CATALOGUE 118 FINE ILLUSTRATED BOOKS May 2009

Home , Golden Cockerel Press

Telephone: (03) 9809 1367 P.O. Box 1178 Facsimile: (03) 9889 0852 Hartwell Victoria 3124 E-mail: [email protected] Australia Web: www.hincebooks.com.au CATALOGUE 118 FINE ILLUSTRATED BOOKS May 2009

Australian art including rare catalogues, limited and signed editions: Norman Linsday, Irena Sibley and Arthur Boyd in deluxe limited editions: a wide selection of John Shirlow publications, original etchings and presentation copies.

Fine Literature, Illustrated and Private Press books including signed Virginia Woolf: Eric Gill and Mark Severin with additional plates: Dolmen Press, Eragny Press, and Golden Cockerel Press.

Children’s including an exceptional group of early or first edition Beatrix Potter: original golligwog and nursery rhyme artwork.

Printing History, and Facsimile Illuminated works. 6. AUSTRALIAN ART 2. Boyd. Sandra McGRATH. The Artist & the River; Ar- thur Boyd and the Shoalhaven. Sydney, Bay Books, 1982. 1. Aboriginal. Rex BATTARBEE. Modern Australian Small folio, colour plates, illustrations throughout, pp. 313, Aboriginal Art. Sydney, Angus & Robertson, 1951 quarto, publisher’s silk boards in matching slipcase, a fine copy. coloured plates and illustrations, pp.55 + plates, cloth covered Scarce. Limited edition of two hundred numbered copies, boards, slight marks on boards. $2750 signed by Boyd. $600 Scarce. Large paper edition limited to 130 numbered copies, containing two additional colour plates, and signed by all the artists. 3. Boyd. Franz PHILIP Arthur Boyd. London, Thames and Hudson, 1967. Quarto, pp. 288, 134 monochrome pls, 44 tipped-in plates in colour, publisher’s cloth with dust-wrapper, minor foxing to endpapers, a very good copy. $200

4. Boyd. Barry PEARCE. Arthur Boyd Retrospec- tive; With contributions by Hendrik Kolenberg, Debo- rah Edwards, Grazia Gunn, exhibition research by Patri- cia R. McDonald. Sydney, Art Gallery of N.S.W., second edition 1994. Quarto, colour and black & white plates, original boards with dust-wrapper, a fine copy. $80 Paintings, drawings, prints, ceramics.

5. Boyd. Ursula HOFF. The Art of Arthur Boyd. London, Andre Deutsch, 1986.Tall quarto, 202 illustrations (many in colour), pp. 247, chronology, bibliography and list of exhbi- tions, original cloth gilt with dust-wrapper, a fine copy. $90

6. Blamire Young. Helen E. WALLACE. Magic Case- ments. Melbourne, Brown,Prior & Co. P/L, 1926. Octavo, pp.104, covered boards, gilt front and spine, dust-wrapper with minor chips to inner rear, very good copy. $230 With 3 plates from watercolours by Blamire Young, limited deluxe edition of 1000 copies signed by Wallace and Young. 7. James Edge-Partington. Australasian Prints, Draw- ings, Etc in the Collection of J. Edge-Partington, Esq., Bea- consfield. Privately Printed, 1926. Octavo, pp. 42 (last blank), unillustrated, original wrappers in later half morocco. Rare and important. $400

8. Perceval. Traudi ALLEN. John Perceval. Melbourne Uni- versity Press, 1992. Quarto, colour and black & white plates, pp. 185, blue boards with pictorial colour onlay, a fine copy. $200

9. Ann Gilmore Carter illustrates Shaw DESMOND. Tales of the Little Sisters of Saint Francis; With wood- engravings by Ann Gillmore Carter. London, Grant Rich- ards & Humphrey Toulmin at the Cayme Press, 1929. Oc- tavo, illustrations, pp. 322, a good copy in original cloth, the illustrated dust-wrapper smoke-stained. $400 Anne Gillmore Carter attended the Central School of Arts and Crafts in London in the mid to late 1920s, where she studied wood engraving with Noel Rooke. As well as illus- trating this collection of poetry and Irish folk tales, she did wood engravings for the Mandrake Press Book of Tobit (1929).

Shortly after her marriage in 1937 she moved to Australia, living first in Sydney where she exhibited with the Society of Artists, and later in Victoria’s western district, where she was a member of an art group called The Gropers. 12. Norman LINDSAY. Exhibition of Norman Lindsay’s Watercolours and Etchings, opened by Lady Moulden. Ad- elaide, The Dunster Galleries, 1926. Quarto, tipped in colour and black & white plates, decorative initials in purple, tied with gold tassel in original imitation lizard-skin stiffened wrappers. A fine copy. $850 Limited edition of thirty-five copies on hand-made paper: this is copy number two of the twenty-five copies for sale, numbered and signed by Norman Lindsay. Printed at the Hassell Press

10. Donald FRIEND. The Life and Surprising Adventures of Blue-eyed Patty, the valiant female soldier ... [Melbourne], The Croft Press, 1979. Octavo, illustrations by Donald Friend, a fine copy in illustrated stiffened wrappers. $295 Limited edition of 250 numbered copies, signed by Donald Friend, printed on rag paper.

