Extensions of Remarks E301 EXTENSIONS of REMARKS
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Little Tokyo Planning & Design Guidelines
Little Tokyo Community Council (LTCC) and Mayor’s Little Tokyo Community Development Advisory Committee (LTCDAC) LITTLE TOKYO PLANNING & DESIGN GUIDELINES Prepared by the Little Tokyo Planning and Design Guidelines Joint Task Force November 2005 LTCDAC APPROVED 11/16/05 CRA BOARD APPROVED 4/6/06 Cover logo: Standards have been established by the Wayfinding Confederation Grant for use of the logo. Those wanting to use this logo for publication should contact the Little Tokyo Business Improvement District (BID) at (213) 620-0570. LTCDAC APPROVED 11/16/05 Page 2 CRA BOARD APPROVED 4/6/06 TABLE OF CONTENTS PAGE TABLE OF CONTENTS 3 SECTION I -- PLANNING 5 INTRODUCTION 5 BACKGROUND 7 A. Vision 10 B. Themes and Objectives 13 C. Boundaries 18 SECTION II – DESIGN GUIDELINES 23 INTRODUCTION 23 BACKGROUND 23 A. Primary Gateways 23 B. Central Linkage and Pedestrian Circulation 24 C. Site Planning/Building Design 26 D. Site Specific Design Guidelines: Buildings in the Little Tokyo 28 Historic District E. Public Art and Special Features (Landmarks) 28 F. Public/People Spaces 30 G. Sidewalks 30 H. Street-level Uses 31 I. Streetscape (including Landscaping) 32 J. Functional and Decorative Lighting 33 K. Security and Defensible Design 34 L. Signage 34 M. Parking 35 APPENDICES 37 1. Glossary 37 2. Japanese Plants, Trees and Shrubs 39 3. Site Specific Design Guidelines for Buildings in the Little 41 Tokyo Historic District 4. Signage Guidelines for the Little Tokyo Historic District 43 LTCDAC APPROVED 11/16/05 Page 3 CRA BOARD APPROVED 4/6/06 LTCDAC APPROVED 11/16/05 Page 4 CRA BOARD APPROVED 4/6/06 SECTION I -- PLANNING INTRODUCTION The Little Tokyo Community has been participating in a yearlong statewide pilot project – California Japantown Preservation Pilot Project. -
The Art Show 2018 Press
DOWNLOAD HI-RES IMAGES AT: HTTP://BIT.LY/2EVIOWJ THE ART SHOW 2018 HIGHLIGHTS 303 GALLERY D8 ALTMAN SIEGEL D20 Mary Heilmann Liam Everett 303 Gallery presents a solo exhibition of Altman Siegel presents a solo booth of new works by Mary Heilmann, whose highly work by Liam Everett. Building on investiga- inventive approach to abstraction has tions explored in his 2017 solo exhibition at made her one of the foremost painters SFMOMA, Everett will present a suite of new of her generation. Recent paintings, glazed paintings that unfold interrelated systems and ceramics and an arrangement of furniture made interpretations of support. Everett’s installation by the artist appear alongside several examples will continue along these investigative threads: in these mediums from previous decades. By jux- the physical act of supporting a painting and taposing new works with historic ones, the exhibition the routine practice an artist undertakes daily, becomes a storyboard, charting the evolution of her as well as pedagogical rituals shaped through practice while allowing visitors to draw parallels across rehearsal. Focused on what he calls “systems time periods. Brightly colored chairs transform the booth of support,” Everett’s framed paintings—like into a social space akin to a living room or the artist’s studio, previous bodies of work—will implicate the floor, inviting viewers to relax and spend time in Heilmann’s world. wall and body, exposing the animate qualities of 1 3 the artworks and affirming his interest in investi- Mary Heilmann. Shadow Cup 2, 1985. Glazed ceramic, 21 ⁄4 × 24 × 1 ⁄4 in. © Mary Heilmann. -
Press Release for Immediate Release Berry Campbell Presents Lilian Thomas Burwell: Soaring Curated by Melissa Messina
