The Stonehenge Dagger
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The University of Bradford Institutional Repository
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Bradford Scholars The University of Bradford Institutional Repository http://bradscholars.brad.ac.uk This work is made available online in accordance with publisher policies. Please refer to the repository record for this item and our Policy Document available from the repository home page for further information. To see the final version of this work please visit the publisher’s website. Where available access to the published online version may require a subscription. Author(s): Gibson, Alex M. Title: An Introduction to the Study of Henges: Time for a Change? Publication year: 2012 Book title: Enclosing the Neolithic : Recent studies in Britain and Ireland. Report No: BAR International Series 2440. Publisher: Archaeopress. Link to publisher’s site: http://www.archaeopress.com/archaeopressshop/public/defaultAll.asp?QuickSear ch=2440 Citation: Gibson, A. (2012). An Introduction to the Study of Henges: Time for a Change? In: Gibson, A. (ed.). Enclosing the Neolithic: Recent studies in Britain and Europe. Oxford: Archaeopress. BAR International Series 2440, pp. 1-20. Copyright statement: © Archaeopress and the individual authors 2012. An Introduction to the Study of Henges: Time for a Change? Alex Gibson Abstract This paper summarises 80 years of ‘henge’ studies. It considers the range of monuments originally considered henges and how more diverse sites became added to the original list. It examines the diversity of monuments considered to be henges, their origins, their associated monument types and their dates. Since the introduction of the term, archaeologists have often been uncomfortable with it. -
THE SANCTUARY from Exploring Avebury: the Essential Guide
NOTES ON THE SANCTUARY from Exploring Avebury: The Essential Guide www.exploringavebury.com Page 116 - Rediscovering the Sanctuary Maud Cunnington excavated the Sanctuary in 1930 with her husband Ben and a small team of workmen under the direction of Will Young. But first the Sanctuary had to be located. A few years earlier the Cunningtons had excavated Woodhenge, which was discovered from aerial photographs; the Sanctuary though, was not visible from the air and its exact location was unknown. Cunnington wrote that she attempted to find it first by using Stukeley’s 1723 sketch, but “it gave little help.” She eventually followed up Stukeley’s claim that the head of his imagined serpent (the Sanctuary) could be seen from its tail. Stukeley believed that the Beckhampton Avenue had once terminated near a group of round barrows at Fox Covert, three- quarters of a mile west of the Beckhampton roundabout. Stukeley had described this as the “serpent’s tail” terminating “near a fine group of barrows under Cherhill-hill” and claimed that “in this very point only you can see the temple on Overton-hill, on the south side of Silbury-hill.” Cunnington reported: “On going to this spot it was found that a small triangular patch of Mill Field, 2½ miles away, could be seen, and by counting the telegraph poles visible along the roadside, it became easy to define the possible area on which the Sanctuary must have stood.” (“The “Sanctuary” on Overton Hill, near Avebury” by M.E. Cunnington, WAM 45, pp. 300 – 335.) Stukeley and Cunnington both described viewing the Sanctuary from a specific place but neither supplied a map reference for it. -
Concrete Prehistories: the Making of Megalithic Modernism 1901-1939
Concrete Prehistories: The Making of Megalithic Modernism Abstract After water, concrete is the most consumed substance on earth. Every year enough cement is produced to manufacture around six billion cubic metres of concrete1. This paper investigates how concrete has been built into the construction of modern prehistories. We present an archaeology of concrete in the prehistoric landscapes of Stonehenge and Avebury, where concrete is a major component of megalithic sites restored between 1901 and 1964. We explore how concreting changed between 1901 and the Second World War, and the implications of this for constructions of prehistory. We discuss the role of concrete in debates surrounding restoration, analyze the semiotics of concrete equivalents for the megaliths, and investigate the significance of concreting to interpretations of prehistoric