FINE Books in ALL FIELDS with ILLUSTRATED & CHILDREN's

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Fine Books in All Fields with illustrAted & Children’s Books sAle 418

deCemBer 17, 2009

Page 1 Sale 418 Thursday, December 17, 2009 1:00 PM

Fine Books in All Fields with Illustrated & Children’s Books

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NOTE: MOST LOTS OFFERED IN THIS SALE HAVE A MINIMUM RESERVE OF ONE HALF OF THE PRESALE LOW ESTIMATE. SOME LOTS HAVE HIGHER RESERVES, BUT ALWAYS BELOW THE LOW ESTIMATE. Administration Roger Wagner, Chairman Scott Evans, President Shannon Kennedy, Vice President, Client Services Dan Sweetnam, Shipping Clerk

Consignments, Appraisals & Cataloguing Bruce E. MacMakin, Senior Vice President George K. Fox, Vice President, Market Development & Senior Auctioneer Gregory Jung, Senior Specialist Erin Garland, Specialist

Marketing Maureen Gross, Vice President of Marketing

Photography & Design Chad Mueller, Photographer

Winter Auctions, 2009 - 2010

December 17, 2009 – Illustrated & Children’s Books - Fine Books in All Fields

January 7, 2010 – Fine Literature

January 21, 2010 – Americana - Cartography - Travel & Exploration

February 8, 2010 – Fine & Rare Books and Manuscripts

February 18, 2010 – Fine Golf Books & Memorabilia

Schedule is subject to change. Please contact PBA or pbagalleries.com for further information. Consignments are being accepted for the 2009 Auction season. Please contact Bruce MacMakin at [email protected].

Front Cover: Lot 46 Back Cover: Clockwise from upper left Lots 238, 187, 11, 63 Bond # 14425383

1. Abreu, Jose Rodrigues de. Historiologia Medica, Fundada, e Estabelecida nos Principios de George Ernesto Stahl. 2 volumes. (Folio) 11¾x8¼, period full calf, spines gilt. First Edition. Lisbon: Officina da Musica/Officina de Sousa da Sylva, 1733-39 Treatise on general medicine based on Stahl’s vitalist doctrines. Spines worn, chipped; foxing and dampstaining; good. (300/500)

2. Aeschylus. Tragedies in Greek. [viii], 212 pp. (8vo) 6½x4, calf. Paris: Adriani Turnebi, 1552 Entirely written in Greek. Armorial engraved bookplate of George Frederick Nott on front pastedown. Spine tips chipped, joints cracked, heavily rubbed extremities; hinges cracked; scattered foxing; else internally very good. (500/800)

AESOP’S FABLES - 1694 3. (Aesop) L’Estrange, Sir Roger. Fables, of Aesop and other Eminent Mythologists: With Morals and Reflections. [x], 28, [8], 476 pp. 2 engraved frontispieces: A portrait of the author, and a portrait of Aesop surrounded by animals. (Folio) 12½x7½, period blindstamped calf, morocco spine label lettered and decorated in gilt. Second Edition, Corrected and Amended. London: R. Sare, B. Took, et. al., 1694 Heavily rubbed extremities, front cover almost detached, rear cover starting; marginal marks, smudges or tiny holes to the first few pages, and scattered within; very good. (1000/1500)

4. Agrippa von Nettesheim, Heinrich Cornelius. De Incertitudine et vanitate omnium scientiarum & artium Liber, lectu plane iucundus & elegans. [24], 704 [i.e. 516] pp. [dagger]12, A-Y12 (Y9-Y12 blank). (24mo) 4½x2¾, period calf. Lugduni [Lyons]: 1624 A skeptical satire of the sad state of science by Heinrich Cornelius Agrippa von Nettesheim (1486–1535), a German magician, occult writer, theologian, astrologer, and alchemist. The book was to have a significant impact on such thinkers and writers as Montaigne, René Descartes, and Goethe. This edition is quite scarce - WorldCat lists only seven copies, and just three in the United States. Spine strip perished, front cover detached, well shaken; title-page chipped around margins with slight loss to a few letters, quite tender, marginal loss to next 12 or so leaves, good internally. (300/500) Lot 3

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Page 1 5. (Alcoholics Anonymous) Alcoholics Anonymous Comes of Age: A Brief History of A.A. - Inscribed by Bill Wilson. Cloth-backed boards, dust jacket. First Edition, First Printing. New York: Alcoholics Anonymous World Services, Inc., [1957] Inscribed by Bill Wilson in the year of publication: “Dear Gudrun - With this, all my affection and greatest gratitude for your dedicated service to us all. Ever, Bill. NY 10/22/57”. Some chips, short tears and soiling to jacket; light edge wear to volume; else near fine in a good to very good jacket. (2500/3500)

6. Alcott, Louisa M. [Little Women Series]. 7 volumes (of 8). Illustrated. (8vo) original pictorial green cloth, spines gilt, top edges gilt. Boston: Little, Brown, and Company, 1905-07 An attractive early 20th century edition of Louisa May Alcott’s classic tales. Lacking the sixth volume (of eight), ‘Rose in Bloom’. Some general light Lot 5 wear; overall very good. (150/250)

7. (Angling & Hunting) Twelve volumes on angling and hunting. Includes: Curtis, Paul A. Sportsmen All. Illustrated by Marguerite Kirmse. Cloth. 1 of 950 copies. Derrydale Press, [1938]. * Walden, Howard T., II. Upstream & Down. Illustrated with color plates by Milton C. Weiler. Cloth. Hinges reinforced with cloth tape. 1 of 950 copies. Derrydale Press, [1938]. * Malloch, P.D. Life-History and Habits of the Salmon, Sea Trout , Trout, and Other Freshwater Fish. Cloth. Adam and Charles Black, 1910. * Leffingwell, William Bruce. Wild Fowl Shooting. Containing Scientific and Practical Descriptions... Cloth. Rand, McNally, 1889. * Vaughan, Henry W. Breeds of Live Stock in America. Cloth. R.G. Adams, 1937. * The 1941 Angler’s Guide: Compiled by the Fishin’ Fool. For Central and Northern California. Wrappers. Fourth Edition. Angler’s Guide, 1941. * “Saki” Munro, H.H. Beasts and Super- Beasts. Cloth. John Lane the Bodley Head, 1914. * Hallock, Charles. The Sportsman’s Gazetteer and General Guide. To Game Animals, Birds and Fishes... Cloth. “Forest and Stream” Publishing, 1877. * Badham, C. David. Prose Halieutics or Ancient and Modern Fish Tattle. John W. Cloth. Parker and Son, 1854. * Salter, T.F. The Troller’s Guide: Being a Complete Practical Treatise on the Art of Trolling; or, Fishing for Jack and Pike. Boards. James Maynard, 1841. * Idle, Christopher. Hints of Shooting and Fishing, &c. Both on Sea and Land... Cloth. Longman, Brown, et. al., 1855. * Wolhuter, Harry. Memories of a Game-Ranger. Cloth. Wild Life Protection Society of South Africa, [1948]. Together 12 volumes. Various places: Various dates Including a lovely near fine copy of the Kirmse illustrated Derrydale Press volume. Lot also includes a fishing calendar, hand-made in 1904. Consists of an original silverprint (4x5) of three men displaying their day’s catch on a line, as they stand in their boat floating in the lake. Photograph is mounted to card stock, along with a tear-away 1904 calendar (1½x2½) with the months of April-December remaining. Moderate to heavy wear to spines and extremities, including chipping, fraying, soiling; internally scattered foxing, a few with cracking at gutters between signatures; good to very good. (250/350)

Page 2 8. (Angling) Forrester, Frank. Fishing with Hook and Line; A Manual for Amateur Anglers. Containing Also Descriptions of Popular Fishes, and their Habitats. 64 pp. 8 engraved plates. 6½x4, library cloth, gilt lettered title and call number on spine, additional endpapers, original wrappers bound in. First Edition. New York: Brother Jonathan Office, [1858] A rare fishing classic. Ex-library: bookplate, library perforated stamp at title page and p. 49; front wrapper reinforced along verso of fore edge, some smudging and dampstaining to rear wrapper; plates yellowed with marginal foxing; good. (800/1200)

Lot 8

SELECTION OF ARION PRESS 9. (Arion Press) Duston, Hannah. Captivity Narrative of Hannah Duston, related by Cotton Mather, John Greenleaf Whittier, Nathaniel Hawthorne and Henry David Thoreau, four versions of events in 1697. Illustrated with 35 woodblock prints by Richard Bosman. 17x12¾, quarter cloth and boards, paper spine label. From an edition of 425 copies printed on Rives Heavyweight paper, signed by Bosman. San Francisco: Arion Press, 1987 Indian captivity narratives were popular reading in the United States before the vanishing of the frontier, and they are one of the earliest forms of American literature. The brief and bloody chronicle of Hannah Duston may be the most enduring, as it was told and retold for over a hundred and fifty years by authors of literary distinction. Fine. (600/900)

10. (Arion Press) Genesis. Translated by Robert Alter, with facing Hebrew and English texts. Duotone etching frontispiece on chine-collé by Michael Mazur. 16x11½, wrappers, chemise, and slipcase. One of 200 copies designed under the direction of Andrew Hoyem. San Francisco: Arion Press, 1996 Signed by the translator at the colophon and by the artist at frontispiece. Fine. (600/900)

Lot 10 Page 3 MOBY-DICK, A MASTERPIECE FROM ARION PRESS 11. (Arion Press) Melville, Herman. Moby-Dick; or, The Whale. Illustrated with wood engravings by Barry Moser. 15x10, full blue Morrocan goatskin, spine lettered in silver, blue cloth slipcase. One of 265 copies printed by Andrew Hoyem at the Arion Press, in handset Goudy Modern on paper handmade by Barcham Green at Hayle Mill. San Francisco: Arion Press, 1979 One of the masterpieces from the Arion Press, a superb printing of this American literary high spot, with striking illustrations drawn and engraved by Barry Moser. William Everson wrote in Fine Print: “Historically, the two great typographical edifices of West Coast printing are the Grabhorn Leaves of Grass and the Nash Divine Comedy. Now the Arion Press Moby-Dick takes its place beside them. This constitutes a feat of craftsmanship unexcelled in modern printing.” Small bump at top of slipcase spine; volume fine. (8000/12000)

Lot 11

12. (Arion Press) Melville, Herman. Selected Poems. xxiv, 130 pp. Edited with an Introduction by Helen Vendler. Engraved portrait frontispiece by Barry Moser. 10x6¾, blue cloth, top and bottom margins blue morocco lettered in silver, blue cloth slipcase with morocco spine label. One of 250 copies on hand-made paper, designed by Andrew Hoyem, printed at The Arion Press. San Francisco: Arion Press, 1995 Signed by the artist in pencil on the frontispiece. Fine. (400/600)

13. (Arion Press) Stevenson, Robert Louis. The Silverado Squatters. xvi, 107 pp. Duo-tone photograph plates by Michael Kenna. 9½x6¾, cloth-backed cork boards, cork spine label. One of 250 copies, designed by Andrew Hoyem. San Francisco: Arion Press, 1996 Signed at the colophon by the photographer Michael Kenna. Fine. (700/1000)

14. Astesanus de Ast. Summa Astensis. Clarissimi... fractis Astesani de as...Suma de casib. cciii, ccxxxviii, [34] leaves. Woodcut title-page printed in red & black; woodcut initials. (4to) 10½x7, period blind- tooled pigskin, metal clasps, raise spine bands. Lugdini [Lyons]: Staphano Geuynard, 1519 The major work of the important 14th-century Franciscan canon lawyer and theologian, from Asti in Piedmont, Summa de casibus conscientiae (Cases of conscience), a confessional work. Inscription on title-page, “Johannes Maffei 1577”, quite possibly Giovanni Pietro Maffei (1533- 1603), the Italian Jesuit and author. Later ink notation at top of title “Collegii Societis Jesu...) with hand-drawn coat-of-arms at bottom. Pigsking discolored, worn but solid; some minor worming within, overall very good. (700/1000)

Page 4 15. Bacon, Francis, Sir. De augmentis scientiarum. [20], 684, [60] pp. Copper-engraved pictorial title- page. (12mo) 5x2¾, period vellum, leather spine label. Leiden: Adriani Wijngaerden, 1652 D.S.B. II p. 374 :” In ‘de augm.’, which is concerned primarily with the classification of philosophy and the sciences, Bacon develops his influential view of the relation between science and theology.” Minor wear to vellum; front hinge cracked through, else very good. (300/500)

16. Bacon, Francis. De Dignitate et Augmentis Scientiarum, Libri IX. Ad Regem Suum. [16], 540 pp. Woodcut printer’s device on title-page; woodcut head & tailpieces. (4to) 9x6½, old calf, rebacked with later calf. Second Edition. Paris: Petrus Mettayer, 1624 Second edition (and the first to be published on the Continent) of the expanded and complete version of the “Advancement of Learning.” The expanded version was not published in English until 1640. Gibson 130; Shaaber B20. Front joint cracking, spine label chipped; dampstain to top margins affecting some text, title-page trimmed just below date, then extended, very good. (800/1200)

17. Bacon, Francis. Of the Advancement and Proficiencie of Learning: or the Partitions of Sciences. [32], 38, [14], 322, [17] pp. Copper-engraved frontispiece portrait. 11¼x7, period calf. Second Edition in English. London: Thomas Williams, 1674 Second edition in English (the first was 1640) of De Dignatate et Augmentis Scientarum, which came out in 1623. It is a work of key importance, being a complete survey of human knowledge and learning, and forming the primary part of Bacon’s massive plans for the reorganization of the scientific mind which he set forth in the Instauration Magna of 1620. Printing and the Mind of Man notes that Bacon’s “insistance on making science experimental and factual, rather than speculative and philosophical, had powerful consequences.” His influence on Locke, Leibniz, Huygens and particularly Robert Boyle, as well as Voltaire and the Encyclopedistes, was profound. Gibson 142; Wing B312. Heavily rubbed calf, some torn away, and chipped at spine tips, head of spine peeling, front cover almost detached; bookplate; first two signatures detached; missing the final 2 leaves, and the final leaf that is present is pasted to rear pastedown; else very good. (400/600)

18. Bacon, Francis. Opera Omnia. 10 preliminary leaves, 1324 columns, 29 pp. index. Engraved portrait frontispiece. 13¼x8, period full calf. Frankfurt: Joannis Baptistae Schonwetteri, 1665 Early collected edition of Bacon’s work. Each part with a separate title page. Ex-library from the Syracuse Public Library with bookplate. Spine chipped, joints split; some foxing; good. (600/900)

19. Bacon, Francis. Resuscitatio, or, Bringing Into Publick Light Several Pieces of the Works, Civil, Historical, Philosophical, & Theological... 2 parts in 1. [xxvi], 323, [1], imprint, [1], 122, [2] ad pp. (4to) 11¼x7¼, full sheep, gilt-lettered morocco spine label. Second Edition. London: William Lee, 1657-1661 Containing various letters and speeches written by Bacon. Covers detached, moderately rubbed spine, edges and corners, dampstaining to endpapers; some marginal smudging or other marks within; else very good. (300/500)

Page 5 20. Bacon, Francis. The Philosophical Works of Francis Bacon, Baron of Verulam, Viscount St. Albans... Edited by Peter Shaw. 3 volumes. [2], *v, [1], iii-lxxix, 603; 52, 590; lx, [2], 632, [58] pp. (4to) 9x6¾, 19th century half morocco & marbled boards, spine gilt. London: J.J. and P. Knapton, et al., 1733 Nice edition of the works of the English philosopher and statesman. Boards rubbed, Vol. I expertly rebacked with original spine strip laid on; slight marginal worming in Vol. II which is repaired, near fine, clean set. (500/800)

21. Bacon, Francis. Sylva Sylvarum, sive Hist. Naturalis, et Novus Atlas. [36], 612, [48], 87 pp. Copper- engraved pictorial title-page. (12mo) 4¾x2¾, period vellum. Amsterdam: Ludovicum Elzevirium, 1648 Compilation of the miscellaneous scientific writings and experiments of Francis Bacon, appended with his utopian work “A New Atlantis.” Lacking string ties; front hinge cracked through, light dampstain to lower margin of title-page and following leaves, early ink notations to dedication-page and front flyleaf, bookplate of Robert Frederick Green, about very good. (200/300)

22. (Bahá’í) Nabil Zarandi. The Dawn-Breakers: Nabíl’s Narrative of the Early Days of the Bahá’í Revelation. Translated from the Original Persian and Edited by Shoghi Effendi. lxiii, 685 pp. Illustrated from photographs, facsimiles, etc.; folding genealogical chart. 10x6½, green cloth stamped in gilt, top edge gilt. First Edition in English. New York: Bahá’í Publishing Committee, [1932] Key work in the Bahá’í faith, still controversial today, and suppressed in Iran. Near fine to fine. (200/300)

23. (Ballet Souvenir) Souvenir Serge de Diaghileff’s Ballet Rouse. 15 color plates by Léon Bakst and others; many black and white photograph plates of costumed actors; three advertisements at rear, including 1 tipped-in color ad on verso of rear wrapper. 12x9, wrappers. New York: Metropolitan Ballet Company, [1916] Buddhist figure in gilt along with title by the artist Léon Bakst. Souvenir for an American production of this Russian ballet. Tiny closed tears, and tiny chips to spine, touch of wear to corners; very good. (200/300)

24. Barbeyrac, Jean. Traite de la morale des peres de l’eglise: ou en defendant un article de la preface sur Puffendorf, contre l’Apologie de la morale des peres du P. Ceillier... on fait diverses reflexions sur plusieurs matieres importantes. xlii, [2], 334, [20] pp. Title-page printed in red & black, with copper-engraved vignette. 10¾x8¼, original leather-backed marbled boards. Amsterdam: Pierre de Coup, 1728 An answer to objections made by Remy Ceillier, a Benedictine priest, against Barbeyrac’s preface to his translation of Pufendorf ’s Of the law of nature and nations. WorldCat notes the imprint is fictitious. Boards well rubbed, most of leather missing from spine, cords exposed, joints cracked; some light foxing within, good to very good, in rare untrimmed state in the original boards. (300/500)

25. Baricelli, Giulio Cesare [and] Pisanelli, Baldassare. Hortulus Generalis [with] De Esuclentorum Potulentorumque Facultatibus. [16], 339, [1], [28]; 320, [8] pp. (16mo) 4½x3, period full vellum, spine lettered by hand. Geneva: Philippus Albert, 1620 Compendium of miscellaneous remedies, first published in 1617. Some spotting and soiling to vellum, library bookplate on front pastedown; light foxing, worming in upper corner at rear with some slight loss, early underlining; very good. (200/300)

Page 6 26. Barrow, Isaac. Euclide’s Elements...To Which is Annex’d Euclide’s Data, and a Brief Treatise of Regular Solids. [8], 514, [2] ad pp. Numerous diagrams. (8vo) 7½x4½, period full calf. London: Damiel Midwinter and Aaron Ward, 1732 Revised from the 1705 edition, with errors corrected, by Thomas Haselden. Extremities worn, joints cracked; very good. (300/500)

BAUM’S BOY FORTUNE HUNTERS – IN DUST JACKET 27. (Baum, L. Frank) Akers, Floyd. The Boy Fortune Hunters in Panama. 310, [1] blank, [2] ad pp. Frontispiece by Howard Heath. 7¼x5, original brown cloth stamped in cream, white and black, dust jacket printed in red and green. First Edition, Second Printing. Chicago: The Reilly & Britton Co., [1908] The dust jacket, likewise a second printing, advertises the first 4 titles in the series on the rear panel. All printings of the dust jacket are exceedingly rare. Bienvenue & Schmidt p. 283. Jacket with some chipping at jacket edges, spine darkened and some soiling; volume some small spots at foot of spine; else fine in a very good to near fine jacket. (2500/3500)

Lot 27

28. (Beardsley, Aubrey) Malory, Thomas. The Birth Life and Acts of King Arthur of his Noble Knights of the Round Table Their Marvellous Enquests and Adventures the Acheiving of the San Greal and in the End Le Morte Darthur with the Dolourous Death and Departing out of this World of them All. 538 pp. Illustrated by Aubrey Beardsley. 11½x8½, blue cloth with beveled edges, decorated in gilt, top edge gilt, other edges untrimmed. Third Edition. Limited to 1600 copies. [New York]: [E.P. Dutton], 1927 This third edition of Beardsley’s Morte Darthur was published in an edition of 1600 copies, after which the type was distributed. It contains more illustrations than did the earlier printings. Spine tips and corners frayed, spine detached from page block, but present and intact; internally near fine; else very good. (2000/3000)

Lot 28

Page 7 29. [Berkeley, George]. Alciphron: or, The Minute Philosopher. 2 volumes. (8vo) 7¾x5, full period mottled calf. London: J. Tonson, 1732 Through a binders error pages 193 to the end from Volume 1 are bound in Volume 2, and vice versa. Some chipping to leather, front pastedown endpapers removed; good. (200/300)

30. Binet, Benjamin. Idée génerale de la théologie payenne, servant de refutation au système de Mr. Bekker. Touchant l’existence & l’opération des demons. Ou, Traitté historique des dieux du paganisme. [12], 227 pp. (12mo) 6½x3½, period mottled calf ruled in gilt, spine tooled in gilt, raised bands, gilt inner dentelles, marbled endpapers, all edges gilt. Amsterdam: Jean du Fresne, 1699 First published in 1696, with title: Traité historique des dieux et des demons du paganisme. A criticism of Bekker’s De betoverde weereld. Some rubbing and staining to covers, joints cracking; very good. (300/500)

31. Blackstone, William. Tracts, Chiefly Relating to the Antiquities and Laws of England. [4], 353, [1], [2], lxxx, [19] pp. (4to) 10¾x8½, period calf, rebacked with modern calf gilt, corners renewed, lettering piece. Third Edition. Oxford: Clarendon Press, 1771 Tracts by the pre-eminent English legal historian best known for his Commentaries on the Laws of England. Adhesion damage to front pastedown, some light foxing, bookplate; very good. (500/800)

32. Blackwood, Algernon and Wilfred Wilson. The Wolves of God and Other Fey Stories. 320 pp. (8vo) blue cloth lettered in red. First American Edition. New York: E.P. Dutton & Co., [1921] A collection of fifteen tales of the macabre and the supernatural. Spine tips and corners a touch frayed, a few faint spots of soiling; name in ink on front free endpaper, rear free endpaper dampstained at edge; very good. (150/250)

33. (Blake, William) Gilchrist, Alexander. Life of William Blake, “Pictor Ignotus.” With Selections from His Poems and Other Writings. Illustrated from Blake’s Own Works, in Facsimile by W.J. Linton, and in Photolithography; with a few of Blake’s Original Plates. 2 volumes. xiv, [2], 389, [1]; viii, 268 pp. Steel- engraved frontispiece portrait in Vol. I, folding engraved frontispiece after Blake in Vol. II; facsimiles of his Illustrations of the Book of Job, Songs of Innocence and Songs of Experience. 9x5¾, original gilt-pictorial cloth. First Edition. London: Macmillan & Co., 1863 First edition of the foremost 19th century biography of William Blake. Provenance: artist John Ferguson Weir, with his signature on the half-title of each volume. Fading to spines, ends frayed, rubbing to joints and extremities; contents shaken, some signatures sprung, occasional foxing, good to very good. (200/300)

34. Blount, Thomas Pope, Sir. Sir Tho. Pope Blount’s Essays on Several Subjects. Third Impression, with very Large Additions. Besides a New Essay of Religion, and an Alphabetical Index to the Whole. [8], 271 pp. (8vo) 6½x3¾, modern calf in antique style, new endpapers. London: Richard Bently, 1697 Third edition of seven essays of “considerable merit [that] display the easy scepticism and solid good sense and learning of the author to good advantage” (Pforzheimer). They deal with self- interest; the mischief of learning; education; respect for antiquity; the virtues of modern men;

Page 8 passion; and the uncertainty of human knowledge, all ‘writ in my idle hours, for my own entertainment’ (Preface). Early ownership signature of Jonathan Belcher to title-page. Wing B3350 Scratches to front cover; darkening and foxing to contents, very good. (500/800)

35. Boccaccio, Giovanni. Il Decamerone de M. Giovanni Boccaccio Nvovamente Corretto et Con Diligentia Stampato. [8], 284 leaves. Woodcut printer’s device on title and verso of final leaf. (4to) 9¼x6½, 19th century calf, marbled endpapers. [Venice]: [Pasinello], [1729] The famous 18th century facsimile of the 1527 edition published in Florence “per le Heredi di Philippo di Giunta”. Limited to 300 copies, the facsimile is distinguished from the original by the renumbering of leaves 42, 101 and 108, which were incorrect in the earlier printing. Ownership signature of Middleton to title-page. Covers scuffed, extremities worn, front cover detached, rear joint cracked; foxing to early leaves including title, dampstain to lower corner of latter leaves, else very good, contents clean and fresh overall. (500/800)

A BOOK PRESS 36. (Book Press) Cast iron nipping or copy press. Platen is 10x12½”, standing 13” high. No place: late 19th century(?) Fully functioning nipping or copy press. Extra crating and shipping costs apply. Paint chipped and flaked; very good. (300/500)

37. Boruwlaski, Joseph. A Second Edition of the Memoirs of the Celebrated Dwarf, Joseph Boruwlaski, a Polish Gentleman. Containing A Faithful and Curious Account of His Birth... xxxii, 132 pp. Translated by S. Freeman. Portrait on title page. (12mo) 6½x4, full tree-grain calf, with morocco gilt-lettered spine label. Second Edition. Birmingham: J. Thompson, 1792 Corners bumped, calf is reinforced/repaired at hinges and joints; bookplate at front pastedown, foxed; else very good. (400/600)

38. (Botanical) Mille et un Livres Botaniques. 517, [1] pp. 32 tipped-in color reproductions, 1 portrait, 1 photograph tipped-in. 11½x10, green cloth, square leather cover decoration, gilt spine, dust jacket. Bussells: Arcade, 1975 Bibliography of the great library of botanical illustrations owned by Dr. Arpad Plesch. Jacket heavily chipped and torn, 1½x3” chip from top of front panel; some pencil marks on bottom of page block; hinges a touch tender; else a near fine volume in a good jacket. (200/300)

