Focus on Australia's Finest Films

Total Page:16

File Type:pdf, Size:1020Kb

Focus on Australia's Finest Films 6TH AACTA AWARDS PRESENTED BY PRESTO OFFICIAL SCREENINGS PROGRAM FOCUS ON AUSTRALIA’S FINEST FILMS IN CINEMA & ON AACTA TV AUGUST - SEPTEMBER 2016 Dressmaker,The_Print_Ad_Presto_148x210_FA.pdf 1 4/07/2016 11:02 am CONTENTS WELCOME 4 GENERAL INFORMATION 5 ABOUT AFI | AACTA 7 HOW TO VOTE 9 AFI | AACTA MEMBERSHIP 10 GUEST PASSES 11 FILM INFORMATION SHORT FICTION FILM 13 SHORT ANIMATION 17 FEATURE LENGTH DOCUMENTARY 21 FEATURE FILMS IN COMPETITION 25 SCREENINGS PROGRAM SYDNEY 45 MELBOURNE 47 NOTES 50 ACKNOWLEDGEMENTS 52 SUPPORTING PRE MIUM AUSSIE CONTENT Stream it on Presto ^ presto.com.au ^Available from 28 August. *Requires internet, data and a compatible device. Ongoing monthly fees apply from end of trial. T&Cs apply. See presto.com.au (M) © 2015 Film Art Media (The Dressmaker) Holdings Pty Ltd., White Hot Productions Pty Ltd., Film Victoria, Soundfirm Pty Ltd. and Screen Australia All Rights Reserved. WELCOME GENERAL INFORMATION Welcome to this year’s showcase of stars alongside Richard Roxburgh in LOOKING Welcome to the 6th AACTA Awards presented by in the Judges’ Handbook have been supplied outstanding Australian productions FOR GRACE, and cast and crew members of Presto Official Screenings Program, which are held and approved by the producer of each entered competing for our nation’s highest screen Mel Gibson’s highly anticipated HACKSAW for the purpose of judging the AACTA Awards. production. accolades – the AACTA Awards. RIDGE, with Sam Worthington, Teresa Palmer, Hugo Weaving and Rachel Griffiths leading an SCREENINGS SCHEDULE VOTING This year sees 28 feature films in all-star cast. competition; another strong year for our Each film that has not previously screened as part AFI | AACTA members hold the exclusive privilege screen industry. The Official Screenings This year’s Official Screenings Program also of the year-round Members’ Events program will of voting in the AACTA Awards. Program provides your final opportunity to showcases the four Best Feature Length be screened once in Sydney and Melbourne. Please view films competing ahead of the voting Documentary nominees, capturing stories refer to the Screening Program starting on page 43 All votes will be submitted via an online voting form. period, complementing those films already of offshore detention centres CHASING( of this Judges’ Handbook. Only one voting form per AFI | AACTA member per screened throughout the year as a part of our ASYLUM), the slums of Brazil at a time of round will be accepted. Members’ Events Program which offers more significant uprising IN( THE SHADOW OF Every effort will be made to avoid changes to the screenings schedule, however in the event that AFI | AACTA acknowledges that it may not be than 80 screenings, events and masterclasses THE HILL), same-sex love at the height of possible for voting members to view all films in with cast and crew – all complimentary and conservatism and HIV/AIDS (REMEMBERING changes must be made, all members will receive direct email communication and changes will also competition. Therefore, individual member votes exclusive to our members, and anyone can ) and war-damaged children in THE MAN be noted on the AACTA website — www.aacta.org. shall be weighted to reflect the percentage of films join! Jalalabad (SNOW MONKEY). each member has seen. A highlight of each AACTA Awards season I encourage all AFI and AACTA members to ADMISSION REGULATIONS Further information on voting is available on page 9 is seeing new filmmakers and performers view the great productions showcased in this of the Judges’ Handbook. competing alongside industry luminaries, and year’s Official Screenings Program - either AFI | AACTA members receive complimentary entry to all sessions upon presentation of their this year is no exception. at Event Cinemas Bondi Junction in Sydney, Ernst & Young is the scrutineer for the AACTA membership card at the cinema box office at the Awards. Cinema Nova in Melbourne, or online on time of