11. Norman LINDSAY. The Pen Drawings Of Norman Lindsay. Special Number of Art in Australia. Sydney, Angus & Robertson, 1918. Folio, frontispiece portrait and 55 tipped-in black & white plates with captioned tissue- guards, title-page in red and black, original semi-limp wrappers, in folding cloth case as issued (minor flecking), fine. $7700 Rare deluxe issue limited to 35 numbered copies signed by Lindsay. This is the first special number produced by Aus- tralia’s best known art periodical, Art in Australia, established with the aim of making the work of local artists better known to the Australian public. This striking edition de luxe moves outside the role of educating, and makes the book in itself an object of artistic expression. 13. Norman LINDSAY. Tales from the Heptamer- 17. John SHIRLOW. The “Melbourne Set” : Etchings. on of Marguerite of Navarre; Twenty-Eight Pen Draw- Melbourne, Vidler, 1920. Large folio, six leaves of tipped-in ings by Norman Lindsay. Melbourne University Press, original etched plates, each signed and numbered in pencil 1976. Quarto, pp. viii+ 153, cloth blind stamped, with by Shirlow, with printed caption labels, laced in cloth-backed dust-wrapper in original glassine fronted box. $170 original boards, lettered in gilt. $3500 Edition limited to 1000 copies (#919). Introduction by A. D. Edition limited to 80 numbered copies, signed by the artist: a Hope. fine and rare work. The etchings, which vary in size, include city streets, the Wesley Church spire, Melbourne from the East, and Melbourne from the West. This is the R. M. Chirn- 14. Ruby Lindsay illustrates Charles BARRETT. From side copy, with his bookplate: an original Shirlow etched book- Range to Sea : A Bird Lover’s Ways. Melbourne, Thomas plate, signed in pencil by the artist. C. Lothian, 1907. Octavo, illustrations, pp. 62 + vi, sta- pled pictorial wrappers illustrated by Ruby Lindsay. $220 First edition of the author’s first book. 18. John SHIRLOW. Original etched copper plate for an invitation to an exhibition of Shirlow etchings at F.W.Preece’s bookshop, 34 King William Street, Adelaide, 15. John PERCEVAL. McGREGOR, Ken (compiler). Fif- on Monday, 10th October (no year given). The plate is ty Years of Perceval Drawings. Sydney, Bay Books, 1989. about 9.5 x 11 cm., and is ornamented with an etched Quarto, pp. 256, 241 plates (40 in colour), white boards, with water-front view, presumably of Port Adelaide. $750 dust-wrapper, a fine copy. $90 In R.H.Croll’s I Recall (p.57), he recounts that Shirlow had attached to his will a letter directing Croll (his ex- ecutor) to destroy his entire collection of copper and zinc plates 16. Tom Roberts. Robert Henderson CROLL. Tom except four, which were Croll’s property “to do with as you like”. Roberts; Father of Australian Landscape Painting. Mel- bourne, Robertson & Mullens, 1935. Octavo, portraits This Croll did : “I have never had a more distasteful job ...”. and six tipped-in plates in colour, pp. 231, original two- Accordingly the original plates are rare indeed. However toned cloth, complete with uncommon dust-wrapper. $600 Croll was perhaps not as good as his word, at least on this Limited edition of 60 presentation copies (within overall limi- occasion, because Robert Littlewood was able to assemble tation of 350), signed by the author and Mrs. Roberts: scarce. ten of the original plates, from which he printed in 2005 his Lytlewode Press publication John Shirlow. Ten Etchings.

19. John SHIRLOW. The “Melbourne Set” : Etch- ings. Melbourne, Vidler, 1920. Large folio, six leaves of tipped-in original etched plates, each signed and numbered in pencil by Shirlow, with printed caption labels, laced in cloth-backed original boards, lettered in gilt. $3500 Edition limited to 80 numbered copies, signed by the artist: a fine and rare work. The etchings, which vary in size, include city streets, the Wesley Church spire, Mel- bourne from the East, and Melbourne from the West.

This copy, bearing Shirlow’s bookplate, is a presentation copy from the artist to R. H. Croll, with a signed inscription in pencil on the title-page, dated 1st Octo- ber 1920. Loosely inserted is a two-page Shirlow manuscript note, signed, apparently written on request for a local bookseller and extolling the virtues of an early nineteenth century book of steel engraved prints in his stock.

20. John SHIRLOW. R. H. CROLL. The Etched Work of John Shirlow; Selected reproductions in half-tone of John Shirlow’s handicraft, Biography by R. H. Croll. Melbourne, Al- exander McCubbin, n.d. (1920). Quarto, original quarter roan (spine rubbed and chipped) with titling label, boards, tipped- in plates, frontispiece etching signed by the artist. $650 The de-luxe issue of 100 numbered copies (No.18) containing an original etching. With the bookplate of R. H. Croll.

21. John SHIRLOW. R. H. CROLL. The Etched Work of John Shirlow; Selected reproductions in half-tone of John Shirlow’s handicraft; Biography by R. H. Croll. Melbourne, Alexander McCubbin, n.d. (1920). Quarto, original quarter roan with titling label, boards, tipped-in plates, frontispiece etching signed by the artist, a very good copy. $750 The de-luxe issue of 100 numbered copies (No.12) containing an original etching. 17. 28. John SHIRLOW. Syd- ney Harbour, from Bradley’s Head. Original etching, approximately 15.7 x 12 cm., signed by the artist. $650 Number 44 of 50 copies, signed in pencil by the artist at the foot. Originally published in The Sydney Set, 1918 (illus. at Pl. XV of Croll).

29. John SHIRLOW. Queen’s Wharf. Original etching, approximately 13.75 x 22 cm., signed by the artist. $650 Number 5 of 40 copies, signed in pencil by the artist at the foot. (Illus. at Pl. X of Croll)

30. John SHIRLOW. Origi- nal etched copper plate for the pictorial bookplate of R. M. Chirnside, about 11.5 x 8.5 cm., showing the head of a horse surmounted by a garland, above the name LINASS. $750

22. John SHIRLOW print. Convict Church, Port Ar- 22. thur. Original etching, signed twice by the artist in the plate, approximately 19 x 22.5 cm., Number 4 of 50 26. John SHIRLOW. The Corner Shop. Origi- copies, signed in pencil by the artist at the foot. $850 nal pencil sketch, approximately 21 x 17 cm., dat- This image was used as a frontispiece in the H.A. Evans ed 12/3/1919 and signed by the artist. $650 1972 facsimile edition of David Burn’s An Excursion to Port The scene is R. Duncan & Sons, Furniture Brokers, No. Arthur in 1842. Included is a copy of this edition, plus the 151 FItzroy Street, Fitzroy. Accompanying this prelimi- printer’s mock-up used in its production. nary sketch is a copy of the finished etching, approximately 20.5 x 17 cm., Number 9 of 25 copies, signed in pencil by the artist at the foot (illus. at Pl. XII of Croll). 23. John SHIRLOW. Etchings by John Shirlow; With an Introduction by Sydney Ure Smith. Sydney, Angus & Rob- ertson, 1917. Small octavo, 24 full-page plates, unrelated inscription, boards, dust-wrapper with mounted plate (a trace of flecking). $50

24. John SHIRLOW. Etchings by John Shirlow; With an Introduction by Sydney Ure Smith. Sydney, An- gus & Robertson, 1917. Small octavo, 24 full-page plates, a little pale foxing, modern morocco, gilt. $150

25. John SHIRLOW. Etchings by John Shirlow; With an In- troduction by Sydney Ure Smith. Sydney, Angus & Robertson, 1917. Small octavo, 24 full-page plates, boards, dust-wrapper with mounted plate (a little pale foxing), a very good copy. $250 Publisher’s inscribed presentation copy, to H. L. White (and with his celebrated Belltrees bookplate), with an initialled note from A & R ‘We think this is the first Australian book produced by the intaglio process’.

