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20890 Hamaca Court • Boca Raton • Florida • 33433 MARK SCROGGINS Curriculum Vitae ________________________________________________________________________ Department of English Florida Atlantic University 777 Glades Road Boca Raton, Florida 33431 EDUCATION CORNELL UNIVERSITY Ph.D. in English, 1993 Dissertation: “Zukofsky and Stevens: Poetry, Music, and Knowledge” (Joel Porte, director) M.A. in English, 1990 M.F.A. in English (poetry writing), 1990 Thesis: “Broken Book” (A. R. Ammons, director) VIRGINIA POLYTECHNIC INSTITUTE AND STATE UNIVERSITY B.A. in English (in honors) and Philosophy, Magna Cum Laude, 1986 ACADEMIC POSTS Professor of English, Florida Atlantic University, 2009 – present. Associate Professor of English, Florida Atlantic University, 2001 – 2009. Assistant Professor of English, Florida Atlantic University, 1996 – 2001. PUBLICATIONS BOOKS: Michael Moorcock: Fiction, Fantasy, and the World’s Pain. In preparation, under contract with McFarland Press. Intricate Thicket: Reading Late Modernist Poetries. Tuscaloosa: University of Alabama Press, forthcoming November 2015. Red Arcadia (poetry). Bristol, UK: Shearsman Books, 2012. •Sean Colletti, Stride Magazine April 2012: http://www.stridemagazine.co.uk/Stride%20mag%202012/April%202012/collettireviews.htm •Publishers Weekly, 22 October 2012: http://www.publishersweekly.com/978-1-84861-192-4 •Kristina Marie Darling, Colorado Review 40.1 (Spring 2013). •Tyrone Williams, “Of Molotov cocktails, grenades, and poems,” Jacket2, June 27, 2014: http://jacket2.org/commentary/molotov-cocktails-grenades-and-poems Torture Garden: Naked City Pastorelles (poetry). Brooklyn: The Cultural Society, 2011. •Kristina Marie Darling, Colorado Review 40.1 (Spring 2013). •Tyrone Williams, “Of Molotov cocktails, grenades, and poems,” Jacket2, June 27, 2014: http://jacket2.org/commentary/molotov-cocktails-grenades-and-poems •Robert Archambeau, “Proud Men in Their Studies: On Mark Scroggins,” Great Writers Occupy Golden Handcuffs Review: Anthology of the New, ed. Lou Rowan. Seattle: Golden Handcuffs Review Publications, 2015. •1• MARK SCROGGINS Curriculum Vitae The Poem of a Life: A Biography of Louis Zukofsky. Emeryville, CA: Shoemaker & Hoard, 2007. •Marjorie Perloff, Times Literary Supplement 7 September 2007 (full-page review). •Mike Doyle, Pacific Rim Review of Books 7 (Winter 2007): 4. •Robert Birnbaum, “Book Digest,” The Morning News, 18 February 2008 (http://www.themorningnews.org/post/book-digest-february-18-2008). •Dan Chiasson, New York Times Book Review 20 January 2008 (full-page review). •“Editor’s Choice,” New York Times Book Review 27 January 2008. •Nicholas Manning, Jacket 35 (2008): http://jacketmagazine.com/35/r-scroggins-rb-manning.shtml. •Michael Dirda, Washington Post Book World 20 April 2008 (full-page review). •August Kleinzahler, London Review of Books 22 May 2008. •Rachel Blau DuPlessis, Contemporary Literature 50.1 (2009). •Named a Choice “Outstanding Academic Title of the Year” for 2009. Anarchy (poetry). New York: Spuyten Duyvil, 2003. Louis Zukofsky and the Poetry of Knowledge. Tuscaloosa: University of Alabama Press, 1998. •Simon Perril, Journal of American Studies 36.1 (2002): 