The Veatchs a R T S O F T H E B O O K

The VeaTchs A r t s o f t h e B o o k

caT alogue 73 THE VEATCHS ARTS OF THE BOOK Post O!ce Box "#$% Northampton% Massachusetts &'&(' [email protected] www.veatchs.com phone )'"-*$)-'$(+

CATALOGUE 73

FINE PRINTING · BINDINGS & OTHER BOOK ARTS

Item '*. Bindings—Bradley.

  Payment is accepted in U. S. dollar check drawn on a U. S. bank! Visa and Mastercard. Libraries may request deferred billin". Massachusetts residents must add ¼% sales tax. Any purchase may be returned within ten days. Shipping is additional.

Images of these books can be provided on request. !"#$% &#'(": Item '). Binding—Vernis Sans Odeur. Please visit our website for a larger selection in all price ranges. 1. Allen Press. Goll, Ivan. FOUR POEMS OF THE OCCULT. With Illustrations by Fernand Leger% Pablo Picasso% Yves Tanguy% and Jean Arp. (Kent)eld) -.3+. Folio (-- × -3). ./ leaves. Unbound as issued in , sections, each with printed wraps. In blue felt-lined cloth chemise and cloth slipcase. Fine. One of '"& copies printed on a handpress on dampened Rives% in Goudy Modern and Cochin Italic. Subtle color marginal dec- orations and hand colored initials by Mallette Dean. First English language edition of all the poems except Elegy of Ihpetonga. “First reprint of the illustrations.” One of the Allens’ .nest productions% in the manner of the French livre d’artiste. $+*11

2. Allen Press. James, Henry. THE BEAST IN THE JUNGLE. Engrav- ings by Blair Hughes-Stanton. Kent)eld, -.34. -1 × -,. 2* leaves, with -3 two-color engravings printed from the blocks. Boards decorated with bars of colors. Slight ding to rear lower board, but a )ne copy in the original acetate. One of '"&. Printed in Romanée types% each chapter in a di,erent color on Arches paper. “Because this is a psychological novel% and because we had recently perused J. H. Bustanoby’s Psychology of Color, we decided to print each of the seven chapters in a color re/ecting Item ". Allen Press% Terence. the emotional theme of that section.” $-111 and Paolo Carasonne. White and tan boards. Protruding deckles on 3. Allen Press. Terence. THE BROTHERS. With Twenty-seven Drawings one of the sections are dusty; light bump and stain at head; all else by Albrecht Dürer. Kent)eld, -.3/. Folio (/½ × -4). (3*) pages. Embroi- )ne. One of '"+ copies. Printed by hand on four di,erent papers in black dered cloth spine and printed Fabriano boards, slipcase (lightly hand and four colors. Conrad’s Lagoon is printed in Goudy Modern on hand- soiled). Tiny ding in one board edge. Fine. One of ')& copies printed made Wookey Hole- Flaubert’s Legend of Saint Julien in Goudy Thirty on dampened handmade paper% with vignettes printed in terracotta and on handmade Richard de Bas- James’ The Jolly Corner in Romaneé on green. Durer’s pen and ink drawings on white-ground wood blocks were Curtis Tweedweave- Pirandello’s The Annuity in Goudy Modern on created for an edition of Terence planned in ')0" by Johann Amerbach. The handmade Fabriano. The Allens saw this book as “a concise presentation project was abandoned after Badius published his illustrated Terence% and of Literature% Book Arts & Crafts of England% France% United States% and the blocks were never used. The blocks survived in a Basel museum% where Italy.” $*+, the Allens had metal plates made of the drawings% which are here published for the .rst time. $311 5. Allen Press. Hyginus, Gaius. THE POETICON ASTRONOMICON. Greenbrae, -./,. * × --. -,1 pages, with 2/ wood cuts from the -,th 4. Allen Press. Joseph Conrad, Gustave Flaubert, Henry James, and c. )rst edition. Four large hand colored initials and a colored wood- Luigi Pirandello. FOUR FICTIONS. Kent)eld, -.*4. . × -2. -3/ pages, cut on title. Bound in linen with a matching slipcase. A )ne copy four plates by Blair Hughes-Stanton, Michele Forgeois, Joseph Low, with prospectus. Printed on a handpress in black and blue on dampened

!"# $#%!&"' %(!' )* !"# +)), &%!%-)./# 01 handmade paper. This is the .rst translation from Latin into English of Radtolt’s ')$# edition—the .rst printed book to show the .gures of the con- stellations. One of ')& copies. $/,1 O$ H6$=?6=( P68(" @ S8(&96AAB B#C$= 6. Barbarian Press. Kishkan, Theresa. INISHBREAM. Wood Engravings by John DePol. (Mission), -.... 3 × -1. /2 pages, illustrated with ++ wood engravings (of which -+ are pictorial initial letter openings) printed from the original blocks. Bound by Hélène Francoeur in New Zealand deerskin, the spine covered with a mosaic of )sh skins; housed in a dark green calf and marbled boards case. An extra suite of the wood engravings in a suede and board chemise is also in the case. Fine. Laid-in card from John DePol presents this copy to a fel- low printer. One of '* lettered copies—the Design Edition—signed by the author% printed on Twinrocker handmade paper% with an extra suite% and in Francoeur’s binding. (The edition included *& copies on mouldmade paper% in quarter leather with an extra suite in slipcase% and '+* copies in quarter cloth.) In a printed broadside% the binder discusses her response to the story and the symbolism of her binding which moves from dark to light. $+111 Item (. Barbarian Press% Kishkan. 7. Barbarian Press. GERARD BRENDER À BRANDIS% A SELECTION OF WOOD ENGRAVINGS. Mission, +111. *½ × -1½. There are -- text leaves with / small engravings on tan paper, and 22 wood 9. Barbarian Press. A )ne, comprehensive collection of 4/ items from engravings printed from the blocks on white paper. Quarter bur- Barbarian Press, a preeminent Canadian private press. -..*–+11*. gundy morocco and patterned boards. Fine in slipcase. Laid in is a The 4/ books, pamphlets, and broadsides include some scarce, very signed proof of the frontis engraving. One of *& deluxe copies% signed limited, and deluxe editions. Some titles present are: Albion Broad- by the binder Natsha Herman. Brandis—an engraver% papermaker% and sheets% Sorts & Founts% Founts & Circumstances% Endgrain% and the three bookbinder—is known for his botanical engravings. He provides checklists Endgrain Editions (Brender à Brandis, Peter Lazarov, and Abigail of his work. First of the Elsteds’ superb Endgrain Editions. $3,1 Rorer), as well as the press bibliography Hoi Barbaroi in the deluxe edition. A checklist is available in pdf form. $-+,,,1 8. Barbarian Press. Jan Zwicky. TWENTY-ONE SMALL SONGS. Mis- sion, +111. 2 × *. +2 leaves laced into hand painted stiff wraps. Fine in O$( #! 6 F(7 C#89(: 79%; %;( E$<"6'9$<: S9<$(= clamshell case. The author’s signed holograph poem “Wild Grape” 10. Baskin, Leonard. BIRDS & ANIMALS. Gehenna Press, -.*2. -, × --¼. is laid into a printed folder in the case. One of #' deluxe copies printed -21 leaves: title, colophon, and 33 wood engravings, woodcuts, and letterpress on vintage Turkey Mill mouldmade paper. (There were also '#* linoleum cuts by Leonard Baskin printed one to a leaf on Troya, and regular copies.) First edition. $2*, interleaved with backing sheets, plus , blanks. Signed by Baskin in the