39. (Boyle, Eleanor Vere) Carové, [Friedriech Wilhelm]. The Story Without An End: From the German of Carové. With Illustrations printed in Colours after Drawings by E.V.B. 40 pp. Illustrated with engraved vignette title page, engraved head and tailpieces and 15 color wood engraved plates by Leighton Brothers from drawings by Eleanor Vere Boyle. 12x9¼, later half green morocco and cloth, gilt spine, mottled endpapers, all edges gilt; bound by Birdsall. First of this Illustrated Edition. London: Sampson, Low, Son, and Marston, 1868 Sarah Austin’s English translation of Carové’s children’s story “Das Märchen ohne Ende” was first published in 1834. The color engravings produced here by the Leighton Brothers after the drawings of E.V. Boyle are exquisite; rich, colorful, elaborate, yet still delicate and sharp. Spine a bit faded, a touch of rubbing to extremities; inscription to half-title, near fine. (400/700)

Page 9 40. Brigman, Anne. Songs of a Pagan. 90 pp. Illustrated by photography by the author. First Edition. Caldwell, ID: Caxton Printers, 1949 Signed by the author on a sticker, adhered to front free endpaper. Ex-library: number on spine, bookplate, library card pocket on rear pastedown, call number and rubber-stamp on cover page and page 90; lightly rubbed extremities, spine tips a touch frayed; front free endpaper a bit rippled from article that was glued to verso; good. (300/500)

PRE-PUBLICATION MOCK-UP FROM DEE BROWN, SIGNED 41. Brown, Dee. The Twelve Days of an Ozark Christmas. Unpaginated. Illustrations by “Granny Chicken” [Ruth Heller]. 11x8¾, pictorial boards, dust jacket. Forrest City, Ark.: Marshall Vance, [1983] A pre-publication mock-up of a work that apparently never went to press. Dee Brown, best known for his ‘Bury My Heart at Wounded Knee’, gives a retelling of the classic 12 days of Christmas but with the gifts reflective of the Ozark region: “Twelve Holly Trees, Eleven Maids A-Waiting, Ten Mules A-Mewling, Nine Fiddlers Fiddling, Eight Dancers Dancing, Seven Turkeys Gobbling, Six Coon Dogs Running, Five Ra-Zar-Backs, Four Squirrel Pies, Three Quilting Bees, Two Mocking Birds, and a Rooster in a Pine Tree.” Mock-up includes the unbound text and illustrations pages comprising a mix of color reproductions of the intended illustrations or ink sketches, the text in some locations is applied to the sheets and in others a part of the reproduction, the boards and dust jacket, also mock ups, are constructed of color reproductions. Dee Brown has signed the front flyleaf, dated 1997. A unique item. Some wear at edges; very good. Lot 41 (4000/6000)

42. Buchan, William. Domestic Medicine; or, the Family Physician: being an attempt to render the Medical Art more generally useful, by shewing People what is in their own Power both with respect to the Prevention and Cure of Diseases... [2], xiv, [4], [17]-436 pp. 7¼x4½, period calf. Third American Edition. Norwich [CT]: Printed by James Trumbill, for Robert Hodge, et al., 1778 American edition of Buchan’s influential book on home medical treatment and prevention. “Buchan first published Domestic medicine at Edinburgh in 1769. It had an enormous circulation, no fewer than nineteen editions being published during the author’s lifetime, and it continued in print until the mid-nineteenth century. Buchan gives simple and easily followed advice in this book and deals at considerable length with various matters that may affect the health, such as diet, ventilation, sleep, cleanliness, and infection. The greater part of the treatise is taken up with a description of the causes, management, and treatment of diseases, such as fevers, pneumonia, smallpox, whooping cough, and colic. His remarks are of lasting value and give valuable insight into the relationship between social conditions and disease in the eighteenth century.” Heirs of Hippocrates 991 (for 1784 edition). Covers worn, bowed, leather peeled at top of rear board; some marginal loss to early and latter leaves, some staining, good condition. (300/500)

Page 10 43. Buchanan, George. Georgii Buchanani Scoti, Poetarum sui seculi facile Principis, Opera Omnia, ad optimorum Codicum fidem summo studio recognita & castigata... 2 volumes. [2],xxii, 26,[8], 466, 37, [5], 41, [1], 28, [2], 13-18; [2], 36, 38, 16, [2], 104, [6], 15, [5], 19-34, 241 pp. Title-pages printed in red & black. (folio) 15½x9¾, period full mottled calf, spines tooled in gilt, raised bands, morocco lettering pieces, marbled endpapers. First Edition of the Opera Omnia. Edinburgh: Robert Freebairn, 1715 Works of the 16th century Scottish historian and humanist scholar. Spine ends chipped, corners bumped; endpapers starting to peel, very good or better, quite clean internally. (400/600)

44. Camerarius, P[hili]. The Living Librarie, or Meditations and Observations Historical, Natural, Moral, Political, and Poetical. [x], 428, [3] pp. Woodcut illustrated title page, initials, head and tail pieces. (Folio) 11x7½, modern cloth-backed boards, new endpapers. Second Edition. London: Adam Islip, 1625 Light exterior shelf wear; yellowing, smudging, creasing to margins of title page and last two leaves, name in ink at top margin of title page; some scattered, mostly marginal marks within; else very good. (200/300)

45. Carion, Johannes. Chronicorum libri tres. [112], 560, [30], [1] colophon pp. (8vo) 4¾x3, re-backed period calf. Lyon: Joannem Frellonium, 1554 Printed by Michael Sylvius. Brunet I.1578. Rubbed and lightly chipped extremities; modern ink writing on front free endpaper; period tiny ink writing on title page and in margins of some other pages, lightly dampstained in lower corner of first 100 pages, and across most of the last 200 pages); else very good. (200/300)

ONE OF 25 COPIES OF ILLUSTRATED ALICE IN WONDERLAND 46. Carroll, Lewis. Alice in Wonderland - illustrated collector’s edition limited to twenty-five copies. [1-10] 11- 176, [177-185] pp. Consists of unbound signatures, printed story and accompanying illustrations paginated continuously. 10 double page intaglio etchings in color, plus the illustrated double page title; 10 smaller hand-colored prints (image is 4x3) on the lower right corner preceding each etching, such as Tweedle Dee (or Dum) and the Queen; inlaid inside front and rear cover of the box is a color print of the frog, as a “welcome” and a “bye-bye”; paper jacket covers designed, hand-drawn, and hand-painted in watercolor by Facundo Alí. 12¾x10, unbound folio signatures in paper jacket, housed in red cloth drop- back box, cork board cover and spine. Number 17 out of 25 copies printed by Artesanías Graficas, designed and directed by Samuel Cesar Palui, Ernesto Lowenstein, and Ruben Lapolla. [Buenos Aires]: Ediciones Dos Amigos, 2006 Richly illustrated, featuring 11 original etchings by the late Argentinian artist, Alicia Scavino. Embel- lishments, hand-coloring, and the wrapper illustration by another leading Argentinian artist Facundo Alí. The book was a project which took three years to complete, and unfortunately was not finished before Alicia Scavino’s death, leaving the last two chapters without illustrations, and they remain that way, as issued. The type is hand set by Lot 46

Page 11 Mariano Romero in 14-point Aster type and printed letterpress by master pressman, Ruben La- polla in two colors: black and the initial letter of each chapter in red. The famous “Mouse’s Tale / Tail” on page 48, starts in 14-point Aster type and descends to 6-point. A stunning publication and another amazing example of the contemporary Latin American art inspired by Alice in Wonderland. For more information on the process and Artesanías Graficas, please visit http:// www.jbocc.com/JBOCC_Studio/AliceHome.html. Two tiny marks from handling on edge of box; a pencil smudge on the very first leaf from the original penciling on dust jacket; else fine. (15000/25000)

47. Carroll, Lewis. Alice’s Adventures in Wonderland. xviii, 192, [1] pp. Portrait frontispiece and 40 inserted plates after illustrations by Peter Newell. (8vo) 8¾x5¾, original white boards stamped in gilt. First American Edition with Peter Newell illustrations. New York: Harper & Brothers, 1901 Some darkening to boards, as usual, particularly on spine; very good. (150/250)

48. Casa, Giovanni Della. Rime, et Prose. [xvi], 112, 198, [1] pp. (8vo) 6x4, period vellum. Florence: Filippo Giunti, 1598 Includes complete text of Il Galateo. Darkening to vellum, (paper?) spine label removed; ink writing on front and rear pastedown and front blank fly leaf; scattered and light foxing; very good. (200/300)

49. Cervantes Saavedra, Miguel de. [Don Quixote in English, i.e.] The Life and Exploits of the Ingenious Gentleman Don Quixote de la Mancha. 2 volumes. xxxii, 90, [8], [iii]-vi, [2], 372; xii, 398 pp. Translated by Charles Jarvis. Copper-engraved frontispiece, plus 26 copper-engraved plates in Vol. 1, 41 plates in Vol. 2. (Folio) 11½x9, period calf, morocco gilt-lettered spine labels. Third Edition. London: J. and R. Tonson and S. Draper, 1756 The classic tale in its Third English Edition from J. and R. Tonson. All covers detached, spine labels cracked and faded, heavily worn extremities; dampstain across majority of the first 9 leaves of Volume 2; internally very good. (300/500)

50. Chemnitz, Martin. Examen Concilii Tridentini, In IIII. partes divisum, Præcipuorum totius doctrinæ Pontificiæ capitum firmam, solidamque refutationem complectens... [28], 904, 244, [44] pp. Copper-engraved vignette on title-page. (folio) 13¾x8¼, period vellum. Frankfurt: Ioannem Maximiliaum a Sande, 1707 Chemnitz’s critical study of the Council of Trent (1545-1563), historically among the most important Ecumenical Council of the Roman Catholic Church, first published in 1566. Vellum soiled and rubbed; bookseller’s entry affixed to front free endpaper, which has some adhesion damage, else very good. (300/500)

51. Child, Josiah. A New Discourse of Trade, Wherein is Recommended Several Weighty Points Relating to Companies of Merchants. The Act of Navigation. Naturalization of Strangers. And Our Woollen Manufactures. The Balance of Trade. [48], 238 pp. (8vo) 6½x4, period full calf. Second Edition. London: Sam. Crouch, Tho. Horne, and Jos. Hindmarsh, 1694 Wing C3860A. There was another issue the same year with a cancel title page. Engraved bookplate of James Erskine of Alva. Front cover detached, binding worn; foxing; good. (400/600)

Each lot is illustrated in color in the online version of the catalogue. Go to www.pbagalleries.com

Page 12 52. (Child’s Own Book...) The Child’s Own Book for 1838. 190, [2] pp. Illustrated with wood engravings, including frontispiece. 4x2½, 20th century quarter red calf & marbled boards. London: Richard Davis, [1838] Potpourri of informational and inspirational writings, with much on missionaries in far off lands, “The profits to be devoted to Sunday School Objects.” Tiny chip to spine label; near fine. (200/300)

53. Chipman, W[illiam] P. & C[harles] P. An Aerial Runaway: The Balloon Adventures of Rod & Tod in North & South America. 387, [1 blank], [9] ad pp. Illustrated by W.A. McCullough. 7¼x4¾, blue cloth decorated in gilt, blue, and white. First Edition. Boston: Lothrop, [1901] Inscribed “To Master Jesse W. Halliday, with complements of the authors,” and signed William P. Chipman, Charles P. Chipman, on front free endpaper. Spine leaning, spine tips and corners rubbed, faint soiling to covers; front hinge cracked; some cracking at gutters between signatures; else very good. (200/300)

TWO FROM CICERO 54. Cicero, Marcus Tullius. Partitiones Oratoriae. Iacobie Lodici Strebaei, M. Antonii Maioragii, ac Bartholomaei Latomi Commentariis illustratae... [8], 536, 55 pp. Printer’s device on title-page. 8x6, period vellum. Cremona: Christophorus Draconius for Jo. Baptista Pellizzarius, 1500 Scholarly edition of this catechism of rhetoric, with numerous commentaries and index. Some aging, very good. (300/500)

55. Cicero. Opera Ciceronis Philosophica, Cum Indice Proximo. Title page illustrated with woodcut border and publisher’s device; initials. (Folio) 12½x8¼, period suede, raised bands to spine. Paris: John Petit, 1527 Spots of heavy rubbing to suede covers and edges, a few spots of soiling, spine heavily rubbed, touch of chipping at head and heel, a few tiny worming holes at head of spine; rubberstamp on front paste down, name in ink on fly leaf facing title page, the date in ink on bottom of title page; very good. (400/600)

56. (Colophon) The Colophon: A Book Collectors’ Quarterly - 35 volumes. Includes: 8 volumes of The Colophon: Part 13-20. (4to) boards. 1933-1935. * 12 volumes of: The Colophon New Series. Vol. I, No. 1-4; Vol. II, No. 1-4; Vol. III, No. 1-4. (8vo) cloth or boards. 1935-1938. * 4 volumes of: The Colophon New Graphic Series. Number 1-4. (4to) boards. 1939-1940. * 8 volumes of: The New Colophon. Parts 1-8. (4to) boards. Part 1 has large chip in spine heel. 1948-1950. * Plus a few published by the Colophon: Index: The Colophon. 1930-1935. With A History of the Quarterly by John T. Winterich. (8vo) cloth. 1935. * The New Colophon: A Book-Collectors’ Miscellany. (4to) cloth. Bookplate with yellowing. 1950. * The Annual of Book-Making. (4to) cloth. Glue residue from removed bookplate. 1938. Together 32 issues from The Colophon, plus 3 more volumes for a total of 35 volumes. New York: The Colophon, 1933-1950 A treasury of interesting articles about books, authors, illustrators, and bookmen. Most volumes with sunning or browning to spines, and extremities; overall very good. (400/600)

The Buyer’s Premium will be 20% for bids up to $100,000 and 15% for that portion over $100,000.

Page 13 57. Conring, Hermann. De Antiqvitatibvs Academicis Dissertationes Septem, una cum eius Supplementis. Recognovit Christoph. Avg. Heumannus adiecitque Bibliothecam Historicam Academicam. Accedunt Georgiae Augustae Privilegia. xxxii, 399, [73], 68, [28], 248, [12] pp. Copper-engraved device on title-page. (4to) 9¼x7½, period quarter red sheep & speckled boards. Gottingae [Göttingen]: Bibliopolii Adacemici, 1739 Considered the best edition of this history of European universities, with an important bibliography of academic history by the editor Christoph Heumann. Boards worn along fore- edges, spine rubbed; light dampstain to top gutter corners of first half of text, else very good. (500/800)

58. Cooper, J[ames] F[enimore]. The Pilot. [4] ad, [2] blank, iv, 420, [2] blank, [4] ad pp. Engraved frontispiece and additional title page. (12mo) 6¾x4¼, rebound in modern green leather. First one volume edition. London: Henry Colburn and Richard Bentley, 1831 Bentley’s Standard Novels, No. 1. Some light foxing; very good. (200/300)

59. Coppard, A.E. Silver Circus: Tales By... 288 pp. 7½x4¾, cloth-backed silver boards, paper spine label, dust jacket. First Trade Edition. [London]: Jonathan Cape, [1928] Inscribed by the author on front free endpaper. Jacket darkened and smudged, 1½” closed tear at head of spine; lightly rubbed extremities; last page yellowed; very good. (100/150)

60. Coppee, Henry. A Gallery of English and American Women Famous in Song. 576 pp. Illustrated throughout with steel engravings. (4to) 11¼x8½, original brown half morocco and cloth, all edges gilt. Philadelphia: J.M. Stoddart, [1875] Extremities rubbed; light foxing; good. (100/150)

61. Covarrubias, Miguel. Pageant of the Pacific. 6 color maps, each illustrating a different aspect of the Pacific. 4 are approximately 53.5x85 cm. (21x33½”), 2 are approximately 35x56 cm. (13¾x22”), plus margins. Loosely draped around wooden dowel in the original portfolio, text booklet present. First Edition. San Francisco: Pacific House, 1940 Striking color representations of the Pacific, the Americas, Australia and part of Asia, covering Peoples of the Pacific; Fauna and Flora of the Pacific; Art Forms of the Pacific Area; Economy of the Pacific, etc. These are reproductions of the six murals by Covarrubias in Pacific House, Theme Building of the Golden Gate International Exposition on Treasure Island. Fine condition, rarely found thus. (400/600)

62. Cowper, William. Poems. 2 volumes. (iii)-xiv, 330; (iii)-viii, [2], 318 pp. Engraved frontispiece in Volume 1. (24mo) 5¼x3, period tree calf, spines gilt, red and green morocco spine labels. London: J. Johnson, 1808 Light wear to extremities; very good. (150/250)

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Page 14 SALVADOR DALI LITHOGRAPH, BOOK, AND PHONOGRAPHS BOX SET 63. Dali, Salvador. Etre Dieu: Opera-Poeme, Audiovisuel et Catharre en six parties. Consists of three parts: A volume bound in moiré silk, all edges gilt. 12x12. * Color lithograph of Dali’s 1972 self portrait. 12x12. Image of the face of Marilyn Monroe with the head of Mao Tse Tung. Housed in pocket within matching moiré silk portfolio. * 3 phonograph records, each housed in a gold paper slip, glassine paper protecting the records. Housed in a pocket within matching moiré silk case. Libretto by Manuel Vazquez Montalban. Music by Igor Wakhevitch. [Barcelona]: Editorial Mediterrania, [1985] A very hard to find complete set. All three blue moiré silk volumes are housed within a two- part plastic gilt-decorated case. All pieces of the set are numbered in pencil 349/500, the case numbered the same in gilt. Three volumes are fine inside and out; have not verified if phonographs are in working order, however they are not scratched, and appear to have had minimal, if any, use. Wear to the outer plastic case: Crack at one corner of bottom of case, repaired with glue and intact, much rubbing and scuffing from handling and shelf wear. Sold as is. Lot 63 (2500/3500)

64. Daniel, Gabriel. Voyage du Monde de Descartes [bound with] Suite du Voyage de Descartes,,,. 2 volumes in 1. [18], 387, [blank leaf], [8], 247, [1] pp. Woodcut illustrations & diagrams; folding plate of the moon. (12mo) 6x3¾, period vellum with later ink spine lettering. Amsterdam: Pierre Mortier, 1706 First published in 1690, “an ingenious satire on Descartes’ system of vortices put in the form of a cosmic voyage through the Cartesian universe” - Gibson 662. Locke, Voyages in Space, page 12; Nicolson, Voyages to the Moon, pages 202-03. A few gatherings darkened, very good or better. (400/600)

65. Dante Alighieri. The New Life (La Vita Nuova) - two different bindings. Translated by Dante Gabriel Rossetti. Illustrated by Evelyn Paul, including color plates. Music by Alfred Mercer. 2 copies of the book, all identical except for the binding and the publisher. Includes: Antique-style leather binding with relief portrait of Dante, brass knobs, top edge gilt, brown and blue decorative endpapers. Brentano’s New York. * Light brown cloth, decorated in gilt, blue and purple on front cover, lettered in gilt, top edge gilt, red decorative endpapers. George G. Harrap & Co. Together 2 volumes. No date [c.1915] Spine tips and corners rubbed and frayed; very good. (100/150)

The Buyer’s Premium will be 20% for bids up to $100,000 and 15% for that portion over $100,000.

Page 15 66. (Decorative Arts) Four titles about decorative arts and antiques. Includes: Foley, Edwin. The Book of Decorative Furniture: Its Form, Colour, & History. 2 volumes. Many tipped in color plates from drawings by the author, illustrations within text. 11½x9, cloth. G.P. Putnam’s, 1911-1912 * Hunter, George Leland. Decorative Furniture: A Picture Book of the Beautiful Forms of All Ages... Many photographs, and color plates. 12¼x9, cloth, dust jacket. Lippincott, 1923. * Camehl, Ada Walker. The Blue-China Book. 9¼x6¼, cloth, dust jacket (front panel detached, many tears and a few chips). E.P. Dutton, [1916]. * Burton, William. A General History of Porcelain. 2 volumes. Profusely illustrated with color and photograph plates. 9¾x6¾, cloth. Cassell and Company, 1921. Together 4 titles in 6 volumes. Various places: Various dates Dust jackets with moderate to heavy wear, including lightly chipped or torn edges; moderate wear to volumes’ extremities, including a touch of fraying to nearly all spine tips and most corners; good to very good. (200/300)

TWO VOLUME ROBINSON CRUSOE 67. [Defoe, Daniel]. The life and strange surprizing adventures of Robinson Crusoe, of York, mariner [with] The farther adventures of Robinson Crusoe; being the second and last part of his life... 2 volumes. [4], 364, [4]; [8], 373, [11] pp. Copper-engraved frontispiece & folding copper-engraved map in Vol. I. (8vo) 7½x4¾, later half calf & marbled boards. Fourth Edition of Life, First Edition of Farther. London: Printed for W. Taylor, 1719 The folding map with California an island, which was issued in the second volume, has in this copy been inserted in the first; it is laid on backing sheet, with creases and tears, some discoloration. The first volume is in the setting where there is no comma after ’life’ on title page; tailpiece consists of two birds flanking a flaming bowl, above a cupid’s head and bow and arrows. In the second volume the verso of A4 is blank; the drop-head title on B1 begins ’The Farther’; p. 2, line 32 ends incorrectly: “out of ”; catchword p. 73: Spa-; p. 108, line 16: “three old Halberds”; p. 295 is correctly numbered; the recto of A4, l.2 reads: “Breaking” instead of “breaking”. This is a variant issue not described by Hutchins; the second issue as described has “Breaking” on A4r, but also has the publisher’s announcement for the 4th edition on A4v instead of a blank, which is a feature of the first issue. Bindings rubbed, joints tender or cracking; hinges cracked or cracking at endpapers, overall very good internally. (1000/1500)

68. Descartes, Rene. Discours de la methode pour bien conduire sa raison et chercher la verite dans les sciences. Plus la dioptrique et les meteores, qui sont des essais de cette methode. [4], 413, [31] pp. With numerous woodcut illustrations and diagrams. (4to) 9x6¾, period calf, spine gilt, raised bands. Paris: Chez Michel Bobin & Nicolas le Gras, 1668 The Discours de la Méthode, first published in Leyden in 1637, was the first extended presentation of the Cartesian system. Descartes himself revised it for the second edition of 1644. Some wear to binding, front joint cracking; old rubberstamp of ecclesiastical institution to title-page, crossed out number and eradicated name, else very good. (500/800)

69. Descartes, René. Les principes de la philosophie. Escrits en Latin...et traduits en Francois par un de ses amis... [56], 477, [3] pp. Folding plate; woodcuts in the text; printer’s device on title-page. (4to) 9x6½, period calf, spine gilt, raised bands. Paris: Chez Michel Bobin & Nicolas le Gras, 1668 Revised edition of the 1647 French translation of Descartes’ “Principia philosophiae” by Claude Picot, a bon vivant known as “the Atheist Priest” with whom Descartes left his financial affairs in France. The “Principles of Philosophy” was the only complete version of Descartes’s natural philosophy published in his lifetime and the first published work in which he presents and defends his vortex theory, the core of his heliocentric model of the universe. Some scuffing to covers, ¼” hole near front joint exposing a cord; early and illegible ownership signature on title-page along with a thin vertical stain, else very good. (500/800) Page 16 70. Descartes, Rene. Les Principes de la Philosophie. [xxxviii], 352, [14], 353-599 pp. Woodcut diagrams (some full page) throughout.(12mo) 6½x3½, contemporary calf, gilt spine. Rouen: Jean Baptiste Besongne, 1698 Guibert, pp. 138-40. Moderately rubbed edges, some discoloration to calf; lightly foxed; very good. (200/300)

71. (Detmold, Edward J.) Maeterlinck, Maurice. The Life of the Bee. Translated by Alfred Sutro. Illustrated by Edward Detmold with 7 (out of 13) mounted color plates. 10¾x8½, rebound in green morocco, bee gilt design on cover, raised bands and gilt lettering to spine, top edge gilt, other edges untrimmed, gilt dentelles, moire silk endpapers, original vellum front and rear covers bound in at rear. London: George Allen & Co., [1911] Bookplate of G.R. Nicolaus on verso of front free endpaper. Rear cover sunned, spine rubbed at tips; one illustration detached; original vellum covers rubbed, with a few spots of soiling; else very good. (300/500)

72. Diomedes. Grammaticae Opus Tripartitum. 116 leaves. Woodcut initials. (4to) 8x5¼, re-backed in later calf, with period calf over boards, new endpapers, gilt decorated spine. Cologne: apud Eucharium Ceruicornum, 1518 Heavily worn extremities of period calf, corners exposed; page 1 with ink writing at top, a smudge or dampstain at fore edge, light dampstain to upper corner of g-q; else very good. (500/800)

73. (Dissertation) Dissertationum lucicrarum et amoenitatum, Scriptores Varij. Editio nova et Aucta. [viii], 666 pp. (12mo) 5x3, period vellum. Woodcut title page and initials. Leiden: Apud Franciscum Hegerum, 1644 Light wear and marks from handling to vellum; endpapers and title page lightly chipped at edges; very good. (200/300)

74. Dowling, Daniel. Mercantile Arithmetic: or, Compendious Methods for Performing the Principal Arithmetical Calculations Practised by Merchants and Exchangers. viii, 294 pp. (8vo) 7¾x5, period calf. Second Edition. Dublin: J. Exshaw, 1768 An uncommon edition of the book, OCLC Worldcat only locates 2 copies. ESTC N4073. Calf heavily rubbed, spine tips and corners chipped; front cover detaching; period name in ink on title page; scattered and light foxing or other marks within; else very good. (300/500)

75. Edmonds, J.M. Some Greek Love-Poems Gathered and Translated with a Brief Account of Greek Love- Poetry. xi, 43, [1a]-47a, [1] pp. Hand colored illustration on title page and within text. 11½x8½, cloth, slipcase. One of 450 copies. London: Peter Davies, 1939 Page numbers are paginated to correspond with two sets poems, pages 1-43 are in Greek, pages 1a-47a are in English. Cardboard slipcase starting to split in some places, with a chip and moderate shelf wear; spine sunned, lightly rubbed extremities; internally fine. (150/250)

76. Edwards, George Wharton. Constantinople Istamboul. 312 pp. Color plates and drawings by the author. 10½x7¾, cloth, decorated in gilt, green, silver and red. Philadelphia: Penn Publishing Company, [1930] Spine tips and corners lightly frayed, spine rubbed; hinges tender; glue residue from removed bookplate on front free endpaper; very good. (200/300) Page 17 77. Eliot, George. Romola. 2 volumes. vi, 328; vi, 310 pp. Illustrated with 31 mounted original albumen photographs, including frontispieces in each volume. 6x4, vellum, decorated in gilt, with red rule, all edges stained red. Copyright Edition. Leipzig: Bernhard Tauchnitz, 1863 Volume I spine is starting to split at upper rear joint, spines and extremities a bit rubbed; very good. (150/250)