PRESS RELEASE FOR IMMEDIATE RELEASE BERRY CAMPBELL PRESENTS LILIAN THOMAS BURWELL: SOARING CURATED BY MELISSA MESSINA NEW YORK, NEW YORK, March 27, 2021— Berry Campbell is pleased to present Lilian Thomas Burwell: Soaring. This exhibition marks the esteemed Maryland-based artist’s first solo exhibition in New York. The exhibition title, Soaring, is an homage to the late Dr. David Driskell’s essay, Soaring With a Painterly Voice, written on the occasion of Burwell’s 1997 survey exhibition at Hampton University Museum, Virginia. Driskell described Burwell’s work as, “transcendental in showing stylistic diversity of earthly beauty and cosmic vision.” Lilian Thomas Burwell: Soaring, organized by guest curator, Melissa Messina, highlights the dynamic transition in Burwell’s abstract visual language from two-dimensional painterly planes to three-dimensional sculptural forms. Burwell’s paintings from the late 1970s and early 1980s employ a distinctly bold palette and reference organic forms found in natural floral and earthly phenomena. The exhibition centers on the painting Skybound (1984), which marks the first time that the artist cut into her canvas, creating positive and negative space. This pivotal act gave way to Burwell’s examination of form, bringing forth Burwell’s signature style of three-dimensional, painted wall sculpture. These wall sculptures, which would become the artist’s signature focus for more than two decades. Lilian Thomas Burwell: Soaring opens at Berry Campbell, New York April 22 and continues through May 28, 2021. The exhibition is accompanied by a 20-page exhibition catalogue with an essay by Melissa Messina. On the occasion of the exhibition, Berry Campbell will digitally screen the documentary, Kindred Spirits: Artists Hilda Wilkinson Brown and Lilian Thomas Burwell, on Wednesday, April 28, 2021, 4 pm - 10 pm and May 8, 2021, 1 - 5 pm. -
THOMPSON, MILDRED, 1935-2003. Mildred Thompson Papers, 1949-2009
THOMPSON, MILDRED, 1935-2003. Mildred Thompson papers, 1949-2009 Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Descriptive Summary Creator: Thompson, Mildred, 1935-2003. Title: Mildred Thompson papers, 1949-2009 Call Number: Manuscript Collection No. 1199 Extent: 9 linear feet (20 boxes), 1 oversized papers box and 4 oversized papers folders (OP), 9 bound volumes (BV), 1 oversized bound volume (OBV), AV Masters: 2 linear feet (2 boxes) and 9.8 MB of born digital materials. Abstract: Papers of African American artist Mildred Thompson, including correspondence, manuscripts, artwork, photographs, printed material and a small amount of born digital material. Language: Materials predominantly in English with a small amount of material in German. Administrative Information Restrictions on Access Special restrictions apply: Researchers must contact the Rose Library in advance for access to some sound recordings in this collection. Series 8: Access to born digital materials is only available in the Stuart A. Rose Manuscript, Archives, and Rare Book Library (the Rose Library). Use of the original digital media is restricted. Terms Governing Use and Reproduction All requests subject to limitations noted in departmental policies on reproduction. Researchers are not permitted to copy or download any of the digital files from the computer workstation. Source Purchase, 2011. Emory Libraries provides copies of its finding aids for use only in research and private study. Copies supplied may not be copied for others or otherwise distributed without prior consent of the holding repository. Mildred Thompson papers, 1949-2009 Manuscript Collection No. -
1978 Commencement - 8Th Annual Commencement Exercises Nova Southeastern University
Nova Southeastern University NSUWorks NSU Commencement Programs NSU Digital Collections 5-21-1978 1978 Commencement - 8th Annual Commencement Exercises Nova Southeastern University Follow this and additional works at: http://nsuworks.nova.edu/nsudigital_commencement Part of the Higher Education Commons NSUWorks Citation Nova Southeastern University, "1978 Commencement - 8th Annual Commencement Exercises" (1978). NSU Commencement Programs. Paper 64. http://nsuworks.nova.edu/nsudigital_commencement/64 This Commencement Program is brought to you for free and open access by the NSU Digital Collections at NSUWorks. It has been accepted for inclusion in NSU Commencement Programs by an authorized administrator of NSUWorks. For more information, please contact [email protected]. l &:: 1M E 1M g &:: E E a g '--r--L Welcome ~- A cordial welcome is extended to each person