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David Stratton's Stories of Australian Cinema
David Stratton’s Stories of Australian Cinema With thanks to the extraordinary filmmakers and actors who make these films possible. Presenter DAVID STRATTON Writer & Director SALLY AITKEN Producers JO-ANNE McGOWAN JENNIFER PEEDOM Executive Producer MANDY CHANG Director of Photography KEVIN SCOTT Editors ADRIAN ROSTIROLLA MARK MIDDIS KARIN STEININGER HILARY BALMOND Sound Design LIAM EGAN Composer CAITLIN YEO Line Producer JODI MADDOCKS Head of Arts MANDY CHANG Series Producer CLAUDE GONZALES Development Research & Writing ALEX BARRY Legals STEPHEN BOYLE SOPHIE GODDARD SC SALLY McCAUSLAND Production Manager JODIE PASSMORE Production Co-ordinator KATIE AMOS Researchers RACHEL ROBINSON CAMERON MANION Interview & Post Transcripts JESSICA IMMER Sound Recordists DAN MIAU LEO SULLIVAN DANE CODY NICK BATTERHAM Additional Photography JUDD OVERTON JUSTINE KERRIGAN STEPHEN STANDEN ASHLEIGH CARTER ROBB SHAW-VELZEN Drone Operators NICK ROBINSON JONATHAN HARDING Camera Assistants GERARD MAHER ROB TENCH MARK COLLINS DREW ENGLISH JOSHUA DANG SIMON WILLIAMS NICHOLAS EVERETT ANTHONY RILOCAPRO LUKE WHITMORE Hair & Makeup FERN MADDEN DIANE DUSTING NATALIE VINCETICH BELINDA MOORE Post Producers ALEX BARRY LISA MATTHEWS Assistant Editors WAYNE C BLAIR ANNIE ZHANG Archive Consultant MIRIAM KENTER Graphics Designer THE KINGDOM OF LUDD Production Accountant LEAH HALL Stills Photographers PETER ADAMS JAMIE BILLING MARIA BOYADGIS RAYMOND MAHER MARK ROGERS PETER TARASUIK Post Production Facility DEFINITION FILMS SYDNEY Head of Post Production DAVID GROSS Online Editor -
You Can Choose to Be Happy
You Can Choose To Be Happy: “Rise Above” Anxiety, Anger, and Depression with Research Evidence Tom G. Stevens PhD Wheeler-Sutton Publishing Co. YOU CAN CHOOSE TO BE HAPPY: “Rise Above” Anxiety, Anger, and Depression With Research Evidence Tom G. Stevens PhD Wheeler-Sutton Publishing Co. Palm Desert, California 92260 Revised (Second) Edition, 2010 First Edition, 1998; Printings, 2000, 2002. Copyright © 2010 by Tom G. Stevens PhD. All rights reserved. Printed in the United States of America. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles and reviews; or except as provided by U. S. copyright law. For more information address Wheeler-Sutton Publishing Co. The cases mentioned herein are real, but key details were changed to protect identity. This book provides general information about complex issues and is not a substitute for professional help. Anyone needing help for serious problems should see a qualified professional. Printed on acid-free paper. Publisher’s Cataloging-in-Publication Data Stevens, Tom G., Ph.D. 1942- You can choose to be happy: rise above anxiety, anger, and depression./ Tom G. Stevens Ph.D. –2nd ed. p. cm. Includes bibliographical references. ISBN 978-0-9653377-2-4 1. Happiness. 2. Self-actualization (Psychology) I. Title. BF575.H27 S84 2010 (pbk.) 158-dc22 Library of Congress Control Number: 2009943621 CONTENTS INTRODUCTION: ..................................................................................................................... -
Foxtel Programming in 2015 (PDF)
FOXTEL programming in 2015 GOGGLEBOX Season 1 The LifeStyle Channel Based on the U.K. smash hit, Gogglebox is a weekly observational series which captures the reactions of ordinary Australians as they watch the nightly news, argue over politics, cheer their favourite sporting teams and digest current affairs and documentaries. Twelve households will be chosen and then rigged with special, locked off cameras to capture every unpredictable moment. Gogglebox is like nothing else ever seen on Australian television and it’s set to hook audiences in a fun and entertaining way. The series has been commissioned jointly by Foxtel and Network Ten and will air first on The LifeStyle Channel followed by Channel Ten. DEADLINE GALLIPOLI