building. A technology that mixes ancient and modern, concrete helped build the modern archaeological imagination. Concrete is the substance of the modern –”Talking about concrete means talking about modernity” (Forty 2012:14). It is the material most closely associated with the origins and development of modern architecture, but in the modern era, concrete has also been widely deployed in the preservation and display of heritage. In fact its ubiquity means that concrete can justifiably claim to be the single most dominant substance of heritage conservation practice between 1900 and 1945. This paper investigates how concrete has been built into the construction of modern pasts, and in particular, modern prehistories. As the pre-eminent marker of modernity, concrete was used to separate ancient from modern, but efforts to preserve and display prehistoric megaliths saw concrete and megaliths become entangled. -
The Lives of Prehistoric Monuments in Iron Age, Roman, and Medieval Europe by Marta Díaz-Guardamino, Leonardo García Sanjuán and David Wheatley (Eds)
The Prehistoric Society Book Reviews THE LIVES OF PREHISTORIC MONUMENTS IN IRON AGE, ROMAN, AND MEDIEVAL EUROPE BY MARTA DÍAZ-GUARDAMINO, LEONARDO GARCÍA SANJUÁN AND DAVID WHEATLEY (EDS) Oxford University Press, Oxford, 2015. 356pp, 50 figs, 32 B/W plates, 6 tables. ISBN 978-0-19-872460-5, hb, £85 This handsome book is the outcome of a session at the 2013 European Association of Archaeologists in Pilsen, organised by the editors on the cultural biographies of monuments. It is divided into three sections, with the main part comprising 13 detailed case-studies, framed on either side by shorter introduction and discussion pieces. There is variety in the chronologies, subject matters and geographical scopes addressed; in short there is something for almost everyone! In their Introduction, the editors advocate that archaeologists require a more reflexive conceptual toolkit to deal with the complex issues of monument continuity, transformation, re-use and abandonment, and the significance of the speed and the timing of changes. They also critique the loaded term ‘afterlife’ as this separates the unfolding biography of a monument, and unwittingly relegates later activities to lesser importance than its original function. In the following chapter, Joyce Salisbury explores how the veneration of natural places in the landscape, such as caves and mountains, was shifted to man-made monumental features over time. The bulk of the book focuses on the specific case-studies which span Denmark in the north to Tunisia in the south and from Ireland in the west to Serbia and Crete in the east. In Chapter 3, Steen Hvass’s account of the history of research at the monument complex of King’s Jelling in Denmark is fascinating, but a little heavy on stratigraphic narrative, and light on theory and discussion. -
Stonehenge WHS Committee Minutes September 2015
Stonehenge World Heritage Site Committee Meeting on Thursday 24 September 2015 at St Barbara’s Hall, Larkhill Minutes 1. Introductions and apologies Present: Roger Fisher (Chair/Amesbury TC), Colin Shell (ASAHRG), Philip Miles (CLA), Kate Davies (English Heritage), Phil McMahon (Historic England), Rachel Sandy (Highways England), Richard Crook (NFU/Amesbury TC), Jan Tomlin (National Trust), Nick Snashall (National Trust), Patrick Cashman (RSPB), Carole Slater (Shrewton PC), Clare King (Wiltshire Council), David Dawson (Wiltshire Museum), Ian West (Winterbourne Stoke PC) Apologies: Fred Westmoreland (Amesbury Community Area Board), John Mills (Durrington TC), Henry Owen John (Historic England), Stephanie Payne (Natural England), David Andrews (VisitWiltshire), Peter Bailey (Wilsford cum Lake/WHS landowners), Melanie Pomeroy‐Kellinger (Wiltshire Council), Ariane Crampton (Wiltshire Council), Andrew Shuttleworth (Winterbourne Stoke PC), Alistair Sommerlad (WHS Partnership Panel) 2.0 Agree minutes of last meeting & matters arising Version 3 of the minutes of the last meeting was approved. 3.0 Stonehenge and Avebury WHS Management Plan Endorsing the Plan The following organisations have endorsed the plan so far: Highways England, English Heritage, Amesbury PC, Wilsford cum Lake PC, Durrington TC, Wiltshire Museum, and Salisbury Museum. Other organisations: Natural England, RSPB, Historic England and National Trust are in the process of going through their organisation’s approval process. The WHS Coordination Unit (WHSCU) would be grateful for written endorsements by the end of 2015. The WHSCU are very happy to meet with any partner organisation to explain the Management Plan to their members. WHSCU Action Plan BT circulated a table which outlined how SS and BT will cover both local and thematic responsibilities. -
