Jung, Alchemy and the Technique of Active Imagination
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{FREE} the Collected Works of C.G. Jung: Alchemical Studies V. 13
THE COLLECTED WORKS OF C.G. JUNG: ALCHEMICAL STUDIES V. 13 PDF, EPUB, EBOOK C. G. Jung,Gerhard Adler,R. F. C. Hull | 528 pages | 21 Aug 1983 | Princeton University Press | 9780691018492 | English | New Jersey, United States The Collected Works of C.G. Jung: Alchemical Studies v. 13 PDF Book Only logged in customers who have purchased this product may leave a review. Judith Chimowitz rated it it was amazing Nov 06, Edward rated it it was amazing Jan 11, With this admission the only thing redeemable from this book is the excellent bibliography. Uh-oh, it looks like your Internet Explorer is out of date. Overall, this book discusses the philosophical and religious aspects of alchemy , as alchemy was introduced more as a religion than a science. Bollingen Tower C. As a current record of all of C. Laura rated it it was amazing Mar 12, Oct 07, Timothy Ball rated it it was amazing Shelves: tim-s-shelf. Alchemical Studies Collected Works of C. Jung, Volume Alchemical Studies C. One thing that struck me was his influence in fields, like folklore studies and the history of religions, concerned with the study of alchemy. Shelves: psychology. Read more Phone: ext. Jung began his career as a psychiatrist. Other Editions This section comes from two lectures delivered by Jung at the Eranos Conference, Ascona, Switzerland in The central theme of the volume is the symbolic representation of the psychic totality through the concept of the Self, whose traditional The psychological and religious implications of alchemy preoccupied Jung during the last thirty years of his life. -
The Alchemist: Where Madness Meets Magic by C
The Alchemist: Where Madness Meets Magic by C. Richard Davies EARING A LONG COAT STAINED BY many substances, a human adds the last W reagent to a vat of chemicals—his greatest creation yet. As the vat boils over, it reveals a figure taking form inside: new life, under his complete control. DJUSTING HER GOGGLES, A DWARF lights the fuse on an apple-sized sphere in her A hand. “Stand back,” she says to her allies, “And cover your ears. This one’s the biggun.” Just before the fuse is spent, she hurls it over a nearby wall—and the thunderous explosion shakes the ground and her teeth alike. Scientists of Magic Like all magic-users, alchemists seek a deeper understanding of the secrets of the universe, but approach that understanding through studies of the material world, rather than research into magic itself, pacts with strange beings, or contemplation of one’s bloodline. Some might call their researches almost scientific in nature, yet they involve as much of the arcane and the occult as the mundane. They also frequently involve obsession and even what some might call madness. Creating an Alchemist You can make an alchemist quickly by following these suggestions. First, Intelligence should be your highest ability score. Make Dexterity your next Multiclassing highest if you plan on specializing in ranged combat. To qualify for new class levels as an alchemist, Select the cantrips light, produce flame, and resistance. you must have Intelligence 13 or better. You gain Finally, choose the sage background. proficiency with alchemist’s supplies only. -
Alchemical Reference in Antony and Cleopatra
SYDNEY STUDIES Alchemical Reference in Antony and Cleopatra LYNDALL ABRAHAM Lepidus: Your serpent of Egypt is bred now of your mud by the operation of your sun: so is your crocodile. (II.vii.26-7) The phrase "the operation of your sun" is a distinctly alchemical term. It refers to the opus alchymicum as a whole and is first known to occur in one of the oldest and most famous alchemical documents, the Emerald Table: "What I have said concerning the operation of the Sun is finished."1 The Tabula Smaragdina or Emerald Table, ascribed to Hermes Tris megistus or the Egyptian Thoth, was not only one of the most important sources of medieval alchemy, but continued to be considered as the basis of alI alchemical law by alchemists right through to the seventeenth cen tury. The earliest known version was discovered by E. J. Holmyard in an eighth-century Arabic text, and it was translated into Latin