{FREE} the Collected Works of C.G. Jung: Alchemical Studies V. 13
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Story of the Three Women Who Created ARAS
ARAS Connections Issue 4, 2020 Figure 1 The view from Eranos: the mountains over Lago Maggiore. (Photographer: Catherine Ritsema. © Eranos Foundation, Ascona. All rights reserved) The Story of the Three Women Who Created ARAS Ami Ronnberg (ARAS, Curator of Special Projects) The images in this paper are strictly for educational use and are protected by United States copyright laws. 1 Unauthorized use will result in criminal and civil penalties. ARAS Connections Issue 4, 2020 ARAS, The Archive for Research in Archetypal Symbolism has a long history, reaching back to the early 1930s in Switzerland. Many known and unknown contributors have been part of making ARAS what it is today, a national organization with centers in New York City, San Francisco, Los Angeles, Chicago, as well as ARAS Online, serving visitors from many other countries. But it all began with three remarkable women who dedicated their lives to exploring the transformations of the psyche – and creating an actual place to do this, each in her own way. Figure 2 Olga Fröbe-Kapteyn at Eranos in the 1930s-1940s. (Photographer Margarethe Fellerer. © Eranos Foundation, Ascona. All rights reserved) The time is the beginning of the 20th century when we first meet Olga-Froebe- Kapteyn, the first woman of the ARAS lineage. Olga (I hope she and the other women would allow me to use their first names) – Olga was born in 1881 in London. Her parents were Dutch. Her father Albert Kapteyn was an inventor, a photographer and The images in this paper are strictly for educational use and are protected by United States copyright laws. -
Bollingen Series, –
Bollingen Series, – Bollingen Series, named for the small village in Switzerland where Carl Gustav Jung had a private retreat, was originated by the phi- lanthropist Paul Mellon and his first wife, Mary Conover Mellon, in . Both Mellons were analysands of Jung in Switzerland in the s and had been welcomed into his personal circle, which included the eclectic group of scholars who had recently inaugu- rated the prestigious conferences known as the Eranos Lectures, held annually in Ascona, Switzerland. In the couple established Bollingen Foundation as a source of fellowships and subventions related to humanistic scholarship and institutions, but its grounding mission came to be the Bollin- gen book series. The original inspiration for the series had been Mary Mellon’s wish to publish a comprehensive English-language translation of the works of Jung. In Paul Mellon’s words,“The idea of the Collected Works of Jung might be considered the central core, the binding factor, not only of the Foundation’s general direction but also of the intellectual temper of Bollingen Series as a whole.” In his famous Bollingen Tower, Jung pursued studies in the reli- gions and cultures of the world (both ancient and modern), sym- bolism, mysticism, the occult (especially alchemy), and, of course, psychology. The breadth of Jung’s interests allowed the Bollingen editors to attract scholars, artists, and poets from among the brightest lights in midcentury Europe and America, whether or not their work was “Jungian” in orientation. In the end, the series was remarkably eclectic and wide-ranging, with fewer than half of its titles written by Jung or his followers. -
THE INTERPLAY of SEIN and BEDEUTEN in THOMAS MANN's JOSEPH UND SEINE BRUDER Submitted for the Degree of Phd by Charlotte
THE INTERPLAY OF SEIN AND BEDEUTEN IN THOMAS MANN’S JOSEPH UND SEINE BRUDER submitted for the degree of PhD by Charlotte Irene Annette Nolte UNIVERSITY COLLEGE LONDON ProQuest Number: 10608900 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10608900 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 2 MEINER MUTTER 3 ABSTRACT OF THESIS The interplay and theme ofSein andBedeuten in Thomas Mann’s novel tetralogy Joseph und seine Briider has hitherto received compar atively little critical attention. I attempt to show that this issue unites the tetralogy’s stylistic and thematic structure. My introduction deals extensively with the theoretical foundation and with the cognitive implications ofSein andBedeuten. The first two chapters contain a closely contextualized examination of stylistic devices. They deal with central pairs of opposites (and their inherent duality), with (leit)motifs and central metaphors. In these two chapters I attempt to show how Mann uses these stylistic devices to re inforce and reflect the constant interplay ofSein andBedeuten. Chapter Three is concerned with the psychology of characters other than Joseph. -
The Alchemist: Where Madness Meets Magic by C