screening. This year’s short film nominees see a number AACTA TV, available anytime, anywhere. of young filmmakers straight out of university All members are welcome to bring a guest to AACTA TV (THE ALBATROSS and FEMME ENFANT) I thank the industry for their tireless work selected screenings by using the complimentary competing with past AACTA Award winners, in producing outstanding productions for guest tickets located on page 11 of this handbook. The Feature Length Documentary, Short Fiction Film including Marieka Walsh (THE CROSSING). audiences to enjoy at home and abroad. I also To gain entry to the selected screening, members’ and Short Animation nominees and a selection of thank our valued sponsors and partners for guests must complete their details on the reverse Feature Films In Competition will be showcased for This year’s feature films in competition their generous support throughout the year. of the complimentary ticket and redeem this at the all AFI | AACTA members on AACTA TV during the showcase exciting new talent, with directorial And finally, I extend a heartfelt thanks to our cinema box office at the time of the screening. AACTA Awards Screenings period. debuts for almost half of the directors AFI and AACTA members, whose passion and To access AACTA TV, please visit competing, including who support allows us to promote and award our Please note that tickets cannot be obtained in Rosemary Myers www.aacta.org/aacta-tv. arrives at this year’s AACTA Awards with nation’s top screen productions, practitioners advance of screenings. international Festival hit GIRL ASLEEP, and and performers, creating new jobs and All seating is offered on a first come, first served ( ) who opportunities for nominees and winners. NOMINEES AND WINNERS Nicholas Verso BOYS IN THE TREES basis, and is strictly limited by the capacity of each just two years ago received the AACTA cinema. AFI | AACTA cannot guarantee entry to Award for Best Short Fiction Film – a career Enjoy the 6th AACTA Awards presented Nominees will be announced later in 2016. Winners popular sessions and suggests allowing enough will be announced and presented at the 6th AACTA path we’re delighted to see. by Presto Official Screenings Program, and time to ensure your entry. Awards presented by Presto in late 2016. continue your support by making your vote These emerging directors are showcased count. Persons under the age of 18 are restricted to alongside fellow directors who hold past sessions based on the classification listed for each MORE INFORMATION AFI or AACTA Award wins and nominations, film. Films without classification are restricted to including: Sue Brooks (JAPENESE STORY) persons aged 18 and over — proof of age may be For more information regarding AFI | AACTA who this year competes with LOOKING FOR required. Membership or the 6th AACTA Awards presented GRACE; and Ivan Sen (MYSTERY ROAD, by Presto Official Screenings Program, please Latecomers arriving after the scheduled start of a contact AFI | AACTA: BENEATH CLOUDS), whose GOLDSTONE Damian Trewhella recently opened Sydney Film Festival. screening may not be admitted. AFI | AACTA E: [email protected] Chief Executive Officer [email protected] Equally exciting is the return to Australian PRODUCTION DETAILS T: 1300 139 697 screens by some of our nation’s top W: www.aacta.org performers and filmmakers, includingSam The synopses and production details listed Neill, Geoffrey Rush, Miranda Otto and Anna Torv (THE DAUGHTER), Radha Mitchell who 4 WELCOME GENERAL INFORMATION 5 ABOUT AFI | AACTA ABOUT AFI ABOUT AACTA SYDNEY The Australian Film Institute (AFI) was The Australian Academy of Cinema and created in 1958 by those with a passion for Television Arts (AACTA) was launched by the Winner of the International Festival film. Australian Film Institute (AFI) in August 2011, with the primary role of identifying, awarding, & Events Award 6 years in a row! Today, alongside the Australian Academy of promoting and celebrating Australia’s Cinema and Television Arts (AACTA), which greatest achievements in film and