attending the ~ Annual Com mencement Exercises, including friends and relatives of each degree candidate, University students, faculty and staff, and friends and supporters of the University. THE ROAD NOT TAKEN Two roads diverged in a yellow wood And sorry I could not travel both And be one traveler, long I stood And looked down one as far as I could To where it bent in the undergrowth; Then took the other, as just as fair, And having perhaps the better claim, Because it was grassy and wanted wear; Though as for that the passing there Had worn them really about the same, And both that morning equally lay In leaves no step had trodden black. Oh, I kept the first for another day! Yet knowing how way leads on to way, I doubted if I should ever come back. -
Mildred Thompson
MILDRED THOMPSON Born 1936 Jacksonville, Florida Died 2003 in Atlanta, Georgia Hochschule für bildende Künst (Art Academy of Hamburg), Hamburg, Germany, 1961 The Brooklyn Museum School, Brooklyn, New York, 1958 BA, Howard Univeristy, Washington, DC, 1957 SELECTED SOLO EXHIBITIONS 2020 Memories & Inspiration, Gilcrease Museum, Tulsa, Oklahoma; University of Richmond Museum, Richmond, Virginia; Appleton Museum of Art, Ocala, Florida; Huntington Museum of Art, Huntington, West Virgina 2019 Mildred Thompson: The Atlanta Years, 1986-2003, Spelman College Museum of Fine Art, Atlanta, Georgia 2018 Against the Grain, New Orleans Museum of Art, New Orleans, Louisiana Mildred Thompson: Radiation Explorations and Magnetic Fields, Galerie Lelong & Co., New York, New York 2016 Mildred Thompson: Resonance, Selected Works from the 1990s, SCAD Museum of Art, Savannah, Georgia 2010 Mildred Thompson: Wood Pictures, Galerie l’Aquarium, Valenciennes, France 2009 Mildred Thompson: a life long exploration 1936 – 2003, Leopold-Hoesch Museum, Duren, Germany 1998 Advancing Impulses, Dekalb College of Fine Arts Gallery, Clarkston, Georgia 1997 Mildred Thompson: Deep Space, Jacksonville Museum of Contemporary Art, Jacksonville, Florida 1996 Forty Years of Printmaking, Rolling Stone Press, Atlanta, Georgia 1994 Cosmic Consciousness, Auburn University, Auburn, Alabama 1993 Hochschule für Kunst & Design, Halle, Germany 1992 Paintings, Prints and Sculpture, Brenau College, Gainesville, Georgia 1990 German Consulate Deutsche Rote Kruz, Duren, Germany Hammon House, Atlanta, -
PORTER, JAMES A. (JAMES AMOS), 1905- James A
PORTER, JAMES A. (JAMES AMOS), 1905- James A. Porter papers, 1867-2009 (bulk 1920-1995) Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Collection Stored Off-Site All or portions of this collection are housed off-site. Materials can still be requested but researchers should expect a delay of up to two business days for retrieval. Descriptive Summary Creator: Porter, James A. (James Amos), 1905- Title: James A. Porter papers, 1867-2009 (bulk 1920-1995) Call Number: Manuscript Collection No. 1139 Extent: 45.5 linear feet (93 boxes), 2 oversized papers boxes and 1 oversized papers folder (OP), 1 bound volume (BV), AV Masters: 1 linear foot (1 box and LP1) and 14.5 MB born digital material (81 files) Abstract: Papers of African American artist and art historian James A. Porter including correspondence, personal papers, artwork, writings, Howard University files, artist and subject files collected by Porter, photographs, and audiovisual material, as well as some papers of wife Dorothy Porter Wesley and daughter Constance Porter Uzelac. Language: Materials entirely in English. Administrative Information Restrictions on Access Special restrictions apply: Series 7: Use copies have not been made for audiovisual material in this collection. Researchers must contact the Rose Library at least two weeks in advance for access to these items. Collection restrictions, copyright limitations, or technical complications may hinder the Rose Library's ability to provide access to audiovisual material. Series 9: Access to processed born digital materials is only available in the Stuart A. Rose Manuscript, Archives, and Rare Book Library (the Rose Library). -
Silhouette192724agne ' -I Ijx /^Ibri
