in Records of the Australian Museum, Vol. Keywords: Sydney, New South Wales, Australia. Aboriginal rock 24(5):37-58, Australian Museum, ISSN 0067-1975. DOI:10.38 art. Wiley. 53/j.0067-1975.24.1956.643. McCarthy, F.D., 1943. ‘Catalogue of the Aboriginal Relics Keywords: Flat Rocks Ridge, Sydney-Hawkesbury District, Cum- of New South Wales. Part I. Rock Engravings. (Concluded.)’ berland County, Australia. Daruk. Internet. in Mankind, Vol. 3:116-120, Anthropological Society of New McCarthy, Frederick D., 1958. Australian Aboriginal Rock Art, South Wales, Sydney, Australia. http://onlinelibrary.wiley. 72 pgs, Australian Museum, Sydney, Australia. com/doi/10.1111/j.1835-9310.1943.tb00165.x/full (8/23/2017). Keywords: Australia. Aboriginal rock art. Overview. WELLM, LM- Keywords: New South Wales, Australia. Biblio, Wiley. RAA (3rd edn 1967), AHCBS (4th edn 1979). McCarthy, Frederick D., 1944. ‘Australia: Archæology: Re- McCarthy, Frederick D., 1959. ‘Cave Art of the Conjola Dis- cords of the Rock Engravings of the Sydney District, Nos. trict, New South Wales’ in Records of the Australian Museum, VIII-XX’ in Mankind, Vol. 3(6):161-171, Anthropological Vol. 24(13):191-202, Australian Museum, ISSN 0067-1975. do Society of New South Wales, Sydney, Australia. http://on- i:10.3853/j.0067-1975.24.1959.651. linelibrary.wiley.com/doi/10.1111/j.1835-9310.1944.tb01297.x/ Keywords: Conjola District, New South Wales, Australia. Aboriginal full (8/24/2017). rock art. Biblio, Internet. Keywords: Sydney District, New South Wales, Australia. Aboriginal rock engravings. LMRAA, Wiley. McCarthy, Frederick D., 1959. ‘Rock Engravings of the Sydney-Hawkesbury District, Part 2: Some Important Ritual McCarthy, Frederick D., 1946. ‘Records of the Rock En- Groups in the County of Cumberland’ in Records of the Austra- gravings of Sydney District Nos. 33-37’ in Mankind, Vol. lian Museum, Vol. 24(14):203-216, Australian Museum, ISSN 3(9):266-272, Anthropological Society of New South Wales, 0067-1975. DOI:10.3853/j.0067-1975.24.1959.652. Sydney, Australia. Keywords: Sydney-Hawkesbury District, Australia. Aboriginal Rock Keywords: Lambert Peninsula, Kuring-Gai Chase, Sydney District, Art. Biblio, Internet. New South Wales, Australia. Aboriginal rock engravings. LMRAA. McCarthy, Frederick D., 1960. ‘The Cave Paintings of Groote McCarthy, Frederick D., 1947. ‘Records of the Rock En- Eylandt and Chasm Islands’ in Records of the Australian-Amer- gravings of the Sydney District, Nos. XXXVIII’ in Mankind, ican Expedition to Arnhem Land (1948), Charles P. Mountford, Vol. 3(11):322-329, Anthropological Society of New South ed., Vol. 2:297-414, Melbourne University Press, Melbourne, Wales, Sydney, Australia. http://onlinelibrary.wiley.com/ Australia. doi/10.1111/j.1835-9310.1947.tb00131.x/full (8/25/2017). Keywords: Groote Eylandt and Chasm Islands, Australia. Aboriginal Keywords: Peter Howe Trust Reserve, Sydney District, New South rock art. Biblio. Wales, Australia. Wiley. McCarthy, F.D., 1960. ‘Rock Art in Central Queensland’ in McCarthy, F.D., 1949. ‘Records of Rock Engravings in the Mankind, Vol. 5(9):400-404, Anthropological Society of New Sydney District: XXXIX-XL’ in Mankind, Vol. 4:61-67, An- South Wales, Sydney, Australia. http://onlinelibrary.wiley. thropological Society of New South Wales, Sydney, Australia. com/doi/10.1111/j.1835-9310.1960.tb00325.x/full (8/23/2017). http://onlinelibrary.wiley.com/doi/10.1111/j.1835-9310.1949. Keywords: Central Queensland, Australia. Aboriginal rock art. tb00214.x/full (8/25/2017). Biblio, Wiley. Keywords: Sydney District, Australia. Aboriginal rock art. Wiley. McCarthy, Frederick D., 1961. ‘The Rock Engravings of McCarthy, Frederick D., 1952. ‘Cave Paintings in North-East- Depuch Island, North-West Australia’ in Records of the Aus- ern Queensland’ in Mankind, Vol. 4(7):294-299, Anthro- tralian Museum, Vol. 25(7):121-144, Australian Museum, ISSN pological Society of New South Wales, Sydney, Australia. 0067-1975. DOI:10.3853/j.0067-1975.25.1961.660. http://onlinelibrary.wiley.com/doi/10.1111/j.1835-9310.1951. Keywords: Depuch Island, North-West Australia. Aboriginal rock tb00253.x/full (8/25/2017). art. Biblio, Internet. Keywords: North-eastern Queensland, Australia. Aboriginal rock McCarthy, Frederick D., 1961. ‘A Remarkable Gallery of art. Wiley. Cave Paintings in Eastern New South Wales’ in Records of the McCarthy, Frederick D., 1954. ‘Records of the Rock Engrav- Australian Museum, Vol. 25(17):115-120, Australian Museum, ings of Sydney District Nos. 41-55’ in Mankind, Vol. 5:8-32, An- ISSN 0067-1975. DOI:10.3853/j.0067-1975.25.1961.659. https:// thropological Society of New South Wales, Sydney, Australia. australianmuseum.net.au/uploads/journals/17412/659_com- http://onlinelibrary.wiley.com/doi/10.1111/j.1835-9310.1954. plete.pdf (5/29/2018). tb01414.x/full (8/23/2017). Keywords: Cumberland County, Hawkesbury District, Crown Keywords: Sydney Districts No. 41045, New South Wales, Australia. Island, eastern New South Wales, Australia. Internet. Aboriginal rock art. Biblio, Wiley. McCarthy, F.D., 1961. ‘Aboriginal Cave Art on Woronora and McCarthy, F.D., 1955. ‘Notes on the Cave Paintings of Cordeaux Catchment Areas’ in Sydney Water Board Journal, Groote and Chasm Islands in the Gulf of Carpentaria’ in Vol. 10(4):97-103, Sydney Water Board. Mankind, Vol. 5:68-75, Anthropological Society of New Keywords: Woronora and Cordeaux Catchment Areas, Sydney, New South Wales, Australia. Aboriginal rock art. LMRAA. South Wales, Sydney, Australia. http://onlinelibrary.wiley. com/doi/10.1111/j.1835-9310.1955.tb01422.x/full (8/25/2017). McCarthy, F.D., 1962. ‘The Rock Engravings at Port Head- Keywords: Groote and Chasm Islands, Australia. Aboriginal rock land, North-Western Australia’ in Kroeber Anthropological art. Biblio, Wiley. Society Papers, Vol. (26):1-73, University of California, Berke- ley, California. McCarthy, F.D., 1955. ‘Methods and Scope of Australian Keywords: Port Headland, North-Western Australia. Aboriginal Archaeology’ in Mankind, Vol. 5(7):297-316, Anthropological rock art. LMRAA, BIBLIO. Society of New South Wales, Sydney, Australia. Keywords: Australia. Documentation. Recording methodology. McCarthy, Frederick D., 1964. ‘The Archaeology of the Cap- Rock Art Research 2019 - Volume 36, Number 1, pp. 49-93. L. MARYMOR 51 ertee Valley, NSW’ in Records of the Australian Museum, Vol. digenous Art: Schematisation in the Art of Aboriginal Australia 26(6):197-264, Australian Museum, ISSN 0067-1975. DOI:10. and Prehistoric Europe, Peter J. Ucko, ed., 184-190, Australian 3853/j.0067-1975.26.1964.674. Institute of Aboriginal Studies, Canberra, Australia, ISBN-10: Keywords: Capertree Valley, near Glen Davis, New South Wales, 0391008641, ISBN-13: 978-0391008649. Australia. Aboriginal rock art. Biblio, Internet. Keywords: Copper Mine Gully, Mulyin, New Gully, Bawn Bawn, and Belang, Waldburg Ranges, Upper Gascoyne District, Western McCarthy, F.D., 1964. ‘The Art of Rock Faces’ in Australian Australia. LMRAA, AHCBS. Aboriginal Art, R.M. Berndt, ed., 33-43, Ure Smith, Sydney, Australia. McConnell, A., 1981. Preliminary Report: Grampians Rock Art Keywords: Australia. Aboriginal rock art. Biblio. Conservation Project, 1977-1981, Victoria Archaeological Survey, 56 pgs, Ministry for Conservation, Melbourne, Australia. McCarthy, F.D., 1968. ‘Recording Art on Rock Surfaces’ in Keywords: Grampians, Australia. Aboriginal rock art. Rock shelter Australian Archaeology: A Guide to Field Techniques, D.J. Mul- microclimates monitoring. AHCBS. vaney, ed., 125-155, Australian Institute of Aboriginal Studies, Canberra, Australia. McConnell, A., 1985. Summary of Analyses of Pigments Keywords: Australia. Research methodologies. Documentation. from Bunjil’s Cave, unpubl. report, Victoria Archaeological Biblio. Survey, Victoria, Australia. Keywords: Bunjil’s Cave, Grampians, Victoria, Australia. Aboriginal McCarthy, F.D., 1976. ‘Rock Art of the Cobar Pediplain in rock art. Pigment analysis. Biblio. Central Western New South Wales’ in Research and Regional Studies, Vol. (7):163 pgs, Australian Institute of Aboriginal McConnell, A., 1987. ‘Pigment Analysis for the Authentifi- Studies, Canberra, Australia. cation of the Aboriginal Paintings at Bunjils Cave, Western Keywords: Iona, Mulgowan, Wuttagoona, Mt. Grenfell and Meadow Victoria’ in Archaeometry: Further Australian Studies, W.R. Glen, western NSW, Australia. Biblio, PRANSA, AHCBS. Ambrose and M.J. Mummery, eds, 43-56, Department of Pre- history, Australian National University, Canberra, Australia. McCarthy, F.D., 1976. ‘The Tasmanian Devil in Aboriginal Keywords: Bunjils Cave, Black Range, Victoria, Australia. Aboriginal Rock Art’ in Mankind, Vol. 10(3):181-182. rock art. Pigment analysis. AHCBS, AATA. Keywords: Groote Eylandt (Gulf of Carpenteria), Brookvale (Sydney) and Western Arnhem Land, Australia. Aboriginal rock art. Biblio, McDonald, J.J., 1983. ‘The Identification of Species in a AHCBS. Panaramittee Style Site’ in Archaeology at ANZAAS 1983, McCarthy, Frederick D., 1977. ‘Schematisation in Eastern M. Smith, ed., 236-272, Western Australian Museum, Perth, and Northern Australian Rock Art’ in Form in Indigenous Art: Australia. Keywords: Australia. Aboriginal rock art. Panaramitee style. BIBLIO, Schematisation in the Art of Aboriginal Australia and Prehistoric AHCBS, RASNW3. Europe, Peter J. Ucko, ed., 403-413, Australian Institute of Ab- original Studies, Canberra, Australia, ISBN-10: 0391008641, McDonald, Josephine, 1985 (Nov). ‘Sydney Basin Aboriginal ISBN-13: 978-0391008649. Heritage Study, Stage I: Rock Engraving, Painting, and Draw- Keywords: North Maroota. Cobar. Groote/Chasm Islands. Syd- ing Sites’ in Rock Art Research, Vol. 2(2):158-160, Australian ney-Hawkesbury. Mootwingee. Port Headland. Depuch Island. Rock Art Research Association, Melbourne, Australia. ISSN LMRAA, AHCBS. 0813-0426. McCarthy, Frederick D., 1978. ‘Australian Aboriginal Materi- Keywords: Sydney Basin, New South Wales, Australia. Regional survey project. LMRAA, AHCBS. al Culture’ in Aboriginal Art in Australia, Robert Edwards, ed., 21-28, Ure Smith, Sydney, Australia, ISBN-10: 072540406X, McDonald, Josephine, 1985. Sydney Basin Aboriginal Heritage ISBN-13: 978-0725404062. Study: Rock Engravings and Shelter Art Sites, Stage I, 109 pgs, Keywords: Australia. Aboriginal art. Archaeological context, material National Parks and Wildlife Service, New South Wales, culture. LMRAA. Australia. McCarthy, Frederick D., 1988 (May). ‘Rock Art Sequences: Keywords: Sydney Basin, New South Wales, Australia. Regional survey project. Aboriginal rock art. Biblio, AHCBS. A Matter of Clarification’ in Rock Art Research, Vol. 5(1):16- 42, Australian Rock Art Research Association, Melbourne, McDonald, J., 1987. Sydney Basin Aboriginal Heritage Australia. ISSN 0813-0426. Study:Shelter Art Sites: Stage 2, Report, 1 volume, National Keywords: Australia. Aboriginal rock art. Comments by: John Clegg, Parks and Wildlife Service. Bruno David, N. Franklin, Josephine Mcdonald, Leslie Maynard, Keywords: Sydney Basin, New South Wales, Australia. Aboriginal David R. Moore, M.J. Morwood, Andrée Rosenfeld, and Robert G. rock art. AHCBS. Bednarik. Reply by author. LMRAA, AHCBS. McDonald, J., 1988. The Proposed Warre Warren Aboriginal McCarthy, F. D. and Hansen, F., 1962. ‘Records of the Place McPherson State Forest: Archaeological Investigation, 81 Rock Engravings of the Sydney District: Nos. 72–102’ in pgs, Forestry Commission of New South Wales and National Mankind, Vol. 5:385-400, Anthropological Society of New Parks and Wildlife Service, Sydney, Australia. South Wales, Sydney, Australia. http://onlinelibrary.wiley. Keywords: Warre Warren Aboriginal Place McPherson State Forest, com/doi/10.1111/j.1835-9310.1960.tb00324.x/full (8/23/2017). NSW, Australia. Aboriginal rock art. AHCBS. Keywords: Sydney District, NSW, Australia. Aboriginal rock art. McDonald, Josephine, 1990. Sydney Basin Aboriginal Heritage Biblio, Wiley. Study: Rock Engravings and Shelter Art Sites, Stage III, National McCarthy, F.D. and Higginbotham, E.A., eds, 1983. Catalogue Parks and Wildlife Service, New South Wales, Australia. of Rock Engravings in the Sydney-Hawkesbury District NSW, Keywords: Sydney Basin, Australia. Regional survey project. Ab- 3 volumes, National Parks and Wildlife Service, Sydney, original rock art. Biblio. Australia. McDonald, Jo, 1992. ‘Rock Art in the Sydney Basin Region: Keywords: Sydney - Hawkesbury, NSW, Australia. Aboriginal rock Synchronic and Functional Variation in a Dual Media, Re- art sites are catalogued and described. AHCBS, Biblio. gional Art Body’ in State of the Art: Regional Rock Art Studies McCaskill, D.L., 1977. ‘Schematisation in Rock Art of the in Australian and Melanesia, J. McDonald and I.P. Haskovec, Upper Gascoyne District, Western Australia’ in Form in In- eds, Occasional AURA Publication, Vol. 1(6), Australian 52 Rock Art Research 2019 - Volume 36, Number 1, pp. 49-93. L. MARYMOR Rock Art Research Association, Melbourne, Australia, ISBN: Rock-Picture Dating Workshop, G.K. Ward and C. Tuniz, eds, 0646090836, 9780646090832. Occasional AURA Publication, Vol. (10):90-94, Australian Keywords: Sydney, Australia. Setting: open site engravings and Rock Art Research Association, Caulfield South, Australia. shelter site paintings. Sydney basin style. LMRAA. https://www.academia.edu/1448025/Jo_McDonald_AMS_ McDonald, Josephine, 1993. ‘On a Clear Day, You Can See dating_charcoal_drawings_in_the_Sydney_region_re- Mount Yengo, or: Investigating the Archaeological Mani- sults_and_issues (4/21/2014), ISBN-10: 0958680213, ISBN-13: festations of Culturally Significant Foci in the Prehistoric 978-0958680219. Landscape’ in Time and Space. Dating and Spatial Considerations Keywords: Sydney region, Australia. Direct dating. AMS. Charcoal drawings. RASNW3, MWRBRAD, Academia.edu. in Rock Art Research, AURA Occasional Paper, Vol. (8):84-91, Australian Rock Art Research Association, Melbourne, Aus- McDonald, J., 2000. ‘Media and Social Context: Influences on tralia. ISBN 0646156179. Stylistic Communication Networks in Prehistoric Sydney’ in Keywords: Sites in view of Mt. Yengo within an area of the Sydney Australian Archaeology, Vol. 51:54-63, Australian Archaeolog- Basin north of the Hawkesbury River, Australia. Boree track. ical Association, Inc., Canberra, Australia. ISSN: 0312-2417. McDonald, Josephine, 1993. ‘The Depiction of Species in http://www.jstor.org/pss/40287496 (8-16-2011). Macropod Track Engravings at an Aboriginal Art Site in Keywords: Sydney, Australia. Aboriginal rock art. RASNW3, KRAI. Western New South Wales’ in F.D. McCarthy, Commemorative McDonald, Jo, 2007. ‘Dampier Archipelago Petroglyphs: Mo- Papers (Archaeology, Anthropology, Rock Art), J.Specht, ed., tif and Trait Analysis in the Assessment of Scientific Values Records of the Australian Museum, Supplement 17, 105-115. of a Rock Art Province ‘ in XXII Valcamonica Symposium 2007: Keywords: Western New South Wales, Australia. Macropod tracks. Rock Art in the Framework of the Cultural Heritage of Humankind, Aboriginal rock art. Biblio. Papers / l’Arte Rupestre nel Quadro del Patrimonio Culturale McDonald, J., 1994. ‘Everywhere You Go You Know He’s dell’Umanità Pre Atti, 18-24 Maggio 2007, Centro Congressi, Been There Before. The Influence of Fred McCarthy on Rock Darfo Boario Terme, E. Anati, ed., 321-326, Edizioni del Centro, Art Research Research in the Sydney Basin’ in Archaeology in Capo di Ponte, Itlay. http://www.ccsp.it/web/INFOCCSP/ the North. Proceedings of the 1993 Australian Archaeological Asso- VCS%20storico/vcs2007pdf/mcDonald.pdf (5/8/2017). ciation Conference, M. Sullivan, S. Brockwell and A. Webb, eds, Keywords: Dampier Archipelago, Western Australia. Motif and trait 40-53, Northern Australian Research Unit, Darwin, Australia. analysis. Anthropomorph, stick figure motif(s). Internet. Keywords: Sydney Basin, Australia. Fred McCarthy. Aboriginal rock McDonald, Jo, 2008. Dreamtime Superhighway. Sydney Basin art. Biblio, RASNW3. Rock Art and Prehistoric Information ExchangeTerra Australis, McDonald, J., 1994. Dreamtime Superhighway: An Anal- Vol. 27:409 pgs, ANU E Press, ISBN 9781921536168, ISBN ysis of Sydney Basin Rock Art and Prehistoric Information 9781921536175 (Online). Exchange, Ph.D. Thesis, Vol. 2 vols, Australian National Keywords: Sydney Basin, Australia. Aboriginal rock art. Internet. University, Canberra, Australia. McDonald, Jo, 2008. ‘Rock Art and Cross-Cultural Interaction Keywords: Sydney Basin, Australia. Aboriginal rock art. Dating. in Sydney: How Did Each Side Perceive the Other?’ in Strang- Biblio, MWRBRAD. ers on the Shore: Early Coastal Contact in Australia, Peter Veth, McDonald, J.J., 1998. ‘Beyond Hook, Line and Dillybag: Peter Sutton and Margo Neale, eds, 94-112, National Museum Gender, Economics and Information Exchange in Prehistoric of Australia, Canberra, Australia. ISBN 10: 1876944633, ISBN Sydney’ in Redefining Archaeology: Feminist Perspectives, M. 13: 9781876944636. https://www.academia.edu/2628954/ Casey, D. Donlon, J. Hope and S. Welfare, eds, 96-104, ANH Rock_Art_and_cross-cultural_interaction_in_Sydney_How_ Publications, Australian National University, Canberra, did_each_side_perceive_the_other (10/22/2016). Australia. https://www.academia.edu/2628870/Beyond_ Keywords: Australia. Aboriginal rock art. Historic European contact Hook_Line_and_Dillybag_gender_economics_and_informa- era. Academia.edu. tion_exchange_in_prehistoric_Sydney (4/21/2014). McDonald, Jo, 2012. ‘Chapter 13: Pictures of Women: The Keywords: Sydney Basin, Australia. Aboriginal rock art. Gender. Social Context of Australian Rock Art Production’ in A Academia.edu. Companion to Rock Art, Jo McDonald and Peter Veth, eds, McDonald, Jo, 1998. ‘Shelter Rock-Art in the Sydney Basin Companions to Archaeology, 214-236, Wiley-Blackwell Pub- - A Space-Time Continuum: Exploring Different in Stylistic lishing, ISBN 10: 1444334247. ISBN 13: 9781444334241. https:// Change’ in The Archaeology of Rock Art, 319-335, Cambridge www.academia.edu/5102491/Pictures_of_Women_The_So- University Press, Cambridge, England. ISBN 0-521-57256-8 cial_Context_of_Australian_Rock_Art_Production._Jo_Mc- (hardback); 0-521-57619-9 (paper). Donald (4/21/2014). Keywords: Sydney Basin, Australia. Aboriginal rock art. Dating. Keywords: Dampier Archipelago (Murujuga), Australia. Anthropo- LMRAA, MWRBRAD. morph, human, female (woman) motif(s). LMRAA, Academia.edu. McDonald, J., 1999. ‘Bedrock Notions and Isochrestic McDonald, Jo, 2015. ‘I Must Go Down to the Seas Again: Choice: Evidence for Localised Stylistic Patterning in En- Or, What Happens When the Sea Comes to You? Muruju- gravings of the Sydney Region’ in Archaeology in Oceania, Vol. ga Rock Art as an Environmental Indicator for Australia’s 34(3):145-160, Oceania Publications, University of Sydney, North-West’ in Quaternary International, Vol. 385:124-135, In- Sydney, Australia. ISSN: 0003-8121. https://www.academia. ternational Union for Quaternary Research, ISSN: 1040-6182. edu/903951/Bedrock_notions_and_isochrestic_choice_ev- http://dx.doi.org/10.1016/j.quaint.2014.10.056 (2/5/2017). idence_for_localised_stylistic_patterning_in_the_engrav- Keywords: Dampier Archipelago, Murujuga, north-west Australia. ings_of_the_Sydney_region (4/21/2014). Internet, ScienceDirect. Keywords: Sydney, Australia. Aboriginal rock art. Shield motif(s). McDonald, Jo, 2017. ‘Australia’s Rock Art Heritage: A The- Internet, RASNW3, RASNW4, Academia.edu, JSTOR. matic Approach to Assessing Scientific Value’ inThe Oxford McDonald, J., 2000. ‘AMS dating Charcoal Drawings in the Handbook of the Archaeology and Anthropology of Rock Art, Bruno Sydney Region: Results and Issues’ in Advances in Dating David and Ian J. McNiven, eds, Oxford Handbooks Online. Australian Rock-Markings: Papers from the First Australian DOI: 10.1093/oxfordhb/9780190607357.013.34 (11/19/2017). Rock Art Research 2019 - Volume 36, Number 1, pp. 49-93. L. MARYMOR 53 Keywords: Dampier Archipelago, Western Australia. Aboriginal rock ology of Oceania, Australia, and the Pacific Islands, Ian Lilley, art. Cultural resource management. Heritage. Internet. ed., Blackwell Studies in Global Archaeology, Vol. 8:96-115, McDonald, Jo, 2017 (Jun). ‘Discontinuities in Arid Zone Wiley, Oxford, England. ISBN 0631230823, 9780631230823. Rock Art: Graphic Indicators for Changing Social Complexity Jo_McDonald_and_Peter_Veth_Rock_art_and_social_iden- Across Space and Through Time’ in Journal of Anthropological tity_a_comparison_of_Holocene_graphic_systems_in_arid_ Archaeology, Vol. 46:53-67, Elsevier, ISSN: 0278-4165. https:// and_fertile_environments (4/21/2014). doi.org/10.1016/j.jaa.2016.08.005 (7/13/2017). Keywords: Sydney Basin, Australia. Aboriginal rock art. Arid zone. Fertile zone. Biblio, Internet, RASNW4, Academia.edu. Keywords: Kaalpi and Katjarra, Western Desert, Australia. Aborig- inal rock art. Style sequences. ScienceDirect. McDonald, J.J. and Veth, P.M., 2007. ‘Pilbara and Western McDonald, Jo and Harper, Sam, 2016 (May 25). ‘Identity Desert Rock Art: Style Graphics in Arid Landscapes’ in XXII Signalling in Shields: How Coastal Hunter-Gatherers Use Valcamonica Symposium 2007: Rock Art in the Framework of the Rock Art and Material Culture in Arid and Temperate Aus- Cultural Heritage of Humankind, Papers / l’Arte Rupestre nel tralia’ in Australian Archaeology, Vol. 82(2):123-138, Australian Quadro del Patrimonio Culturale dell’Umanità, Pre Atti, 18-24 Archaeological Association, Inc., Canberra, Australia. ISSN: Maggio 2007, Centro Congressi, Darfo Boario Terme, E. Anati, 0312-2417. http://www.tandfonline.com/doi/abs/10.1080/03 ed., 327-334, Centro Camuno di Studi Preistorici, Capo di 122417.2016.1186345 (6/22/2016). Ponte, Italy. http://www.ccsp.it/web/INFOCCSP/VCS%20 Keywords: Port Hedland and Sydney, Australia Shield motif(s). storico/vcs2007pdf/mcDonald%20&%20Veth.pdf (5/8/2017). Signalling behaviour. TFO. Keywords: Pilbara, Western Desert, Australia. Aboriginal rock art. Style. Biblio, Internet. McDonald, Jo, and Haskovec, Ivan P., eds, 1992. State of the Art: Regional Rock Art Studies in Australian and Melanesia, McDonald, Jo and Veth, Peter, 2008. ‘Rock Art in the Western Occasional AURA Publication, Vol. 1(6):234 pgs, Australian Desert and Pilbara: Pigment Dates Provide New Perspectives Rock Art Research Association, Melbourne, Australia, ISBN: on the Role of Art in the Australian Arid Zone’ in Austra- 0646090836, 9780646090832. lian Aboriginal Studies, Vol. (1):4-18, Australian Institute of Keywords: Australia. Melanesia. Proceedings of Symposiums C and Aboriginal and Torres Strait Islander Studies, ISSN: 0729- D Of The First Aura Congress, Darwin, 1988. LMRAA. 4352. http://search.informit.com.au/documentSummary;d- n=254650539208850;res=IELHSS (10/22/2011). McDonald, Jo, Officer, Kelvin, Jull, Tim, Donahue, Doug, Keywords: Western Desert, Pilbara, Australia. Pigment analysis. Head, John and Ford, Bruce, 1990 (Nov). ‘Investigation 14C Dating. Biblio, INFORMIT, Internet, Academia.edu. AMS: Dating Prehistoric Rock Art in the Sydney Sandstone Basin, Australia’ in Rock Art Research, Vol. 7(2):83-92, Austra- McDonald, Jo and Veth, Peter, 2009. ‘Dampier Archipelago lian Rock Art Research Association, Melbourne, Australia. Petroglyphs Scientific Values and National Heritage Listing’ ISSN 0813-0426. https://www.academia.edu/1448027/Jo_Mc- in Archaeology in Oceania Supplement: Pilbara Archaeolgy, Vol. Donald_Kelvin_Officer_Tim_Jull_Doug_Donahue_John_ 44:49-69. https://www.academia.edu/2695178/Dampier_Ar- Head_and_Bruce_Ford_1990_Investigating_14C_AMS_Dat- chipelago_petroglyphs_archaeology_scientific_values_and_ ing_Prehistoric_Rock_Art_in_the_Sydney_Sandstone_ National_Heritage_Listing (4/21/2009). Keywords: Dampier Archipelago, Western Australia. Cultural re- (4/21/2014). source management. National Heritage Listing. Biblio, RASNW4, Keywords: Sydney Sandstone Basin, Australia. 14C accelerator mass Academia.edu. spectrometry (AMS) dating. LMRAA, COL, AATA, MWRBRAD, Academia.edu. McDonald, Jo and Veth, Peter, 2010-2011. ‘Pleistocene Rock Art. A Colonizing Repertoire for Australia’s Earliest Inhabi- McDonald, Jo, Steelman, Karen L., Veth, Peter, Mackey, tants’ in Symposium 5: L’Art Pléistocène en Australie, Préhistoire, Jeremy, Loewen, Josh, Thurber, Casey R. and Guilderson, Art et Sociétés: Bulletin de la Société Préhistorique de l’Ariège, Vol. T.P., 2014 (Jun). ‘Results from the First Intensive Dating Pro- 65-66:172-173, Société Préhistorique de l’Ariège, Tarascon, gram for Pigment Art in the Australian Arid Zone: Insights France. ISSN 1954-5045. and Recent Social Complexity’ in Journal of Archaeological Keywords: Australia. Pleistocene (Paleolithic) art. Colonization. Science, Vol. 46:195-204, Elsevier, ISSN: 0305-4403. http:// Environmental context. Dialnet. dx.doi.org/10.1016/j.jas.2014.03.012 (4/6/2014). Keywords: Canning Stock Route, Western Australia. Radiocarbon McDonald, Jo and Veth, Peter, 2011. ‘Tourism and Land dating of pigment. Direct dating. Plasma oxidation. Internet, KRAI. Management’ in Ngurara Kuju Walyja. One Country One People. Stories from the Canning Stock Route, 397-398, Macmillan Art McDonald, J. and Sullivan, K., 2014. ‘Clegg, John K.’ in Publishing. ISBN: 978 1 921394 67 6. https://www.academia. Encyclopedia of Global Archaeology, Claire Smith, ed., Archaeol- edu/5102483/Tourism_and_Land_Management_on_the_ ogy of Art, J. McDonald, I. Domingo, D. Fiore, and T. Heyd, Canning_Stock_Route._Jo_McDonald_and_Peter_Veth eds, 1503-1505, Springer, New York, New York. ISBN 978- (4/21/2014). 1-4419-0426-3. Keywords: Canning Stock Route, Western Desert, Australia. Ab- Keywords: Australia. John K. Clegg biography. Rock art studies. original rock art. Cultural resource management. Conservation and Biblio. preservation. Academia.edu. McDonald, Jo and Veth, Peter, 2006. A Study of the Dis- McDonald, Jo and Veth, Peter, 2011. ‘Chapter 10. Infor- tribution of Rock Art and Stone Structures on the Dampier mation Exchange Among Hunter-Gatherers of the Western Archipelago, unpubl. report submitted to the Department Desert of Australia’ in Information and Its Role in Hunter-Gath- of Environment and Heritage, Canberra, Cultural Heritage erer Bands, Robert Whallon, William A. Lovis and Robert K. Management Pty. Ltd. Hitchcock, eds, Ideas, Debates and Perspectives 5, 221-233, Keywords: Dampier Archipelago, Western Australia. Distribution. 289-293, Costen Institute of Archaeology Press, Los Angeles, Biblio. California. ISBN 978-1-931745-63-5 — ISBN 978-1-931745-64-2 McDonald, J.J. and Veth, P.M., 2006. ‘Rock Art and Social https://www.academia.edu/5102408/Information_Exchange_ Identity: A Comparison of Graphic Systems Operating in Among_Hunter-Gatherers_of_the_Western_Desert_of_Aus- Arid and Fertile Environments in the Holocene’ in Archae- tralia._Jo_McDonald_and_Peter_Veth (4/21/2014). 54 Rock Art Research 2019 - Volume 36, Number 1, pp. 49-93. L. MARYMOR Keywords: Western Desert, Australia. Information exchange. 0813-0426. Dating. Pigment. Academia.edu. Keywords: Pilbara Region, Western Australia. Petroglyphs. Pati- nation. Geology. Comments by: John Clegg, David R. Moore, and McDonald, J. and Veth, P., 2012. ‘Pleistocene Rock Art: A Robert G. Bednarik. Reply by author. LMRAA, AHCBS, AATA. Colonizing Repertoire for Australia’s Earliest Inhabitants’ in L’Art Pleistocene dans le Monde / Actes du Congres IFRAO, McNickle, Howard P., 1985 (May). ‘An Introduction to the Tarascon-sur-Ariege, Sept. 2010, Jean Clottes, ed., Bulletin de Spear Hill Rock Art Complex, Northwestern Australia’ in la Societe Prehistorique Ariege-Pyrenees, Vol. LXV-LXVI:Book: Rock Art Research, Vol. 2(1):48-64, Australian Rock Art Re- 172-173, CD: 991-1000, Societe Prehistorique Ariege-Pyre- search Association, Melbourne, Australia. ISSN 0813-0426. Keywords: Spear Hill, Pilbara Region, Northwestern Australia. nees, Tarascon-sur-Ariege, France. ISBN 0245-9523, ISBN Regional survey. Comment by: Frederick D. Mccarthy. Reply By 987-2-9531148-3-6. Author. LMRAA, AHCBS, AATA. Keywords: Australia. Pleistocene (Paleolithic) rock art. Biblio, LMRAA. McNickle, H.P., 1985. Archaeological Field Survey (1985): McDonald, Jo and Veth, Peter, eds, 2012. A Companion to Victoria River District, Northern Territory, 36 pgs. Keywords: Victoria River District, Northern Territory, Australia. Rock Art, Companions to Archaeology, 714 pgs, Wiley-Blackwell Aboriginal rock art. Regional survey. AHCBS. Publishing, ISBN 10: 1444334247 ISBN 13: 9781444334241. Keywords: North and South America, Australia, the Pacific, Africa, McNickle, H.P., 1986. Rock Art of the Victoria River District: India, Siberia and Europe. Internet, LMRAA. (Results of a Survey for the Northern Territory Museum of McDonald, Jo and Veth, Peter, 2013. ‘The Archaeology of Arts and Sciences), 36 leaves, Northern Territory Museum Memory: The Recursive Relationship of Martu Rock Art and of Arts and Sciences. Keywords: Victoria River District, Northern Territory, Australia. Place’ in Anthropological Forum: A Journal of Social Anthropology Aboriginal rock art. Regional survey. AHCBS. and Comparative Sociology, Vol. 23(4):367-386, Routledge, ISSN: 1469-2902, 0066-4677. DOI: 10.1080/00664677.2013.843444. McNickle, H., 1987. ‘The Writing of the Wall’ in Landscape, Keywords: Western Desert, Australia. Totemic geography, Wati Vol. 2(3):22-27. Kutjarra aboriginal rock art. GetInfo, Academia.edu. Keywords: Western Australia, Kimberley and Pilbara Regions, Aus- tralia. Aboriginal rock art. Regional overviews. AHCBS. McDonald, Jo and Veth, Peter, 2013. ‘Rock Art in Arid Landscapes: Pilbara and Western Desert Petroglyphs’ in McNickle, Howard P., 1987 (May). ‘The Spear Hill Rock Australian Archaeology, Vol. 77:1-16, Australian Archaeolog- Art Complex: An Update’ in Rock Art Research, Vol. 4(1):63- ical Association, Inc., Canberra, Australia. ISSN: 0312-2417. 64, Australian Rock Art Research Association, Melbourne, https://www.academia.edu/5712539/Rock_art_in_arid_land- Australia. ISSN 0813-0426. scapes_ (4/20/2014). Keywords: Spear Hill, Australia. Site survey update. LMRAA, RCSL. Keywords: Pilbara, Western Desert, Australia. Aboriginal rock art. McNickle, Howard P., 1991 (May). ‘A Survey of Rock Art Academia.edu, Biblio, RASNWV. LMRAA. in the Victoria River District, Northern Territory’ in Rock McEgan, J., 2014. ‘Ward, Graeme K.’ in Encyclopedia of Global Art Research, Vol. 8(1):36-46, Australian Rock Art Research Archaeology, Claire Smith, ed., Archaeology of Art, J. McDonald, Association, Melbourne, Australia. ISSN 0813-0426. I. Domingo, D. Fiore, and T. Heyd, eds, 7686-7689, Springer, Keywords: Victoria River District, Northern Territory, Australia. Re- New York, New York. ISBN 978-1-4419-0426-3. gional survey. Comments by: Bruno David and Josephine Flood, and Keywords: Australia. Graeme K. Ward biography. Rock art studies. Grahame L. Walsh nn RAR, Vol. 8, No. 2, 1991. Reply by author with Biblio. update In RAR vol. 10 no. 2, 1993. Serpent (snake) motif(s). LMRAA. McGowan, A., Shreeve, B., Brolsma, H. and Hughes, C., McNickle, Howard P., 1993 (May). ‘Reply to Comments and 1993. ‘Photogrammetric Recording of Pleistocene Cave Paint- an Update on the Victoria River District’ in Rock Art Research, ings in Southwest Tasmania’ in Sahul in Review: Pleistocene Vol. 10(1):38-40, Australian Rock Art Research Association, Archaeology in Australia, New Guinea and Island Melanesia, M. Melbourne, Australia. ISSN 0813-0426. A. Smith, M. Spriggs and B. Fankhauser, eds, Occasional Keywords: Victoria River District, Australia. Lightning Brothers Papers in Prehistory No. 24, 225-232, Department of Prehis- motif. Refer to RAR 1991, Vol. 8, No.1, pp. 36-46. LMRAA. tory, Research School of Pacific Studies, Australian National McNiven, Ian J., 2010. ‘The Bradshaw Debate: Lessons University, Canberra, Australia, ISBN: 10-073151540, ISBN- Learned from Critiquing Colonialist Interpretations of Gwion 13: 978-0731515400. 