television. For more great events go to sydney.com is the AFI’s professional membership body, the AFI continues to support, encourage and Australia has produced some of the best promote Australian screen culture. screen practitioners and productions in the world, and an important part of AACTA’s CALLING ALL SCREEN role is to recognise this through the annual AACTA Awards — Australia’s highest screen ENTHUSIASTS accolades. AFI members in Melbourne and Sydney join AACTA members (screen practitioners) at CONNECTING OUR more than 80+ complimentary year-round INDUSTRY events including screenings, Q&As and Masterclasses. Members nationwide receive AACTA is a not-for-profit, member cinema discounts, film festival discounts, film organisation. AACTA membership is granted magazine subscription discounts, access to exclusively to screen professionals, each monthly giveaways on Facebook, and access from a cross-section of the screen industry to AACTA TV online – showing feature films, including production across all screen feature length documentaries, short fiction crafts, distribution, exhibition and television films and short animations competing for the networks. AACTA Awards. AACTA is overseen by President Geoffrey AFI members also vote in the Best Short Rush and comprises 16 screen craft chapters, Fiction Film and Best Short Animation including cinematography and costume categories of the AACTA Awards. design, through to screenwriting and directing. AACTA Awards voting is based on chapter allocation, ensuring those best JOIN TODAY qualified to recognise excellence in their craft do so. By supporting AFI | AACTA through membership, you are helping to recognise Australia’s brightest and best screen talent, BECOME A MEMBER creating new opportunities for our industry. To vote in the AACTA Awards, and to receive To join and for more information visit invitations to year-round screenings and www.aacta.org. events (Melbourne and Sydney), online access to productions competing in the Awards (via AACTA TV) and other member benefits, apply to join at www.aacta.org.
Recommended publications
  • 98Th ISPA Congress Melbourne Australia May 30 – June 4, 2016 Reimagining Contents
    98th ISPA Congress MELBOURNE AUSTRALIA MAY 30 – JUNE 4, 2016 REIMAGINING CONTENTS ACKNOWLEDGEMENT OF PEOPLE & COUNTRY 2 MESSAGE FROM THE MINISTER FOR CREATIVE INDUSTRIES, 3 STATE GOVERNMENT OF VICTORIA MESSAGE FROM THE CHIEF EXECUTIVE OFFICER, ARTS CENTRE MELBOURNE 4 MESSAGE FROM THE DIRECTOR OF PROGRAMMING, ARTS CENTRE MELBOURNE 5 MESSAGE FROM THE CHAIR, INTERNATIONAL SOCIETY FOR THE PERFORMING ARTS (ISPA) 6 MESSAGE FROM THE CHIEF EXECUTIVE OFFICER, INTERNATIONAL SOCIETY FOR THE PERFORMING ARTS (ISPA) 7 LET THE COUNTDOWN BEGIN: A SHORT HISTORY OF ISPA 8 MELBOURNE, AUSTRALIA 10 CONGRESS VENUES 11 TRANSPORT 12 PRACTICAL INFORMATION 13 ISPA UP LATE 14 WHERE TO EAT & DRINK 15 ARTS CENTRE MELBOURNE 16 THE ANTHONY FIELD ACADEMY SCHEDULE OF EVENTS 18 THE ANTHONY FIELD ACADEMY SPEAKERS 22 CONGRESS SCHEDULE OF EVENTS 28 CONGRESS PERFORMANCES 37 CONGRESS AWARD WINNERS 42 CONGRESS SESSION SPEAKERS & MODERATORS 44 THE ISPA FELLOWSHIP CHALLENGE 56 2016 FELLOWSHIP PROGRAMS 57 ISPA FELLOWSHIP RECIPIENTS 58 ISPA STAR MEMBERS 59 ISPA OUT ON THE TOWN SCHEDULE 60 SPONSOR ACKNOWLEDGEMENTS 66 ISPA CREDITS 67 ARTS CENTRE MELBOURNE CREDITS 68 We are committed to ensuring that everyone has the opportunity to become immersed in ISPA Melbourne. To help us make the most of your experience, please ask us about Access during the Congress. Cover image and all REIMAGINING images from Chunky Move’s AORTA (2013) / Photo: Jeff Busby ACKNOWLEDGEMENT OF PEOPLE MESSAGE FROM THE MINISTER FOR & COUNTRY CREATIVE INDUSTRIES, Arts Centre Melbourne respectfully acknowledges STATE GOVERNMENT OF VICTORIA the traditional owners and custodians of the land on Whether you’ve come from near or far, I welcome all which the 98th International Society for the Performing delegates to the 2016 ISPA Congress, to Australia’s Arts (ISPA) Congress is held, the Wurundjeri and creative state and to the world’s most liveable city.