!"# $#%!&"' %(!' )* !"# +)), &%!%-)./# 01 colophon. An unbound binder’s copy with 32 of the prints signed by Baskin. Housed in a handsome cloth and decorated paper traycase. Fine, with prospectus. A delightful range of Baskin’s creatures from sea, land, and air. Printed by Harold McGrath in black, dark blue, dark green, or red. The image sizes range from less than an inch to / inches. Many of the blocks appeared in earlier works (such as A Little Book of Natural History); some were separately issued, or used for bookplates or pressmarks and other ephemera. Both The Work of Fifty Years and the prospectus call for 3, prints (not the 33 present here). Of ,1 copies printed, a few (the prospectus says ,) copies had all the prints signed. These were oFered in -.*2 for $+,11. Apparently not all ,1 sets were bound or sold. There were three binders for the edition. This set of sheets belonged to one of the binders. Rare. $.,/11

11. Bates, Wesley. Morris, Henry. THE BOOKSELLERS OF SAN SER- RIFFE. By Theodore Bachaus. San SerriFe [Newtown: Bird & Bull Press] +11-. /vo. /., (3) pages with tipped-in specimens of pastepa- pers, photos, etc. Three full page wood engravings of not-so-imag- inery bookshops and several pressmarks by Wesley Bates. Quarter morocco, slipcase. Fine. With the separate air mail letter (as issued) Item '". Pawson & Nicholson. and the prospectus. One of #&& copies. $4,1

12. Beard, Mark. UTAH READER. NY: Vincent FitzGerald, -./3. -- × -,. (stamp signed) in dark green morocco sides paneled with several Thirty-three leaves, including -- single-page linocuts and 3 double- borders and dentelle design, wide turn-ins richly gilt, moire satin page linocuts (several folding out and up); all protective glassines endpapers, top edge gilt. Light edge wear, a very good copy. Name are present. Text is silkscreened from Beard’s manuscript. Bound by “Anita Hart” on blank. $311 Gérard Charrière in turquoise silk boards. Several light scratches on W9%; %;( V("B R6"( P6%($% L6D(A upper cover, along with a very faint water stain; else a )ne copy of this delightful book. One of )& signed copies. The extraordinary illustra- 14. Binding—Vernis Sans Odeur (odorless varnished). TABLETTES DE tions are multi-layered collages% from some )& separate prints% with some SOIRÉES. Paris, Chez l’Editeur, Rue de Sorbonne, nd. +½ × 4⅝. 4- hand coloring. Collage executed by Zahra Partovi and Vincent Fit1Gerald. leaves, with -4 vignettes. A printed notebook in which to record daily An autobiograpical work about Beard’s Mormon childhood. $,111 Perte, Gain, Recette, and Dépense followed by a section for “Sou- venir.” Bound in boards lacquered with a black ground painted in 13. Binding—Pawson & Nicholson. Hart, Charles H. BIOGRAPHICAL gold, red, and green. On the upper cover a Japanese )sherman hauls SKETCHES 2868–2884. (Spine title) Vp, -/3/–-//2. 3½ × .½. This in his catch; on the lower, he leaves with )sh basket slung over his is a collection of -4 oFprints of articles written by Hart for various shoulder. Each cover displays a diFerent building and diFerent Goral journals. It was bound for the Hart family by Pawson & Nicholson border. Velvet spine (worn), red silk endpapers and loops to hold the

!"# $#%!&"' %(!' )* !"# +)), &%!%-)./# 01 pencil (present here), ribbon place marker. Very tiny label of Clarice 16. Bird & Bull Press. Morris, Henry. BROADSIDE VIGNETTES. New- W. Hamill on pastedown. With the rare Brevet d’Invention (patent) town, -..*. -. × +,. Twenty-one folders each hold a complete, short label on pastedown. Some crackling under the varnish and a tiny article: most are single broadsides; several are multi-page. Accom- chip from lower cover, but a very good copy. “In '$''% Théodore Pierre panied by a bound booklet with foreword and contents. Fine in tray Bertin obtained a .ve year patent for lacquered bindings (‘reliures vernis- case. One of ')* copies. The Vignettes are printed in two or more colors on a sées’). His workshop produced most of the c"& known examples% the last of wide variety of imported and domestic papers—with an even wider variety which has a '$'$ printed text.” (British Library database of bindings) In of uncommon type faces. Most are on bookish topics. $,*, this expensive and delicate technique% the binding was repeatedly—do1ens of times—varnished and rubbed down to achieve a lustrous .nish. These 17. Bird & Bull Press. Morris, Henry. MY LOG & DIARY 2994–2005. Inters- rare bindings are frequently% and erroneously% termed “Vernis Martin” after persed with anecdotes and observations on book collecting% printing% private the four Martin brothers who invented a lacquer .nish for furniture. Albert presses and other bookish matters. Newtown, +11,. . × -+. -1, pages, Ehrman published a census (The Book Collector Winter -.3,) of “Ver- illustrated (numerous color photos). Quarter morocco, slipcase. nis Martin” bindings in the libraries of Abbey% Broxburne% Esmerian% Mor- Fine with prospectus. One of '(& copies. Includes a "#-page photographic gan% Walters Art Gallery% Wittock% et al. There is nothing similar to this essay on Japanese paper. A sequel to Two Birds With One Stone. $2+, binding in his census. A two-volume work in Vernis bindings (Erhman’s 18. Bowne & Co. THE WOOD ENGRAVING PORTFOLIO. A portfolio no. )% described as “of the greatest rarity”) but with no patent label brought containing the work of nine comtemporary artists. South Street Seaport, 3)*%&&& in the Cornelius Hauck sale. $*111 -.//. -- × -,. -1 broadsheets: . numbered and signed wood engravings by John DePol, Lars Hokanson, Nigel Holmes, Joe Le Monnier, T;( C#?8A(%( RC$ #! -/ Y(6":, Bary Moser, June Paris, Angelo Pinto, Edward Porter, and Abigail M#:% 9$ %;( D(ACH( B9$=9$< Rorer. Title leaf has an additional engraving of the seaport by DePol. 15. Bindings—Benjamin Bradley. THE ROSE OF SHARON, A Reli- Fine. With prospectus and order form. One of #&& sets. Printed from the gious Souvenir for the Year -/21 (–-/,*). Boston: A. Tompkins & original blocks. $211 B. B. Mussey, (-/4.–-/,*). Complete run of -/ years. Sixteen of these gift annuals are in Bradley’s deluxe leather bindings. Each deluxe 19. Campbell, Ken. FATHER’S GARDEN. Np, -./.. * × -+½. Twenty- binding has a diFerent cover design. All have gilt edges and turn-ins. seven French-fold leaves. Morocco spine and color-printed boards in Many have gilded patterned endpapers (which Sue Allen had not sturdy slipcase having a complimentary design. Fine. One of *& signed seen before); some are Goral, others geometric. Most bear either copies. From the artist’s description: “printed letterpress in multiple inks% Bradley’s ticket or his blindstamp. Years -/,+ and -/,4 are in the stan- some metallic% some tints produced by hand-wiping% some pages varnished. dard plaque bindings (Wolfe --3). This set is said to have come from Text and illustration composed of type and type ornaments. Printing from an estate in West Chester, NY where the volumes were acquired solids on the hammered peaks of the paper surface and varnishing- the annually as they were published. A rare and )ne set. With this set is resulting translucence blends the colours printed on each side of the paper.” an additional copy of the volume for -/,4. Acquired separately, it is Text on each page printed as a panel within wide garden borders. “The the deluxe morocco issue (lacking a plate). The Rose of Sharon was poem is overprinted on itself% as if the lines were rows in a carefully tended the longest lived American literary annual. Its best known contribu- garden% with new phrases emerging as the previous lines become obscured.” tors are J. G. Adams, Henry Bacon, Alice and Phoebe Cary, Margaret The Library of Congress held an exhibition of Campbell’s work in #&&0. See Fuller (-/23), and Horace Greeley. $4/11 Mark Dimunation’s article in Parenthesis ##. $/11

