The Best of Rome Rome

Total Page:16

File Type:pdf, Size:1020Kb

The Best of Rome Rome 05_572709 ch01.qxd 11/18/04 2:59 PM Page 4 1 The Best of Rome Rome is a city of vivid and unforgettable images: the view of the city’s silhou- ette from Janiculum Hill at dawn, the array of broken marble columns and ruins of temples of the Roman Forum, St. Peter’s dome against a pink-and-red sunset, capping a gloriously decorated basilica. Rome is also a city of sounds, beginning early in the morning with the peal of church bells calling the faithful to Mass. As the city awakens and comes to life, the sounds multiply and merge into a kind of urban symphony. The streets fill with cars, taxis, and motor scooters, all blaring their horns as they weave in and out of traffic; the sidewalks become overrun with bleary-eyed office work- ers rushing to their desks after stealing into crowded cafes for the first cappuc- cino of the day. The shops lining the streets open for business by raising their protective metal grilles as loudly as possible, seeming to delight in their contri- bution to the general din. Before long, fruit and vegetable stands are abuzz with activity as homemakers, maids, cooks, and others arrive to purchase their day’s supply of fresh produce, haggling over prices and clucking over quality. By 10am the tourists are on the streets, battling crowds and traffic as they wind their way from Renaissance palaces and baroque buildings to the famous ruins of antiquity. Indeed, Rome often appears to have two populations: one of Romans and one of visitors. During the summer months especially, the city plays host to a horde of countless sightseers who converge on it with guidebooks and cameras in hand. To all—Americans, Europeans, Japanese—Rome extends a warm and friendly welcome, wining, dining, and entertaining them in its inimitable fashion. (Of course, if you visit in August, you might see only tourists, not Romans, because the locals flee the summer heat of the city. Or, as one Roman woman once told us, “Even if we’re too poor to go on vacation, we close the shutters and pre- tend we’re away so neighbors won’t find out we couldn’t afford to leave the city.”) The traffic, unfortunately, is worse than ever. As the capital, Rome also remains at the center of the major political scandals and corruption known as Tangentopoli (bribe city), which sends hundreds of government bureaucrats to jail each year. Despite all this chaos, Romans still know how to live the good life. After you’ve doneCOPYRIGHTED your duty to culture by wandering throughMATERIAL the Colosseum and being awed by the Pantheon, after you’ve traipsed through St. Peter’s Basilica and thrown a coin in the Trevi Fountain, you can pause to experience the charm of the Roman evening. Find a cafe at summer twilight and watch the shades of pink turn to gold and copper before night finally falls. That’s when another Rome comes alive; restaurants and cafes grow more animated, especially if you’ve found one on an ancient hidden piazza or along a narrow alley deep in Trastevere. After dinner, you can have a gelato (or an espresso in winter) or stroll by the fountains or through Piazza Navona, and the night is yours. 05_572709 ch01.qxd 11/18/04 2:59 PM Page 5 FROMMER’S FAVORITE ROME EXPERIENCES 5 In chapter 7, we’ll tell you all about whole. Here we’ve tried to capture the the ancient monuments and basilicas. special experiences that might well be But monuments are only a piece of the the highlights of your visit. 1 Frommer’s Favorite Rome Experiences • Walking Through Ancient sheets of water splatter on the col- Rome. A vast, almost unified orful marble floor. It enters archaeological park cuts through through the oculus on top, which the center of Rome. For those who provides the only light for the want specific guidance, we have a interior. See “The Pantheon & walking tour in chapter 8 that will Attractions Near Piazza Navona & lead you through these haunting Campo de’ Fiori” in chapter 7. ruins. But it’s fun to wander on • Taking a Sunday Bike Ride. your own and let yourself get lost Only a daredevil would try this on on the very streets where Julius city streets on a weekday, but on a Caesar and Lucrezia Borgia once clear Sunday morning, while trod. A slice of history unfolds at Romans are still asleep, you can every turn: an ancient fountain, a rent a bike and discover Rome long-forgotten statue, a ruined with your own two wheels. The temple dedicated to some long- Villa Borghese is the best place to faded cult. A narrow street sud- bike. Its 6.5km (4-mile) borders denly opens to a view of a contain a world