around the time of the thirteenth century. The first English translation appears as a part of Roger Bacon's The Mirror of Alchimy (London 1597). The con tents of the influential Table occur repeatedly in both Renaissance and seventeenth-century alchemical treatises, including John Dee's Monas Hieroglyphica (1564: reprinted in 1591 and included in the alchemical anthology Theatrum Chemicum in 1602), the De Alchemia (1541-Table included in full), George Ripley's The Compound of Alchymie (1591), William Bloomfield's Bloomfield's Blossoms, Thomas Norton's Ordinal of Alchemy (1477), and Michael Maier's Atalanta Fugiens (1617).2 In Euphrates or The Waters -
Dialogues with Fear. Active Imagination As Healer of So-Called Panic Attacks
Dialogues with Fear. Active Imagination as Healer of So-Called Panic Attacks Diana Arias H. Tema: Psicología Artículo Introduction. States of extreme fear, or so-called panic attacks, are episodes that have a psychic purpose and meaning to people who experience them. The common suggestion for those individuals is “breathe deeply,” which helps to regulate dreadful anxiety in the body. I suggest the idea of facing fear, letting it manifest through the image. In 1935 C.G. Jung developed a therapeutic method that was born through experimentation with his own images, during the phase of confrontation with his unconscious: active imagination. The technique allows dialogue between the unconscious and the conscious mind, facilitating the integration of the incomprehensible contents in order to uphold the process of individuation. Active imagination might be a significant method to heal extreme fear, allowing for expressions of the unknown, and opening the door to new understandings. Active Imagination as Healer of So-Called Panic Attacks Most do not believe that anxiety itself brings meaning. As in many psychic states in which there are plenty of emotions, thoughts, and physical reactions, anxiety, from a general perspective, is an unpleasant moment accompanied by fear, uneasiness, and tension. In life, people find themselves in different situations that put them against dark walls of fear. These experiences are common to humanity; everyone confronts the many diverse challenges that life brings. There is a natural predisposition to experience new situations with a certain amount of anxiety. However, not all experience the same intensity of anxiety: anxiety will lead individuals to undergo a natural state of anxiety or an extreme depletion of life energy, the latter turning into a strong and deep energy that seems destructive, coming from an unknown source. -
The Philosophers' Stone: Alchemical Imagination and the Soul's Logical
Duquesne University Duquesne Scholarship Collection Electronic Theses and Dissertations Fall 2014 The hiP losophers' Stone: Alchemical Imagination and the Soul's Logical Life Stanton Marlan Follow this and additional works at: https://dsc.duq.edu/etd Recommended Citation Marlan, S. (2014). The hiP losophers' Stone: Alchemical Imagination and the Soul's Logical Life (Doctoral dissertation, Duquesne University). Retrieved from https://dsc.duq.edu/etd/874 This Immediate Access is brought to you for free and open access by Duquesne Scholarship Collection. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Duquesne Scholarship Collection. For more information, please contact [email protected]. THE PHILOSOPHERS’ STONE: ALCHEMICAL IMAGINATION AND THE SOUL’S LOGICAL LIFE A Dissertation Submitted to the McAnulty College and Graduate School of Liberal Arts Duquesne University In partial fulfillment of the requirements for the degree of Doctor of Philosophy By Stanton Marlan December 2014 Copyright by Stanton Marlan 2014 THE PHILOSOPHERS’ STONE: ALCHEMICAL IMAGINATION AND THE SOUL’S LOGICAL LIFE By Stanton Marlan Approved November 20, 2014 ________________________________ ________________________________ Tom Rockmore, Ph.D. James Swindal, Ph.D. Distinguished Professor of Philosophy Professor of Philosophy Emeritus (Committee Member) (Committee Chair) ________________________________ Edward Casey, Ph.D. Distinguished Professor of Philosophy at Stony Brook University (Committee Member) ________________________________ ________________________________ James Swindal, Ph.D. Ronald Polansky, Ph.D. Dean, The McAnulty College and Chair, Department of Philosophy Graduate School of Liberal Arts Professor of Philosophy Professor of Philosophy iii ABSTRACT THE PHILOSOPHERS’ STONE: ALCHEMICAL IMAGINATION AND THE SOUL’S LOGICAL LIFE By Stanton Marlan December 2014 Dissertation supervised by Tom Rockmore, Ph.D. -