Season 1 showcase Deadline Gallipoli explores the origin of the Gallipoli legend from the point of view of war correspondents Charles Bean, Ellis Ashmead-Bartlett, Phillip Schuler and Keith Murdoch, who lived through the campaign and bore witness to the extraordinary events that unfolded on the shores of Gallipoli in 1915. This compelling four hour miniseries captures the heartache and futility of war as seen through the eyes of the journalists who reported it. Joel Jackson stars as Bean, Hugh Dancy as Bartlett, Ewen Leslie as Murdoch, and Sam Worthington as Schuler. Charles Dance plays Hamilton, the Commander of the Gallipoli campaign, Bryan Brown plays General Bridges and John Bell plays Lord Kitchener. Deadline Gallipoli will be broadcast to coincide with the World War I Centenary commemorations. THE KETTERING INCIDENT Season 1 showcase Elizabeth Debicki, Matt Le Nevez, Anthony Phelan, Henry Nixon and Sacha Horler star in The Kettering Incident drama series. -
Idioms-And-Expressions.Pdf
Idioms and Expressions by David Holmes A method for learning and remembering idioms and expressions I wrote this model as a teaching device during the time I was working in Bangkok, Thai- land, as a legal editor and language consultant, with one of the Big Four Legal and Tax companies, KPMG (during my afternoon job) after teaching at the university. When I had no legal documents to edit and no individual advising to do (which was quite frequently) I would sit at my desk, (like some old character out of a Charles Dickens’ novel) and prepare language materials to be used for helping professionals who had learned English as a second language—for even up to fifteen years in school—but who were still unable to follow a movie in English, understand the World News on TV, or converse in a colloquial style, because they’d never had a chance to hear and learn com- mon, everyday expressions such as, “It’s a done deal!” or “Drop whatever you’re doing.” Because misunderstandings of such idioms and expressions frequently caused miscom- munication between our management teams and foreign clients, I was asked to try to as- sist. I am happy to be able to share the materials that follow, such as they are, in the hope that they may be of some use and benefit to others. The simple teaching device I used was three-fold: 1. Make a note of an idiom/expression 2. Define and explain it in understandable words (including synonyms.) 3. Give at least three sample sentences to illustrate how the expression is used in context. -
SANDI CV March 2019
CURRICULUM VITAE 2019 UTOPIA series 4 TV Series Position: COSTUME DESIGNER WORKING DOG CAST: Rob Sitch Celia Paquola Kitty Flannagan Director: Rob Sitch 2018 The InBESTigators TV Series Position: COSTUME DESIGNER GRISTMILL PRODUCTIONS Director: Robyn Butler Wayne Hope CAST: Aston Droomer Anna Cooke Abby Bergman Jamil Seka Nina Buxton Tim Bartley Ian Reiser 2017-18 BACK IN VERY SMALL BUSINESS TV Series Position: COSTUME DESIGNER GRISTMILL PRODUCTIONS CAST: Wayne Hope Robyn Nevin Kim Gyngell Director: Robyn Butler 2017 ROMPER STOMPER TV Series Position: COSTUME BUYER NEXT GEN Designer: Anna Borghesi CAST: Toby Wallace Jacqui McKenzie David Wenham Directors: Geoffrey Wright James Napier Robertson Daina Reid DI & VIV & ROSE Theatre Prod Position: COSTUMIER MELBOURNE THEATRE CO Designer: Dale Ferguson CAST: Nadine Garner Beilinda McLory Mandy McElhinney Director: Marion Potts HAVE YOU BEEN PAYING ATTENTION? TV Series Position: COSTUME DESIGNER WORKING DOG / NETWORK 10 CAST: Tom Gleisner Sam Pang Ed Kavallee Director: Peter Lawler UTOPIA series 3 TV Series Position: COSTUME DESIGNER WORKING DOG CAST: Rob Sitch Celia Paquola Kitty Flannagan Director: Rob Sitch ________________________________________________ 4 /76-80 Ireland Street, West Melbourne, Vic 3003 mobile: 0412 114 958 email: [email protected] 2016 T.V. COMMERCIALS TVC’S Position: COSTUME DESIGNER MR SMITH HAVE YOU BEEN PAYING ATTENTION? TV Series Position: COSTUME DESIGNER WORKING DOG / NETWORK 10 CAST: Tom Gleisner Sam Pang Ed Kavallee Director: Peter Lawler LITTLE LUNCH series -
