Lary-Opitz CV -2020
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Brown University Department of Theatre Arts and Performance Studies Production Director and Stage Manager, Barbara Reo Barbara [email protected] (401) 863-3284 Office
Brown University Department of Theatre Arts and Performance Studies Production Director and Stage Manager, Barbara Reo [email protected] (401) 863-3284 office TA3 Run Crew Information Sheet Hello and welcome to Run Crew for TAPS. Each semester, TA-3 students serve as the backstage and technical crew for one of the department’s productions that take place on one of the three stages (Stuart Theatre, Leeds Theatre and Ashamu Studio) of The Catherine Bryan Dill Center for The Performing Arts or at Rites & Reason at Churchill House. These productions include shows produced by Sock & Buskin, Senior Slot, Dance Concerts, and Rites & Reason Theatre. Everything you will need to know about serving as a member of a run crew is detailed in this information sheet. In addition, (when possible) you will have a two-hour orientation prior to the beginning of the technical rehearsal process to answer any of your questions and alleviate any of your concerns. Introduction The run crew for our shows executes all backstage action. The stage managers and assistant stage managers, with the help of our designers, our costume shop manager (Ron Cesario), our technical director (Tim Hett), and many others organize backstage activity. Specifically, they figure out how to coordinate scene changes, the movement of props on and off stage, the flying in and out of curtains, costume changes, and the movement of costumes from the dressing room to the backstage area during the performance. While the stage manager remains in the lighting booth to call the show and the assistant stage managers are on headset backstage, supervising the crew and communicating with the stage manager, the run crew (you) will be the ones actually assisting with the costume changes, moving props backstage so they are ready for the actors, executing the scene changes during blackouts or in between scenes and flying the curtains in and out as needed. -
Technical Rider 3-1-2015
TECHNICAL RIDER This is a general Technical Rider that covers most of the TAKE Dance repertory. The specific needs for a given show will likely be less than what is included here. It will be our pleasure to customize our technical requests to the extent possible in order to meet your needs. A copy of this rider signed by the Presenter and Resident Technical Director, must be returned with the contract. TAKE Dance Director of Touring and Production must provide written approval of any changes or modifications of these technical requirements. TAKE Dance travels with a Stage Manager and Lighting Designer/Production Manager. The Stage Manager’s duties include company management, stage management and wardrobe supervision. CONTACT INFORMATION Takehiro Ueyama C: 646-345-9677 [email protected] TECH TIME The standard TAKE Dance requirements are an 8-hour day before day of show, and then 8 hours, day of show for a total of 16 hours of tech time in the theatre prior to the first performance. This tech time should start at least 36 hours prior to the first performance. PLEASE NOTE: Dancers must have access to the stage two hours before curtain time, and one hour before rehearsals. A final schedule will be worked out between the Director of Touring and Production and Presenter’s Technical Director. TAKE Dance will strive to be as flexible as possible in determining the schedule. If sufficient time cannot be arranged, Presenter agrees to pay the house crew’s overtime and/or meal penalties in order to complete load in for the program. -
Jim Sandefur 1
