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Eric Gill Special Collection
an introduction to the Eric Gill Special Collection Portrait of Eric Gill (1882-1940) was an English engraver, sculptor, typographer, and writer Eric Gill who lived and worked in and near London. The University of Notre Dame collection includes over 2,000 items of Eric Gill’s work: books, pamphlets, broadsides, prints, greeting cards, calendars, sketches, wood blocks, photographs, and other formats. The Gill Collection also includes many examples of the work by men who worked with or apprenticed with Gill (Hilary Pepler, Philip Hagreen, Joseph Cribb, David Jones, and Desmund Chute), most of the imprints of the Golden Cockerel Press (which produced The Four Gospels engraved by Gill), and an extensive selection of the output from Gill’s own St. Dominic’s Press. There are hundreds of fine art prints and over 100 photographs of Gill’s sculptures. The collection was acquired in 1965 from John Bennett Shaw (Notre Dame alumnus ’37), who purchased it from Evan Gill, Eric’s brother. Since 1965, the collection has been added to selectively. The collection has a large and interdisciplinary audience. The Gill Trial Proofs of Collection encompasses the genres of drawing, sculpture, Eric Gill’s lettering, engraving, and printing, as well as the intellectual Hand & Eye, with a pencil sketch at pursuits of art theory, religion, and social philosophy. It is thus of left, 1908. interest to students and researchers in art history, graphic design, This was used by the book arts, fine printing and the history of printing, and the Gill as a personal symbol. social thinking of the late 19th and early 20th centuries. -
Antiquarian & Modern
Blackwell’s Rare Books Blackwell’S rare books ANTIQUARIAN & MODERN Blackwell’s Rare Books 48-51 Broad Street, Oxford, OX1 3BQ Direct Telephone: +44 (0) 1865 333555 Switchboard: +44 (0) 1865 792792 Email: [email protected] Fax: +44 (0) 1865 794143 www.blackwell.co.uk/ rarebooks Our premises are in the main Blackwell’s bookstore at 48-51 Broad Street, one of the largest and best known in the world, housing over 200,000 new book titles, covering every subject, discipline and interest, as well as a large secondhand books department. There is lift access to each floor. The bookstore is in the centre of the city, opposite the Bodleian Library and Sheldonian Theatre, and close to several of the colleges and other university buildings, with on street parking close by. Oxford is at the centre of an excellent road and rail network, close to the London - Birmingham (M40) motorway and is served by a frequent train service from London (Paddington). Hours: Monday–Saturday 9am to 6pm. (Tuesday 9:30am to 6pm.) Purchases: We are always keen to purchase books, whether single works or in quantity, and will be pleased to make arrangements to view them. Auction commissions: We attend a number of auction sales and will be happy to execute commissions on your behalf. Blackwell’s online bookshop www.blackwell.co.uk Our extensive online catalogue of new books caters for every speciality, with the latest releases and editor’s recommendations. We have something for everyone. Select from our subject areas, reviews, highlights, promotions and more. Orders and correspondence should in every case be sent to our Broad Street address (all books subject to prior sale). -
Novels of Return
Novels of Return: Ethnic Space in Contemporary Greek-American and Italian-American Literature by Theodora D. Patrona A dissertation submitted to the Department of American Literature and Culture, School of English, Faculty of Philosophy, In fulfilment of the requirements for the degree of Doctor of Philosophy Aristotle University of Thessaloniki, Greece February 2011 i στην οικογένειά μου, Ελισάβετ, Δημήτρη και Λεωνίδα που ενθάρρυνε και υποστήριξε αυτό το «ταξίδι» με όλους τους πιθανούς τρόπους… και στον Μάνο μου, που ήταν πάντα εκεί ξεπερνώντας τις δυσκολίες… ii Acknowledgements This thesis would not have been possible without the inspiration, support and kind help of numerous people. Firstly, my advisor, mentor, and, I dare say, friend, Professor Yiorgos Kalogeras who has always been my most enthusiastic supporter, guiding me with his depths of knowledge in ethnic literature, unfailingly encouraging me to keep going, and consoling me whenever I was disappointed. He has opened his home, his family and circle of scholarly friends, which I appreciate immensely. I would also like to warmly thank the other two members of my committee, Drs. Yiouli Theodosiadou and Nikolaos Kontos for their patience, feedback, thoroughness, and encouraging comments on my work. Moreover, I am indebted to Professor Fred Gardaphé who has welcomed me in the Italian-American literature and scholarship, pointing out new creative paths and outlets. All these years of research, I have been constantly assisted, advised and reassured by my Italian mentor and true friend, Professor Stefano Luconi without whom this dissertation would lack its Italian-American part, and would have probably been left incomplete every time I lost hope. -
News Flashes from Our Members