1 Sydney Theatre Company Annual Report 2014
Sydney Theatre Company Annual Report 2014 1 Kate Box, Melita Jurisic, Robert Menzies, Hugo Weaving, Ivan Donato, Eden Falk, Paula Arundell and John Gaden in Macbeth. Photo: Brett Boardman Aims of the Company To provide first class theatrical entertainment for the people of Sydney – theatre that is grand, vulgar, intelligent, challenging and fun. That entertainment should reflect the society in which we live thus providing a point of focus, a frame of reference, by which we come to understand our place in the world as individuals, as a community and as a nation. Richard Wherrett, 1980 Founding Artistic Director 5 2014 in Numbers ACTORS AND CREATIVES 237 EMPLOYED $350,791 C R 12TEACHING TIX OF TI KET P ICE TIX SAVINGS PASSED ON TO ARTISTS 733 4,877 SUNCORP TWENTIES CUSTOMERS EMPLOYED REGIONAL $20.834M AND INTERSTATE TOTAL TICKET PERFORMANCES INCOME EARNED WORLD 6PREMIERES 1,187 WEEKS PLAYWRIGHTS AVERAGE OF WORK 9 ON COMMISSION CAPACITY FOR ACTORS 6 7 David Gonski Andrew Chairman Upton In the last four annual reports, I have reported on work undertaken by the organisation to modernise operations and governance structures to best support the Company’s artistic aspirations into the Artistic Director future. Most recently, in 2013, I wrote about the security of 45 year leases over the Roslyn Packer Theatre (formerly Sydney Theatre) and James Duncan in The Long Way Home. Richard Roxburgh in Cyrano de Bergerac. our tenancy at The Wharf, and the subsequent winding up of New Photo: Lisa Tomasetti 2014 was a year that brought the Company together through thick Photo: Brett Boardman South Wales Cultural Management, the body that had previously and thin. -
True Love by C H a R L E S L
This script was freely downloaded from the (re)making project, (charlesmee.org). We hope you'll consider supporting the project by making a donation so that we can keep it free. Please click here to make a donation. True Love by C H A R L E S L . M E E Lights come up on Edward's bed, set in front of an abandoned gas station. Surrounded wall to wall by red clay stained with oil and gas. A bright orange and yellow gas pump, surreally supremely beautiful. Nearby, a motel, the "Mo el Aph it ". A kids' inflatable plastic swimming pool is to one side. To one side, an abandoned Lincoln Town Car that just broke down and was left there, its hood up, its wheels off, splattered with dried mud. A keyboard. An electric guitar with amp. A set of drums. A microphone on a stand. Elsewhere, a dog house. A chain, with a dog no longer there. We hear a love song on the radio. Edward, age 13 or 14—or the youngest possible legal age for the youngest-possible-looking actor to play this role— is roller blading around his bed, lost in the music and the pleasure of movement, luxuriating in his cool moves, naked from the waist up. He is a handsome WASP adolescent with the coolest rollerblades and the best athletic clothes. Polly, age 34, enters—as though with a purpose, but then stops, and, standing silently, watches him. She wears Armani, with some rips and stains. Edward doesn't notice her; and they don't speak. -
ANZAC Girls Presskit
FOREVER young FOREVER brave FOREVER IN OUR hearts COMING SOON Introduction Honouring the Centenary of the commencement of WW1, ANZAC Girls is a moving new six-part series based on the unique, and rarely told true stories of Australian and New Zealand nurses serving at Gallipoli and the Western Front. In WW1 over 3,500 young Australian and New Zealand women served as nurses with the two fledgling nations’ army services. Nearly 300 were decorated for courage beyond the call of duty. Facing the brutality of war, they were remarkable women, doing extraordinary work, serving amidst bombing raids, poison