!"# $#%!&"' %(!' )* !"# +)), &%!%-)./# 01 20. Cinamon, Gerald. E. R. WEISS. The Typography of an Artist. Oldham: such as discovering how many diFerent placements the marble can Incline Press, (+1-+). -1 × -2. Photographic frontis, -*/ pages includ- have while maintaining the original rectangular form.” $/*, ing Index. Profusely illustrated with the typography of Emíl Rudolf Weiss, tipped-in facsimiles printed letterpress, much in color; 4 small 24. (Decorated Paper) Mariani, Elisabetta. THE MARBLE COLLEC- broadsides laid in loose. Paper vellum spine and printed boards. Base TION% for Kate’s Paperie. NY, nd. 3 × 2½. +/ leaves of black paper with of spine has a tiny bump, else as new in slipcase. With prospectus 3/ specimens of marbled paper and .* specimens of stenciled paste and separate Memorial booklet. A handsome book with signi.cant text% papers. A tipped in Index names the papers in their available colors. it required many years to produce. One of #*& copies% signed by the binder Bound in cloth and stenciled boards with ribbon ties. Fine. Handsome Stephen Conway. One chapter concerns Weiss types in use today. $,3, specimen with some unusual designs. $-11

21. Cohen, Claudia. PASTE PAPERS. (Seattle, -...). -1 × 3¼. A sample 25. (Decorated Paper) McKitterick, David. A NEW SPECIMEN OF CUR- book of .* diFerent paste papers created by Claudia Cohen from WEN PATTERN PAPERS. Gloucestershire: Whittington Press, -./*. -./. to -..., tipped to +4 leaves of Rives paper. With a paste paper Two vols. *½ × -1½. xii, -1, pages plus plates (mostly in color). title page and colophon. Bound by her in paste paper over boards Included in the pagination are 4+ tipped-in large specimens by -3 with leather spine label, in cloth and board tray case. Fine. One of "& Curwen artists, with notes about each on the facing page. Quar- copies% this inscribed. Colophon is printed in gold on blue paste paper. There ter morocco and patterned paper boards. Matching board portfolio is no text. $-/11 containing , very large sheets (full size) of Curwen papers. Both )ne in slipcase. One of $* special copies with portfolio of full-si1e sheets folded% 22. Contre Coup Press. Hemingway, Ernest. BIG TWO-HEARTED by Enid Marx% Edward Bawden% Thomas Lowinsky% and Eli1abeth Fried- RIVER. Wood engravings by Nick Baute. Louisville, +1--. *½ × --. 42 laender (# di,erent sheets). Other artists represented by samples include pages illustrated with 2 engravings printed from the blocks. Quarter C. L. Fraser% Eric Ravilious% and Albert Rutherston. ( There was also a regu- cloth and batik boards. With an extra suite of the engravings, each lar edition of #*& copies.) $3,1 signed, in a paper folder. Fine. One of #) copies on handmade Twin- rocker paper. Signed by the artist. Printed letterpress by Timothy Hawley 26. Double Elephant Press. GLUTTONS FOR RAPTUREIDEFECAT- in black and brown in Lutetia types. This story of a campingI.shing trip is ING ANGELS. Two Poems and Etchings by Michael Kuch. NY, -../. followed by an Afterword. $411 /¼ × .½. Thirty-four leaves with +. copper-plate etchings. Those for Gluttons are in shades of brown and rust; Angels in gold, green, 23. (Decorated Paper) A BOX OF MARBLES. Pied Typer Press, +1--. -- × .½. and blue. Bound by Three Bear Trap Bindery, accordion-fold with This unique “artsit’s book” is comprised of 2- white oak blocks, each leaves hinged on linen, olive green cloth boards with an additional covered with a diFerent marbled paper, with one actual marble in etching inset on each cover. Housed in a cloth folding case with the center, )tted in a cloth box. Explanatory text is printed inside the printed spine label. Fine. One of )) signed copies printed letterpress by lid, which is signed by Newland. -2 sheets of marbled paper ( a few Arthur Larson on Zecchi handmade paper. $-111 signed by the artist) from which the blocks were covered are rolled into a wood-veneer cyclinder. Fine, and one of a kind. The blocks 27. Double Elephant Press. LEMONS DESCENDING. Music * Poetry * display a wide range of marbling techniques by -3 artists. “The Etchings. (Northampton) Oxingale Press, +111. --½ × --½. 42 leaves. pieces have many uses, including the study of patterns and color; as Sixteen color etchings by Michael Kuch. Bound by Claudia Cohen traditional building blocks; or as an engaging mathematical exercise, in cloth and her pastepaper boards with an additional etching inset

!"# $#%!&"' %(!' )* !"# +)), &%!%-)./# 01 into upper cover, housed in gold silk cloth tray case, with CD in printed by Simon Lawrence from the original blocks. “Derrick Harris is the recessed compartment. Fine. One of +& signed copies printed on hand- missing link in the history of British graphic art in the twentieth century. made Velke-Losiny paper. Poems (by Neruda% Dickinson% et al.) are printed No one did more than he to de.ne the look of the '0*&s.” $+., in the original language and in English translation in black% red% blue% and 31. Fleece Press. LONG LIVE GREAT BARDFIELD% & LOVE TO YOU ALL. golden yellow. Music (by Villa-Lobos% et al.) composed for these poems is The Autobiography of Tir1ah Garwood. (Upper Denby, +1-+). .½ × -+½. performed by soprano Eileen Clark and cellist Matt Haimovit1. Michael +.* double-column pages, generously illustrated throughout from Kuch’s creative artistry uni.es the whole. The shape and si1e of the book photographs, drawings and paintings, wood engravings, and other echoes that of a "" RPM record- the /ap of the CD envelope is shaped like artwork; indexed. Quarter citron buckram and patterned boards. an inverted cathedral arch (a motif throughout the book)- the .nal etching Fine. One of **& copies. Tir1ah Garwood% the wife of Eric Ravilious% wrote incorporates the musical notation for “hold the last note.” $-,11 her autobiography toward the end of her life. The section on Great Bard.eld 28. Elston Press. Longus. DAPHNIS AND CHLOE. New Rochelle, -.12. during the '0"&s is a fascinating .rst-hand% slightly detached account of life *¼ × --. .., (+) pages. Initial letters and four woodcuts by H. M. among a unique artistic community. The text has been transcribed from O’Kane. Full vellum, spine lettered in gilt, green silk ties. Lacks slip- a number of Tir1ah’s handwritten notebooks% and edited by her daughter case, calligraphic booklabel on pastedown. Light soiling to vellum, Anne Ullmann. $2,1 top edge dusty, but an unusually clean and crisp copy. One of '(& cop- O$( #! F"6:&#$9’: M6:%("89(&(: ies printed by Clarke Conwell in Elston Roman type in red and black on 32. Frasconi. Lorca, Garcia Féderico. 2 POEMAS: ROMANCE DE LA LU- handmade paper. Text from the Angell Daye translation of '*$+. The last% NA% LUNA. ROMANCE DE LA GUARDIA CIVIL ESPAÑOLA. Ilus- and possibly the best% from this press—the .nest American press in/uenced trado con grabados originales de Antonio Frasconi. (NY, -.,4). -4½ × +1. by William Morris. $.11

29. Essex House Press. John Dryden. ALEXANDER’S FEAST% OR% THE POWER OF MUSIC. London -.12.2¼ × *½. -+, (-) pages. Full vellum, pressmark in blind on cover. Note laid-in announcing that the press had begun its own distribution. Calligraphic bookplate, slight toning to vellum. About )ne. One of ')& copies% all printed on vellum- hand-colored woodcut frontis by Reginald Savage. Caslon type printed in red and black with gilded or colored initial letters calligraphed by Florence Kingsford- hand-colored pressmark opposite colophon. Handel composed a choral work based on this ode. $/,1

30. Fleece Press. Brett, Simon. MR DERRICK HARRIS 2929–2960. Den- by Dale, -../. -1 × --½. ,4 pages, illustrated throughout. Quarter cloth. Accompanied by Harris’ nine large (-3 × --) color illustrations for the unpublished children’s book Royal Flush. Three extra wood engravings, too large for the book, are also housed in the lemon cloth dropback case. Fine. One of #$& copies. Wood engravings are Item "#. Frasconi.