5th ANNIVERSARY ISSUE PITTSBURGH SOCIETY OF ILLUSTRATORS NEWS AND EVENTS www.pittsburghillustrators.org April, 2009 My Spot by Anni Matsick News Flashes From Our Members The picture Five Years On adventure!) Mark got a few journal cov- is bright as ers and feature articles for which Cathy Here’s an update on the busy lives of PSInside wrote his bios. They both got to work on Mark and Cathy Klingler since Mark celebrates the massive renovation of Dinosaur Hall appeared on the front page of PSInside’s its five-year at the museum - Mark doing art, Cathy first online issue, April 2004. anniversary working on the interactives. online! Five years ago, life for the Klinglers High-profile work together on internation- as a creative duo was interesting We’re end- ally recognized projects. What could enough. They had just come off of the ing one be more fun for a creative couple? Any incredibly fun year that was Pittsburgh’s successful exhibition and are well into of you who have heard of Olivia have DinoMite Days, in which they got to paint plans for the next big one for 2009. probably already figured out the answer two dinosaurs. What could be next? We’ve established a mentor program, to that question. The best joint project Well, Mark got invited to put together a redesigned our website and gained that the Klinglers have ever embarked solo show for the scientific powerhouse five new members. Details on all are in upon. The best artistic subject Mark will AAAS, also known as the American this issue. -
Keywords in Literature and Culture (KILC). : Modernism
Melba Cuddy-Keane is Emerita Member of the Graduate Department “Modernism: Keywords will be an indispensable Melba Cuddy-Keane of English, University of Toronto, resource from the moment it appears. The work is Adam Hammond and Emerita Professor, University rigorous in theoretical conception, broad in historical of Toronto-Scarborough, Canada. reach, and powerfully revisionary in its implications Alexandra Peat Modernism: Keywords presents a Her publications include Virginia for modernist study. It falls within the distinguished series of short entries explaining Woolf, the Intellectual, and the Public the diverse and often contradictory Sphere (2003), the Harcourt annotated legacy of Raymond Williams but also applies the meanings of words used with frequency edition of Virginia Woolf’s Between most current methods to an expanding archive of and urgency in “written modernism.” the Acts (2008), and contributions to modernist texts. Scholars and students at every Spanning the “long” modernist period A Companion to Modernist Literature level will keep it close at hand.” (from about 1880 to 1950), this work and Culture (Wiley Blackwell, 2006) Michael Levenson, University of Virginia aims not to define the era’s dominant and A Companion to Narrative Modernism “beliefs,” but to highlight and expose Theory (Wiley Blackwell, 2005). its salient controversies and changing cultural thought. Guided by the cultural Adam Hammond recently completed Keywords lexicography developed by Raymond an SSHRC postdoctoral fellowship at Williams in his ground-breaking work, the University of Victoria and is currently Keywords (1976), the entries here focus the Michael Ridley Postdoctoral Fellow on words with unstable meanings in Digital Humanities at the University and conflicting definitions, tracking of Guelph, Canada. -
Fine Printing & Small Presses A
Fine Printing & Small Presses A - K Catalogue 354 WILLIAM REESE COMPANY 409 TEMPLE STREET NEW HAVEN, CT. 06511 USA 203.789.8081 FAX: 203.865.7653 [email protected] www.williamreesecompany.com TERMS Material herein is offered subject to prior sale. All items are as described, but are consid- ered to be sent subject to approval unless otherwise noted. Notice of return must be given within ten days unless specific arrangements are made prior to shipment. All returns must be made conscientiously and expediently. Connecticut residents must be billed state sales tax. Postage and insurance are billed to all non-prepaid domestic orders. Orders shipped outside of the United States are sent by air or courier, unless otherwise requested, with full charges billed at our discretion. The usual courtesy discount is extended only to recognized booksellers who offer reciprocal opportunities from their catalogues or stock. We have 24 hour telephone answering and a Fax machine for receipt of orders or messages. Catalogue orders should be e-mailed to: [email protected] We do not maintain an open bookshop, and a considerable portion of our literature inven- tory is situated in our adjunct office and warehouse in Hamden, CT. Hence, a minimum of 24 hours notice is necessary prior to some items in this catalogue being made available for shipping or inspection (by appointment) in our main offices on Temple Street. We accept payment via Mastercard or Visa, and require the account number, expiration date, CVC code, full billing name, address and telephone number in order to process payment. Institutional billing requirements may, as always, be accommodated upon request. -
Gthe Golden Cockerel Press