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Rock Art Research 2019 - Volume 36, Number 1, pp. 49-93. L. MARYMOR 55 Keywords: Dauan Island, Torres Strait, Queensland, Australia. Meston, A.L., 1932. ‘Aboriginal Rock Carvings in Tasmania, Documentation. Computer digital enhancement. Bancroft, Internet. Pt 2’ in Royal Society of Tasmania, Papers and Proceedings, 1-6, McNiven, I.J., David, B. and Brayer, J., 2000. ‘Digital Royal Society of Tasmania. Enhancement of Torres Strait Rock Art’ in Antiquity, Vol. Keywords: Tasmania. Australia. Aboriginal rock art. Petroglyphs. Biblio. 74:759-760, Antiquity Publications, Cambridge, England. ISSN 0003-598X, 1745-1744. Michaelsen, Per, 2000. ‘The Bradshaw Rock Art System, NW Keywords: Torres Strait, Australia. Documentation: Computer digital Australia’ in Adoranten 2000, 33-40, Scandinavian Society for enhancement. Biblio, RASNW3, Refdoc.fr. Prehistoric Art, Underslös, Sweden. ISSN 0349-8808. McNiven, Ian J. and Russell, Lynette,1997. ‘‘Strange Paint- Keywords: Kimberley, Australia. Hunter-Gatherer. Material culture, social and belief systems. LMRAA. ings and ‘Mystery Races’: Kimberley Rock Art, Diffusionism and Colonialist Constructions of Australia’s Aboriginal Past’ Michaelsen, P., Ebersole, T.W., Smith, N.W. and Biro, P., in Antiquity, Vol. 71(274):801-809, Antiquity Publications, 2000. ‘Australian Ice Age Rock Art May Depict Earth’s Oldest Cambridge, England. ISSN 0003-598X, 1745-1744. Recordings of Shamanistic Rituals’ in Mankind Quarterly, Vol. Keywords: Kimberley, Australia. Aboriginal rock art. Diffusionism. 41(2):131-146, Institute for the Study of Man, ISSN: 0025-2344. Colonialist reconstructions. Biblio, Uncover, SCI. Keywords: Australia. Aboriginal rock art. Shamanistic ritual motif(s). Bradshaw rock art. Uncover, Refdoc.fr. McNiven, Ian J. and Russell, Lynette,2002. ‘Ritual Response. Place Marking and the Colonial Frontier in Australia’ in In- Milani, Jennifer, 2010. Unveiling Rock Art Images: A Pi- scribed Landscapes. 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Aboriginal rock art. Beeswax art. Exposure Ages for Petroglyphs from the Olary Province, AMS dating of Beeswax pigments. Recording methodology. Docu- South Australia’ in Archaeology in Oceania, Vol. 28(1):18-39, mentation.(Publication on CDRom). Biblio. Oceania Publications, University of Sydney, Sydney, Aus- tralia. ISSN: 0003-8121. Neowarra, P., 2000. ‘Our Paintings are Our Life: Ngarinyin Keywords: Olary Province, South Australia. Petroglyphs. Cation Aboriginal Corporation and Unesco’ in The Oxford Com- ratio dating. Biblio, RASNW3, MWRBRAD. panion to Aboriginal Art and Culture, Margo Neale, Sylvia Kleinert and Robyne Bancroft, eds, 122-124, Oxford Univer- Nobbs, M.F. and Moyle, D.W., 2000. ‘Selection of Sites and sity Press, South Melbourne, Australia. ISBN 0195506499, Figures for Sampling for Dating in the Olary District of South 9780195506495. Australia’ in Advances in Dating Australian Rock-Markings: Keywords: Australia. Ngarinyin Aboriginal Corporation. UNESCO. Papers from the First Australian Rock-Picture Dating Workshop, KRAI. G.K. Ward and C. Tuniz, eds, Occasional AURA Publication, Vol. (10):95-98, Australian Rock Art Research Association, Newman, Evelyn and Mark, Bob, 1988 (Dec). ‘Down Under’ Caulfield South, Australia, ISBN-10: 0958680213, ISBN-13: in Bay Area Rock Art News, Vol. VI(II):5,7-8, Bay Area Rock Art 978-0958680219. Research Association, San Francisco, California. Keywords: Olary District, South Australia. Direct dating. RASNW3. Keywords: Australia. Drive across Australia visiting rock art sites. LMRAA. Norris, Ray P. and Hamacher, Duane W., 2011 (May). ‘A s - Ngarjno, Ungudman, Banggal and Nywarra, 2000. Gwion tronomical Symbolism in Australian Aboriginal Rock Art’ Gwion: Secret and Sacred Pathways of the Ngarinyin Aboriginal in Rock Art Research, Vol. 28(1):99-106, Australian Rock Art People of Australia, Jeff Doring, ed., 336 pgs, Konemann, Research Association, Melbourne, Australia. ISSN 0813-0426. 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Keywords: Fortescue River, Port Hedland and Depuch Island, West- ern Australia. Indigenous interpretation. LMRAA, Biblio, AHCBS. Officer, Kelvin, 1992. ‘The Edge of the Sandstone’ Style Boundaries and Islands in South Eastern New South Wales’ Palmer, Kingsley, 1991 (Nov). ‘Indigenous Art and the in State of the Art: Regional Rock Art Studies in Australian and Limits of Social Science’ in Rock Art Research, Vol. 8(2):113- Melanesia, J. McDonald and I.P. Haskovec, eds, Occasional 118, Australian Rock Art Research Association, Melbourne, AURA Publication, Vol. 1(6), Australian Rock Art Research Australia. ISSN 0813-0426. Association, Melbourne, Australia, ISBN: 0646090836, Keywords: Europe. Australia. Cultural bounds of interpretation. Sociology. Comments by: Michel Lorblanchet in RAR, Vol. 9, No. 9780646090832. 2, 1992. LMRAA. The author questions the conventional use of style regions and their boundaries. LMRAA. Parker, Adrian, Bradshaw, John and Done, Chris, 2007. A Officer, K.L.C., 1993. Style and Graphic: An Archaeological Kimberley Adventure. Rediscovering the Bradshaw Figures, 60 Model for the Analysis of Rock Art, Ph.D. Dissertation, Aus- pgs, Gecko Books, Marleston, South Australia. ISBN 978-0- tralian National University, Canberra, Australia. 98035-2139. Keywords: Australia. Style analysis. Internet. Keywords: Bradshaw figures. Wandjina (Wanjina). LMRAA. Ogleby, C.L., MacLaren, G. and Starkey, M., 2003. ‘Between Patel, Samir, 2011. ‘Reading the Rocks: Aboriginal Australia’s a Rock and a Data Base: A Cultural Site Management Sys- Painted History’ in Archaeology, Vol. 64(1):32-37, 68, Archae- tem for the Rock Paintings of Uluru, Central Australia’ in ological Institute of America, New York. Proceedings of the XIXth International Symposium, CIPA 2003: Keywords: Australia. Aboriginal rock art. SIARB, Biblio. 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MARYMOR 63 digenous_Histories_Exploring_Prehistoric_Colonial_Tran- LMRAA, BRAM, PCARB. sitions_in_Archaeology_edited_by_Maxine_H._Oland_ Pearson, Colin, 1978. ‘Photogrammetry - Its Potential Appli- Siobhan_M._Hart_and_Lisa_Frink_66-85._Tucson_Univer- cation to Problems in Australian Archaeology’ in Conservation sity_of_Arizona_Press_2012 (5/10/2014). of Rock Art, C. Pearson, ed., Proceedings of the International Keywords: Pilbara, northwest Australia. Southern Africa. North Workshop on the Conservation of Rock Art, Perth, Australia, 1977, America. Colonial context. Indigenous record. Academia.edu, Biblio. 15-21, Institute for Conservation of Cultural Material (ICCM), Paterson, Alistair and Van Duivenvoorde, Wendy, 2013. Sydney, Australia. ISBN 0-595-73715-4. ‘The Sea, Inland: Aboriginal Rock Art Depictions of Boats Keywords: Recording Techniques. Rock alignment. Geoglyph. from the Western Pilbara’ in The Great Circle, Vol. 35(2):30-54, Intaglio. LMRAA, BRAM, PCARB, AATA. 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ISBN 978-0-9587130-1-6. Armidale, Australia. Keywords: Wandjina rock art. Dreamtime. Songlines. LMRAA. Keywords: North-east Victoria, Australia. Biblio. Ploum, Albrecht, 2012 (Fall). ‘Iconography, Science and Pickering, Michael, 1997 (May). ‘The Message Stick: An An- Lightning Figures’ in Australian Aboriginal Studies, Vol. (2), ecdote’ in Rock Art Research, Vol. 14(1):59, Australian Rock Art Australian Institute of Aboriginal and Torres Strait Islander Research Association, Melbourne, Australia. ISSN 0813-0426. Studies, Canberra, Australia. ISSN: 0729-4352. Keywords: Gulf Of Carpentaria, Australia. Message stick. Mnemonic Keywords: Kimberley, Australia. Aboriginal rock art. Lightning device. LMRAA. Figures. Questia. 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Report on the Aboriginal Engravings and Flora Haloclasty ScienceDirect. and Fauna of Depuch Island, Western Australia Special Publi- Roberts, Amy, Campbell, Isobelle, Franklin, Natalie and cation, Vol. (2):88 pgs, Western Australia Museum, Perth, the Mannum Aboriginal Community Association, Inc. Autralia. (MACAI), 2015 (Nov). ‘The Use of Natural Features in the Keywords: Depuch Island, Western Australia. Aboriginal petro- Rock Art of Ngaut Ngaut (Devon Downs), South Austra- glyphs. Biblio. lia, and Beyond’ in Rock Art Research, Vol. 32(2):233-238, Ridges, Malcolm, 1995. ‘Implications of an Investigation into Australian Rock Art Research Association, Melbourne, the Aboriginal Rock Art Paints of the Selwyn Ranges Region Australia. ISSN 0813-0426. https://www.questia.com/library/ in North West Queensland for the Direct Dating of the Côa journal/1P3-4321410553/the-use-of-natural-features-in-the- Engravings’ in The World Archaeological Congress Newsletter rock-art-of-ngaut (4/15/2018). 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The Photogrammetric Recording of Aborig- the Mannum Aboriginal Community Association, Inc. inal Art Sites in the North Metropolitan and Hawkesbury (MACAI), 2014 (May). ‘Ngaut Ngaut (Devon Downs) Petro- Districts: Report to the New South Wales National Parks and glyphs Reconsidered’ in Rock Art Research, Vol. 31(1):36-46, Wildlife Service, 18 leaves, New South Wales National Parks Australian Rock Art Research Association, Melbourne, Aus- and Wildlife Service, Melbourne, Australia. tralia. ISSN 0813-0426. https://www.academia.edu/11846966/ Keywords: Aboriginal rock art. Documentation. Photogrammetric Ngaut_Ngaut_Devon_Downs_petroglyphs_reconsidered recording. AHCBS. (4/26/2017). Keywords: Aboriginal rock art. Typology. Norman Tindale. LMRAA. 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Online ISSN Interpretation de l’Art des Peuples Chasseurs Prehistoriques, Actes 1475-4754, ISSN: 0003-813X. du 3e Colloque International de la Societe Suisse des Sciences Hu- Keywords: Thermoluminescence dating. Cupules. AL@RLG, SCI, maines, Sigriswill, 1979, H.-G. Bandi, W. Huber, M.-R. Sauter MWRBRAD, Refdoc.fr. and B. Sitter, eds, 399-422, Editions Universitaires, Fribourg, Roberts, R.G., Walsh, G.L., Olley, J.M., Murray, A.S., Germany. ISBN-10: 2827102714, ISBN-13: 978-2827102716. Macphail, M.K., Naumann, I.D., Jones, R. and Morwood, Keywords: Laura, north Queensland, Australia. Animal motif(s). Biblio. M.J., 2000. ‘Rock-Picture Chronologies and Palaeoenviron- mental Records from Fosssil Mud-Wasp Nests: Preliminary Rosenfeld, A., 1987. ‘Rock Art and Archaeometry’ in Ar- Investigations Using Optical Dating’ in Advances in Dating chaeometry: Further Australasian Studies, W.R. Ambrose and Australian Rock-Markings: Papers from the First Australian J.M.J. 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Sim, I.M., 1969. ‘A Gallery of Cave Art in the Macdonald Sharpe, Kevin, 2004 (May). ‘Line Markings: Human or Ani- River District New South Wales’ in Archaeology and Physical mal Origin’ in Rock Art Research, Vol. 21(1):57-84, Australian Anthropology in Oceania, Vol. 4(2):144-179, Sydney, Australia, Rock Art Research Association, Melbourne, Australia. ISSN ISSN: 0003-8121. 0813-0426. Keywords: Macdonald River District, NSW, Australia. JSTOR. Keywords: Koonalda Cave, Australia. Animal scratch markings. Sims, P.C., 1973. Trial Harbour, West Coast Tasmania: Incised line motif(s). LMRAA. Petroglyph Site 5, Australian Institute of Aboriginal Studies. Sharpe, Kevin, 2004 (May). ‘Rejoinder to Comments by Aslin, Keywords: Trial Harbour, West Coast Tasmania. Australia. Biblio. Bednarik and Gunn’ in Rock Art Research, Vol. 21(1):78-82, Sims, P.C., 1973. Bruny Island, Tasmania (Petroglyph Site Australian Rock Art Research Association, Melbourne, Aus- 18), Australian Institute of Aboriginal Studies. tralia. ISSN 0813-0426. Keywords: Bruny Island, Tasmania. Australia. Biblio. Keywords: Animal scratch markings. Incised line motif(s). Reply to comments on Kevin Sharpe, 2004, ‘Line Markings: Human or Animal Sims, P.C., 1974. High Rock Point, Tasmania: Rock Art Site Origin’, RAR 21(1):57-70. LMRAA. 16, Australian Institute of Aboriginal Studies. Keywords: High Rocky Point, Tasmania. Australia. Biblio. Sharpe, Kevin and Lancombe, Mary, 1999. ‘Line Markings as Systems of Notation?’ in News 95 - International Rock Art Sims, Peter C., 1977. ‘Variations in Tasmanian Petroglyphs’ Conference Proceedings, unpaginated, Centro Studi e Museo in Form in Indigenous Art: Schematisation in the Art of Aboriginal d’Arte Prehistorica, Pinerolo, Italy. Australia and Prehistoric Europe, Peter J. Ucko, ed., 429-438, 72 Rock Art Research 2019 - Volume 36, Number 1, pp. 49-93. L. MARYMOR Australian Institute of Aboriginal Studies, Canberra, Austra- and Occupation of Sahul’ in Australian Archaeology, Vol. 34:34- lia, ISBN-10: 0391008641, ISBN-13: 978-0391008649. 42, Australian Archaeological Association, Inc., Canberra, Keywords: Tasmania. Australia. Petroglyphs. Chronology. LMRAA, Australia. ISSN: 0312-2417. http://www.library.uq.edu.au/ AHCBS. ojs/index.php/aa/article/viewArticle/1256 (8-16-2011). Sims, Peter C., 2006 (May). ‘Rock Art Vandalism in Tasmania’ Keywords: Sahul Australia. Aboriginal rock art. Colonisation. ALOD, RASNW3, Internet, JSTOR. in Rock Art Research, Vol. 23(1):119-122, Australian Rock Art Research Association, Melbourne, Australia. ISSN 0813-0426. Smith, Claire, 1992. ‘The Articulation of Style and Social Keywords: Tasmania, Australia. Cultural resource management. Structure in Australian Aboriginal Art’ in Australian Aborig- Vandalism. LMRAA, AATA. inal Studies, Vol. (2):28-34, Australian Institute of Aboriginal Sims, Peter C., 2007. (Nov). ‘Comment: Rock Art in High and Torres Strait Islander Studies, Canberra, Australia. ISSN: Places’ in Rock Art Research, Vol. 24(2):169-170, Australian 0729-4352. Rock Art Research Association, Melbourne, Australia, ISSN Keywords: Australia. Style. Social structure. Biblio, RASNW3, Internet. 0813-0426. Keywords: Blue Tier Mountains, Tasmania, Australia. Aligned cupule Smith, C., 1992. ‘The Use of Ethnography in Interpreting motif(s). Comment on Bednarik et al., ‘Petroglyphs of Meenamatta, Rock Art: A Comparative Study of Arnhem Land and the The Blue Tier Mountains, Tasmania’, 24(2):169-170, RAR, 2007. Western Desert of Australia’ in Rock Art and Ethnology, AURA LMRAA. Occasional Papers, Vol. (5):39-45, Australian Rock Art Re- Sims, Peter C., 2008 (Nov). ‘More Tasmanian Cupules’ in search Association, Melbourne, Australia. Rock Art Research, Vol. 25(2):204-207, Australian Rock Art Keywords: Ethnography studies. Stylistic homogeneity vs hetero- Research Association, Melbourne, Australia. ISSN 0813-0426. geneity. LMRAA. Keywords: Cradle Mountain, Tasmania. Australia. Comments on Smith, C., 1994. Situating Style: An Ethnoarchaeological Robert G. Bednarik, ‘Cupules’ in Rock Art Research, 25:61-100. Analysis of Social and Material Context in an Australian LMRAA. Aboriginal Artistic System, Ph.D. Thesis, Department of Sims, Peter C., 2013. ‘No Reprieve for Tasmanian Rock Art’ Archaeology and Paleoanthropology, Univeristy of New in Arts, Vol. 2(4):182-224, MDPI AG, Basel, Switzerland. ISSN England, Armidale, Australia. 