27. John SHIRLOW. Flinders Lane [and] Spire of Wesley. Two original etchings, approximately 26.5 x 10 and 29.5 x 11 cm. respectively, each numbered 21 [of 80 copies], signed in pencil by the artist at the foot, each tipped to backing sheet. $650 Two of the plates from Shirlow’s The Melbourne Set, of 1920. 31. John SHIRLOW. View in Sydney Harbour (Eve- 34. John SHIRLOW. Craig’s Lane, off Little Collins Street, ning). Original etching, approximately 17.5 x 12.5 Melbourne, 7th Feby. [18]95. Original pen and ink sketch on card, cm., signed by the artist, tipped to backing sheet. $650 approximately 25 x 8.5 cm, signed by the artist in the image. $650 With Shirlow’s pencilled inscription to P. C. Clements, with regards. (illus. at Pl. XXII of Ure Smith).

32. John SHIRLOW. Sydney Heads from Cran- leigh, Clifton Gardens. Original etching, approximately 12.5 x 15 cm., signed by the artist. $650 Number 44 of 50 copies, signed in pencil by the artist at the foot. Originally published in The Sydney Set, 1918.

33. John SHIRLOW. R. H. Croll [portrait]. Original 35. John SHIRLOW. Two original photographic portraits etching, approximately 21.5 x 18 cm., signed by the art- of the artist [the first] a studio portrait from Monteath of Mel- ist and also by Croll, mounted, framed and glazed. $650 bourne, inscribed in ink by Shirlow on the backing sheet “To R. (Illus. at Pl. IX of Ure Smith). H. Croll with sincere regards, Octr. 1913”, original photograph, mounted [the second] wearing a painter’s smock and necker- chief, holding in his left hand a palette and in his right a paint- brush, original photograph backed on card, approximately 30 x 22.75 cm., signed by the artist and dated Jany. 1935. $650 A handsome record of the artist, at the height of his success, and a year before his death.

36. R.H. CROLL. The Etched Work of John Shirlow; Selected reproductions in half-tone ... Melbourne, Al- exander McCubbin, n.d. (1920). Quarto, boards with dust-wrapper, tipped-in plates, a very good copy. $250 One of 500 copies.

37. John SHIRLOW. Etchings by John Shirlow; With an Introduction by Sydney Ure Smith. Sydney, An- gus & Robertson, 1917. Small octavo, 24 full-page plates, boards with dust-wrapper, a very good copy. $100 With a signed inscription from Shirlow, dated in 1917. The work contains a complete list of his etchings from 1895 to 1917.

38. John SHIRLOW. Perspective; A text book for the use of schools and colleges. Melbourne, Macmillan & Co. Lim- ited, 1932. Oblong quarto, illustrated with diagrams, errata slip tipped-in, original cloth (rubbed at foot of spine). $220 Signed by Shirlow on the title-page. 39. John SHIRLOW. Suite of three original plates for pic- 41. Irena SIBLEY. When the Sun took the Colour Away. torial bookplates of R.H. Croll. The first two etched copper Albert Park, Lilly Pilly Books, 1987. Quarto, forty-five origi- plates, one approximately 9.75 x 7.25 cm. showing a swagman nal linocuts, some hand-coloured, by the artist Irena Sibley, under a large gum, the second 13 x 8.25 cm. showing a swag- calligraphic text by Mary Carson, quarter calf (stated to be by man on the road, reading from a book as he moves towards Richard Griffin, but quite possibly by Robert McLaren). $2350 the horizon, with the motto Solvitur Ambulando, signed and With Rainbow, published by Richard Griffin almost three dated 1923 by the artist in the image, and with a separate decades ago in 1980, Sibley brought a distinctively Austra- copy of the printed plate, the third a printer’s block approxi- lian flavour into the content of local livres d’artistes with mately 12 x 15 cm. showing a pageboy carrying the train designs including the platypus and kookaburra. In this lat- of a woman in Elizabethan dress bearing a scroll. $1500 er work the artist exercises her flair by constructing plates which move from colour to monochrome and back again, echo- ing the storyline in which colour is removed from daily life.

40. John SHIRLOW. Five Etchings. Carlton, 1904. Large folio, five leaves of mounted original etched plates, each signed in pencil by Shirlow, the tipped-on tissues with printed caption labels, tied with silk ribbon, loosely inserted in cloth-backed original boards, lettered and decorated, a fine copy. $4000 Edition limited to 25 numbered copies. The four-page folded Note (first page yellowed) tipped to the front wrapper, which serves as imprint and statement of limitation, is inscribed and signed in pencil by Shirlow. This is the first portfolio of etchings issued in Australia.

42. Irena SIBLEY. Self Portrait of the Artist’s Wife. Stafford- shire, The Lytlewode Press, 2007. Octavo, tipped-in colour frontispiece, colour and black & white plates, illustrations, pp. 306, decorated endpapers, boards, dust-wrapper, as new. $65 Limited edition of 1000 copies, numbered and signed by the artist (#377).

43. Sydney Ure SMITH. Memorial Catalogue. Syd- ney, 1950. Octavo, full-page coloured plates, illustrations, card wrappers with dust-wrapper, a fine copy. $50 Includes a nine-page list of publications wholly or partly edited, written or published by Sydney Ure Smith and the more important books illustrated by him. The text includes an essay by Margaret Preston on his watercolour work.