    [Show full text]
  • 2-12 APRIL 2007 Ifi Aus Film Fest 07 23/03/2007 17:13 Page 2
    ifi_aus_film_fest_07 23/03/2007 17:13 Page 1 2-12 APRIL 2007 ifi_aus_film_fest_07 23/03/2007 17:13 Page 2 WELCOME FESTIVAL SPONSOR It is my great pleasure to welcome you to the 2007 Rosemount Dublin Australian Film Festival. The Australian Embassy in Dublin is proud to be involved with an event that showcases the diversity of contemporary Australian cinema. The film industry in Australia is continuing to produce many high quality feature and documentary films. These films reflect, question and FESTIVAL PARTNER challenge how we see ourselves, while simultaneously offering the world a glimpse of contemporary Australia. Their quality showcases Australia as a vibrant, diverse, creative, talented and highly competitive player in every aspect of film production. FESTIVAL SUPPORTERS Australian actors such as Nicole Kidman, Geoffrey Rush, Cate Blanchett, Russell Crowe, Naomi Watts, Heath Ledger, Toni Collette and Eric Bana have amassed a body of work that has won critical acclaim and commercial success around the world. Australia’s directors, producers, costume designers, writers, cinematographers and animators are attracting growing international attention and many overseas film producers come to Australia to take advantage of the world-class studio facilities, highly-skilled local FESTIVAL PATRON technical crews and the stunning diversity of the landscape. Jane Scott, film producer The selection of films featured in this year’s Festival provides audiences with the opportunity to sample an interesting and broad cross section of ACKNOWLEDGEMENTS recent Australian cinema. Our thanks to those involved in assisting the IFI in producing this festival each year, I would like to thank all those who contributed their time and effort in most notably the good work of Trish bringing the collection to Dublin as well as the sponsors for supporting Crerar, who each year gives tremendous such a wonderful event.
    [Show full text]
  • Where Lawyers Operate on Doctors
    ONE HOUR MEDICO LEGAL DRAMA SERIES Starring Kerry Armstrong and Jason Donovan Where lawyers operate on doctors. Caitlin King Dr Tony McKinnon Dr Ella Davis Richard Savage MDA Case Manager Accident & Emergency Intern MDA Senior Case Manager Medical Litigation Specialist A woman undergoes a Caesarean section and suffers major 1 HOUR MEDICO/LEGAL DRAMA SERIES brain damage. A man checks in with a nose-bleed and never checks out. Hospitals can be dangerous places. Mistakes can be made. Lives can be seriously shattered, damaged or lost. And someone has to pay. STORIES OF LIFE AND DEATH / GUILT AND INNOCENCE That's when doctors turn to MDA - a medical defence and indemnity organisation that must untangle the truth from Crew good intentions and negotiate its way through ethical Creators - Greg Haddrick and Des Monaghan minefields and around litigious lawyers. Producer - Greg Haddrick Series Producer - Ric Pellizzeri Kerry Armstrong made Australian history as the first actress Executive Producer ABC - Robyn Kershaw to win Best Performance by an Actress for both the Television Executive Producer Screentime - Des Monaghan and Film Categories of the Australian Film Institute Awards, Cast in SeaChange and Lantana. Kerry plays Dr. Ella Davis, a Kerry Armstrong - Dr Ella Davis passionate advocate for her profession. Her devotion however, Jason Donovan - Richard Savage never blinds her to the fact that for some doctors, arrogance Shane Bourne - Bill ‘Happy’ Henderson is a lifestyle choice. Aaron Pedersen - Dr Tony McKinnon Alice McConnell - Caitlin King Her nemesis is Richard Savage, a medical litigation lawyer Angus Grant - Dr Jamie Lawless who thrives on winning the best deal for his clients.
