The Sorcerer's Apprentice :: Rogerebert.Com :: Reviews 10-08-18 7:28 PM
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
“Why So Serious?” Comics, Film and Politics, Or the Comic Book Film As the Answer to the Question of Identity and Narrative in a Post-9/11 World
ABSTRACT “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD by Kyle Andrew Moody This thesis analyzes a trend in a subgenre of motion pictures that are designed to not only entertain, but also provide a message for the modern world after the terrorist attacks of September 11, 2001. The analysis provides a critical look at three different films as artifacts of post-9/11 culture, showing how the integration of certain elements made them allegorical works regarding the status of the United States in the aftermath of the attacks. Jean Baudrillard‟s postmodern theory of simulation and simulacra was utilized to provide a context for the films that tap into themes reflecting post-9/11 reality. The results were analyzed by critically examining the source material, with a cultural criticism emerging regarding the progression of this subgenre of motion pictures as meaningful work. “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of Communications Mass Communications Area by Kyle Andrew Moody Miami University Oxford, Ohio 2009 Advisor ___________________ Dr. Bruce Drushel Reader ___________________ Dr. Ronald Scott Reader ___________________ Dr. David Sholle TABLE OF CONTENTS ACKNOWLEDGMENTS .......................................................................................................................... III CHAPTER ONE: COMIC BOOK MOVIES AND THE REAL WORLD ............................................. 1 PURPOSE OF STUDY ................................................................................................................................... -
Scorses by Ebert
Scorsese by Ebert other books by An Illini Century roger ebert A Kiss Is Still a Kiss Two Weeks in the Midday Sun: A Cannes Notebook Behind the Phantom’s Mask Roger Ebert’s Little Movie Glossary Roger Ebert’s Movie Home Companion annually 1986–1993 Roger Ebert’s Video Companion annually 1994–1998 Roger Ebert’s Movie Yearbook annually 1999– Questions for the Movie Answer Man Roger Ebert’s Book of Film: An Anthology Ebert’s Bigger Little Movie Glossary I Hated, Hated, Hated This Movie The Great Movies The Great Movies II Awake in the Dark: The Best of Roger Ebert Your Movie Sucks Roger Ebert’s Four-Star Reviews 1967–2007 With Daniel Curley The Perfect London Walk With Gene Siskel The Future of the Movies: Interviews with Martin Scorsese, Steven Spielberg, and George Lucas DVD Commentary Tracks Beyond the Valley of the Dolls Casablanca Citizen Kane Crumb Dark City Floating Weeds Roger Ebert Scorsese by Ebert foreword by Martin Scorsese the university of chicago press Chicago and London Roger Ebert is the Pulitzer The University of Chicago Press, Chicago 60637 Prize–winning film critic of the Chicago The University of Chicago Press, Ltd., London Sun-Times. Starting in 1975, he cohosted © 2008 by The Ebert Company, Ltd. a long-running weekly movie-review Foreword © 2008 by The University of Chicago Press program on television, first with Gene All rights reserved. Published 2008 Siskel and then with Richard Roeper. He Printed in the United States of America is the author of numerous books on film, including The Great Movies, The Great 17 16 15 14 13 12 11 10 09 08 1 2 3 4 5 Movies II, and Awake in the Dark: The Best of Roger Ebert, the last published by the ISBN-13: 978-0-226-18202-5 (cloth) University of Chicago Press. -
Movie Review: ‘Hacksaw Ridge’
