Religion, Gnosticism, Encounter with the East, and Alchemy
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The Story of the Three Women Who Created ARAS
ARAS Connections Issue 4, 2020 Figure 1 The view from Eranos: the mountains over Lago Maggiore. (Photographer: Catherine Ritsema. © Eranos Foundation, Ascona. All rights reserved) The Story of the Three Women Who Created ARAS Ami Ronnberg (ARAS, Curator of Special Projects) The images in this paper are strictly for educational use and are protected by United States copyright laws. 1 Unauthorized use will result in criminal and civil penalties. ARAS Connections Issue 4, 2020 ARAS, The Archive for Research in Archetypal Symbolism has a long history, reaching back to the early 1930s in Switzerland. Many known and unknown contributors have been part of making ARAS what it is today, a national organization with centers in New York City, San Francisco, Los Angeles, Chicago, as well as ARAS Online, serving visitors from many other countries. But it all began with three remarkable women who dedicated their lives to exploring the transformations of the psyche – and creating an actual place to do this, each in her own way. Figure 2 Olga Fröbe-Kapteyn at Eranos in the 1930s-1940s. (Photographer Margarethe Fellerer. © Eranos Foundation, Ascona. All rights reserved) The time is the beginning of the 20th century when we first meet Olga-Froebe- Kapteyn, the first woman of the ARAS lineage. Olga (I hope she and the other women would allow me to use their first names) – Olga was born in 1881 in London. Her parents were Dutch. Her father Albert Kapteyn was an inventor, a photographer and The images in this paper are strictly for educational use and are protected by United States copyright laws. -
Bollingen Series, –
Bollingen Series, – Bollingen Series, named for the small village in Switzerland where Carl Gustav Jung had a private retreat, was originated by the phi- lanthropist Paul Mellon and his first wife, Mary Conover Mellon, in . Both Mellons were analysands of Jung in Switzerland in the s and had been welcomed into his personal circle, which included the eclectic group of scholars who had recently inaugu- rated the prestigious conferences known as the Eranos Lectures, held annually in Ascona, Switzerland. In the couple established Bollingen Foundation as a source of fellowships and subventions related to humanistic scholarship and institutions, but its grounding mission came to be the Bollin- gen book series. The original inspiration for the series had been Mary Mellon’s wish to publish a comprehensive English-language translation of the works of Jung. In Paul Mellon’s words,“The idea of the Collected Works of Jung might be considered the central core, the binding factor, not only of the Foundation’s general direction but also of the intellectual temper of Bollingen Series as a whole.” In his famous Bollingen Tower, Jung pursued studies in the reli- gions and cultures of the world (both ancient and modern), sym- bolism, mysticism, the occult (especially alchemy), and, of course, psychology. The breadth of Jung’s interests allowed the Bollingen editors to attract scholars, artists, and poets from among the brightest lights in midcentury Europe and America, whether or not their work was “Jungian” in orientation. In the end, the series was remarkably eclectic and wide-ranging, with fewer than half of its titles written by Jung or his followers. -
{FREE} the Collected Works of C.G. Jung: Alchemical Studies V. 13
THE COLLECTED WORKS OF C.G. JUNG: ALCHEMICAL STUDIES V. 13 PDF, EPUB, EBOOK C. G. Jung,Gerhard Adler,R. F. C. Hull | 528 pages | 21 Aug 1983 | Princeton University Press | 9780691018492 | English | New Jersey, United States The Collected Works of C.G. Jung: Alchemical Studies v. 13 PDF Book Only logged in customers who have purchased this product may leave a review. Judith Chimowitz rated it it was amazing Nov 06, Edward rated it it was amazing Jan 11, With this admission the only thing redeemable from this book is the excellent bibliography. Uh-oh, it looks like your Internet Explorer is out of date. Overall, this book discusses the philosophical and religious aspects of alchemy , as alchemy