T.S. ELIOT’S FOUR QUARTETS 78. Eliot, T.S. Four Quartets. Black cloth, dust jacket. First American Edition, First Impression. New York: Harcourt, Brace and Company, [1943] Scarce first impression. Only 788 copies with the words, “first American edition” on the copyright page were distributed. Although the original printing consisted of 4165 copies, 3377 copies were destroyed by the publisher. Jacket lists the price of $2.00 on front flap, and rear panel lists nine books, ending with Old Possum’s... Gallup A43.a. Jacket browned and with a few areas of professional restoration; volume with some light edge wear, a few spots to cloth, previous owner’s name in pencil on front endpaper; very good or better in a like jacket. (1500/2500)

79. (Elston Press) Bury, Richard de. The Philobiblon. 9¼x6¼, vellum-backed boards, spine lettered in gilt. No. 105 of 485 copies printed by Clarke Conwell on Holland hand-made paper. [New York]: [Elston Press], [1901] With engraved bookplate of Jno. Davenport-Wheeler on front pastedown, next to handwritten bookplate Lot 78 “Ad Libris Jno. F. Weir, Xmas, MCMXXII.” John Ferguson Weir (1841-1926), sculptor and painter, was the son of Robert Walter Weir and brother of Julian Alden Weir. Dampstain to front cover fore edge, lower corners bumped; some marginal staining within, good to very good. (200/300)

80. (Elzevir) Campanella, Tommaso. De Monarchia Hispanica. [viii], 379 [but 376] pp. Copper-engraved title; woodcut head and tail pieces, initials. (24mo) 4½x2¼, period vellum, yapp edges. Amsterdam: Elzevir, 1641 First published in 1620 in a German translation from an Italian manuscript. Willems 971. Vellum extremities darkened, a few dampstains or spots of soiling; very good. (200/300)

81. (English Court) The Question Concerning Literary Property, Determined by the Court of King’s Bench On 20th April, 1769, in the Cause Between Andrew Millar and Robert Taylor. iv, 127 pp. (4to) 8¾x6¾, modern cloth-backed boards, new endpapers. London: W. Strahan and M. Woodfall, 1773 ESTC T88999. Ex-library binding: bookplate, pocket at rear pastedown, perforated stamp to title page, rubber stamps to page iii; title page repaired at gutter edge and top fore edge corner with tape; lightly yellowed or foxed within, pp. 127 laid down on backing; else good. (200/300)

Page 18 82. Erasmus, Desiderius. Adagiorum Chiliades. [96], 1071 pp. Woodcut initials. (Folio) 13x8¼, leather spine only (covers missing). Basel: [Hieronymus Frobenius], 1551 No covers; library spine very creased, rubbed and chipped; period ink writing on title page, perforated library stamp to title page; dampstain at upper corner of over 100 pages, dampstaining along margins of many more; scattered foxing; good. (300/500)

83. Farman, D. ABC du Conducteur d’Automobiles. 170, [16] ad pp. 7x4½, maroon cloth, lettered in gilt. Paris: J. Fritsch, 1898 Moderately rubbed extremities, gilt rubbed some, lightly soiled; hinges cracked; else very good. (200/300)

84. (Fashion Plates) Ladies’ Repository: A Monthly Periodical Devoted to Literature and Religion. 9 volumes, each containing one year (12 issues) of the monthly publication. Includes: Vol. X (1850); Vol. XI (1851); Vol. XVI (1856); Vol. XXIV (1864); Vol. XXV (1864); Vol. XXVI (1866); Vol. XXVII (1867); Vol. XXVIII. New Series. Vol. I (Jan-Jun) and Vol. II (Jul-Dec 1868); Vol. XXIX. New Series Vol. III (Jan-Jun) and Vol. IV (Jul-Dec 1869). (4to) five are in cloth tape-backed boards; four are in half morocco and cloth boards. Cincinnati: Various dates Profusely illustrated with copper and steel-engraved plates, some are in color. Volumes XXIV, XXVI-XXIX are all ex-library: cloth-backed boards, rear library pocket, cloth reinforced hinges, rubberstamps; dampstaining, foxing, detaching signatures; Vol. X missing most of spine, heavily worn extremities; foxing, dampstaining; fair to good. (200/300)

85. Finden, William & Edward Francis Finden. Finden’s Illustrations to the Life and Works of Lord Byron. With Original and Selected Information on the Subjects of the Engravings by W. Brockenden... 3 volumes. With 126 steel-engraved plates, including frontispieces & added titles, by the Findens after various artists. 9x6¼, original red boards, rebacked with cloth, original leather spine labels, all edges gilt. London: John Murray, 1833-34 Board edges scuffed; foxing to frontispieces and added titles, Vol. I with top corner of those plates dampstained, overall very good. (200/300)

SOME FINE BINDINGS – BEGINNING WITH A COSWAY STYLE 86. (Fine Binding - Cosway Style) Stevenson, Robert Louis. Prince Otto. viii, 300 pp. (8vo) 7¼x5, full brown morocco, gilt borders, spine gilt, raised bands, top edge gilt. Set into the an oval opening in the front cover is a finely executed watercolor portrait (on ivory?) of a young woman, portrait signed ‘Saintet’ at the left edge. Binding executed by the Donnelley Bindery, Chicago. London: Chatto & Windus, 1885 A very attractive example of a Cosway-style binding, a form not typical of American binderies. Some light wear to binding, small restorations to spine ends, front hinge reinforced, rear hinge cracking; very good. (1000/1500)

Lot 86 Page 19 87. (Fine Binding) Kipling, Rudyard. The Five Nations. xvi, 215 pp. 7¼x4½, full brown morocco, raised bands with strapwork design continued in blind onto front and rear covers, accented with gilt dots, title in gilt on spine, top edge gilt. Bound by W.H. Smith and Sons with blindstamp binder’s mark inside rear cover. London: Methuen, 1903 C.H St. John Hornby’s copy with his bookplate inside front cover. Presumably specially bound for Hornby, proprietor of the Ashendene Press, by the binders to his press. Covers bowed, spine darkened, some light extremity wear; dampstain at lower edge of pages, heavier at front and rear; very good. (300/500)

88. (Fine Bindings) Fisher, H.A.L. A History of Europe. 3 volumes. Maps. (8vo) 8¾x5½, three-quarter red morocco and cloth, spines ruled and lettered in gilt, top edges gilt. Bound by Bayntun. London: Eyre and Spottiswoode, 1938 Spines uniformly faded to pink, some light extremity wear; very good. (250/350)

89. (Fine Bindings) Hawthorne, Nathaniel. The Marble Faun, or the Romance of Monte Beni. 2 volumes. [4], 266; [8], [267]-527 pp. With numerous photogravure plates of Italian buildings, statuary, frescoes, paintings, etc.; printed tissue guards. 8x5, half red levant morocco ruled in gilt, spine tooled in gilt with floral design, raised bands, decorated boards and endpapers, top edges gilt; bound by Bennett. Boston: Houghton Mifflin, 1890 A bit of rubbing to corners, near fine. (200/300)

90. (Fine Bindings) Ligny, Le P. De. Histoire de la Vie de Jesus Christ. 2 volumes. [iv], 514; [iv], 534 pp. 75 engraved plates; 2 maps. (4to) 9½x7, full tan calf, grapevine borders in gilt on covers, spines gilt, morocco lettering pieces, all edges gilt. Paris: de Crapelet, 1804 Bound by the noted French binder Marius Michel, signed in gilt at foot of spines. Spines faded, some light wear at edges, repair to front joint of Volume 2; very good. (800/1200)

91. (Fine Bindings) Shelley, Percy Bysshe. The Poetical Works of Percy Bysshe Shelley. 3 vols. xvi, [2], 376; viii, 432; viii, 386 pp. Edited by Mary Shelley. Stipple-engraved frontispiece portrait in Vol. I. 6¼x4, full straight-grain red morocco ruled in gilt, spines tooled in gilt, gilt inner dentelles, marbled endpapers, all edges gilt. London: Edward Moxon, 1857 An attractively bound set of works by Percy Bysshe Shelley (1792-1822), poet and husband of Mary Wollstonecraft Shelley. Fine with just a touch of rubbing to spine ends and corners. (300/500)

92. (Fine Bindings) Stanhope, Philip Henry, 5th Earl Stanhope. Life of the Right Honourable William Pitt. 4 volumes. Engraved frontispieces in Vols. I & III. 7½x4¾, period full polished tree calf, gilt-roll borders, spines tooled in gilt, raised bands, morocco lettering pieces, marbled endpapers & edges. London: John Murray, 1861 With the ink ownership signature of historian John T. Morse, Jr., on the front flyleaf of each volume. Some wear to spine ends and corners, very good or better. (200/300)

Page 20 TWO LOTS FOR THE FINE PRESS COLLECTOR 93. (Fine Press) Nineteen small or fine press volumes about printing, the book arts, and bibliographies. Includes: The Rossettis: Brothers & The Brotherhood. Wood engravings by Linda Holmes. Cloth-backed boards. 1 of 145 copies. Press of Appletree Alley, 1996. * Carlson, Norman V. Casanova and Boswell: An Encounter? Signed by decorator, Valenti Angelo on first blank fly leaf. Wrappers. 1 of 160 copies. Press of the Golden Key, 1978. * The Allen Press Bibliography. Cloth. 1 of 750 copies. Book Club of California, 1985. * Strouse, Norman H. A Collector’s Decabiblon: An Address to...Gleeson Library Associates... Wrappers. 1 of 1000 copies designed by Lawton & Alfred Kennedy. 1972. * Skelton, Christopher. The Engraved Bookplates of Eric Gill 1908-1940. Cloth, dj. 1 of 600 copies. Book Club of California, 1986. * The Pied Printer’s Primrose Path: A Typographical Nonsense Book. Cloth, dj. 1 of 250 copies. Overbrook Press, 1940. * Plantin’s Index Characterum of 1567. Facsimile Reprint. Vellum-backed boards, slipcase. 1 of 300 copies privately printed for Douglas C. McMurtrie. 1924. * Some Practical Considerations about Good Printing. Stiff wrappers, dj. Henderson & Spalding, [c.1930]. * Morris, William. Some Thoughts on the Ornamented MSS. of the Middle Ages. Vellum- backed boards. Limited to “a modest number of copies.” Press of the Woolly Whale, [1934]. * Hart, James D. The Private Press Ventures of Samuel Lloyd Osbourne and R.L.S. Cloth. 1 of 500 copies designed by Lawton & Alfred Kennedy. Book Club of California, 1966. * Barlow, William P., Jr. Book Collecting: Person Rewards... Wrappers. 1 of 100 specially designed presentation copies, for Roxburghe Club. 1984. * Jihei, Kunisaki. Kamisuki Chohoki: A Handy Guide to Papermaking. Cloth- backed boards. 1 of 1000 copies. Book Arts Club, 1948. * Beck, Melissa. The Typographic Bookplates of Ward Ritchie. Cloth-backed boards. 1 of 300 copies designed by Ward Ritchie. Kenneth Karmiole, 1990. * Mostardi, David. A Checklist of the Publications of Paul Elder. Wrappers. Second Edition. Art & Crafts Press, 2004. * Hanna, Phil Townsend. Libros Californianos. Boards. Revised Edition. 1 of 1000 copies, signed by editor Lawrence Clark Powell. Zeitlin & Ver Brugge, 1958. * Emblen, D.L. Don Greame Kelley: In Memory of a Remarkable Man. Cloth. 1 of 150 copies. Privately Printed, 1991. * Wilde, Oscar. The Happy Prince. Cloth, plain dj. 1 of 275 copies, signed by printers. Sheepstor Handmade Papers, 1970. * Bachaus, Theodore. Private Presses of San Serriffe. Cloth-backed boards. 1 of 350 copies. San Serriffe, 1980. * Thompson, Lawrence S. Bibliokleptomania. Wrappers. Peacock Press, 1968. Together 19 volumes. Various places: Various dates Nice group on all things book arts, fine press, collecting and book history, most of which are published by fine presses in limited editions. Mostly near fine; a few with light edge wear. (300/500)

94. (Fine Press) Two fine press edition of classical works. Includes: Homer’s Hymns to Aphrodite. Black cloth. One of 500 copies. Fanfrolico Press, [1929]. * Xenophon’s Treatise on Horsemanship. Red cloth. One of 150 copies. Otto E. Koegel, 1936. Together 2 volumes. Various places: Various dates Some general light wear, a few chips to cloth of first title; very good. (150/250)

95. Flacius Illyricus, Matthias. Catalogus Testium Veritatis Qui ante Nostram Ætatem Pontifici Romano, et Papismi Erroribus reclarunt, pugnantibusque sententiis scripserunt. Opus Insigne, & Immortalitate dignissimum... 3 parts in 1. [16], 856, [60]; [2], xxxviii, 80, [8]; 92, [10] pp. Title-page printed in red & black. (4to) 8x6½, period vellum. Frankfurt: 1666 Writings of the 16th century Lutheran who was fanatical in his opposition to Papism and to the Lutheran followers of Philip Melanchthon. Soiling to vellum, front joint beginning to split at top; foxing/darkening to contents, old in notations to front endpaper and to title, bookplate of Haverford College, very good. (300/500)

Page 21 96. [Fleetwood, William]. Chronicon Preciosum: Or, An Account of English Money, The Price of Corn and Other Commodities, for the last 600 Years. [16], 181, [6], [5] ad pp. (8vo) 7½x4¾, modern brown cloth. First Edition. London: Charles Harper, 1707 ESTC T4823. Ex-library from the John Crerar Library, Chicago, with bookplate, perforated stamp on title page, etc. Soiling to cloth; light foxing; good. (200/300)

97. (Food & Drink) Three books on wine and food. Includes: Thompson, Ruth and Chef Louis Hanges. Eating Around San Francisco. Illustrated by William Bender. Cloth. First Edition. Suttonhouse Ltd., 1937. * Favorite Dishes: A Columbian Autograph Souvenir Cookery Book. Cloth. Spine tips chipped, corners rubbed and frayed, front joint cracked. Carrie V. Shuman, 1893. * Berry, Charles Walter. Viniana. Introduction by H. Warner Allen. 8 collotype illustrations. Vellum-backed boards. One of 100 copies, signed by the author. Constable & Co, 1929. Together 3 volumes. Various places: Various dates Condition varies a little, each with moderate to heavy wear to extremities; internally very good to near fine. (100/150)

98. Francoise [Francoise Seignobosc]. La Plus Vieille Histoire du Monde. [24] pp. Color illustrations printed by Paul Dumas. 8½x10, pages and covers printed on limp linen (folded leaves), saddle-sewn within a multicolored linen spine, top and bottom edges serrated. Paris: Jardin des Modes, [1930] Rich colorful illustrations and text on every page. Front wrapper darkened some, a few faint spots of soiling to covers, some smudging; else very good. (200/300)

99. (French Art) Small collection of illustrated French literature, French art, photography and cinema. Includes: Vanderwal, F[rancois] J. Impressions Artistiques d’Outre-Mer. Poems de... Inscribed from the author on blank preliminary page. 9¾x6½, wrappers, glassine dj. 1 of 520 copies. J. Boutin, 1951. * Bovis, Marcel and Francois Saint-Julien. Nus d’Autrefois 1850-1900. Many plates from photographs. 10½x7, stiff wrappers with dj. Art et Metiers Graphiques, [1953]. * Mespoulet, M[arguerite]. Creators of Wonderland. 10¾x8, cloth. Spine yellowed, a touch of fraying at spine tips and corners. Arrow Editions, [1934]. * Percy, Walker. Le Cinephile. 8¼x6, wrappers. Pandora Editions, 1982. * 8 leaves, including 1 cover from 14 Juillet magazine. 12½x9¾, each with illustrations, most in color. c.1901. * Uzanne, Octave. Fashion in Paris: The Various Phases of Feminine Taste and Aesthetics from 1797 to 1897. Many hand-colored plates by Francois Courboin. 10½x7½, cloth. Spine sunned, cracking and tender. William Heinemann, 1898. * Cheronnet, Louis. Petit Musee de la Curiosite Photographique. 193 photographs. 7x10½, wrappers. Editions Tel, 1945. * Louys, Pierre. Les Aventures du Roi Pausole. Woodcut plates by Foujita. 9¼x7½, wrappers. Artheme Fayard, [1932]. * Leipnik, F.L. A History of French Etching from the Sixteenth Century to the Present Day. Photogravures. 11x8¾, cloth-backed boards. John Lane, [1924]. Together 8 volumes and 8 leaves. Various places: Various dates Most with light to moderate edge wear; condition varies a bit; generally very good; illustrations are very good or better. (150/250)

100. Frenzel, H.K., editor. Gebrauchsgraphik: International Advertising Art - twenty-six issues. 26 issues including: Vol. 8, No. 11 (Nov. 1931); Vol. 8, No. 12 (Dec. 1931); Vol. 9, No. 1 (Jan. 1932); 4 copies of: Vol. 9, No. 2 (Feb. 1932); Vol. 9, No. 4 (April 1932); Vol. 9, No. 6 (June 1932); Vol. 9, No. 7 (July 1932); Vol. 9, No. 9 (Sept. 1932); Vol. 9, No. 12 (Dec 1932); Vol. 10, No. 3 (March 1933); Vol. 10, No. 5 (May 1933); Vol. 10, No. 6 (June 1933); Vol. 10, No. 7 (July 1933); Vol. 10, No. 9 (Sept. 1933); Vol. 10, No. 10 (Oct. 1933); Vol. 11, No. 1 (Jan. 1934); Vol. 11, No. 2 (Feb. 1934); Vol. 11, No. 5 (May

Page 22 1934); Vol. 11, No. 6 (June 1934); Vol. 11, No. 7 (July 1934); Vol. 11, No. 11 (Aug. 1934); Vol. 11, No. 11 (Nov. 1934); Vol. 11, No. 12 (Dec. 1934). Together 26 volumes, containing 23 issues because one is duplicated 4 times. Berlin: Various dates Each illustrated profusely, containing many advertisements, and with chromolithographed front and rear covers. Most with moderately worn covers, usually only extremity wear, but also some short tears, soiling, small dampstains; good to very good. (300/500)

101. (Freud, Sigmund). Two titles about Freud and psychoanalysis. Includes: Freud, Sigmund. Inhibitions, Symptoms and Anxiety. Translated by Alix Strachey. From The International Psycho-Analytical Library, No. 28. Edited by Ernest Jones. Cloth. Leonard and Virginia Woolf, 1936. * Dalbiez, Roland. Psychoanalytical Method and the Doctrine of Freud. 2 volumes. With introduction by E.B. Strauss. Cloth, dust jackets. Longmans, Green and Co., [1941]. Together 2 titles in 3 volumes. London: 1936-1941 Collection featuring a look into Freud’s psychoanalysis method. Dust jackets with lightly sunned spines, rubbed with lightly chipped edges; each volume with light to moderately rubbed extremities; very good. (100/150)

102. Ganducci, Giovanni Battista. Descriptiones poeticae ex Probatioribus Poetis excerptae quas in tertia editione uberius loclupetatas publice utilitati exponit P. Jo. Baptista Gandutius... 664, [8] pp. (12mo) 5¾x3, modern cloth, new endpapers. Venice: Nicolaum Pezzana, 1676 Some light dampstaining to contents, good. (150/250)

103. (Gastronomy) Seventeen volumes about gastronomy. Includes: Valente-Perfeito. Let’s Talk About Port. Cloth, dj. Gift inscribed by the author in 1949 on front blank fly leaf. Instituto do Vinho do Porto, 1948. * Pellegrini, Angelo M. The Unprejudiced Palate. Cloth-backed boards, dj. Gift inscribed by author on front free endpaper. Macmillan, 1948. * * Berry, Charles Walter. A Miscellany of Wine. Cloth, dj. Constable & Company, 1932. * Shand, P. Morton. Bacchus, or Wine To-Day and To- Morrow. Boards with paper spine and cover labels. Degan Pual, Trench, Trubner & Co., [1927]. * Healy, Maurice. Claret and the White Wines of Bordeaux. Cloth, dj. Constable & Co., [1934]. * Hatch, Ted. The American Wine Cook Book. Cloth, dj. G.P. Putnam’s, [1941]. * Rose, R. Selden. Wine Making for the Amateur. Cloth-backed boards. The Bacchus Club, 1930. * 8 volumes from: A Concise Encyclopaedia of Gastronomy. Includes: Sections I-VII, and IX. Topics include Sauces, Fish, Vegetables, Cereals, Fruit, Birds and Their Eggs, Meat, and Cheese. Wrappers. The Wine and Food Society, 1939-1946. * Lowenstein, Eleanor. Bibliography of American Cookery Books 1742- 1860. Cloth. American Antiquarian Society, 1972. * One Hundred Sixteen Uncommon Books on Food and Drink: From the Distinguished Collection on Gastronomy of Marcus Crahan. Wrappers. Friends of the Bancroft Library, [1975]. Together 17 volumes. Various places: Various dates A collection which features many books on wine, including two books that are signed by their authors. Many books on the subject and to assist with further collection, we included a few bibliographies on the subject. Mostly mild edge wear to dust jackets, those in wrappers have some chipping at spine tips and general shelf wear; very good. (200/300)

Each lot is illustrated in color in the online version of the catalogue. Go to www.pbagalleries.com

Page 23 104. Gisborne, Thomas. An Enquiry into the Duties of Men in the Higher and Middle Classes of Society in Great Britain, Resulting from their Respective Stations, Professions, and Employments. 2 volumes. xv, 459; xii, 516 pp. (8vo) 8¼x5, half calf with marbled boards. Third Edition, Corrected. London: B. and J. White, 1795 Printed by J. Davis. Ex-library: call number and library name in gilt on spines, bookplates, perforated stamps on half titles; front covers detached, heavy wear to extremities; else very good. (200/300)

LARGE COLLECTION OF GOETHE 105. Goethe, Johann Wolfgang von. Werke. 55 volumes. (12mo) 5¼x3½, period (original?) cloth, gilt spine labels. Stuttgart und Tûbingen: J. G. Cotta’schen Buchhandlung, 1828-1835 Works of the great German writer and philosopher. The set was to eventually number 60 volumes - present here are Volumes 1-55. Some shelf wear, very good or better. (700/1000)

106. (Golden Cockerel Press) Lucas, F.L., translator. The Homeric Hymn to Aphrodite. Illustrated with engravings by Mark Severin. (4to) 12¼x7½, white vellum-backed cloth, gilt illustration on front, spine lettered in gilt. One of 750 copies. [London]: Golden Cockerel Press, 1948 Fine. (200/300)

107. (Golden Cockerel Press) Macnamara, Francis, editor. Miscellaneous Writings of Henry the Eighth King of England, France & Ireland... 10x7½, vellum-backed boards. One of 365 copies. [Waltham Saint Lawrence]: Golden Cockerel Press, 1924 Bookplate from the private library of Livingston B. Stedman on front pastedown. Vellum darkened a touch, slight wear to extremities; very good. (200/300)

108. Goncalves, Rui. Privilegios e Prerogativas que o Genero Feminino. [xviii], 287 pp. (8vo) 6x3½, period full calf, gilt spine. Lisbon: Felippe da Silva e Azevedo, 1785 A treatise on the female gender. Moderately rubbed extremities, some calf peeling or very rubbed on covers; light scattered foxing; very good. (400/600)

109. (Grabhorn Press - Leaf Book) Austin, Mary and Ansel Adams. Original Overprinted Sheets from Taos Pueblo. 6 leaves. 17¾x13, loose in envelope with printed label. [San Francisco]: [Grabhorn Press], [1930] Original overprinted text leaves from the masterpiece of Ansel Adams and Mary Austin. Published by the Grabhorns in 1930 in an edition of 108 copies. There are none of Adams photos present among the leaves but nonetheless an interesting artifact of the press, and from an important book that sells well into the five figures at auction. Some wear to envelope, soft creasing to sheets, a few marginal marks on first leaf; else near fine. (200/300)

110. Gracian, Baltasar. L’Homme Universel, Traduit de l’Espagnol. [xxiv], 312 pp. (12mo) 7x4, later wrappers. The Hague: Pierre Gosse & Pierre de Hondt, 1724 The Universal Man translated from Spanish into French. Wrappers are sunned with heavily chipped edges; moderately chipped first few pages, fore edges of pages creased; else very good. (300/500) Page 24 111. (Graphic Art) Five volumes about graphic art and design. Includes: Archiv fur Buchgewerbe und Gebrauchsgraphik. 12½x9½, wrappers. Profusely illustrated with full page plates in color and black and white, plus tipped in plates, decorations, etc. Verlag des Deutschen Buchgewerbevereins, 1930. * Wattjes, J.G. Moderne Architectuur in Noorwegen, Zweden... 12x9¼, cloth. Uitgevers-Maatschappij, [1927]. * Polk, Benjamin. Architecture and the Spirit of the Place. 9½x6½, cloth. Inscribed by author on front free endpaper. Oxford Book & Stationery, [1961]. * Hamerton, Philip Gilbert. Etching & Etchers. Etched plates. 8¾x6, cloth. Spine tips chipped. Fifth Edition. Roberts Brothers, 1888. * Hind, Arthur M. The Etchings of D.Y. Cameron. Etched plates including frontispiece. 11¼x9, cloth. Halton and Truscott, 1924. Together 5 volumes. Various places: Various dates Moderately rubbed extremities, some faint soiling; some yellowing within; good to very good. (100/150)

112. Guillard, M. Iphigénie en Tauride, Tragédie en Quatre Actes, Représentée pour la Premiére fois le Mardi 11 Mai 1779. [ii], 42 pp. 7¾x5, wrappers. Paris: Guilleminet, 1803 Signed under the copyright statement by M. Guillard, as a guarantee of authenticity of the publication (per the statement on verso of half title). Apparently the cost was changed by hand from “un franc, 25 centimes” to “un franc, 50 centimes.”` Wrappers with small spots of soiling, and creased edges; light foxing, corners creased; very good. (200/300)

113. Harsdörffer, Georg Philipp. Frauenzimmer Gesprächspiele. 8 volumes. Illustrated after engravings & maps. 4x6, boards. Tübingen: Max Niemeyer, 1968-1969 Facsimile edition, Vols. 1 and 2 reprinted from the 2nd edition published in Nuremberg by W. Endter in 1644 and 1657, and Vols. 3-8 reprinted from the 1st edition published 1643-49. Near fine. (150/250)

114. Haslam, John. Sound Mind or Contributions to the Natural History and Physiology of the Human Intellect. xiii, [3], 192 pp. 9x5¾, original boards. First Edition. London: Longman, Hurst, et al., 1819 John Haslam (1764-1844), known as The Mad Doctor, devoted his life to the investigation of insanity. Heirs to Hippocrates notes that “Haslam’s place in the history of psychiatry is secure although not entirely unimpeachable. He served as medical officer to Bethlem Hospital, the largest asylum in England, where, with his chief, Thomas Monro, he had the opportunity to study a large number of patients. Although a keen observer with wide experience (he is sometimes regarded as the first to describe general paralysis of the insane), he advocated and allowed practices which can only be described as inhumane. In 1816, he and Monro were dismissed by the Governors of Bethlem for gross malpractice. Boards rubbed, worn, front detached; ink names to endpapers, else very good, in rare untrimmed state in the original boards. (400/600)