2076-0752. DOI: 10.3390/arts2040182. Keywords: Australia. Aboriginal rock art. Biblio. Keywords: Tasmania, Australia. GetInfo. Smith, C., 2000. ‘Advances in Rock-Picture Dating: Outlines Sims, Peter C., 2014. Tasmanian Aboriginal Rock Art: Bond of Two Projects’ in Advances in Dating Australian Rock-Mark- Bay Site, 30 pgs, self-published, Quoiba, Tasmania, ISBN: ings: Papers from the First Australian Rock-Picture Dating 978-0-908010-08-0. Workshop, G.K. Ward and C. Tuniz, eds, Occasional AURA Keywords: Bond Bay, Tasmania, Australia. Biblio. Publication, Vol. (10):101-103, Australian Rock Art Research Association, Caulfield South, Australia, ISBN-10: 0958680213, Sinclair Knight Merz Pty Ltd, 2009. Burrup Rock Art - Re- ISBN-13: 978-0958680219. vised Modelling, Sinclair Knight Merz, Perth, Australia. Keywords: Australia. Direct dating. RASNW3. Keywords: Burrup Peninsula, Western Australia. Aboriginal rock art. Biblio. Smith, Claire, Domingo-Sanz, Ines and Jackson, Gary, Sinclair Knight Merz Pty Ltd, 2009. 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Academia.edu. 249, Australian Rock Art Research Association, Melbourne, Smith, C., 1989. Designed Dreaming: Assessing the Rela- Australia. ISSN 0813-0426. Keywords: Blue Mountains, NSW, Australia. Rock feature incorpo- tionship between Style, Social Structure and Environment in ration. Historic inscriptions. LMRAA, Refdoc.fr. the Art of Aboriginal Australia and Prehistoric Europe, BA Honours Thesis, Department of Archaeology and Paleoan- Smith, L., 1983. What’s in the Size of a Macropod? A Study thropology, Univeristy of New England, Armidale, Australia. of Variance in Prehistoric Pictures from the Mangrove Creek Keywords: Australia. Europe. Aboriginal rock art. Paleolithic art. Area, B.A. Honours Thesis, Universtiy of Sydney, Sydney, Biblio. Australia. Keywords: Mangrove Creek, Australia. Aboriginal rock art. Biblio. Smith, Claire, 1992. ‘Colonizing with Style: Reviewing the Nexus Between Rock Art, Territoriality and the Colonization Smith, M., ed., 1983. 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Biblio, AHCBS. of Central Australia, 671 pgs, Macmillan and Co., Limited, London, England. Strange, William C., 1990. ‘Relevant Dimensions: Scale and See pages 614-618, ‘Rock Paintings’. 4 fold out color plates. LMRAA. Sense in Rock Art’ in Rock Art Papers, San Diego Museum Papers No. 26, Vol. 7:95-102, San Diego Museum of Man, Spielman, Peter James, 1998 (May 27). ‘Doubt Cast on Aus- San Diego, California. tralia Discovery’ in Associated Press Release, 2 pgs, Associated Keywords: United States. Australia. Setting. Scale and sense of place. Press. Yokuts. LMRAA. Keywords: Jinmium Site, Northern Territory, Australia. Doubt cast on dating. LMRAA. Straus, Lawrence Guy, 2003 (Nov). ‘Crusade! Comments on R.G. Bednarik’s ‘The Earliest Evidence of Palaeoart’ ‘ in Rock Stanbury, Peter and Clegg, John, 1990. A Field Guide to Art Research, Vol. 20(2):119-120, Australian Rock Art Research Aboriginal Engravings: With Special Reference to Those Around Association, Melbourne, Australia. ISSN 0813-0426. Sydney, 163 pgs, Sydney University Press and Oxford Uni- Comment on Robert G. Bednarik, 2004, RAR, 20(2):89-135. LMRAA. versity Press. ISBN-10 0195540212 ISBN-13 9780195540215. Keywords: Sydney, Australia. Field guide. Biblio, Internet, LMRAA. Strecker, Matthias and Tellez, Freddy Taboada, eds, 1995. Administracion y Conservacion de Sitios de Arte Rupestre, Contri- Stanley Price, N.P., 1990. ‘Rock Art Conservation: Graduate buciones al Estudio del Arte Rupestre Sudamericano, Vol. (4):161 Course at Canberra’ in Getty Conservation Institute Newsletter, pgs, Sociedad de Investigacion del Arte Rupestre de Boiivia Vol. V(2):4, Getty Conservation Institute, Marina del Rey, (SIARB), La Paz, Bolivia. California. Keywords: Cultural resource management. Conservation. Bibliog- Keywords: Canberra, Australia. Education. Graduate diploma course raphy. (In Spanish). LMRAA. in rock art conservation. PCARB Strehlow, T.G.H., 1964. ‘The Art of Circle, Line and Square’ Stanley Price, Nicholas, 1990. ‘New Developments in Rock in Australian Aboriginal Art, R.M. Berndt, ed., 44-59, Ure Smith, Art Conservation Training’ in 50 ans après la Découverte de Sydney, Australia. Lascaux: Journées Internationales d’Etude sur la Conservation Keywords: Australia. Aboriginal rock art. Biblio. de l’Art Rupestre: Dordogne-Périgord (France), 20-23 août 1990: Actes, 13-20, Atelier de Recherches et d’Etudes en Périgord, Struwe, R., 1994. ‘Zur Widerspiegelung Sozialer Verhältnisse ISBN 2-9504621-0-3. in der Bildnerischen Darstellung am Beispiel Australischen Keywords: Canberra, Australia. Conservation and preservation. Felskunst’ in Ethnographisch-Archäologische Zeitschrift, Vol. AATA. 35(4):505-516. ISSN: 0012-7477. 74 Rock Art Research 2019 - Volume 36, Number 1, pp. 49-93. L. MARYMOR Keywords: Australia. Refdoc.fr. Tourism’ in The Preservation of Australia’s Aboriginal Heritage National Seminar on Aboriginal Antiquities in Australia, May Stuart, Barbara and Thomas, P.S., 2017. ‘Pigment Character- 1972, Prehistory and Material Culture Series No. 11; Austra- isation in Australian Rock Art: A Review of Modern Instru- lian Aboriginal Studies No. 54, 59-63, Australian Institute mental Methods of Analysis’ in Heritage Science, Vol. 5(1):n.p., of Aboriginal and Torres Strait Islander Studies, Canberra, SpringerOpen, https://heritagesciencejournal.springeropen. Australia. com/articles/10.1186/s40494-017-0123-8 (11/19/2017). Keywords: Mootwingee. Cultural resource management. Conser- Keywords: SEM. X-ray diffraction. X-ray fluorescence spectroscopy. vation and preservation. AHCBS. ResearchGate. Sullivan, Sharon, 1978. ‘Conservation of Aboriginal Rock Stubbs, Dacre, 1974. Prehistoric Art of Australia, 112 pgs, Art in New South Wales’ in Conservation of Rock Art, C. Macmillan Company of Australia Pty. Ltd., North Sydney, Pearson, ed., Proceedings of the International Workshop Australia. on the Conservation of Rock Art, Perth, Australia, 1977, 71- Keywords: Parietal art. Engraved trees. Rock engravings. Portable art. LMRAA. 74, Institute for Conservation of Cultural Material (ICCM), Sydney, Australia. ISBN 0-595-73715-4. Sullivan, Hillary, 1991. ‘Site Management in Kakadu and Keywords: Cultural resource management. Impacts by visitors, Uluru National Parks’ in Rock Art and Posterity. Conserving, animals and weathering. LMRAA, PCARB, AHCBS. Managing, and Recording Rock Art. Part 1: Rock Art Conservation Sullivan, Sharon, 1984 (Nov). ‘New South Wales - Rock and Site Management, Occasional AURA Publication, Vol. Art 1980’ in The State of Australian Rock Art Research and (4):3-6, Australian Rock Art Research Association, Melbourne, Conservation in 1980, Rock Art Research, Vol. 1(2):123-129, Australia. ISBN 0-646-03751-X. Australian Rock Art Research Association, Melbourne, Aus- Keywords: Conservation and site management. Recreation, access, interpretation strategies. LMRAA, PCARB, AATA. tralia. ISSN 0813-0426. Keywords: Types and number of rock art sites. Distribution. LM- Sullivan, Hillary, ed., 1991. Visitors to Aboriginal Sites: Access, RAA, AHCBS. Control and Management, Proceedings of the 1983 Kakadu Work- Sydney Prehistory Group, 1983. In Search of the Cobrakall: A Survey shop, 123 pgs, Australian National Parks and Wildlife Service, of Aboriginal Sites in the Cambelltown Area South of Sydney, Re- Canberra, Australia. ISBN 0-642-52320-7. stricted access report on file, 2 volumes, National Parks and Wildlife Keywords: Australia. Cultural resource management. Visitor behav- Service, Sydney, New South Wales, Australia. ior and access to Aboriginal sites. PCARB. Keywords: Cultural resource management. 60 sites located and recorded. AHCBS. Sullivan, Hillary, 1996. ‘Visitor Management at Painting Sites in Kakadu National Park’ in Management of Rock Imag- Taçon, Paul S.C., 1987 (May). ‘Internal - External: A Re-Eval- ery, Occasional AURA Publication, Vol. (9):82-87, Australian uation of the ‘X-ray’ Concept in Western Arnhem Land Rock Rock Art Research Association, Melbourne, Australia, ISBN Art’ in Rock Art Research, Vol. 4(1):36-50, Australian Rock Art 10: 0958680205, ISBN 13: 9780958680202. Research Association, Melbourne, Australia. ISSN 0813-0426. Keywords: Cultural resource management. Impacts of increasing Keywords: Western Arnhem Land rock art survey. X-ray motif. tourism. Visitor. LMRAA. LMRAA, RCSL.
Sullivan, K., 1979. ‘Viewing Aboriginal Sites’ in 10,000 Years Taçon, Paul S.C., 1988 (May). ‘Identifying Fish Species in the of Sydney Life, 107-113, Macleay Museum, University of Syd- Recent Rock Paintings of the Western Arnhem Land’ in Rock ney, Sydney, Australia. Art Research, Vol. 5(1):3-15, Australian Rock Art Research Keywords: Sydney, Australia. Guide. Includes list of sites and who Association, Melbourne, Australia. ISSN 0813-0426. to contact. AHCBS. Keywords: Oenpelli, Jabiru, Jim Jim Falls, Western Arnhem Land, Australia. LMRAA, AHCBS. Sullivan, K.M., 1979. ‘Management of Aboriginal Relic Sites in the Sydney Area’ in Archaeological Resource Management Taçon, P.S.C., 1988. ‘Contemporary Aboriginal Interpreta- in Australia and Oceania, J.R. McKinlay and K.L. Jones, eds, tions of Western Arnhem Land Rock Paintings’ in The Inspired New Zealand Historic Trust Publication, Vol. (11):72-77, New Dream-Life as Art in Aboriginal Australia, Margie K.C. West, Zealand Historic Trust, Wellington, New Zealand. ed., Queensland Art Gallery, Brisbane, Australia, ISBN-10: Keywords: Cultural resource management. Conservation and pres- 0730700216, ISBN-13: 978-0730700210. ervation. AL@RLG, AHCBS, AATA. Keywords: Western Arnhem Land, Australia. Aboriginal rock art. Biblio, Internet. Sullivan, K.M., 1980 (Nov). ‘Australia. Management of Ab- original Relic Sites in the Sydney Area’ in Canadian Rock Art Taçon, P.S.C., 1989. From Rainbow Snakes to ‘X-ray’ Fish: Research Association Newsletter, Tim Jones, ed., Vol. (14):19- The Nature of the Recent Rock Painting Traditon of West- 22, Canadian Rock Art Research Association, Saskatoon, ern Arnhem Land, Australia, Ph.D. Dissertation, Australian Saskatchewan, Canada. National University, Canberra, Australia. http://rsh.anu.edu. Keywords: Allambi Heights, Berry Island, Sydney, Australia. LM- au/rockart/uploads/PAUL.pdf (1//201). RAA. Keywords: Rainbow snakes (serpent). X-ray fish. Biblio, Internet.
Sullivan, K.M., 1984. ‘Monitoring Visitor Use and Site Man- Taçon, P.S.C., 1989. ‘Art and the Essence of Being: Symbolic agement at Three Sites: An Experiment with Visitor’s Books’ and Economic Aspects of Fish Among the Peoples of West- in Visitors to Aboriginal Sites: Access, Control and Management ern Arnhem Land’ in Animals into Art, Howard Morphy, Kakadu Workshop, 1983, 43-53, Australian National Parks and ed., One World Archaeology, Vol. 7:236-250, Unwin Hyman, Wildlife Service, Canberrra, Australia. ISBN 0-642-52320-7. Ltd., London, England, ISBN-10: 1138818011, ISBN-13: 978- Keywords: Blue Mountains, NSW, Australia. Cultural resource 1138818019. management. AHCBS. Keywords: Recent (Historic) fish motif(s). X-ray style. Ethnography. Myth. LMRAA, Biblio. Sullivan, S., 1975. ‘Mootwingee: An Example of Cultural Rock Art Research 2019 - Volume 36, Number 1, pp. 49-93. L. MARYMOR 75 Taçon, Paul S.C., 1989. ‘From the ‘Dreamtime’ to the Present: Taçon, P.S.C., 1999. ‘Identifying Ancient Landscapes in Aus- The Changing Role of Aboriginal Rock Paintings in Western tralia: From Physical to Social’ in Archaeologies of Landscapes: Arnhem Land, Australia’ in Canadian Journal of Native Studies, Contemporary Perspectives, W. Ashmore and A.B. Knapp, eds, Vol. 9(2):317-339, Brandon. 33-57, Blackwell, Oxford. Keywords: Western Arnhem Land, Australia. Aboriginal rock art. Keywords: Australia. Aboriginal rock art. Setting: Landscape. Biblio. Dreamtime. ALOD. Taçon, P.S.C., 2000. An Analysis of Change in Keep River Region Taçon, Paul S.C., 1992. ‘If You Miss All This Story, Well Bad Rock Art, Working draft report for the Kimberley Workshop, 21-23 Luck: Rock Art and the Validity of Ethnographic Interpre- Feb. 2000, 228 pgs, University of Wollongong. tation in Western Arnhem Land, Australia’ in Rock Art and Keywords: Keep River Region, Kimberley, Australia. Aboriginal Ethnography: Proceedings of the Ethnography Symposium (H), rock art. KRAI. Australian Rock Art Research Association Congress, Darwin Taçon, P.S.C., 2000. ‘New Insight into Old North Australian 1988, M.J. Morwood and D.R. Hobbs, eds, Occasional AURA Rock Art’ in Reconciliation: Indigenous Art for the 21st Century, Publication, Vol. (5):11-18, Australian Rock Art Research S. Britton, ed., Artlink. Special Edition, 6-10. Association, Melbourne, Australia, ISBN-10: 0646049208, Keywords: Northern Australia. Aboriginal rock art. KRAI. ISBN-13: 978-0646049205. Keywords: Ethnography. X-ray style motif(s). Aboriginal informants. Taçon, P.S.C., 2000. ‘Connections/Implications for the Painted LMRAA. Art’ in The Beeswax Art of Northern Australia, D.E. Nelson, ed., Taçon, Paul S.C., 1992. ‘Somewhere Over the Rainbow: An 97-98, Simon Fraser University, Burnaby. Keywords: Beeswax art. AMS dating of Beeswax pigments. 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Biblio. sessment and Description, Report to the Conservation Committee of the Northren Territory, Alice Springs, Australia. Taçon, P.S.C., 2001. ‘Transformation and Depictions of the Keywords: Roma Gorge, Northern Territory, Australia. Biblio. First People: Animal-Headed Beings of Arnhem Land, N.T., Australia’ in Theoretical Perspectives in Rock-Art Research. Pro- Taçon, P.S.C., 1992. ‘The Last Rock Painters of Kakadu’ in ceedings of the Second Alta Conference on Rock Art (Alta II), K. Australian Natural History, Vol. 23(11):866-873. Helskog, ed., 171-210, Novus Forlag, Oslo, Norway, ISBN: Keywords: Kakadu National Park, Western Arnhem Land, Northern 8270993387 9788270993383. Territory, Australia. Biblio. Keywords: Arnhem Land, Australia. Animal-headed being motif(s). Biblio. Taçon, P.S.C., 1993. An Assessment of Rock Art in the Mann River Region, Arnhem Land, N. 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ISSN 0959- HU, Griffith University, Gold Coast, Queensland, Australia. 7743. DOI: 10.1017/S0959774308000231. Keywords: Hand stencil motif(s). Cultural resource management. Keywords: Waanyi Aboriginal rock art. Colour. Rainbow motif(s). Biblio. Citeulike, RASNW4. Taçon, P.S.C., 2015. Rock Art: Food for Thought’ in The Ar- Taçon, P., 2008. ‘Marks of Posesión: The Archaeology of chaeology of Food: An Encyclopedia, K. Metheny and M. Beau- Territory and Cross-Cultural Encounter in Australia and dry, eds, 439-440, Roman & Littlefield Publishers, Lanham. South Africa’ in Handbook of Landscape Archaeology, edited by Keywords: Australia. Aboriginal rock art. Biblio. B. David and J. Thomas, 218-227, Left Coast Press, Walnut Creek, California. ISBN 978-1-59874-294-7. Taçon, Paul S.C., 2015. ‘Australia’s Rock Art: What is It and Keywords: Australia. South Africa. Biblio. Does It Have a Bright Future?’ in Artlife, Vol. 24, 14-16. Keywords: Australia. Aboriginal rock art. Biblio. Taçon, P.S.C., 2011. ‘Special Places and Images on Rock: 50,000 Years of Indigenous Engagement with Australian Taçon, Paul S.C., 2016. ‘Rock Art, Cultural Change, the Landscapes’ in The Cambridge Companion to Australian Art, Media, and National Heritage Identity in the Twenty-First Jaynie Anderson, ed., 11-21, University of Melbourne. ISBN- Century’ in Relating to Rock Art in the Contemporary World. 13: 9780521197007. Navigating Symbolism, Meaning, and Significance, 245-274, Keywords: Australia. Aboriginal rock art. Biblio, Internet. University of Colorado Press and Utah State University Press, Boulder, Colorado. ISBN: 978-1-60732-497-3. 