was introduced more as a religion than a science. Bollingen Tower C. As a current record of all of C. Laura rated it it was amazing Mar 12, Oct 07, Timothy Ball rated it it was amazing Shelves: tim-s-shelf. Alchemical Studies Collected Works of C. Jung, Volume Alchemical Studies C. One thing that struck me was his influence in fields, like folklore studies and the history of religions, concerned with the study of alchemy. Shelves: psychology. Read more Phone: ext. Jung began his career as a psychiatrist. Other Editions This section comes from two lectures delivered by Jung at the Eranos Conference, Ascona, Switzerland in The central theme of the volume is the symbolic representation of the psychic totality through the concept of the Self, whose traditional The psychological and religious implications of alchemy preoccupied Jung during the last thirty years of his life. -
The Alchemist: Where Madness Meets Magic by C
The Alchemist: Where Madness Meets Magic by C. Richard Davies EARING A LONG COAT STAINED BY many substances, a human adds the last W reagent to a vat of chemicals—his greatest creation yet. As the vat boils over, it reveals a figure taking form inside: new life, under his complete control. DJUSTING HER GOGGLES, A DWARF lights the fuse on an apple-sized sphere in her A hand. “Stand back,” she says to her allies, “And cover your ears. This one’s the biggun.” Just before the fuse is spent, she hurls it over a nearby wall—and the thunderous explosion shakes the ground and her teeth alike. Scientists of Magic Like all magic-users, alchemists seek a deeper understanding of the secrets of the universe, but approach that understanding through studies of the material world, rather than research into magic itself, pacts with strange beings, or contemplation of one’s bloodline. Some might call their researches almost scientific in nature, yet they involve as much of the arcane and the occult as the mundane. They also frequently involve obsession and even what some might call madness. Creating an Alchemist You can make an alchemist quickly by following these suggestions. First, Intelligence should be your highest ability score. Make Dexterity your next Multiclassing highest if you plan on specializing in ranged combat. To qualify for new class levels as an alchemist, Select the cantrips light, produce flame, and resistance. you must have Intelligence 13 or better. You gain Finally, choose the sage background. proficiency with alchemist’s supplies only. -
Alchemical Reference in Antony and Cleopatra
SYDNEY STUDIES Alchemical Reference in Antony and Cleopatra LYNDALL ABRAHAM Lepidus: Your serpent of Egypt is bred now of your mud by the operation of your sun: so is your crocodile. (II.vii.26-7) The phrase "the operation of your sun" is a distinctly alchemical term. It refers to the opus alchymicum as a whole and is first known to occur in one of the oldest and most famous alchemical documents, the Emerald Table: "What I have said concerning the operation of the Sun is finished."1 The Tabula Smaragdina or Emerald Table, ascribed to Hermes Tris megistus or the Egyptian Thoth, was not only one of the most important sources of medieval alchemy, but continued to be considered as the basis of alI alchemical law by alchemists right through to the seventeenth cen tury. The earliest known version was discovered by E. J. Holmyard in an eighth-century Arabic text, and it was translated into Latin around the time of the thirteenth century. The first English translation appears as a part of Roger Bacon's The Mirror of Alchimy (London 1597). The con tents of the influential Table occur repeatedly in both Renaissance and seventeenth-century alchemical treatises, including John Dee's Monas Hieroglyphica (1564: reprinted in 1591 and included in the alchemical anthology Theatrum Chemicum in 1602), the De Alchemia (1541-Table included in full), George Ripley's The Compound of Alchymie (1591), William Bloomfield's Bloomfield's Blossoms, Thomas Norton's Ordinal of Alchemy (1477), and Michael Maier's Atalanta Fugiens (1617).2 In Euphrates or The Waters -
The Philosophers' Stone: Alchemical Imagination and the Soul's Logical