JIM SANDEFUR Scenic Designer: Local 829 Membership Current Scenic Design, Creative Concepts, Event & Tradeshow Design, Visual Merchandising, Design Drafting, Sketching, Model Building, Graphics, etc. 1141 Arbor Creek drive #3B St Louis, MO 63122 cell: 310.709.5718 e-mail: [email protected] Website: www.jimsandefurdesign.com FILM & TELEVISION The Grid - News Network, January 2014 Indie Cable Broadcast News Program: Production Designer: Yoojung Han, Los Angeles CA. Created Design Drawings for Newsroom Set pricing and construction. Little Rascals, NBC/Universal Studios, September/October 2012 Musical Instrument, Prop Design/Construction. & Design Drawings/Waldo's Tree-house. Production Designer: Rusty Smith, Art Direction: Rosario Provenza, Props Lead: Cynthia Nibler Hip Hop Squares: Art Director (MTV2) February/March 2012 New Remote Productions Inc. Production Designer, John Gilles. Zombies and Cheerleaders (Disney Pilot) January, 2012 Design/Draw Period Pieces Production Designer: Rusty Smith Danni Lowinski (CW Pilot) October, 2010 & January 2011 Art Dept. Asst., Draftsman/Model Builder CBS Productions (CW) Production Designer: Rusty Smith BEASTLY (Reshoots, CBS Back-lot) December, 2010 Art Dept. Asst., Draftsman/Researcher CBS Film Productions Production Designer: Rusty Smith CORPORATE ENTERTAINMENT EMPLOYMENT CLUB MED - Turquoise Holiday Village Providenciales, Turks and Caicos Islands, British West Indies Entertainment Manager: Corentin Rioche HR Manager: Hany Ghobrial (649) 946-5500 ext. 35313 - Chef De Village/General Manager: Michael Clarke Resort Set Designer Responsibilities: Daily Set-up, Teardown, and maintenance of all nightly Main-stage Productions, Special Event and Holiday Duration of Employment Presentations, nightly Restaurant Entrance Décor and Bar Parties, Hire Date: June 3, 2013 as well as the design, construction, fabrication and painting of Departure Date: Nov 21, 2013 new productions while in residence. -
Gay and Lesbian Television Scripts and Transcripts Collection Coll2008.001
http://oac.cdlib.org/findaid/ark:/13030/kt1j49q65b No online items Inventory of the gay and lesbian television scripts and transcripts collection Coll2008.001 Finding aid prepared by Finding aid prepared by Finding aid prepared by Michael C. Oliveira Processing this collection has been funded by a generous grant from the National Historical Publications and Records Commission. ONE National Gay & Lesbian Archives, USC Libraries, University of Southern California 909 West Adams Boulevard Los Angeles, California, 90007 (213) 741-0094 [email protected] © 2008 Inventory of the gay and lesbian Coll2008.001 1 television scripts and transcripts collection C... Title: Gay and Lesbian Television Scripts and Transcripts collection Identifier/Call Number: Coll2008.001 Contributing Institution: ONE National Gay & Lesbian Archives, USC Libraries, University of Southern California Language of Material: English Physical Description: 2.8 linear feet[7 archives cartons] Date (bulk): Bulk, 1986-1997 Date (inclusive): 1965-2001 Abstract: Scripts and transcripts of broadcast and cable network television programs, specials, and made-for-television movies, most with a lesbian, gay, bisexual, or transgender theme. The bulk of the collection contains scripts from the series Brothers (1984-1989) and Ellen (1994-1998). creator: ONE National Gay and Lesbian Archives Access The collection is open to researchers. There are no access restrictions. Conditions Governing Use All requests for permission to publish or quote from manuscripts must be submitted in writing to the ONE Archivist. Permission for publication is given on behalf of ONE National Gay and Lesbian Archives at USC Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained. -
Edition 9 | 2018-2019
TABLE OF THE BUSHNELL CENTER CONTENTS for the PERFORMING ARTS TRUSTEE OFFICERS Message from the President & CEO ..................... 5 Jay S. Benet Chair Come From Away Robert E. Patricelli Co-Sponsored by Immediate Past Chair People’s United Bank and Travelers .................. 11 Thomas O. Barnes Vice Chair The Sound of Music Jeffrey N. Brown Sponsored by Vice Chair Voya Financial ................................................... 21 Jeffrey S. Hoffman Vice Chair Annual Fund Donor Honor Roll ......................... 32 David G. Nord Vice Chair An Extra Special Thank You ............................... 37 David M. Roth Vice Chair The Bushnell Services ....................................... 