    [Show full text]
  • TBKOB DEC TALENT DECK 130121ALT Copy
    Legal Disclaimer. This document and the information contained herein are provided to potential investors or Screen bodies by the (“the Company”) regarding he proposed project The Beast kind of Beautiful. It is confidential and proprietary to the company and is intended only for the persons to whom it is transmitted by the Company or its representatives. By accepting this document, the recipient agrees to keep the contents in the strictest confidence and not to reproduce or divulge any of its contents without the prior written consent of the Company. This is a project prospectus. It dies not imply and shall not be construed as an offering of securities. Recipients of this project prospectus are not to construe the content of this document as investment, legal or tax advice from either the Company or the preparers of this document. Each recipient of this project document specifically understands and agrees that any estimates, projections, revenue models, forecasts or assumptions are by definition uncertain. This project prospectus contains forward-looking statements and is subject to risk, uncertainties and assumptions by the Company. The Company’s actual operations and results therefore may differ materially from the forward- thinking statements. Market Data and certain industry forecasts used throughout this business plan were obtained from internal surveys, market research, publicly available information and industry publications. Industry publications generally state that the information contained therein has been obtained from sourced believable to be reliable but that the accuracy and completeness of such information is not guaranteed. Similarly, internal surveys, industry forecasts and market research while believed to be reliable, have not been independently verified by the Company, and representations as to the accuracy of such information is being made.
    [Show full text]
  • The Nightingale
    SCREEN AUSTRALIA SCREEN TASMANIA AND SOUTH AUSTRALIAN FILM CORPORATION present in association with ADELAIDE FILM FESTIVAL BRON CREATIVE And FILMNATION ENTERTAINMENT a CAUSEWAY FILMS and MADE UP STORIES production THE NIGHTINGALE PRODUCTION NOTES Running Time: 136 mins AUSTRALIAN PUBLICITY REQUESTS: Amy Burgess / National Publicity Manager, Transmission Films 02 8333 9000, [email protected] Images: High res images and poster available to download via the DOWNLOAD MEDIA tab at: https://www.transmissionfilms.com.au/films/the-nightingale Starring Aisling Franciosi, Sam Claflin and Baykali Ganambarr Writer and Director: Jennifer Kent Producers: Kristina Ceyton p.g.a., Bruna Papandrea p.g.a., Steve Hutensky p.g.a. and Jennifer Kent p.g.a. Executive Producers: Brenda Gilbert, Jason Cloth, Andrew Pollack, Aaron L. Gilbert, Ben Browning and Alison Cohen Associate Producer: Jim Everett Director of Photography: Radek Ladczuk Editor: Simon Njoo Production Designer: Alex Holmes Costume Designer: Margot Wilson APDG Hair and Makeup Designer: Nikki Gooley Sound Designer: Robert Mackenzie Composer: Jed Kurzel Visual Effects Supervisor: Marty Pepper Casting Director: Nikki Barrett CSA Distributed in Australia and New Zealand by Transmission Films International Sales: FilmNation Entertainment, US Sales: Endeavor Content The Nightingale Production Notes 2 INDEX SYNOPSES 3 DIRECTOR’S STATEMENT 4 CAST AND CHARACTER LIST 4 GENESIS OF THE FILM 5 CASTING AND CHARACTERS Clare – Portrayed by Aisling Franciosi 8 Hawkins – Portrayed by Sam Claflin 10 Billy
    [Show full text]
  • The Premiere Fund Slate for MIFF 2021 Comprises the Following
    The MIFF Premiere Fund provides minority co-financing to new Australian quality narrative-drama and documentary feature films that then premiere at the Melbourne International Film Festival (MIFF). Seeking out Stories That Need Telling, the the Premiere Fund deepens MIFF’s relationship with filmmaking talent and builds a pipeline of quality Australian content for MIFF. Launched at MIFF 2007, the Premiere Fund has committed to more than 70 projects. Under the charge of MIFF Chair Claire Dobbin, the Premiere Fund Executive Producer is Mark Woods, former CEO of Screen Ireland and Ausfilm and Showtime Australia Head of Content Investment & International Acquisitions. Woods has co-invested in and Executive Produced many quality films, including Rabbit Proof Fence, Japanese Story, Somersault, Breakfast on Pluto, Cannes Palme d’Or winner Wind that Shakes the Barley, and Oscar-winning Six Shooter. ➢ The Premiere Fund slate for MIFF 2021 comprises the following: • ABLAZE: A meditation on family, culture and memory, indigenous Melbourne opera singer Tiriki Onus investigates whether a 70- year old silent film was in fact made by his grandfather – civil rights leader Bill Onus. From director Alex Morgan (Hunt Angels) and producer Tom Zubrycki (Exile in Sarajevo). (Distributor: Umbrella) • ANONYMOUS CLUB: An intimate – often first-person – exploration of the successful, yet shy and introverted, 33-year-old queer Australian musician Courtney Barnett. From producers Pip Campey (Bastardy), Samantha Dinning (No Time For Quiet) & director Danny Cohen. (Dist: Film Art Media) • CHEF ANTONIO’S RECIPES FOR REVOLUTION: Continuing their series of food-related social-issue feature documentaries, director Trevor Graham (Make Hummus Not War) and producer Lisa Wang (Monsieur Mayonnaise) find a very inclusive Italian restaurant/hotel run predominately by young disabled people.