!"# $#%!&"' %(!' )* !"# +)), &%!%-)./# 01 Twenty-four leaves with -. woodcuts on Rives paper, including a full page portrait of Lorca. The folio gatherings are loose as issued in printed board portfolio, covered by a printed dust jacket. Fine. An early and very dramatic work from this renowned artist. Some of these powerful woodcuts are nearly #& inches high% including the bust portrait of Lorca. The midnight black horses% and their riders brandishing swords% charge across the #(-inch double page. Text% lithographed from Frasconi’s handwriting% is printed in red. Frasconi’s woodcuts% printed by the artist from the blocks% are in black with the exception of two red ones. Frasconi Against the Grain reproduces four images% considerably reduced. No. 0 of '* copies% signed by Frasconi. The Books of Antonio Frasconi +. $/,11

33. Gehenna Press. Leyda, Jay. A HOUSE TO BE BORN IN. (Northamp- ton), -.,/. *½ × .. Wood-engraved portrait of Emily Dickinson by George Lockwood, (3) pages. Stapled blue wraps, with printed cover label, are sun faded around the edges. Very good. One of '&& copies signed by Lockwood. Leyda’s poem about Emily Dickinson’s family is interspersed with text from the deed to Dickinson’s property printed in red. Item "). Hero and Leander. Bruce Rogers ornaments and two pressmarks also in red. $+,1

34. Golden Cockerel Press. Musaeus. HERO AND LEANDER. Golden Cockerel Press, -.2.. ,½ × .. 2/ pages with -+ line-engravings in cop- Golden Cockerel type. Text is from the .rst impression of '((+% with the per by John Buckland-Wright. Full vellum by Sangorski & SutcliFe, original structure of the poem in '& books% prepared by J. Isaacs. A stu- gilt pictorial covers. Calligraphic bookplate, )ne. Slipcase. One of dent of Leon Underwood% Mary Groom was part of the progressive group% -11 special copies on rag paper in full vellum binding and with an which included Blair Hughes-Stanton and Gertrude Hermes% that formed extra engraving by Buckland-Wright who signs the book with the The English Wood-Engravers Society. In British Wood-Engraved Book translator F. L. Lucas. Printed in Gill’s Felicity type. $.11 Illustration -.12–-.21, Joanna Selborne writes that these three “produced some of the most inventive illustrative prints of the period.” Mary Groom 35. Golden Cockerel. Milton, John. PARADISE LOST. (London), -.4*. was the .rst woman to illustrate Paradise Lost. Roderick Cave and Sarah . × -4. 4*+ pages with +. white-line wood engravings by Mary L. Manson writing in their history of the press speak of the “outstanding qual- Groom. Bound by Zaehnsdorf in black pigskin spine and corners, ity” of Mary Groom’s engravings.” “The Golden Cockerel Paradise Lost is and cloth sides marbled by Sydney Cockerell, top edge gilt. Con- one of the most interesting% most poetic editions of Milton’s epic.” $+.11 temporary bookseller’s ticket at base of front pastedown; owner’s signature dated -.2- on blank. Sides slightly rubbed from the sturdy 36. Harwerth, Willi. Hans Andersen. THE RED SHOES. Douglas Clev- cloth slipcase, tiny closed crack at head of spine, creases in lower cor- erdon: Bristol, -.+/. ,½ × /. 4- pages, Vellum-backed boards with ner of )rst six leaves, still a )ne copy of this magni)cent edition. One exposed chords. Fine. One of 31 numbered and signed, specially of #&& copies printed on handmade Batchelor paper% in Eric Gill’s '$-point bound, and with an extra suite of the engravings hand colored. (Edi-

!"# $#%!&"' %(!' )* !"# +)), &%!%-)./# 01 tion of 2*1 copies.) Printed by Wilhelm Gerstung in Koch’s Grosse- Antiqua type. A charming book, immaculately produced. $3+1

37. Heavenly Monkey. Rollin Milroy. TYPES/PAPER/PRINT. (Vancou- ver), +1-+. / × -+. (+/) pages. Wood engraving of Milroy’s printing press by Shinsuke Minegishi. Marbled boards, paper labels. Fine. This copy has bound in an extra leaf (OptimaIPerpetua) printed on handmade paper% to demonstrate the way paper choice a,ects a type’s appearance. A type specimen of nine Roman and '' italic faces of HM’s core repertoire% the continuous text is H. P. Lovecraft% The Horror at Red Hook. There is a "-page introduction by the printer. Faces include Centaur% Cloister Old Style% Cochin% Dante% Optima% Arrighi% Granjon% and Weiss. One of )& copies printed letterpress on dampened Guarro paper% this is one of a few copies with the extra leaf. $,,1

Item *. Allen Press% Hyginus.

Item "$. Oddballs. 38. Heavenly Monkey. ODDBALLS. The Remarkable True Stories of Forty Unique% Strange% Peculiar% Extraordinary & Generally Odd People% Told in Prose and Wood Engravings by Jim Westergard. (Vancouver), +1--.

!"# $#%!&"' %(!' )* !"# +)), Item #$. Elston Press. Item )0. Kredel

Item "#. Frasconi.

!"# $#%!&"' %(!' )* !"# +)), Item *&. Langlé. Item "(. Harwerth. Item #0. Essex House Press.

Item *'. Logan Elm Press. Item "*. Paradise Lost.