Movie Review: ‘Hacksaw Ridge’ Hacksaw Ridge By Joseph McAleer Catholic News Service NEW YORK – In the Gospel of John, Jesus tells his disciples, “No one has greater love than this, to lay down one’s life for one’s friends.” That statement is vividly realized in “Hacksaw Ridge” (Summit), which recounts the extraordinary heroism of Army medic Desmond T. Doss (Andrew Garfield) during the Battle of Okinawa in the closing days of World War II. A committed Christian and conscientious objector who refused to bear arms, Doss was nonetheless eager to serve his country. He single-handedly saved the lives of more than 75 wounded soldiers while under constant enemy fire, earning him the Medal of Honor, awarded by Congress. Director Mel Gibson, working from a screenplay by Andrew Knight and Robert Schenkkan, presents his fact-based drama in two parts. The first probes Doss’ childhood and upbringing in rural Virginia, while the second unfolds on Okinawa, atop a jagged cliff nicknamed “Hacksaw Ridge” for the brutality of the Japanese offensive there. War is indeed hell, as Gibson pulls no punches in extreme battle scenes reminiscent of “Saving Private Ryan.” Awash in blood and gore, with heads blown off and soldiers set afire by napalm, the violence is no doubt realistic, but will necessarily restrict this film’s audience to those adults willing to endure such sights. We first meet Desmond as a spirited boy (Darcy Bryce) who is losing a fistfight with his older brother, Hal (Roman Guerriero). Desmond picks up a brick and strikes Hal, knocking him out cold. -
The Wild, Wild Ways of Nicolas Cage Dinner Table with No R A
ett ista lifespan R V ve JANUARY 7, 1964 1970 EARLY SeveNTIES 1976 1979 1981 ena STRANGER THAN FIctION Born in California August divorces Joy, At age 15, Cage Hair feathered, “When I was 6, I would One Thanksgiving, ); BU to Joy Vogelsang, sit there just wishing I August sets a schizophrenic. confronts famous chest buff, he gets ); MGM/E Cage doesn’t talk to the ona vegas Z a dancer, and could get inside that Cage: “She was uncle: “ ‘Give me a his first role—as a I press much anymore, but when The Wild, Wild Ways of Nicolas Cage dinner table with no R A las August Coppola, a little Zenith TV. I food, just plagued with mental screen test—I’ll bodybuilding he did the quotes were classic. “There’s a very fine line between Method actor and schizophrenic,” Cage has said. Which literature professor wanted to be an actor.” crayons and illness for most show you acting.’ surfer in the TV and brother of of my childhood.” There was just flop Best of Times. aising (R might explain this unpredictable star, who ricochets between inspired, offbeat paper plates. leaving Francis Ford. silence in the car.” ( on being a coppola: performances and empty blockbusters; indulges in confounding extravagance; and names parentalguidance “I felt like, ‘Why is it that ollection ollection a son after Superman. How did Nicolas Coppola become Nicolas Cage? logan hill C [Francis Ford Coppola’s C ett R ) ett children] have all this stuff R ve ve X/E leans and my brothers and I don’t? /E O 1987 1986 1984 1983 1983 1982 OR tists I was frustrated beyond belief, Stars in Coen brothers’ For Peggy Sue Got in After choosing Matt Dillon For his first lead—a URY F Method acting new On the set of first AR Raising Arizona, Married, he aims Birdy: Wears war- over his nephew for The goofy punk in Valley ent man. -
BEDTIME STORIES Bobbi
THIS MATERIAL IS ALSO AVAILABLE ONLINE AT http://www.wdsfilmpr.com © Disney Enterprises, Inc. All Rights Reserved. disney.com/BedtimeStories WALT DISNEY PICTURES Unit Production Manager . GARRETT GRANT Presents First Assistant CREDITS Director . DANIEL SILVERBERG A Second Assistant Director . CONTE MATAL HAPPY MADISON Creatures Designed by. CRASH MCCREERY Production Production Supervisor . ROBERT WEST A CAST CONMAN & IZZY Skeeter Bronson. ADAM SANDLER Production Jill . KERI RUSSELL Kendall . GUY PEARCE An Mickey. RUSSELL BRAND OFFSPRING Barry Nottingham . RICHARD GRIFFITHS Production Violet Nottingham. TERESA PALMER Aspen. LUCY LAWLESS Wendy . COURTENEY COX Patrick . JONATHAN MORGAN HEIT BEDTIME STORIES Bobbi . LAURA ANN KESLING Marty Bronson . JONATHAN PRYCE Engineer . NICK SWARDSON A Film by Mrs. Dixon . KATHRYN JOOSTEN ADAM SHANKMAN Ferrari Guy. ALLEN COVERT Hot Girl . CARMEN ELECTRA Young Barry Nottingham . TIM HERLIHY Directed by . ADAM SHANKMAN Young Skeeter . THOMAS HOFFMAN Screenplay by . MATT LOPEZ Young Wendy . ABIGAIL LEONE DROEGER and TIM HERLIHY