Duquesne University Duquesne Scholarship Collection Electronic Theses and Dissertations Fall 2014 The hiP losophers' Stone: Alchemical Imagination and the Soul's Logical Life Stanton Marlan Follow this and additional works at: https://dsc.duq.edu/etd Recommended Citation Marlan, S. (2014). The hiP losophers' Stone: Alchemical Imagination and the Soul's Logical Life (Doctoral dissertation, Duquesne University). Retrieved from https://dsc.duq.edu/etd/874 This Immediate Access is brought to you for free and open access by Duquesne Scholarship Collection. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Duquesne Scholarship Collection. For more information, please contact [email protected]. THE PHILOSOPHERS’ STONE: ALCHEMICAL IMAGINATION AND THE SOUL’S LOGICAL LIFE A Dissertation Submitted to the McAnulty College and Graduate School of Liberal Arts Duquesne University In partial fulfillment of the requirements for the degree of Doctor of Philosophy By Stanton Marlan December 2014 Copyright by Stanton Marlan 2014 THE PHILOSOPHERS’ STONE: ALCHEMICAL IMAGINATION AND THE SOUL’S LOGICAL LIFE By Stanton Marlan Approved November 20, 2014 ________________________________ ________________________________ Tom Rockmore, Ph.D. James Swindal, Ph.D. Distinguished Professor of Philosophy Professor of Philosophy Emeritus (Committee Member) (Committee Chair) ________________________________ Edward Casey, Ph.D. Distinguished Professor of Philosophy at Stony Brook University (Committee Member) ________________________________ ________________________________ James Swindal, Ph.D. Ronald Polansky, Ph.D. Dean, The McAnulty College and Chair, Department of Philosophy Graduate School of Liberal Arts Professor of Philosophy Professor of Philosophy iii ABSTRACT THE PHILOSOPHERS’ STONE: ALCHEMICAL IMAGINATION AND THE SOUL’S LOGICAL LIFE By Stanton Marlan December 2014 Dissertation supervised by Tom Rockmore, Ph.D. -
Elias Ashmole's Hermetic Reading of Gower's
Accessus Volume 6 Issue 2 Magic, Religion, and Science Article 3 2020 Transmuting John Gower: Elias Ashmole’s Hermetic Reading of Gower’s Jason and the Golden Fleece Curtis Runstedler Eberhard Karls Universität Tübingen, [email protected] Follow this and additional works at: https://scholarworks.wmich.edu/accessus Part of the English Language and Literature Commons, European Languages and Societies Commons, and the Medieval Studies Commons Recommended Citation Runstedler, Curtis (2020) "Transmuting John Gower: Elias Ashmole’s Hermetic Reading of Gower’s Jason and the Golden Fleece," Accessus: Vol. 6 : Iss. 2 , Article 3. Available at: https://scholarworks.wmich.edu/accessus/vol6/iss2/3 This Article has been accepted for inclusion in Accessus by the editorial board of the journal and administrator of ScholarWorks at WMU. For more information, please contact [email protected]. Transmuting John Gower: Elias Ashmole’s Hermetic Reading of Gower’s Jason and the Golden Fleece Acknowledgments I would like to thank the Rare Book and Special Collections Division, The Library of Congress in Washington, D. C. for granting permission with their image reproduction. I am indebted to the following scholars and funding bodies for their generous support and encouragement: Elizabeth Archibald, Matthias Bauer, Angelika Zirker, Chad Gunnoe, Bob Yeager, Teach@Tübingen, Durham University’s Institute of Medieval and Early Modern Studies (IMEMS), Eberhard Karls Universität Tübingen, and the Deutsche Forschungsgemeinschaft (DFG). I would also like to thank the anonymous peer reviewer for their invaluable feedback. This article is available in Accessus: https://scholarworks.wmich.edu/accessus/vol6/iss2/3 Runstedler: A Hermetic Reading of Gower’s Jason & the Golden Fleece 1 Transmuting John Gower: Elias Ashmole’s Hermetic Reading of Gower’s Jason and the Golden Fleece1 In the Theatrum Chemicum Britannicum (1652), Elias Ashmole (1617–1692) includes annotations for the fourteenth- century trilingual English poet John Gower’s (c. -
Jung on Astrology