181. •Stephen Matterson, MLR 95.4 (2000): 1081-1082. •Ranen Omar, Modernism/Modernity 7.1 (2000): 179-182. •Burt Kimmelman, Sagetrieb 18.1 (Spring 1999): 195-203. •Norman Finkelstein, Modern Jewish Studies 11 (1999): 242-246. •Brad Hass, FlashPoint 3 (1999): http://www.flashpointmag.com. Upper Limit Music: The Writing of Louis Zukofsky (essays by various hands, edited by Mark Scroggins). Tuscaloosa: University of Alabama Press, 1997. •Robert Zamsky, Lagniappe 1 (Fall 1998): http://www.acsu.buffalo.edu/~foust/issue1.html. •Thomas Fisher, Chicago Review 44.2 (1998): 139-140. “Additional Prose,” edited by Mark Scroggins, an addendum to Louis Zukofsky, Prepositions+: The Collected Critical Essays. Middletown, CT: Wesleyan University Press, 2001. ESSAYS: “Ruskin’s Rock, Ruskin’s Waters.” Parnassus: Poetry in Review 34. 1 & 2, 2015. “Susan Howe’s Hauntologies.” FlashPoint 16, Spring 2014 (http://www.flashpointmag.com/hauntscrog.htm). “‘I am not an occultist’: Esotericism, Literary History, and Autobiography in The H. D. Book.” Talisman: A Journal of Contemporary Poetry and Poetics 42, January 2014 (http://talismanmag.net/scroggins.html). “Coming Down from Black Mountain.” Parnassus: Poetry in Review 33.1 & 2, June 2013. “A Note on Johnson’s Anagrams.” Golden Handcuffs Review 1.16, Spring-Summer 2013. “One Last Modernist: Guy Davenport.” Parnassus: Poetry in Review 32.1 & 2, June 2011. “Dark Matters”; essay-review of Rae Armantrout, Next Life, Versed, and Collected Prose and Peter Gizzi, Some Values of Landscape and Weather and The Outernationale. Parnassus: Poetry in Review 31.1 & 2, August 2009. “Louis Zukofsky: The Modernist Poet as Jew.” June 2008 lecture, released as podcast on the Poetry Foundation website (http://www.poetryfoundation.org/journal/audioitem.html?id=635), November 2008. “Turkish Delight and Marrow-Bones”; essay-review of Ronald Johnson, ARK, Radi Os, To Do As Adam Did: Selected Poems, and The Shrubberies. Parnassus: Poetry in Review 30, March 2008. •2• MARK SCROGGINS Curriculum Vitae “Still Diving the Mauberley Trench”; essay-review of John Matthias, New Selected Poems, Working Progress, Working Title, Pages: New Poems & Cuttings, Beltane at Aphelion: Longer Poems, and Swimming at Midnight: Selected Shorter Poems. Parnassus: Poetry in Review 29.1 & 2, 2006. “Chapter 2: An Ernster Mensch at Columbia, 1920-1924” and “Adams: Phases of History” (two chapters from The Poem of a Life: A Biography of Louis Zukofsky). Chicago Review 50.2/3/4, Winter 2004/2005. “Blood to the Ghosts: Biography and the New Modernist Studies (with special reference to Louis Zukofsky).” FlashPoint 6, 2003: http://www.flashpointmag.com. “A Fragmentary Poetics” (parts 1 and 2). The Cultural Society website, 2002: http://www.culturalsociety.org. “Truth, Beauty, and the Remote Control”; essay-review of Anne Carson, Men in the Off Hours and The Beauty of the Husband. Parnassus: Poetry in Review 26.2, 2002. “‘There are less Jews left in the world’: Louis Zukofsky’s Holocaust Poetry.” Shofar 21.1, Fall 2002. “Taggart: Sound and Vision.” FlashPoint 5, 2002: http://www.flashpointmag.com. Reprinted in Jacket2, 18 June 2014: http://jacket2.org/article/taggart-sound-and-vision. “The Palace of Wisdom and the Six-Minute