2012. ‘Presenting Rock Art Through Digital Taçon, Paul, Keywords: Australia. Malaysia. China. South Asia. Malaysia. South- Film’ in Working with Rock Art. Recording, Presenting and Un- east Asia. History of research. LMRAA, JSTOR. derstanding Rock Art Using Indigenous Knowledge, Benjamin Smith, David Morris and Knut Helskog, eds, 207-215, Wits Taçon, Paul, 2016. ‘Beauty Is More Than Skin Deep. X-Ray Universtiy Press, Johannesburg, South Africa. ISBN-13 978- Art Of North Australia. Including Kakadu National Park’ 1-86814-545-4. in Adoranten, 1-12, Scandinavian Society for Prehistoric Art, Keywords: Australia. Documentation. Film projects. Internet, Underslös, Sweden. ISSN 0349-8808. http://www.rockarts- LMRAA. candinavia.com/images/articles/a16tacon.pdf (5/28/2017). Keywords: Kakadu National Park, Arnhem Land, Australia. Aborig- 2012. Waanyi and Garrawa Rock Art and Taçon, P.S.C., inal rock art. X-ray Style. Internet. Cultural Heritage Research, Conservation and Management Recommendations, PERAHU, Griffith University, Gold Taçon, P.S.C., 2016. A Report on an April 2016 Visit to ‘Cha- Coast, Queensland, Australia. lawong’ Rock Art Site, Southeast Queensland, PERAHU, Keywords: Northern Territory, Australia. Waanyi and Garrawa Griffith University, Gold Coast, Queensland, Australia. Aboriginal rock art. Biblio. Keywords: ‘Chalawong’ Rock Art Site, Southeast Queensland, Aus- tralia. Aboriginal rock art. Biblio. Taçon, P.S.C., 2012. ‘On the Rocks: Ships at Aboriginal Rock Art Sites’ in Signals, Vol. 99, 22-29. Taçon, P.S.C., 2017. The Use of Clay from Prehistory to the Keywords: Australia. Aboriginal rock art. Ship motif(s). Biblio. Present Day in Australia: Rock Art and Bark Painting’ in Argiles Vives; Inspired Clay, C.A. Presset and L. Vreeswijk, eds, 75-95, Taçon, P.S.C., 2013. History Places: Wellington Range Rock Silvana Editoriale, Milano, Italy Art. A Report on Stage 1, 2013, 239 pgs., Griffith University, Keywords: Australia. Aboriginal rock art. Bark painting. Clay. Biblio. Gold Coast. 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MARYMOR 77 Service, Department of Environment and Climate Change, Old Ages: Essays in honour of Rhys Jones, A. Anderson, I. Lilley, and to Aboriginal Communities of the Greater Blue Moun- and S. O’Connor, eds, 301-310, Pandanus Books, Australian tains World Heritage Area, Griffith University, Gold Coast, National University, Canberra, Australia. Queensland, Australia. Keywords: Australia. Aboriginal rock art. Biblio. Keywords: Aboriginal rock art. Cultural heritage. Biblio. Taçon, Paul S.C., Fullagar, Richard, Ouzman, Sven and Taçon, Paul S. 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Hochuli, eds, 58-73, Royal Zoological Sociey of New Eagle’s Reach: A Focal Point for Past and Present Social South Wales, Syndey, Australia. Identity within the Northern Blue Mountains World Heritage Keywords: Aboriginal rock art. Fauna motif(s). Biblio, Academia.edu. Area, New South Wales, Australia’ in Archaeologies of Art: Time, Place and Identity, I. Domingo Sanz, D. Fiore and S.K. Taçon, Paul and Chippindale, Christopher, 1994. ‘Australia’s May, eds, 79-97, Left Coast Press, Walnut Creek, California. Ancient Warriors: Changing Depictions of Fighting in the Keywords: World Heritage Area. Aboriginal rock art. Biblio. Rock Art of Arnhem Land, N.T.’ in Cambridge Archaeological Journal, Vol. 4(2):211-248, McDonald Institute for Archaeo- Taçon, P. and Langley, M., 2012. ‘Rock Art Dating in Austra- logical Research, Cambridge, England. ISSN 0959-7743. lia and Beyond: What Does It Tell Us?’ in L’Art Pleistocene dans Keywords: Arnhem Land, Northrn Territory, Australia. 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MARYMOR ‘A Bird in the Hand: Response to Franklin and Szabo’ in and Chaloupka, George, 2004 (Nov). ‘The Beeswax Rock Art Antiquity Project Gallery, Vol. 85(327), Antiquity Publications. of the Northern Territory: Direct Dating Results and a ‘Book http://www.antiquity.ac.uk/projgall/tacon327/ (2/21/2012). of Record’ ’ in Rock Art Research, Vol. 21(2):155-160, Australian Keywords: Arnhem Land, Northern Territory, Australia. Djulirri Rock Art Research Association, Melbourne, Australia. ISSN Aboriginal rock art. bird stencil motif(s). climate change. See: ‘An- 0813-0426. cient bird stencils discovered in Arnhem Land, Northern Territory, Keywords: Arnhem Land, Northern Territory, Australia. Beeswax Australia.’ Antiquity 84: 416–27, http://www.antiquity.ac.uk/ant/084/ rock art. Direct dating. AMS dating of beeswax pigments. LMRAA, ant0840416.htm, and see; Franklin & Szabo response: http://www. MWRBRAD. antiquity.ac.uk/projgall/franklin327. Internet. Taçon, Paul S.C. and Ouzman, Sven, 2004. ‘Worlds within Taçon, P.S.C. and Marshall, M., 2014. ‘Conservation or Stone’ The Inner and Outer Rock-Art Landscapes of Northern Crisis? The Future of Rock Art Management in Austra- Australia and Southern Africa’ in The Figured Landscapes of lia’ in A Monograph of Rock Art Research and Protection, Y. Rock-Art. Looking at Pictures in Place, 39-68, Cambridge Uni- Zhang, ed., 119-141, Zhong Guo Zang Xue Chu Ban She/ versity Press, England. https://www.academia.edu/920255/ China Tibetology Publishing House, Beijing, China. ISBN Tacon_Paul_S.C._and_Sven_Ouzman._2004._Worlds_with- 978-7-80253-743-9. https://www.academia.edu/10624701/ in_stone_the_inner_and_outer_rock-art_landscapes_of_ Conservation_or_Crisis_The_future_of_rock_art_manage- northern_Australia_and_southern_Africa._In_Chippin- ment_in_Australia (2/5/2017). dale_Christopher_C._and_George_H._Nash_eds._._The_fig- Keywords: Cultural resource management. 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Walsh, Grahame L., 1986. ‘Cultural Resource Management Wallis, Lynley, A., Huntley, Jillian, Marsh, Michael, Watch- in Queensland National Parks’ in Australian Ranger Bulletin, man, Alan, Ewen, Allan and Strano, Annuziata, 2016. ‘PXRF Vol. 4(1):5-8, Canberra, Australia. Analysis of a Yellow Ochre Quarry and Rock Art Motif(s) in Keywords: Queensland National Parks, Australia. Cultural resource the Central Pilbara’ in Journal of the Anthropological Society management. PCARB, AHCBS. of South Australia, Vol. 40:134-155, Anthropological Society of South Australia, https://www.researchgate.net/profile/ Walsh, Grahame L., 1988. Australia’s Greatest Rock Art, 312 Amy_Roberts12/publication/311573248_Special_Edition_ pgs, EJ Brill - Robert Brown & Associates, Bathurst, N.S.W., Current_Research_in_Australian_Rock_Art/links/584e0d- Australia, ISBN-10: 186273013X, ISBN-13: 978-1862730137. 1b08ae4bc899331827.pdf (5/28/2017). Keywords: Site survey by region w/exquisite full page photographs. LMRAA, AHCBS. Keywords: Central Pilbara, Australia. Pigment analysis. Ochre. PxRF. ResearchGate. Walsh, G., 1989. ‘Art, Burial and Other Sites in the Central Walsh, G.L., 1979. ‘Mutilated Hands or Signal Stencils?’ in Queensland Sandstone Belt: Recording and Computeriza- Australian Archaeology, Vol. 9:33-41, Australian Archaeological tion’ in Sites and Bytes: Recording Aboriginal Places in Australia, Association, Inc., Canberra, Australia. ISSN: 0312-2417. http:// J. Flood, I. Johnson and S. Sullivan, eds, 54-127, Government search.informit.com.au/documentSummary;dn=99330604 Publishing Service, Canberra, Australia. 5951743;res=IELIND (8-16-2011). Keywords: Recording program of the Central Highlands Manage- ment Project. AHCBS (1984?) Keywords: Central Queensland, Australia. ‘Mutilated’ hand stencil motif(s). CIHPA, AHCBS, AATA, Internet. Walsh, Grahame L., 1991. ‘Flinders Group National Park Site Walsh, G.L., 1982. Aboriginal Sites of the Mitchell/Palmer Management: Regional Cultural Resource Evaluation, Pres- Limestone Belt: A Preliminary Report, October 1982, 1 ervation and Selective Presentation in far North Queensland’ volume, National Parks and Wildlife Service, Brisbane, in Rock Art and Posterity. Conserving, Managing, and Recording Queensland, Australia. Rock Art. Part 1: Rock Art Conservation and Site Management, Keywords: Mitchell/Palmer Limestone Belt, Queensland, Australia. Occasional AURA Publication, Vol. (4):34-44, Australian AHCBS. Rock Art Research Association, Melbourne, Australia. ISBN 0-646-03751-X. Walsh, G.L., 1982. Aboriginal Sites of the Lawn Hill Gorge Keywords: North Queensland, Australia. Conservation and site Area: A Preliminary Report, September 1982, 1 volume, management. Protection. LMRAA, PCARB, AATA. National Parks and Wildlife Service, Brisbane, Queensland, Australia. Walsh, G.L., 1992. ‘Rock Art Retouch: Can a Claim of Ab- Keywords: Lawn Hill Gorge Area, Queensland, Australia. AHCBS. original Descent Establish Curation Rights Over Humanity’s Cultural Heritage?’ in Rock Art And Ethnology, AURA Occa- Walsh, G., 1983. ‘Aboriginal Sites in the Chillagoe and Mitch- sional Papers, Vol. (5):46-60, Australian Rock Art Research ell/Palmer Limestone Areas’ in Tower Karst, Vol. (3):36-42. Association, Melbourne, Australia. Keywords: Mitchell/Palmer and Chillagoe, Australia. Regional Keywords: Gibb River, Kimberley, Western Australia. Retouch. overview. AHCBS. Repaint. Graffiti. LMRAA, PCARB. Walsh, Grahame L., 1983. ‘Composite Stencil Art: Elemental Walsh, Grahame L., 1994. Bradshaws Ancient Rock Paintings or Specialised?’ in Australian Aboriginal Studies, Vol. (2):34-44, of North-West Australia, 285 pgs, Edition Limitee, Carouge - Australian Institute of Aboriginal and Torres Strait Islander Geneva, Switzerland. Studies, Canberra, Australia. ISSN: 0729-4352. Keywords: Kimberley, north-west Australia. Gwion Gwion rock Keywords: Australia. Aboriginal rock art. Composite stencil art. art. History of discovery. Chronology. Stylistic analysis. LMRAA. ALOD, APGODQ. Walsh, Grahame L., 1996. Wandjina: The Greatest Rock Art Walsh, Grahame L., 1984. ‘Archaeological Site Management Cult, 40 pgs, Paper submitted to ARARA Castleton Award. in Carnavan National Park. A Case History in the Dilemma Keywords: Kimberley, Australia. Wandjina rock art cult. LMRAA. of Presentation or Preservation’ in Visitors to Aboriginal Sites: Access, Control and Management, H. Sullivan, ed., Proceedings Walsh, G.L., 1997. ‘Wandjinas and Recent Rock Art of of the 1983 Kakadu Workshop, 32-40, Australian National the Kimberley’ in Aboriginal Rock Art of the Kimberley, K.F. Parks and Wildlife Service, Canberra, Australia. ISBN 0-642- Kenneally, M.R. Lewis, M. Donaldson and C. Clement, eds, 52320-7. Kimberley Society Occasional Paper, Vol. (1):53-64, Kimber- Keywords: Cultural resource management: presentation or preser- ley Society, Perth, Australia. vation. PCARB, AHCBS. Keywords: Kimberley, Western Australia. Wandjina motif(s). Biblio. Walsh, G.L., 1984. Managing the Archaeological Sites of the Walsh, Grahame, 1999. Carnarvon and Beyond, 160 pgs, Sandstone Belt Joint QNPWS-AIAS Site Recording Program, Takarakka Nowan Kas Publications, The Gap, Queensland, 196 pgs. Australia. SBN-10 0958744629, ISBN-13 9780958744621. Keywords: Aboriginal rock art. Cultural resource management. Keywords: Carnarvon, Queensland, Australia. Internet. 84 Rock Art Research 2019 - Volume 36, Number 1, pp. 49-93. L. MARYMOR Walsh, Grahame L., 2000. Bradshaw Art of the Kimberleys, Ward, Graeme K., 1989 (Nov). ‘The Australian Institute of 464 pgs, Takarakka Nowan Kas Publications, Toowong Aboriginal Studies’ Rock Art Protection Program: Discus- Queensland, Australia. ISBN-10: 0958744610 sion of the First Two Years’ Projects’ in Rock Art Research, ISBN-13: 978-0958744614. Vol. 6(2):126-138, Australian Rock Art Research Association, Keywords: Kimberley, Australia. Gwion Gwion rock art. Superim- Melbourne, Australia. ISSN 0813-0426. positions. Environment. Aboriginal perspectives, interpretation and Keywords: Cultural resource management. Conservation and pres- mythology. Intellectual cultural property. LMRAA. ervation. LMRAA, PCARB, AHCBS, AATA. Walsh, Grahame L., 2007. Development of Australian Rock Ward, Graeme K., 1992. ‘Ochre and Acrylic: Conflicting Ide- Art Recording Methodologies: For the Interpretation of Cul- ologies and Divergent Discoveries in the Issue of Repainting’ tural and Environmental Histories, Ph.D. Dissertation, 2 vols., in Retouch: Maintenance and Conservation of Aboriginal Rock 336 pgs, Griffith University, https://www120.secure.griffith. Imagery, Graeme K. Ward, ed., Occasional AURA Publication, edu.au/rch/file/e4398f50-c4ed-aabf-27c6-28f80e209e82/1/ Vol. (5):31-38, Australian Rock Art Research Association, Walsh_2007_02Thesis.pdf (2/11/2016). Melbourne, Australia. Keywords: Documentation. Cultural resource management. World- Keywords: Kimberley, Western Australia. Retouch. Repainting. cat.org, Internet. LMRAA, PCARB. Walsh, G.L. and Morwood, M.J., 1999. ‘Spear and Spearthro- Ward, Graeme K., 1992. ‘The Retouch Symposium of the wer Evolution in the Kimberley Region, N.W. Australia: First AURA Congress, Darwin’ in Retouch: Maintenance and Evidence from Rock Art’ in Archaeology in Oceania, Vol. Conservation of Aboriginal Rock Imagery, Graeme K. Ward, ed., 34(2):45-58, Oceania Publications, University of Sydney, Occasional AURA Publication, Vol. (5):1-7, Australian Rock Sydney, Australia. ISSN: 0003-8121. Art Research Association, Melbourne, Australia. Keywords: Northwest Australia. Spear, spearthrower motif(s). Un- Keywords: Aboriginal role in conservation and preservation. Re- cover, RASNW2, Refdoc.fr. painting. Cultural continuity. LMRAA, PCARB. Walsh, W.P., 1964. ‘Unexplained Markings in Kintore and Ward, Graeme K., 1992. ‘Support for Conservation of Rock Cutta Cutta Caves, Northern Territory, Australia’ inHelictite, Imagery in Australia: Results of the Second Two Years of the Vol. 2(3):83-91. Institute’s Rock Art Protection Program’ in Australian Aborig- Keywords: Kintore Cave and Cutta Cutta Cave, Northern Territory, inal Studies, Vol. (1):35-50, Australian Institute of Aboriginal Australia. Biblio. and Torres Strait Islander Studies, Canberra, Australia. ISSN: Walston, S., 1973. ‘Plans for the Protection of the Mt. Grenfell 0729-4352. Keywords: Australia. Conservation and preservation. Biblio, Internet. Painted Rock Shelters’ in The National Seminar of the Con- servation of Cultural Material, Colin Pearson and G.L. Petty, Ward, Graeme K., ed., 1992. Retouch: Maintenance and eds, 44-50, Institute for Conservation of Cultural Material, Conservation of Aboriginal Rock Imagery, Occassional AURA Perth, Australia. Publication, Vol. 5, 38 pgs, Australian Rock Art Research Keywords: Painted rock shelters. Cultural resource management. Association, Melbourne, Australia. PCARB. Keywords: Australia. Proceedings of the Ethnography Symposium (O), AURA Congress, Darwin 1988. LMRAA, PCARB. Walston, S., 1975. ‘Rock Art: Deterioration and Conservation’ in The Preservation of Australia’s Aboriginal Heritage National Ward, Graeme K., 1993 (May). ‘Conservation of Rock Im- Seminar on Aboriginal Antiquities in Australia, May 1972, agery in Australia: Funding Support, Protection Projects Prehistory and Material Culture Series No. 11; Australian and Related Research’ in Rock Art Research, Vol. 10(1):65-67, Aboriginal Studies No. 54, 104-107, Australian Institute of Australian Rock Art Research Association, Melbourne, Aus- Aboriginal and Torres Strait Islander Studies, Canberra, tralia. ISSN 0813-0426. Australia. Keywords: Rock art protection program. Conservation, preservation, Keywords: Mootwingee Historic Site, Mt. Grenfell, NSW, Australia. site management. LMRAA, PCARB. Weathering. AHCBS, AATA (gives pagination 106-107). Ward, Graeme K., 2007. ‘Rock Art and Sustainable Indige- Walston, Sue, 1976. ‘Plans for the Protection of the Mt nous Australian Cultural Heritage Tourism’ in Exploring the Grenfell Painted Rock Shelters’ in Proceedings of the National Mind of Ancient Man, Festschrift to Robert G. Bednarik, Peddara- Seminar on the Conservation of Cultural Material, Perth, 1973, pu Chenna Reddy, ed., 368-379, Research India Press, New Colin Pearson and Graeme L. Pretty, eds, 44-50, Australian Delhi, India. ISBN:9788189131098. Institute