44. F. Hobill COLE. Catalogue Of Original Paintings & Drawings by Early Australian Artists from the Art Col- lection of Dr. F. Hobill Cole… Melbourne, Fine Art So- ciety, 1923. Quarto, plates, original wrappers. $350 Scarce and important. ILLUMINATED 48. Arthur SZYK and Cecil ROTH (editors). The Hagga- dah. Jerusalem and Tel-Aviv, Massadah and Allumoth, 1957. Quarto, fourteen full-page plates illustrated and illuminated in 45. L. M. J. DELAISSE. Medieval Miniatures, from the rich colour, vignettes and borders in colour, the text in Hebrew Department of Manuscripts (formerly the ‘Library of Bur- and English, elaborate blue velvet binding, decorated and let- gundy’), the Royal Library of Belgium... Foreword by H. tered in gilt, a fine copy, in publisher’s half-morocco box. $400 Liebaers, Introduction by F. Masai. London, Thames and Originally published by Beaconsfield Press, London, dur- Hudson, 1965. Quarto, tipped-in coloured plates, origi- ing World War II and acclaimed then by The Times as nal contrasting cloth, gilt, unrelated inscription. $85 “worthy to be placed among the most beautiful of books that the hand of man has ever produced”. Szyk’s illumina- tions, in the style of medieval miniatures, make this Hag- 46. Jean FOUQUET. The Hours of Etienne Cheva- gadah a modern work of unrivalled artistic achievement. lier, Musee Conde, Chantilly. London, Thames and Hudson, 1972. Quarto, forty-seven tipped-in plates in colour, a fine copy in cloth gilt, with card slipcase. $200 49. Le Livre du Cueur d’Amours Espris, The National Library, Vienna, Introduction and Commentaries by F. Unterkircher. London, Thames and Hudson, 1975. Octavo, sixteen colour 47. Camille GASPAR and Frédéric LYNA. Philippe Le Bon plates, a fine copy in cloth gilt, with matching cloth slipcase. $150 et ses Beaux Livres. Brussels, Éditions du Cercle d’Art, 1944. Edition limited to 3000 numbered copies. Octavo, frontispiece in colour, black & white plates, title-page in red and black, bookplate, a fine copy in half calf. $150 48. 50. Margaret MANION. The Felton Illuminated 56. [J. E. De BECKER]. The Nightless City, or the History Manuscripts in the National of Victoria. Melbourne, of the Yoshiwara Yukwaku by an English Student of Sociology. MacMillan Art Publishing, 2005. Quarto, colour Yokahama, Z. P. Maruya & Co., 1899. Octavo, 20 plates including plates, pp. 439, boards, dust-wrapper, as new. $100 5 folding colour lithographs and 2 double-page woodcuts, original grey pictorial cloth with gilt highlights and lettering. $800 First edition: very scarce. A thorough, graphic and celebrated 51. Margaret MANION & Bernard J. MUIR (Edi- account of the red light district of Tokyo. tors). The Art of the Book; Its Place in Medieval Wor- ship. Devon, University of Exeter Press, 1998. Oc- tavo, pp. xvi + 337, 8 plates in colour, others in 57. Theodore BESTERMAN. Old Art Books col- black-and-white, boards with dust-wrapper, mint. $120 lected and catalogued by Theodore Bester- A collection of articles by Melbourne-based researchers on man. London, Maggs Bros. Ltd., 1975. Folio, one medieval illuminated books used in Christian worship. hundred and forty-nine plates, several folding (including the frontispiece), original cloth, gilt, a fine copy. $440 An important catalogue of the author’s own collection of art 52. J. MARROW. Golden Age of Dutch Manuscript Painting. books composed before 1700. Produced with the aim of identi- New York, George Braziller, 1990. Quarto, many plates in fying the sources of western art, the catalogue comprises tran- colour, pp. 318, blue cloth, gilt, dust-wrapper, a fine copy. $100 scriptions of the title-pages, collations, locations of library copies, and a discussion of the historical importance of the books.

53. Walter OAKESHOTT. The Two Winchester Bi- These include treatises on art, historical and biographical bles. Oxford, Clarendon Press, 1981. Folio, twelve works, calligraphic and emblem books, travellers’ guides, coloured plates, illustrations, bookplate, a fine works on perspective, natural history, sport, typography, cos- copy in original cloth, gilt, in linen slipcase. $650 tume, portraits, and voyages, as well as books notable for their Edition limited to 1000 numbered copies (#247). The two illustrations such as Roswitha’s Opera with Durer woodcuts, bibles are examples of the most remarkable works of English Schedel’s Nuremberg Chronicle with Wolgemut and Pleyden- art remaining from the twelfth century. wurff woodcuts, and Fridolin’s Der Schatzbehalter with Wolge- mut woodcuts. The edition is limited to 300 numbered copies, signed by the author, printed by Oxford University Press. 54. The Rohan Book of Hours; Introduction by Mil- lard Meiss, Introduction and Commentaries by Mar- cel Thomas. London, Thames and Hudson, 1973. Quar- to, one hundred and twenty-seven colour plates, a fine copy in cloth gilt, with matching cloth slipcase. $200

PRIVATE PRESS & ILLUSTRATED LITERATURE

55. Barnett Samuel. General Catalogue of Musical Instru- ments Revised Price List, Wholesale for exportation only. Lon- don, 1911. Quarto, chromolithographic, heliochrome, and photographic plates, scribble rubbed from an early blank page, several old tape repairs (some neatly restored), original cloth. $1850 A gorgeous and substantial catalogue from the Edwardian era, of the largest selection of musical instruments in Europe. The catalogue ranges from accordions to zithers, and the sections on stringed and brass instruments, banjos, bagpipes, and mouth organs are particularly impressive. While a separate catalogue of Pianos was available, the current catalogue includes piano accessories such as book-holders, lamps and stools.

58. 58. (DOLMEN PRESS). The Dolmen Chapbook: A Mis- cellany in twelve parts; Edited by Liam Miller. Dub- lin, Dolmen Press, 1954 – 1960. Twelve separate chap- books, illustrated and sometimes with hand-coloured linocuts, each in limited edition, folded or stitched as issued, loosely inserted in original printed wrappers. $1250 The idea behind the Dolmen Chapbook was to print short texts with illustrations, using various type formats and 62. H. Granville FELL. The Song of Solomon; with twelve full techniques within a uniform page size ... The series gives a page plates and various other decorations by H. Granville Fell. fair picture of the very personal interests which informed the London, Chapman and Hall, 1897. Large octavo, fine full- Press at this time, and several of the titles were issued later page black & white plates, decorative initials and tail-pieces, in other formats. Miller 17. first couple of leaves loosening from gutta-percha binding, cream buckram with elaborately gilt upper board decorated to a Granville Fell design (and stamped with his initials). $1100 59. W. A. Dwiggins. Virginia WOOLF. Beau Brum- Early book illustration by the artist and journalist who mell, Designed and embellished by W. A. Dwiggins. New went on to edit George Newnes’ Art Journal, and subse- York, Rimington & Hooper, 1930. Royal quarto, two quently became art editor of The Ladies Field in 1907, and full-page designs in colour, pp. 18, cloth-backed papered The Strand Magazine in 1910. “Strongly influenced by the boards, paper label laid to front board, pale spot on two late Burne-Jones, his pencil studies of The Song of Solo- facing pages, backstrip slightly toned and with a tiny mon, reproduced in half-tone, have more of the quality of split in joint at foot, a good copy without slipcase. $1650 Alphonse Mucha and international art nouveau” (S. Houfe). Edition limited to 550 numbered copies (No. 19), signed by The work was also published in the same year by the Guild of Woolf in violet ink. Women Bookbinders in an edition of 100 copies on Japon vellum. Kirkpatrick A15a.