Elias Ashmole's Hermetic Reading of Gower's
Accessus Volume 6 Issue 2 Magic, Religion, and Science Article 3 2020 Transmuting John Gower: Elias Ashmole’s Hermetic Reading of Gower’s Jason and the Golden Fleece Curtis Runstedler Eberhard Karls Universität Tübingen, [email protected] Follow this and additional works at: https://scholarworks.wmich.edu/accessus Part of the English Language and Literature Commons, European Languages and Societies Commons, and the Medieval Studies Commons Recommended Citation Runstedler, Curtis (2020) "Transmuting John Gower: Elias Ashmole’s Hermetic Reading of Gower’s Jason and the Golden Fleece," Accessus: Vol. 6 : Iss. 2 , Article 3. Available at: https://scholarworks.wmich.edu/accessus/vol6/iss2/3 This Article has been accepted for inclusion in Accessus by the editorial board of the journal and administrator of ScholarWorks at WMU. For more information, please contact [email protected]. Transmuting John Gower: Elias Ashmole’s Hermetic Reading of Gower’s Jason and the Golden Fleece Acknowledgments I would like to thank the Rare Book and Special Collections Division, The Library of Congress in Washington, D. C. for granting permission with their image reproduction. I am indebted to the following scholars and funding bodies for their generous support and encouragement: Elizabeth Archibald, Matthias Bauer, Angelika Zirker, Chad Gunnoe, Bob Yeager, Teach@Tübingen, Durham University’s Institute of Medieval and Early Modern Studies (IMEMS), Eberhard Karls Universität Tübingen, and the Deutsche Forschungsgemeinschaft (DFG). I would also like to thank the anonymous peer reviewer for their invaluable feedback. This article is available in Accessus: https://scholarworks.wmich.edu/accessus/vol6/iss2/3 Runstedler: A Hermetic Reading of Gower’s Jason & the Golden Fleece 1 Transmuting John Gower: Elias Ashmole’s Hermetic Reading of Gower’s Jason and the Golden Fleece1 In the Theatrum Chemicum Britannicum (1652), Elias Ashmole (1617–1692) includes annotations for the fourteenth- century trilingual English poet John Gower’s (c. -
Jung on Astrology
Jung on Astrology Jung on Astrology brings together C. G. Jung’s thoughts on astrology in a single volume for the fi rst time, signifi cantly adding to our understanding of his work. Jung’s Collected Works , seminars, and letters contain numerous discussions of this ancient divinatory system, and Jung himself used astrological horoscopes as a diagnostic tool in his analytic practice. Understood in terms of his own psychology as a symbolic representation of the archetypes of the collective unconscious, Jung found in astrology a wealth of spiritual and psychological meaning and suggested it represents the “sum of all the psychological knowledge of antiquity.” The selections and editorial introductions by Safron Rossi and Keiron Le Grice address topics that were of critical importance to Jung – such as the archetypal symbolism in astrology, the precession of the equinoxes and astrological ages, astrology as a form of synchronicity and acausal correspondence, the qualitative nature of time, and the experience of astrological fate – allowing readers to assess astrology’s place within the larger corpus of Jung’s work and its value as a source of symbolic meaning for our time. The book will be of great interest to analytical psychologists, Jungian psy- chotherapists, and academics and students of depth psychology and Jungian and post-Jungian studies, as well as to astrologers and therapists of other orientations, especially transpersonal. Safron Rossi, PhD, is a Professor of mythology and depth psychology in the Jungian and Archetypal Studies specialization at Pacifi ca Graduate Institute, Cali- fornia. For many years she was curator of the Joseph Campbell and James Hillman manuscript collections. -
Stages of Transmutation: the Visual Rhetoric of Alchemy in Sequential Art