115. Hill, John. The Family Herbal, or An Account of All Those English Plants, Which are Remarkable for their Virtues, and of the Drugs which are Produced by Vegetables of other Countries... viii, xl, 376 pp. 53 (of 54) hand-colored engraved plates. 8x5, linen-backed leather. Bungay: C. Brightly, [1812] Heavily worn covers, front cover detached, spine detaching; blank front leaf detached, large ink name written on next blank leaf dated 1812; missing plate 52, scattered foxing, some plates with glue(?) on verso, affecting margin of recto; else internally very good. (200/300)

Page 25 116. Hogarth, William. The analysis of beauty. Written with a view of fixing the fluctuating ideas of taste. vii, xxx, [blank leaf], 240 pp. With 4 engraved plates. [bound with, as issued] Grose, Francis. Rules for Drawing Caricaturas: with an Essay on Comic Painting. 24 pp. 8¼x5, half calf & marbled boards, rather crudely rebacked with leather. London: Samuel Bagster, N.d. [c.1810] Provenance: Hudson River school artist Robert Walter Weir, signed by him at the top of the title-page. Wear to covers, lower corner of front cover lacking leather covering; some light foxing within, very good. (200/300)

117. (Holbein, Hans) Foister, Susan. Drawings by Holbein from the Royal Library Windsor Castle. Text volume of xv, 48 pp., cloth hardcover, + 85 plates in paper sleeve. Set in half morocco & cloth drop- back box, overall 20½x15x3”. No. 330 of 520 sets, of which 500 were for sale. London: Johnson Reprint Company, 1983 The photography and separations “were undertaken on premises made available to the Publisher in the grounds of Windsor Castle by gracious permission of Her Majesty Queen Elizabeth II.” Fine condition, a handsome presentation, with just a touch of shelf wear to box. (500/800)

118. Holbien, Hans. The Dance of Death; From the Original Designs of Hans Holbein. [ii], 70 pp. 33 plates engraved by Wenceslaus Hollar. (8vo) 8¾x5½, original cloth, rebacked with most of original gilt- lettered spine strip laid on. London: J. Coxhead, 1816 Includes portraits of both Holbien and Hollar. Descriptive captions in English and French. Essay and Life of Holbien in English only. Corners showing, else very good. (300/500)

119. Hondorff, Andreas. Promptuarium Exemplorum. 2 parts in 1. [x], 397, [12], [1 blank], [viii], 394 folio leaves. Woodcut illustrations within text and woodcut initials. 12½x7¾, period full vellum. Frankfurt: 1587-1595 Containing two title page imprints, the second of the two dated 1587. Vellum moderately soiled, darkened at edges and spine; small modern bookseller’s description pasted to front free endpaper; small worming holes, largely restricted to preliminary and rear pages, preliminary pages chipped along top and bottom corner; scattered instances of soiling within, foxed; good. (400/600)

120. (Icones historicae...) [Chappuzeau, Samuel]. Icones historicae veteris et novi testamenti, carminibus Latinis & Gallicis illustrata, in quibus exponitur Historia in singulis exhibita figuris. Figures historiques du vieux et du nouveau testament, accompagnées de quadrains en Latin & en Francois, qui exposent l’histoire representée en chaque figure. [18], 257, 102 (of 103) pp. With 357 (of 358) woodcut illustrations generally attributed to Bernard Salomon. (8vo) 7¼, period calf, new endpapers. Geneve: Samuel de Tournes, 1680 Woodcuts illustrative of the Bible. The “Quadrains en Latin & en Francois” are attributed to Samuel Chappuzeau. OCLC lists only 10 copies, and only three in U.S. institutions. With ink ownership signature of Johannis ven Mewen, 1697, to title-page, with somewhat later, and less neat, signature of a Miss Pettigill (?) as well. Scuffing and wear to covers, early repair to spine head; soiling to title-page, some foxing and aging within, a few marginal chips and tears, marginal stains to latter leaves, lacking final leaf; about very good. (300/500)

121. Jackson, A. Bruce, compiled by. Catalogue of the Trees & Shrubs in the Collection of the Late Lieut.- Col. Sir George Lindsay Holford. viii, [2], 206, [1] pp. 2 photogravure frontispieces and 66 plates within. Oxford: University Press, 1927 This volume was donated to the Hotel Del Monte in 1939, as per the inscription on the front free endpaper, and it contains subsequent rubberstamps to front free endpaper, and title page.

Page 26 Lovely images of the collection of trees and shrubs from this famous Westonbirt arboretum. Spine tips and corners frayed, dampstain on front cover along fore edge; other than rubberstamps and inscription, contents are near fine. (100/150)

PRESENTATION COPY OF SAMUEL JOHNSON’S ONLY NOVEL 122. Johnson, Samuel. The Prince of Abissinia: A Tale. 2 volumes. viii, 159; viii, 165 pp. A4, B-L8; A4, B-L8, M4 (-M4, a blank). (8vo) 5¾x3¾, later full calf, spines lettered in gilt, top edges gilt; bound by Sangorski & Sutcliffe. First Edition, First Issue. London: Printed for R. and J. Dodsley, in Pall-Mall; and W. Johnston, in Ludgate-Street, 1759 Presentation copy inscribed (but not signed) by Johnson in the top right corner of the front flyleaf in each volume, “Wm. Garnons, 1st July 1759.” Beneath the inscription in each case is the ownership signature of Garnons with the same date, and the signatures of Annabelle Garnons and Thos. Williams. Samuel Johnson’s only novel, the story of Rasselas. First issue, with p.[iii] in Vol. II headed “Contents. / Vol. II.” Courtney & Smith p.87; Rothschild 1242. Bookplates of Dr. Samuel L. Siegler. Front cover of each volume detached, margins of the (later) free endpapers darkened with small chips; internally very good, with rare presentation inscriptions. (700/1000)

123. Jordan, Rudolf, Jr. Quality in Dry Wines through Adequate Fermentations by Means of Defecation, Aeration, Lot 122 Pure Yeast, Cooling, and Heating. A Manual for Progressive Winemakers in California. 146 pp. 2 inserted plates. (8vo) 7¾x5¼, original green cloth. First Edition. San Francisco: [Pernau Publishing Company], [1911] Scarce volume on winemaking in California. A few small spots to cloth, endpapers discolored; near fine. (200/300)

SIGNED BY CARL JUNG – TWO PRESENTATION COPIES 124. (Jung, Carl Gustav) Wilhelm, Richard, translator. The Secret of the Golden Flower: A Chinese Book of Life - 2 copies. Translated and explained by Richard Wilhelm, with a European Commentary by C.G. Jung. Translated into English by Cary F. Baynes. Plates. 9¾x6, black cloth, jackets. Third Impressions. London: Kegan Paul, et al., 1935 Each is a presentation copy, the first inscribed on the half-title by Carl Jung, “In memory of two delightful days in Sept. 1936. C.G. Jung.” The inscription is to John Weir Perry, who met Jung in Switzerland as a young medical student, and later became a psychiatrist. The second is inscribed in ink by Wilhelm on the front free endpaper, “In token of gratitude, with Lot 124 the author’s best compliments.” There is also in pen- Page 27 cil on the same page, “James DeWolf Perry, Bishop’s House”; James was the the 7th Bishop of Rhode Island, and father of John W. Perry. First jacket with some soiling and staining, extremities chipped; 2nd jacket well worn and chipped, tape repairs; some staining and wear to covers, both good to very good. (2000/3000)

125. Kant, Immanuel. Metaphysische Anfangsgründe der Naturwissenschaft. xiv [but xxiv], 148 pp. (8vo) 7½x4½, later half morocco with boards. Frankfurt und Leipzig: Neueste Auflage, 1794 Some introduction pages misbound, pages xvi-xxiv (which is misnumbered xiv) are bound at rear within final ten pages. Heavy wear to extremities, spine with large chip at heel, chipped at head, and peeling along all edges; German bookseller’s label on rear pastedown, a bit of dampstaining to endpapers and lightly to title, and gutters of most pages; foxed; good. (200/300)

EXCEPTIONAL FACSIMILE FROM THE KELMSCOTT PRESS 126. (Kelmscott Press Chaucer Facsimile) Chaucer Geoffrey. The Works of Geoffrey Chaucer now newly printed. iv, 552, [3] pp. Illustrated from wood engravings by Edward Burne-Jones. (folioi) 16¾x11½, full tan goatskin blocked in gold with the original design by T.J. Cobden-Sanderson, redrawn by David Eccles; blue cloth drop-back box with leather spine label. No. 530 of 1010 copies, of which 1000 were for sale. London: Folio Society, 2002 Exceptional facsimile of what many consider the most beautiful of all printed books, and the masterpiece from the Kelmscott Press. As noted in the colophon: “The facsimile of the Kelmscott Chaucer has been printed for the Folio Society, London by Cambridge University Press and completed on the 20th day of February, 2002. The paper, Oxenford twin-wire laid, has been especially made at the James Cropper Mill at Burneside in Cumbria and supplied by John Purcell Paper. The binding design has been redrawn by David Eccles from a copy of the Kelmscott Chaucer bound by T.J. Cobden-Sanderson at the Doves Bindery in 1900. The binding of this edition has been executed by Smith Settle at Otley, Yorkshire, in full Nigerian goatskin, with handmade laid endpapers from the Fabriano Mill, Italy.” With separate booklet, The Kelmscott Chaucer: An Essay by William S. Peterson. Fine condition, with Lot 126 some minor soiling to the box. (1500/2500)

127. (Kelmscott Press) Of the Friendship of Amis and Amile. 67 pp. Translated from the ancient French by William Morris. Woodcut initials & title-page; shoulder notes in red. 5¾x4½, full morocco, spne lettered in gilt, raised bands, gilt inner dentelles, marbled endpapers, top edge gilt; bound by Stikeman. One of 500 copies printed by William Morris at the Kelmscott. London: Kelmscott Press, 1894 Rubbing and slight staining to covers; else very good, internally fine. (400/700)

Page 28 128. (Kelmscott Press) Windle, John. A Leaf from the Kelmscott Chaucer with an Essay on its Commercial History. Four page printed folio with leaf laid in loose, as issued. [San Francisco]: [John Windle], [1994] A keepsake for the members of the Colophon, Roxburghe and Zamorano clubs. The leaf is from Boethius de Consolatione Philosophie, Book II and has several woodcut initial letters of various sizes. The text printed in red has bled staining the surrounding paper and seeping through to the opposite side of the leaf (as is often the case with the leaf in this book); very good. (150/250)

129. (Kennedy, Lawton - Leaf Book) Shaffer, Ellen. The Garden of Health. Includes an original leaf from the Hortus Santatis (1499) tipped in; plus many illustrations after medieval manuscripts throughout. 13x8¾, cloth-backed pictorial boards. One of 300 copies designed and printed by Lawton Kennedy. [San Francisco]: Book Club of California, 1957 Touch of sunning to top edge of front board, some sunning on rear board near spine; else near fine. (200/300)

130. (Kent, Rockwell) Eight volumes illustrated by Rockwell Kent. Includes: Kent, Rockwell. Wilderness: A Journal of Quiet Adventure in Alaska. Cloth. Bookplate, name in ink on blank fly leaf. Putnam’s, 1920. * Kent, Rockwell. Voyaging Southward from the Strait of Magellan. Cloth. Bookplate, name in ink on blank fly leaf. Putnam’s, 1924. * Schnitzler, Arthur. Casanova’s Homecoming. Cloth. 1 of 1499 copies of the large paper edition. Privately Printed for the Sylvan Press, 1947. * Americana Esoterica. Cloth. Macy-Masius, 1927. * Shakespeare, William. Venus and Adonis. Cloth, dj. Printing House of Leo Hart, 1934. * Shephard, Esther. Paul Bunyan. Cloth, dj. Harcourt, [1924]. * Kent, Rockwell. N by E. Cloth. Name in ink on front free endpaper and front fly leaf. Brewer & Warren, 1930. * Kent, Rockwell. Salamina. Cloth. Harcourt, 1935. Together 8 volumes. Various places: Various dates Dust jackets with moderate edge wear including short closed tears, and sunned spines; mild to moderate wear to extremities, including yellowed or rubbed spines, rubbed or slightly frayed spine tips and corners; over all very good. (150/250)

131. (Kent, Rockwell) The Decorative Work of T.M. Cleland: A Record and Review. Biographical and critical introduction by Alfred E. Hamill. Portrait lithograph frontispiece by Rockwell Kent. 12x9¼, cloth. One of 1200 copies. New York: Pynson Printers, 1929 Prospectus and other related ephemera laid in. Moderately rubbed extremities, a few marks or rubbing to covers; name in ink on front free endpaper; very good. (100/150)

132. King, C[harles] W[illiam]. The Gnostics and Their Remains, Ancient and Mediaeval. xvi, [2] errata, 251 pp. + 13 plates at rear. Plates within. 10x6, rebound in half calf with boards, two morocco gilt- lettered spine labels. First Edition. London: Bell and Daldy, 1864 A few spots of soiling, scratching and rubbing to calf; foxed rear plates, scattered foxing within; very good. (200/300)

The Buyer’s Premium will be 20% for bids up to $100,000 and 15% for that portion over $100,000.

Page 29 133. Kipling, Rudyard. Four novels by Rudyard Kipling. Includes: Kim. [1962]. * The Jungle Books. [1980]. * Just So Stories. [2000]. * Tales of East and West. [1973]. Together four octavo volumes bound in full leather decorated in gilt, silk bookmark and endpapers, all edges gilt. Norwalk, CT: Easton Press, [1962-2000] Fine. (150/250)

134. Kirmse, Marguerite. Marguerite Kirmse’s Dogs. Introduction by Reginald Townsend. Original etching frontispiece, signed and titled “Hello There!” by the artist. 75 collotype plates after Kirmse’s drawings. 12x8¾, half linen, printed paper spine label. First Edition. One of 750 copies. New York: The Derrydale Press, 1930 This book is the first collection of Kirmse’s work. The etching was prepared especially for this edition. “The subjects include over twenty different breeds of dogs, which were selected not only to show the rise of a young and unknown artist to heights of success which she never imagined, but also to provide an interesting and enjoyable record of the canine world” (Derrydale Bibliography). Spine darkened a bit, foxing and yellowing to linen, soiling to boards, corners a touch frayed; name in ink on front pastedown, some faint soiling to endpapers; a few smudges to a few early pages; else very good. (800/1200)

Lot 134 RARE 18TH CENTURY WORK ON SURGICAL INSTRUMENTS 135. Knaur, Thomas. Selectus Instrumentorum Chirurgicorum in Usum Discentium et Practicorum Tabulis Exaratus. [12], xvi, 48, [1] errata pp. 25 engraved plates, several folding. 12¾x8¼, period calf backed boards (front board lacking). First Edition. Vienna: Viduam Alberti, 1796 Rare volume on surgical instruments of the late 18th century. Lacking front cover, spine and rear cover worn; some foxing and staining; else good. (3000/5000)

136. (Koch, Peter) Real Lead: Deep Drive Letterpress Printing. [128] pp. 10x4½, half cloth and boards. One of 100 copies. [Berkeley, CA]: Peter Koch, [2001] Inscribed by the author on the front free endpaper. Only 100 copies of this specimen book were printed in collaboration with Hormone Derange Editions. Includes prospectus laid in. Fine. (200/300)

Lot 135

Each lot is illustrated in color in the online version of the catalogue. Go to www.pbagalleries.com

Page 30 137. (Ladies of the Distaff Side) A Children’s Sampler: Selections from Famous Children’s Books. A sampler of contributions from 14 fine press printers including, Edna Beilenson (Peter Pauper), Jane Grabhorn, Margaret Evans (Overbrook), Dorothy Abbe, Carolyn Anderson (Anderson & Ritchie), and others. 9¾x7¼, pictorial yellow cloth, slipcase. One of 375 copies. [Tri Arts Press], 1950 Very light shelf wear to slipcase; volume spine a touch faded; else near fine. (100/150)

138. Law, John. Money and Trade Considered: With a Proposal for Supplying the Nation with Money. 226, [2] ad pp. (8vo) 6x3¾, contemporary calf. Glasgow: R. & A. Foulis, 1750 Gaskell, 159. Covers detached, moderate wear to extremities; engraved armorial bookplate to front pastedown; title page detached; chipped at bottom corner of page 9; internally very good. (250/350)

139. Le Clerc, Daniel. The history of physick, or, An account of the rise and progress of the art, and the several discoveries therein from age to age. With remarks on the lives of the most eminent physicians. Written originally in French by Daniel Le Clerc, M.D. and made English by Dr. Drake, and Dr. Baden. With additional notes and sculptures. [18 (of 22)], 368, 371-411, [1] pp. With 3 folding copper-engraved portrait plates. 7½x4½, period calf. First Ediiton in English. London: Printed for D. Brown, et al., 1699 English translation of Histoire de la médecine by the Swiss physician Daniel le Clerc (1652- 1728). Of the book, Heirs to Hippocrates 682 notes “Preceded only by the works of Symphorien Champier and Marcello Donati in the sixteenth century, this was the most complete and reliable work on the history of medicine to follow and may still be consulted with profit...” Wing L811. Covers worn, detached, spine cracked vertically but cords still holding, portions of spine leather missing; lacking leaves in first signature (title is present, followed by dedication to Sir Thomas Millington, signed A2, with a stub between them), portrait of Hippocrates torn, some darkening/foxing to contents, good internally. (400/600)

140. (Leaf Book) A Leaf from Schachtafelender Gesuntheyt of 1533. Includes an original leaf tipped in; plus half title, title page, and introduction by Edmund Simpson. 12x7¾, wrappers. One of 72 copies. Beaverton: Blackwood Press, 1990 Near fine publication; original leaf with imperfections including dampstain at upper left corner and lower margin; fine publication. (200/300)

MANY LOTS OF LIMITED EDITIONS CLUB PUBLICATIONS 141. (Limited Editions Club) Ashbery, John. Description of a Masque. Illustrated with 3 watercolor woodblock prints by Jane Freilicher. (Folio) 14¾x11, tan cloth with leather label on front, matching clamshell box. One of 300 copies. New York: Limited Editions Club, 1998 Signed in pencil by the author and illustrator at the colophon. Includes prospectus. A few very small marks to box, rear upper corner bumped; else fine. (600/900)

You can bid absentee directly from the item description in the online version of the catalogue at www.pbagalleries.com. Or bid during the auction using the Real-Time Bidder.

Page 31 142. (Limited Editions Club) Burton, [Captain Sir. R.F.] (trans.). The Arabian Nights Entertainments containing Sixty-five Stories told by Shahrazade.... 4 volumes. Translated by Richard Burton. Notes by Henry Torrens, Edward Lane and John Payne. Illustrated with color plates after miniature paintings by Arthur Szyk. Black cloth stamped in gilt, 2 slipcases. One of 1500 copies printed by W.S. Cowell. Ipswich, England: Limited Editions Club, 1954 The final work of Szyk, who died before this edition was published. Two vols. of text each accompanied by a volume of notes. Slipcases rubbed and worn at corners; volume spines a touch discolored, very light shelf wear; else near fine volumes in very good slipcases. (200/300)

143. (Limited Editions Club) Dickens, Charles. The Chimes. Illustrated by Arthur Rackham, including 6 full-page pictures. 11¼x7½, buckram stamped in black and gilt, top edge gilt; pictorial board slipcase. One of 1500 copies printed by George W. Jones. London: Limited Editions Club, 1931 Signed by Arthur Rackham at the colophon. Slipcase extremities rubbed; volume spine darkened; else a near fine volume in a very good slipcase. (200/300)

144. (Limited Editions Club) Doyle, Sir Arthur Conan. The Adventures of Sherlock Holmes. 3 volumes. Illustrated after the originals by Frederic Dorr Steele, Sidney Paget and others. 9x6¼, black cloth- backed patterned boards, embossed portrait medallion on front covers, spines lettered in gilt, original slipcase. One of 1500 sets by Peter Bielenson, after the plan of W.A. Dwiggins. New York: Limited Editions Club, 1950 Moderately rubbed slipcase; volume spines and medallions a bit rubbed; very good. (150/250)

145. (Limited Editions Club) (Eichenberg, Fritz). Five titles illustrated by Fritz Eichenberg. Includes: Dostoevsky, Fyodor. The Idiot. One of 1500 copies. 1956. * Dostoevsky, Fyodor. Crime & Punishment. 2 volumes. One of 1500 copies. 1948. * Dostoevsky, Fyodor. The Possessed. 2 volumes. One of 1500 copies. 1959. * Dostoevsky, Fyodor. The Brothers Karamazov. 2 volumes. One of 1500 copies. 1949. * Turgenev, Ivan. Fathers and Sons. One of 1500 copies printed at the Spiral Press. 1951. Together 5 titles in 8 volumes. Each bound in cloth and housed in their original slipcases. New York: Limited Editions Club, Various dates Each volume signed at the colophon by the illustrator Fritz Eichenberg. Each slipcase with mild to moderate shelf wear, some sunning to edges or spines; each volume with sunned or slightly discolored spines; else near fine volumes in very good slipcases. (300/500)

146. (Limited Editions Club) Grahame, Kenneth. The Wind in the Willows. Introduction by A.A. Milne. Illustrations by Arthur Rackham. 11¼x8, cloth-backed boards, slipcase. One of 2020 copies, printed under the supervision of Bruce Rogers. New York: Limited Editions Club, 1940 Signed by Bruce Rogers at the colophon. Shelf wear to slipcase; volume spine a touch discolored; else near fine volume. (300/500)

147. (Limited Editions Club) Hugo, Victor. Three works by Victor Hugo. Includes: Notre-Dame de Paris. 2 volumes. Woodcuts by Frans Masereel. 10x7½, wrappers, glassine dust jackets. One of 1500 copies printed by R. Coulouma. Signed by illustrator at colophon. 1930. * Notre-Dame de Paris. Illustrations by Bernard Lamotte. 11½x8, cloth, morocco spine label, slipcase.One of 1500 copies. Signed by illustrator at colophon. 1955. * Les Miserables. 5 volumes. Illustrations by Lynd Ward. 10½x7, cloth, slipcase. One of 1500 copies. Signed by illustrator at colophon. 1938. Together 3 works in 8 volumes. Various places: Various dates

Page 32 Slipcase for the 8 volume set is dusty, one panel almost detached, heavy edge wear; slipcase of the other has some shelf wear; glassine jackets have chips and tears at spine tips; volumes with light shelf wear; otherwise very good to near fine volumes. (200/300)

148. (Limited Editions Club) Lewis, Meriwether and William Clark. The Journals of the Expedition under the Command of Capts. Lewis and Clark... 2 volumes. Edited by Nicholas Biddle. Introduction by John Bakeless. Illustrated by contemporary artists, including color plates (many are of prominent Native Americans) by Carl Bodmer and many folding maps. 11¼x7½, facsimile map patterned cloth, gilt-lettered morocco spine labels, slipcase. New York: Limited Editions Club, 1962 No. 196 of 1500 copies printed by the Connecticut Printers. Sunned spine and edges of slipcase; volumes fine. (300/500)

149. (Limited Editions Club) Shakespeare, William. The Comedies, Histories & Tragedies of William Shakespeare - 20 volumes. 20 volumes (out of 37) from The Plays of William Shakespeare, including: 2 copies of Henry the Fourth: Part II. * King John. Slipcase. * The Winter’s Tale. Slipcase. * The Comedy of Errors. * The Two Gentlemen of Verona. * Richard the Second. * Cymbeline. * Richard the Third. * Coriolanus. * The Merry Wives of Windsor. * Titus Andronicus. * Measure for Measure. * Henry the Fifth. * Love’s Labour’s Lost. * Hamlet. * Romeo and Juliet. * King Lear. * Twelfth Night. * The Taming of the Shrew. 13x8¾, cloth-backed decorative boards, spines lettered in gilt. * Also includes: Shakespeare: A Review and Preview. Essays, quotes, the list of volumes to be published and four illustrations. Order form laid in. Limited Editions Club, [1939]. * Ten Years and William Shakespeare: A Survey of the Publishing Activities of The Limited Editions Club from October 1929 to October 1940. Together 22 volumes. New York: Limited Editions Club, 1939-1941 Each volume from 1950 copies. Some darkening to spine tips; very good to near fine. (300/500)

150. (Limited Editions Club) Steinbeck, John. The Grapes of Wrath. 2 volumes. Illustrated with lithographs by by Thomas Hart Benton. Rawhide spine and grass cloth, slipcase. One of 1146 copies, designed by George Macy. New York: Limited Editions Club, 1940 Signed by Thomas Hart Benton at colophon. Sunning, a few small dampstains, and light shelf wear to slipcase; volume spines sunned and rubbed a touch; else near fine volumes in very good slipcase. (300/500)

151. (Limited Editions Club) Tolstoy, Leo. Crime and Punishment - Volumes 1-4. Volumes 1-4 only (out of 6). Translated by Louise and Aylmer Maude. Special introduction by Aylmer Maude. Illustrated by Barnett Freedman. (8vo) cloth. One of 1500 copies, printed at the University Press, Glasgow. New York: Limited Editions Club, 1938 Chromolithograph endpapers, as well as plates within. Spines lightly faded, lightly worn extremities; very good. (300/500)

The Buyer’s Premium will be 20% for bids up to $100,000 and 15% for that portion over $100,000.