43 Henry M. Zachs Vice Chair Arnold C. Greenberg Treasurer Mark N. Mandell Assistant Treasurer Eric D. Daniels Secretary EXECUTIVE STAFF David R. Fay President and CEO Ronna L. Reynolds Executive Vice President Elizabeth Casasnovas Vice President, Development, and Chief Development Officer Patti Jackson Vice President, Finance, and Chief Financial Officer Yolande Spears Senior Vice President, Education and Community Initiatives Ric Waldman Vice President, Programming and Marketing The Bushnell is a 501(c)(3) not-for-profit organization that is proud to serve Connecticut and its citizens. | 3 MESSAGE FROM THE PRESIDENT & CEO A Look Ahead Spring has season next June. And as enticing as season finally arrived, and as that is, we were also able to tease the news it’s a particularly that Hamilton will return to The Bushnell in exciting time of year our 2020/2021 season. at The Bushnell. Our 2018/2019 season is If you’re a season-ticket holder, you should in full swing; we’ve got already have your renewal packet. If you’re two Broadway shows this month – current interested in becoming one, just contact our hit Come from Away, still going strong on box office and we’ll begin selling new series Broadway, and a classic audience favorite, packages this summer. -
1998 Acquisitions
1998 Acquisitions PAINTINGS PRINTS Carl Rice Embrey, Shells, 1972. Acrylic on panel, 47 7/8 x 71 7/8 in. Albert Belleroche, Rêverie, 1903. Lithograph, image 13 3/4 x Museum purchase with funds from Charline and Red McCombs, 17 1/4 in. Museum purchase, 1998.5. 1998.3. Henry Caro-Delvaille, Maternité, ca.1905. Lithograph, Ernest Lawson, Harbor in Winter, ca. 1908. Oil on canvas, image 22 x 17 1/4 in. Museum purchase, 1998.6. 24 1/4 x 29 1/2 in. Bequest of Gloria and Dan Oppenheimer, Honoré Daumier, Ne vous y frottez pas (Don’t Meddle With It), 1834. 1998.10. Lithograph, image 13 1/4 x 17 3/4 in. Museum purchase in memory Bill Reily, Variations on a Xuande Bowl, 1959. Oil on canvas, of Alexander J. Oppenheimer, 1998.23. 70 1/2 x 54 in. Gift of Maryanne MacGuarin Leeper in memory of Marsden Hartley, Apples in a Basket, 1923. Lithograph, image Blanche and John Palmer Leeper, 1998.21. 13 1/2 x 18 1/2 in. Museum purchase in memory of Alexander J. Kent Rush, Untitled, 1978. Collage with acrylic, charcoal, and Oppenheimer, 1998.24. graphite on panel, 67 x 48 in. Gift of Jane and Arthur Stieren, Maximilian Kurzweil, Der Polster (The Pillow), ca.1903. 1998.9. Woodcut, image 11 1/4 x 10 1/4 in. Gift of Mr. and Mrs. Frederic J. SCULPTURE Oppenheimer in memory of Alexander J. Oppenheimer, 1998.4. Pierre-Jean David d’Angers, Philopoemen, 1837. Gilded bronze, Louis LeGrand, The End, ca.1887. Two etching and aquatints, 19 in. -
MONTEREY PENINSULA COLLEGE THEATRE TECHNICAL DIRECTOR and OPERATIONS MANAGER 1 JOB SUMMARY the Theatre Technical Director and Op
MONTEREY PENINSULA COLLEGE THEATRE TECHNICAL DIRECTOR AND OPERATIONS MANAGER JOB SUMMARY The Theatre Technical Director and Operations Manager, with consultation of the Theatre Arts faculty, initiates, plans and participates in a variety of supervisor and stagecraft duties involved in theatre production. This position, under the administrative supervision of the Dean, is a 12- month position with benefits. Salary is commensurate with experience and credentials. The Theatre Technical Director and Operations Manager serves as the Theatre Program Technical Director/Production Manager for annual department seasons consisting of at least two productions per semester and a summer festival. In addition, the TD serves as the TD/PM for co-productions and booked-ins both from on campus and community organizations. EXAMPLE OF DUTIES Primary Responsibilities Include 1. Serving as designer (in area of expertise) for at least two productions per academic year 2. Assisting in the design, fabrication, and implementation of sets, paint, and properties for all Theatre Department productions 3. Managing the scheduling and fabrication of scenic elements and properties with additional staff and student workers 4. Providing direct supervision of Theatre Arts Department classified staff members 5. Scheduling all load-ins and strikes, including mounting of technical elements of productions such as rigging, sets, lights, sound, and special effects 6. Supervising and mentoring students in all aspect of stagecraft including set construction, design, and shop maintenance 7. Supervising all additional personnel in their use and operation of Theatre Arts Department equipment and software including lighting, sound, and projection equipment 8. Overseeing stock/storage of light/sound equipment, scenery, and properties 9. -
Catalogue of Photographs of Performers at the Embassy Theatre