unto itself, with triumphal arch. The Roman museums and galleries, a riding Forum and the Palatine Hill are school, an artificial lake, and a the highlights, but the glory of grassy amphitheater. Another Rome is hardly confined to these choice place for Sunday biking is dusty fields. If you wander long the Villa Doria Pamphilj, an enough, you’ll eventually emerge extensive park lying above the Jan- onto Piazza della Rotunda to stare iculum. Laid out in the mid- in awe at one of Rome’s most glo- 1600s, this is Rome’s largest park, rious sights, the Pantheon. with numerous fountains and • Hanging Out at the Pantheon. some summer houses. The world’s best-preserved ancient • Strolling at Sunset in the Pincio monument is now a hot spot— Gardens. Above the landmark especially at night. Find a cafe Piazza del Popolo, this terraced table out on the square and take in and lushly planted hillside is the the action, which all but awaits a most romantic place for a twilight young Fellini to record it. The walk. A dusty orange-rose glow Pantheon has become a symbol of often colors the sky, giving an oth- Rome itself, and we owe our erworldly aura to the park’s thanks to Hadrian for leaving it to umbrella pines and broad avenues. the world. When you tire of peo- The ancient Romans turned this ple-watching and cappuccino, you hill into gardens, but today’s look can go inside to inspect the tomb came from the design of Giuseppe of Raphael, who was buried here Valadier in the 1800s. Pause at the in 1520. (His mistress, “La Forna- main piazza, Napoleone I, for a rina,” wasn’t allowed to attend the spectacular view of the city stretch- services.) Nothing is more dra- ing from the Janiculum to Monte matic than being in the Pantheon Mario. The Egyptian-style obelisk during a rainstorm, watching the here was erected by Emperor 05_572709 ch01.qxd 11/18/04 2:59 PM Page 6 6 CHAPTER 1 . THE BEST OF ROME Hadrian on the tomb of his great tomato. See “The Pantheon & love, Antinous, a beautiful male Attractions Near Piazza Navona & slave who died prematurely. See Campo de’ Fiori” in chapter 7. “The Spanish Steps, the Trevi • Attending the Opera. The Fountain & Attractions Nearby” Milanese claim that Roman opera in chapter 7. pales in comparison with La Scala, • Enjoying Roma di Notte. At but Roman opera buffs, of course, night, ancient monuments such as beg to differ. At Rome’s Teatro the Forum are bathed in a theatri- dell’Opera, the season runs cal white light; it’s thrilling to see between December and June, and the glow of the Colosseum with programs concentrate on the clas- the moon rising behind its arches. sics: Bellini, Donizetti, Puccini, Begin your evening with a Roman and Rossini. No one seems to passeggiata (early evening stroll) touch the Romans’ operatic soul along Via del Corso or Piazza more than Giuseppe Verdi Navona. There’s plenty of action (1813–1901), who became a going on inside the clubs, too, national icon in his support for from Via Veneto to Piazza Navona. Italian unification. See “The Per- Club kids flock to the colorful nar- forming Arts” in chapter 10. row streets of Trastevere, the area • Climbing Janiculum Hill. On around the Pantheon, and the the Trastevere side of the river, even more remote Testaccio. The where Garibaldi held off the jazz scene is especially good, and attacking French troops in 1849, big names often pop in. An Eng- the Janiculum Hill was always lish-language publication available strategic in Rome’s defense. Today at newsstands for .75€ (85¢), a walk in this park at the top of Wanted in Rome, will keep you the hill can provide an escape abreast of what’s happening. from the hot, congested streets of • Exploring Campo de’ Fiori at Trastevere. Filled with monu- Midmorning. In an incomparable ments to Garibaldi and his brave setting of medieval houses, this is men, the hill is no longer pep- the liveliest fruit and vegetable pered with monasteries, as it was market in Rome, where peddlers in the Middle Ages. A stroll will offer their wares as they’ve done for reveal monuments and fountains, centuries. The market is best vis- plus panoramic views over Rome. ited after 9am any day but Sunday. The best vista is from Villa Lante, By 1pm the stalls begin to close. a Renaissance summer residence. Once the major site for the The most serene section is the medieval inns of Rome (many of 1883 Botanical Gardens, with which were owned by Vanozza palm trees, orchids, bromeliads, Catanei, the 15th-century courte- and sequoias—more than 7,000 san and lover of Pope Alexander plant species from all over the VI Borgia), this square maintains world.