The Alchemist: Where Madness Meets Magic by C. Richard Davies EARING A LONG COAT STAINED BY many substances, a human adds the last W reagent to a vat of chemicals—his greatest creation yet. As the vat boils over, it reveals a figure taking form inside: new life, under his complete control. DJUSTING HER GOGGLES, A DWARF lights the fuse on an apple-sized sphere in her A hand. “Stand back,” she says to her allies, “And cover your ears. This one’s the biggun.” Just before the fuse is spent, she hurls it over a nearby wall—and the thunderous explosion shakes the ground and her teeth alike. Scientists of Magic Like all magic-users, alchemists seek a deeper understanding of the secrets of the universe, but approach that understanding through studies of the material world, rather than research into magic itself, pacts with strange beings, or contemplation of one’s bloodline. Some might call their researches almost scientific in nature, yet they involve as much of the arcane and the occult as the mundane. They also frequently involve obsession and even what some might call madness. Creating an Alchemist You can make an alchemist quickly by following these suggestions. First, Intelligence should be your highest ability score. Make Dexterity your next Multiclassing highest if you plan on specializing in ranged combat. To qualify for new class levels as an alchemist, Select the cantrips light, produce flame, and resistance. you must have Intelligence 13 or better. You gain Finally, choose the sage background. proficiency with alchemist’s supplies only. -
Alchemical Reference in Antony and Cleopatra
SYDNEY STUDIES Alchemical Reference in Antony and Cleopatra LYNDALL ABRAHAM Lepidus: Your serpent of Egypt is bred now of your mud by the operation of your sun: so is your crocodile. (II.vii.26-7) The phrase "the operation of your sun" is a distinctly alchemical term. It refers to the opus alchymicum as a whole and is first known to occur in one of the oldest and most famous alchemical documents, the Emerald Table: "What I have said concerning the operation of the Sun is finished."1 The Tabula Smaragdina or Emerald Table, ascribed to Hermes Tris megistus or the Egyptian Thoth, was not only one of the most important sources of medieval alchemy, but continued to be considered as the basis of alI alchemical law by alchemists right through to the seventeenth cen tury. The earliest known version was discovered by E. J. Holmyard in an eighth-century Arabic text, and it was translated into Latin around the time of the thirteenth century. The first English translation appears as a part of Roger Bacon's The Mirror of Alchimy (London 1597). The con tents of the influential Table occur repeatedly in both Renaissance and seventeenth-century alchemical treatises, including John Dee's Monas Hieroglyphica (1564: reprinted in 1591 and included in the alchemical anthology Theatrum Chemicum in 1602), the De Alchemia (1541-Table included in full), George Ripley's The Compound of Alchymie (1591), William Bloomfield's Bloomfield's Blossoms, Thomas Norton's Ordinal of Alchemy (1477), and Michael Maier's Atalanta Fugiens (1617).2 In Euphrates or The Waters -
The Philosophers' Stone: Alchemical Imagination and the Soul's Logical
Duquesne University Duquesne Scholarship Collection Electronic Theses and Dissertations Fall 2014 The hiP losophers' Stone: Alchemical Imagination and the Soul's Logical Life Stanton Marlan Follow this and additional works at: https://dsc.duq.edu/etd Recommended Citation Marlan, S. (2014). The hiP losophers' Stone: Alchemical Imagination and the Soul's Logical Life (Doctoral dissertation, Duquesne University). Retrieved from https://dsc.duq.edu/etd/874 This Immediate Access is brought to you for free and open access by Duquesne Scholarship Collection. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Duquesne Scholarship Collection. For more information, please contact [email protected]. THE PHILOSOPHERS’ STONE: ALCHEMICAL IMAGINATION AND THE SOUL’S LOGICAL LIFE A Dissertation Submitted to the McAnulty College and Graduate School of Liberal Arts Duquesne University In partial fulfillment of the requirements for the degree of Doctor of Philosophy By Stanton Marlan December 2014 Copyright by Stanton Marlan 2014 THE PHILOSOPHERS’ STONE: ALCHEMICAL IMAGINATION AND THE SOUL’S LOGICAL LIFE By Stanton Marlan Approved November 20, 2014 ________________________________ ________________________________ Tom Rockmore, Ph.D. James Swindal, Ph.D. Distinguished Professor of Philosophy Professor of Philosophy Emeritus (Committee Member) (Committee Chair) ________________________________ Edward Casey, Ph.D. Distinguished Professor of Philosophy at Stony Brook University (Committee Member) ________________________________ ________________________________ James Swindal, Ph.D. Ronald Polansky, Ph.D. Dean, The McAnulty College and Chair, Department of Philosophy Graduate School of Liberal Arts Professor of Philosophy Professor of Philosophy iii ABSTRACT THE PHILOSOPHERS’ STONE: ALCHEMICAL IMAGINATION AND THE SOUL’S LOGICAL LIFE By Stanton Marlan December 2014 Dissertation supervised by Tom Rockmore, Ph.D. -
BIRTH, DEATH and BEYOND MELISSA JANE MIDGEN a Thesis Su
