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NEXT 24_OCTOBER 10 Élisa Larvego, George Parrish and his cat in front of his house, Triple A, Colorado (USA), 2010 NEXT 24_OCTOBER 10_P3 SOMMAIRE / CONTENTS Élisa Larvego, Huerfano Valley's view from Jim Fowler's house, Libre, Colorado (USA), 2010 NEAR • association suisse pour la photographie contemporaine • avenue vinet 5 • 1004 lausanne • www.near.li • [email protected] NEXT 24_OCTOBER 10_P4 SOMMAIRE / CONTENTS Élisa Larvego, Mary Ann's actual oat house, Libre, Colorado (USA), 2010 RUBRIQUES NEAR P7 INTERVIEW P19 EVENEMENTS / EVENTS P35 EXPOSITIONS / EXHIBITIONS P49 FESTIVALS P143 PUBLICATIONS P163 PRIX / AWARDS P177 FORMATION / EDUCATION P191 EDITO DE NEXT C'est avec grand plaisir que nous présentons dans NEXT24 une interview de la photographe Anne Golaz qui s'entretient avec Emmanuelle Bayart à propos de sa nouvelle série, Chasses, et un portfolio d'images récentes d'Elisa Larvego consacré à deux communautés hippies du Colorado. Les photographes de NEAR sont également présents dans les festivals et de nombreuses expositions en Suisse comme ailleurs… Cet automne offre plusieurs occasions de participer à des prix, concours ou appels à la création de festivals, profitez-en ! ! ! Excellente lecture ! Nassim Ont contribué à ce numéro : Interview : Emmanuelle Bayart ; Maquette : Ilaria Albisetti, www.latitude66.net ; Rédaction : Nassim Daghighian, présidente de NEAR Pour recevoir NEXT ou pour nous informer de vos activités liés à la photographie (en) Suisse, prière de nous contacter par e-mail : [email protected] NEAR • association suisse pour la photographie contemporaine • avenue vinet 5 • 1004 lausanne • www.near.li • [email protected] NEXT 24_OCTOBER 10_P5 PORTFOLIO Élisa Larvego, Mary Ann Flood in her house, Libre, Colorado (USA), 2010 PORTFOLIO Elisa Larvego www.vego.ch Communautés de Huerfano Valley, Triple A et Libre " De toute évidence, dans mes portraits, les lieux sont souvent aussi importants que les personnes photographiées. Étant donné qu’ils sont toujours en lien avec le visage qui nous est montré, les espaces sont comme une autre face de ce visage, ils viennent compléter les apparences et apportent une lecture plus complexe au portrait. Je cherche à montrer des personnages dans leur contexte, en accordant autant d’importance à l’un qu’à l’autre. Dans ce projet sur les communautés hippies, je me suis focalisée sur le lien entre les habitants et leurs espaces de vie. Cette relation est fascinante à observer car le lien est très fort : ces personnes ont pour la plupart construit leur habitat eux mêmes, dans une totale liberté. Néanmoins, les constructeurs ont souvent été contraints par des budgets très limités. C’est très étonnant de voir des maisons de deux étages, bâties avec seulement 250 dollars ! Il y a aussi des maisons qui ont connu plusieurs habitants, avec différentes étapes de construction. Pour la majeure partie, les habitats ne sont plus les mêmes que ce qu’ils étaient dans les années 70, ils ont souvent subi quelques améliorations et agrandissements. Cependant ils conservent aussi cet aspect non fini, il y aurait toujours un clou à replanter, ou un coup de peinture à terminer… Mais ce sont des maisons très habitées et personnalisées, et c’est pourquoi ces lieux prennent tout leur sens dans ce travail de portraits photographiques. Ils sont comme un reflet de leur personnalité, et même dans les intérieurs les plus minimalistes, ils parlent de ces êtres qui les habitent. " Elisa Larvego Voir aussi la rubrique EXPOSITIONS, P62 NEAR • association suisse pour la photographie contemporaine • avenue vinet 5 • 1004 lausanne • www.near.li • [email protected] NEXT 24_OCTOBER 10_P7 NEAR Élisa Larvego, Diane and Robert's ancient dome in the Triple A's commune, Colorado (USA), 2010 NEAR • association suisse pour la photographie contemporaine • avenue vinet 5 • 1004 lausanne • www.near.li • [email protected] NEXT 24_OCTOBER 10_P8 NEAR Marion Burnier, G, en cours de production, 2009 Innuendo