60. Joan EVANS. Pattern: A study of ornament in western Europe, 1180 to 1900. Oxford, Claren- don Press, 1931. Two volumes, quarto, plates, original gilt and decorated cloth, with dust-wrappers. $400 Copiously illustrated history of artistic creation in seven centuries of European history.

63. W. Russell FLINT. Models of Propriety; Occasion- al Caprices for the Edification of Ladies and the Delight of Gentlemen. London, Michael Joseph Ltd., 1951. Small folio, photogravure plates in sepia, blue buckram spine, yellow cloth boards with inlaid blue title panel, triple gilt rule along two margins, top edge gilt, a fine copy. $200 Edition limited to 500 numbered copies (#109), signed by Flint.

61. John FARLEIGH. Bernard SHAW. The Adventures of the Black Girl in her Search for God. London, Constable & Company, 1932. Small octavo, illustrations, pp.75, decorated cover, slight bumps on spine, inside clean, good copy. $150 First edition. Rare in this fine condition. Designed and engraved by John Farleigh. 65. Gibbings. Llewelyn POWYS. Glory of Life, with wood 64. Flint. Robert HERRICK. One Hundred and Eleven engravings by Robert Gibbings. London, The Golden Cockerel Poems: selected, arranged & Illustrated by Sir William Rus- Press, 1934. Folio, frontispiece and fourteen wood-engraved sell Flint. London, The Golden Cockerel Press, 1955. Large illustrations, wood-engraved title in red and black (faintly off- octavo, colour collotype frontispiece and illustrations, white set), a fine copy, quarter vellum, cream canvas boards, top edge sheepskin, marbled cloth, a fine copy. $1500 gilt, outer and lower edges uncut, tipped-in bookplate. $2200 De-luxe issue of 105 numbered copies (within overall limita- Gibbings exhibits his talent for commanding a page in this tion of 550) specially bound, signed by the artist, and with eight work, his finest book illustration. Edition limited to 277 num- extra drawings loosely inserted in plain envelope. Printed for bered copies. Chanticleer, 91. the artist at his request and expense. Cock-A-Hoop, 199.

66. Fore-edge painting. George HOWARD. Wolsey, the Cardinal and his Times. London, Sherwood, Jones & Co., 1824. Octavo, pp. 590, straight-grain morocco, inscribed, bookplate, foxing to endpapers (including title page), with later fore-edge painting of Windsor Castle. $1200

67. Robert Gibbings (Lucian). The True Historie of Lu- cian the Samosatenian; translated from the Greek into Eng- lish by Francis Hickes, with an introduction by J. S. Philli- more, together with the Greeke, and decorated with wood engravings by Robert Gibbings. Waltham Saint Lawrence, The Golden Cockerel Press, 1927. Folio, illustrated borders, a fine copy in Sangorski & Sutcliffe quarter tan morocco, canvas boards, in original papered slipcase, from the library of Sir Thomas Ramsay and with his blind-stamp. $1650 Without doubt one of the press’s best books. Gibbings has been able to solve the age-old problem of presenting a text and its translation together on the one page. He does this through a masterfully strong design in which sets of facing leaves mirror each other, and each pair is a distinct layout. So we can read both the original Greek text and its English translation with ease and with the delight that these fantastic stories evoke. Edition limited to 275 numbered copies. Chanticleer, 53.

68. Gibbings. Jonathan SWIFT. Miscellaneous Poems, edited by R. Ellis Roberts, decorated with engravings on wood by Robert Gibbings. Waltham Saint Lawrence, The Golden Cock- erel Press, 1928. Octavo, illustrated, title in red and black, a good copy in quarter parchment, marbled papered boards, Golden Cockerel Press, 1934. Tall octavo, printed on Joynson’s the Ingleton copy, with stamp, bookplate and signature. $300 mould-made paper, quarter red cloth, decorated cream and Edition limited to 375 numbered copies. Chanticleer, 58 green cloth boards, rubbing at head and foot of spine. $175 Limited edition of 300 numbered copies. Chanticleer 98.

72. Gregynog Press. The Life of Saint David. Newtown, Montgomeryshire, The Gregynog Press, 1927. Octavo, hand- coloured wood engravings, title and chapter openings in blue, initial letters and paragraph marks in red, original semi-limp vellum, title gilt on spine, top edge gilt, outer and lower edges uncut, a flawless copy, retaining original papered slipcase (slightly toned) with red printed label on upper cover. $6500 The charming hand-coloured wood engravings, delicate and sublty coloured, were done by women who worked at the Greg- ynog Bindery, under the direction of Horace Bray. Bray him- self inserted the quill-drawn paragraph marks in red in each copy. Edition limited to 175 numbered copies (#171). Harrop, 7.

69. Gill. E. Powys MATHERS. Procreant Hymn. Waltham Saint Lawrence, The Golden Cockerel Press, 1926. Octavo, five full-page copper-engraved plates by Eric Gill, an attractive copy in white buckram, the binding slightly marked. $4750 Rare. The first book illustrated by Gill for The Golden Cock- erel Press, and a sensation at the time for Gill’s graphic depic- tion of the human body. This copy is accompanied by five extra plates, loose in an envelope, all of them either initialled by Gill or numbered and signed by Gill. According to a contemporary press notice ‘Subscribers may be interested to know that three alternative designs have been engraved for this book and may be obtained from the artist.” All of the three numbered and signed plates present here are numbered 5/25, indicating that they were originally issued with one of the 25 presentation copies of the book. The two initialled plates are within win- dow paper mounts, and are duplicates of plates in the book. 73. Hughes-Stanton. (Ecclesiastes). Ecclesiastes, or the Of the numbered plates, two are more explicit proofs of de- Preacher. Waltham Saint Lawrence, The Golden Cockerel signs used in the book, while one is a very different composi- Press, 1934. Folio, wood-engravings by Blair Hughes-Stanton, tion. Edition limited to 200 numbered copies. Chanticleer, 37 printed in orange and black, quarter vellum with light spotting, orange cloth boards, top edge gilt, outer and lower uncut. $1500 A special production, being the hundredth book from the 70. Rainer Maria RILKE. Duineser Elegien; Elegies from Press: Our press-work in this book is judged to be almost per- the Castle of Duino. Translated from the German by V. Sack- fect. Edition limited to 250 numbered copies. Chanticleer, 97. ville-West and Edward Sackville-West. London, Cranach Press issued through Hogarth Press, 1931. Octavo, printed in red and black, initials designed by Eric Gill, vellum- 74. W. B. MacDougall (ilustrates) Margaret AR- backed boards, traces of pale foxing, with plain dustwrapper, MOUR (editor). The Eerie Book With 15 full page il- top edge gilt, others untrimmed, in card slipcase. $3000 lustrations by W. B. MacDougall. London, J. Shiells and Limited edition of 230 numbered copies on handmade Maillol- Co., 1898. Tall octavo, fifteen full-page plates, title in red Kessler paper, signed by Vita and Edward Sackville-West. A fine and black, original illustrated buckram, deocrated spine, work from Germany’s famous private press, the Cranach Press. top edges gilt, other edges uncut, very minor foxing. $250 Extracts include Edgar Allen Poe’s The Masque of the Red Death, Mary Shelley’s Frankenstein, and Hans Christian 71. [Golden Cockerel Press] Cosmetics For My Lady Anderson’s The Mother and the Dead Child. Printed at the & Good Fare For My Lord. Collected Recipes. London, The Riverside Press, Edinburgh. 75. Florence LEWIS. China Painting. London, long octavo, colour frontispiece and initial letters designed and Paris, and New York, Cassell, 1884. Oblong quar- engraved by Lucien Pissarro, double-folded leaves through- to, sixteen mounted chromolithographs, origi- out, original decorated papered boards, top edge gilt. $1000 nal decorated green cloth, a little pale foxing. $250 Edition of 200 copies for sale. The use of several woodblocks Second edition. A practical guide to the materials and pro- blocks for the colour engravings was an intensive process, cess of decorating pottery and china, with particular empha- and this is why all publications from the Eragny Press are sis on the use of colour. produced in such low numbers, and are accordingly scarce.