THE CHILD ANALYTIC TRADITION OF THE SOCIETY OF ANALYTICAL PSYCHOLOGY – BIRTH, DEATH AND BEYOND MELISSA JANE MIDGEN A thesis submitted in partial fulfilment of the requirements of the University of East London for the degree of Professional Doctorate in Child Psychoanalytic Psychotherapy December 2016 i Abstract This thesis seeks to chart the creation, development and eventual demise of the child analytic training of The Society of Analytical Psychology (SAP), the foremost Jungian Society in the UK. The brainchild of the Society’s founding director, Michael Fordham, the creation of the child training drew on the talents and persistence of many committed individuals. Through oral history interviews and archival research I weave together a narrative that will serve as testament to this achievement and offer first hand recollections for posterity. Through these sources the narrative also explores the difficulties that the training faced and which ultimately led to its eventual demise. Additionally I interrogate the current status of this tradition of child analysis and ask the question whether or not the tradition continues to exist and if so in what ways; I conclude that currently the tradition can only be said to exist in an attenuated form and that the future is bleak. In the course of the thesis I locate the SAP training within the development more generally of child analytic provision within the UK, the relationship of that to the child guidance movement and to the psychoanalytic diaspora, which made it possible. I describe the current obstacles faced by the child psychotherapy discipline as well as psychoanalytic psychotherapy in the NHS. -
Act Before Image—A Polemical Review of Warren Colman's Act and Image
ARAS Connections Issue 2, 2018 Act before Image—a polemical review of Warren Colman’s Act and Image Sylvester Wojtkowski, PhD Beauty awakens the Soul to Act Dante “It is as if we did not know, or else continually forgot, that everything of which we are conscious is an image, and that image is psyche.” C.G. Jung, Commentary on "The Secret of the Golden Flower." CW 13, p.50. “Meaning is what we give to the image. Significance is what the image gives to us (egos). The archetype’s inherence in the image gives body to the image, the fecundity of carrying and giving birth to insights. The more we articulate its shape the less we need interpret.” James Hillman, Egalitarian Typologies and the Perception of the Unique, p. 32 “Some maintain that there is a form of language so strong, so con-substantial with the very foundation of being, that it ‘shows’ us being (that is, the indissoluble plexus of being-language) so that self-revelation of being is actuated within the language.” Umberto Eco, Kant and the Platypus, p. 31 “Of course, genesis is a theory, a point of view, a fantasy, and not a fact. Even in biology, where this fantasy is at home and where are many more facts supporting it, this remains a truism.” Wolfgang Giegerich, “Ontogeny = Philogeny. A Fundamental Critique of Erich’s Neumann Analytical Psychology” in Collected English Papers, Volume I, The Neurosis of Psychology, p. 27 This paper is strictly for educational use and is protected by United States copyright laws. -
Elias Ashmole's Hermetic Reading of Gower's
Accessus Volume 6 Issue 2 Magic, Religion, and Science Article 3 2020 Transmuting John Gower: Elias Ashmole’s Hermetic Reading of Gower’s Jason and the Golden Fleece Curtis Runstedler Eberhard Karls Universität Tübingen, [email protected] Follow this and additional works at: https://scholarworks.wmich.edu/accessus Part of the English Language and Literature Commons, European Languages and Societies Commons, and the Medieval Studies Commons Recommended Citation Runstedler, Curtis (2020) "Transmuting John Gower: Elias Ashmole’s Hermetic Reading of Gower’s Jason and the Golden Fleece," Accessus: Vol. 6 : Iss. 2 , Article 3. Available at: https://scholarworks.wmich.edu/accessus/vol6/iss2/3 This Article has been accepted for inclusion in Accessus by the editorial board of the journal and administrator of ScholarWorks at WMU. For more information, please contact [email protected]. Transmuting John Gower: Elias Ashmole’s Hermetic Reading of Gower’s Jason and the Golden Fleece Acknowledgments I would like to thank the Rare Book and Special Collections Division, The Library of Congress in Washington, D. C. for granting permission with their image reproduction. I am indebted to the following scholars and funding bodies for their generous support and encouragement: Elizabeth Archibald, Matthias Bauer, Angelika Zirker, Chad Gunnoe, Bob Yeager, Teach@Tübingen, Durham University’s Institute of Medieval and Early Modern Studies (IMEMS), Eberhard Karls Universität Tübingen, and the Deutsche Forschungsgemeinschaft (DFG). I would also like to thank the anonymous peer reviewer for their invaluable feedback. This article is available in Accessus: https://scholarworks.wmich.edu/accessus/vol6/iss2/3 Runstedler: A Hermetic Reading of Gower’s Jason & the Golden Fleece 1 Transmuting John Gower: Elias Ashmole’s Hermetic Reading of Gower’s Jason and the Golden Fleece1 In the Theatrum Chemicum Britannicum (1652), Elias Ashmole (1617–1692) includes annotations for the fourteenth- century trilingual English poet John Gower’s (c. -
Jung on Astrology