Recommended publications
  • Topological Analysis of the Spatial Distribution of Plant Species Richness Across the City of Rome
    Landscape and Urban Planning 57 2001) 69±76 Topological analysis of the spatial distribution of plant species richness across the city of Rome Italy) with the echelon approach Carlo Ricotta*, Laura Celesti Grapow, Giancarlo Avena, Carlo Blasi Dipartimento di Biologia Vegetale, UniversitaÁ di Roma ``La Sapienza'', Piazzale Aldo Moro 5, 00185 Rome, Italy Received 26 September 2000; received in revised form 13 June 2001; accepted 16 August 2001 Abstract It is generally agreed that urban vegetation signi®cantly contributes to the well-being of individuals and society. Therefore, plant species richness in urban environments is a variable of considerable interest to landscape planners and conservation biologists. While all monitoring activities have a spatial context to a varying degree, monitoring of urban plant species richness distribution requires an objective method for de®ning the boundaries of areas that are species rich or poor compared to their surroundings. By aggregating the cells of tessellated numerical surface variables into hierarchically related topological entities, the echelon approach provides a new way to objectively characterize the structure of spatial data bases and is thus appropriate for monitoring environmental indices such as urban plant species richness. In this paper, we apply the echelon approach to the characterization of the broad-scale spatial distribution of plant species richness across the city of Rome Italy). # 2001 Elsevier Science B.V. All rights reserved. Keywords: Echelon approach; Rome; Species richness; Topological analysis; Urban ¯ora 1. Introduction large parks cause an unusual pattern of species rich- ness distribution with high biodiversity values in the Urban vegetation signi®cantly affects many aspects city center Celesti Grapow and Blasi, 1998).
    [Show full text]
  • Ah Timeline Images ARCHITECTURE
    8. STONEHENGE 12. WHITE TEMPLE & ZIGGURAT, URUK c. 2,500 - c. 3,500 - 1,600 BCE 3,000 BCE monolithic Sumerian sandstone Temple henge present day present day Wiltshire, UK Warka, Iraq SET 1: GLOBAL PREHISTORY 30,000 - 500 BCE SET 2: ANCIENT MEDITERRANEAN 3,500 - 300 BCE 17. GREAT PYRAMIDS OF GIZA 20. TEMPLE OF AMUN-RE & HYPOSTYLE HALL c. 2,550 - c. 1,250 BCE 2,490 BCE cut sandstone cut limestone / and brick Khufu Egyptian Khafre / Sphinx Menkaure temple present day Karnak, near Cairo, Egypt Luxor, Egypt SET 2: ANCIENT MEDITERRANEAN 3,500 - 300 BCE SET 2: ANCIENT MEDITERRANEAN 3,500 - 300 BCE 21. MORTUARY TEMPLE OF HATSHEPSUT 26. ATHENIAN AGORA c. 1,490 - 600 BCE - 1,460 BCE 150 CE slate eye civic center, makeup ancient Athens palette present day Egyptian Athens, Museum, Cairo Greece SET 2: ANCIENT MEDITERRANEAN 3,500 - 300 BCE SET 2: ANCIENT MEDITERRANEAN 3,500 - 300 BCE 30. AUDIENCE HALL OF DARIUS & XERXES 31. TEMPLE OF MINERVA / SCULPTURE OF APOLLO c. 520 - 465 c. 510 - 500 BCE BCE Limestone Wood, mud Persian brick, tufa Apadana temple / terra SET 2: ANCIENT MEDITERRANEAN 3,500 - 300 BCE cotta sculpture Persepolis, Iran Veii, near Rome SET 2: ANCIENT MEDITERRANEAN 3,500 - 300 BCE 35. ACROPOLIS ATHENS, GREECE 38. GREAT ALTAR OF ZEUS & ATHENA AT PERGAMON c. 447 - 424 c. 175 BCE BCE Hellenistic Iktinos & Greek Kallikrates, marble altar & Marble temple complex sculpture Present day Antiquities Athens, Greece Museum , Berlin SET 2: ANCIENT MEDITERRANEAN 3,500 - 300 BCE SET 2: ANCIENT MEDITERRANEAN 3,500 - 300 BCE 39.