81. Rackham. Henrik IBSEN. Peer Gynt; A Dramatic Poem ... Illustrated by Arthur Rackham. London, George Harrap, 1936. Crown octavo, illustrated with twelve tipped-in plates in colour, publisher’s green hard-grained morocco. $1100 Issued at the same time as a limited edition in vellum, and a trade edition in cloth, this is apparently a publisher’s de-luxe issue in morocco.

82. Rackham. Derek HUDSON. Arthur Rackham; His Life and Work. London, William Heinemann Ltd., 1960. Quarto, tipped-in plates, pp. 181, decorated endpapers, red boards, dust-wrapper clipped, a good copy. $120

83. W. Heath Robinson. A. E. JOHNSON. W. Heath Robinson; Containing many examples of the artist’s work in brush, pen, and pencil. London, Adam and Charles Black, 76. Gwenda Morgan illustrates Jacob GRIMM. Grimm’s 1913. Octavo, full-page plates (some in colour), illustrat- Other Tales; A new selection by Wilhelm Hansen, trans- ed, pp. 52, a fine copy in publisher’s decorated cloth. $150 lated and edited by Ruth Michaelis-Jena and Arthur Rat- Brush, Pen and Pencil series. cliff, illustrated with ten wood-engravings by Gwenda Mor- gan. London, The Golden Cockerel Press, 1956 [1957]. Octavo, illustrated, gilt and decorated purple cloth, top 84. Noel Rooke illustrates The Birth of Christ from the Gos- edge gilt, outer and lower untrimmed, a fine copy. $350 pel, according to Saint Luke. Waltham Saint Lawrence, Golden Edition limited to 500 numbered copies. Cock-A-Hoop, 205. Cockerel Press, 1925. Octavo, wood-engravings by Noel Rooke, printed in red and black, a fine copy in quarter tan morocco, papered boards, top edge gilt, outer and lower edges uncut. $400 77. John Nash illustrates Jonathan SWIFT. Direc- An early printing from this press : edition limited to 370 tions to servants, with illustrations by John Nash. Waltham numbered copies. Chanticleer #32. Saint Lawrence, The Golden Cockerel Press, 1925. Oc- tavo, illustrated, printed in black and green, full vellum (slightly bower), gilt, outer and lower edges uncut. $850 Edition limited to 30 numbered copies (within overall limitation of 380) specially bound, and signed by the artist. Chanticleer, 23.

78. Nash. John LEWIS. John Nash, the painter as illustrator, with a foreword by Wilfrid Blunt. Godalm- ing, The Pendomer Press, 1978. Quarto, four plates in colour, illustrations throughout, a fine copy in original cloth, dustwrapper very lightly worn. $180 Concentrating on his graphics, this is the first book on Nash’s work as an illustrator. In the period between 1919 and 1972 Nash provided illustrations for over forty magazines and books, including publications of the Cresset Press and the Golden Cock- erel Press. Simon Heneage has contributed a full bibliography.

79. Kakuzo OKAKURA. The Book of Tea: A Japa- nese harmony of art, culture & the simple life. Edin- burgh & London, T. N. Foulis, 1919. Tall slim octavo, two tipped-in plates in colour, illustrations, original decorated cloth, outer and lower edges uncut. $150 The author was one of the leaders in the movement which set itself to promote the ancient and beautiful Japanese civilisa- tion, and to stem the western invasion.

80. Pissarro. Emile VERHAEREN. Les Petits Vieux. Lon- don, Hacon & Ricketts at the Eragny Press, 1901. Small ob- 87. Thomson. M. H. SPIELMANN & Walter JER- ROLD. Hugh Thomson, His Art, His Letters, His Hu- mour, & His Charm. London, A. & C. Black, Ltd., 1931. Octavo, coloured and black-and-white full-page plates, illustrations in-text, pictorial endpapers, original cloth (slightly marked), gilt, with dust-wrapper. $150

88. Robert THORNTON. Thornton’s Temple Of Flora; with plates faithfully reproduced from the original engravings and the work described by Geoffrey Grigson, with bibliographical notes by Handasyde Buchanan. Lon- don, Collins, 1951. Folio, thirty-six plates, twelve in colour and 24 in collotype black & white, calligraphic title- page, original cloth in dust-wrapper, a fine copy. $650 Designed for William Collins by George M. Rainbird and Ruari McLean.

89. H. Webb illustrates The Caradoc Kalen- dar, MDCCCI. Chiswick, The Caradoc Press, 1900. Oblong duodecimo, printed in red and black, un- 73, 65, 85 cut and partly unopened, original parchment-backed 85. Severin. F. L. LUCAS. The Homeric Hymn to decorated boards with paper label, a fine copy. $220 Aphrodite: a new translation ... with ten engravings The second of three calendars produced by the press, which by Mark Severin. Small folio, frontispiece and illus- issued twenty books in all. As with all of their publications, trations, quarter parchment, dark green cloth boards, this is entirely designed, engraved on wood, type set and gilt and decorated, outer and lower edges uncut. $450 bound by the husband and wife owners, Harry and Hesba Edition limited to 750 numbered copies, this one with loose- Webb. ly inserted Prospectus. Cockalorum, 177 (variant binding).