Stonehenge and Avebury WHS Management Plan 2015 Summary
Stonehenge, Avebury and Associated Sites World Heritage Site Management Plan Summary 2015 Stonehenge, Avebury and Associated Sites World Heritage Site Management Plan Summary 2015 1 Stonehenge and Avebury World Heritage Site Vision The Stonehenge and Avebury World Heritage Site is universally important for its unique and dense concentration of outstanding prehistoric monuments and sites which together form a landscape without parallel. We will work together to care for and safeguard this special area and provide a tranquil, rural and ecologically diverse setting for it and its archaeology. This will allow present and future generations to explore and enjoy the monuments and their landscape setting more fully. We will also ensure that the special qualities of the World Heritage Site are presented, interpreted and enhanced where appropriate, so that visitors, the local community and the whole world can better understand and value the extraordinary achievements © K020791 Historic England © K020791 Historic of the prehistoric people who left us this rich legacy. Avebury Stone Circle We will realise the cultural, scientific and educational potential of the World Heritage Site as well as its social and economic benefits for the community. © N060499 Historic England © N060499 Historic Stonehenge in summer 2 Stonehenge, Avebury and Associated Sites World Heritage Site Management Plan Summary 2015 Stonehenge, Avebury and Associated Sites World Heritage Site Management Plan Summary 2015 1 World Heritage Sites © K930754 Historic England © K930754 Historic Arable farming in the WHS below the Ridgeway, Avebury The Stonehenge, Avebury and Associated Sites World Heritage Site is internationally important for its complexes of outstanding prehistoric monuments. Stonehenge is the most architecturally sophisticated prehistoric stone circle in the world, while Avebury is Stonehenge and Avebury were inscribed as a single World Heritage Site in 1986 for their outstanding prehistoric monuments the largest. -
Ancient Market Towns and Beautiful Villages
Ancient Market Towns and Beautiful Villages Wiltshire is blessed with a fantastic variety of historic market towns and stunning picturesque villages, each one with something to offer. Here are a sample of Wiltshire’s beautiful market towns and villages. Amesbury Nestling within a loop of the River Avon alongside the A303, just 1½ miles from Stonehenge, historic Amesbury is a destination not to be missed. With recent evidence of a large settlement from 8820BC and a breath-taking Mesolithic collection, Amesbury History Centre will amaze visitors with its story of the town where history began. Bradford on Avon The unspoilt market town of Bradford on Avon offers a mix of delightful shops, restaurants, hotels and bed and breakfasts lining the narrow streets, not to mention a weekly market on Thursdays (8am-4pm). Still a natural focus at the centre of the town, the ancient bridge retains two of its 13th century arches and offers a fabulous view of the hillside above the town - dotted with the old weavers' cottages – and the river bank flanked by 19th century former cloth mills. Calne Calne evolved during the 18th and 19th centuries with the wool industry. Blending the old with the new, much of the original Calne is located along the River Marden where some of the historic buildings still remain. There is also the recently restored Castlefields Park with nature trails and cycle path easily accessible from the town centre. Castle Combe Set within the stunning Wiltshire Cotswolds, Castle Combe is a classically quaint English village. Often referred to as the ‘prettiest village in England’, it has even been featured regularly on the big screen – most recently in Hollywood blockbuster ‘The Wolfman’ and Stephen Spielberg’s ‘War Horse’. -
2019-2020 Annual Report and Financial Statements