Young Mrs. Dixon. MELANY MITCHELL Story by. MATT LOPEZ Young Mr. Dixon . ANDREW COLLINS Produced by. ANDREW GUNN Donna Hynde. AISHA TYLER Produced by . ADAM SANDLER Hokey Pokey Women. JULIA LEA WOLOV JACK GIARRAPUTO DANA MIN GOODMAN Executive Producers . ADAM SHANKMAN SARAH G. BUXTON JENNIFER GIBGOT CATHERINE KWONG ANN MARIE SANDERLIN LINDSEY ALLEY GARRETT GRANT Bikers. BLAKE CLARK Director of BILL ROMANOWSKI Photography . MICHAEL BARRETT Hot Dog Vendor . PAUL DOOLEY Production Designer . LINDA DESCENNA Birthday Party Kids . JOHNTAE LIPSCOMB Edited by. TOM COSTAIN JAMES BURDETTE COWELL MICHAEL TRONICK, A.C.E. Angry Dwarf . MIKEY POST Costume Designer . RITA RYACK Gremlin Driver . SEBASTIAN SARACENO Visual Effects Cubby the Supervisor. JOHN ANDREW BERTON, JR. Home Depot Guy . -
The Philosophy of the Coen Brothers
University of Kentucky UKnowledge American Popular Culture American Studies 12-12-2008 The Philosophy of the Coen Brothers Mark T. Conard Marymount College Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Conard, Mark T., "The Philosophy of the Coen Brothers" (2008). American Popular Culture. 5. https://uknowledge.uky.edu/upk_american_popular_culture/5 conard_coen_dj2:Layout 1 9/29/08 6:18 PM Page 1 CONARD (continued from front flap) FILM/PHILOSOPHY THE PHILOSOPHY OF systems. The tale of love, marriage, betrayal, and divorce THE PHILOSOPHY OF in Intolerable Cruelty transcends the plight of the charac- “The Philosophy of the Coen Brothers offers a very ters to illuminate competing theories of justice. Even in smart, provocative, and stylishly written set of lighter fare, such as Raising Arizona and The Big Lebowski, essays on the films of the Coen brothers. The THE COEN the comedy emerges from characters’ journeys to the volume makes a convincing case for reading their brink of an amoral abyss. However, the Coens often films within a wide array of philosophical contexts knowingly and gleefully subvert conventions and occa- and persuasively demonstrates that the films of sionally offer symbolic rebirths and other hopeful out- BROTHERS the Coen brothers often implicitly and sometimes comes. -
"Superman" by Wesley Strick
r "SUPERMAN" Screenplay by Wesley Strick Jon Peters Entertainment Director: Tim Burton Warner Bros. Pictures July 7, 1997 y?5^v First Draft The SCREEN is BLACK. FADE IN ON: INT. UNIVERSITY CORRIDOR - LATE NIGHT A YOUNG PROFESSOR hurries down the empty hall — hotly murmuring to himself, intensely concerned ... A handsome man, about 30, but dressed strangely — are we in some other country? Sometime in the past? Or in the future? YOUNG PROFESSOR It's switched off ... It can't be ... But the readings, what else — The Young Professor reaches a massive steel door, like the hatch of a walk-in safe. Slides an ID card, that's emblazoned with a familiar-looking "S" shield: the door hinges open. The Young Professor pauses — he hadn't noted, till now, the depths of his fear. Then, enters: INT. UNIVERSITY LAB - LATE NIGHT Dark. The Professor tries the lights. Power is off. Cursing, he's got just enough time, as the safe door r swings closed again, to find an emergency flashlight. He flicks it on: plays the beam over all the bizarre equipment, the ultra-advanced science paraphernalia. Now he hears a CREAK. He spins. His voice quavers. YOUNG PROFESSOR I.A.C. ..? His flashlight finds a thing: a translucent ball perched atop a corroding pyramid shape. It appears inanimate. YOUNG PROFESSOR (cont'd) Answer me. And finally, from within the ball, a faint alow. Slyly: BALL How can I? You unplugged me, Jor- El ... Remember? Recall? The Young Professor -- JOR-EL -- looks visibly shaken. y*fi^*\ (CONTINUED) CONTINUED: JOR-EL I did what I had to, I.A.C. -
Hacksaw Ridge