    [Show full text]
  • Borromini and the Cultural Context of Kepler's Harmonices Mundi
    Borromini and the Dr Valerie Shrimplin cultural context of [email protected] Kepler’sHarmonices om Mundi • • • • Francesco Borromini, S Carlo alle Quattro Fontane Rome (dome) Harmonices Mundi, Bk II, p. 64 Facsimile, Carnegie-Mellon University Francesco Borromini, S Ivo alla Sapienza Rome (dome) Harmonices Mundi, Bk IV, p. 137 • Vitruvius • Scriptures – cosmology and The Genesis, Isaiah, Psalms) cosmological • Early Christian - dome of heaven view of the • Byzantine - domed architecture universe and • Renaissance revival – religious art/architecture symbolism of centrally planned churches • Baroque (17th century) non-circular domes as related to Kepler’s views* *INSAP II, Malta 1999 Cosmas Indicopleustes, Universe 6th cent Last Judgment 6th century (VatGr699) Celestial domes Monastery at Daphne (Δάφνη) 11th century S Sophia, Constantinople (built 532-37) ‘hanging architecture’ Galla Placidia, 425 St Mark’s Venice, late 11th century Evidence of Michelangelo interests in Art and Cosmology (Last Judgment); Music/proportion and Mathematics Giacomo Vignola (1507-73) St Andrea in Via Flaminia 1550-1553 Church of San Giacomo in Augusta, in Rome, Italy, completed by Carlo Maderno 1600 [painting is 19th century] Sant'Anna dei Palafrenieri, 1620’s (Borromini with Maderno) Leonardo da Vinci, Notebooks (318r Codex Atlanticus c 1510) Amboise Bachot, 1598 Following p. 52 Astronomia Nova Link between architecture and cosmology (as above) Ovals used as standard ellipse approximation Significant change/increase Revival of neoplatonic terms, geometrical bases in early 17th (ellipse, oval, equilateral triangle) century Fundamental in Harmonices Mundi where orbit of every planet is ellipse with sun at one of foci Borromini combined practical skills with scientific learning and culture • Formative years in Milan (stonemason) • ‘Artistic anarchist’ – innovation and disorder.