Exposition collective organisée et produite par NEAR, à l'invitation de la Villa Dutoit Villa Dutoit, Petit-Saconnex, Genève, du 4 au 21 novembre ; vernissage jeudi 4 novembre, 18h www.near.li Avec : Dorothée Baumann, Mathieu Bernard-Reymond, Marion Burnier, Nicolas Delaroche, Lorenzo Menoud, Virginie Otth, Annaïk Lou Pitteloud. Curatrice invitée : Ariane Pollet, historienne de l'art Présence des artistes les week-ends Visite commentée par la curatrice : mercredi 10 novembre, 16h Finissage : dimanche 21 novembre, 17h, avec une lecture de Lorenzo Menoud et un apéro festif Innuendo : 1. Terme anglais signifiant allusion, sous-entendu, se référant à l’insinuation, à la suggestion. 2. Racine latine marquant l’action, le mouvement par lequel la fiction s’immisce dans le réel. L’exposition collective Innuendo invite sept artistes à venir présenter des travaux récents, souvent inédits et à développer une réflexion sur la notion de fiction. Les démarches s’accordent à délivrer une fiction diffuse, qui ne se révèle pas au premier abord, mais s’infiltre au fur et à mesure de la contemplation. Eloignée d’une mise en scène flagrante, Innuendo aborde une fiction qui se propage dans le réel, sans frontalité, de manière ambiguë et louvoyante, par implication indirecte. Dans leur singularité affirmée, les travaux photographiques et vidéo présentés dans l'exposition convergent néanmoins vers une nécessité commune : l’implication du spectateur, qui reçoit ces propositions de mondes, se les approprie voire les complète, dans un échange, une dynamique, un dialogue des imaginaires. Ariane Pollet Remerciements à Renée Furrer, responsable des expositions, Villa Dutoit, www.villadutoit.ch Ne manquez pas cette exposition de photographies et d'installations vidéo comprenant de nombreuses œuvres récentes, voire inédites et réalisées pour l'occasion ! NEAR • association suisse pour la photographie contemporaine • avenue vinet 5 • 1004 lausanne • www.near.li • [email protected] NEXT 24_OCTOBER 10_P9 NEAR Mathieu Bernard-Reymond, Select, de la série Eléments, 2010 Innuendo Exposition collective organisée et produite par NEAR, à l'invitation de la Villa Dutoit Villa Dutoit, Petit-Saconnex, Genève, du 4 au 21 novembre ; vernissage jeudi 4 novembre, 18h www.near.li NEAR • association suisse pour la photographie contemporaine • avenue vinet 5 • 1004 lausanne • www.near.li • [email protected] NEXT 24_OCTOBER 10_P10 NEAR Lorenzo Menoud, de la série Secours, 2010 Innuendo Exposition collective organisée et produite par NEAR, à l'invitation de la Villa Dutoit Villa Dutoit, Petit-Saconnex, Genève, du 4 au 21 novembre ; vernissage jeudi 4 novembre, 18h www.near.li NEAR • association suisse pour la photographie contemporaine • avenue vinet 5 • 1004 lausanne • www.near.li • [email protected] NEXT 24_OCTOBER 10_P11 NEAR Dorothée Baumann, An Octopus, juin 2009, de la série Vice-Versa, tirage Lambda, 82,5x110 cm Innuendo Exposition collective organisée et produite par NEAR, à l'invitation de la Villa Dutoit Villa Dutoit, Petit-Saconnex, Genève, du 4 au 21 novembre ; vernissage jeudi 4 novembre, 18h www.near.li NEAR • association suisse pour la photographie contemporaine • avenue vinet 5 • 1004 lausanne • www.near.li • [email protected] NEXT 24_OCTOBER 10_P12 NEAR Nicolas Delaroche, Sans titre, 2010 Innuendo Exposition collective organisée et produite par NEAR, à l'invitation de la Villa Dutoit Villa Dutoit, Petit-Saconnex, Genève, du 4 au 21 novembre ; vernissage jeudi 4 novembre, 18h www.near.li NEAR • association suisse pour la photographie contemporaine • avenue vinet 5 • 1004 lausanne • www.near.li • [email protected] NEXT 24_OCTOBER 10_P13 NEAR Annaïk Lou Pitteloud, Curve of Pursuit, 2010, tirage Lambda sous plexiglas, 75x100 cm Innuendo Exposition collective organisée et produite par NEAR, à l'invitation de la Villa Dutoit Villa Dutoit, Petit-Saconnex, Genève, du 4 au 21 novembre ; vernissage jeudi 4 novembre, 18h www.near.li NEAR • association suisse pour la photographie contemporaine • avenue vinet 5 • 1004 lausanne • www.near.li • [email protected] NEXT 24_OCTOBER 10_P14 NEAR Élisa Larvego, Sybilla in front of her house in Libre, Colorado (USA), 2010 PORTFOLIO SUR LE SITE DE NEAR www.near.li Élisa Larvego (1984, CH, FR) www.vego.ch Élisa Larvego, membre de NEAR depuis 2009, présente un nouveau portfolio comportant deux séries de 2010, l'une consacrée à son voyage récent au Colorado (série présentée dans ce numéro de NEXT), l'autre intitulée Dialogues silencieux et présentée dans le texte ci-dessous. " La série de portraits de mères et filles montre qu’Elisa Larvego ne s’intéresse pas seulement au traitement formel de ses motifs, mais cherche plutôt à s’approcher d’une réalité sociale dans toute sa complexité, sans tomber dans un pseudo-réalisme ni dans les tropes classiques de la photographie de portrait. On y voit des femmes dont l’absence de l’époux et du père a amenées à développer entre elles une relation particulière qui sur l’image se manifeste aussi bien dans le langage corporel que dans un ensemble d’objets chargés de signification. Ces photographies sont au fond ce que l’allemand appelle Stillleben (vie silencieuse), c’est-à-dire des natures mortes, où les personnages ont engagé un dialogue " silencieux ". On pourrait dire que, dans sa quête de traces, Elisa Larvego nous montre ces femmes et leur environnement quasiment comme des artéfacts, résultats d’une vie commune qui les a façonnées. " Susanne Jaschko (extrait) NEAR • association suisse pour la photographie contemporaine • avenue vinet 5 • 1004 lausanne • www.near.li • [email protected] NEXT 24_OCTOBER 10_P15 NEAR Elisa Larvego, Olivia et Elisabeth Vuagniaux, de la série Dialogues silencieux, Genève, 2010, 110x135 cm Élisa Larvego (1984, CH, FR) www.vego.ch NEAR • association suisse pour la photographie contemporaine • avenue vinet 5 • 1004 lausanne • www.near.li • [email protected] NEXT 24_OCTOBER 10_P16 NEAR Julia Hountou est l'auteur des textes du catalogue de l'exposition En lien, galerie du Crochetan, Monthey. Image : Julie Langenegger Lachance, Le Montreux-National Acte 1, scène 1-6, octobre 2007 PLATE-FORME DE NEAR www.near.li Nous avons le plaisir d'accueillir sur la page PLATFORM du site un nouveau membre de NEAR, Julia Hountou.
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  • State-Corporate-Military Power and Post-Photographic Interventions

    State-Corporate-Military Power and Post-Photographic Interventions

    Strategies of Visualisation: State-Corporate-Military Power and Post-Photographic Interventions Nicolette Barsdorf-Liebchen, BA(Hons), MA PhD in Journalism, Media and Cultural Studies Cardiff University May 2018 Table of Contents Page Acknowledgments Abstract 1 Introduction 1 Overview and Aims of the Enquiry 3 1.1 Time Frame 5 1.2 Selection of Image-makers 6 2 Questions and Objectives, Contexts and Literatures 11 2.1 Making Distinctions: Visual Studies, Visual Culture, Critical Visuality 14 2.2 Note on Methodology 18 3. Critical Review of Literatures, Debates and Concepts 27 3.1 Historical Background 39 3.2 Grasping the Socially Abstract: Visualising the Post-photographic 47 3.3 Traditional vs Social Media? 48 4. Key Concepts 49 4.1 "War": a Fare of Mediality, Media Ecology and Mediatization 49 4.2 Plexus: on the Search for a Term 54 4.3 Corporate Personhood and the Corporate Veil 60 4.4 Visualisation and Ostension 67 4.5 The Post-photographic 69 5. Chapter Outlines 75 Chapter One: Complicity, Secondary Witnessing and the Journey from Atrocity to Facelessness 1.1 Introduction 82 1.2 Themes and Structure 86 1.3 Note on Extant Literature, Frameworks and Debates 89 1.4 Complicity in historical context: “Vergangenheitsbewältigung” 90 1.5 Secondary Witnessing and "Gegenwärtige Bewältigung" 94 1.6 The Watchful Gaze and Complicity as Biblical Trope 95 1.7 Whither Complicity for the Post-photographic? 99 1.8 In Conclusion 104 Chapter Two: The (an)Iconic Challenge and Post-photographic Discontents 2.1 Introduction: Aims, Themes and Questions 107