Hacksaw Ridge Engage with culture without disengaging your faith. Genre: Biography, War Rating: MA 15+ Length: 133 minutes Starring: Andrew Garfield, Hugo Weaving, Teresa Palmer, Sam Worthington, Luke Bracey, Rachel Griffiths Director: Mel Gibson Screenplay: Andrew Knight, Robert Schenkkan Brief Synopsis This is a true story and unembellished. Unlike movies like The Revenant it is recent, well documented and there are still many living witnesses who experienced these events first hand. Desmond Doss (Andrew Garfield) was a Seventh-Day Adventist conscientious objector who refused to bear arms on enlisting in the US Army during World War 2. The US Army could not work out why he would enlist in the first place if he wouldn’t carry a rifle. Doss wanted to be a medic but army rules said he had to qualify basic training with a rifle before doing his medic training. He refused on principle citing the commandment “Thou shalt not kill”. He was determined to accompany his buddies but to save lives on the battlefield not to take them. However, Doss is imprisoned before being court martialled. On intervention from higher up in the chain of command the court martial charges are dismissed. Doss does his medic training and is sent to Okinawa where the bloodiest fighting in the Pacific takes place. The rest of the film is graphic and gruesome with bodies on all sides being blown apart. The carnage is enormous. Doss, unarmed, saves 75 men single handed. After being severely wounded he returns to the US where he receives from the President, the Medal of Honour, the United States’ highest military honour, awarded for personal acts of valour beyond the call of duty. -
Teresa Palmer
14 Sunday, February 26, 2017 Ellen DeGeneres@TheEllenShow Let’s all go out and do something nice today for someone you have nothing in common with. Los Angeles nternationally acclaimed Bollywood actress Priyanka Chopra announced on social media thatI she will be attending the 89th Academy Awards, which will take place on Sunday night. Priyanka took to Instagram on Friday night Los Angeles to share the news with her fans while posting a inger Celine Dion photograph with legendary British singer Mick finds it hard to go Jagger. windowS shopping. “Change of plans! Oscars here we come. The 48-year-old says Mick Jagger LA LA Land,” Priyanka wrote her fame means she gets alongside the image. Apart from Priyanka, mobbed when she goes into actress Priyanka Bose is also expected to attend stores, and even before she the 2017 Oscars for her film “Lion”. became a household name, This won’t be the first time when Priyanka the chaotic life as the youngest would be gracing the red carpet at Oscars. of 14 children meant she The 34-year-old, who got fame in the West never had the luxury of casual through her lead role in TV thriller series browsing, reports femalefirst. “Quantico”, was one of the presenters at the co.uk. 88th Academy Awards last year. “I love fashion a lot, obviously. Looking stunning in an elegant white gown, I’m a woman on top of it, but a creation by Lebanese designer Zuhair Murad, it’s hard for me to go window Priyanka presented the Oscar in the Best Film shopping. -
Focus on Australia's Finest Films
6TH AACTA AWARDS PRESENTED BY PRESTO OFFICIAL SCREENINGS PROGRAM FOCUS ON AUSTRALIA’S FINEST FILMS IN CINEMA & ON AACTA TV AUGUST - SEPTEMBER 2016 Dressmaker,The_Print_Ad_Presto_148x210_FA.pdf 1 4/07/2016 11:02 am CONTENTS WELCOME 4 GENERAL INFORMATION 5 ABOUT AFI | AACTA 7 HOW TO VOTE 9 AFI | AACTA MEMBERSHIP 10 GUEST PASSES 11 FILM INFORMATION SHORT FICTION FILM 13 SHORT ANIMATION 17 FEATURE LENGTH DOCUMENTARY 21 FEATURE FILMS IN COMPETITION 25 SCREENINGS PROGRAM SYDNEY 45 MELBOURNE 47 NOTES 50 ACKNOWLEDGEMENTS 52 SUPPORTING PRE MIUM AUSSIE CONTENT Stream it on Presto ^ presto.com.au ^Available from 28 August. *Requires internet, data and a compatible device. Ongoing monthly fees apply from end of trial. T&Cs apply. See presto.com.au (M) © 2015 Film Art Media (The Dressmaker) Holdings Pty Ltd., White Hot Productions Pty Ltd., Film Victoria, Soundfirm Pty Ltd. and Screen Australia All Rights Reserved. WELCOME GENERAL INFORMATION Welcome to this year’s showcase of stars alongside Richard Roxburgh in LOOKING Welcome to the 6th AACTA Awards presented by in the Judges’ Handbook have been supplied outstanding Australian productions FOR GRACE, and cast and crew members of Presto Official Screenings Program, which are held and approved by the producer of each entered competing for our nation’s highest screen Mel Gibson’s highly anticipated HACKSAW for the purpose of judging the AACTA Awards. production. accolades – the AACTA Awards. RIDGE, with Sam Worthington, Teresa Palmer, Hugo Weaving and Rachel Griffiths leading an SCREENINGS SCHEDULE VOTING This year sees 28 feature films in all-star cast. competition; another strong year for our Each film that has not previously screened as part AFI | AACTA members hold the exclusive privilege screen industry. -