!"# $#%!&"' %(!' )* !"# +)), &%!%-)./# 01 /½ × -+½. .3 pages including 21 wood engraved portraits tipped in. 42. Janus Press. Judy Fairclough Sgantas. ABC OF BUGS AND PLANTS Blue cloth, spine-length black leather label, decorative glassine. Fine. IN NORTHERN GARDENS.Vermont, +1-+. * × 3½ (with the book One of "* copies beautifully printed letterpress on dampened paper. Signed closed). There is a tri-fold page for each letter of the alphabet, which by the authorIartist. Oddballs presents portraits of some women and men opens to -. × 3½. The classical Roman letter forms are entwined you’ve heard of: Aimee Semple McPherson% Howard Hughes% Timothy with plants and insects. There are two diFerent images for each let- Leary% Gunnlaug Wormtongue% Pope Joan% Grigori Rasputin—and some ter of the alphabet—one in b&w and one in color. Text )lls the mid- you may not have. They are “quietly or outlandishly out of the ordinary.” dle panel. Woven strip binding, in a new pattern designed by Claire Introduction by Barry Moser. Westergard is not only a .ne engraver% but Van Vliet for this book. Fine in tray case. One of '#& copies signed by also an entertaining (humorous and irreverent) story-teller. $+111 Sgantas% a professional gardener. Text concerns mostly garden pests—what attracts or repels them—and a plant’s defenses. $,11 39. High Loft Press. THE SHYP OF FOOLES. By Sebastian Brandt, Translated into English by William Barclay, -,1.. (Seal Harbor), -./+. 43. Janus Press. Sandy McPherson. BEAUTY IN USE. Newark, VT, -..*. -1 × -2. (3+) pages illustrated throughout. Bound by Gray Parrot in . × /. (4/) pages. Concertina non-adhesive binding—a new structure quarter cloth. Two lower tips bumped; all else )ne. One of #&&. The created for this book. Fine in original colorful cloth-covered tray line cuts are adapted from Durer. $24, case. One of -,1 copies, signed by Claire VanVliet, McPherson and “9$ %;( ?6$$(" #! %;( :9H%(($%; &($%C"B” two others involved in the production. Presented are -4 poems by 40. Hunter, Dard. Frank Weitenkampf. THE ETCHING OF CONTEM- McPherson inspired by African-American quilts. Between each leaf PORARY LIFE. With an Original Etching by Ernest D. Roth. Marlbor- of poetry is a double sided quilt structure of woven and interlock- ough-on-Hudson: Dard Hunter, -.-3. /¼ × --½. (-+) pages plus loose ing color and pattern papers—there are +1 quilts including the bind- etching, as issued. Criblé headpiece and initial engraved by Hunter. ing covers. They are made from -+ known papers (eg Fabriano and White and grey boards, large title label an upper cover. Calligraphic Twinrocker) and several unidenti)ed paste, marbled and printed book label on pastedown. Spine slightly toned, else a )ne, unopened papers. An enclosed baggy contains leftover scraps. A lovely kalei- copy. One of #*& copies produced for the Chicago Society of Etchers- the doscopic production. $311 etching is one of #+& copies signed and dated by Roth. Laid in is the )-page “79%; 6AA !9=(A9%B %# :%"C&%C"(, membership list% and a notice from The Oakwood Binders that a full pig- &;6"6&%(", 6$= %9$%” skin binding designed by Hunter is available for 3'&. This is Hunter’s second book (the .rst being Etching of Figures '0'* also for the Society of 44. Johnstone, William Grosart & Alexander Croall. THE NATURE- Printers). A “one-man” book for which Hunter made the paper% designedI PRINTED BRITISH SEA-WEEDS. London: Bradbury and Evans, cutIcast the type% and printed the book. $-+,1 (-/,.–-/31). Four volumes. 3 × .. xv, -// ; ix, +14; xi, +11 ; xiv, (-), 4+2 pages, plus ++1 nature-printed plates in color. Engraved titles in 41. Incline Press. IN PRAISE OF PATTERNED PAPERS. A Collection of each volume also bear a small nature-printed alga. Some light foxing Essays by Paul Nash% Phyllis Barron% Enid Marx% Alan Powers% Sebastian throughout (mostly on the backs of plates). Later c-. three-quarter Carter% Victoria Hall% Graham Moss. Oldham, -..*. *½ × -1½. -+1 pages green morocco (spines darker), marbled sides and matching endpa- with .3 tipped-in colorful samples. Patterned boards, cloth spine, in pers, top edge gilt. Bookplate in each vol. Some wear to extremities, matching slipcase. Fine. One of "(& copies. The most extensive work on head of volume - chipped and joint starting but )rm, joints rubbed, the subject% this includes a discursive bibliography by Moss. $2,1 but a very good, handsome set of this extraordinary achievement.

!"# $#%!&"' %(!' )* !"# +)), &%!%-)./# 01 The algae are printed in many shades of red% brown% green% pink% purple% by Koch. Very good. Christmas story of the Three Wise Men. Printed at grey. Most are printed in a single color- but some are # or " colors. While Klingspor Typefoundry in '0'0 from plates of Koch’s paper cuts. $-,1 the next to last plate is numbered #&+ and the last plate bears no number% there are bis plates ##½% )#b% *0b% *0c% ($b% +&b% +&c% 0'b% 0#b% ')"b% #&(b. 48. Kredel, Fritz and George Salter. AM WEGESRAND. Frankfurt: Der Nature printed by Henry Bradbury% the sea-weeds “are herein reproduced Goldene Brunnen (-.3-). *½ × -1½. (+), xxiv, 42, (+). Fritz Kredel’s with all .delity to structure% character and tint of the originals. The most +2 hand colored woodcuts of roadside Gowers and plants are sur- crystalline water could scarcely more delicately /oat these lace-like trophies rounded by George Salter’s calligraphic texts from classic German of the Garden of the Sea than do their pages.” (From the authors’ Preface.) poetry. Vellum-backed cloth. Fine in slightly worn slipcase. One of Friedman% Color Printing in England -2/3–-/*1% ills. '(" and '(). See '*& copies printed at Bauer Giesserei% signed by Kredel and Salter. Thirty- Typographia Naturalis pages ##–#$. $+,11 four text pages print the calligraphic quotations in Weiss Roman. Kredel’s subjects were found “by the wayside” in and around New York. A Century 45. Kelly, Jerry. A CHECKLIST OF BOOKS PUBLISHED BY WILLIAM for the Century (". $-/11 PICKERING 2820–2853. With essays by Joseph Blumenthal and Arthur Warren. Pomona: Kelly-Winterton Press, +112. ,½ × /½. ix, 49. Kredel, Fritz—Leaf Book. FRITZ KREDEL 2900–2973. A comprehen- ,3, (+) pages plus ,3 plates, four original leaves tipped in. Quarter red sive list of Kredel’s work by Mathilde Kredel Brown- with essays by Gay leather and boards, slipcased. Fine. One of #* copies (total edition was Walker% Hermann Zapf% and Ronald Salter. NY, +11*. / × -1. -21 pages, '0$ copies) with more interesting original leaves tipped-in. $+., with /1 color illustrations plus 3 original leaves. Quarter leather, slipcase. One of #& copies. The original sheets of the Grolier Club’s #&&& 46. Kleweta, Raphael Augustinus. BASILIUS VALENTIANUS. Aurea Cat- catalogue are augmented by four illustrated leaves from books% an illus- ena. Belveze de Razes: Anima Mundi, +111. 2½ × 3. Approximately trated )-page prospectus for the Michelstadt map% and a personal greeting -, “pages.” Actually . tri-fold interlocking sheets, printed from the card. Designed by Jerry Kelly. $*11 artist’s calligraphy in blues, greens, and browns. With six engravings in colors, and line drawings in the text. Handmade paper wraps D(ACH( C#A#"(= C#8B molded, embossed, printed in blue, and gilded. Wooden slipcase 9$ 6$ OC%:%6$=9$< B(A<96$ B9$=9$< covered in black velvet with cork top and bottom. Fine. One of '*& 50. Langlé, Joseph Adolphe Ferdinand. LES CONTES DU GAY SÇA- signed copies. Each engraving is also numbered and signed by the artist. VOIR. BALLADES% FABLAIUX ET TRADITIONS DU MOYEN AGE Hand printed on handmade paper with painted speckles and gilded fore … ornés de Vignettes et Fleurons% imités des Manuscrits originaux par Bon- edges. Layout and illustrations su5est a medieval manuscript on alchemy. nington et Monnier. Paris: F. Didot for Lami Denozan, (-/+/). ,½ × /½. Basilius Valentius was an early chemist who extracted hydrochloric acid from cxlvi, 2/ pages plus -- leaves bearing the lithographs uncolored. marine salt% and copper from pyrites% among other achievements. $211 Title page and -1 half-page lithographic vignettes by Richard Parkes Bonington (3) and Monnier (2). Bound by Charles de Samblanx in 47. Koch, Rudolf. DIE GESCHICHTE VOM WEIHNACHTSSTERN. Leip- Romantic style in black straight grain morocco, central Arabesque zig, -.+1. -4 × -1. (+3) pages with -+ large and several smaller silhou- in gold with raised design painted pink, green, and gold; pink calf ettes. Beveled paper boards with large silhouette and title on upper doublures with multiple gilt rules, elaborate corner pieces inlaid cover. Binding a bit warped, with some old rubbing and scratches. with turquoise morocco; pink moire Gyleaves, marbled endpapers Contemporary bookplate on pastedown might have been designed (one with the armorial bookplate of Baron de Launoit); spine richly