gas and terrible disease – saving lives and transforming the spirits of the soliders. But through it all they experienced exceptional friendship, love, success and heartbreak. Drawing on the book The Other ANZACS by Peter Rees as well as from diaries, letters, photographs and historical achievements ANZAC Girls is based on real events and real people - Alice (Georgia Flood), Elsie (Laura Brent), Olive (Anna McGahan), Hilda (Antonia Prebble) and Grace (Caroline Craig). Like their brothers, fathers, lovers and husbands, these ANZAC Girls are our heroes. But they were also just ordinary girls – our sisters, our daughters, ourselves – looking for adventure, love, fun and friendship. This is their story... Over 3,720 Australian and New Zealand nurses served overseas during World War One. Fifty-six were awarded the Royal Red Cross. Two hundred and ten were awarded the Associate Red Cross. Only seven ANZAC nurses were awarded Military Medals. Key Cast Sister Alice Ross King Georgia Flood Sister Hilda Steele Antonia Prebble Sister Elsie Cook Laura Brent Synopsis Sister Olive Haynes Anna McGahan Matron Grace Wilson Caroline Craig It’s World War One and the number of Australian and New Zealand army troops deployed to Europe and the Middle East begins to swell. -
Vince Valitutti
VINCE VALITUTTI IMDB https://www.imdb.com/name/nm1599631/ Po Box 7140 GCMC Gold Coast~Qld 4217~ Australia Australian phone: +61-414069917 www.vincevalitutti.com [email protected] [email protected] FILM STILLS PHOTOGRAPHY 2020 : Godzilla vs Kong: Client: Legendary Ent, Warner Bros. Director: Adam Wingard Cast: Alexander Skarsgard, Millie Bobby Brown, Eiza Gonzalez, Rebecca Hall, 2019 : Dora and the lost City of Gold: Client: Paramount Players, Walden Media Director: James Bobin Cast: Isabela Moner, Benicio Del Toro, Eva Longoria, Michael Pena, Eugenio Derbez 2018 : Swinging Safari: Client: Piccadilly Pictures, Wildheart Films Director: Stephan Elliot Cast: Kylie Minogue, Guy Pierce, Julian Mc Mahon, Radha Mitchell, Asher Keddie 2017 Kong Skull Island: Client: Warner Bros, Legendary Director: Jordan Vogt-Rodgers Cast: Samuel L. Jackson, Brie Larson, Tom Hiddleston, John Goodman, John C Riley 2017 Australia Day: Client: Hoodlum Entertainment Director: Kriv Stenders Cast: Bryan Brown, Matthew Le Nevez, Elias Anton, Sean Keenan, Daniel Weber 2016 The Shallows: Client: Sony Pictures Director: Jaume Collet Serra Cast: Blake Lively, Oscar Jaenada, Sedona Legge, 2014 The Inbetweeners 2: Client: Bwark productions Directors: Damon Beesley, Iain Morris Cast: James Buckley, Simon Bird, Joe Thomas, Blake Harrison, Freddie Stroma 2014 Unbroken (Additional stills): Client: Universal Pictures Directors: Angelina Jolie Cast: Jack O'Connell, Domhnall Gleeson, Jai Courtney, Finn Wittrock 2013 Nim’s Island 2: Client: Fox-Walden Director: -
And Her Greatest Threat Starring Martin Freeman Anthony
CARGO He is his daughter’s only hope… and her greatest threat Starring Martin Freeman Anthony Hayes, Susie Porter, Caren Pistorius, Kris McQuade Bruce R Carter, Natasha Wanganeen and introducing Simone Landers with David Gulpilil Directed by Yolanda Ramke and Ben Howling Screenplay by Yolanda Ramke Produced by Samantha Jennings and Kristina Ceyton Producers Russell Ackerman, John Schoenfelder, Mark Patterson Director of Photography: Geoffrey Simpson ACS Production Designer: Jo Ford Costume Designer: Heather Wallace Prosthetics Designer: Larry Van Duynhoven Makeup and Hair Designer: Beverley Freeman Editor: Dany Cooper ASE, Sean Lahiff Original Music Score: Daniel Rankine P.K.A. Trials with Dr G Yunupingu, Michael Hohnen, Johnathon Mangarri Yunupingu, featuring Additional Instrumentation by John Bartlett and Paul Bartlett Casting: Nikki Barrett CSA Distributed in Australia and New Zealand by Umbrella Entertainment World Sales: Bankside Films (co-represented in the US with CAA and UTA) A Causeway Films Production INDEX Statement from the Directors……………………........... 3 Short synopsis……………………................................. 4 One page synopsis…………………….......................... 5 The Genesis of Cargo……………………...................... 6 A Universal Story……………………............................. 8 Father and Daughter – Dual Love Stories…………….. 9 Casting Martin Freeman……………………...................10 Portraying a Dystopian World……………………...........11 Viral Design……………………...................................... 12 A Unique Collaboration – Yolanda & Ben ……………. -