Hacksaw Ridge (2016) [139M] D: Mel Gibson. C: Andrew Garfield, Sam Worthington, Teresa Palmer, Vince Vaughn, Hugo Weaving, Jim Robison, Mikael Koski
Hacksaw Ridge (2016) [139m] D: Mel Gibson. C: Andrew Garfield, Sam Worthington, Teresa Palmer, Vince Vaughn, Hugo Weaving, Jim Robison, Mikael Koski. Remarkable and unusual biography of Desmond Doss (Garfield), a Seven-Day Adventist who eagerly volunteered services as a combat medic during World War II with one condition: to withhold from bearing arms. This peculiar conduct not only imperils him from the enemy, but also garners frustration and suspicion among peers and superior officers. Garfield is so earnest and disarming (so to speak) and his acts of heroism so genuine one can easily overlook Gibson’s excessive exhibition of blood and gore that almost negates the anti-war message the film shamelessly conveys! Live footage of the real Doss and some of the survivors in his unit are presented during the film’s final credits. Won Oscars for film editing and sound mixing. Arrival (2016) [116m) D: Denis Villeneuve C: Amy Adams, Jeremy Renner, Forest Whitaker, Michael Stuhlbarg, Mark O’Brien, Tzi Ma A brilliant linguistics professor (Adams) and hotshot physicist (Renner) are handpicked to converse with an alien species of whose incentives and purposes remain unclear. The communication development is slow causing impatience among the United States military (lead by Whitaker) and unrest among global leaders. Intelligent and challenging science-fiction bares more than a few resemblances to Spielberg’s CLOSE ENCOUNTERS OF THE THIRD KIND, but Villeneuve and his technical visionaries aid in establishing a moving and intimate reflection on the impacts of language and time. Adams is excellent in compelling lead. Arresting cinematography by Bradford Young. -
Reclaiming Indigenous Narratives Through Critical Discourses and the Autonomy of the Trickster
Michigan Technological University Digital Commons @ Michigan Tech Dissertations, Master's Theses and Master's Dissertations, Master's Theses and Master's Reports - Open Reports 2014 Reclaiming Indigenous Narratives through Critical Discourses and the Autonomy of the Trickster Robert D. Hunter Michigan Technological University Follow this and additional works at: https://digitalcommons.mtu.edu/etds Part of the Rhetoric Commons Copyright 2014 Robert D. Hunter Recommended Citation Hunter, Robert D., "Reclaiming Indigenous Narratives through Critical Discourses and the Autonomy of the Trickster", Dissertation, Michigan Technological University, 2014. https://doi.org/10.37099/mtu.dc.etds/746 Follow this and additional works at: https://digitalcommons.mtu.edu/etds Part of the Rhetoric Commons RECLAIMING INDIGENOUS NARRATIVES THROUGH CRITICAL DISCOURSES AND THE AUTONOMY OF THE TRICKSTER By Robert D. Hunter A DISSERTATION Submitted in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY In Rhetoric and Technical Communication MICHIGAN TECHNOLOGICAL UNIVERSITY 2014 © 2014 Robert D. Hunter This dissertation has been approved in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY in Rhetoric and Technical Communication. Department of Humanities Dissertation Advisor: Elizabeth A. Flynn Committee Member: Dieter Wolfgang Adolphs Committee Member: Kette Thomas Committee Member: Latha Poonamallee Department Chair: Ronald Strickland 3 TABLE OF CONTENTS Preface ................................................................................................................................................