!"# $#%!&"' %(!' )* !"# +)), &%!%-)./# 01 gilt is signed at the foot. The original (and meant to be temporary) Illustrated with +1 powerful woodcuts (about half are double page). wraps with label are bound in. Extremely slight wear. Fine copy of a Embossed black cloth, printed dust jacket. One of '&&& copies signed by very pretty book. The lithographs were made with pen% printed on China Frasconi. $-,1 paper% and mounted with the text% which is printed in a batarde type face. In this deluxe copy% a leaf bearing the lithograph in its natural state is 54. Moore, Suzanne. PIECEWORK. Poems by Corey Mesler. Tuscaloosa: inserted before each appearance of the colored one within the text. The large The Wing & the Wheel Press, +111. 2¼ × *½. 4+ pages. Illustrated opening initials also are colored and gilded. The fables are followed by a with hand-colored and illumined paragrams (calligraphic allusions section of commentary. Gordon Ray (The Art of the Illustrated French to the text) by Suzanne Moore. Binding designed by Donald Glaister Book -*11 to -.-2, pages '+"–'+() writes of Bonington “his importance is quarter cloth and boards with a raised, decorated vertical panel in the development of lithography can hardly be overstated.” The illustra- on both covers; Glaister’s signature gold dot on upper. Fine, with tions in this work “are intentionally primitive in conception. The title page prospectus. One of #( deluxe% lettered copies (of '+() printed on handmade supports Bouchot’s contention (p. 0') that Bonington may be commenting Twinrocker paper% with extra illumination by the artist. Signed by the ironically on the Hours of Simon Vostre.” $2,11 printer Terry Chouinard and by the artist. $4,1 W9%; O$( #! %;( C#88(" P"9$%9$< PA6%(: 55. Mueller, Hans. WOODCUTS AND HOW I MAKE THEM. NY: Pynson 51. Logan Elm Press. Louisa Bertch Green. SUCH SENSATIONS/SOL- Printers, -.4.. -+½ × -1. -// sheets loose in traycase as issued, with an CHE SENSATIONEN. FOOD & P H ILOSOPICAL REFLECTIONS OF extra, original woodcut self-portrait signed by Mueller. First 4 sheets CHEF HUBER SEIFERT. Columbus, +1-1. -1 × -,. (-4.) pages. De- creased across the top, otherwise contents are )ne. Traycase has signed by Robert Tauber with twelve initial letters hand drawn by some wear, but is in very good condition. One of #*& copies of the Port- Ann Alaïa Woods, who also designed the calligraphy for the book. folio edition. Sheets are printed mostly on rectos. This format allows display Twelve dry-point monoprint menus by Anthony H. Rice were of the numerous woodcuts and wood engravings (some in color). $2,1 printed from copper plates on an intaglio press on dampened Arches 56. Northcote, James. FABLES% ORIGINAL AND SELECTED. [with] Wove paper. Bound at Book Lab II. Sewn onto vellum tapes and into Fables, Original and Selected … Second Series. London, -/+/ and the hand-made, gelatin-sized Cave Paper covers of black walnut- and -/44.Two vols. First editions. 3 × .½. the Engraved frontis por- indigo-stained raw Gax. Housed in a drop-spine box covered in black trait (some foxing), folding facsimile letter, viii, +*+; frontis, lx, +2/ Italian linen with one of the original copper intaglio monoprint pages with ,31 charming wood-engraved vignettes. Bound by Root plates inlaid into the cover. One of #( copies% signed by chef% author% art- in three-quarter morocco and marbled boards, spines nicely gilt, ist% and designer. $4111 matching marbled endpapers, all edges gilt. Attractive calligraphic 52. Maney, A. S. THE NATURE AND MAKING OF PAPYRUS. (Barkston booklabel on pastedowns. Extremely slight wear, a )ne set in later Ash), Elmete Press, -.*4. 3 × .. xvi, 3. pages including 3 illustrations slipcase. William Harvey, Bewick’s student, engraved most of the on colored handmade papers, and a specimen of papyrus. Buckram, ,31 vignettes, along with +11 historiated initials, headpieces, and tale leather spine label. Fine in custom slipcase. One of )0* copies signed by pieces. Printed by C. Whittingham. Bewick called One Hundred Fables the editorIprinter and by the papermaker Ian O’Casey. $-/, “a brilliant Book.” Ray #,, and ,3, Plate XXIX. Brunet IV, -14. $311

53. Melville, Herman. ON THE SLAIN COLLEGIANS. Edited% and with 57. OJcina Bodoni. Gogol, Nicolay. THE OVERCOAT. Verona, -.*,. woodcuts% by Antonio Frasconi. NY: Farrar, Straus, Giroux, (-.*-). * × .. / × --½. --. pages including 3 full page etchings by Petro Annigoni.

!"# $#%!&"' %(!' )* !"# +)), &%!%-)./# 01 Quarter vellum, top edge gilt. Fine in buckram slipcase, with pro- der notes, blue chapter heads, and small engravings in various colors spectus. One of '(& copies signed by the artist. Original Russian text is including green and gold. The *, wood engravings by Moser printed printed in the Pushkin Cyrillic type cut for the OB% with English translation from the original blocks. The letter “A” on page 4* was hand illumi- by Constance Garnett in Dante type% on handmade paper. $.11 nated by Moser. A playful book, with typographic puns.The mouse’s long tail is over ten inches long in “shaped” typography. $2111 58. Old School Press. Burnett, David. TWELVE POEMS. With wood- engravings by Sister Margaret Tournour. -- × -,. Cloth, paper cover 61. Pennyroyal Press. Lewis Carroll. THROUGH THE LOOKING- label. Fine. (Bath), -..2. One of '"* copies% set in '&-point Cancelleresca GLASS AND WHAT ALICE FOUND THERE. West Hat)eld, -./+. Bastarda% and printed on heavy Saunders paper. Signed by the author and -1¼ × -3½. xxv, -34, (*) pages. Half-morocco and decorated paper by the artist% who created ') small% exquisite engravings. $+11 boards by Gray Parrot, with a separate suite of the engravings, .+ leaves, each signed by Moser, in a buckram chemise. Morocco- DC%&; G9A% E$=868(": DB E;9$<(" backed tray case. Fine. One of 4,1 numbered copies signed by 59. Oxford University. GRATULATIO SOLENNIS UNIVERSITATIS OX- Moser. Printed in red and black with .+ wood engravings by Moser. ONIENSIS ob celsissimum Georgium Fred. Aug. Walliae principem Geor- Moser in the Pennyroyal Checklist (-./3) comments “there is a greater gio iii et Charlottae reginae auspicatissime natum. Oxford: Clarendon cohesion in Looking-Glass than in Alice. I have never been able to Press, -*3+. Folio (.¼ × -2¼; 43., cm). Contemporary red morocco, understand why the critics called the pictures ‘dark’. I intended covers with gilt )llet borders and crowns, all edges gilt, “Dutch” gilt them to be whimsical and humorous displaying a kind of calculated Goral endpapers stamp signed Johann Lupus Ehinger. Small paper pandemonium.” $4/11 label with manuscript shelf mark (“Q3”) in upper corner of paste- 62. Petrarch Press. THE ASCENT OF MOUNT VENTOUX. A letter from down. Corners and joints rubbed; spine faded to brown, joints split- Petrarch with a wood engraving by John DePol. (NY, -./.). 3½ × .. -- ting at top two inches, two leaves slightly cockled at lower outer pages. Blue cloth, paper spine label. Fine. One of (& copies on hand- margin. Still a handsome copy. One of '&& copies beautifully printed on made paper. (There were also '& on parchment and ''& on Arches paper.) .ne J. Whatman paper (there were also )&& copies on “regular” paper) in Signed by the artist. $-4, Latin% English% Greek% Hebrew% Syriac% Arabic% and Welsh. These verses celebrate the birth of the future George IV. Binding is likely by Alexander 63. Press of Appletree Alley. Simpson, Louis. JAMAICA POEMS. Illus- Thompson% a binder to the University. Carter% History of the Oxford Uni- trated by John DePol. Lewisburg, -..4. 3½ × .. 31 pages with , wood versity Press Volume '% p. *+). $+,11 engravings. Cloth and decorated boards. Upper tips bumped, all else )ne with prospectus. DePol’s bookplate on pastedown. One of '*&% 60. Pennyroyal Press. Lewis Carroll. ALICE’S ADVENTURES IN WON- signed by Louis Simpson and by DePol. $-3, DERLAND. West Hat)eld, -./+. -- × -*. -2/ pages. Purple morocco spine and fore edges, decorated paper boards by Gray Parrot (ticket 64. Raamin-Presse. Thomas, Dylan. THE FOLLOWERS. (Hamburg), at rear), with a separate suite of *, wood engravings on *4 leaves of -.**. . × -2½. +- pages, with ten large etchings in aubergine and -* which three are double size, each signed by Barry Moser, in a buck- smaller “pictorial marginals” in olive green by Roswitha QuadGieg. ram chemise. Morocco-backed tray case. Fine. Inscribed by Moser Pages ruled in aubergine and green. Green and aubergine marbled and with a pencil drawing of a thimble under the inscription. One of boards by Christian Zwang, slipcase. Fine. One of )& signed copies in 4,1 numbered copies signed by Moser. Printed in black with red shoul- English (there were also $& in German). Printed by Quad/ieg in Stempel