Max Gillies Stars in Trust Williamson Production
SEPTEMBER, 1987 Vol 11 No 8 ISSN 0314 - 0598 A publication of the Australian Elizabethan Theatre Trust Max Gillies stars in Trust Williamson production THE DEPARTMENT by David Williamson Directed by Rodney Fisher Designed by Shaun Gurton Lighting by Nick Schlieper Cast: Max Gillies, Tracy Mann, Helmut Bakaitis, Ben Gabriel, Ron Graham, Jeff Morrell, Matthew O'Sullivan, Kris Ralph, John Sheerin, Paul Williams "Williamson's best play is an assured, rounded, acidly understanding dissec tion of bureaucracy. " Garrie Hutchinson, The Australian "The funnier it gets - and it is very funny - the more urgently Williamson asks: how can anything be made to work, from a relationship between two people right through to an educational institution when human beings are the headstrong, contrary, passionate and self-seeking creatures that they are?" Ron Blair, Sydney Morning Herald It Often hailed as Williamson's best A. play, perhaps because it mirrors his ~l early life as a teacher and, there fore, a lot of its content comes from his own experience, THE DEPARTMENT is an ascerbic dissection of the world of the committee meeting. Robby, the Max Gillies head of the department, desperately tries to conduct a staff meeting - he Max Gillies in the lead role of Robby Trust Members are invited to attend contrives, he cajoles, he manipulates, heads a strong cast, which also includes a preview performance on Monday sometimes he flounders, but always Tracy Mann, who has just completed a evening, October 26, when they may manages to remain ahead (just) of the season at the Wharf Theatre in WHEN purchase as many tickets as they wish rest! There are marvellous cameos in I WAS A GIRL. -
5Th AACTA Awards Nominations Announced
MEDIA RELEASE Strictly embargoed until 6am Thursday 29 October 2015 BOX OFFICE SUCCESS BOLSTERED BY AACTA AWARD NOMINATIONS FOR AUSTRALIA’S TOP FILMS OF 2015 Australian Academy of Cinema and Television Arts (AACTA) announces Feature Film, Television, Visual Effects or Animation and remaining Documentary nominations for the 5th AACTA Awards presented by Presto. SYDNEY - In a year of record box office success for Australian films, taking more than $65 million locally to date, speculation about which films would be nominated for Australia’s top screen Awards has been buzzing. Today the wait is over, with AACTA announcing that a total of 11 Australian feature films have received nominations. The five vying for the coveted AACTA Award for Best Film Presented by Presto are: THE DRESSMAKER, a comedic drama celebrating revenge and setting wrongs right in 1950s Australia; HOLDING THE MAN, a funny yet heart-breaking story of two men in love despite the height of 1980s prejudice; LAST CAB TO DARWIN, an uplifting drama about a dying man which shows it’s never too late to start living; MAD MAX: FURY ROAD, seeing the MAD MAX juggernaut continue with an explosive post-apocalyptic Road War; and PAPER PLANES, the story of a young boy’s Quest to compete in the World Paper Plane Championships. AACTA today also announced that a total of 31 television productions have received nominations for the 5th AACTA Awards presented by Presto, with PETER ALLEN – NOT THE BOY NEXT DOOR (Seven Network), DEADLINE GALLIPOLI (FOXTEL - Showcase), THE SECRET RIVER (ABC), REDFERN NOW – PROMISE ME (ABC) and BANISHED (FOXTEL - BBC First) making the top-five most nominated productions.