    [Show full text]
  • Seven Unveils Content Plans for 2019
    SEVEN UNVEILS CONTENT PLANS FOR 2019 Slate includes new Bevan Lee drama and two supersized reality hits Geraldine Hakewill, Joel Jackson and Catherine McClements headline Miss Fisher spin-off MKR’s 10th anniversary season to launch the year “Top Gear meets food” in new Gordon Ramsay series New overseas dramas feature screen heavyweights Martin Clunes, Sheridan Smith, Kelsey Grammer and more (Sydney, Friday October 26): The Seven Network today unveiled its content plans for 2019. Four new local dramas, including the next offering from creator Bevan Lee; two supersized reality hits; a female spinoff to one of the year’s most heart-warming hits and the landmark 10th season of one of Australia’s biggest shows are just some of the programs set to take Seven into its 13th consecutive year of leadership. Commenting, Seven’s Director of Network Programming Angus Ross said: “After a close win last year, we promised to up our game in 2018, and the team has delivered in spades. We’ve broken records and dominated the ratings throughout the year. In fact, in every month we have never dropped below a 39% share, while our competitors have never been above 39%. Our worst is still better than their best. “What’s particularly pleasing is that this success is down to the strength and depth of our programming across the board. From 6am to midnight, we have the strongest spine of ratings winners, bar none. And with the AFL and Cricket locked up until 2022, Seven can guarantee those mass audiences, and certainty for our advertisers, for years to come.” NEW TO SEVEN IN 2019 BETWEEN TWO WORLDS From Australia’s most prolific creator/writer Bevan Lee (Packed to the Rafters, A Place To Call Home, All Saints, Winners & Losers, Always Greener) comes an intense, high concept contemporary drama series about two disparate and disconnected worlds, thrown together by death and a sacrifice in one and the chance for new life in the other.