    [Show full text]
  • 48. Catacomb of Priscilla. Rome, Italy. Late Antique Europe. C. 200–400 C.E
    48. Catacomb of Priscilla. Rome, Italy. Late Antique Europe. c. 200–400 C.E. Excavated tufa and fresco. (3 images) Orant fresco © Araldo de Luca/Corbis Greek Chapel © Scala/Art Resource, NY Good Shepherd fresco © Scala/Art Resource, NY 49. Santa Sabina. Rome, Italy. Late Antique Europe. c. 422–432 C.E. Brick and stone, wooden roof. (3 images) Santa Sabina Santa Sabina © Holly Hayes/Art History Images © Scala/Art Resource, NY Santa Sabina plan 50. Rebecca and Eliezer at the Well and Jacob Wrestling the Angel, from the Vienna Genesis. Early Byzantine Europe. Early sixth century C.E. Illuminated manuscript (tempera, gold, and silver on purple vellum). (2 images) Rebecca and Eliezer at the Well Jacob Wrestling the Angel © Österreichische Nationalbibliothek, Gr. 31, fol. 7r © Österreichische Nationalbibliothek, Gr. 31, fol. 12r 51. San Vitale. Ravenna, Italy. Early Byzantine Europe. c. 526–547 C.E. Brick, marble, and stone veneer; mosaic. (5 images) San Vitale San Vitale © Gérard Degeorge/The Bridgeman Art Library © Canali Photobank, Milan, Italy San Vitale, continued Justinian panel Theodora panel © Cameraphoto Arte, Venice/Art Resource, NY © Giraudon/The Bridgeman Art Library San Vitale plan 52. Hagia Sophia. Constantinople (Istanbul). Anthemius of Tralles and Isidorus of Miletus. 532–537 C.E. Brick and ceramic elements with stone and mosaic veneer. (3 images) Hagia Sophia © Yann Arthus-Bertrand/Corbis Hagia Sophia © De Agostini Picture Library/G. Dagli Orti/The Bridgeman Art Library Hagia Sophia plan 53. Merovingian looped fibulae. Early 54. Virgin (Theotokos) and Child medieval Europe. Mid-sixth century C.E. between Saints Theodore and George. Silver gilt worked in ftligree, with inlays Early Byzantine Europe.
    [Show full text]
  • English and American Studies in Spain: New Developments and Trends
    English and American Studies in Spain: New Developments and Trends Editors: Alberto Lázaro Lafuente María Dolores Porto Requejo HUMANIDADES 47 OBRAS COLECTIVAS UAH English and American Studies in Spain: New Developments and Trends OBRAS COLECTIVAS HUMANIDADES 47 English and American Studies in Spain: New Developments and Trends Editors: Alberto Lázaro Lafuente María Dolores Porto Requejo © Editors: Alberto Lázaro Lafuente & María Dolores Porto Requejo. © Texts: the authors. © Images: as stated in each case. If not stated explicitly, the responsibility lies with the author of the essay. © This edition: Universidad de Alcalá • Servicio de Publicaciones, 2015 Plaza de San Diego, s/n • 28801, Alcalá de Henares (España). Web: www.uah.es Cover image: Jonathan Sell, 38th AEDEAN Conference Organising Committee Total or partial reproduction of this book is not permitted, nor its informatic treatment, or the transmission of any form or by any means, either electronic, mechanic, photocopy or other methods, without the prior written permission of the owners of the copyright. I.S.B.N.: 978-84-16599-11-0 Contents Preface .................................................................................................................. 9 PART I: KEYNOTES CLARA CALVO, Universidad de Murcia Shakespeare in Khaki...................................................................................... 12 ROGER D. SELL, Åbo Akademi University Pinter, Herbert, Dickens: Post-postmodern Communicational Studies and the Humanities .....................................................................................................