Catalogue of Photographs of Performers and Shows in the Archives of the Embassy Theatre Foundation The archives of the Embassy Theatre Foundation hold more than 3000 artifacts, including more than 600 photographs of vaudevillians inscribed to Bud Berger (long-time stage man- ager at the Embassy Theatre, known as the Emboyd until 1952); more than 300 posters, playbills, programs, stools, and even guitars signed by the stars and casts of shows that have played at the Embassy Theatre over the past forty years, rang- ing from classic and current Broadway shows to acrobatic groups, choral ensembles, dance shows, ballet, stand-up comedians, rock bands, country singers, travel films, silent films, theatre organists, and so on; and hundreds of publicity photographs of performers, shows, and events at the theatre, primarily from the period following the establishment of the Embassy Theatre Foundation and its rescue of the theatre from the wrecking ball in 1975; and a nearly complete run of the journal of the American Theatre Organ Society. The archive is now almost fully catalogued and preserved in archival housing. Earlier excerpts from the catalogue (available on the Archives page of the Embassy Theatre’s web site) cover the photographs inscribed to Bud Berger and the posters, playbills, programs, stools, and so on from later shows at the Embassy. This is the third excerpt, covering the public- ity photographs of the last forty-five years and a few photographs of earlier events, Bud Berger, and other members of the stage crew. The publicity photographs are primarily of individ- ual performers, but a few shows are presented as well, including Ain’t Misbehavin’, Annie, Barnum, Bubbling Brown Sugar, Cabaret, California Suite, Cats, A Christ- mas Carol, Dancin’, Evita, Gypsy, I'm Getting My Act Together And Taking It On The Road, Joseph and the Amazing Technicolor Dreamcoat, Peter Pan, Same Time Next Year, Side by Side by Sondheim, and Ziegfeld: A Night at the Follies. -
ANDREA BECHERT Scenic Designer / Scenographer
ANDREA BECHERT USA local 829 SCENIC DESIGNER / SCENOGRAPHER 1116 E. 46th Street, #2W, Chicago, IL 60653 * cell phone: 650-533-6059 * email: [email protected] Website: WWW.SCORPIONDESIGNS.NET CURRENT PROJECTS TheatreWorks The Country House (director: Robert Kelley – opens August, 2015) Palo Alto, CA Douglas Morrison Theatre By the Way, Meet Vera Stark (director: Dawn Monique Williams – Hayward, CA opens August, 2015) Center Repertory Theatre Vanya & Sonia & Masha & Spike (director: Mark Phillips – opens October, 2015) Walnut Creek, CA University of Michigan American Idiot (director: Linda Goodrich – opens October, 2015) Ann Arbor, MI RECENT PROJECTS TheatreWorks Sweeney Todd (director Robert Kelley - October 2014) Palo Alto, CA The Starlight Theatre Mary Poppins (director: Michael Webb - June, 2015) Rockford, Illinois The Last Five years (director: Michael Webb - June, 2015) Memphis (director: Michael Webb - June, 2015) Young Frankenstein (director: Michael Webb - June, 2015) University of Miami Faculty, Scenic Designer, and Scenic Artist (Fall semester, 2014) Served as Scenic Designer for a new production of Carmen, written and directed by Moises Kaufman, in collaboration with Techtonic Theatre Company 25th Annual Putnam County Spelling Bee (director: Greg Brown – Sept. 2014) Courses taught: Drawing for the Theatre History of Decor ILLUSTRATIVE LIST OF SCENIC DESIGNS (FULL LIST PROVIDED UPON REQUEST – OVER 300) TheatreWorks 28 productions between 1997 - 2015, including: Palo Alto, California Sweeney Todd (director Robert Kelley -
The Sound of Music at the Paramount Seattle
SEPTEMBER 2017 September 6 – 11, 2017 My wealth. My priorities. My partner. You’ve spent your life accumulating wealth. And, no doubt, that wealth now takes many forms, sits in many places, and is managed by many advisors. Unfortunately, that kind of fragmentation creates gaps that can hold your wealth back from its full potential. The Private Bank can help. The Private Bank uses a proprietary approach called the LIFE Wealth Cycle SM to ind those gaps—and help you achieve what is important to you. To learn more, please visit unionbank.com/theprivatebank or contact: Lisa Roberts Managing Director, Private Wealth Management [email protected] 4157057159 Wills, trusts, foundations, and wealth planning strategies have legal, tax, accounting, and other implications. Clients should consult a legal