Alcuin Press TERMS AND CONDITIONS OF SALE Unless otherwise described, all books are in the original cloth or board binding, and are demy or crown octavo in size. All The Aquila Press books are in very good, or better, condition with defects, if any, fully described. Our prices are nett, and quoted in Australian Ashendene Press dollars. Traditional trade terms apply. Items are offered subject to prior sale. All orders will be confirmed by email or facsimile. A PAYMENT OPTIONS We accept the major credit cards, PayPal, and direct deposit to the following account: Alcuin Press [1928–1936]: Founded by Herbert Patrick Reginald Finberg, who had previously worked at the Account name Kay Craddock Antiquarian Bookseller Pty Ltd Shakespeare Head Press. The press was housed in a malt house behind Elm Tree House, High Street, Chipping BSB 083 004 Campden, Gloucestershire. It moved to Welwyn Garden City in 1935, closing in 1936 during the world-wide Account number 87497 8296 depression. Should you wish to pay by cheque we may require the funds to be cleared before the items are sent. 1. Housman (A. E.) LAST POEMS. Pp. 68(last colophon), printed in red & black; med. 8vo; qr. natural linen, GUARANTEE printed paper title label on spine, grey papered boards, bottom edges slightly faded and browned; uncut, partly As a member or affiliate of the associations listed below, we embrace the time-honoured traditions and courtesies of the unopened; bookplate on upper pastedown, spare title label tipped-in at end, a couple of spots of foxing; Alcuin book trade. We also uphold the highest standards of business principles and ethics, including your right to privacy. -
Gra2151c: Fall 2013 Syllabus
Syllabus GRA2151c: Illustration Tuesday & Thursday, 2:30 pm – 5:15 pm, VAB 213B Instructor: Matthew Dunn | Office: CAH 190N | E-mail: [email protected] Office Hours: W, 4:00 pm - 5:30 pm. Contact me for appointment. Course Overview: This course is an introduction to various traditional mediums and techniques of illustration. Each assignment will focus on understanding the medium as well as tackling basic illustration concerns such as composition, staging, layout, fundamentals of drawing, anatomy, perspective, color, and conceptual thinking. Required Book: 5.5” x 8.5” spiral sketchbook, 100 pages (such as Strathmore or Canson) Grade Breakdown: Grades will be based on mastery of the medium, composition, drawing fundamentals, and overall structure of the illustrations. Projects 1-6 600 Grade Scale (6 @ 100 points each) 900-933: A- 934-1000: A Final Project 200 800-833: B- 837-866: B 867-899: B+ Sketchbook 100 700-733: C- 737-766: C 767-799: C+ Pop Assignments 100 600-633: D- 637-666: D 667-699: D+ Below 600 points: F Maximum 1000 Points Sketchbook: Your sketchbook will be used throughout the semester to develop concepts (thumbnails, drafts, etc.) for your projects as well as for in-class assignments. It will be turned in during the final exam period. You may paste related drawings into sketchbook, but it should be done in a neat manner. Loose drawings, folders, and portfolios or other oversized pieces will not be accepted. In-Class Assignments: You will be given a series of in-class “pop”-assignments throughout the semester. The goal of these assignments is to help you hone your conceptual skills and come up with quick ideas and solutions to problems. -
Fungi, Folkways and Fairy Tales: Mushrooms & Mildews in Stories, Remedies & Rituals, from Oberon to the Internet
North American Fungi Volume 3, Number 7, Pages 23-72 Published August 29, 2008 Formerly Pacific Northwest Fungi Fungi, Folkways and Fairy Tales: Mushrooms & Mildews in Stories, Remedies & Rituals, from Oberon to the Internet Frank M. Dugan USDA-ARS, Washington State University, Pullman, Washington Dugan, F. M. 2008. Fungi, folkways and fairy tales: mushrooms & mildews in stories, remedies & rituals, from Oberon to the Internet. North American Fungi 3(7): 23-72. doi: 10.2509/naf2008.003.0074 Corresponding author: F. M. Dugan, [email protected]. Accepted for publication December 1, 2007. http://pnwfungi.org Copyright © 2008 Pacific Northwest Fungi Project. All rights reserved. ______________________________________________________________________________ Abstract: Fungi are manifest in a multiplicity of folktales and fairy tales, and in folk remedies and rituals. They appear as foods, poisons, diseases, decorations, dyes or tinder, and even in insults, compliments, graffiti and video games. These and other impacts of fungi on folkways are here concisely reviewed under categories likely to interest professional and amateur mycologists and accessible to the lay reader. The evolution of popular perceptions of fungi is sketched from Shakespearean times through contemporary European and American cultures. Provided are specific instances of how different cultures utilized or avoided fungi, responded to fungal diseases of crops or humans, or viewed fungi in the context of popular belief, superstition or religion. Key words: ethnomycology, ethnobotany, -
Preface Introduction