!"# $#%!&"' %(!' )* !"# +)), &%!%-)./# 01 66. Rampant Lions Press. Lubbock, J. G. FROM THE SNOWS TO THE SEAS. Leicester, -./3. -- × -2. +. pages. With 2 hand-printed color illustration from copperplates worked by etching and aquatint. Each folds out to the equivalent of three pages with image sizes of about . × +/. Tissue guards present. Morocco spine and blue silk boards gilt with a design of waves and mountains. Fine, with the mylar jacket and decorated board slipcase. One of 0* signed copies on handmade paper. $*11

67. Rogers, Bruce. ESSAYS OF MICHAEL LORD OF MONTAIGNE. Written by him in French and done into English by John Florio. Edited, with notes and a bibliography, by George B. Ives. Boston: Hough- ton MiKin, -.1+-+4-12. Three volumes. . × -2⅜. 2-,; ,/+; 2.+ pages. Quarter tan buckram and pale green marbled paper boards, printed spine labels, extra labels tipped in, plain dustwrappers; uncut and unopened. Housed in the original cloth folding cases with paper labels. Collector’s bookplate in )rst volume. The boxes are soiled Item (*. Raamin-Presse. and broken, but have protected well the books which are in their Madison type on Zerkall paper. This press was founded in '0+". Quad/ieg original pristine state. With the prospectus. Copy # of #(* sets printed executes all aspects of each book herself—design% typography% illustration% at the Riverside Press. Roger’s .rst show piece% these magni.cent folios were and printing. No two books are alike. $-+,1 printed in his Montaigne type on handmade paper. Doublespread titles within Tory woodcut borders% wood cut portraits% and criblé initials. While 65. Raamin-Presse. Strindberg, August. GESPENSTERSOUPER: EIN the boxes are unattractive% the books themselves are in the .nest condition KAMMERSPIEL. Hamburg, -./*. . × -+¼. 2* pages plus 2 full page we have seen. $-311 engravings of characters in this intimate play. Bound by Chris- 68. Ruzicka, Rudolph. NEW YORK. A Series of Wood Engravings in Colour tian Zwang in oF-white boards with a poem from the play blind- and a Note on Colour Printing by Rudolph Ru1icka with Prose Impres- embossed in the center panel. Upper tips a bit bumped, all else )ne sions of the City by Walter Prichard Eaton. NY: The Grolier Club, -.-,. in plain dustwrapper and slipcase. From an edition of '$&% this is an out- *½ × --¼. xxi, -+1, (-) pages. Quarter beige cloth and blue paper of-series copy inscribed by Roswitha Quad/ieg to “Sandy” (Sandra Kirsh- boards, leather spine label. Two tiny spots on rear cloth, tiny bump enbaum). Printed by her in Lutetia and Futura types on light grey Rives. to one tip and spine. A )ne copy in the worn original slipcase. One of Jerry Kelly% German Fine Printing -.2/–-.//—“A characteristic exam- #*& copies on French handmade paper watermarked with the Grolier Club ple of Quad/ieg’s combining of crisp typography and original prints.” A seal. Ten full-page and #& head- and tail-piece coloured wood engravings by lengthy review% with many photographs% of this work appears in Matrix -1. Ru1icka. Printed by De Vinne. $-211 There% John Ryder writes “Such books develop naturally% organically% with- out conscious adherence to rules and principles and create a logic most 69. Schanilec. Auchincloss, Kenneth. NEW YORK REVISITED. Illustra- suited to the artist and her subject.” $/,1 tions by Gaylord Schanilec. NY: Grolier Club, +11+. * × -+. xi, 22