    [Show full text]
  • Francesco Borromini Church of San Carlo Alle Quattro Fontane, 1635-1641/1665-1667
    Art Analysis Francesco Borromini Church of San Carlo alle Quattro Fontane, 1635-1641/1665-1667 Figg. 1, 2, 3 Francesco Borromini, Church of San Carlo alle Quattro Fontane, 1635-1641. Rome. View of the interior hall (left), of the dome (right) and the plan (bottom). The Patronage of a Minor Order from two equilateral triangles that share a common base, cor- In 1634 the Order of the Spanish Secular Trinitarians com- responding to a transversal axis. missioned Borromini to design San Carlo alle Quattro Fon- As opposed to other similar plans, such as Bernini’s Saint tane. Between 1635 and 1641 the group of buildings – the Peter’s Square and Sant’Andrea in Quirinale, this church is cloister, refectory, dormitory and church – was constructed laid out in a longitudinal way; this arrangement generates while the façade was only completed some thirty years later a sensation of compression along the diagonal directives. (1665-1667). Therefore the complex sums up all the stylistic In fact the inside of the church is dominated by a sense of experiences that Borromini was experimenting with over that accentuated spatial dynamism; as the churchgoer moves long period, forming something like a three dimensional an- towards the altar, the strong undulated rhythm of the walls thology of Baroque vocabulary. suggests a feeling of the space’s contraction and expansion. After the architect’s death his nephew Bernardo completed The predominance of white walls accentuates this effect. the upper story and the decoration. The entire interior is faced in white stucco, inter- The Design: the Cloister and the Inside of the Church rupted only by slightly Borromini had to deal with the limits imposed by the available gilded grille-work in space which was confined and irregular; however he turned wrought iron, as well as by these conditions to his advantage by finding innovative and, the red Trinitarian cross, in a certain sense, revolutionary solutions.
    [Show full text]
  • The Acoustic City
    The Acoustic City The Acoustic City MATTHEW GANDY, BJ NILSEN [EDS.] PREFACE Dancing outside the city: factions of bodies in Goa 108 Acoustic terrains: an introduction 7 Arun Saldanha Matthew Gandy Encountering rokesheni masculinities: music and lyrics in informal urban public transport vehicles in Zimbabwe 114 1 URBAN SOUNDSCAPES Rekopantswe Mate Rustications: animals in the urban mix 16 Music as bricolage in post-socialist Dar es Salaam 124 Steven Connor Maria Suriano Soft coercion, the city, and the recorded female voice 23 Singing the praises of power 131 Nina Power Bob White A beautiful noise emerging from the apparatus of an obstacle: trains and the sounds of the Japanese city 27 4 ACOUSTIC ECOLOGIES David Novak Cinemas’ sonic residues 138 Strange accumulations: soundscapes of late modernity Stephen Barber in J. G. Ballard’s “The Sound-Sweep” 33 Matthew Gandy Acoustic ecology: Hans Scharoun and modernist experimentation in West Berlin 145 Sandra Jasper 2 ACOUSTIC FLÂNERIE Stereo city: mobile listening in the 1980s 156 Silent city: listening to birds in urban nature 42 Heike Weber Joeri Bruyninckx Acoustic mapping: notes from the interface 164 Sonic ecology: the undetectable sounds of the city 49 Gascia Ouzounian Kate Jones The space between: a cartographic experiment 174 Recording the city: Berlin, London, Naples 55 Merijn Royaards BJ Nilsen Eavesdropping 60 5 THE POLITIcs OF NOISE Anders Albrechtslund Machines over the garden: flight paths and the suburban pastoral 186 3 SOUND CULTURES Michael Flitner Of longitude, latitude, and
    [Show full text]
  • The Power of Images in the Age of Mussolini
    University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2013 The Power of Images in the Age of Mussolini Valentina Follo University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the History Commons, and the History of Art, Architecture, and Archaeology Commons Recommended Citation Follo, Valentina, "The Power of Images in the Age of Mussolini" (2013). Publicly Accessible Penn Dissertations. 858. https://repository.upenn.edu/edissertations/858 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/858 For more information, please contact [email protected]. The Power of Images in the Age of Mussolini Abstract The year 1937 marked the bimillenary of the birth of Augustus. With characteristic pomp and vigor, Benito Mussolini undertook numerous initiatives keyed to the occasion, including the opening of the Mostra Augustea della Romanità , the restoration of the Ara Pacis , and the reconstruction of Piazza Augusto Imperatore. New excavation campaigns were inaugurated at Augustan sites throughout the peninsula, while the state issued a series of commemorative stamps and medallions focused on ancient Rome. In the same year, Mussolini inaugurated an impressive square named Forum Imperii, situated within the Foro Mussolini - known today as the Foro Italico, in celebration of the first anniversary of his Ethiopian conquest. The Forum Imperii's decorative program included large-scale black and white figural mosaics flanked by rows of marble blocks; each of these featured inscriptions boasting about key events in the regime's history. This work examines the iconography of the Forum Imperii's mosaic decorative program and situates these visual statements into a broader discourse that encompasses the panorama of images that circulated in abundance throughout Italy and its colonies.