Page 33 152. (Limited Editions Club) (Ward, Lynd). Five titles illustrated by Lynd Ward. Includes: Tennyson, Alfred. Idylls of the King. Morocco-backed cloth. One of 1500 copies. 1952. * Beowulf. Heritage Press, [1939]. * Conrad, Joseph. Lord Jim. One of 1500 copies. 1959. * Dumas, Alexandre. The Count of Monte Cristo. 4 volumes. One of 1500 copies. 1941. * Paine, Thomas. Rights of Man. One of 1500 copies printed at the Stinehour Press. 1961. Together 5 titles in 8 volumes, all but one in cloth, each in their original slipcases. New York: Limited Editions Club, Various dates All but one is a limited edition and signed by the illustrator Lynd Ward at the colophon, as issued. Slipcases vary in shelf wear, most are sunned and scuffed a bit, a few are splitting at corners; each volume spine is sunned or discolored; else near fine volumes in about very good slipcases. (200/300)

153. (Limited Editions Club) (Wilson, Edward A.). Seven titles illustrated by Edward A. Wilson. Includes: Verne, Jules. Around the World in Eighty Days. Vellum-backed boards, glassine dj (heavily chipped, torn). 1962. * Verne, Jules. The Mysterious Island. 1959. * Verne, Jules. Twenty Thousand Leagues Under the Sea. Morocco-backed boards Printed at the Plantin Press. 1956. * Scott, Sir Walter. Ivanhoe. 2 volumes. 1951. * Kingsley, Charles. Westward Ho! 2 volumes. 1947. * Cooper, James Fenimore. The Last of the Mohicans. Suede-backed boards. Spine rubbed. Slipcase missing fore edge panel. 1932. * Coleridge, Samuel Taylor. The Rime of the Ancient Mariner. Patterned morocco, chemise. 1945. Together 7 titles in 9 volumes, all but three in full cloth, each in their original slipcases. New York: Limited Editions Club, Various dates Each volume is from an edition of 1500 copies, and signed by the illustrator Edward A. Wilson. Most slipcases with moderate wear, including sunning, scuffs and some short splits at corners; each volume with light shelf wear or a slightly discolored spine; very good. (300/500)

154. (Limited Editions Club) The Dolphin. Includes 7 volumes from The Dolphin: 2 copies of The Dolphin: A Journal of the Making of Books. Number 1. 1933. * The Dolphin: A Journal of the Making of Books. Number 2. 1935. * A History of the Printed Book: Being the Third Number of The Dolphin. Edited by Lawrence C. Wroth. 1938. * 3 volumes of: The Dolphin: A Periodical for All People Who Find Pleasure in Fine Books. Number 4, Parts 1-3. 1940-1941. All 7 are cloth- bound quartos. * Plus a few reference works: Ten Years and William Shakespeare: A Survey of the Publishing Activities of The Limited Editions Club from October 1929 to October 1940. Full calf. [1940]. * A record of the Proceedings at The Limited Editions Club’s Dinner to Celebrate the Twenty-First Birthday of the Club & the Fiftieth Birthday of its Founder. Cloth-backed boards. 1950. * Approximately 60 monthly newsletters issued by The Limited Editions Club from the 1940’s and the 1950’s bound in file folder with metal clasp. Together 9 volumes, plus 1 collection of newsletters. New York: Limited Editions Club, 1933-1950 Also includes: 22 wrapper-bound volumes of The Limited Editions Clubs Prospectus, dating from 1930-1962. * 4 Quarterly News Letters from 1957-1958. Spines yellowed or faded, mild to moderate wear to extremities; a few with bookplates; very good. (100/150)

155. (Limited Editions Club) Three titles published by the Limited Editions Club. Includes: Mann, Thomas. The Magic Mountain. 2 volumes. Illustrated with wood engravings by Felix Hoffmann. 11x6¾, cloth- backed boards, glassine dj, slipcase. One of 1500 copies. Signed by the illustrator. Jackets chipped at spine tips. 1962. * Hugo, Victor. The Toilers of the Sea. Illustrated with wood engravings by Tranquillo Marangoni. 10¼x7, cloth-backed boards, dj, slipcase. One of 1500 copies printed by Giovanni Mardersteig. Signed by engraver and printer. Jacket spine sunned. 1960. * Stevenson, Robert Louis. Strange Case of Dr. Jekyll and Mr. Hyde. Illustrations by Edward A. Wilson. 11¼x8, leather- backed boards, slipcase. One of 1500 copies. Signed by the illustrator. Spine tips rubbed. 1952. New York: Limited Editions Club, Various dates Together 3 limited edition titles in 4 volumes, each signed by their illustrator. Slight edge wear or sunning to spines; else near fine. Page 34 (100/150) 156. (Limited Editions Club) Three works from the Bible, printed by the Limited Editions Club. Includes: The Book of Job. Illustrated by Arthur Szyk. 12x8½, half white morocco and cloth, slipcase. One of 1950 copies. Signed by illustrator at colophon. 1946. * The Book of Ruth. Illustrated by Arthur Szyk. 12x8½, half white morocco and cloth, slipcase. One of 1950 copies. Signed by illustrator at colophon. 1947. * The Four Gospels: The Gospel According to St. Matthew, St. Mark, St. Luke and St. John. Decorations by E.R. Weiss. 9½x7½, vellum-backed boards, slipcase (top panel missing). One of 1500 copies printed by Poeschel & Trepte. Signed by the decorator at colophon. 1932. Together 3 volumes. Various places: Various dates Three limited editions, each signed by their illustrator. Slipcases with moderate to heavy shelf wear, rubbed peeling, or chipped; volume spines slightly discolored; else near fine volumes in very good slipcases. (300/500)

157. (Limited Editions Club) Five travel and exploration titles. Includes: Price, A. Genfell, editor. The Exploration of Captain James Cook in the Pacific. Calf-backed boards, slipcase. 1 of 1500 copies, printed under the supervision of Douglas A. Dunston and signed by him. Also signed by illustrator Geoffrey C. Ingleton. 1957. * del Castillo, Bernal Diaz. The Discovery and Conquest of Mexico 1517- 1521. Marbled sheepskin, slipcase. 1 of 1500 copies. Signed by the printer, illustrator, and editor at colophon. 1942. * Prescott, William Hickling. History of the Conquest of Peru 1524-1550. Marbled sheepskin, slipcase. 1 of 1500 copies. Signed by the printer and illustrator at colophon. 1957. * Morier, J.J. The Adventures of Hajji Baba of Ispahan. 2 volumes. Morocco-backed boards, slipcase. 1 of 1500 copies. Signed by illustrator Honore Guilbeau. 1947. * Darwin, Charles. Journal of Researches into the Natural History & Geology of the Countries Visited During the Voyage of H.M.S. Beagle. Cloth, slipcase. 1 of 1500 copies. Signed by illustrator Robert Gibbings. 1956. Together 5 titles in 6 volumes. New York: Limited Editions Club, Various dates Varied collection of travel and exploration narratives, each signed by their illustrator. Slipcases are moderately worn, rubbed, a few corners starting to split; volume spines are rubbed, sunned or discolored, with a few spots of soiling; light wear to extremities; very good. (200/300)

158. (Limited Editions Club) Seven titles by American authors. Includes: London, Jack. The Call of the Wild. Plaid wool covers and slipcase. Printed at the Ward Ritchie Press. Signed by illustrator Henry Varnum Poor. 1960. * London, Jack The Sea-Wolf. Cloth, slipcase, glassine dj (many chips & tears, yellowed). Printed at the Connecticut Printers. Signed by illustrator Fletcher Martin. 1961. * Tarkington, Booth. Monsieur Beaucaire. Embroidered floral cloth, chemise, slipcase. Signed by illustrator T.M. Cleland. 1961. * Riggs, Lynn. Green Grows the Lilacs: A Play By... Cloth, slipcase. Signed by illustrator Thomas Hart Benton. 1954. * Wilder, Thornton. The Bridge of San Luis Rey. Cloth, slipcase. Signed by illustrator Jean Charlot. 1962. * Melville, Herman. Moby Dick. 2 volumes. Sheepskin, slipcase. Spines sunned, chipped, and soiled a bit. Signed by illustrator Boardman Robinson. 1943. * Jackson, Helen Hunt. Ramona. Cloth, slipcase. Printed at the Plantin Press. Signed by illustrator Everett Gee Jackson. 1959. Together 7 titles in 8 volumes, each from an edition of 1500 copies. New York: Limited Editions Club, Various dates Nice collection from American authors, each signed by their illustrator. Slipcases sunned, with mild to moderate shelf wear; volumes with mostly light shelf wear; very good. (200/300)

159. (Limited Editions Club) Seven titles by American authors. Includes: The Complete Poems of Robert Frost. 2 volumes. Cloth, slipcase. 1 of 1500 copies. Signed by Frost, artist Thomas N. Nason, and Bruce Rogers. 1950. * Brooks, Van Wyck. The Flowering of New England. Cloth, slipcase. 1 of 2500 copies. Signed by the author on half title, and signed by illustrator R. J. Holden. 1941. * Adams, Henry. Mont-Saint-Michel and Chartres. Cloth, slipcase. 1 of 1500 copies. Signed by photographer Samuel Chamberlain. 1957. * The Essays of Ralph Waldo Emerson. Cloth-backed boards, slipcase. Heritage Press, 1934. * Hersey, John. The Wall. Cloth, slipcase. 1 of 1500 copies. Signed by illustrator William Sharp. 1957. * Howells, William Dean. The Rise of Silas Lapham. Cloth, glassine dj, slipcase. Page 35 Dj chipped and yellowed. 1 of 1500 copies. Signed by illustrator Mimi Korach. 1961. * Twain, Mark. The Innocents Abroad. 1 of 1500 copies printed at The Thistle Press. Signed by illustrator Fritz Kredel. 1962. Together 7 titles in 8 volumes. New York: Limited Editions Club, Various dates Slipcases with moderate edge wear, marks, rubbing, etc; each volume with light to moderately rubbed spine, slight edge wear to each; very good. (200/300)

160. (Limited Editions Club) Seven titles by English authors. Includes: Dickens, Charles. Dealings with the Firm of Dombey and Son. 2 volumes. Cloth, slipcase. 1 of 1500 copies. Signed by illustrator Henry C. Pitz. 1957. * Beckford, William. Vathek: An Arabian Tale. Gilt-decorated morocco, slipcase (long splits, tears). 1 of 1500 copies. Signed by illustrator Valenti Angelo. 1945. * Collier, John Payne. The Tragical Comedy or Comical Tragedy of Punch and Judy. Blind-tooled calf, slipcase. 1 of 1500 copies. 1937. * Thackeray, William Makepeace. The History of Henry Esmond, Esq. Floral embroidered cloth, slipcase. 1 of 1500 copies. Signed by illustrator Edward Ardizzone. 1956. * Hardy, Thomas. Far From the Madding Crowd. With the laid in engraving, signed by the artist Agnes Miller Parker. Calf- backed boards, slipcase. 1 of 1500 copies. Signed by artist at colophon. 1958. * Hardy, Thomas. Tess of the D’Urbervilles, a Pure Woman Faithfully Presented. Cloth, slipcase. 1 of 1500 copies. Signed by illustrator Agnes Miller Parker. 1956. * Meredith, George. The Shaving of Shagpat. Leatherette- backed boards, slipcase. 1 of 1500 copies. Signed by the illustrator Honore Guilbeau. 1955. Together 7 titles in 8 volumes. New York: Limited Editions Club, Various dates Slipcases have mild to heavy shelf wear; most volumes have light wear to extremities, a few with rubbed, soiled or lightly discolored spines; a few volumes are near fine; overall very good to near fine. (200/300)

161. (Limited Editions Club) Seven titles by English authors. Includes: Wells, H.G. Tono-Bungay. Cloth, slipcase. 1 of 1500 copies. Signed by illustrator Lynton Lamb. 1960. * Kipling, Rudyard. Kim. Leather- backed cloth, slipcase. 1 of 1500 copies. Signed by illustrator Robin Jacques. 1962. * Fielding, Henry. Tom Jones: The History of a Foundling. Limp calf, slipcase. 1 of 1500 copies. Signed by illustrator Alexander King. 1931. * Beerbohm, Max. Zuleika Dobson, or An Oxford Love Story. Cloth, slipcase. 1 of 1500 copies printed at the Garamond Press. Signed by illustrator George Him. 1960. * Sheridan, Richard Brinsley. The Rivals: A Comedy. Cloth, slipcase. 1 of 1500 copies. Signed by illustrator Rene Ben Sussan. 1953. * Browning, Robert. The Ring and the Book. 2 volumes. Morocco-backed boards, slipcase. 1 of 1500 copies printed at the Plantin Press. Signed by illustrator Carl Schultheiss. 1949. * Sheridan, Richard Brinsley. The Rivals and The School for Scandal. Two Comedies. Illustrated by Rene Ben Sussan. Cloth, slipcase. Printed at the Curwen Press for the Heritage Press of New York. N.d. Together 7 titles in 8 volumes. New York: Limited Editions Club, Various dates Nice collection of English literature and drama, all but one signed by their illustrator. Most slipcases are sunned, with light shelf wear, rubbed, and other scattered marks; a few volumes with sunned, rubbed, or soiled spines; most volumes with only light wear to extremities; very good to near fine. (200/300)

162. (Limited Editions Club) Seven titles from European authors. Includes: Wilde, Oscar. The Picture of Dorian Gray. Leatherette-backed boards, slipcase. 1 of 1500 copies. Signed by illustrator Lucille Corcos. 1957. * Scott, Sir Walter. Waverly. Leather, slipcase. 1 of 1500 copies. Signed by illustrator Robert Ball. 1961. * Bennett, Arnold. The Old Wives’ Tale. Cloth-backed boards, dj, slipcase. 1 of 1500 copies. Signed by illustrator John Austen. 1941. * Poems of Heinrich Heine. Morocco-backed boards, slipcase. 1 of 1500 copies. Signed by illustrator Fritz Kredel. 1957. * Sienkiewicz, Henryk. Quo Vadis? Cloth, dj, slipcase. 1 of 1500 copies. Signed by the printer and the illustrator Salvatore

Page 36 Fiume. 1959. * Shaw, George Bernard. Man and Superman [and] The Revolutionist’s Handbook & Pocket Companion by John Tanner. Cloth, glassine dj (torn), slipcase [and] wrappers.1 of 1500 copies. Signed by illustrator Charles Mozley. 1962. * Ibsen, Henrik. Peer Gynt. Half cloth and boards, slipcase. 1 of 1500 copies. Signed by illustrator Per Krohg. 1955. Together 7 titles in 9 volumes. New York: Limited Editions Club, Various dates Slipcases with moderate shelf wear; jackets worn, including dampstains or soiling, and yellowing; except for a few with scuffed spines, volumes are near fine. (200/300)

163. (Limited Editions Club) Seven volumes from American authors. Includes: James, Henry. The Turn of the Screw. Cloth, slipcase. 1 of 1500 copies printed at the Plantin Press. 1949. * Cable, George Washington. Old Creole Days. Together with: The Scenes of Cable’s Romances by Lafcadio Hearn. Calf, slipcase. 1 of 1500 copies. 1943. * Dreiser, Theodore. Sister Carrie. Cloth, slipcase. Spine and front board detached at front hinge. 1 of 1500 copies. Signed by the illustrator Reginald Marsh. 1939. * Benet, Stephen Vincent. John Brown’s Body: A Poem. Cloth, slipcase. 1 of 1500 copies. 1948. * Harris, Joel Chandler. Uncle Remus: His Songs and His Sayings. Cloth, slipcase. 1 of 1500 copies. Signed by the illustrator Seong Moy. 1957. * The Poems of Edgar Allen Poe. Leatherett, slipcase. 1 of 1100 copies. Signed by the illustrator Hugo Steiner-Prag. 1943. * Poe, Edgar Allen. Tales of Mystery & Imagination. Cloth, slipcase. 1 of 1500 copies printed at the Garamond Press. Signed by the illustrator William Sharp. 1941. Together 7 volumes. New York: Limited Editions Club, Various dates Moderate shelf wear to slipcases, some splitting at corners, good to very good; volume spines are generally sunned or moderately rubbed; volumes with light edge wear; very good. (200/300)

164. (Limited Editions Club) Eight titles by English authors. Includes: Pater, Walter, retold by. The Marriage of Cupid and Psyche. Vellum, slipcase. 1 of 1500 copies. Signed by illustrator Edmund Dulac. 1951. * Bunyan, John. The Pilgrim’s Progress. Illustrated by William Blake. Cloth, slipcase. 1 of 1500 copies printed at the Spiral Press. 1941. * Browne, Sir Thomas. Religio Medici. Boards, slipcase (missing spine panel and some of bottom). 1 of 1500 copies printed by John Henry Nash, and signed by him at colophon. 1939. * Bulwer-Lytton, Edward George. The Last Days of Pompeii. Cloth, slipcase. 1 of 1500 copies. Signed by the printer, Giovanni Mardersteig and the illustrator Kurt Craemer. 1956. * Addison, Joseph, Richard Steele and Eustace Budgell. The Sir Roger de Coverley Papers. Cotton over boards, slipcase. 1 of 1500 copies. Signed by illustrator Gordon Ross. 1945. * Austen, Jane. Sense and Sensibility. Cloth, slipcase. 1 of 1500 copies printed at the Spiral Press. 1957. * Thackeray, William Makepeace. The Newcomes. 2 volumes. Cloth, slipcase. 1 of 1500 copies. Signed by illustratorEdward Ardizzone. 1954. * Defoe, Daniel. The Fortunes and Misfortunes of the Famous Moll Fladers. Cloth, slipcase. 1 of 1500 copies. Signed by illustrator Reginald Marsh. 1954. Together 8 titles in 9 volumes. New York: Limited Editions Club, Various dates Some slipcases with moderate to heavy rubbing, chipping, or splitting at corners, others with only mild to moderate shelf wear; a few volume spines sunned, with a few spots of soiling; else very good to near fine. (200/300)

165. (Limited Editions Club) Eight titles by English authors. Includes: Browning, Elizabeth Barrett. Sonnets from the Portuguese. Cloth, slipcase. 1 of 1500 copies. Signed by illustrator Valenti Angelo. 1948. * Thackeray, William Makepeace. The History of Pendennis. 2 volumes. Cloth, slipcase. 1 of 1500 copies printed by W.S. Cowell, Ltd. Signed by illustrator Charles W. Stewart. 1961. * Fielding, Henry. The History of Tom Jones. 2 volumes. Bookplates. 1 of 1500 copies. Signed by illustrator T.M. Cleland. 1952. * Milton, John. Il Penseroso [and] L’Allegro. Two poems printed dos-a-dos. Illustrated by William Blake. Cloth, slipcase. 1 of 1780 copies. 1954. * Trollope, Anthony. The Warden. Cloth- backed boards, slipcase. 1 of 1500 copies. Signed by illustrator Fritz Kredel. [1955]. * Surtees, R.S.

Page 37 The Jaunts and Jollities of that Renowned Sporting Citizen Mr. John Jorrocks. Cloth, slipcase. 1 of 1500 copies. Signed by illustrator Gordon Ross. 1932. * Collins, Wilkie. The Moonstone. Cloth, slipcase. 1 of 1500 copies. Signed by illustrator Dignimont. 1959. * Landor, Walter Savage. Imaginary Conversations. Selected & Introduced by R.H. Boothroyd. Cloth, slipcase. Bookplate. 1 of 1500 copies. Signed by Hans Mardersteig. 1936. Together 8 titles in 10 volumes. New York: Limited Editions Club, Various dates Varied collection from English writers. Slipcases with mild to moderate shelf wear; a few volumes with lightly rubbed or discolored spines; light shelf wear to each; very good to near fine. (200/300)

166. (Limited Editions Club) Eight titles from the Limited Editions Club. Includes: The Essays of Michel de Montaigne. 4 volumes. Translated by George B. Ives. Introduction by Andre Gide. Half calf and boards, slipcase. 1 of 1500 copies. Signed by decorator T.M. Cleland. 1946. * Saint-Simon. The Memoirs of Louis de Rouvroy Duc de Saint-Simon Covering the Years 1691-1723. 2 volumes. Selected, translated and edited by Desmond Flower. Cloth, slipcase. 1 of 1500 copies. Signed by illustrator Pierre Brissaud. 1959. * The Education of Henry Adams: An Autobiography. Cloth, slipcase. 1 of 1500 copies printed at the Merrymount Press. Signed by illustrator Samuel Chamberlain. 1942. * The First Night Gilbert and Sullivan. Containing Complete Librettos of the Fourteen Operas...Together with Facsimiles of the First-Night Programmes. Suede-backed cloth, glassine dj (spine lacking), loose facsimiles housed in drop-back box, each within slipcase. 1 of 1500 copies. 1958. * The Confessions of St. Augustine. Morocco-backed cloth, slipcase. 1 of 1500 copies printed by W.S. Cowell. Signed by illustrator Edy Legrand. 1962. * The Histories of Herodotus of Halicarnassus. Translated by Harry Carter. Cloth, slipcase. 1 of 1500 copies printed by Joh. Enschede en Zonen. Signed by illustrator Edward Bawden. 1958. * Quarto-Millenary. The First 250 Publications and the First 25 Years 1929- 1954. Morocco-backed cloth, slipcase. 1 of 2250 copies. 1959. * Carus, Titus Lucretius. De Rerum Nature, or The Nature of Things. Leatherette, slipcase. 1 of 1500 copies printed by The Ward Ritchie Press. Signed by illustrator Paul Landacre. 1957. Together 8 titles in 12 volumes. New York: Limited Editions Club, Various dates Most slipcases with mild to moderate shelf wear, rubbed, scuffed, or sunned; some volumes with lightly rubbed or sunned spines; else near fine volumes. (200/300)

167. (Limited Editions Club) Eight volumes from European authors. Includes: Goethe, Johann Wolfgang von. Wilhelm Meister’s Apprenticeship: The Thomas Carlyle Translation. Cloth, slipcase. 1 of 1500 copies. Signed by illustrator William Sharp. 1959. * Goethe, Johann Wolfgang von. Faust: A Tragedy. Cloth, slipcase (missing bottom panel). 1 of 1500 copies. Signed by illustrator Rene Clarke. 1932. * Conrad, Joseph. Nostromo: A Tale of Seabord. Linen-backed cloth, slipcase. 1 of 1500 copies. Signed by illustrator ima de Freitas. 1961. * Carlyle, Thomas. The French Revolution: A History. Morocco- backed cloth, slipcase. 1 of 1500 copies. Signed by illustrator Bernard Lamotte. 1956. * Stevenson, Robert Louis. Travels with Donkey. Linen, slipcase. 1 of 1500 copies printed at the Plantin Press. Signed by illustrator Roger Duvoisin. 1957. * Stevenson, Robert Louis. Kidnapped: Being Memoirs of The Adventures of David Balfour. 1 of 1500 copies. Signed by illustrator Hans Alexander Mueller. Bookplate, some of spine label chipped off. 1938. * Alain-Fournier. The Wanderer: Le Grand Meaulnes. Cloth, slipcase. 1 of 1500 copies. Signed by illustrator Dignimont. 1958. * Schreiner, Olive. The Story of an African Farm. Bark cloth, glassine dj (lacks spine), slipcase. 1 of 1500 copies. Signed by illustrator Paul Hogarth. 1961. Together 8 volumes. New York: Limited Editions Club, Various dates Nice collection, each volume signed by its illustrator. Slipcases with moderate shelf wear; a few volumes with rubbed or scratched spines; else near fine volumes in good to very good slipcases. (200/300) Each lot is illustrated in color in the online version of the catalogue. Go to www.pbagalleries.com

Page 38 168. (Limited Editions Club) Nine titles from the Limited Editions Club. Includes: The Koran: Selected Suras. Translated by Arthur Jeffery. Cloth, drop-back box. 1 of 1500 copies. Signed by illustrator Valenti Angleo. 1958. * The Seven Voyages of Sinbad the Sailor. Morocco-backed boards, slipcase. 1 of 1500 copies. Signed by illustrator Edward A. Wilson. 1949. * The Nibelungenlied. Translated by Margaret Armour. Cloth, slipcase. 1 of 1500 copies. Signed by illustrator Edy Legrand. 1960. * Froissart, Sir John. The Crhonicles of England, France, Spain and Other Places Adjoining. Cloth, slipcase. 1 of 1500 copies. Signed by illustrator Henry C. Pitz. [1959]. * The Chronicle of the Cid. Translated by Robert Southey. Cloth, slipcase. 1 of 1500 copies. Signed by illustrator Rene Ben Sussan. 1958. * The Living Talmud: The Wisdom of the Fathers and its Classical Commentaries. Vellum-backed cloth, slipcase. 1 of 1500 copies printed at The Spiral Press. Signed by illustrator Ben-Zion. 1960. * The Book of the People: Popol Vuh. The National Book of the Ancient Quiche Maya. Cloth, slipcase. 1 of 1500 copies printed by the Plantin Press. Signed by illustrator Everett Gee Jackson. 1954. * Cervantes, Miguel de. Don Quixote of la Mancha. 2 volumes. Cloth-backed boards. Spines sunned. 1 of 1500 copies printed by Oliva de Vilanova. Both volumes signed at colophon by illustrator Enric C. Ricart. 1933. * Irving, Frederick C. Aesculapius Inspects the Harvard Medical School. Boards. 1955. Together 9 titles in 10 volumes. New York: Limited Editions Club, Various dates Varied collection, all but one is signed by the illustrator. Light to moderate shelf wear to slipcases; a few volumes with rubbed and lightly worn spines, including sunning; else near fine volumes. (200/300)

169. (Limited Editions Club) Nine titles from the Limited Editions Club. Includes: The Memoirs of Jacques Casa Nova de Seingalt 1925-1798. 8 volumes. Translated by Arthur Machen. Cloth- backed boards, 2 slipcases (4 vols in each). Bookplate in each. 1 of 1500 copies printed by R. & R. Clark. 1940. * Flaccus, Q. Horatius. Odes and Epodes. 2 volumes, 1 octavo volume + a quarto volume containing Pages from Earlier Editions of Horace. In Latin and English, translated by Louis Untermeyer. Cloth-backed boards, glassine djs, both housed in 1 slipcase. 1 of 1500 copies printed at The Thistle Press. 1961. * Boccaccio, Giovanni. The Decameron. Translated by Frances Winwar. 2 volumes. Cloth, slipcase. 1 of 1500 copies. Signed by decorator T.M. Cleland. 1930. * [Virgil] Publius Virgilius Maro. The Eclogues. Translated by C.S. Calverley. Cloth, slipcase. 1 of 1500 copies. Signed by the illustrator Vertes. 1960. * Sophocles. Oedipus the King. Cloth. Translated by Francis Storr. 1 of 1500 copies. Signed by illustrator Demetrios Galanis. 1955. * Plato. The Trial and Death of Socrates. Cloth, dj (spine torn), slipcase. 1 of 1500 copies. Signed by illustrator Hans Erni, and by the printer Giovanni Mardersteig. 1962. * The Romance of Tristan & Iseult as Retold by Joseph Bedier. Morocco-backed cloth, slipcase. 1 of 1500 copies printed at The Thistle Press. Signed by illustrator Serge Ivanoff. 1960. * Meditations of Marcus Aurelius. Morocco-backed boards, slipcase. 1 of 1500 copies. Signed by illustrator Hans Alexander Mueller. 1956. * Ovid’s Metamorphoses. Cloth-backed boards, dj (dampstains on spine), slipcase. 1 of 1500 copies. Signed by illustrator Hans Erni, and printer Giovanni Mardersteig. 1958. Together 9 titles in 18 volumes. New York: Limited Editions Club, Various dates Collection of important works, most signed by their illustrator. Each slipcase with dust, shelf wear, and some soiling; dust jackets suffer some damage to spines; most volumes with lightly rubbed spines; very good to near fine. (200/300)