    [Show full text]
  • Annual Report 2013 Annual Report 2013
    Annual Report 2013 Annual Report 2013 4 Objectives and Mission Statement 50 Open Door 6 Key Achievements 9 Board of Management 52 Literary 10 Chairman’s report Literary Director’s Report 12 Artistic Director’s report MTC is a department of the University of Melbourne 14 Executive Director’s report 54 Education 16 Government Support Education Manager’s Report and Sponsors 56 Education production – Beached 18 Patrons 58 Education Workshops and Participatory Events 20 2013 Mainstage Season MTC Headquarters 60 Neon: Festival of 252 Sturt St 22 The Other Place Independent Theatre Southbank VIC 3006 24 Constellations 03 8688 0900 26 Other Desert Cities 61 Daniel Schlusser Ensemble 28 True Minds 62 Fraught Outfit Southbank Theatre 30 One Man, Two Guvnors 63 The Hayloft Project 140 Southbank Blvd 32 Solomon and Marion 64 THE RABBLE Southbank VIC 3006 34 The Crucible 65 Sisters Grimm Box Office 03 8688 0800 36 The Cherry Orchard 66 NEON EXTRA 38 Rupert mtc.com.au 40 The Beast 68 Employment Venues 42 The Mountaintop Actors and Artists 2013 Throughout 2013 MTC performed its Melbourne season of plays at the 70 MTC Staff 2013 Southbank Theatre, The Sumner and The Lawler, 44 Add-on production and the Fairfax Studio and Playhouse at The Book of Everything 72 Financial Report Arts Centre Melbourne. 74 Key performance indicators 46 MTC on Tour: 76 Audit certificate Managing Editor Virginia Lovett Red 78 Financial Statement Graphic Designer Emma Wagstaff Cover Image Jeff Busby 48 Awards and nominations Production Photographers Jeff Busby, Heidrun Löhr Cover
    [Show full text]
  • BAM Presents the Sydney Theatre Company Production of Tennessee Williams’ a Streetcar Named Desire, Nov 27–Dec 20
    BAM presents the Sydney Theatre Company production of Tennessee Williams’ A Streetcar Named Desire, Nov 27–Dec 20 Production marks U.S. directorial debut of Liv Ullmann and features Cate Blanchett as Blanche DuBois, Joel Edgerton as Stanley, and Robin McLeavey as Stella The Wall Street Journal is the Presenting Sponsor of A Streetcar Named Desire A Streetcar Named Desire By Tennessee Williams Sydney Theatre Company Directed by Liv Ullmann Set design by Ralph Myers Costume design by Tess Schofield Lighting design by Nick Schlieper Sound design by Paul Charlier BAM Harvey Theater (651 Fulton St) Nov 27 and 28, Dec 1*, 2, 3**, 4, 5, 8–12, 15–19 at 7:30pm Nov 28, Dec 2, 5, 9, 12, 16, and 19 at 2pm Nov 29, Dec 6, 13, and 20 at 3pm Tickets: $30, 65, 95 (Tues–Thurs); $40, 80, 120 (Fri–Sun) 718.636.4100 or BAM.org *press opening **A Streetcar Named Desire: Belle Rêve Gala (performance begins at 8pm) Artist Talk with Liv Ullmann: Between Screen and Stage Moderated by Phillip Lopate, writer and professor at Columbia University. Dec 7 at 7pm BAM Harvey Theater Tickets: $15 ($7.50 for Friends of BAM) Artist Talk with cast members Moderated by Lynn Hirschberg, The New York Times Magazine editor-at-large Dec 8, post-show (free for same-day ticket holders) Brooklyn, N.Y./Oct 23, 2009—In a special winter presentation, Sydney Theatre Company returns to BAM with Tennessee Williams’ A Streetcar Named Desire, directed by renowned actor/director/writer Liv Ullmann and featuring Academy Award-winning actress/Sydney Theatre Company Co-Artistic Director Cate Blanchett as Blanche DuBois, Joel Edgerton at Stanley Kowalski, Robin McLeavey as Stella Kowalski, and Tim Richards as Mitch.
    [Show full text]
  • Star-Studded Line-Up Set for the 7Th AACTA Awards Presented by Foxtel
    Media Release Strictly embargoed until 12:01am Wednesday 22 November 2017 Star-studded line-up set for the 7th AACTA Awards presented by Foxtel The Australian Academy of Cinema and Television Arts (AACTA) has today announced the star-studded line- up of presenters and attendees of the 7th AACTA Awards Ceremony presented by Foxtel. Held at The Star Event Centre in Sydney on Wednesday 6 December and telecast on Channel 7, tickets are still available to enjoy a night of glamour and entertainment with the country’s biggest stars. Tickets are open to the public and industry and are selling fast. To book, visit www.aacta.org. The Ceremony will see some of Australia’s top film and television talent take to the stage to present, including: Jessica Marais, Rachel Griffiths, Bryan Brown, Charlie Pickering, Noni Hazlehurst, Shane Jacobson, Sophie Monk, Rob Collins, Samara Weaving, Daniel MacPherson, Tom Gleeson, Erik Thomson, Melina Vidler, Ryan Corr, Dan Wyllie and celebrated Indian actor and member of the Best Asian Film Grand Jury Anupam Kher. Nominees announced as presenters today include: Celia Pacquola, Pamela Rabe, Marta Dusseldorp, Stephen Curry, Emma Booth, Osamah Sami, Ewen Leslie and Sean Keenan. A number of Australia’s rising stars will also present at the AACTA Awards Ceremony, including: Angourie Rice, Nicholas Hamilton, Madeline Madden, and stars of the upcoming remake of STORM BOY, Finn Little and Morgana Davies. Last year’s Longford Lyell recipient Paul Hogan will attend the Ceremony alongside a number of this year’s nominees, including: Anthony LaPaglia, Shaynna Blaze, Luke McGregor, Don Hany, Jack Thompson, Kate McLennan, Sara West, Matt Nable, Jacqueline McKenzie and Susie Porter.