Jung on Astrology Jung on Astrology brings together C. G. Jung’s thoughts on astrology in a single volume for the fi rst time, signifi cantly adding to our understanding of his work. Jung’s Collected Works , seminars, and letters contain numerous discussions of this ancient divinatory system, and Jung himself used astrological horoscopes as a diagnostic tool in his analytic practice. Understood in terms of his own psychology as a symbolic representation of the archetypes of the collective unconscious, Jung found in astrology a wealth of spiritual and psychological meaning and suggested it represents the “sum of all the psychological knowledge of antiquity.” The selections and editorial introductions by Safron Rossi and Keiron Le Grice address topics that were of critical importance to Jung – such as the archetypal symbolism in astrology, the precession of the equinoxes and astrological ages, astrology as a form of synchronicity and acausal correspondence, the qualitative nature of time, and the experience of astrological fate – allowing readers to assess astrology’s place within the larger corpus of Jung’s work and its value as a source of symbolic meaning for our time. The book will be of great interest to analytical psychologists, Jungian psy- chotherapists, and academics and students of depth psychology and Jungian and post-Jungian studies, as well as to astrologers and therapists of other orientations, especially transpersonal. Safron Rossi, PhD, is a Professor of mythology and depth psychology in the Jungian and Archetypal Studies specialization at Pacifi ca Graduate Institute, Cali- fornia. For many years she was curator of the Joseph Campbell and James Hillman manuscript collections. -
Stages of Transmutation: the Visual Rhetoric of Alchemy in Sequential Art
STAGES OF TRANSMUTATION: THE VISUAL RHETORIC OF ALCHEMY IN SEQUENTIAL ART By KATHERINE H. SHAEFFER A THESIS PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS 2009 1 2009 Katherine Shaeffer 2 To my family, both by blood and of the heart 3 ACKNOWLEDGMENTS I thank the members of my thesis committee, Dr. Paxson and Dr. Ault, for believing in this project. I thank my parents, James and Suzie Shaeffer, for all of their support. I also extend my thanks to Sean, Laurel, Terry, Steff, Claire, James and David, for friendship, and to Nicholas Flammel, for starting a trend. 4 TABLE OF CONTENTS page ACKNOWLEDGMENTS.................................................................................................................... 4 LIST OF FIGURES .............................................................................................................................. 6 ABSTRACT .......................................................................................................................................... 7 CHAPTER 1 INTRODUCTION......................................................................................................................... 8 2 AN OVERVIEW OF ALCHEMY ............................................................................................. 16 3 ALCHEMICAL PICTURE SEQUENCES, MEDIEVAL AND EARLY MODERN ........... 26 Illustration in The Works of Geber (illustrations 1545; original text 7th Century)................. 32 Nicholas -
From Primitive Mentality to Haecceity: the Unique Case in Astrology and Divination
From Primitive Mentality to haecceity: the Unique Case in astrology and divination Geoffrey Cornelius Part I The question before us is the nature of divinatory intelligence,1 which is the mode of thought whereby meaningful interpretations are sustained in divination. This paper supports the view of some anthropologists that divination involves a distinctive mode of consciousness, mental pattern or cognitive faculty. To this end, I bring forward what may seem at first to be an unlikely combination of descriptions from anthropology and scholastic philosophy. Part I reviews Lucien Lévy-Bruhl's description of 'primitive mentality', in order to establish a characteristic of divinatory interpretation that I have termed the unique case. In Part II I suggest that the unique case parallels the concept of haecceitas (anglicised as haecceity or 'this-ness') posited by the medieval theologian John Duns Scotus. This concept is dependent on his distinction between intuitive and abstractive cognition; this pairing indicates a foundational analysis that may be fruitfully applied beyond its original context to the question of omens, astrology and divination. At the same time, this approach complements the anthropological perspective by suggesting a loftier intellectual register for divination than is usually granted to it by contemporary scholarship. Astrology is considered here in the practical and applied form in which it is most commonly encountered, which is as a method of judgment and interpretation, and this is treated as a practice of divination. Beyond its explicitly divinatory manifestation astrology raises complex questions in that it has from its origins encompassed cosmology, sacred science and pre-modern psychology.