Digitized by tine Internet Arciiive in 2010 witii funding from Lyrasis IVIembers and Sloan Foundation http://www.archive.org/details/silhouette192724agne ' -I ijx /^ibri V .-v- r V \ "X - -r 1 Copyri^k H i>y I 1 , llacfiel Jiendtthlt <' EDITOR i MANAGER il_.. 1927 li <f^^^ ^^L* ^^: ^. "vf "^ '(~^'y Silhoueiie 1027 L 5iu(\eM body of Jidnes Sco-H ColUoe. rK 6 DecaiuTf Oq. mmn VOL. XXIV — v^ uy V ^-'-i I^ebication TO THE ALUMNAE —to those who have given four years of their lives to Agnes Scott; and who have in the giving, received something of the inspiration that through them has become a part of their Alma Mater the Student Body lovingly dedicates this volume. U /-. ^u. ^^-ti^' r •o 6^ Jor^toorti (^T* HE purpose of this book is a compre- ^^ hensive one, and the staff holds its breath as you begin to turn the pages. Dedicated to the Alumnae it attempts to remind them tangibly of their Alma Mater, and to present some from their number who have along a few selected lines made an appreciable stir in the world; and compiled for the Student Body, it endeavors to interpret for them, we hope truly, one year of their four at Agnes Scott. If our purpose is too am- bitious for us, and we have failed, we ask your pardon. 7fi "r'v^ <^CW4l >-, ^< Contents; COLLEGE AND ALUMNAE CLASSES ACTIVITIES ATHLETICS FEATURES HUMOR CM J^ ^,-- ,^ 1 - *| ^--r^' College anii Silumnae MRS. J. S. GUY (Allie Candler) MARY J. BARNETT President of Alumnae First President of Association Alu:\inae Association MRS. -
Foreword Iredell County, North Carolina Marriage Register 1854
Foreword Iredell County, North Carolina Marriage Register 1854-1964 Groom Index L - Z This document is compiled from Iredell County, N. C. Marriage Register , 1851-1964, Microfilms rolls C.054.60015, C.054.60016 and C.054.60017 - Males. Information from the register includes the grooms name, brides name, age (groom/bride), race, date of marriage, official, witnesses. If date of birth is given, this appears under the person’s name. If “race” is indicated by a -(dash), “ race” is probably “white.” The names are spelled as they appear in the microfilm. Researchers are advised to consider alternate spellings. Compiled by Russell C. Black, Jr. 1485 Turnersburg Hwy. Statesville, NC 28625 Copyright © December 2006 by Russell C. Black, Jr. All rights are reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form by any means electronic, mechanical, photocopying or otherwise without the written permission of the copyright owner. Iredell County, N. C. Marriage Register - Groom Index L - Z (1854-1964) Surname Given Name Surname Given Name Age R Date Official Witnesses G/B Lackey A. Brodie Dellinger Lillian Pauline 25/21 W 1/11/1921 S. L. Cathey (Min) Gladys Guy, Paul C. White Alexander Co. Alexander Co. Iredell Co. Lackey Andy Simonton Mag 56/42 C 8/23/1894 S. A. Gibson (Min) A. Borden, J. S. White Iredell Co. Iredell Co. Statesville NC Lackey Archie Graham Sallie 21/23 C 1/16/1913 W. B. Scott (Min) Stark Graham, J. G. Bennett, Iredell Co. Iredell Co. Iredell Co. W. -
532-8623 Gardena Bowl Coffee Shop
2015 NISEI WEEK JAPANESE FESTIVAL ANNIVERSARY 7 5 TH ANNUAL JAPANESE FESTIVAL NISEI WEEK Pioneers, Community Service & Inspiration Award Honorees Event Schedules & Festival Map 2015 Queen Candidates Nisei Week Japanese Festival 1934 - 2015: “Let the Good Times Roll” 2014 Nisei Week Japanese Festival Queen Tori Angela Nishinaka-Leon CONTENTS NISEI WEEK FESTIVAL WELCOME FESTIVAL ACKNOWLEDGEMENTS AND INTRODUCTION 2015 Sponsors, Community Friends and Event Sponsors ... 42 Festival Greetings........................................... 10 2015 Nebuta Sponsors ..................................... 50 Grand Marshal: Roy Yamaguchi ............................. 16 2014 Queen’s Treasure Chest ............................... 67 Parade Marshal: Kenny Endo................................ 17 Supporters Ad Index....................................... 104 Pioneers: Richard Fukuhara, Toshio Handa, Kay Inose, 2015 Nisei Week Foundation Board, Madame Matsumae III, George Nagata, David Yanai ........ 24 Committees, and Volunteers............................... 105 Inspiration Award: Dick Sakahara, Michie Sujishi ............ 30 Community Service Awards: East San Gabriel Valley Japanese Community Center, Evening Optimist Club of Gardena, Japanese Restaurant Association of America, Orange County Nikkei Coordinating Council, Pasadena Japanese Cultural Institute, San Fernando Valley Japanese American Community Center, Venice Japanese Community Center, West Los Angeles Japanese American Citizens League ........................ 36 CALENDAR OF EVENTS & FEATURES 2015 -