ANNUAL REPORT and FINANCIAL STATEMENTS - for the year ended 31 MARCH 2020 STATEMENTS REPORT and FINANCIAL ANNUAL The Museum, 41 Long Street, Devizes, Wiltshire. SN10 1NS Telephone: 01380 727369 www.wiltshiremuseum.org.uk Our Audiences Our audiences are essential and work is ongoing, with funding through the Wessex Museums Partnership, to understand our audiences and develop projects and facilities to ensure they remain at the core of our activities. Our audience includes visitors, Society members, school groups, community groups, and researchers. Above: testimonial given in February 2020 by one of our visitors. Below: ‘word cloud’ comprising the three words used to describe the Museum on the audience forms during 2019/20. Cover: ‘Chieftain 1’ by Ann-Marie James© Displayed in ‘Alchemy: Artefacts Reimagined’, an exhibition of contemporary artworks by Ann-Marie James. Displayed at Wiltshire Museum May-August 2020. (A company limited by guarantee) Charity Number 1080096 Company Registration Number 3885649 SUMMARY and OBJECTS The Wiltshire Archaeological and Natural History Researchers. Every year academic researchers Society (the Society) was founded in 1853. The carry out important research on the collection. Society’s first permanent Museum opened in There are over 500,000 items in the collections Long Street in 1874. The Society is a registered and details can be found in our online searchable charity and governed by Articles of Association. database. The collections are ‘Designated’ of national importance and ‘Accreditation’ status Objects. To educate the public by promoting, was first awarded in 2005. Overseen by the fostering interest in, exploration, research and Arts Council the Accreditation Scheme sets publication on the archaeology, art, history and out nationally-agreed standards, which inspire natural history of Wiltshire for the public benefit. -
Stonehenge and Ancient Astronomy Tonehenge Is One of the Most Impressive and Best Known Prehistoric Stone Monuments in the World
Stonehenge and Ancient Astronomy tonehenge is one of the most impressive and best known prehistoric stone monuments in the world. Ever since antiquarians’ accounts began to bring the site to wider attention inS the 17th century, there has been endless speculation about its likely purpose and meaning, and a recurring theme has been its possible connections with astronomy and the skies. was it a Neolithic calendar? A solar temple? A lunar observatory? A calculating device for predicting eclipses? Or perhaps a combination of more than one of these? In recent years Stonehenge has become the very icon of ancient astronomy, featuring in nearly every discussion on the subject. And yet there are those who persist in believing that it actually had little or no connection with astronomy at all. A more informed picture has been obtained in recent years by combining evidence from archaeology and astronomy within the new interdiscipline of archaeoastronomy – the study of beliefs and practices concerning the sky in the past and the uses to which people’s knowledge of the skies were put. This leaflet attempts to summarize the evidence that the Stonehenge monument was constructed by communities with a clear interest in the sky above them. Photograph: Stonehenge in the snow. (Skyscan/english heritagE) This leaflet is one of a series produced by the Royal Astronomical Society (RAS). An electronic version is available for download at www.ras.org.uk. It has been written by the following members of the RAS Astronomical Heritage Committee: Clive Ruggles, Bill Burton, David Hughes, Andrew lawson and Derek McNally. -
Megaliths, Monuments & Tombs of Wessex & Brittany
From Stonehenge to Carnac: Megaliths, Monuments & Tombs of Wessex & Brittany Menhhir du Champs Dolent SLM (1).JPG May 25 - June 5, 2021 (12 days | 14 guests) with prehistorian Paul G. Bahn © Jane Waldbaum ©Vigneron ©AAlphabet © DChandra © DBates Archaeology-focused tours for the curious to the connoisseur “The special tour of Stonehenge was a highlight, as well as visiting the best of the best of prehistoric sites with Archaeological Institute an immensely knowledgeable guide like Paul Bahn.” of America - Grant, Ontario Lecturer xplore the extraordinary prehistoric sites of Wessex, England, & Host and Brittany, France. Amidst beautiful landscapes see world renowned, as well as lesser known, Neolithic and Bronze Age Emegaliths and monuments such as enigmatic rings of giant standing stones and remarkable chambered tombs. Dr. Paul G. Bahn is a leading archaeological writer, translator, and broadcaster in