Poem”; essay-review of Theodore Enslin, Then, and Now: Selected Poems 1943-1993 and Re-Sounding: Selected Later Poems. Parnassus: Poetry in Review 26.1, 2002. “’A’ to ARK: Johnson, Zukofsky, and an Alphabet of the Long Poem.” Facture: A Journal of Poetry and Poetics 1 (special Ronald Johnson issue), Spring 2000. “The Piety of Terror: Ian Hamilton Finlay, the Modernist Fragment, and the Neo-classical Sublime.” FlashPoint 1, Summer 1996. Reprinted in Jacket 15, December 2001: http://www.jacket.zip.com.au/jacket15/index.html. “Zukofsky's Bottom: on Shakespeare: Objectivist Poetics and Critical Prosody.” West Coast Line 27: 3, Winter 1993-1994. “A ‘Sense of Duration’: Wallace Stevens, Louis Zukofsky, and ‘Language.’” Sagetrieb 11:1 & 2, Spring & Fall 1992. “The Master of Speech and Speech Itself: Nathaniel Mackey's ‘Septet for the End of Time.’” Talisman 9, Fall 1992. “‘To Breathe the “Literal” Meaning’: Zukofsky's Catullus.” Talisman 6, Spring 1991. BOOK CHAPTERS: “The Objectivist Poets.” A History of Modernist Poetry, ed. Alex Davis and Lee M. Jenkins. Cambridge: Cambridge University Press, 2015. “The Objectivists and the Left.” The Cambridge History of American Poetry, ed. Alfred Bendixen and Stephen Burt. Cambridge: Cambridge University Press, 2014. “The ‘half-fabulous field-ditcher’: Ruskin, Pound, Geoffrey Hill.” News from Afar: Ezra Pound and Some Contemporary British Poetries, ed. Richard Parker. Bristol, UK: Shearsman, 2014. “Modernism and the International Novel.” The Oxford History of the Novel in English, Volume 6: The American Novel 1870-1940, ed. Priscilla Wald and Michael A. Elliot. Oxford: Oxford University Press, 2014. ““Objectivists’ to ‘Projective Verse.’” The Cambridge Companion to American Poetry Since 1945, ed. Jennifer Ashton. Cambridge: Cambridge UP, 2013. “John Matthias’ Pocket Epics.” Afterword to John Matthias, Collected Longer Poems. Bristol, UK: Shearsman Books, 2012. •3• MARK SCROGGINS Curriculum Vitae “Another Green World: Contemporary Garden Poetry.” A Companion to Poetic Genres, ed. Erik Martiny. Oxford: Wiley-Blackwell, 2011. “One Briggflatts after Another: John Matthias and the Pocket Epic.” The Salt Companion to John Matthias, ed. Joe Francis Doerr. Cromer, Norfolk, UK: Salt Publications, 2011. “Notes and Numbers: Johnson’s Zukofsky, Johnson’s Ives.” Ronald Johnson: Life and Works, ed. Eric Murphy Selinger and Joel Bettridge, National Poetry Foundation, 2008. “The Book of the Green Man: Ronald Johnson’s American England.” Ronald Johnson: Life and Works, ed. Eric Murphy Selinger and Joel Bettridge, National Poetry Foundation, 2008. “US modernism II: The other tradition – Williams, Olson, Zukofsky.” The Cambridge Companion to Modernist Poetry, ed. Alex Davis and Lee M. Jenkins, Cambridge University Press, 2007. “Z-Sited Path: Late Zukofsky and His Tradition.” The World in Time and Space: Towards a History of Innovative American Poetry in Our Time, ed. Joseph Donoghue and Edward Foster. Jersey City: Talisman House Books, 2002. “Introduction” to Upper Limit Music: The Writing of Louis Zukofsky. “‘The Revolutionary Word’: Louis Zukofsky, New Masses, and Political Radicalism in the 1930s.” Upper Limit Music: The Writing
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