Jung on Astrology Jung on Astrology brings together C. G. Jung’s thoughts on astrology in a single volume for the fi rst time, signifi cantly adding to our understanding of his work. Jung’s Collected Works , seminars, and letters contain numerous discussions of this ancient divinatory system, and Jung himself used astrological horoscopes as a diagnostic tool in his analytic practice. Understood in terms of his own psychology as a symbolic representation of the archetypes of the collective unconscious, Jung found in astrology a wealth of spiritual and psychological meaning and suggested it represents the “sum of all the psychological knowledge of antiquity.” The selections and editorial introductions by Safron Rossi and Keiron Le Grice address topics that were of critical importance to Jung – such as the archetypal symbolism in astrology, the precession of the equinoxes and astrological ages, astrology as a form of synchronicity and acausal correspondence, the qualitative nature of time, and the experience of astrological fate – allowing readers to assess astrology’s place within the larger corpus of Jung’s work and its value as a source of symbolic meaning for our time. The book will be of great interest to analytical psychologists, Jungian psy- chotherapists, and academics and students of depth psychology and Jungian and post-Jungian studies, as well as to astrologers and therapists of other orientations, especially transpersonal. Safron Rossi, PhD, is a Professor of mythology and depth psychology in the Jungian and Archetypal Studies specialization at Pacifi ca Graduate Institute, Cali- fornia. For many years she was curator of the Joseph Campbell and James Hillman manuscript collections. -
Stages of Transmutation: the Visual Rhetoric of Alchemy in Sequential Art
STAGES OF TRANSMUTATION: THE VISUAL RHETORIC OF ALCHEMY IN SEQUENTIAL ART By KATHERINE H. SHAEFFER A THESIS PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS 2009 1 2009 Katherine Shaeffer 2 To my family, both by blood and of the heart 3 ACKNOWLEDGMENTS I thank the members of my thesis committee, Dr. Paxson and Dr. Ault, for believing in this project. I thank my parents, James and Suzie Shaeffer, for all of their support. I also extend my thanks to Sean, Laurel, Terry, Steff, Claire, James and David, for friendship, and to Nicholas Flammel, for starting a trend. 4 TABLE OF CONTENTS page ACKNOWLEDGMENTS.................................................................................................................... 4 LIST OF FIGURES .............................................................................................................................. 6 ABSTRACT .......................................................................................................................................... 7 CHAPTER 1 INTRODUCTION......................................................................................................................... 8 2 AN OVERVIEW OF ALCHEMY ............................................................................................. 16 3 ALCHEMICAL PICTURE SEQUENCES, MEDIEVAL AND EARLY MODERN ........... 26 Illustration in The Works of Geber (illustrations 1545; original text 7th Century)................. 32 Nicholas -
Melusine Machine
MELUSINE MACHINE The Metal Mermaids of Jung, Deleuze and Guattari [Received January 28th 2018; accepted July 28th 2018 – DOI: 10.21463/shima.12.2.07] Cecilia Inkol York University, Toronto <[email protected]> ABSTRACT: This article takes the image of the feminine water spirit or mermaid as the focus of its philosophical contemplation, using her image as a map to traverse the thought- realms of Jung, Deleuze and Guattari. The feminine, watery symbol in this elaboration acts as the glue that enjoins the ideas of Jung with Deleuze and Guattari and reveals the imbrication of their ideas. Through their streams of thought, the mermaid is formulated as an emblem of technology, as a metaphor that makes reference to the unconscious and its technological involutions, her humanoid-fish form providing an image of thought or way of talking about the transformation of form, and the flitting, swimming valences at work in the unconscious. KEYWORDS: Jung, Deleuze, Guattari, mermaid, nixie, unconscious, technology Introduction This article pivots around a particular image — the feminine water spirit, embodied in her forms of mermaid, nixie 1 or water sprite — through the thought-architectures of the philosophers Jung, Deleuze and Guattari; it traces the filaments that connect these philosophers to this feminine image, as well as to one another, unfurling the imbrication and lineage of their ideas. Within the thought-structures of Deleuze, Guattari and Jung, her fluid figure is elucidated as an emblem of technology, as a metaphor that refers to the unconscious and its technological involutions; her humanoid-fish form providing an image of thought or way of talking about the transformation of form, and the flitting, swimming valences at work in the unconscious. -