    [Show full text]
  • TWG Presskit TX Date Compre
    SEASON ONE SYNOPSIS The Wrong Girl is a new contemporary show called The Breakfast Bar, who drama that centres on the adventures fi nds herself torn between two very of 29-year-old Lily Woodward. different men. Brimming with exuberance, optimism Joining Jessica is a star-studded, and cheeky energy, The Wrong Girl is virtual Hall of Fame cast including a sharp, playful and fresh fresh look at Craig McLachlan (The Doctor Blake men and women, friendship, work and Mysteries, Packed To The Rafters), family. It is for anyone who has fallen Kerry Armstrong (Bed of Roses, in love with someone they were never Lantana), Madeleine West (Fat Tony meant to love. & Co., Satisfaction), comedian, author Great job? Tick. Great best friend? and actor Hamish Blake, and Christie Tick. Great fl atmate? Tick. So what Whelan Browne (Spin Out, Peter Allen: could possibly go wrong? Not The Boy Next Door). Based on the best-selling novel by Zoë Fast-rising local acting sensation Foster Blake, The Wrong Girl features Ian Meadows (The Moodys, 8MMM) Jessica Marais – the award-winning stars as Pete Barnett, Lily’s confl icted star of television hits such as Packed best friend. The dynamic Rob Collins, To The Rafters, Love Child and Carlotta fresh from his star turn as Mufasa – as Lily, the producer of a cooking in the acclaimed Australian stage segment on a morning television production of The Lion King, portrays Jack Winters, the charismatic television chef who might just have the essential ingredients for capturing Lily’s heart. Stunning newcomer Hayley Magnus (The Dressmaker, Slide) plays Simone, Lily’s always intriguing fl atmate.
    [Show full text]
  • Movie Review: ‘Hacksaw Ridge’
    Movie Review: ‘Hacksaw Ridge’ Hacksaw Ridge By Joseph McAleer Catholic News Service NEW YORK – In the Gospel of John, Jesus tells his disciples, “No one has greater love than this, to lay down one’s life for one’s friends.” That statement is vividly realized in “Hacksaw Ridge” (Summit), which recounts the extraordinary heroism of Army medic Desmond T. Doss (Andrew Garfield) during the Battle of Okinawa in the closing days of World War II. A committed Christian and conscientious objector who refused to bear arms, Doss was nonetheless eager to serve his country. He single-handedly saved the lives of more than 75 wounded soldiers while under constant enemy fire, earning him the Medal of Honor, awarded by Congress. Director Mel Gibson, working from a screenplay by Andrew Knight and Robert Schenkkan, presents his fact-based drama in two parts. The first probes Doss’ childhood and upbringing in rural Virginia, while the second unfolds on Okinawa, atop a jagged cliff nicknamed “Hacksaw Ridge” for the brutality of the Japanese offensive there. War is indeed hell, as Gibson pulls no punches in extreme battle scenes reminiscent of “Saving Private Ryan.” Awash in blood and gore, with heads blown off and soldiers set afire by napalm, the violence is no doubt realistic, but will necessarily restrict this film’s audience to those adults willing to endure such sights. We first meet Desmond as a spirited boy (Darcy Bryce) who is losing a fistfight with his older brother, Hal (Roman Guerriero). Desmond picks up a brick and strikes Hal, knocking him out cold.
    [Show full text]