for the Conservation of Cultural Material (ICCM), Keywords: Australia. Cultural resource management. Sustainable ISBN 0-9597371-0-3. tourism. LMRAA. Keywords: Mount Grenfell, Australia. Cultural resource manage- Ward, Graeme K., 2010 - 2011. ‘Pleistocene Rock Painting in ment. AATA. Australia. Dating Early Australian Pictograms’ in Symposium Walston, S. and Dolanski, J., 1976. ‘Two Painted and En- 5: L’Art Pléistocène en Australie, Préhistoire, Art et Sociétés: Bul- graved Sandstone Sites in Australia’ in Studies in Conservation letin de la Société Préhistorique de l’Ariège, Vol. 65-66:170-171, (Etudes de Conservation), Vol. 21:1-17, International Institute Société Préhistorique de l’Ariège, Tarascon, France. ISSN for Conservation of Historic and Artistic Works, London, 1954-5045. England. Keywords: Australia. Pleistocene painted rock art. Dating. Dialnet. Keywords: Mootwingee and Mt. Grenfell, NSW, Australia. Con- Ward, Graeme K., 2011 (May). ‘The Role of AIATSIS in servation and preservation. Weathering. PCARB, AHCBS, Biblio. Research and Protection of Australian Rock Art’ in Rock Art Walton, W.J., 1934. ‘Aboriginal Rock Paintings and Cave Research, Vol. 28(1):7-16, Australian Rock Art Research Asso- Paintings at Arcadia’ in Mankind, Vol. 1:202-203, Anthro- ciation, Melbourne, Australia. ISSN 0813-0426. pological Society of New South Wales, Sydney, Australia. Keywords: Australian Institute of Aboriginal and Torres Strait Islander Studies Rock Art Protection Program. LMRAA, Refdoc.fr. http://onlinelibrary.wiley.com/doi/10.1111/j.1835-9310.1934. tb00040.x/full (8/25/2017). Ward, G., 2012. ‘Pleistocene Rock Painting in Australia’ in Keywords: Arcadia, Australia. Aboriginal rock art. Wiley. L’Art Pleistocene dans le Monde / Actes du Congres IFRAO, Rock Art Research 2019 - Volume 36, Number 1, pp. 49-93. L. MARYMOR 85 Tarascon-sur-Ariege, Sept. 2010, Jean Clottes, ed., Bulletin de in Dating Australian Rock-Markings: Papers from the First la Societe Prehistorique Ariege-Pyrenees, Vol. LXV-LXVI:Book: Australian Rock-Picture Dating Workshop, Occasional AURA 170-171, CD: 975-989, Societe Prehistorique Ariege-Pyrenees, Publication, Vol. (10):124 pgs, Australian Rock Art Research Tarascon-sur-Ariege, France. ISBN 0245-9523 Association, Caulfield South, Australia, ISBN-10: 0958680213, ISBN 987-2-9531148-3-6. ISBN-13: 978-0958680219. Keywords: Australia. Pleistocene rock painting. Biblio, LMRAA. Keywords: Dating. First Australian Rock-Picture Dating Workshop, Sydney, 1996. Biblio. Ward, Graeme K., 2016. ‘A Survey of Developments in Dating Australian Rock-Markings’ in Paleoart and Materiality. The Ward, I.A.K., Fullagar, R.L.K., Boer-MahT., Head, L.M., Scientific Study of Rock Art, Robert G. Bednarik, Danae Fiore, Taçon, P.S.C. and Mulvaney, K., 2006. ‘Comparison of Sed- Mara Basile, Giriraj Kumar and Tank Huisheng, eds, 205-216, imentation and Occupation Histories Inside and Outside Archaeopress Archaeology, Oxford, England. Printed ISBN Rock Shelters, Keep-River Region, Northwestern Australia’ 9781784914295, Epublication ISBN 9781784914301. in Geoarchaeology: An International Journal, Vol. 21(1):1-27, Keywords: Australia. Direct dating. Internet, LMRAA. John Wiley & Sons, Inc. Print ISSN: 0883-6353, Online ISSN: 1520-6548. Ward, Graeme K. and Crocombe, Mark, 2010 (Nov). ‘Rock Keywords: Keep-River Region, north-western Australia. AATA. Paintings near Wadeye, Northern Territory: Site Management and Educational Aspects of Research and Tourism’ in Rock Ward, I., Patterson, C. and Watchman, A., 1999 (Jun). ‘The En- Art Research, Vol. 27(2):229-237, Australian Rock Art Research vironment and Condition of Multi-Layered Aboriginal Paint- Association, Melbourne, Australia. ISSN 0813-0426. https:// ings at Kennedy-A in the Wet Tropics, North Queensland’ www.academia.edu/16712549/Rock_Paintings_near_Wad- in Rock Art Research, Vol. 16(1):25-35, Australian Rock Art eye_Northern_Territory_Site_Management_and_Education- Research Association, Melbourne, Australia. ISSN 0813-0426. al_Aspects_of_Research_and_Tourism (017). Keywords: Cultural resource management. Micro-environment. Keywords: Cultural resource management. Tourism. LMRAA, Oxalate. LMRAA, AATA. Refdoc.fr, Academia.edu. Ward, I., Watchman, A., Cole, N. and Morwood, M., 2001 Ward, Graeme K. and Crocombe, Mark, 2014 (May). ‘The (May). ‘Identification of Minerals in Pigments from Aborigi- Little-Known Fitzmaurice Region ‘Wine-Red’ Pictograms’ nal Rock Art in the Laura and Kimberley Regions, Australia’ in Rock Art Research, Vol. 31(1):14-30, Australian Rock Art in Rock Art Research, Vol. 18(1):15-23, Australian Rock Art Research Association, Melbourne, Australia. ISSN 0813-0426. Research Association, Melbourne, Australia. ISSN 0813-0426. Keywords: Victoria River, northwest Australia. Anthropomorphs Keywords: Pigment analysis. Minerals. LMRAA, AATA. with slender limbs. LMRAA. Warren, Louis, 1997. ‘The West Pilbara Engraving Cast Proj- Ward, Graeme, Dodds, Basil, Crocombe, Mark and Watch- ect’ in Australian Aboriginal Studies, Vol. (2):47-49, Canberra, man, Alan, 2004. ‘Fitzmaurice River, Western Northern Australia. ISSN: 0729-4352. Territory: Recording and Dating of Rock Markings’ in XXI Keywords: Pilbara, Australia. Conservation and preservation. AL@ Valcamonica Symposium, Arte Preistorica e Tribale, 8-14 Settembre RLG, Internet. 2004, Darfo Boario Terme. Nuove Scoperte, Nuove Interpretazioni, Watchman, A., 1985. ‘Mineralological Analysis of Silica Nuove Metodi di Ricerca / New Discoveries, New Interpretations, Skins Covering Rock Art’ in Archaeological Research in Ka- New Research Methods. Papers / Comunicazioni, 461, Centro kadu National Park, R. Jones, ed., Special Publication, Vol. Camuno di Studi Preistorici, Capo di Ponte, Italy. (13):281-289, Australian National Parks and Wildlife Service, Keywords: Aboriginal rock art. Dating. Abstract, only. LMRAA. Canberra, Australia. Ward, Graeme K. and Sullivan, Sharon, 1989 (May). ‘The Keywords: Kakadu National Park, Australia. Silica skin analysis. PCARB. Australian Institute of Aboriginal Studies Rock Art Protection Program’ in Rock Art Research, Vol. 6(1):54-62, Australian Watchman, A., 1987. ‘Preliminary Determinations of the Age Rock Art Research Association, Melbourne, Australia. ISSN and Composition of Mineral Salts on Rock Art Surfaces in 0813-0426. the Kakadu National Park’ in Archaeometry: Further Austra- Keywords: Australia. Conservation and preservation. Activities lian Studies, Ambrose and Mummery, eds, 36-42, Australian funded. LMRAA, PCARB, AHCBS, AATA. National Gallery, Canberra, Australia. Ward, Graeme K. and Tuniz, Claudio, 2000. ‘Introduction to Keywords: Accretions associated with paint layers. Oxalates, AMS radiocarbon dating. PCARB, AHCBS, AATA, MWRBRAD. the Proceedings of the First Australian Rock-Picture Dating Workshop’ in Advances in Dating Australian Rock-Markings: Watchman, A., 1990. ‘The Weathering of Australian Rock Papers from the First Australian Rock-Picture Dating Workshop, Paintings’ in Journées Internationales d’Etude sur la Conserva- G.K. Ward and C. Tuniz, eds, Occasional AURA Publication, tion de l’Art Rupestre - Supplement, 21-29, Perigord, France. Vol. (10):3-8, Australian Rock Art Research Association, https://www.academia.edu/9233038/Weathering_of_Aus- Caulfield South, Australia, ISBN-10: 0958680213, ISBN-13: tralian_rock_art (4/23/2017). 978-0958680219. Keywords: Cultural resource management. Weathering. PCARB, Keywords: Dating. First Australian Rock-Picture Dating Workshop, Academia.edu. Sydney, 1996. RASNW3. Watchman, Alan, 1990. ‘What are Silica Skins and How are Ward, Graeme K. and Tuniz, Claudio, 2000. ‘Dating Aus- They Important in Rock Art Conservation?’ in Australian tralian Rock-Markings: An Interdisciplinary Challenge’ in Aboriginal Studies, Vol. 1990(1):21-29, Australian Institute Advances in Dating Australian Rock-Markings: Papers from the of Aboriginal and Torres Strait Islander Studies, Canberra, First Australian Rock-Picture Dating Workshop, G.K. Ward and Australia. ISSN: 0729-4352. C. Tuniz, eds, Occasional AURA Publication, Vol. (10):9-21, Keywords: Australia. Conservation and preservation. Silica skins. Australian Rock Art Research Association, Caulfield South, ALOD, AATA, Internet. Australia, ISBN-10: 0958680213, ISBN-13: 978-0958680219. Watchman, Alan, 1990. ‘Rassegna delle Croste Ricche in Keywords: Australia. Aboriginal rock art. Dating. RASNW3. Ossalato Rinvenute in Australia’ in Arkos: Scienza a Restauro Ward, Graeme K. and Tuniz, Claudio, eds, 2000. Advances dell’Architettura,Vol. (9-10):11-18. 86 Rock Art Research 2019 - Volume 36, Number 1, pp. 49-93. L. MARYMOR Keywords: Australia. Cultural resource management. Conservation Watchman, Alan, 1993. ‘Evidence of a 25,000 - Year Old and preservation. AATA. Pictograph in Northern Australia’ in Geoarchaeology: An In- Watchman, Alan, 1990. ‘The Weathering of Australian Rock ternational Journal, Vol. 8(6):465-473, John Wiley & Sons, Inc. Paintings’ in 50 ans après la Découverte de Lascaux: Journées Print ISSN: 0883-6353, Online ISSN: 1520-6548. Internationales d’Etude sur la Conservation de l’Art Rupestre: Dor- Keywords: Cape York Peninsula. Direct dating. Oxalates, AMS radiocarbon dating. LMRAA, MWRBRAD. dogne-Périgord (France), 20-23 août 1990: Actes, 21-29, Atelier de Recherches et d’Etudes en Périgord, ISBN 2-9504621-0-3. Watchman, A.L., 1993 (May). ‘More Information about South Keywords: Australia. Conservation and preservation. Weathering. Australian Cation-Ration Dates’ in Rock Art Research, Vol. AATA. 10(1):38-4040, Australian Rock Art Research Association, Watchman, Alan, 1990. ‘A Review of Studies into the Com- Melbourne, Australia. ISSN 0813-0426. position of Pigments Used in Australian Rock Paintings’ in Keywords: Accretions associated with paint layers: oxalates, AMS radiocarbon dating. LMRAA, MWRBRAD. 50 ans après la Découverte de Lascaux: Journées Internationales d’Etude sur la Conservation de l’Art Rupestre: Dordogne-Périgord Watchman, A., 1997. ‘Dating the Kimberley Rock Paintings’ (France), 20-23 août 1990: Actes, 57-64, Atelier de Recherches in Aboriginal Rock Art of the Kimberley, K.F. Kenneally, M.R. et d’Etudes en Périgord, ISBN 2-9504621-0-3. Lewis, M. Donaldson and C. Clement, eds, Kimberley So- Keywords: Australia. Pigment analysis. AATA. ciety Occasional Paper, Vol. (1):39-46, Kimberley Society, Watchman, Alan, 1990 (May). ‘A Summary of Occurrences Perth, Australia. https://www.academia.edu/11711890/Dat- of Oxalate-Rich Crusts in Australia’ in Rock Art Research, ing_the_Kimberley_Rock_paintings (4/24/2017). Keywords: Direct dating. Inorganic pigments, AMS radiocarbon Vol. 7(1):44-50, Australian Rock Art Research Association, dating. Biblio, RASNW3, MWRBRAD. Melbourne, Australia. ISSN 0813-0426. Keywords: Direct dating. Oxalates, AMS radiocarbon dating. Com- Watchman, A., 1997. Kimberley and Hann River Paint Ac- ments by: F.N. Anozie, Thomas A. Dowson, Osaga Odak, Peter cretion Composition, Australian Institute of Aboriginal and Sutton, Paul S.C. Taçon and P.J. Trezise. Reply by author. LMRAA, Torres Strait Islander Studies, Canberra, Australia. AATA, MWRBRAD. Keywords: Kimberley. Hann River. Australia. Pigment analysis. Watchman, Alan, 1991. Aboriginal Carved Tree Conservation Biblio. Project: Final Report, 62 pgs, New South Wales National Watchman, Alan, 1997. ‘Paleolithic Marks: Archaeometric Parks and Wildlife Service, Sydney, Australia. Perspectives’ in Beyond Art. Pleistocene Image and Symbol- Keywords: Tree bark carving. Dendroglyph. Cultural resource Memoirs of the California Academy of Sciences, Vol. (23):19-36, management. Academia.edu. California Academy of Sciences, San Francisco, California. Watchman, A.L., 1991. ‘Age and Composition of Oxalate-Rich Keywords: World. Archaeometry. Direct dating of paintings lacking Crusts in Northern Territory, Australia’ in Studies in Conser- organic binders. Subjectivity of stylistic chronology. LMRAA. vation (Etudes de Conservation), Vol. 36(1):24-32, International Watchman, Alan, 1998 (May). ‘Composition and Source of Institute for Conservation of Historic and Artistic Works, Dust on Split Rock Paintings, Australia’ in Rock Art Research, London, England. Vol. 15(1):36-40, Australian Rock Art Research Association, Keywords: Direct dating. Accretions. Oxalates, AMS radiocarbon Melbourne, Australia. ISSN 0813-0426. dating. ALOD, AATA, MWRBRAD. Keywords: Cape York, Australia. Conservation and preservation. Dust from road traffic. LMRAA, AATA. Watchman, A., 1992. ‘Assessment of the Cation-Ratio Dating Method’ in International Newsletter on Rock Art,Vol. (2):8-10, Watchman, A., 2000. ‘Dating Rock Art’ in Bradshaw Art of Comite International d’Art Rupestre, Foix, France. ISSN the Kimberleys, 39-41, Takarakka Nowan Kas Publications, 1022-3282. http://www.icomos.org/centre_documentation/ Toowong Queensland, Australia, ISBN 10: 0958744610 ISBN inora/inora2/inora-2.pdf (4/22/2017). 13: 9780958744614. Keywords: Karolta, Olary, South Australia. Cation-ratio dating. Keywords: Kimberley, Australia. Bradshaw rock art. Direct dating. LMRAA. LMRAA, Bancroft. Watchman, A., 1992. ‘Doubtful Dates for Karolta Engravings’ Watchman, A., 2000. ‘Micro-Excavation and Laser Extraction in Australian Aboriginal Studies, Vol. (1):51-55, Australian Methods for Dating Carbon in Silica Skins and Oxalate Institute of Aboriginal and Torres Strait Islander Studies, Crusts’ in Advances in Dating Australian Rock-Markings: Papers Canberra, Australia. ISSN: 0729-4352. from the First Australian Rock-Picture Dating Workshop, G.K. Keywords: Karolta, Australia. Direct dating. Cation ratio dating. Ward and C. Tuniz, eds, Occasional AURA Publication, AMS radiocarbon dating. Biblio, MWRBRAD, Internet. Vol. (10):3-8, Australian Rock Art Research Association, Watchman, Alan, 1992. ‘Repainting or Periodic-Painting at Caulfield South, Australia, ISBN-10: 0958680213, ISBN-13: Australian Aboriginal Sites. Evidence from Rock Surface 978-0958680219. Crusts’ in Retouch: Maintenance and Conservation of Aborig- Keywords: Dating. Micro excavation and laser extraction of carbon. Bancroft. inal Rock Imagery, Graeme K. Ward, ed., Occasional AURA Publication, Vol. (5):26-30, Australian Rock Art Research Watchman, A., 2001. ‘Wargata Mina to Gunbilmurung: The Association, Melbourne, Australia. Direct Dating of Australian Rock Art’ in Histories of Old Ages: Keywords: Victoria Rver District, Kakadu National Park, Northern Essays in Honour of Rhys Jones, A. Anderson, I. Lilley and S. Territory. Laura, Queensland. Analysis of overpainting. Dating. O’Connor, eds, 313-325, Pandanus Books, Research School LMRAA, PCARB. of Pacific & Asian Studies, Australian National University, Watchman, Alan, 1992 (Nov). ‘Investigating the Cation-Ratio Canberra, Australia. Calibration Curve: Evidence from South Australia’ in Rock Keywords: Australia. Aboriginal rock art. Direct Dating. Bancroft, MWRBRAD. Art Research, Vol. 9(2):106-110, Australian Rock Art Research Association, Melbourne, Australia. ISSN 0813-0426. Watchman, A., 2004 (Nov). ‘Minimum Age for a Petroglyph Keywords: Direct dating. Cation ratio, AMS radiocarbon dating. on a Boulder of Significance in Southern Kakadu National AATA, MWRBRAD. Park, Northern Territory, Australia’ in Rock Art Research, Vol. Rock Art Research 2019 - Volume 36, Number 1, pp. 49-93. L. MARYMOR 87 21(2):187-195, Australian Rock Art Research Association, Watchman, A., Sirois, J. and Cole, N., 1993. ‘Mineralogical Melbourne, Australia. ISSN 0813-0426. Examination of Aboriginal Rock-Painting Pigments near Keywords: Radiocarbon dating. Oxalate coating. LMRAA. Laura, North Queensland’ in Archaeometry: Current Austral- Watchman, Alan, 2005 (Jul). ‘Conservation of Australian asian Research, Barry L. Fankhauser and Roger J. Bird, eds, Rock Art’ in Coalition Electronic Newsletter, Vol. (10):14-17. Archaeometry. Occasional Papers in Prehistory, Vol. 22:141- ISSN 1579-8410. https://www.academia.edu/7116613/CON- 150. ISBN 0731515412. 