170. (Limited Editions Club) Ten titles from French authors. Includes: France, Anatole. Crainquebille. Linen, slipcase.1 of 1500 copies. Signed by illustrator Bernard Lamotte. 1949. * Daudet, Alphonse. Tartarin of Tarascon. 2 volumes. Cloth-backed boards, slipcase. 1 of 1500 copies. Signed by illustrator W.A. Diggins. 1930. * Dumas, Alexandre. La Dame aux Camlias: Camille. Cloth, slipcase. 1 of 1500 copies. Signed by illustrator Bernard Lamotte. 1955. * Zola, Emile. Nana. 1 of 1500 copies. Signed by illustrator Bernard Lamotte. 1948. * Dumas, Alexandre. Twenty Years After. Cloth, slipcase. 1 of 1500 copies. Signed by illustrator Edy Legrand. 1958. * Loti, Pierre. An Iceland Fisherman. Cloth- backed boards, slipcase. 1 of 1500 copies. Signed by illustrator Yngve Berg. 1931. * (Stendhal) Beyle, Marie-Henri. The Charterhouse of Parma. Cloth-backed boards, slipcase. 1 of 1500 copies. Signed by

Page 39 illustrator Rafaello Busoni. 1955. * Balzac, Honore de. Old Goriot. Morocco-backed boards, slipcase. 1 of 1500 copies. Signed by illustrator Rene Ben Sussan. 1948. * Flaubert, Gustave. Madame Bovary. Cloth, slipcase. 1 of 1500 copies. Signed by illustrator Pierre Brissaud. 1950. * Flaubert, Gustave. Salammbo. Cloth, slipcase. 1 of 1500 copies printed at the University Press, Cambridge. Signed by illustrator Bawden, Edward. 1960. Together 10 titles in 11 volumes. New York: Limited Editions Club, Various dates Collection of works from master of French literature. Each signed by their illustrator. Moderate shelf wear to slipcases; many spines with rubbing, or light soiling; light wear to extremities to each; very good. (250/350)

171. Lindsay, Jack, translator. Theocritos: The Complete Poems. xxiv, 163 pp. Introduction by Edward Hutton. Illustrated with woodcuts by Lionel Ellis. 11x7¼, green boards. One of 500 copies. Printed in England at the Westminster Press. London: Fanfrolico Press, [1929] Light sunning to spine, a touch of wear to extremities; some cracking at gutters between signatures; else near fine. (200/300)

1675 OXFORD ILLUSTRATED 172. Loggan, David. Oxonia illustrata, sive Omnium celeberrimæ istius universitatis collegiorum, aularum, bibliothecæ Bodleianæ, scholarum publicarum, Theatri Sheldoniani; nec non urbis totius scenographia. Delineavit & sculpsit Dav: Loggan Univ. Oxon. Chalcographus. Coppper-engraved pictorial title-page, 3 (of 4) preliminary leaves with engraved text, & 36 (of 40) double-page copper-engraved plates. (folio) 17¼x10¾, period calf. First Edition. Oxoniae [Oxford]: Theatro Sheldoniano, 1675 “David Loggan’s great work, including forty large, accurate, and interesting illustrations of Oxford, intended partly as a companion volume to Anthony Wood’s ‘Historia et Antiquitates’” (Wing W3385)--Madan. Covers worn, joints cracked, spine ends chipped; lacking plates 10, 14, 21, and 27, as well as a preliminary leaf of engraved text, engraved leaf facing title with top corner replaced affecting engraved shield, a number of plates with slight darkening along centerfold, a few with short crease tears along centerfold, plate 40 torn alongside centerfold; overall very good, plates generally clean, sold with all faults. (5000/8000)

Lot 172

Page 40 173. Maffei, Raffaello. Commentariorum Urbanorum Raphaelis Volaterrani: octo & triginta libri. Woodcut- illustrated title page and initials. (Folio) 12½x8¼, contemporary blindstamped pigskin over boards, raised bands to spine, metal corners and clasps. Paris: Jean Petit & Jodocus Badrus Ascensius, 1511 Study of humanism by the Italian Raffaele Maffei (1455-1522). Period manuscript notes in margins of many pages. Pigskin darkened and rubbed, rubbed extremities; fore edge of title page trimmed, with a few tiny holes; some marginal holes or very light foxing within; very good. (800/1200)

174. Marmontel, [Jean Francois]. Moral Tales. 2 volumes. 247; 244 pp. 5 engraved plates; two additional engraved title pages. (12mo) 5½x3½, period tree calf, spines gilt, morocco labels. London: C. Cooke, No date [late 18th or early 19th century] From Cooke’s Pocket Edition of Select Novels. Light wear to extremities; light foxing; very good. (150/250)

175. Marx, Karl. Capital: A Critique of Political Economy - with leaf that is signed by 18 famous socialists. Volume 1 only (of 2). 8½x5½, re-backed burgundy cloth, original spine laid down. Chicago: Charles H. Kerr, 1915 Tipped in leaf at front is signed by 18 noted Socialists and Communists of the 1920s and 1930s, including: Alexander Trachtenberg, David P. Berenberg, Bertram D. Wolfe, Eugene Wood and daughter, Peggy Wood. Rubbed extremities, corners frayed and bumped; pen marks on edges of page block; underlining within, and marginal ink notations; good. (200/300)

176. Mateer, C.W. A Course of Mandarin Lessons, Based on Idiom. xlix, 714, [1] errata pp. Folding chart, 19¾x32½, laid in. 10½x8, half red, half black leatherette, gilt Chinese characters on front cover. First Edition. Shanghai: American Presbyterian Mission Press, 1892 A very difficult edition to find, and an interesting piece of linguistic history. Originally written by Reverend Mateer to assist the influx of missionaries in China. The color-coded folding chart is titled, “A Comparative Chart of the Sounds in Five Dialects viz: Peking, Nanking, Kiukiang, Tengehow, and Weihien.” Folding chart with 5” tear along one marginal fold, 7½” tear repaired with tape from left margin inward, and 1½” tear at inner fold, a bit yellowed; 3” of volume spine heel detached at one hinge, some soiling to covers, and rubbing; long closed tear to title page, tape repair at gutter of title and pp. i; else very good internally. (200/300)

177. (Mathematics) Garrido, Joao Antonio. Taboada Curiosa, Novamente Reformada, e Augmentada... [x], 188 pp. Woodcut head and tail pieces and initials. (Small 4to) 7¾x5½, later calf, new endpapers. Sixth Printing. Lisbon: Ignacio Nogueira Xisto, 1759 Manual of commercial arithmetic in Portuguese. Spine tips chips, heavily worn extremities, some peeling to calf; ownership sticker on front pastedown; some reinforcements and repairs to very small holes, and chipping along edges of first 10 pages, and rear 10 pages; good. (200/300)

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Page 41 MATHEMATICAL WORK FROM PETRUS RAMUS 178. (Mathematics) Ramus, Petrus (1515-1572). Arithmeticae Libri Duo: Geometriae Septem et Vigniti. [viii], 48, 1-190 pp. Publisher’s woodcut device on title page; woodcut figures and diagrams throughout. (4to) 9x6¾, period morocco, raised bands and gilt to spine. First Edition. Basel: Eusebius & Nicolae fratris haeredes, 1569 Rara Arithmetica, page 330. Heavy edge wear, exposed corners, chipping, separating from pasteboard, spine’s gilt largely rubbed away; name in ink on front pastedown; repair to top edge of title page and page vii; scattered foxing, some yellowing; else very good. (1500/2500)

179. [Mattaire, Michel]. Opera et Fragmenta Veterum Poetarum Latinorum Profanorum & Ecclesiasticorum. 2 volumes. [x], 803; [804]-1752, [19] index pp. Engraved head and tail pieces; initials. (Folio) 14x8½, leather, raised bands, gilt decorated spine panels, and lettered spine labels. London: J. Nicholson, B. Tooke, & J. Tonson, 1713 Latin poetry from the French classicist Michel Mattaire. Each volume with an engraved armorial bookplate. Edge wear, leather peeled away in section across covers, joints starting, spine rubbed a bit; hinges tender; else very good. Lot 178 (300/500)

180. Melander, Otto. Jocorum atque Seriorum, tum novorum, tum Selectorum atque Memorabilium. 2 volumes. 815, [24]; [xii], 521, [18] pp. Copper engraved vignette to title page. (12mo) 5x3, period full vellum with yapp edges, morocco gilt-lettered spine labels. Frankfurt: Wolfgang Hoffman, 1626 Book of anecdotes from the German legal scholar. Darkening and soiling to vellum, spine of Volume 2 detached at one joint; embossed library stamp on each title page; foxing; good. (200/300)

181. [Mercier, Louis-Sébastien]. L’an deux mille quatre cent quarante. Rêve s’il en fût jamais. [iii]-xii, 402 pp. (8vo) 6¾x4, period sheep. Londres [i.e. Paris?]: 1772 Utopian novel set in the year 2440, first published in 1771. Front cover detached, spine and corners worn; lacking half-title, good condition. (300/500)

182. Mexia, Pedro. Les Diverses Lecons de Pierre Messei, Gentilhomme de Sevile, Contenans la Lecture de Variables Histoires, & autres choses Memorables. [x], 361 leaves. Woodcut initials. (8vo) 6½x4, later calf, re-backed with period spine laid down Paris: Vincent Sartenas, 1556 Period spine lacking about 1” at head and heel, moderately rubbed edges, corners very worn; dampstain to fore edge of first few pages, period ink writing on front fly leaf, title page, and in the margins (and underlining) within; good. (300/500)

Page 42 183. (Miniature Books) Fifteen miniature children’s books from the nineteenth century. Includes: Great Truths in Simple Words, for Little Children. 94 pp. 6x4. Covers detached. American Tract Society. * Pictures and Stories for the Young; or Pleasing Tales, in Poetry and Prose. 24 pp. 5¾x3½. S. Babcock. * The Little Housewife and Other Stories. 36 pp. 6x3¾. Leavitt & Allen, 1855. * The Crybaby by Aunt Winnie. 32 pp. 5¼x3½. Covers detached. American Tract Society. * The Young Sailor; or the Sea-Life of Tom Bowline. 16 pp. 4½x2¾. Kiggins & Kellogg. * Bible Happiness; or, Comfort in Affliction. 16 pp. 4¼x2¾. American Tract Society. * Power, P.B. ‘After All’. 24 pp. 4¼x2¾. 10 D’Olier Street. * Happy Home. 7 pp. 4¼x2¾. Pages and wrappers delicate. Turner & Fisher. * The Remarkable History of Elizabeth Loveles. 17 pp. 4¼x2½. Mahlon Day, 1829. * Mary Scott, Eldest Daughter of the Rev. T. Scott, the Commentator. 15 pp. American Tract Society. * A Present for Brother. [8] pp. 2¾x2. B.F. Ells. * The Little Sisters; or Emma and Caroline. 16 pp. 3½x2¼. Sidney Babcock. * A Common Mistake. 8 pp. 3½x2¼. 10 D’Olier Street. * Life on the Farm; In Amusing Rhyme. 8 pp. 3¼x2. Chip to spine. J.S. Redfield. * The Daisy; or Little Rhymes, for Little Readers. 16 pp. 3¾x2¼. S. Babcock. Together 15 volumes. Various places: 19th century Most with small spots of soiling or dampstaining or other small marks, moderate to heavy edge wear to wrappers; most are foxed; good. (150/250)

184. Montgomery, L.M. Anne of Green Gables. viii, 429 pp. (8vo) 7½x5, original brown cloth, paper label on front. First English Edition, from the U.S. sheets. London: Sir Isaac Pitman & Sons, [1908] Covers well worn, soiling, label on front faded and discolored, hinges cracked; soiling in margins and to edges of page block; fair only and offered as is, a well read copy. (200/300)

185. Montrosier, Eugene. Les Peintres Militaires. vi], (82) pp. 20 photogravures, other illustrations full-page and in text. (4to) 11x7½, half green morocco and cloth, spine gilt, top edge gilt. [Paris]: Librarie Artistique, 1881 Military costumes and scenes from around the world, with a number on the American Civil War. Scuffing to corners and spine ends, front joint starting to split at ends; some foxing, bookplate, very good. (200/300)

186. Moore, Thomas, the Poet. The Love of the Angels, a Poem. x, 148 pp. With 4 steel-engraved plates from drawings by Richard Westall, including the added title-page. 8½x5¼, period full red straight- grain morocco elaborately tooled in gilt on both covers with decorative border surrounding a lyre, gilt inner dentelles, all edges gilt. London: Longman, Hurst, et al., 1823 Attractively bound. Some scuffing to joints and extremities; plates foxed with stains to lower corners, also affecting adjacent leaves; bookplate; very good (200/300)

The Buyer’s Premium will be 20% for bids up to $100,000 and 15% for that portion over $100,000.

Page 43 MOTHER GOOSE WITH PRINTS BY LEADING ILLUSTRATORS – 1/300 COPIES 187. (Mother Goose) The Mother Goose Collection of Six Limited Edition Prints. 6 serigraph prints, each in the original glassine folder with printed label; single sheet of letterpress descriptive text. (Folio) 27x20¾, loose, as issued, in the original cloth backed box. Number 16 of 300 copies. New York: Serigrafia, Limited, [1990] A striking portfolio of prints by 6 leading illustrators: Maurice Sendak, Chris Van Allsburg, Barry Moser, Seymour Chwast, Daniel Palavin and Guy Billout. Each print signed by the artist in pencil at lower right. The most ambitious project from fine art publishers Serigrafia, 100 copies were retained for the use of the illustrators, 100 for Serigrafia, and 100 were donated to raise funds for The Children’s Health Fund at an initial offering price of $5000. Some light wear to box; light wrinkle at corners (but well away from images); prints overall fine. (1500/2500)

Lot 187

188. (Music) Seven volumes on music and dance. Includes: Genthe, Arnold. The Book of Dance. 10x6½, blue cloth. International Publishers, 1920. * James, Philip. Early Keyboard Instruments from their Beginnings to the Year 1820. 11x8½, cloth-backed boards. Spine foxed. Peter Davies, 1930. * Songs of the Western Colleges. Introduction by Horace Gillette Lozier & Richard Walton Tully. 10¾x8, green cloth, decorated in red, gold, brown and black. Hinds, Noble & Eldredge, [1902]. * Vieilles Chansons pour les Coeurs Sensibles. Chromolithographed illustrations over sheet music, by Pierre Brissaud. 11¾x9, stiff wrappers, chromolithographed cover labels. Plon-Nourrit & Cie, [1911]. * Tapper, Thomas. The Music Life and How to Succeed in It. 6½x4¾, green cloth. Sticker on title page. Theodore Presser, 1892. * Schacht, Matthias Henriksen. Musicus Danicus eller Danske Sangmester. 11¾x9, wrappers. One of 250 copies. H. Hagerups. 1928. * Amberg, George. Art in Modern Ballet. 12x8¾. cloth, slipcase. Cloth foxed. Pantheon, [1946]. Together 7 volumes. Various places: Various dates A trilingual collection of books with music, about music’s rich history, or dancing. Moderately rubbed extremities to most, including a touch of fraying to spine tips and corners of a few; overall good to very good. (200/300)

Page 44 189. Müller, W[ilhelm]. Die Schöne Müllerin. Unpaginated. Engraved decorative border on title page, 10 engraved plates, plus chapter header vignettes by Otto Forsterling. 14x11, red cloth with raised decoration, and gilt, all edges gilt. Berlin: H. Kuntzmann & Comp., [c.1930] Appears to be an illustrated book of poetry inspired by the music of the Austrian composer Franz Schubert. 1½-2” chip from both head and heel of spine, edge wear and a bit of soiling; hinges tender; name in ink on preliminary blank page, offsetting from plates, scattered foxing; very good. (200/300)

190. (Nash, John Henry) Harlan, Robert D. Chapter Nine: The Vulgate Bible & Other Unfinished Projects of John Henry Nash. 77 pp. With several facsimiles bound in, including folding facsimile tipped in on the rear pastedown. 6¾x4½, cream boards, original glassine dust jacket. One of 500 copies for the Members of the Book Club of California, designed by Abe Lerner. San Francisco: Book Club of California, 1982 Inscribed by the author in the year of publication on front free endpaper. An autographed letter signed from the author written to Don Fleming, is laid in. BCC Publication No. 170. Light creasing to jacket edges; else fine. (200/300)

BEAUTIFULLY PRINTED 18TH CENTURY WORK ON NEWTON 191. (Newton, Isaac) Pemberton, Henry. A View of Sir Isaac Newton’s Philosophy. A4, [a-c]4, [d]1, *A-*B4, B-Z4, Aa-Zz4, Aaa-Fff4. [48], 407 pp. Illustrated with 12 folding copper-engraved plates, plus engraved-title, chapter head-vignettes & decorative initials engraved by J. Pine. (4to) 11x8¼. period tree calf, rebacked with later calf, corners renewed, marbled endpapers. First Edition. London: S. Palmer, 1728 Handsomely printed commentary on the philosophical researches of Sir Isaac Newton’s, first revealed in his Philosophæ naturalis principia mathematica (1687), then in his Optics (1704). The plates herein represent the striking astronomical and mathematical observations of the day. The pictorial head and tail pieces and historiated initials, finely engraved in copper, are quite striking. The engraver, John Pine, was said to have been a pupil of the French engraver Bernard Picart, and was famous for printing a Latin edition of Horace entirely from engraved plates. Dedicated to Walpole. Ownership signature of G.W. Aylmer dated 1804 to front flyleaf. A few scratches to covers, small repair to rear cover; light foxing/soiling to title, near fine, quite clean and Lot 191 fresh internally. (700/1000)

192. Nimrod [Apperley, Charles James]. The Chase, The Road and The Turf. [xxii], 334 pp. Illustrated with portraits, color plates, etc. 10x7¼, red half morocco and tan cloth, spine lettered and decorated in gilt, top edge gilt. Large Paper Copy. London: Edward Arnold, 1898 A reprint of the 1837 first edition. Some light spotting and soiling to binding; very good. (200/300)

Page 45 193. Nimrod [Apperley, Charles James]. Memoirs of the Life of the Late John Mytton. [4], xxii, 238, [1] pp. 20 hand-colored plates after illustrations by Henry Alken. 12¼x9, later three-quarter red morocco and marbled boards by Zaehnsdorf. One of 50 copies of the Large Paper Edition. London: Downey, 1899 Front joint and hinge professionally repaired, rear hinge cracked, small chip to foot of spine, light extremity wear; very good (250/350)

194. (Officina Bodoni) Baskin, Leonard. To Colour Thought. Morocco-backed boards, slipcase. One of 300 copies. New Haven: [Yale University], 1967 Printed in Italy at the Officina Bodoni. With Baskin’s Lurley Manor and Fort Hill bookplates. Inscribed from Leonard Baskin to his brother Bernard at colophon, inscription dated 1983. Fine. (500/800)

SELECTION OF OZ TITLES 195. (Oz) Baum, L. Frank. Dorothy and the Wizard in Oz. Illustrated with 16 color plates & numerous black and white drawings by John R. Neill. 9x6½, light blue cloth, pictorial cover label with metallic gold background; inserted pictorial endpapers in black and yellow. First Edition, First State, First Binding. Chicago: Reilly & Britton, [1908] First state, with advertisement on verso of half-title listing three titles, The Land of Oz, Ozma of Oz, and John Dough and the Cherub; the color plates are captioned. In the first state binding, with “The Reilly &/ Britton Co.” in large and small capitals at foot of spine. Hanff & Greene IV. Spine tips and corners just a touch frayed, light scratches and rubbing to cover label, a few tiny marks of soiling; hinges tender; very good. (300/500)

196. (Oz) Thompson, Ruth Plumly. The Giant Horse of Oz. 283 pp. Illustrated with 12 color plates & numerous black & white drawings by John R. Neill. 9x6½, brick-red cloth, pictorial cover label; black & white pictorial endpapers. First Edition, First State. Chicago: The Reilly & Lee Co., [1928] First state with misprint “Oniberon” for “Quiberon” in frontispiece caption; “r” in “morning” (p.116, line 1) imperfect making this not one of the earliest copies of the first printing. Bienvenue & Schmidt p.110. Front hinge a touch shaken; faint dampstain to upper corner (marginal only, not affecting text or images); very good. (200/300)

197. (Oz) Thompson, Ruth Plumly. Grampa In Oz. 271 + [7] ad (i.e. 4 leaves printed on rectos only) pp. 12 color plates (no color frontis., as issued). 9x6½, light brick-red cloth, pictorial cover label, black & white endpapers. First Edition, First Issue. Chicago: Reilly & Lee, [1924] First issue with plates coated on printed side only; perfect type in numeral on p.171 & in the last word in the next-to-the-last line on p. 189. Bienvenue & Schmidt p.105. Some light wear and soiling, covers a bit bowed, hinges a touch shaken; previous owner’s name; very good. (200/300)

198. (Oz) Thompson, Ruth Plumly. The Hungry Tiger of Oz. 261, [3] pp. + [2] ad leaves. Illustrated with 12 color plates & numerous black & white drawings by John R. Neill. 9x6½, dark green cloth, pictorial cover label; black & white pictorial endpapers. First Edition, First State. Chicago: Reilly & Lee, [1926]

Page 46 First state with plates coated on printed side only; hyphen on the last line of p.21; the word “two” (p.252, last line) in unbroken type, indicating this is one of the “earliest copies” of the first printing. Bienvenue & Schmidt p.108. Some light wear and soiling, cup ring and small piece of paper adhered to rear cover, hinges a bit shaken; light dampstain to upper corner (marginal only, not affecting text or images); very good. (200/300)

199. (Oz) Thompson, Ruth Plumly. Kabumpo in Oz. 297 pp. Illus. with 12 color plates by John R. Neill. 9x6½, blue cloth, pictorial cover label, black & white pictorial endpapers. Chicago: Reilly & Lee, [1922, but 1923] Later state with portrait of Princess Dorothy following ownership leaf, and half-title on p.[299], ampersand of spine imprint in the non-standard type; plates coated on printed side only. Bienvenue & Schmidt p.103. Some light wear and soiling, hinges a touch shaken; short tear to frontispiece; very good. (200/300)

200. (Oz) Thompson, Ruth Plumly. The Lost King of Oz. 280 pp. Illustrated with 12 color plates by John R. Neill. 9x6½, blue cloth, pictorial cover label; black & white pictorial endpapers. First Edition. Chicago: Reilly & Lee, [1925] With imperfect type on the letter “k” on page 193, line 4 making this not one of the earliest copies first printing. Bienvenue & Schmidt p. 107. Some light wear, spine leaning; very good. (200/300)

FIRST EDITION, FIRST STATE, PRIMARY BINDING 201. (Oz) Baum, L. Frank. Ozma of Oz. 270, [blank], + [1] ad pp. Illustrated by John R. Neill with full- page color, and text illustrations. 9x6¾, tan cloth pictorially stamped in black, blue, red and yellow; pictorial endpapers. First Edition, First State, Primary Binding. Chicago: Reilly & Britton, [1907] First edition of the third Oz title. First state with advertisements facing half-title and on last page listing two titles: The Land of Oz & John Dough and the Cherub; illustration on p.[221] in color; pictorial endpapers. In this copy, the “O” in “Ozma,” line five of the Author’s Note on p.11, is present; apparently it dropped out at some point of the first press run, indicating this to be an early copy. Pp. 135-[136], [153]-154 and [221]-222 are all integral; Hanff and Greene indicate that there was apparently smudging or offset to the coloring of those pages which occurred during printing and stacking of the sheets, and the worst of them were excised and replaced after the books were assembled. There is slight smudging to the leaves in question. In the primary binding, with “The Reilly &/ Britton Co.” at foot of spine. Hanff & Greene III. Spine tips and corners frayed, spine and margins a bit darkened, spine leaning a touch; very good. (700/1000)

202. (Oz) Baum, L. Frank. The Wonderful Wizard of Oz. 261 pp. Illustrated by W.W. Denslow with 22 (of 24) inserted color plates, plus numerous duotone illustrations in the text; pictorial pastedowns. 8½x6¼, light green cloth pictorially stamped in green and red. First Edition, Second State. Chicago: Geo. M. Hill Co., 1900 Second state of the immortal first Oz book, with “low wail of...” (p.14, line 1); the word “pieces” spelled correctly (p.81, 4th line from bottom); p.[227] begins with the words “While the woodman...”; imperfect type on last line of pp. 100 & 186; verso of title page with printed copyright notice; and the advertisement facing the title-page is not in a box. The color plate facing p.34 does have the 2 dark-blue blots on the moon (first state); and the plate facing p.92 without red shading on the horizon (second state). Spine imprint has been redrawn by hand and does not match any of the 3 known variants. Cloth with much retouching of color and appears to have been applied to new boards, recased, repairs to spine ends, red lettering of spine imprint applied by hand not matching known variants, front free endpaper inserted possibly from

Page 47 another copy, repaired tear on rear pastedown endpaper; plate called for at page 14 supplied in facsimile and bound in at page 12 in error, plate called for at page 66 inserted at page 64 and with mildew damage (likely supplied from another copy as no similar damage to adjacent leaves is evident), plate called for at page 126 lacking, chips and short tears to several leaves; fair to good only, sold as is. (700/1000)

203. (Oz) Baum, L. Frank. Three Oz titles by Baum - All with dust jackets. Includes: The Lost Princess of Oz. Green cloth, dj. * The Magic of Oz. Yellow cloth, dj. * The Scarecrow of Oz. Grey cloth, dj. Together 3 volumes, all later reprints without color plates. Chicago: Reilly & Lee, Various dates Some wear and chipping to jackets; general light wear to volumes; overall very good. (300/500)

204. (Oz) Thompson, Ruth Plumly. Four Oz titles by Thompson - 2 with jackets. Includes: The Wishing Horse of Oz. Tan cloth, dj. Dj chipped, tear to rear panel. * The Gnome King of Oz. Green cloth, dj. Dj in several pieces, tattered. * The Purple Prince of Oz. Grey cloth. * Pirates in Oz. Blue-grey cloth. Together 4 volumes, all later reprints without color plates. Chicago: Reilly & Lee, Various dates Some general wear; overall very good. (300/500)

205. (Paper) Three fine press volumes on papermaking. Includes: Reed, Ronald. The Nature and Making of Parchment. 11x7½, vellum-backed cloth. One of 450 copies. Includes prospectus. Elmete Press, 1975. * [O’Casey, Ian]. The Nature and Making of Papyrus. 9x5½, linen, leather spine label. One of 495 copies. Signed by O’Casey and printer A.S. Maney. Elmete Press, 1973. * Nevins, Iris. Varieties of Spanish Marbling: A Handbook of Practical Instruction with Twelve Original Marbled Samples. 9x5½, cloth-backed boards, leather spine label. One of 250 copies. Bird & Bull Press, 1991. Together three volumes, one signed. Various places: Various dates Fine. (300/500)