!"# $#%!&"' %(!' )* !"# +)), &%!%-)./# 01 pages, including / full page color wood engravings and 4 vignettes. "*& numbered copies printed on handmade Roma paper. Index by Howell Gray silk cloth boards with black and silver leather label, match- Heaney. $+11 ing slipcase. Fine. One of +11 (of +,1) signed and numbered copies, designed and printed by Schanilec. Engravings include Lower 73. Thomson, Virgil and Maurice Grosser. EIGHTEEN PORTRAITS. Manhattan from the Empire State building, Chrysler Building from Music by Virgil Thomson with lithographs by Maurice Grosser. NY: Vin- Lexington Avenue, +41 Park Avenue, Grand Central subway sta- cent FitzGerald, -./,. -, × -/. Eighteen original musical scores pair tion, White Horse Tavern, Times Square, the World Trade Center with -/ lithographed portraits, initialed and numbered by Grosser. (vignette), and Strawberry Fields. A sequel to the -.-, Grolier Club There are ,2 leaves in +1 fasicules, loose as issued in turquoise Tus- edition. $*,1 sah silk covered clam shell box with large leather label, lined with silvery paper, bound by Carol Joyce and Gérard Charrière. Fine. One 70. Shakespeare Head Press. Pindar. PINDAR’S ODES OF VICTORY. of '#& copies printed on handmade Barcham Green Crisbrook paper% signed The Olympian and Pythian Odes. The Nemean and Isthmian Odes. Embel- by Thomson & Grosser. Calligraphy by Jerry Kelly. Text printed letterpress lished with Wood-engravings by John Farleigh. Boston: Houghton Mif- at Wild Carrot. Portraits and scores are for Thomson% Grosser% Maurice Gin, -.+. &-.41. Two volumes. 2to. -- × *½. xxiv, +.*; -.4 pages. With Bavoux% Theodate Johnson% Jane Bowles% Priscilla Rea% Willy Eisenhart% numerous third-page wood engravings by John Farleigh. Greek and Bill Kat1% Richard Flender% Gerald Busby% Sam Byers% Morris Golde% Karen English text on facing pages. Original quarter black cloth and gold Waltuck% Paul Sanfacon% Peter McWilliams% Mark Beard% Louis Rispoli% speckled turquoise boards (some discoloration to board edges, as Danyal Lawson. A lovely duet by these friends of (& years. $+,11 usual). Beautifully produced books, in )ne condition. Slipcases have some wear. One of '&& sets printed for America on handmade paper. With 74. Voorn, Henk. OLD REAM WRAPPERS. North Hills: Bird & Bull an Introduction and a Translation into English Verse by C. J. Billson. Early Press, -.3.. *½ × .½. --1 pages, illustrated with )ne reproductions and splendid use of Victor Scholderer’s New Hellenic type. $-411 of European and American wrappers. Indices of mills, papermak- ers, importers, and merchants. Quarter red morocco. Fine with the 71. Stanhope Press. THE BOOK OF SPECIMENS STANHOPE PRESS. two prints (one corner tips creased) pulled from original copperplates for Boston: F. H. Gilson Co., -.1,. ,½ × /¾. Frontis with printed guard, Dutch ream wrappers. Prospectus. One of "+* copies on Morris’ handmade facs. letter mounted, xvi, tipped-in map, 2,+ pages. Publisher’s half paper. $2+, morocco and cloth, top edge gilt. Spine a bit faded, some extrem- ity wear, contents )ne. A very good copy. Pagination includes many 75. Wakeman, GeoFrey. ASPECTS OF VICTORIAN LITHOGRAPHY% specimens% including (& samples of binding cloth mounted on '& leaves% and ANASTATIC PRINTING AND PHOTOZINCOGRAPHY. Wymond- '( samples of leather mounted on # leaves. There are specimens of type% ham: Brewhouse Press, -.*1. / × --½. Leather-backed decorated typography (from stereotyped plates in their vaults)% illustration processes% boards, 34 pages. Tipped in specimen of anastatic printing and a photo- paper% and presswork. $3+1 zincograph of a manuscript. Fine. One of #*& copies. $411

72. Taylor, W. Thomas and Henry Morris. TWENTY-ONE YEARS OF 76. Warwick Press. Werner, Arno. ONE MAN’S WORK. Easthampton, BIRD & BULL% A Bibliography '0*$–'0+0. (North Hills) Bird & Bull -./+. , × *½. -,, (-2) pages, including tipped-in color reproductions Press, -./1. 3½ × .½. -1/ pages. Morocco and decorated boards. of -+ Werner bindings. Pastepaper boards, morocco spine and tips. Spine slightly darker (as usual, from binding glue) else )ne. One of Fine, with prospectus. One of #&& copies designed and printed by Carol

!"# $#%!&"' %(!' )* !"# +)), &%!%-)./# 01 Blinn with her hand-colored illustrations and photographs of '# of Arno Werner’s bindings. Bound and signed by Blinn and Werner. $+11

77. Warwick Press. Baris, Bob. COINCIDENTAL PLEASURES. Print- ing & Farming. Easthampton, +11*. 3 × /½. (4+) pages, with / hand colored drawings by Carol Blinn. Pastepaper boards, silk spine with label. Fine. One of *& copies (of +*) in this binding% signed by Baris and Blinn. Bob is a .ne press printer and a farmer. Carol is illustrator% printer% paste-papermaker% vellum-dyer% and binder. $4*,

78. Webb, Brian. THINK OF IT AS A POSTER. Fleece Press, +1-1. 4 × 2¼. Twenty-four leaves, 4+ postage stamps tipped in, and / more stamps in rear pocket. Cloth and boards housed in a box by Stephen Byrne, whose red and grey metal lid replicates a Victorian English postbox. Fine. One of '&& deluxe copies which have additional pages and stamps. The tipped-in stamps were made from wood engravings or linocuts by John Lawrence% Christopher Wormell% Andrew Davidson- David Gentleman% Yvonne Skargon% and Claire Melinsky. $2,1

79. Whittington Press. A STUDY OF DINOSAURS, on the Comparative Method, or Comparative Dinosaurs for Students, Amateurs, Fanci- ers and Breeders. By H. J. Mudwinkle. Whittington & Lorson’s, N.//. Miniature -¾ × +½. xv, (N/) curiously paginated pages, including / Item $'. Face to Face. full page wood engravings by Peter Foster. Full green morocco with title page gilt on cover. A separate portfolio of the wood engravings on Japanese paper is also contained in the blue cloth tray case. Fine 81. (Wood Engravers) FACE TO FACE. Twelve Contemporary American copy of this charming and humorous piece. One of "* deluxe copies Artists Interpret Themselves in a Limited Edition of Original Wood En- (total edition was '+*). With a presentation inscription from the Randles. gravings. With an introduction by Leonard Baskin and a dedication The prehistoric creatures in this miniature book are horned beetles. $211 print by Lynd Ward. PenmaenIBusyhaus Publications, (-./,). -- × -,. Fifteen printed folders. Each engraved self-portrait, numbered 80. Whittington Press. MATRIX 7% A Review for Printers and Bibliophiles. and signed, is laid into a printed folder with a page of text about Andoversford, -./*. *½ × --. -33 pages plus inserts, with a special the artist. With an additional suite of the -4 signed (but not num- portfolio containing cassette recording of “Stanley Morison on Eric bered) prints on diFerent paper. Contained in heavy cloth print case Gill.” Quarter morocco and marbled boards. Slipcase. Fine. Includes whose spine is a recessed length of engraver’s maple wood—type articles on Pouchée wood type% Indian typography% Eric Gill% and Victor high and engraved “Face to Face” the length of the spine. Fine. One Hammer. Well-illustrated with photos% engravings% woodcuts% etc. One of of #*& sets% this is in the deluxe binding. Most sets were in wrappers. The ''& special copies. $3,1 twelve artists are: Fred Becker% Jack Coughlin% John DePol% Frit1 Eichenberg%

!"# $#%!&"' %(!' )* !"# +)), &%!%-)./# 01 Item #". Decorated Papers. A Box of Marbles.

Item $#. Wood Engravers.

Raymond Gloeckler% James Grashow% Judith Jaidinger% Stefan Martin% Michael McCurdy% Barry Moser% Gillian Tyler% and Herbert Waters. Lynd Ward’s previously unpublished print is not signed% due to Ward’s death before the project was completed. Harold McGrath printed the blocks% which were cancelled at the end of the press run. $-+,1

82. (Wood Engravers) HERE WE ARE. Engravings by Members of the Here We Are Wood Engravers Network. Np, -.... -1½ × *. Title, Introduc- tion, +, original wood engravings each titled and signed by the artist. Hand bound in quarter cloth and boards. Fine. One of '&& numbered copies% printed letterpress and from the original blocks. Artists (from Can- ada% US% and UK) are Richard Wagener% Jim Westergard% Frank Eckmair% David Moyer% Joel Moline% Deborah Broad% Richard Yates% Sister Marga- ret Tournour% James Horton% Sylvia Pixley% Julianna Humphreys% Roberta Chu-Mikkelsen% Ken Ferguson% Gregory Lago% Edward Liebhardt% Andy English% Dale Kennedy% John Bischof% Le1le Williams% Colleen Dwire% W. Gale Mueller% Carl Montford% William Myers. $4,1

=(:9<$ DB ?9&;6(A "C::(? · O6% "6$ 8"(:: · &6?D"9=<( Item (. Barbarian Press Collection. Item '#. Beard.

Item ((. Rampant Lions Press.