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Watchman, A.L., Walsh, G.L., Morwood, M.J. and Tuniz, Watchman, A.L., David B., McNiven, I.J., et al, 2000. ‘Mi- C., 1997 (May). ‘AMS Radiocarbon Age Estimates for Early cro-Archaeology of Engraved and Painted Rock Surface Rock Paintings in the Kimberley, N.W. Australia, Preliminary Crusts at Yiwarlarlay (the Lightning Brothers Site), Northern Results’ in Rock Art Research, Vol. 14(1):18-26, Australian Territory, Australia’ in Journal of Archaeological Science, Vol. Rock Art Research Association, Melbourne, Australia. ISSN 27(4):315-325, Academic Press, London, England. ISSN: 0813-0426. Keywords: Direct dating. Inorganic pigments. AMS dating of accre- 0305-4403. tions. LMRAA, MWRBRAD. Keywords: Micro-archaeology of rock surface crusts. SCI, RASNW3, Biblio, AATA, Refdoc.fr. Watchman, Alan, Ward, Graeme K., Crocombe, Mark and Watchman, A., Flood, J. and Chippindale, C., 2004 (Nov). Mulvaney, Ken, 2010 (Nov). ‘Dating of Rock Paintings in the ‘Dating of Rock Images in Wardaman Country, Northern Wadeye - Fitzmaurice Region, Northern Territory’ inRock Art Territory, Australia’ in Rock Art Research, Vol. 21(2):173-182, Research, Vol. 27(2):223-228, Australian Rock Art Research Australian Rock Art Research Association, Melbourne, Aus- Association, Melbourne, Australia. ISSN 0813-0426. https:// tralia. ISSN 0813-0426. www.academia.edu/7048149/DATING_OF_ROCK_PAINT- Keywords: Wardaman. Aboriginal rock art. AMS C14 dating. INGS_IN_THE_WADEYE-FITZMAURICE_REGION_ LMRAA. NORTHERN_TERRITORY (4/24/2017). Keywords: Dating. Aboriginal rock art. LMRAA, Refdoc.fr, Aca- Watchman, Alan and Hatte, Elizabeth,1996 (Nov). ‘A Nano demia.edu. Approach to the Study of Rock Art’ ‘The Walkunders’, Chil- lagoe, North Queensland, Australia’ in Rock Art Research, Watchman, A., Ward, I. Jones, R. and O’Connor, S., 2001. Vol. 13(2):85-92, Australian Rock Art Research Association, ‘Spatial and Compositional Variations within Finely Lami- Melbourne, Australia. ISSN 0813-0426. nated Mineral Crusts at Carpenter’s Gap, an Archaeological Keywords: Direct dating. Paint analysis. Accelerator mass spectom- Site in Tropical Australia’ in Geoarchaeology: An International etry. LMRAA, AHCBS. Journal, Vol. 16(7):803-824, John Wiley & Sons, Inc. Print ISSN: 0883-6353, Online ISSN: 1520-6548. Watchman, A.L. and Jones, R., 1998. ‘Dating Rock Images in Keywords: Carpenter’s Gap, Australia. Laminated mineral crusts. the Tropical Monsoon Region of Northern Australia’ in Aus- Bancroft, AATA. tralian Aboriginal Studies, Vol. (2):64-70, Australian Institute Watson, C., 2000. ‘Writing on Walls: Reflections of Rock-Art of Aboriginal and Torres Strait Islander Studies, Canberra, Tradition in ‘Urban’ Aboriginal Art’ in The Oxford Companion Australia. ISSN: 0729-4352. to Aboriginal Art and Culture, Margo Neale, Sylvia Kleinert, and Keywords: Northern Australia. Direct dating. AL@RLG, RASNW3, Internet. Robyne Bancroft, eds, 126-127, Oxford University Press, South Melbourne, Australia. ISBN 0195506499, 9780195506495. Watchman, A. and Jones, R., 2002. ‘An Independent Confir- Keywords: Aboriginal rock art. Contemporary indigenous graffiti. mation of the 4 ka Antiquity of a Beeswax Figure in Western KRAI. Australia’ in Archaeometry, Vol. 44(1):145-153, Research Watson, J.A.L. and Flood, J.M., 1987 (May). ‘Termite and Laboratory for Archaeology and History, Oxford University, Wasp Nest Damage to Australian Rock Art’ in Rock Art Oxford, England. Online ISSN 1475-4754. Research, Vol. 4(1):17-28, Australian Rock Art Research As- Keywords: Western Australia. AMS dating of Beeswax pigments. sociation, Melbourne, Australia. ISSN 0813-0426. RASNW3, Bancroft, MWRBRAD. Keywords: Koolburra Plateau, north Queensland, Australia. Termite damage. LMRAA, RCSL, PCARB, AHCBS, AATA. Watchman, A., O’Connor, S. and Jones, R., 2005. Dating Oxalate Minerals 20-45 ka’ in Journal of Archaeological Science, Watson, S. and Dolanski, J., 1976. ‘Two Painted and En- Vol. (32):369-374. ISSN: 0305-4403. graved Sandstone Sites in Australia’ in Studies in Conservation Keywords: Australia. Direct dating. Oxalate minerals. Bancroft. (Etudes de Conservation), Vol. 21(1):1-17, 49-0, International Institute for Conservation of Historic and Artistic Works, Watchman, Alan, Sale, Kathryn and Hogue, Kate, 1995. London, England. ‘Conservation of the Rondezvous Creek and Nursery Swamp Keywords: Mootwingee National Park, Mount Grenfell Historic Site, 2 Aboriginal Paintings Sites, Namadgi National Park, ACT’ NSW, Australia. Pigment analysis. AATA. in Conservation and Management of Archaeological Sites, 1995, Webb, R. Esmee and Gunn, R.G., 2004 (May). ‘Re-Recording Vol. 1(1). Keywords: Aboriginal rock art. Conservation and preservation. Culturally Significant Aboriginal Sites in South-Western Aus- Biblio. tralia as a Guide to Noongar Usage of the Region in the Past’ 88 Rock Art Research 2019 - Volume 36, Number 1, pp. 49-93. L. MARYMOR in Rock Art Research, Vol. 21(1):93-97, Australian Rock Art Rock Art, Western Australia’ in The Artefact, Robert G. Bed- Research Association, Melbourne, Australia. ISSN 0813-0426. narik, ed., Vol. 19:73-89, Archaeological and Anthropological Keywords: Site recording project. South West Aboriginal Land and Society of Victoria, Melbourne, Australia. Sea Council. LMRAA. Keywords: Human figures engaged in dance or ceremony motif(s). Biblio, AHCBS. Webb, R. Esmee and Rossi, Alana M., 2008. ‘How was Mulka’s Cave, an Aboriginal Rock Art Site near Hyden, in Welch, David M., 1996 (Nov). ‘Material Culture in Kimberley South-Central Western Australia, Used by the People Who Rock Art, Australia’ in Rock Art Research, Vol. 13(2):104-123, Decorated Its Walls, When the Present Entrance was Much Australian Rock Art Research Association, Melbourne, Aus- Smaller?’ in Records of the Western Australian Museum, Vol. tralia. ISSN 0813-0426. 24(Part 3):307-318, Western Australian Museum. http://muse- Keywords: Material culture motif(s) depicted in Gwion style rock um.wa.gov.au/sites/default/files/WAMRecords_2008_24(3)_ art. LMRAA, AHCBS. 307to318_WEBBetal.pdf (8/2/2017). Welch, David M., 1997 (Nov). ‘Fight or Dance? Ceremony Keywords: Mulkas’s Cave. Cave morphology. Sediment erosion. and the Spearthrower in Northern Australian Rock Art’ in Biblio, Internet. 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Welch, David, 1990 (Nov). ‘The Bichrome Art Period in the Welch, David M., 2003. ‘Plant Motifs in Kimberley Rock-Art, Kimberley, Australia’ in Rock Art Research, Vol. 7(2):110-124, Australia’ in Before Farming, 2003/4, Article 5, Western Aca- Australian Rock Art Research Association, Melbourne, Aus- demic & Specialist Press Ltd. http://www.waspress.co.uk/ tralia. ISSN 0813-0426. journals/beforefarming/journal_20034/abstracts/index.php. Keywords: Monochrome and bichrome rock art period. Gwion Keywords: Meanders, plants, rock art, yam motif(s). Internet. Gwion figures. Anthropomorph. Chronology. Comment by: Darrell Welch, David M., 2004 (May). ‘Large Animals and Small Lewis. Reply by author. LMRAA. Humans in the Rock Art of Northern Australia’ in Rock Art Welch, David M., 1992. ‘Kakadu Dreaming: Ancestral Be- Research, Vol. 21(1):47-56, Australian Rock Art Research As- ings and Mythology in the Rock Art of the Kakadu Region’ sociation, Melbourne, Australia. ISSN 0813-0426. in State of the Art: Regional Rock Art Studies in Australian and Keywords: Arnhem Land, Australia. Mammal motif(s). LMRAA. Melanesia, J. McDonald and I.P. Haskovec, eds, Occasional Welch, David, 2007. ‘Bradshaw Art of the Kimberley’ in Rock AURA Publication, Vol. 1(6):195-201, Australian Rock Art Re- Art of the Kimberley, Proceedings of the Kimberley Society of Rock search Association, Melbourne, Australia, ISBN: 0646090836, Art Seminar held at The University of Western Australia, Perth, 10 9780646090832. September 2005, Mike Donaldson and Kevin Kenneally, eds, Keywords: Kakadu dreaming. Ancestral beings. Dreamtime. Dream 80-100, Kimberley Society, Perth, Western Australia. ISBN path. LMRAA. 978-0-9587130-1-6. Welch, David, 1993. ‘The Early Rock Art of the Kimberley, Keywords: Kimberley, Gwion Gwion rock art. LMRAA. Australia: Developing a Chronology’ in Time and Space. 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Deer, line of people Bahn, eds, Oxbow Monographs, Vol. (35):99-113, Oxbow performing ceremony. LMRAA. Books, Oxford, England. Keywords: Chronological sequence. Rock art periods. LMRAA. Welch, David M., 2015. ‘Thy Thylacoleo is a Thylacine’ in Australian Archaeology, Vol. 80:40-47, Australian Archaeo- Welch, David, 1993 (May). ‘Early ‘Naturalistic’ Human logical Association, Inc., Canberra, Australia. ISSN: 0312- Figures in the Kimberley, Australia’ in Rock Art Research, 2417. http://search.informit.com.au/documentSummary;d- Vol. 10(1):24-37, Australian Rock Art Research Association, n=237276386417650;res=IELHSS (2/21/2016). Melbourne, Australia. ISSN 0813-0426. Keywords: Kimberley, Australia. Thylacene motif(s) Worldcat.org, Keywords: Pictograms. Anthropomorphs. Tasselled and bent knee Internet. style. LMRAA. Welch, David M., 2016. From Bradshaw to Wandjina: Aboriginal Welch, David, 1995 (May). ‘Beeswax Rock Art in the Kim- Paintings of the Kimberley Region, Western Australia, Australian berley, Western Australia’ in Rock Art Research, Vol. 12(1):23- Aboriginal Culture Series, Vol. (12):102 pgs, Coolalinga, North- 28, Australian Rock Art Research Association, Melbourne, west Territory, Australia. ISBN: 9780987138996 0987138995. Australia. ISSN 0813-0426. Keywords: Gwion Gwion. Wandjina (Wanjina). Chronology. Keywords: Beeswax rock art. Wandjina (Wanjina) figures. LMRAA. Worldcat.org. Welch, David, 1996. ‘Simple Human Figures in Kimberley Welch, David M. and Welch, Ann, 2015. ‘Palorchestes or Rock Art Research 2019 - Volume 36, Number 1, pp. 49-93. L. MARYMOR 89 Bunyip?’ in International Newsletter on Rock Art,Vol. (72):18- Porcupine, N.E. Victoria’ in Memoirs of the National Museum 24, Comite International d’Art Rupestre, Foix, France. ISSN Victoria, Vol. 31:25-30, National Museum Victoria. 1022-3282. 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LM- Wright, Bruce J., 1972. ‘Rock Engravings of Striped Mam- RAA, RASESA. mals: The Pilbara Region, Western Australia’ in Archaeology Woodhouse, H.C. and Pager, H., 1982. ‘Art in the Wilder- and Physical Anthropology in Oceania, Vol. 7(1):15-23, Sydney, ness’ in Wilderness, V. Martin, ed., 57-62, Findhorn Press, Australia, ISSN: 0003-8121. Findhorn, Scotland. Keywords: Pilbara Region, Western Australia. Marsupial, Dingo, Keywords: South Africa. Australia. Aboriginal rock art. San (Bush- striped mammal motif(s). JSTOR. man) rock art. AHCBS. Wright, B., 1973. ‘The Art of the Rock Engravers’ in Australian Woolagoodja, Donny, 2007. ‘Rock art as Inspiration for Con- Aboriginal Heritage: An Introduction Through the Arts, R.M. temporary Aboriginal Painting’ in Rock Art of the Kimberley, Berndt and E.S. 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Keywords: Queensland, Australia. Hand motif. Sign language. Mutilation. Comments by: David R. Moore, R.G. Kimber, W.J.J. Van Worms, E.A., 1955. ‘Contemporary and Prehistoric Rock Ryssen, P.J. Trezise, and Whitney Davis. Reply by author. LMRAA, Painting in Central and North Kimberley’ in Anthropos, Vol. AHCBS. 50:546-566, Anthropos Institute, ISSN: 0257-9774. Keywords: Central and north Kimberley, Australia. Wandjina, Gwion Wright, Duncan, May, Sally K., Taçon, Paul S.C. and Ste- motifs. Biblio. phenson, Birgitta, 2014 (May). ‘A Scientific Study of a New Cupule Site in Jabiluka, Western Arnhem Land’ in Rock Art Worms, E.A., 1957 (Mar). ‘Prehistoric Rock Carvings: Some Research, Vol. 31(1):92-100, Australian Rock Art Research Fascinating Discoveries in West Australia’ in Air Travel, 14-16. Association, Melbourne, Australia. ISSN 0813-0426. Keywords: Western Australia. Aboriginal rock art. Biblio. Keywords: Cupules. Metrics, use wear, residue analysis, typology, Worrall, R.H., 1994. Rock Art Survey - Roma Gorge Vicinity function, intra-site complexities. LMRAA. - Western MacDonnell National Park - Western Australia, Wright, Felicity, Marshall, Melissa, Djorlom, Garry, Djor- Master’s Assignment, Department of Archaeology and Pa- lom, Christina and Burrunali, Roland, 2016. ‘The Rock Art laeoanthropology, University of New England. of Injalak’ in Artlink, Vol. 36(2):66-69. ISSN: 0727-1239. Keywords: Western MacDonnell National Park. Biblio. Keywords: Injalka, Gunbalanya (Oenpelli), West Arnhem Land, Wright, B.J., 1964. ‘Some Aboriginal Rock Engravings in the Australia. Worldcat.org. Roebourne - Hamersley Range Area’ in Western Australian Wright, H.J., 1941. ‘The Preservation of the Rock Engravings Naturalist, Vol. 9(5):97-118. of New South Wales’ in Mankind, Vol. 3(1):7-14, Anthro- Keywords: Roebourne - Hamersley Range area, Australia. Biblio. pological Society of New South Wales, Sydney, Australia. Wright, B.J., 1965. ‘Some Aboriginal Rock Engravings in the http://onlinelibrary.wiley.com/doi/10.1111/j.1835-9310.1941. Roebourne - Hamersley Range Area’ in Western Australian tb00113.x/full (8/25/2017). Naturalist, Vol. 9(8):177-186. Keywords: Cultural resource management. Causes of damage, need Keywords: Roebourne - Hamersley Range area See also 9(5), 1964. for legislation. AHSBS, AATA, Wiley. Biblio. Wright, R., 1980. ‘Hints on the Successful Photography of Wright, B.J., 1968. Rock Art of the Pilbara Region, North-West Aboriginal Art’ in The Aborigines of New South Wales, C. Haigh Australia, Occasional Papers in Aboriginal Studies, Prehistory and W. Goldstein, eds, 112-113, National Parks and Wildlife and Material Culture Series No. 2, Vol. (11):78 pgs, Australian Service, Sydney, Australia. Institute of Aboriginal and Torres Strait Islander Studies, Keywords: Sydney, New South Wales, Australia. Style. Photographic Canberra, Australia. techniques. AHCBS. Keywords: Pilbara Region, north-west Australia. Aboriginal rock Wylie, F.R., Walsh, G.L. and Yule, R.A., 1987. ‘Insect Dam- art. Biblio, CRARA, LMRAA. age to Aboriginal Relics at Burial and Rock-Art Sites near Wright, B., 1970. ‘Observation of Damage and Comments Carnarvon in Central Queensland’ in Journal of Australian on the Preservation of Aborignial Art Sites in the Pilbara Entomological Science, Vol. 26(Part 4):335-345. Rock Art Research 2019 - Volume 36, Number 1, pp. 49-93. L. MARYMOR 91 Keywords: Aboriginal rock art. Entymology. Insect damage. SCI. BARAA: Bay Area Rock Art Archive, University of California, Wynn, Thomas, 2003 (Nov). ‘Crusade! Comments on R.G. Berkeley, Bancroft Library Bednarik’s ‘The Earliest Evidence of Palaeoart’ in Rock Art BARAMP: ‘Bibliografía de Arte Rupestre del Arco Mediter- Research, Vol. 20(2):120-121, Australian Rock Art Research ráneo Peninsular (1950-2002)’ in Quaderns de Prehistòria Association, Melbourne, Australia. ISSN 0813-0426. i Arqueologia de Castelló, 2001, Francesc Gusi i Jener Keywords: World. Pleistocene art. Palaeoart. Art origins. Comment BARAS: ‘Bibliografia dell’Arte Rupestre dell’Africa Setten- on Robert G. Bednarik, 2004, RAR, 20(2):89-135. LMRAA. trionale’, Laura Guerra, 1991, Studi per l’Ecologia del Quaternario, 13:105-139. Yoshida, Hiroyuki, Roberts, Richard G. and Olley, Jon BCSRA: Tim E. H. Jones, May 2004 Bibliography of Canadian M., 2003. ‘Progress Towards Single Grain Optical Dating of Shield Rock Art, Saskatchewan Archaeological Society, Fossil Mud Wasp Nests and Associated Rock Art in Northern Saskatoon, Saskatchewan, unpubl. manuscript. Updated