206. Papon, Jean. Recueil d’arrests notables des cours souveraines de France. [xxii], 1367, [93], [8], 77, [7] pp. Woodcut head and tail pieces, initials. (8vo) 9¼x6, period calf, gilt spine. Geneva: Samuel Crespin, 1622 Significant arrests of supreme courts of France. Engraved armorial bookplate on front pastedown. Spine tips chipped, moderately rubbed extremities, joints starting, soiling and dampstains on calf; foxed and yellowed; else very good. (200/300)

207. Pardoux, Barthelemy. Universa Medicina [with] De Morbis Animi. [30], 944, [28], [8], 71, [1] pp. (4to) 9x6½, period full calf. Lyon: Simon Rigaud, 1650 Treatise on general medicine, first published 1630, with a separate section on psychiatric disorders. Binding worn, spine ends chipped, foxing; good. (250/350)

208. Peixotto, Ernest. Five volumes written and illustrated by Ernest Peixotto. Includes: Pacific Shores From Panama. 1913. * Romantic California. New and Enlarged Edition. 1914. * Through Spain and Portugal. 1922. * Our Hispanic Southwest. 1916. * By Italian Seas. Bookplate on half title. 1906. Together 5 octavo volumes, each in green cloth, gilt spines, covers decorated with gilt and cover pictorial label, top edges gilt. All but one a first Edition. New York: Scribner’s, 1906-1922 Moderate wear to spine tips and corners, extremities rubbed; very good. Page 48 (150/250) 209. (Periodical) The Children’s Friend. Includes 24 issues of the penny monthly children’s publication: Numbers 217-228 and 241-252. Illustrated throughout. 8¾x6¾, saddle-stitched wrappers with illustration on front, sheet music on rear. London: Seeley, Jackson & Halliday/S.W. Partridge & Co., 1879 and 1881 Containing the complete run of monthly issues from the years 1879 and 1881. Osborne, I, pp. 400-01. Spines of many are tender, light wear to extremities, with a few marginal spots of soiling; very good. (100/150)

210. Perkins, Lucy Fitch. The Pickaninny Twins. 8¼x6¼, tan cloth decorated in black and pink, color pictorial dust jacket. First Edition. Boston: Houghton Mifflin, 1931 In the hard to find dust jacket. Jacket edges heavily chipped, including 2” chip at spine heel, spine with long tears, repaired with tape on verso, yellowed some, tiny rubberstamp to top corner of rear flap fold; volume a touch leaning, moderately rubbed extremities; name in ink on front pastedown, and preliminary page; very good volume in good jacket. (400/600)

211. Pernety, Antoine-Joseph. Les Fables Egyptiennes et Grecques Dévoilées & réduites au même principe, avec une expliction des Hiéroglyphes, et de la Guerre de Troye. 2 volumes. [2], xvi, 580, [4]; [4], 627, [5] pp. 6½x4, period mottled calf, spines gilt, raised bands, marbled endpapers. First Edition. Paris: Chez Buache, 1758 From the library of the late psychiatrist and author John Weir Perry, signed by him in pencil in each volume, with an inscription in Vol. II, “John Weir Perry, from the library of great grandfather Prof. John W. French.” Covers worn, spine leather chipped, a label and a half lacking, joints cracked; very good. (500/800)

212. Piccolomini, Alessandro. L’Instrumento de la Filosofia. 147, [4] leaves. Woodcut headpiece & printer’s device on title-page. 6x4, period vellum, ink spine title. Venice: Francesco Lorenzini da Turino, 1560 Alessandro Piccolomini (1508 - 1579) was an Italian humanist and philosopher from Siena who promoted the popularization in the vernacular of Latin and Greek scientific and philosophical treatises. Old inscription at foot of title-page inked out; very good or better. (400/600)

213. (Pie Tree Press) Haig-Brown, Roderick L. Alison’s Fishing Birds. 35, [1] pp. Illustrations by Jim Rimmer. 10x7, full green morocco, spine lettered in gilt. One of 500 copies. [Vancouver]: Colophon Books, 1980 One of only two copies bound in full leather by Courtland Benson of Twin Doves Bindery. Signed by Rimmer on tipped in title page illustration (a second copy of this illustration is laid in, also signed). Signed by the author’s daughter, Valerie Haig-Brown, at the close of the preface. Fine. (400/600)

SOME EARLY PRINTED BOOKS 214. Piles, Roger de. The principles of painting... To which is added, The balance of painters. Being The Names of the most noted Painters, and their Degrees of Perfection in the Four principal Parts of their Art...Written originally in French by Mons. du Piles, Author of The Lives of the Painters. And now first translated into English. By a painter. xii, 300, [8] pp. With 2 copper-engraved plates. (8vo) 7½x4¾, period calf. London: J. Osborn, 1743 Binding broken; internally very good. (200/300)

Page 49 215. Platter, Felix. Observationum. [42], 912, [108] pp. (8vo) 6½x4, period full vellum. Basel: Ludwig Lonig, 1641 “Platter’s Observations contains concise but vivid descriptions of a wide variety of diseases, including all then known psychiatric disorders together with their treatment.” Norman 1716 (for 1614 first edition). Some spotting and soiling to vellum; insect damage to a few leaves at rear not impairing legibility, faint marginal dampstaining; very good. (300/500)

216. Pluche, Noël Antoine. Histoire du ciel, où l’on recherche l’origine de l’idolatrie, et les méprises de la philosophie, sur la formation des corps célestes, & de toute la nature. 2 volumes. xxvii, [3], 518, [2]; [4], 495, [3] pp. With 25 copper-engraved plates (numbered I-XXIV with a supplemental plate) all in Vol. I. (12mo) 6½x3½, period leather-backed boards. Third Edition. Paris: Chez la veuve Estienne, 1742 History of paganism and idolotry by the French priest Noël-Antoine Pluche (1688-1761). Spines well worn, joints cracked; internally very good. (300/500)

217. Plutarch. Graecorum, Romanorumque illustrium vitae. [4], 488, [19] leaves. (folio) 14½x9¾, period vellum, leather spine label. Paris: Michaelis Vascosani, 1558 Sixteenth century folio edition of Plutarch’s great work. Vellum discolored with some wear; bookplate of the James V. Brown Library in Williamsport, Pennsylvania, dust soiling to title- page, ink name of Ch. Chaff at top, some minor soiling/foxing within, occasional old ink underlining, very good. (600/900)

218. Porres, Felipe de. Araucana de Don Alonso de Erzilla y Zuniga Cavallero de la Orden de Santiago, Gentilhombre de la Camara de la Magestad del Emperador. [viii], 453 numbered leaves, [12], + imprint. (8vo) 5¾x4, period vellum, yapp edges, title in old manuscript ink on spine. Madrid: Imprenta del Reino, 1632 Each set of endpapers consist of two leaves each from another publication(?): Spanish text written in two columns. Sticker on heel of spine, moderate to heavy rubbing, with a few chips along edges of vellum; creasing, foxing, and some yellowing withing; else very good. (200/300)

219. Pratt, Anne. The Flowering Plants, Grasses, Sedges & Ferns of Great Britain and Their Allies the Club Mosses, Pepperworts and Horsetails. 6 volumes. With over 300 chromolithographed plates. 9x6, original green cloth gilt, all edges gilt. London: Frederick Warne, c.1880 Pratt’s classic work. A little rubbing to extremities, near fine. (500/800)

220. la Primaudaye, Pierre de. Academia Francese, Nella Quale si Tratta della Institution de Costumi... [xiv], 566, [2] pp. Woodcut initials. (4to) 8x5¼, later vellum, gilt title on spine. Venice: Giovanni Guerigli, 1595 STC 1524. Worming holes to spine, small sticker on spine heel, some discoloration to vellum and worn spine tips and corners; early armorial stamp of Giovanni Vincenzo Imperiali on title page; scattered yellowing and foxing within; good. (250/350)

Each lot is illustrated in color in the online versionof the catalogue. Go to www.pbagalleries.com

Page 50 221. (Printing & Book Arts) Thirteen volumes about printing and the book arts. Includes: Silver, Rollo G. The American Printer 1787-1825. Cloth-backed linen. University of Virginia, [1967]. * A Rod for the Back of the Binder: Some Considerations of Book Binding... Cloth. Bookplate. Lakeside Press / R.R. Donnelley & Sons, 1929. * Eckman, James. The Heritage of the Printer. Volume 1 only (of 2). Cloth. North American Publishing Company, 1965. * Johnston, Paul. Biblio Typographica: A Survey of Contemporary Fine Printing Style. Cloth. Rubber stamp on front pastedown, faint dampstain to gutter of title page. 1 of 1050 copies. Covici Friede, 1930. * Gughes-Stanton, Penelope. The Wood- Engravings of Blair Hughes-Stanton. Cloth. 1 of 1750 copies. Privated Libraries Association, [1991]. * The Art of the Book: Some Record of Work Carried out in Europe and the U.S.A. 1939-1950. Edited by Charles Ede. Cloth, dj (price-clipped). Studio Publications, [1951]. * Poortenaar, Jan. The Art of the Book and its Illustration. Cloth. Rubber stamp on front pastedown, foxed. Lippincott, [1935]. * The Dolphin: A Journal of the Making of Books. Number 2. Cloth. 1 of 2000 copies. Limited Editions Club, 1935. * Mueller, Hans Alexander. Woodcuts & Wood Engravings: How I Make Them. Cloth. Bookplate. 1 of 3000 copies. Pynson, 1939. * Goodrum, Charles A. Treasures of the Library of Congress. Cloth, dj. Harry N. Abrams, [1980]. * Updike, Daniel Berkeley. Some Aspects of Printing Old and New. Cloth. Bookplate from Taylor & Taylor. Printed at the Merrymount Press. William Edwin Rudge, 1941. * Vision of a Collector: The Lessing J. Rosenwald Collection... Cloth, plain dj. Includes wrapper-bound prospectus. Library of Congress, 1991. * Roberts, W. Printers’ Marks: A Chapter in the History of Typography. Cloth. Two armorial bookplates and a bookseller’s description pasted to front endpapers, spine sunned. George Bell & Sons, 1893. Together 13 volumes. Various places: Various dates Condition varies, generally very good. (200/300)

222. (Printing) Two works on printing. Includes: Wentz, Roby. Eleven Western Presses. Cloth backed boards. 1956 * Duplicates of Type Specimen Books, Etc....Green cloth. Facsimile of the 1934 edition. One of 275 copies. 1972. Together 2 volumes. Various places: Various dates Some general light wear; very good. (150/250)

223. Proctor, Richard A. The Universe and the Coming Transits: Presenting Researches into and New Views Respecting the Constitution of the Heavens... xiv, 303 pp. Folding plates, showing maps of the stars, including the star map on black paper as the frontispiece; plates showing planetary transit. 8¾x5½, cloth. First Edition. London: Longmans, Green, and Co., 1874 Great plates accompany this text which includes the then current theory of the universe as well as the conditions of the coming transit of Venus. Spine tips and corners frayed, spine yellowed, wear to edges; hinges cracked; frontispiece worn and chipped a touch at outer edge; good. (200/300)

ILLUSTRATED BY ARTHUR RACKHAM 224. (Rackham, Arthur) Grimm Brothers. The Fairy Tales of the Brothers Grimm. xvi, 325, [1] pp. 40 tipped-in color plate with printed tissue guards. 9¾x7¼, rebound in crimson half morocco, original front and rear cloth retained, illustrated free endpapers bound in at front, top edge dyed red. First Constable Trade Edition. London: Constable & Company, 1909 Latimore and Haskell p.34. Some light wear to cloth; one tissue guard detached, a few others with some chipping; very good. (700/1000)

Page 51

You can bid absentee directly from the item description in the online version of the catalogue at www.pbagalleries.com. Or bid during the auction using the Real-Time Bidder. 225. (Rackham, Arthur) Ingoldsby, Thomas [Barham, Richard Harris]. The Ingoldsby Legends. Illustrated by Arthur Rackham, including 24 tipped-in color plates with printed tissue guards and 12 tinted full-page illustrations. 9½x7¼, rebound in full polished red calf, gilt ruled borders, spine gilt, black and green morocco labels, all edges gilt. Bound by Bayntun. First Rackham Trade Edition. London: J.M. Dent & Co., 1907 Light extremity wear, front hinge cracked; very good. (700/1000)

226. (Rackham, Arthur) Shakespeare, William. A Midsummer-Night’s Dream. Illustrated by Arthur Rackham, including 40 tipped-in color plates, printed tissue guards. 9¾x7¼, tan half morocco, spine tooled and lettered in gilt, original front and rear cloth retained, marbled endpapers. First Rackham Trade Edition. London: William Heinemann, 1908 Wear and soiling to original cloth; some foxing; very good. (700/1000)

227. (Rackham, Arthur) Swift, Jonathan. Gulliver’s Travels Into Several Remote Nations of the World. xvi, 291 pp. Illustrated with 12 color plates plus numerous black and white drawings within the text by Arthur Rackham. 9x6¼, full blue morocco bordered in gilt, spine tooled in gilt,, red morocco label, marbled endpapers, top edge gilt. Original free endpapers bound in at front, original gilt stamped pale green front cover cloth bound in at rear. Early trade edition. London: J. M. Dent & Co., 1909 Lattimore & Haskell call for red cloth and a slightly smaller size on their First Trade Edition. Handsomely presented. Some foxing; else very good in a fine morocco binding. (700/1000)

228. (Rackham, Arthur) Walton, Izaak. The Compleat Angler. Illustrated by Arthur Rackham, including 12 color plates, printed tissue guards. 9¾x7½, rebound in three quarter green morocco, spine gilt with fishing devices, original front and rear cloth retained, original illustrated free endapers bound in at front, top edge gilt. First Rackham Trade Edition. London: George C. Harrap & Co., [1931] Fine, handsomely bound copy. Latimore & Haskell, p.66. Some light wear to cloth; near fine. (600/900)

229. Raleigh, Sir Walter. The History of the World in Five Bookes... [58], 555, [1], 669, [29] pp. + folding charts at rear. Extra illustrated title page (from earlier edition); portrait of Raleigh on title page; 5 (of 6) double-page maps; 2 double- page plates; all hand-colored (18th century?). (Folio) 12½x8, reversed calf, gilt-lettered morocco spine label. London: William Jaggard, 1614 [but 1621] Engraved title page from the 1614 edition is mounted to the second blank fly leaf and “The Minde of the Front” is removed and mounted in a similar fashion to another blank fly leaf. STC 20639. Covers detached and heavily worn, extremities rubbed and chipped; bookplate, embossed name on title page; some ink notes in margins; each folding plate with creased or lightly chipped fore edge, a few with long closed stub tears, most with short stub tears; good. (700/1000)

Lot 229

Page 52 230. [Rapin, Rene]. Les Comparaisons des Grands Hommes de l’Antiquite, Qui ont le plus Excelle dans les Belles Lettres. 2 Volumes in 1. xxviii, 305, [3], [xx], 388, [16] pp. Woodcut head and tail pieces, and initials. (4to) 9¾x7¼, full morocco, raised bands and gilt spine. Paris: Francois Muguet, 1684 Second volume titled: Les Reflexions sur l’Elogquence, la Poetique, l’Histoire, et la Philosophie. Spine heavily worn and missing top two panels, corners bumped and chipped; library bookplate on front pastedown, rubberstamp on verso of title page and on page iii; scattered marginal soiling or smudges; else very good. (200/300)

231. Reynolds, Sir Joshua. Discourses Delivered to the Students of the Royal Academy. 138 pp. Mezzotint self-portrait by Reynolds as frontispiece. 8¼x5¼, period half calf & marbled boards. London: M. Arnold, et al., 1831 Binding rubbed; frontispiece dampstained, detached; good to very good. (200/300)

232. Richards, Steve. The Biggest Sycamore: Some Jackson Countiana. [iv], 70 pp. Six original black and white photographs, mounted to pages within. 8¼x6, wrappers. [Jackson County, OH]: [The Author], 1948 Not found in OCLC Worldcat. One of 25 copies, hand made by the author. This copy inscribed by the author to Glenn Adcox, on the title page. Glenn Adcox is one of the “Old Listeners” of the author’s Jackson county yarns, listed in the introduction. Covers detaching, edge wear including creasing and a short closed tear, a few faint spots of soiling; pages a bit rippled from the mounted photographs; else very good. (150/250)

233. Richardson, Jonathan. An account of some of the statues, bas-reliefs, drawings and pictures in Italy, &c. with remarks. By Mr. Richardson, Sen. and Jun. [50], 357, [5] pp. 7½x5, period calf. First Edition. London: J. Knapton, 1722 Binding worn, covers detached; internally very good with light foxing. (200/300)

234. Richardson, Jonathan. Two discourses. I. An essay on the whole art of criticism as it relates to painting. Shewing how to judge I. Of the Goodness of a Picture; II. Of the Hand of the Master; and III. Whether ’tis an Original, or a Copy. II. An argument in behalf of the science of a connoisseur; Wherein is shewn the Dignity, Certainty, Pleasure, and Advantage of it. Both by Mr. Richardson. [16], 153, 174-220; 234 +[2] ad pp. (8vo) 7¾x4¾, period calf. First Edition. London: W. Churchill, 1719 In two parts, each with a separate title page, register and pagination. The text of the first part is continuous despite pagination. The first part is entitled: ’The connoisseur: an essay on the whole art of criticism as it relates to painting’, the second: ’A discourse on the dignity, certainty, pleasure and advantage, of the science of a connoisseur’. In this copy, a3-4 (“To the Reader” and section title of 1st part) are bound in before the general title. Binding well worn, front cover detached; title a bit foxed, internally very good, quite clean except for occasional soiling to top margin. (250/350)

235. Roberts, Kenneth. Sixteen volumes by Kenneth Roberts. Includes: Boon Island. Presentation Edition, signed by the author on blank front fly leaf. Glassine dj. Doubleday, 1956. * 11 first or first trade editions in their dust jackets: Northwest Passage. Dj price-clipped. Signed by the author on the title page. Doubleday, 1937. * Dummy Copy of: Northwest Passage. Inscribed by author on the title page. Doubleday, 1937. * Linda Bailey. Doubleday, 1947. * Henry Gross and his Dowsing Rod. Doubleday, 1951. * I wanted to Write. Dj price-clipped. Doubleday, 1949. * Boon Island. Doubleday, 1956. * Oliver Wiswell. Doubleday, 1940. * The Seventh Sense. Doubleday, 1953. * Moreau de St. Mery’s American Journey (1793-1798). Doubleday, 1947. * The Kenneth Roberts Reader. Introduction by

Page 53 Ben Ames Williams. Doubleday, 1945. * Why Europe Leaves Home: A True Account of the Reasons Which Cause Central Europeans to Overrun America. Dj price-clipped. Bobbs-Merrill, [1922]. * Plus 4 more: Trending into Maine. Illustrations by N.C. Wyeth. Dj. First Revised Edition. Doubleday, 1944. * Cowpens: The Great Morale-Builder. 1 of 400 copies. Westholm Publications, 1957. * Sun Hunting: Adventures and Observations among the Native and Migratory Tribes of Florida... Bobbs- Merrill, [1922]. * Europe’s Morning After. Harper & Brothers, [1921]. Together 16 volumes. Various places: Various dates Nice collection from the popular historical novelist, including 3 that are signed by him, one of those being a Dummy Copy of a novel included in the lot. Most jackets with moderate edge wear, including short closed tears and light chipping, mostly at spine tips; most volumes with light to moderately rubbed extremities, a few with slightly leaning spine; very good. (200/300)

236. [Rowe, Elizabeth]. Friendship in Death: In Twenty Letters from the Dead to the Living... [2] ad, [vi], 472 pp. (8vo) 7¾x5, period full calf. Fourth Edition. London: T. Worrall, 1736 Wear to extremities, joints and hinges cracked; some foxing; good. (200/300)

237. Ruskin, John. The Seven Lamps of Architecture. xii, 205, [1], + 16 ad pp. 14 plates with tissue guards. 10x7, original embossed brown cloth, top edge gilt. First Edition. London: Smith, Elder, and Co., 1849 Later state, without errata slip; the half-sheet announcement for The Stones of Venice is present at rear. Ruskin’s most celebrated book discussing architecture in terms of the lamps of sacrifice, truth, beauty, power, life, memory and obedience. Provenance: Hudson River school artist Robert Walter Weir, signed by him on front flyleaf. Spine a little faded, small gouge to lower edge of front cover, corners just showing; light foxing to some of the plates, very good or better. (500/800)

CONTAINING ILLUSTRATIONS OF RUYSCH’S ANATOMICAL ODDITIES 238. Ruysch, Frederick. Thesaurus Animalium Primus...Het Eerste Cabinet der Dieren. [56], 42, 36, 46, 36, [2], 55, 54 pp. 27 engraved plates. General title page dated 1710, sectional title pages dated 1721, 1722, 1724, 1704, and 1705. 9¾x7¼, period leather backed boards. Amsterdam: Joannem Wolters, 1710 [but later] Ruysch was Professor of Anatomy at Amsterdam. His collection of anatomical and zoological oddities, including the specimens illustrated in this volume, was sold to Czar Peter the Great, many of the specimens still exist today. Spine partially lacking, wear to boards; short tears to folding plates; light foxing; pages untrimmed; very good. (3000/5000)

239. Saavedra Fajardo, Diego de. Idea Principis Christiano-Politici. 599, [5] pp. Copper-engraved title page, as well as many vignette illustrations within decorative frames, within text. (12mo) 5x3, period calf. Amsterdam: Johan Blaev, 1669 Heavy edge wear, spine tips chipped, covers detaching; name in ink at top margin of title page; else very good. (250/350) Lot 238

Page 54 240. Salten, Felix. Bambi: A Life in the Woods. 293, [1] ad pp. Foreword by John Galsworthy. (8vo) 8x5½, original green cloth. First American Edition. New York: Simon and Schuster, 1928 Child’s bookplate on half title; near fine. (200/300)

241. Samuels, Edward A. The Living World: Containing Descriptions of the Several Races of Men, and all Species of Animals, Birds, Fishes, Insects... 2 volumes. Each with a chromolithograph additional title page; many chromolithograph plates of animals. 10¾x7½, half morocco and cloth. Boston: Samuel Walker & Co., 1868 Heavy rubbing to extremities, soiling, removed sticker from heels of spine, lifted some morocco, and dampstain on front cover of Volume II; removed stickers from endpapers, Vol. II lacks rear free endpapers; dampstain in lower corner of first 15 pages in Vol. II; scattered foxing, or other yellow marks, mostly marginal; good. (200/300)

242. Scott, Thomas. A Vindication of the Divine Inspiration of the Holy Scriptures, and the Doctrines Contained in Them: Being an Answer to the Two Parts of Mr. T. Paine’s Age of Reason. 202, [2] ad pp. (12mo) 6½x4, period calf, modern rebacking. Reprinted from the London edition. New York: G. Forman for C. Davis, 1797 Edges worn, hinges reinforced; foxing; very good. (200/300)

243. Scott, Walter. Rokeby; A Poem. [x], 413 pp. (8vo) 8½x5¼, later full tree calf, spine gilt. Fourth Edition. Edinburgh: John Ballantyne, 1813 Initialed inscription on the front fly leaf to Caroline Frances Walpole from her husband Robert Walpole (R.W.), grandson of Horace Walpole. Spine faded, some light wear; occasional foxing; very good. (200/300)

244. Scott, Walter. Three works by Sir Walter Scott. Includes: The Monastery. Second Edition. 1820. * The Fortunes of Nigel. Second Edition. 1822. * The Pirate. Third Edition. 1822. Together 3 titles in 9 volumes. (8vo) 6¾x4¼, uniformly bound in full straight-grained calf, spines gilt, black leather labels. Edinburgh: Various publishers, Various dates Some general wear and fading, joint repaired on one volume; foxing; overall good or better. (400/600)

245. Senault, Jean-François. The Use of Passions. Written in French by J.F. Senault. And put into English by Henry Earl of Monmouth. [46], 432, 431-510 pp. a8 (-a1,±a2), b-c8, B-2K8. Coppper-engraved frontispiece & added pictorial title-page. (8vo) 6½x4, period calf. London: Printed by W[illiam]. G[odbid]. for John Sims, 1671 Translation of De l’usage des passions, the best-known work of Jean-François Senault (1599- 1672), a French Augustinian philosopher. The title-page is a cancel, with horizontal chainlines; leaves b7 & b8 signed A3 and A4 respectively. Wing S2505. Ownership signatures of John Troy, dated 1672 and 1674, to back of the frontispiece and free endpaper verso; ownership signature of Thos. Parker dated 1697 to front pastedown. Joints cracked, spine worn and cracked vertically but cords still holding; overally very good. (300/500)

The Buyer’s Premium will be 20% for bids up to $100,000 and 15% for that portion over $100,000.