or tax advisor. ©2017 MUFG Union Bank, N.A. All rights reserved. Member FDIC. Union Bank is a registered trademark and brand name of MUFG Union Bank, N.A. EAP full-page template.indd 1 7/17/17 3:08 PM September 2017 Volume 22, No. 1 Paul Heppner Publisher Susan Peterson Design & Production Director Ana Alvira, Robin Kessler, Shaun Swick, Stevie VanBronkhorst Production Artists and Graphic Design Mike Hathaway Sales Director Brieanna Bright, Joey Chapman, Ann Manning Seattle Area Account Executives Amelia Heppner, Marilyn Kallins, Terri Reed STG at a Glance San Francisco/Bay Area Account Executives Carol Yip Sales Coordinator One of STG’s core values is to serve as stewards of Seattle’s historic Sara Keats Paramount, Moore, and Neptune Theatres, and part of our commitment to Online Editor keeping these spaces healthy and vibrant is to welcome a new generation of visitors and patrons to experience their magic firsthand. -
HBO: Brand Management and Subscriber Aggregation: 1972-2007
1 HBO: Brand Management and Subscriber Aggregation: 1972-2007 Submitted by Gareth Andrew James to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English, January 2011. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. ........................................ 2 Abstract The thesis offers a revised institutional history of US cable network Home Box Office that expands on its under-examined identity as a monthly subscriber service from 1972 to 1994. This is used to better explain extensive discussions of HBO‟s rebranding from 1995 to 2007 around high-quality original content and experimentation with new media platforms. The first half of the thesis particularly expands on HBO‟s origins and early identity as part of publisher Time Inc. from 1972 to 1988, before examining how this affected the network‟s programming strategies as part of global conglomerate Time Warner from 1989 to 1994. Within this, evidence of ongoing processes for aggregating subscribers, or packaging multiple entertainment attractions around stable production cycles, are identified as defining HBO‟s promotion of general monthly value over rivals. Arguing that these specific exhibition and production strategies are glossed over in existing HBO scholarship as a result of an over-valuing of post-1995 examples of „quality‟ television, their ongoing importance to the network‟s contemporary management of its brand across media platforms is mapped over distinctions from rivals to 2007. -
LGBTQ Episodic Television Study Guide
Archive Study Guide: LESBIAN, GAY, BISEXUAL AND TRANSGENDER TELEVISION: SITCOMS AND EPISODIC DRAMAS ARCHIVE STUDY GUIDE The representation of Lesbian, Gay, Bisexual and Transgender (LGBT) communities on television is marked by a history of stereotypes and inexplicable invisibility. By the 1970s, gay media-watch groups communicated their concerns to the television industry and a sense of cooperation began to emerge between the LG BT community and broadcasters. During the 1980s, the AIDS crisis and resulting prejudices ushered in a new era of problematic and offensive portrayals. In the late 1990s, Ellen Degeneres' landmark coming out, (both in real- life, and through the character she portrayed in her sitcom), generated much controversy and discussion, ultimately paving the way for well -developed gay characters in prominent primetime TV roles. Despite such advances, stereotypes continue to resurface and perpetuate, and the full diversity of the LGBT community is more often than not underrepresented in the mass media. This is only a partial list – consult the Archive Research and Study Center for additional titles, including relevant materials held in the Outfest Legacy Collection. HEARST NEWSREEL Hearst Newsreel Footage. Movie Stars Join Circus for Charity! Los Angeles, California (1948-09-04). Wrestling telecasts of the late 1940s and early 1950s often featured flamboyant characters with (implied) gay personas. Features Bob Hope acting as manager of outlandish TV wrestler Gorgeous George, who faces actor Burt Lancaster in a match. Study Copy: VA6581 M Hearst Newsreel Footage. Wrestling from Montreal, Quebec, Canada (1948-10-22). Gorgeous George vs. Pete Petersen. Study Copy: VA8312 M TELEVISION (Please note some titles may require additional lead-time to make available for viewing) 1950s Western Main Event Wrestling.