    [Show full text]
  • The Journey to Rome
    Cambridge University Press 978-1-107-67871-2 — The Hills of Rome Caroline Vout Excerpt More Information 1 Introduction: the journey to Rome There is a strong and pleasant memory for hills. Kevin Lynch (1961: 173) The map I was born in a ‘city of seven hills’. Durham is one of the hilliest cities in the north of England. Yet even now I am unsure which of its contours add up to seven. It is hard to imagine any of them competing with the dramatic Cathedral peninsula, which gives the city its name (Figure 1.1). In 995 CE, when the monks of Lindisfarne on the Northumbrian coast were looking for a permanent resting place for the body of their bishop, Saint Cuthbert, he appeared to them in a vision directing them towards ‘Dunholm’ or ‘hill island’. Despite the vividness of this name (‘dun’ means ‘hill’, and ‘holm’ means ‘island’, in Anglo-Saxon), it took a milkmaid and her ‘dun cow’ to help them find their destination. Archaeological evidence points to a history of settlement in the Durham area long before the monks’ arrival. But it is at this point that the set- tlement becomes a city. When Durham acquired its seven hills is less clear. Yet knowing that there are seven is, in a sense, sufficient – safe, solid and strangely familiar. The concept underwrites Durham’s urban cre- dentials, taking us back to cities as old as Babylon and Jerusalem. As old as Rome. Small wonder that when writer DBC Pierre was describing the faded glories of Durham’s Miners’ Gala, the best-known and largest meet- ing of the mining community in England, he found it an obvious way of invoking tradition and summoning regional pride.
    [Show full text]
  • Information Sheet
    Prof. Mirka Beneš UTexas School of Architecture LAR388/ARC 388/368R Fall 2013 p. 1 LAR 388 / ARC 368 R / ARC 388 R Prof. Mirka Beneš Thursday, 2pm-5pm Office hours: TBA. Room: Sutton 3.112 Office: TBA. School of Architecture Office: TBA. University of Texas at Austin email: TBA. LAR 388: Seminar Professional Design Practice in Baroque Rome: Landscape, Urbanism, Architecture Francesco Borromini. Fall Semester 2013 * Course Unique Numbers LAR 388 [01805], ARC 388 R [01245], ARC 368 R [00960]. Course Description Design is a synthetic act, and studying or rehearsing how a design comes together in a specific historical setting gives the student deeper insight into how synthesis is achieved. This inter- disciplinary seminar on the City of Rome during the Baroque period (c. 1600-1700) focuses this year on the life and works of one architect as a means to explore the act of design synthesis, in the context of the urban, landscape, and architectural dimensions of a great city. The seminar takes Francesco Borromini, one of seventeenth-century Papal Rome's greatest architects and draughtsmen, as the departure point for exploring professional practices and disciplines at a paradigmatic moment in the history of design, when landscape architecture, urbanism, and architecture were the practices of a single designer, but the turn to specializations was already appearing. Set against the scenery of Rome, one of Europe's monumental Baroque cities, epitomized by the seventeenth-century Piazza Navona with its fountains and sculptures, the "spine" of the seminar follows the chronological study of Borromini's major works (1630s to 1660s)--among them, San Carlino alle Quattro Fontane and the Oratory of San Filippo Neri for religious communities, and Sant'Ivo alla Sapienza for the Roman University; chapels such as the Cappella dei Re' Magi; designs for the Barberini, Carpegna, and Pamphilj palaces.