Alchemy, Jung, and the Dark Night of St. John of the Cross
OF GODS AND STONES: ALCHEMY, JUNG, AND THE DARK NIGHT OF ST. JOHN OF THE CROSS David M. Odorisio, Ph.D. Lee, MA ABSTRACT: John of the Cross’ mystical text The Dark Night (DN) presents a candid portrayal of the ego’s encounter with the numinous or transpersonal dimensions of the psyche. When viewed through a Jungian alchemical lens, the encounter becomes significantly amplified to reveal novel insights into this psychospiritual ordeal. The article first unpacks and explores the DN through Jung’s Collected Works and Letters, and subsequently offers an in-depth interpretation of the dark night experience through the lens of the alchemical nigredo, including depth psychological and transpersonal perspectives. Finally, the article re-visions the DN in light of the nigredo, albedo, and rubedo stages of Western alchemy, drawing parallels between these and the purgation, illumination, and union stages of the Western Christian mystical tradition. In both instances, a coniunctio or mystical union results, where new self- and god-images arise from the illuminating darkness of night and into conscious integration. KEYWORDS: John of the Cross, dark night, C.G. Jung, alchemy, nigredo, god image. John of the Cross’ (1991) 16th century text, The Dark Night (DN), offers a stark portrayal of the soul’s journey to God from purgation to illumination and union. From a Jungian perspective, this journey can be interpreted as the ego’s encounter with the numinous (Otto, 1958) reality of the transpersonal Self. As an archetype that contains both light and dark aspects, the encounter between the Self and the ego can be terrifying and filled with negative affect (Washburn, 1994), which, depending on how it is navigated, can result in a positive disintegration and subsequent renewal of self- and god-images (Welch, 1990). -
Teleological and Aesthetic Perfection in the Aurora Consurgens ’, Celestial Magic, Special Issue of Culture and Cosmos , Vol
CULTURE AND COSMOS A Journal of the History of Astrology and Cultural Astronomy Vol. 19 no 1 and 2, Spring/Summer and Autumn/Winter 2015 Published by Culture and Cosmos and the Sophia Centre Press, in partnership with the University of Wales Trinity Saint David, in association with the Sophia Centre for the Study of Cosmology in Culture, University of Wales Trinity Saint David, Faculty of Humanities and the Performing Arts Lampeter, Ceredigion, Wales, SA48 7ED, UK. www.cultureandcosmos.org Cite this paper as: Karen Parham, ‘Teleological and Aesthetic Perfection in the Aurora Consurgens ’, Celestial Magic, special issue of Culture and Cosmos , Vol. 19, nos. 1 and 2, Autumn/Winter and Spring/Summer 2015, pp. 115-27. British Library Cataloguing in Publication Data A catalogue card for this book is available from the British Library All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording or by any information storage and retrieval system, without permission in writing from the Publishers. ISSN 1368-6534 Printed in Great Britain by Lightning Source Copyright 2018 Culture and Cosmos All rights reserved Teleological and Aesthetic Perfection in the Aurora Consurgens Karen Parham Abstract: This paper examines the concept of perfection in relation to the celestial magic described within the alchemical work Aurora Consurgens . This fifteenth- century illuminated manuscript has been erroneously attributed to Thomas Aquinas and was popularised by Carl Gustav Jung. It contains an entire section on ‘astronomy’, which is one of the keys to wisdom and perfection.