90. H. Trueman WOOD. Modern Methods of Illustrat- 86. Severin. Patrick MILLER. Woman in Detail, a ing Books. London, Elliot Stock, 1886. Octavo, title-page scientific survey, with drawings by Mark Severin. Lon- in red and black, buckram-backed papered boards, large pa- don, The Golden Cockerel Press, 1947. Octavo, five full- per copy, outer and lower edges uncut, slightly canted. $100 page collotype plates (plus additional loose plates), a fine First edition : with tipped-in author’s a.l.s copy, quarter navy morocco, papered boards, top edge gilt, outer and lower edges uncut, in papered slipcase. $450 As Sandford says, Patrick Miller may skate on thin ice but he 91. Lewis WRIGHT. Illustrated Book of Poultry; With performs most gracefully. De-luxe issue of 100 numbered cop- practical schedules for judging, constructed from actual ies (within overall limitation of 550) specially bound, signed analysis of the best modern decisions. Revised edition. by the author and artist. The colophon does not refer to the London, Cassell & Company Limited, 1885. Quarto, 50 eight extra plates which are loosely inserted into a rear end- chromolithographic plates, one plate with a couple of short pocket, but we assume these are in all the de-luxe copies. tears and the margins trimmed, some leaves fingered, origi- Cockalorum 174 (calling for three extra illustrations only). nal green cloth, gilt and decorated, a little shelf wear, re- backed and with modern endpapers, all edges gilt. $1600 The most famous nineteenth century work on poultry, with handsome plates by J. W. Ludlow depicting the birds in farmhouse settings.

87. PRINTING In a loosely inserted prospectus, the publishers explain that two days before publication of the present work the remaining stock is fifteen copies only, and the price of the work will be doubled on 92. Dame Juliana BERNERS. A Treatyse of Fysshy- publication, from ten and a half guineas to twenty-five guineas. nge wyth an Angle. London, Elliot Stock, 1880. Quarto, faithful reproduction of the original fifteenth-century print- It is this notable success which has induced them to put ing, on hand-made paper, all edges uncut, artificial vellum, in hand a second volume, Fine Modern Printing (for which blind-stamped and gilt, slight external marking, a couple see item 99.). The text is set in the roman type made for of leaves with minor foxing, generally presentable. $400 Aldus Manutius and used in Hypnerotomachia Poliphili, the most celebrated illustrated incunable, a typeface famous for its clarity and which was then revived by Mori- 93. Dame Juliana BERNERS. The Boke of Saint Al- son in the late 1920s under the name Bembo. Edition lim- bans; containing Treatises on Hawking, Hunting, and Cote ited to three hundred and ninety copies with English text. Armour: Printed at Saint Albans by the Schoolmaster- Printer in 1486, Reproduced in Facsimile, with an Intro- duction by William Blades, author of “The Life and Typog- 99. Stanley MORISON. Modern Fine Printing; An Ex- raphy of William Caxton”. London, Elliot Stock, 1881. hibit of Printing ... during the Twentieth Century. Lon- Quarto, facsimile edition on handmade paper, uncut in don, Ernest Benn, 1925. Folio, illustrated throughout imitation period blind-stamped vellum, edges lightly foxed, with fine collotype plates printed in Paris, including a num- a few small marks, a very good copy. $400 ber of full-page plates and some with red highlights, pub- Facsimile of this famous English incunable, one of the few lisher’s two-tone cloth, outer and lower edges uncut. $650 contemporary works to be printed in English rather than Edition limited to six hundred and fifty numbered copies Latin. Blades provides an introduction to the authorship, with English text. typography, subject matter, and philology of the work.

100. Joseph THORP. B. H. Newdigate, Scholar-Print- 94. Richard DEACON. William Caxton; The first English er 1869-1944. Oxford, Basil Blackwell, 1950. Quar- Editor: Printer, Merchant and Translator. London, Freder- to, plates, original linen-backed papered boards (light ick Muller Limited, 1976. Octavo, plates, original boards, fading, spotting and flecking), front cover with print- gilt, dust-wrapper (price-clipped). First edition. $75 ed paper label, spare label tipped-in at rear. $150 Memoir of the founder of the Arden Press, and printer to the Shakespeare Head Press, illustrated with facsimile reproduc- 95. Exhibition Catalogue. A List of Fine Books from tion plates some of which are partly hand-coloured. Modern Presses With some notes, Exhibited at the Great Printing Exhibition, The Town Hall, Melbourne, from the second to eighth September 1932. Melbourne, Spe- cialty Press, 1932. Octavo, uncut, sewn in original wrap- CHILDRENS pers, early cloth-backed boards without lettering. $100 101. Funny Folks Album. How Mousie was Caught [and] Edition of 50 numbered copies (within overall limitation of The Artist’s Sorrows. No publisher, no date (circa 1880). 750) initialled by V. S. Hewett. Hewett is one of two collec- Two items, each a concertina sheet of eight chromolithograph- tors, the other being James Cook, whose books are on display ic images, each with a four-line verse, folding vertically, in original pictorial wrappers, approximately 7 x 11.5 cm. $550 Rare and amusing productions, in fine condition. 96. E. P. GOLDSCHMIDT. The Printed Book of the Renaissance; Three lectures on Type, Illlustration, Or- nament. Cambridge, University Press, 1950. Quar- 102. Transfer albums. The Most Amusing Dolly’s Own to, collotype plates, illustrations, original buckram, Album of transfer pictures, with various and quite new de- gilt and decorated, top edge gilt, a bright copy. $300 signs. No imprint, no date (circa late 1800s). Two items, each First edition, 750 copies only: uncommon. a folding sheet of coloured transfers in five sections, images varying from item to item, within original pictorial wrappers, with Directions for use printed on the back wrapper. $285 97. Alfred Forbes JOHNSON. A Catalogue of En- Two attractive nineteenth-century colour transfer albums: graved and Etched English Title-Pages, down to the death rare in this unused condition. of William Faithorne, 1691. Oxford University Press for the Bibliographical Society, 1934 (for 1933). Quarto, plates, indexes, title page in red and black, original linen- backed papered boards, top edge gilt, a fine copy. $200 First edition. The plates are arranged under the engravers or etchers, chronologically under each artist. An interesting study of title-pages during the Stuart period, when instead of being merely decorative they are designed as emblems and allegories.