    [Show full text]
  • Potential Rockfalls and Analysis of Slope Dynamics in the Palatine Archaeological Area (Rome, Italy)
    Geologica Acta, Vol.11, Nº 2, June 2013, 245-264 DOI: 10.1344/105.000001834 Available online at www.geologica-acta.com Potential rockfalls and analysis of slope dynamics in the Palatine archaeological area (Rome, Italy) 1 2 3 E. DI LUZIO G. BIANCHI FASANI A. BRETSCHNEIDER 1 CNR-ITABC, Institute for Technologies applied to Cultural Heritage, Area della Ricerca di Roma RM 1 Montelibretti, Via Salaria km 29.300, C.P.10 – 00016 Monterotondo Stazione, Rome (Italy). E-mail: [email protected] Fax: 39 06 90672684 2 CERI Research Centre on Prevention Prediction and Control of Geological Risks. Sapienza University of Rome Piazza U. Pilozzi, 9, 00038, Valmontone, Rome (Italy). E-mail: [email protected] 3 Department of Earth Sciences, Sapienza University of Rome Piazzale Aldo Moro, 5, 00185, Rome (Italy). E-mail: [email protected] ABS TRACT The Palatine Hill is among the main archaeological sites of Roman antiquity. Today, this place requires continuous care for its safeguarding and conservation. Among the main problems, slope instabilities threaten the southwestern border of the hill flanked by the Velabrum Valley, as also testified by historical documents. The upper part of the investigated slope is characterized by Middle Pleistocene red-brownish tuffs known as “Tufo Lionato”. The rock mass is affected by two jointing belts featuring the slope edge and its internal portion with different joint frequency and distribution. The analysis of the geometric relationship between the joint systems and the slope attitude evidenced possible planar sliding and toppling failure mechanisms on the exposed tuff cliffs. Potential rock block failures threatening the local cultural heritage were contrasted with preliminary works for site remediation.
    [Show full text]
  • Italian Humanism Was Developed During the Fourteenth and the Beginning of the Fifteenth Centuries As a Response to the Medieval Scholastic Education
    Italian Humanism Was developed during the fourteenth and the beginning of the fifteenth centuries as a response to the Medieval scholastic education • Growing concern with the natural world, the individual, and humanity’s worldly existence. • Revived interest in classical cultures and attempt to restore the glorious past of Greece and Rome. Recovering of Greek and Roman texts that were previously lost or ignored. • Interest in the liberal arts - grammar, rhetoric, poetry, history and moral philosophy. • Promotes human values as distinct from religious values, mainly Roman civic virtues: self-sacrificing service to the state, participation in government, defense of state institutions. Renaissance architecture: Style of architecture, reflecting the rebirth of Classical culture, that originated in Florence in the early 15th century. There was a revival of ancient Roman forms, including the column and round arch, the tunnel vault, and the dome. The basic design element was the order. Knowledge of Classical architecture came from the ruins of ancient buildings and the writings of Vitruvius. As in the Classical period, proportion was the most important factor of beauty. Filippo Brunelleschi (1377 - 1446), Florentine architect and engineer. Trained as a sculptor and goldsmith, he turned his attention to architecture after failing to win a competition for the bronze doors of the Baptistery of Florence. Besides accomplishments in architecture, Brunelleschi is also credited with inventing one-point linear perspective which revolutionized painting. Sculpture of Brunelleschi looking at the dome in Florence Filippo Brunelleschi, Foundling Hospital, (children's orphanage that was built and managed by the Silk and Goldsmiths Guild), Florence, Italy, designed 1419, built 1421-44 Loggia Arcade A roofed arcade or gallery with open sides A series of arches supported by stretching along the front or side of a building.
    [Show full text]