STAGES OF TRANSMUTATION: THE VISUAL RHETORIC OF ALCHEMY IN SEQUENTIAL ART By KATHERINE H. SHAEFFER A THESIS PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS 2009 1 2009 Katherine Shaeffer 2 To my family, both by blood and of the heart 3 ACKNOWLEDGMENTS I thank the members of my thesis committee, Dr. Paxson and Dr. Ault, for believing in this project. I thank my parents, James and Suzie Shaeffer, for all of their support. I also extend my thanks to Sean, Laurel, Terry, Steff, Claire, James and David, for friendship, and to Nicholas Flammel, for starting a trend. 4 TABLE OF CONTENTS page ACKNOWLEDGMENTS.................................................................................................................... 4 LIST OF FIGURES .............................................................................................................................. 6 ABSTRACT .......................................................................................................................................... 7 CHAPTER 1 INTRODUCTION......................................................................................................................... 8 2 AN OVERVIEW OF ALCHEMY ............................................................................................. 16 3 ALCHEMICAL PICTURE SEQUENCES, MEDIEVAL AND EARLY MODERN ........... 26 Illustration in The Works of Geber (illustrations 1545; original text 7th Century)................. 32 Nicholas -
Reading the Short Story “The Distance” from Cortázar
Junguiana v.38-1, p.167-182 Identity, double and active imagination - reading the short story “The Distance” from Cortázar Marcia Moura Coelho* Abstract Keywords In this article, I work on the interface between double, active Analytical Psychology and literature, in a dia- imagination, logue between the short story The Distance by the identity, writer Julio Cortázar and the Jungian approach. literature, Cortázar. I begin by presenting a brief synopsis of the short story, weaving relationships and associations with some concepts of Analytical Psychology. Later, making a clip in three axes of analysis: the search for the character’s identity, the archetype of the double and active imagination as a Jungian method of working with the unconscious, analo- gous to what happens with the protagonist of the story. Finally, I draw considerations and approx- imations between the author Cortázar and Jung, finding affinities in the creative process of both and the symbolic attitude towards life. ■ * Psiquiatra, membro analista da Sociedade brasileira de Psi- cologia Analítica de São Paulo (SBPA-SP) e filiada à IAAP. e-mail: <[email protected]> Revista da Sociedade Brasileira de Psicologia Analitica, 1º sem. 2020 ■ 167 Junguiana v.38-1, p.167-182 Identity, double and active imagination - reading the short story “The Distance” from Cortázar 1. Introduction ble from the imaginary and the daily order is de- A bridge, a river below, and the restless wom- constructed, always revealing another order, dis- an’s search for something that makes sense concerting, uncomfortable, mysterious. I chose to her... the short story The Distance since it brings the The image above, inspired by the short sto- theme of the double, which for a long time has ry The Distance by the Argentine writer Julio been an object of interest and research to me, Cortázar, which I work in this article, serves as a and which brings within itself the issues of iden- motto to initiate it. -
Active Imagination in Movement – Encountering the Other Within Us, Between Us and in the World
21st International Congress for Analytical Psychology; Vienna, August 25, 2019 Antonella Adorisio Joan ChodorowTina Stromsted Margarita Méndez Pre-Congress Workshop on Authentic Movement: Danced & Moving Active Imagination ACTIVE IMAGINATION IN MOVEMENT – ENCOUNTERING THE OTHER WITHIN US, BETWEEN US AND IN THE WORLD “The unrelated human being lacks wholeness, for he can achieve wholeness only through the soul, and the soul cannot exist without its other side, which is always found in ‘You.’ Wholeness is a combination of I and You, and these show themselves to be parts of a transcendent unity whose nature can only be grasped symbolically” (Jung 1946, CW 16, “Psychology of the Transference,” par. 454, pp. 244-245). Sunday, August 25, 2019 9:00 to 17:00 Interweaving theoretical, experiential, cultural and clinical material through presentations and discussion, this workshop will explore dance/movement as a form of active imagination, with special attention to the living body in analytic practice. By listening to the body to access and express the imagination, individuals may discover inner-directed movement as a way to bridge the realms of conscious and unconscious, body and psyche, instinct and spirit, affect and image, memory and emergence. Sometimes called “Authentic Movement,” this form of active imagination focuses attention on felt bodily sensations, impulses, multi-sensory images, feelings and emotions, which are then allowed to emerge as symbolic enactment. The work is done with one’s eyes closed in the presence of a witness, whose task it is to hold and contain the experience of the person moving. Analysts use the connection between body and psyche as a central clinical tool, yet there may be few opportunities to foster the development of this dimension. -
AN ILLUSTRATED HISTORY of ALCHEMY and EARLY CHEMISTRY ©2008, 2004, 1978 by David A
AN ILLUSTRATED HISTORY OF ALCHEMY AND EARLY CHEMISTRY ©2008, 2004, 1978 BY David A. Katz. All rights reserved. Permission for classroom and educational use as long as original copyright is included SPLENDOR SOLIS AN ILLUSTRATED HISTORY OF ALCHEMY AND EARLY CHEMISTRY ©2008, 2004, 1978 BY David A. Katz. All rights reserved. Permission for classroom and educational use as long as original copyright is included. David A. Katz Chemist, educator, science communicator, and consultant. 133 N. Desert Stream Dr., Tucson, AZ 85745, U.S.A. Voice: 520-624-2207 Email: [email protected] I. Prehistoric Times To tell the story of chemistry, it is best to start in prehistoric times with primitive humans. In his quest for survival, and endowed with a natural curiosity, primitive man learned much about his environment. He was aware of physical properties of substances such as color, shape or form, hardness, taste, weight, density in the form of relative weight, and odor. And he was most probably aware of natural physical changes such as water to ice (and vice versa), lava to rock, certain rocks to dust, etc. It is also safe to assume that primitive man, although he had no knowledge of chemistry, was aware of chemical change in the forms of decaying organic matter, natural production of ozone from lightning (by noting the odor of the ozone), wood burning into charcoal and ash, etc. But primitive man was by no means any sort of scientist and he made no logical or organized study of natural phenomena. The information he gathered about the world was passed from generation to generation by memory, demonstration, or by observation without explanation or any understanding of the true reasons for these phenomena. -
Illinois Classical Studies
8 Alchemy in the Ancient World: From Science to Magic PAUL T. KEYSER "Alchemy" is the anglicised Byzantine name given to what its practitioners referred to as "the Art" (xexvii) or "Knowledge" (eTiiaxTi^Ti), often characterised as divine (Geia), sacred (lepd) or mystic (^\)aTiKT|).^ While this techne underwent many changes in the course of its life of over two thousand years (and there are traces of it even in modem times, as I will discuss), a recognisable common denominator in all the writings is the search for a method of transforming base metals (copper, iron, lead, tin) into noble (electrum, gold or silver).^ There is unfortunately no modem critical edition of any of these writings (the extant editions being old or uncritical or both), though the Bude has begun the process.^ In this essay I sketch the background and origins of the ancient alchemy, as well as its later transmutation into a mystical art of personal transformation. Finally I tum to the modem period and briefly examine the influence of this mystical tradition in our own world-picture. Background I begin with the first evidence of human chemical technology, which takes us back, well before the ancient period of merely 2,000 years ago, to the Palaeolithic Middle Pleistocene of 200,000 years ago—and the mastery of fire.'* The achievement of this first controlled chemical reaction marks a * W. Gundel. "Alchemic." RAC I (1950) 239-60. esp. 240^1; E. O. von Lippmann. Entstehung and Ausbreitung der Alchemic (Berlin 1919) 1 293-3 14; E. Riess. "Alchemie." RE I (1894) 1338-55.