Memories & Inspiration
MEMORIES & INSPIRATION The Kerry and C. Betty Davis Collection of African American Art TRAVELING EXHIBITION SERVICE A PHILOSOPHY OF ART, COLLECTING, AND LIFE The traveling exhibition Memories & Inspiration: The Kerry and C. Betty Davis Collection of African American Art presents sixty-two selected works from a body of art amassed over thirty-five years by an ordinary working-class couple. Often choosing artworks over material items and other creature comforts, Kerry, a retired mailman, and Betty, a former television news producer, have opted instead to live with drawings, paintings, prints, and sculpture as their principal luxuries. While their stated intention to “preserve cultural memories and provide their community with a source of inspiration” are goals shared by most art enthusiasts, Kerry and Betty do not search exclusively for well-known and/or documented artists, keeping in mind “the importance of gathering and preserving a spectrum of approaches to the black image in order to console the psyche and contribute to a more authentic articulation of the self.” To this end, the Davises continue to be students of the visual arts through visits to galleries and museums and through their voracious reading of exhibition catalogues, artist monographs, books, and online data about artists, art genres, mediums, and history. The Davis Collection has evolved considerably over the years, as its owners went from sifting through entries posted on various auction sites to visiting artists in their studios, dropping by galleries, trading with other collectors, going to estate sales, and receiving artworks from artists as gifts. The result is an eclectic gathering of pieces crossing different mediums, subjects, and styles by a group of artists of the African Diaspora who—in terms of training, experience, and expression—are singularly diverse but unified in their use of cultural and historical narratives. -
CONGRESSIONAL RECORD— Extensions of Remarks E303 HON
March 4, 2010 CONGRESSIONAL RECORD — Extensions of Remarks E303 you, this country can’t possibly move through the country with its wide assortment of deli- mango, red bean (azuki), strawberry, and va- the next 10 years in a period of relative cious and original bakery items. nilla. strength.’’ Mikawaya manufactures and sells traditional Mikawaya’s traditional Japanese confections Since that speech, more than 200,000 Japanese pastry and confectionary (wagashi), and pastries are still available and made daily Americans have spent 2 years of their lives in mochi ice cream, and gelato. In addition to its at its Los Angeles factory and are still a favor- parts of the world that many of us have never traditional ‘‘mochi-gashi’’ and ‘‘manju’’ that ite in the Asian American community. heard of. And right now, dozens of Peace have been the foundation of the family busi- Corp volunteers from the Seattle area alone ness, Mikawaya has obtained nationwide pop- Always innovators, Mikawaya now manufac- are serving in countries as far as Mali, ularity and success as the creator of Mochi Ice tures and sells gelato—Italian-style ice cream Turkmenistan and Cambodia. Participants Cream along with its gelato offerings. made from milk, sugar, real fruit and other in- have worked on everything from helping farm- Madam Speaker, as Mikawaya celebrates gredients. ers produce more food to stave off hunger to its 100-year anniversary at the Kyoto Grand Along with Mikawaya’s centennial anniver- teaching computer skills and helping govern- Hotel on March 8, I ask my colleagues to sary, the company opened a new 100,000- ments bolster their technology infrastructure.