Page 55 246. Shelford, Robert. Five Pious and Learned Discourses. [12], 326 pp. (Small 4to) 7¼x5¼, modern tan cloth, early (original?) wrappers bound in. First Edition. Cambridge: University of Cambridge, 1635 STC 22400. Library bookplate, embossed stamp, etc. Some soiling to cloth; light foxing; good. (250/350)

247. (Simmonds, W.G.) Shakespeare, William. Shakespeare’s Tragedy of Hamlet. xxvii, [1], 165 pp. 30 tipped in color plates by W.G. Simmonds. (4to) 11x8¾, original full gilt stamped vellum, slipcase. One of 250 copies. London: Hodder & Stoughton, [c. 1910] Signed by the illustrator at limitation statement. Lacking ribbon ties, front hinge shaken, separation in gutter between free endpapers and page block; else very good. (500/800)

248. [Simpson, Edmund E.] MacNooder, J. Oglethorpe, pseud. Spoonapropnaglisms. [8] pp. 9½x6, orange wrappers, with cream cover label, title printed in red. First Edition. One of 90 copies, printed by Edmund Simpson. Sacramento: Blackwood Press, 1970 Inscribed on the front free endpaper, “with compliments of the editor,” and numbered Copy #60 out of 90 copies, or as the colophon states, “about 90 copies.” Scarce publication, only three copies of this edition found by OCLC WorldCat. A book of the accidental transposition of sounds that the introducer/editor has termed Spoonapropnaglism. This is a combination of the words spoonerism (in reference to Rev. William Spooner) and malapropisms. Light smudges on wrappers, few faint stains on cover label, a touch of creasing at edges; very good. (300/500)

249. Simson, Robert. The Elements of Euclid; Viz. the First Six Books, Together with the Eleventh and Twelfth. xii, 513, [3] ad pp. Several folding plates. (8vo) 8x5, modern pig skin backed marbled boards. Twenty- second Edition. London: J. Collingwood, et al, 1827 The author was Emeritus Professor of Mathematics in the University of Glasgow. Some foxing; very good in a fine modern binding. (200/300)

ADAM SMITH’S IMPORTANT WORK ON ECONOMICS 250. Smith, Adam. An Inquiry in the Nature and Causes of the Wealth of Nations. 3 volumes. [8], 391; [8], 524, [3] ad; [4], 412 pp. Half- title present in Volume 1 as called for. (8vo) 8¼x5¼, period full calf, modern rebacking. First Dublin Edition. Dublin: Whitestone, Chamberlaine, et al, 1776 First Dublin edition of Smith’s landmark work, described by Printing and the Mind of Man as “the first and greatest classic of modern economic thought”. PMM 221 (1776 London edition). One of only 3 editions (English, Irish and German) published in 1776, the second edition not published until 1778. Ownership signatures of Ramsay Williamson (1778), Henry J. Cox (1883), Thomas Williamson (not dated but in the intervening years). Edges worn; repair to title page of Volume 2, foxing; very good. (7000/10000)

Lot 250

Page 56 251. [Smollett, Tobias]. The History and Adventures of an Atom. 2 volumes. viii, 227; [ii], 190 pp. (12mo) 6½x4, period calf, all edges gilt. First Edition, First Issue. London: Robinson and Roberts, 1749 [but 1769] First issue with the erroneous date of 1749. Half title in Volume II only. Rothschild 1923. Many spine panels missing or chipped, all covers detached but present, lightly rubbed extremities; internally very good. (400/600)

252. (Society of Private Printers) The Fifth Exchange of the Society of Private Printers: Chap-Books. Consists of introductory volume with list of titles, plus the complete set of 28 volumes. Each is 6¼x4, in wrappers, and housed within a cloth chemise, and slipcase with pictorial spine label. Various places: Cuckoo Hill Press, 1986 Each volume with its own limitation statement, published at various fine presses across the world. Fine. (150/250)

253. Somner, William. A Treatise of Gavelkind, Both Name and Thing. [xiv], 136, [4], 216, [8] index pp. (4to) 8½x6½, modern cloth. Second Edition. London: F. Gyles, et. al., 1726 Goldsmiths’, 6439. Ex-library: call number on spine, bookplate, perforated stamp on titled page; long closed tear (6”) across title page, repaired at verso, dampstain to gutter margin of all pages, foxed; fair. (200/300)

254. (Speculative Philosophy) The Journal of Speculative Philosophy. Vol. I, No. 1. 64 pp. 9¾x6¼, original printed wrappers. St. Louis: 1867 Scarce first issue, with writings on Herbert Spencer, Bonard, Hegel, Schopenhauer, Goethe, etc. Wear and darkening to wrappers, good to very good. (100/150)

255. Spier, Jo. West: Met Tekst Van Piet Bakker. Profusely illustrated with plates from paintings and drawings by Jo Spier, a few in color. 12x9¼, cloth, dust jacket. Amsterdam: Uitgevers Maatschappij Elsevier, 1948 Original yellow dust jacket features a color illustration by Jo Spiel of two women in brightly colored clothing. Lightly chipped jacket edges, some tiny closed tears, small tape repairs on verso at edges, a few marks to rear panel, and lightly sunned spine and else where; light wear to extremities and endpapers; else a near fine volume in very good jacket. (300/500)

256. (Sports) Three volumes about sports from the early 20th century. Includes: Knight, Albert E. The Complete Cricketer. Photogravure frontispiece, photograph plates. Cloth. Methuen & Co., [1906]. * Hawk, Philip B[ovier]. Off the Racket: Tennis Highlights and Lowdowns. Photogravure frontispiece, photograph plates, folding chart. Cloth. Inscription and other ink on front free endpaper. American Lawn Tennis, Inc., 1937. * Paret, J. Parmly. Methods and Players of Modern Lawn Tennis. Photogravure frontispiece, photograph plates. Second Edition. American Lawn Tennis, 1922. Various places: Various dates The last volume with an original 1923 silverprint photograph of William M. “Little Bill” Johnston mounted to front pastedown, gift inscription from previous owner on front free endpaper, with a tipped in newspaper article. Moderate to heavily rubbed extremities; edges of page blocks a touch soiled; good to very good. (100/150)

Page 57 ANOTHER IMPORTANT WORK IN THE FIELD OF ECONOMICS 257. Steuart, James. An Inquiry into the Principles of Political Oeconomy: Being an Essay on the Science of Domestic Policy in Free Nations. 2 volumes. xv, [13], 639; [16], 646, [13] pp. One folding table of coins at rear each volume. (4to) 11½x9, Vol. I in modern library cloth, Vol. II in re-backed period morocco, partial spine laid down. First Edition. London: A. Millar and T. Cadell, 1767 First Edition of a monumental work on economic science. Steuart’s Inquiry anticipated Adam Smith’s The Wealth of Nations, which appeared nine years later. Sabin, 91387. Heavily rubbed extremities, Vol. II chipped at spine tips and corners, and hinges cracked; library bookplate in each, perforated library stamp on title pages; number rubberstamp to leaf after title page in both; scattered foxing; else internally very good. (2000/3000)

Lot 257

258. Stevenson, Robert Louis. Virginibus Puerisque and other Papers. [10], 110, [1] pp. With 12 color plates by Norman Wilkinson; printed tissue guards. 10x7½, original thin vellum lettered in gilt, cloth ties, top edge gilt, others untrimmed. No. 82 of 250 copies printed on Aldwych handmade paper. London: Chatto & Windus for the Florence Press, 1910 Normal discoloration to vellum, spine ends bumped a touch, silk placemark detached but present; near fine. (300/500)

259. Stowe, Harriet Beecher. Uncle Tom’s Cabin. xxiii, [1], 391 + [1] ad pp. With 27 wood-engraved plates by George Cruikshank; wood-engraved frontispiece portrait, title-page vignette. 7½x4¾, later full tan calf ruled in gilt, spine elaborately tooled in gilt, raised bands, morocco lettering pieces, gilt inner dentelles, top edge gilt, original cover cloth at rear; bound by Riviere. First Cruikshank Edition. London: John Cassell, 1852 Cruikshank’s inimitable illustrations highlight this American classic, perhaps the most influential of all American books; published the same year as the first edition, along with fifteen other editions the same year, such was the sweeping popularity of the book. Some light dampstaining to covers, joints a bit rubbed; very good. (300/500)

260. Swaysland, W. Familiar Wild Birds. Four volumes in two. Illustrated with color plates. 7½x5¼, modern cloth backed marbled boards, paper spine labels. London: Cassell and Company, 1903 Series 1 through 4 of Swaysland’s popular ornithological work. Some wear at extremities, short tear to half title of second volume; foxing; very good. (250/350)

Page 58 261. [Swift, Jonathan]. A Tale of A Tub, Written for the Universal Improvement of Mankind. To which is added, An Account of a Battel Between the Antient and Modern Books in St. James’s Library. [12], 322 pp. (8vo) 7½x4½, 18th/early 19th century paneled calf gilt, spine tooled in gilt, raised bands, morocco lettering pieces, marbled endpapers. Second Edition. London: Printed for John Nutt, 1704 With initial advertisement leaf: Treatises writ by the same author... Teerink-Scouten, 218. Covers detached, rubbed, spine with some wear and a few wormholes; some mostly marginal worming within, else very good overall, suitable for repair. (300/500)

262. [Swift, Jonathan]. A tale of a tub. Written for the universal improvement of mankind. To which is added, An account of a battel between the antient and modern books in St. James’s Library. 310, 36 pp. With 8 copper- engraved plates. (12mo) 5¾x3¾, period calf giltstamped with small monogram “M”. [London?]: Anno M.DCC.XI [1711] One of several variants, exhibiting the following attributes, among others: the quote from Lucretius on titlepage begins “Juvat que”; “Highness” on p.16, line 3 from top; “vour” on p.50, line 1 from top; “Vain” on p.69, line 3 from foot; “Pains” on p.69, line 7 from foot; “viderere” on p.164, line 21 from top; “nicely” on p.207, line 5 from foot. Includes: “A discourse concerning the mechanical operation of the spirit.” Bound in at rear is “A Complete Key to the Tale of a Tub,” 1714. Covers rubbed, front detached; old ink ownership signature (“Mary Trenchard”?) to top of title-page, more recent one to front flyleaf; internally very good. (250/350)

263. Symmachus, Quintus Aurelius. Epistolarum ad diversos libri decem... cura & studio Francisci Iuret... [12], 371, 118, [17] pp. Large woodcut printer’s device on title-page. (4to) 8¼x5¼, early tree calf, spine tooled in gilt, marbled endpapers. Paris: Nicholas Chesnau, 1580 Second edition of these letters of Quintus Aurelius Symmachus, the fourth century African proconsul, presenting a vivid picture of paganism in Rome. He was one of the last defender of paganism against the Christian emperors. Symmachus protested against the removal of the statue and altar of victory from the Senate House by Gratian, and requested Valentian II to restore them. St. Ambrose replied to him in two letters printed in this volume, and Prudentius wrote a poetic refutation, also printed here. First published in 1577; edited by François Iuret, a French lawyer who was employed on embassies to Queen Elizabeth I of England. Adams S2198. Joints and edges rubbed, spine ends a little chipped; light marginal stain to title-page, small repair at lower edge, a few leaves within darkened or lightly foxed, very good or better. (600/900)

Lot 263

Page 59 ONE OF 1000 INSCRIBED COPIES OF INK & BLOOD 264. Szyk, Arthur. Ink & Blood. A Book of Drawings. [14], 18, [3] pp. + 4 color plates and 70 monochrome plates. Also with a color frontispiece depicting Szyk at work. With a prefatory text by Struthers Burt. 12¼x9, original morocco, top edge gilt, spine gilt-lettered; original batik-printed board slipcase. One of 1000 inscribed and signed copies. New York: Heritage Press, This copy inscribed for John W. Stanton. Important post-Holocaust drawings by Szyk. As Burt wrote in the introduction: “This book...these cartoons, the words that accompany them...have a much deeper purpose than to deride and reveal our recent enemies”...”this is NOT A WAR-BOOK, although most of the cartoons were drawn in the time of war. This is a PEACE-BOOK; a book for the parlous years that follow upon war...” Some wear and fading to slipcase; light wear to joints; very good. (1200/1800)

Lot 264 265. (Telephone Catalogue) Telefon Fabrik Automatic. [iv], 94 pp. Diagram illustrations within of the various models for sale. 12½x9½, aqua cloth, lettered in gilt, with photograph roundel laid down on front cover. Copenhagen: Telefon Fabrik Automatic, 1914 Telefon Fabrik Automatic of Copenhagen’s catalogue of telephones and associated parts. Written in three languages (three columns on each page): English, French, and Swedish. Moderately rubbed extremities; small rubberstamped number “895” on rear pastedown; very good. (200/300)

266. Thomson, James. The Seasons. xlviii, 256 pp. 7 engraved plates, including frontispiece. (8vo) 7¾x4¾, period full calf, spine gilt, morocco spine label. London: J. Murray, 1793 With an essay on the poem by J. Aikin. Extremities rubbed; light foxing; very good. (200/300)

267. Thomson, James. The Works of James Thomson. 4 volumes. Several engraved plates. (12mo) 6¾x4, period full calf, red moroco labels. London: W. Boyer, et al, 1773 With an account of the life of the author. Some wear to bindings, repair to spine on Volume 2; light foxing; very good. (300/500)

268. (Tiny Library) Tiny Library: A Weekly Journal for the Entertainment and Instruction of Young Persons. 4 volumes in 2. viii, 248, viii, 248; viii, 232, viii, 248 pp. Engraved illustrations throughout by W.G. Mason and others. 5¾x4½, half morocco and boards, gilt spines. First Edition. London: C. Wood and Co., 1846-1847 Contains weekly issues from March 7, 1846-February 1847. Heavy wear to boards, spine tips and corners moderately rubbed, some corners exposed; Volume III missing title page; else very good. (300/500)

Page 60 269. (Trade) Considerations Touching Trade, With the Advance of the Kings Revenue, and Present Reparation of His Majestie. 16 pp. 7x5¼, disbound. [London]: 1641 [but 1642] Wing C5921. Ink writing at bottom edge, and some faint marks along fore edge of title page; scattered foxing; else very good. (200/300)

TASHA TUDOR’S FIRST BOOK 270. Tudor, Tasha. Pumpkin Moonshine. [42] pp. Illustrated in color by the author; calligraphic text by Hilda Scott. 4½x3¾, “calico” blue cloth with white polka dots, lettering in red, color pictorial dust jacket. First Edition. New York: Oxford University Press, [1938] Tasha Tudor’s first book, and the first in the Calico series. The adventures of Sylvie Ann, who sought out the largest pumpkin she could find for Halloween. Sylvie Ann was Tudor’s real-life niece, who came from Scotland to visit her grandmother in Connecticut every summer - Tudor wrote this for her niece, and had it bound up in calico, then decided to have it published, at which she succeeded after long effort. Irregular darkening/discoloration to jacket; volume with a touch of rubbing to extremities, else fine in very good jacket. (2000/3000)

271. Uker, William H. All About Coffee. xiv, 818 pp. Profusely illustrated from photographs; 4 color plates including frontispiece. 10x7, cloth, dust jacket. Second Edition. New York: The Tea & Coffee Trade Journal Lot 270 Company, 1935 Reference book on all things coffee, by the author of “All About Tea.” This is the revised edition of the 1922 first printing, with additional illustrations, changes to the bibliography, and new material. Jacket spine sunned, long closed tears at edges, including 4” at top edge of front panel, and one at each the head and heel of spine; slight shelf wear to volume; very good. (200/300)

272. Uwins, David. Modern Medicine: containing a Brief Exposition of the Principal Discoveries and Doctrines that have occasioned the Recent Advancement of Medical Philosophy, with Strictures on the Present State of Medical Practice, and an Enquiry how far the Principles of the Healing Art may become the Subjects of Unprofessional Research. vii, [1], 199, [1] pp. 8¼x5, period half calf & marbled boards. First Edition. London: Samuel Tipper, 1808 The author was a pioneer of homeopathic medicine. Spine label lacking, scuff to front board; some foxing within, very good. (200/300)

273. Very, Lydia L. Red Riding Hood. [16] pp. Color lithographed throughout, including color lithographed wrappers. 6¾x2¼, die-cut “shaped book.” Boston: L. Prang & Co., [1863] Charming edition of Little Red Riding Hood, an uncommon early shaped book. This is the first book issued by Louis Prang, and the first of his shaped series. Light edge wear, small discoloration on front wrapper; one smudge on middle of one page; very good. (600/900)

Page 61 274. Wagenseil, Johann Christof. Tela Ignea Satanae. Hoc est: Arcani, & horribiles Judaeorum adversus Christum Deum, & Christianam Religionem Libri Anekdotoi. 5 parts in 1. Title-page printed in red and black; text in Latin and Hebrew. (4to) 8¼x6¼, period blindstamped vellum. First Edition. Altdorf: Joh. Henricus Schonnerstaedt, 1681 Wagenseil’s most important work, a collection of works written by Jews for use in Jewish- Christian disputations and controversies. Brunet V, 1397; Caillet 11323. Vellum soiled; lacking the portrait, soiling to general title, very good. (400/700)

275. Walton, Isaac and Charles Cotton. The Complete Angler; or the Contemplative Man’s Recreation. xv, [1], 445 pp. With 8 etched plates; numerous wood engravings in the text. [bound with, as issued] Jackson, John. The Practical Fly-Fisher, more particularly for Grayling or Umber. [2], 16 pp. With 10 hand-colored engraved plates. 8x5, later full green levant morocco tooled in gilt, raised spine bands, gilt inner dentelles, marbled endpapers, top edge gilt; bound by Worsfold. London: John C. Nimmo, 1889 Attractive edition of the most famous of all angling books. Sine faded, thin scratch to rear cover, light foxing to flyleaves and page edges, very good or better. (250/350)

276. Waugh, Evelyn. Basil Seal Rides Again or The Rake’s Regress. Color frontispiece by Kathleen Hale. (4to), blue cloth. One of 1000 copies. First American Edition. Boston: Little, Brown, [1963] Signed by Evelyn Waugh at limitation statement. Spine and top edge of front cover sunned some; else near fine. (250/350)

277. Whitaker, Alma. Bacchus Behave! The Lost Art of Polite Drinking. [vi], 140 pp. 8x5½, pink cloth, blue drawing on front cover. First Edition. New York: Frederick A. Stokes Company, 1933 A post-Prohibition era guide for hostesses, with a lovely blue cover drawing. With a tiny Los Angeles bookseller’s label on rear pastedown. Spine slightly yellowed, a touch of shelf wear; endpapers a touch faded; else near fine. (200/300)

278. Wolff, Christian. Auszug aus den Anfangs-Gruenden aller Mathematischen Wissenschaften... [12], 740, [24] pp. 45 (of 46?) folding engraved plates. (8vo) 7x4¼, period sheep. Halle: Rengerische Buchhandlung, 1772 Abridged edition of Wolff’s popular 1710 mathematics text. Covers worn; pages browned, notes in an early hand; good. (200/300)

279. Wright, Horace. The Fruit Grower’s Guide. 2 volumes. 336; 337-682 pp. 24 color plates. 10¾x7¼, original green cloth stamped in gilt and blind. London: Virtue & Company, [c.1922] Revised edition of the 1892 First Edition. Lightly rubbed spine tips and corners, corners bumped; foxed edges of page blocks; bookplate in; Vol. I front hinge cracked; lightly foxed within; else very good. (200/300)

Page 62 Notes

Page 63 Page 64 Page 65 CONDITIONS OF SALE The property listed in this catalogue will be sold by PBA Galleries, Inc. (hereinafter Galleries) as agent for others upon the following terms and conditions as may be amended by notice or oral announcement at the sale:

1. All bids are to be per lot as numbered in the catalogue.

2. As used herein the term “bid price” means the price at which a lot is knocked down to the purchaser and the term “purchase price” means the aggregate of (a) the bid price (b) a premium of twenty percent (20%) of the bid price payable by the purchaser, and (c) unless the purchaser is exempt by law from the payment thereof, any California state or local sales tax except where sold to a purchaser outside of California and shipped to the purchaser.The Galleries have been authorized by the consignor to retain, as part of remuneration, the 20% premium payable by the purchaser.

3. Property auctioned by the Galleries is often of some age.Prospective bidders should personally inspect such property to determine its condition and whether it has been repaired or restored.Any information provided by the Galleries or its employees is for the convenience of bidders only and should not be relied upon. ALL PROPERTY IS SOLD “AS IS” AND NEITHER THE GALLERIES NOR THE CONSIGNOR MAKES ANY WARRANTIES OR REPRESENTATIONS OF ANY KIND OR NATURE WITH RESPECT TO THE PROPERTY OR ITS VALUE, MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE, OR WHETHER THE PURCHASER ACQUIRES ANY COPYRIGHTS.IN NO EVENT SHALL THE GALLERIES OR THE CONSIGNOR BE RESPONSIBLE FOR CORRECTNESS OF DESCRIPTION, GENUINENESS, ATTRIBUTION, PROVENANCE, AUTHENTICITY, AUTHORSHIP, COMPLETENESS, CONDITION OF THE PROPERTY OR ESTIMATE OF VALUE.NO STATEMENT (ORAL OR WRITTEN) IN THE CATALOGUE, AT THE SALE, OR ELSEWHERE SHALL BE DEEMED SUCH A WARRANTY OR REPRESENTATION, OR ANY ASSUMPTION OF RESPONSIBILITY.HOWEVER, notwithstanding this condition and subject to the further provisions of this paragraph as set forth below, property may be returned by the purchaser, the sale rescinded and the purchase price refunded under the following conditions: (1) printed books which prove upon collation to be defective in text or illustration (provided such defects are not indicated within the catalogue or at the sale), and (2) autographs which prove not to be genuine (if this can be demonstrated and if not indicated in the catalogue or at the sale).Printed books are not returnable for defects not affecting text and illustration, including, but not limited to, lack of half-titles, lists of plates, binder’s instructions, errata, blanks, or advertisements.No returns will be accepted unless written notice, by registered mail or receipted courier, is received by the Galleries within fourteen (14) days of the sale of the property and the property is returned in the same condition as it was at the time of sale.NO LOT IS RETURNABLE ON ACCOUNT OF PROPERTY INCLUDED BUT NOT SPECIFICALLY NAMED AND DESCRIBED IN SUCH LOT.LOTS CONTAINING THREE OR MORE TITLES, WHETHER NAMED OR UNNAMED, AND SELLING FOR ONE HUNDRED FIFTY ($150) OR LESS, EXCLUSIVE OF BUYER’S PREMIUM, ARE SOLD NOT SUBJECT TO RETURN FOR ANY REASON.

4.Photographs, prints and other fine art multiples are sold in compliance with California law, and the Galleries’ catalogue descriptions of such multiples conform to the applicable provisions of that law.

5. Any right of the purchaser under this agreement or under the law shall not be assignable and shall be enforceable only by the original purchaser and not by any subsequent owner or any person who shall subsequently acquire any interest. No purchaser shall be entitled to any remedy, relief or damages beyond return of the property, recision of the sale and refund of the purchase price; and, without limitation, no purchaser shall be entitled to damages of any kind.

Page 66 6. If we are prevented by fire, theft or any other reason whatsoever from delivering any property to the purchaser, our liability shall be limited to the sum actually paid by the purchaser.

7. Books and other property purchased are to be removed at the close of each Sale unless shipping instructions are received by the Galleries before such sale.If not removed, property will be held at the sole risk of the purchaser and no responsibility is assumed if such goods are lost, stolen, damaged, or destroyed.The Galleries will facilitate shipment of property to out-of-town purchasers at an additional packing charge plus carriage and insurance, but will not be responsible for any loss or damage resulting from the shipping thereof in excess of the amount of the insurance.

8. Payment terms:All items are to be paid for by (a) cash, (b) cashier’s check, (c)credit card, or (d) personal check with approved credit, and all accounts are due when bills are rendered. MERCHANDISE WILL BE SHIPPED AFTER PAYMENT HAS BEEN RECEIVED.

9. We reserve the right to reject a bid from any bidder.The highest bidder acknowledged by the auctioneer shall be the purchaser.In the event of any dispute between bidders, or in the event the auctioneer doubts the validity of any bid, the auctioneer shall have the sole and final discretion either to determine the successful bidder or to re-offer and resell the article in dispute. If any dispute arises after the sale, our sales records shall be conclusive in every respect.

10. Unless the Sale is advertised as a sale without reserve, each lot is offered subject to a reserve. MOST LOTS OFFERED BY THE GALLERIES HAVE A MINIMUM RESERVE OF ONE- HALF THE PRESALE LOW ESTIMATE .The Galleries do not accept reserves of more than the low estimate nor allow consignors to bid on their own items.

11. To prevent inaccuracy in delivery or inconvenience in the settlement of a purchase, no lot can be transferred.Each buyer must pay for the whole of his purchases before any lot can be removed.

12. As a service to clients unable to attend the Sale, we will accept absentee bids without charge in advance of the sale by telephone, mail, fax, email or in person.All bids must state the highest bid price the bidder is willing to pay.“Buy” bids are not accepted.Please check bid sheets carefully to make sure you have the correct lot numbers and that the sheet is legible.The Galleries reserve the right to refuse to undertake absentee bids, and shall in no event be responsible for failure to execute such bids or for any error that may occur when executing them.Unsuccessful absentee bids will not be acknowledged.

ALL SALES HELD BY PBA GALLERIES ARE CONDUCTED PURSUANT TO SECTION 2328 OF THE COMMERCIAL CODE AND SECTION 535 OF THE PENAL CODE OF THE STATE OF CALIFORNIA CONSIGNING BOOKS TO PBA GALLERIES The first step in consigning to PBA is to contact the Galleries, either by phone, fax, email or letter. It can then be determined whether the item or items under consideration would do well at auction. Following this, arrangements can be made for the delivery of the material to PBA. In the case of large consignments or libraries, a member of the staff may be able to view the books on location, and make arrangements for its transportation to PBA Galleries. Because of the costs involved, PBA discourages consignments with a total value of less than $1500. The frequency of auctions, and variety of subject matter, allows PBA Galleries to ensure quick turn-around time for items consigned. Books can appear at auction as quickly as 30 days and generally not more than 90 days following consignment. Commissions vary between 10% and 15%, depending on the selling price of an item.These commissions encompass all related costs including insurance, storage, cataloguing, illustrations, etc., except shipping. Payment is sent within 20 banking days of an auction.

Page 67 BId Sheet 133 Kearny Street, 4th Floor Sale #:______San Francisco, CA 94108 Sale Date:______Phone: (415) 989-2665 Fax: (415) 989-1664 www.pbagalleries.com

Name:______Bidder#:______Cust Id#______Company:______Shipping address (if different from mailing address) Address:______Address:______City:______State:______Zip:______City:______State:______Zip:_____

Is either a new address? Yes No

Day Phone:______Home Phone:______Cell:______

Email:______Fax:______

Are you a dealer purchasing for resale? Yes No (if yes) I hereby certify that all tangible personal property purchased by me will be for resale and is not subject to California Sales Tax, and that I hold Sellers Permit #______

1. PBA Galleries is hereby authorized to bid on the following lots up to the price stated. 2. All bids shall be treated as offers made subject to the Conditions of Sale. 3. These bids will not be executed unless this form is signed. 4. A 20% Buyer’s Premium will be charged on all lots sold.

PLEASE EXECUTE THESE BIDS ON MY BEHALF. ______SIGNATURE

CHECK HERE TO INCREASE BIDS BY ONE INCREMENT IN CASE OF TIE______

Please charge my credit card for my purchase: Visa Mastercard Discover Credit Card #:______Exp. Date:______Signature______Please use this card for all future purchases

LOT NUMBER LOT NUMBER LOT NUMBER In numerical order BID AMOUNT In numerical order BID AMOUNT In numerical order BID AMOUNT

Bid Increments $00 to $200...... $10 $2000 to $5000...... $250 $200 to $500...... $25 $5000 to $10,000. . . . . $500 $500 to $1000...... $50 $10,000 to $20,000. . . $1000 $1000 to $2000. . . . $100 $20,000 to $50,000. . . $2500 Note: Bids not matching the above increments will be rounded down to the nearest increment.

Page 68 The Buyer’s Premium will be 20% for bids up to $100,000 and 15% for that portion over $100,000. Page 69