98. Stanley MORISON. Four Centuries of Fine Printing; Upwards of Six Hundred Examples of the Work of Presses Established during the years 1500 to 1914. London, Ernest 103. Beatrix POTTER. The Tale of Benjamin Bunny. Benn, 1924. Folio, illustrated throughout with fine collo- London and New York, Frederick Warne and Co., no date type plates printed in Berlin, including a number of full-page (circa 1905). Duodecimo, 27 coloured illustrations, mi- plates and some with red highlights, publisher’s two-tone nor marks, original tan boards (lettered in olive), spine re- cloth, outer and lower edges uncut. $650 placed to match, colour pictorial onlay on front board. $150 104. Nursery Rhymes. Suite of nine attractive and colour- 107. Beatrix POTTER. The Tale of the Flopsy Bun- ful original paintings of nursery rhyme characters, each nies. London and New York, Frederick Warne and Co., approximately 36.5 x 347 cm. within black border, un- no date (circa 1916). Duodecimo, 27 coloured illustra- identified artist, 1920s era (five of the drawings withold tions, minor marks, one plate re-inserted out of order, tears or raggedness, four in very good condition). $650 original tan boards (lettered in white), spine replaced Red Riding Hood, Little Jack Horner, Jack & Jill, Old to match, colour pictorial onlay on front board. $150 Mother Hubbard, Little Bo-Beep, Three Blind Mice, Little Tom Tucker, Little Miss Muffet, Tom Tom the Piper’s Son. 108. Beatrix POTTER. The Tale of Mr Tod. London and New York, Frederick Warne and Co., no date (circa 1930). Duodecimo, 15 coloured illustrations, original tan boards (lettered in green), spine replaced to match, colour pictorial onlay on front board. $150

109. Beatrix POTTER. The Tale of Mr. Jeremy Fisher. London and New York, Frederick Warne and Co., no date (possibly 1907 third issue). Duodecimo, 27 coloured illustrations, minor marks, original grey boards (lettered in white), spine replaced to match, colour pictorial onlay on front board. $150

105. Beatrix POTTER. The Tale of Jemima Puddle-Duck. London and New York, Frederick Warne and Co., no date (1908). Duodecimo, 27 coloured illustrations, publisher’s brown silk cloth, front board gilt and decorated, with colour pictorial onlay, all edges gilt, a fine copy. Rare deluxe issue of the first edition. $3000

110. Beatrix POTTER. The Tale of Pigling Bland. Lon- don and New York, Frederick Warne and Co., no date (circa 1930). Duodecimo, 15 coloured illustrations, minor marks, original grey boards (lettered in white), spine replaced to match, colour pictorial onlay on front board. $150

111. Beatrix POTTER. The Story of Miss Moppet. London and New York, Frederick Warne and Co., no date [1916]. Duo- decimo, colour plates, a little marked, original grey boards lettered in green (minor marking), colour pictorial onlay. $300 First edition in book form, of a title previously issued in wallet form in 1906. Quinby 11A (see plates 12 & 13 for endpapers)

112. Beatrix POTTER. The Tale of Peter Rabbit. London and New York, Frederick Warne and Co., no date(probably 1910-11). Duodecimo, coloured illustrations, minor marks and a few small traces of adhesion, original boards (lettered in white), spine replaced to match, colour pictorial onlay (with a couple of spots) on front board. $300 Endpapers Plate 10 Quinby.

113. Beatrix POTTER. The Tale of Tom Kitten. Lon- 106. Beatrix POTTER. The Tale of Timmy Tip- don and New York, Frederick Warne and Co., n.d. [c. toes. London and New York, Frederick Warne and Co., 1910]. Duodecimo, 27 coloured illustrations, minor marks, no date (circa 1916). Duodecimo, 27 coloured illustra- original tan boards (lettered in white), spine replaced tions, minor marks, original grey-green boards (lettered to match, colour pictorial onlay on front board. $200 in pale blue), colour pictorial onlay on front board. $250 Early edition of a title first published in 1907. 114. Beatrix POTTER. The Tale of Squirrel Nutkin. Lon- don and New York, Frederick Warne and Co., no date (circa 1912). Duodecimo, 27 coloured illustrations, a little fingered and marked, original blue-grey boards (lettered in white), spine replaced to match, colour pictorial onlay on front board. $200 The third Potter title.

115. Beatrix POTTER. Ginger & Pickles. London and New York, Frederick Warne & Co.,Ltd., no date (circa 1918). Octavo, ten coloured plates, a little marking, generally a clean and attractive copy, original tan papered boards, head of spine replaced to match, decorated and lettered in dark green, colour pictorial onlay. $200

118. Ern SHAW. Original artwork : Teddy and Golly. Six separate plates, original illustrations in black ink, each leaf 23.5 x 33.5 cms., signed by the artist, on stiff cards with tissue-guards, each picture has at the foot a small panel with a separate design in silhouette, with a pencilled date of 1929. Illustrations from the artist’s The Chums on the Magic Car- pet, a children’s story colour-in book. Shaw was the author of How to become a successful cartoonist. $500

116. Beatrix POTTER. The Tale of Johnny Town-Mouse. London and New York, Frederick Warne and Co., [1918]. Duodecimo, 27 coloured illustrations, a clean and attractive copy in original grey boards (lettered in white), tiny repair to foot of spine, colour pictorial onlay on front board. $400 Quinby 25. First edition, second printing (complete London on title).

117. John Tenniel illustrates Martin GARDNER The Annotated Alice. Alice’s Adventures in Wonder- land & Through the Looking Glass by Lewis Carroll, illustrated by John Tenniel, with an Introduction and Notes by Martin Gardner. New York, Bramhall House, 1960. 119. Tenniel Scrap Album. A late nineteenth-century Quarto, illustrated, quarter cloth, papered boards, dust- scrap album, circa 1870s, with sixteen leaves of ink sketches wrapper clipped, bottom edge with splash marks. $120 (some bearing artist initials EBM, dated 1876), including The first combined edition of these two classics to contain the some expert copies of Tenniel Alice scenes (also containing full text together with all of the original Tenniel illustrations. nine leaves of photographs from an English trip). $1200

Kenneth Hince Old & Fine Books Pty. Ltd. Barbara Hince - Manager PO Box 1178 Hartwell Victoria 3124 Australia Phone: (03) 9809 1367 Fax: (03) 9889 0852 Email: [email protected] Web: www.hincebooks.com.au A.B.N. 92 006 969 035

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