the Highlights: field of archaeology. He is a Contributing Editor of the AIA’s Archaeology magazine, • Stonehenge, the world’s most famous megalithic site, which is a and has written extensively on prehistoric UNESCO World Heritage site together with Avebury, a unique art, including the books Images of the Ice Neolithic henge that includes Europe’s largest prehistoric stone circle. Age, The Cambridge Illustrated History of Prehistoric Art, and Cave Art: A Guide to • Enigmatic chambered tombs such as West Kennet Long Barrow. the Decorated Ice Age Caves of Europe. Dr. • Carnac, with more than 3,000 prehistoric standing stones, the Bahn has also authored and/or edited many world’s largest collection of megalithic monuments. books on more general archaeological subjects, bringing a broad perspective to • The uninhabited island of Gavrinis, with a magnificent passage tomb understanding the sites and museums that is lined with elaborately engraved, vertical stones. -
Circular Route from Durrington Walls to Stonehenge
Circular route from Durrington Walls 3 Stonehenge Cottages, King to Stonehenge Barrows, Amesbury, Wiltshire SP4 7DD This walk explores two major historic monuments, Durrington TRAIL Walls and Stonehenge, in Walking the heart of the Stonehenge World Heritage Site. On this GRADE circular walk you will discover the Moderate landscape in its full glory from the Bronze Age barrows to the First DISTANCE World War military railway track, 5 miles (7.6km) as well as its diverse wildlife and plants. TIME 4 hours Terrain OS MAP Landranger 184; This circular walk follows hard tracks and gently sloping downs. Surfaces can be uneven, with potholes Explorer 130 or long tussocky grass. Dogs welcome on a lead and under control, as sheep and cattle graze the fields and there are ground-nesting birds. Contact Things to see 01980 664780 [email protected] Facilities Durrington Walls The old railway track The Avenue Have a look around you and Stonehenge Landscape has a This impressive bank and ditch http://nationaltrust.org.uk/walks appreciate the nature of this rich military history. The Lark Hill earthwork is more than 1.5 henge as an enclosed valley. Military Light Railway (LMLR) miles (2.5km) long. It may have If you were here over 4,500 line, ran through the landscape been the ceremonial route and years ago you would have seen from Amesbury to Larkhill and on entrance to the stone circle and In partnership with several shrines around the to the Stonehenge aerodrome recent excavations suggest it slopes, and Neolithic houses from 1914 until 1929. -
Island Meditation Parkland Features Stonehenge-Like Monuments
Island Meditation Parkland features Stonehenge-like Monuments (SEATTLE, Washington) - On a 72-acre parcel logged 20 years ago, forest, streams, ponds, and a peat bog have found new life as "Earth Sanctuary." A 500-year master plan for its restoration now guides the future of this Whidbey Island nature reserve and meditation parkland north of Seattle. More than 4,000 plants from 60 native species are being planted in the first phase of the plan, according to Dan Borroff, the project's award-winning landscape designer. The remarkable project created by a remarkable visionary, Chuck Pettis, has the environmental goal of restoring the landscape's old growth forest, wetlands, and streams - as well as providing habitat for the greatest possible diversity of bird and animal species native to Whidbey Island. See http://www.EarthSanctuary.org. "Earth Sanctuary is designed to restore wholeness to the human spirit, as well as to the natural environment" says Pettis, noted for his megalithic Stonehenge-like environmental artworks, as well as his writings. Visitors, on a reservation basis, are welcome to walk the two miles of Earth Sanctuary's forested paths and to meditate at the sites of the environmental artworks. The stone structures, designed as focal points for meditation, include a labyrinth, a dolmen, and a stone circle. In Borroff's view, planning for human response - both emotional and intellectual - is an integral part of good design. He describes his plant placement choices as "enhanced environmentalism." Borroff believes that the project will "nurture our spirit and transform and re-empower our passion for the land." Pettis, author of Secrets of Sacred Space: Discover and Create Places of Power ($20, Llewellyn), has financed the entire project with personal funds.