Notes Preface 1. Luisa Pretolani's video, Things I Take, which deals with Indian women im migrants, speaks to the experience of emigration in ways that transcend the specific experience of a single ethnic group. The issues the women who appear in this video address relate to the significance of and repercussions on one's sense of self of the separation from one's homeland. 2. See Gilbert and Gubar's feminist classic The Madwoman in the Attic (1979), in which they ofTer adefinition of anxiety of authorship, which they jux tapose to the more masculine "anxiety of influence" (50), the title subject of Harold Bloom's study. 3. I began to study Italian American literature and minority literatures not in graduate school, but in the years following my graduation, in the early 1990s. 4. My first actual encounter with Italian American literature actually oc curred in 1983, at a conference on Italian American Studies of the AISNA (ItalianAssociation ofNorthAmerican Studies).The conference was orga nized by my then professor of American Literature at the University of Catania, Maria Vittoria D'Amico. I was one of a handful of undergraduate students involved in the organization of the conference. There, I met sev eral American professors, includingJohn Paul Russo, who would later ofTer me a teaching assistantship at the University of Miami. 5. Giunta, "The Quest forTrue Love: Nancy Savoca's Domestic Film Comedy." 6. In 1987, DeSalvo had also published-in England-Casting Off, an outra geous novel about Italian American women and adultery. 7. Oddly enough, much like other women and minority writers who, once they started looking, found literary sisters and ancestors, I, too, would later discover two other writers in my family, Giuseppe Minasola and Laura Emanuelita Minasola. -
Arthur Livingston
Arthur Livingston: An Inventory of His Papers at the Harry Ransom Humanities Research Center Descriptive Summary Creator: Livingston, Arthur, 1883-1944 Title: Arthur Livingston Papers Inclusive Dates: 1494-1986 Extent: 22 document boxes, 3 galley folders, 1 oversize folder (9.16 linear feet) Access: Open for research Administrative Information Acquisition: Gift, 1950 Processed by: Robert Kendrick, Chip Cheek, Elizabeth Murray, Nov. 1996-June 1997 Repository: Harry Ransom Humanities Research Center The University of Texas at Austin Livingston, Arthur, 1883-1944 Biographical Sketch Arthur Livingston, professor of Romance languages and literatures, publisher, and translator, was born on September 30, 1883, in Northbridge, Massachusetts. Livingston earned the A. B. degree at Amherst College in 1904, continuing his work in Romance languages at Columbia University, where he received the Ph. D. in 1911. His teaching positions included an instructorship in Italian at Smith College (1908-1909), an associate professorship in Italian at Cornell University, where Livingston also supervised the Petrarch Catalogue (1910-1911), and an associate professorship in Romance Languages at Columbia University (1911-1917). Among the various honors bestowed upon Livingston were membership in Phi Beta Kappa and the Venetian academic society, the Reale deputazione veneta di storia patria; he was also decorated as a Cavalier of the Crown of Italy. Livingston's desire to disseminate the work of leading European writers and thinkers in the United States led him to an editorship with the Foreign Press Bureau of the Committee on Public Information during World War I. When the war ended, Livingston, in partnership with Paul Kennaday and Ernest Poole, continued his efforts on behalf of foreign literature by founding the Foreign Press Service, an agency that represented foreign authors in English-language markets. -
ITALIAN AMERICAN FEMALE AUTOBIOGRAPHY by Marta Piroli the Central Point of This Thesis Is the Recogniti
ABSTRACT FINDING VOICES: ITALIAN AMERICAN FEMALE AUTOBIOGRAPHY by Marta Piroli The central point of this thesis is the recognition and exploration of the tradition of female Italian American autobiography, focusing on the choice of some Italian American writers to camouflage their Italian background and change their name. The thesis consists of four chapters. The first chapter explores a brief history of Italian migration in America during the nineteenth century. The second part of this chapter provides a literary discussion about the most important autobiographical theories over the twentieth century, focusing on the female self. The second chapter explores the role of Italian woman in Italian culture, and the first steps of emancipation of the children of the Italian immigrants. The third chapter will offer an approach to autobiography as a genre for expressing one’s self. The final chapter provides an analysis of significant Italian American women writers and their personal search for identity. FINDING VOICES: ITALIAN AMERICAN FEMALE AUTOBIOGRAPHY A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of English by Marta Piroli Miami University Oxford, Ohio 2006 Advisor____________________________ Gwendolyn Etter-Lewis Reader_____________________________ Cheryl Heckler Reader_____________________________ Sante Matteo CONTENTS Chapter I: Italian Immigration An Overview 1 1. Italian Migration in America 2 2. Claiming an Italian American Tradition 8 3. Claiming a Theoretical Tradition: Ego Psychology 10 4. The Language of the Subject 13 5. Contextualizing the Subject 14 6. Multiple Subjects: Race and Ethnicity 15 7. Conclusion 17 Chapter II: Italian Life in America 18 Chapter III: Autobiography As Exploration of The Self 31 8.