Australia’ in Quaternary Science Reviews, Vol. (22):1273-1278. April 2017. ISSN: 0277-3791. BDL: Bill Drake Library, Nevada City CA Keywords: Direct dating. Single grain optical dating. Mud wasp nests. AATA, Refdoc.fr, Biblio. Biblio: Citations selected from references cited by various authors BKB: ‘Rock Carvings and Inscriptions in the Northern Areas of Pakistan, Selected Bibliography’, Martin Bemmann and Appendix: sources for citations Ditte Koenig, April 14, 1997, Internet posting to the Rock Art Newsgroup ([email protected]) AATA: Abstracts of International Conservation Literature, BMHDBC: Boletin del Museo del Hombre Dominicano. Getty Conservation Institute. http://aata.getty.edu/ Bibliografía comentada in http://www.rupestreweb.info/ nps/?cid=gci007 bibliomuseohrd.html. ABMBAR: (Antonio Beltran Martinez) Bibliografia por Ma- BNRA: ‘Bibliography of Northumberland Rock Art’, http:// terias, 2. Arte Rupestre, Caesaraugusta, 2008, 79: 238–258 rockart.ncl.ac.uk/bibliography.asp, accessed 3/12/2011. Academia.edu: Social network site for sharing academic BPNEP: ‘Books and Papers on North European Petroglyphs’, research originally prepared for a lecture series at the Christian - Africabib.org: Bibliographic database Albrecht University, Kiel, Germany, 1989/1990, updated AHCBS: Australian Heritage Commission Bibliography Se- 10/9/96 ries No. 2, Australia’s Rock Art, Second Edition, Produced BPRA: Bibliography of Portuguese Rock Art, 1916- 1998, from HERA (Heritage Australia Information System), http://www.utad.geira.pt/irac/ingles/bibliogratia/con- 1990. Also, Australian Heritage Bibliography (formerly tents/biliogratia.html HERA) online at http://www.ahc.gov.au/infores/HERA/ BRAM: ‘Bibliography on Rock Art Management Consider- index.html ation and Management Plan Reports’, Dan McCarthy, AHS: Arizona Historical Society Library, Tucson AZ 1992, American Rock Art Research Association AL@RLG: Anthropological Literature @ RLG (periodical BRANL: ‘Bibliography of Rock Art in Natal and Lesotho: database) 1874-1981, Marilyn A. Cherry, 1982 ALL: Amy Leska Library BRRNB: ‘Bibliografia sobre Registros Rupestres no Nordeste ALOD: ‘Anthropological Literature on Disc, Tozzer Library, do Brasil’, Alice Aguiar, Clio 11, 1996. Harvard University, President & Fellows of Harvard BSAABGS: ‘Bibliography of the South African Archaeological College (G.K. Hall & Co.), 1994 Bulletin and the Goodwin Series 1-68’, Duncan Miller, AMAZON: Amazon.com (http://www.amazon.com), on-line 1995, University of Cape Town, Department of Archae- book search service ology, African Studies Library APGODQ: Art Parietal. Grottes Ornées du Quercy, Michel BSAAP: Bibliography of South American and Antillean Lorblanchet, 2010. Bibliography Petroglyphs, C.N. Dubelaar, Foundation for Scientific APPBNG: ‘An Annotated Petroglyph and Pictograph Bib- Research Publication No. 5, Aruba, 1991. liography of Nevada and the Great Basin’, Alvin R. BSABSR: Bill Sonin Annotated Bibliography and Site Ref- McLane, 1993 erence ARADC: ‘El Arte Rupestre en el Area del Caribe’, Dato BSARB: ‘Bibliografia sobre Arte Rupestre Brasileira’, Pagan Perdomo, Fundacion Garcia-Arevalo, Inc., Santo Rosangela Albano, 1982, in Arquivos do Museu de His- Domingo, 1978 toria Natural, Vol IV-V, Belo Horizonte / MG / 1979 / 80, ARBVC: Bibliografia sull’Arte Rupestre e sui Contesti e Ritro- Universidade Federal de Minas Gerais. vamenti Preistorici e Protostorici della Valle Camonica, BSARRM: ‘Bibliografía sobre Arte Rupestre de la Región de 2005, Alberto Marretta and Raffaella Poggiani Keller Murcia hasta 1996’ ARDP: Bibliography in, Rainer Hostnig, ‘Arte Rupestre de BSL: Bill Sonin Library (Donated to the Bay Area Rock Art Ar- Peru’, Consejo Nacional de Ciencia y Tecnologia, Lima, chive, Bancroft Library, University California, Berkeley) 2003 CDA: ‘Bibliography of Rock Art Site Reports’ in Rock Art in ARMOCA:Bibliography in, Marin Kunne and Mathias Arizona, Homer Theil, 1995, (Center for Desert Archae- Strecker, eds., Arte Rupestre de Mexico Oriental y Centro ology), The State Historical Preservation Office America, 2003 CEDC: Catalogo Edizioni del Centro, Centro Camuna di ARP: Bibliography in A. Laming-Emperaire, ‘La Signification Studi Preistorici, Capo di Ponte, Italy, http://www.ccsp. de l’Art Rupestre Paleolithique, Editions A. & J. Picard, it/Files/catalogo%20edizioni%20del%20centro%202010. Paris, 1962. pdf (accessed 5/16/2012). BANCROFT: Additions to the Rock Art Studies database CIHPA: Cambridge Illustrated History of Prehistoric Art, offered by users of the database, and accessed through the Paul G. Bahn, 1998, Cambridge University Press UCB Bancroft Library’s website (http://bancroft.berkeley. Citeulike: http://www.citeulike.org/search. Citeulike is a edu/ collections/ rockart. html). free service for managing and discovering scholarly 92 Rock Art Research 2019 - Volume 36, Number 1, pp. 49-93. L. MARYMOR references LoC: Library of Congress online catalog COL: Colorado Historical Society, ‘Rock Art References: LMRAA: Leigh Marymor Rock Art Archive, Berkeley CA Colorado and Surrounding Regions’, http://www.col- Maney: www.Maneyonline.com, online publishing platform oradohistory-oahp.org /programareas/ paac/classinfo/ MELVYL: University of California, 9 Campus computer RockArtBG.pdf. catalog CRARA: Canadian Rock Art Research Association Mendeley: http://www.mendeleycom/features/. CREAP: Centre de Recherche et d’Etudes pour l’Art Préhis- MIP: Magazine Index Plus, a computer database, available torique Bibliography, http://www.creap.fr/bibliogra- at the Oakland Public Library phies.htm MWRBRAD: Marvin W. Rowe, 2012, ‘Bibliography of Rock DAPHNE: Data in Archeology, Prehistory and History on Art Dating’, Rock Art Research, 29(1):118-131. the Net, http://www.daphne.cnrs.fr/daphne Musnaz: References submitted via the Museum of North- DELAB: ‘Bibliography’ in Dighton Rock. A Study of the Writ- ern Arizona Rock Art Studies Bibliographic Database ten Rocks of New England, Edmund Burke Delabarre, website. 1928, pp. 313-352 NADB: ‘National Archaeological Database’, The Archaeology DBNPS: ‘An Annotated Rock Art Bibliography, Sources and Ethnography Program, hosted online by the Center Relevant to National Park Service Areas, compiled by for Advanced Spatial Technologies under cooperative Debra A. Berke agreement with the National Park Service. Last queried DialNet: http://dialnet.unirioja.es/ on February 8, 1998. (Useful note: when searching this DYB: Bibliography posted to the Rock Art Newsgroup (Rock- database on the Internet, use the ‘expanded’ search fea- [email protected]), Dirk Huyge, 10/08/1999 ture which indicates where many of these manuscripts EAB: Emmanuel Anati Bibliography, Selected list of Scientific are stored). Publications, manuscript. NMLAB: New Mexico Laboratory of Anthropology Library, EPA: EuroPreArt: European rock art bibliography / online Sante Fe NM searchable database (http://europreart.net/). PAHBA: Publications de l’abbé Henri Breuil sur l’Afrique, FHCCA: ‘Bibliography’ in Four Hundred Centuries of Cave Journal of the Société Africanistes, 1962, (32)1:75-90, Art, Abbe H. Breuil, 1952 Champion, P. http://www.persee.fr/web/revues/home/ GetInfo: https://getinfo.de. German National Library of prescript/article/jafr_0037-9166_1962_num_32_1_1355# Science and Technology. GetInfo is the portal for science PALE: ‘Publications d’Annette Laming-Emperaire, Journal and technology and provides access to more than 160 de la Société des Américanistes, 1980, (67)23-28. million data sets from specialised databases, publishers PAPPM: ‘Proyecto Atlas de Pictografias y Petrograbados. and library catalogues. (new website is now: https:// Mexico’, Bibliography. Maria del Pilar Casado Lopez, www.tib.eu/en/) 1987. HLH: Hollis Library Catalog, Harvard University PCARB: ‘Proteccion y Conservacion del Arte Rupestre Bib- HNRAR: A History of Rock Art Research, David M. Brugge, liografia’ in Administracion y Conservacion de Sitios de 2000, Paper presented to the American Rock Art Research Arte Rupestre, Strecker and Aramayo, eds., 1995, SIARB Association conference, Phoenix AZ Persee: http://www.persee.fr/web/revues/home IIA: Bibliography in Paul G. Bahn, Images of the Ice Age, PFL: Paul Freeman Library, San Francisco CA (This collection Oxford, 2016 of books has been donated to the Santa Barbara Museum IAAL: Israel Antiquities Authority Library online catalog of Natural History Library) ICOMOS: Arte Ruspestre - Rock Art. Bibliographie, ICO- PRANSA: ‘Bibliography’ in Prehistoric Rock Art of Northern MOS, n.d., spiral bound computer data print out, Paris, Saudi Arabia, Majeed Khan, 1993, Ministry of Education, approximately 585 citations. Department of Antiquities and Museums, Kingdom of INFORMIT: http://search.informit.com.au/ RMIT Publish- Saudi Arabia, pp. 199-224 ing’s Informit service is the leading source of online full PRANZ: ‘Bibliography’ in Prehistoric Rock Art of New text, multimedia and index databases that deliver the Zealand, Michael Trotter and Beverley McCulloch, 1971, most authoritative research from Australia, New Zealand A.H. & A.W. Reed and the Asia Pacific region. Questia: http://www.questia.com/ INFOTRAC: Magazine and Newspaper database, available RABDN: Rock Art Bibliography of Durham and Northum- at the Oakland Public Library berland, compiled by the Northumberland and Durham INTERNET: Electronic files downloaded from miscellaneous Rock Art Project, Keith Elliott, Kate Sharpe and Aron sources on the Internet Mazel, updated July 2008, http://archaeologydataservice. JHL: John Harmon Library, Pacifica CA ac.uk/catalogue/adsdata/arch-836-1/dissemination/pdf/ JSTOR: http://www.jstor.org ‘Used by millions for research, ERA_Bibliography.pdf (accessed 04/01/2011). teaching, and learning. With more than a thousand ac- RABNPV: ‘Rock Art Bibliography for the Northwest- ademic journals and over 1 million images, letters, and ern Plains and Vicinity’ in Archaeology in Montana, other primary sources, JSTOR is one of the world’s most 24(2):107-142, Linea Sundstrom, 1983 trusted sources for academic content.’ RAISB: ‘Rock Art of India. A Selective Bibliography, Misra, KBORE: ‘A Bibliography of Petroglyphs / Pictographs in Shrivastava and Reham, Serial Publications, New Delhi, Idaho, Oregon and Washington’, Keo Boreson, 1976. 2011. KLCB: Bibliography, Kevin L. Callahan, November 1996, RANMAB: ‘Rock Art North of the Mexican-American Bor- unpubl. manuscript der, An Annotated Bibliography’, George R. Mead, 1968 KRAI: Kimberley Rock Art Index, http://www.kimberley- RASESAL: ‘Rock Art of South-Eastern South Africa and foundation.org.au/qantas-rock-art-research-index/ Lesotho: 1806 - 1997: An Annotated Bibliography, Karin LJMM: References, mainly Namibia Rock Art, L. Jacobson, Herbert, Natal Museum Journal of Humanities, 10:33- McGregor, 01/30/1998, Museum, Kimberley, South Africa, 149, 1998 (personal e-mail) RASNW2: ‘Rock Art Studies. News of the World 2, 2003, P. Rock Art Research 2019 - Volume 36, Number 1, pp. 49-93. L. MARYMOR 93 Bahn and A. Fossati, eds., Oxbow Books, London. Various SHB: Stan Hendrickx bibliogrpahy on the rock art of Egypt bibliographies and Sudan. Excel spreadsheet. RASNW3: ‘Rock Art Studies. News of the World 3, 2008, P SIARB: Sociedad de Investigacion del Arte Rupestre de Bahn, N. Franklin and M. Strecker, eds., Oxbow Books, Bolivia London. Various bibliographies. SWMBRL: Southwest Museum Braun Research Library, Los RASNW4: ‘Rock Art Studies. News of the World 4, 2012, P Angeles CA Bahn, N. Franklin and M. Strecker, eds., Oxbow Books, TFO: Taylor and Francis Online, journal search engine: http:// London. Various bibliographies. www.tandfonline.com/openaccess RCSL: Rupestrian Cyberservices Library, Flagstaff AZ (Rob- UCB ANTHRO: University of California, Berkeley, Anthro- ert Mark and Evelyn Newman Billo) pology Library Refdoc.fr: http://www.refdoc.fr UCBARF: University of California, Berkeley, Archaeological ResearchGate: On-line academic search engine, https://www. Research Facility researchgate.net UCB BANCROFT: University of California, Berkeley, Ban- Revues: http://www.openedition.org/8864 croft Library RPPSCAb: ‘Rock Paintings and Petroglyphs in South and UCB MAIN: University of California, Berkeley, Main Library Central Africa, 1959 - 1970, Irene Anderson, 1971. UCLARAA: UCLA Rock Art Archive RPPSCAb1: ‘Rock Paintings and Petroglyphs in South and UNCOVER: Online computer database of academic journals Central Africa, 1947, B.J. Craig. and periodicals RPPSCAb2: ‘Rock Paintings and Petroglyphs in South and UPL: University of Pennsylvania Library Catalog Central Africa, 1947 - 1958, Ingrid Rosenkranz, 1958. UVAP: Bibliography appended to Jean Clottes, ‘Une Vie d’Art RSL: Richard Schwartz Library, Berkeley CA Prehistorique,’ 2016. More than 1000 citations. RWVB: ‘Vermont Rock Art Bibliography’, posted to the WELLM: Klaus Wellmann, The Artifact, 16(1) and 17(4) Rock Art Newsgroup ([email protected]), Rex Weeks, WOODR: ‘Bibliography of Utah Rock Art’, Dodre W. Wood- 02/28/2000 ruff, 1985 SARS: Symbolisme et Art Rupestre au Sahara, Jean-Loïc Le Worldcat.org: Literature search engine. Quellec, 1993, L’Harmattan. Bibliography. SCI: Science Citation Index: Web of Science, scientific journal database Leigh Marymor ScienceDirect: On-line academic search engine, https://www. Research Associate Museum of Northern Arizona sciencedirect.com/ 3101 N. Ft. Valley Rd. SciELO: Scientific Electronic Library Online is an online li- Flagstaff, AZ 86001 brary made up of an Ibero-American network of full-text U.S.A. scientific journal collections, open to all and free of charge. RAR 36-1281 (http://www.scielo.org.ar/scielo.php/lng_en).
A Special Issue of the open access journal Arts is dedicated to ‘World rock art’ and edited by R. G. Bednarik. It can be accessed at http://www.mdpi.com/journal/arts/special_issues/world_rock_art Currently there are forty articles about the world’s palaeoart in this Special Issue and submissions continue to be accepted free of publishing fees.
The corpus of hundreds of millions of rock art mo- rather than technological evidence. In recent years tifs surviving in the world today represents the prin- the study of this immense resource has become an cipal source of information chronicling the cognitive increasingly sophisticated scientific field, supplanting evolution of humanity. It records the world views, traditional approaches of simplistic interpretation and concerns, beliefs and communication systems of ethnocentric construal. This collection of Arts is ded- mostly pre-literate peoples, from the Middle Pleisto- icated to assembling a collection of scholarly articles cene up to the most recent past. It is the largest body that will serve as a benchmark for current research available for study that documents the development and priorities in rock art research. Contributions are of the hominin ability of storing memory traces or cul- invited on any topic demonstrating the present knowl- tural information external to the brain, as exograms, edge state of the discipline, from any continent and which is the primary difference between humans and from the perspective of any related field. In particular other animals. It precedes systems of writing by up to this collection is hoped to illustrate the great diversity hundreds of millennia, and it is the main repository of of world rock art, which reflects the cultural diversity cultural information about nearly all of human histo- of humanity, and from which ultimately all recent vi- ry. It amounts to humanity’s longest record of cultural sual arts derive. Copyright of Rock Art Research is the property of Australian Rock Art Research Association and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use.