Catherine the Great and Moscow University
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Catherine the Great and the Development of a Modern Russian Sovereignty, 1762-1796
Catherine the Great and the Development of a Modern Russian Sovereignty, 1762-1796 By Thomas Lucius Lowish A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in History in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Victoria Frede-Montemayor, Chair Professor Jonathan Sheehan Professor Kinch Hoekstra Spring 2021 Abstract Catherine the Great and the Development of a Modern Russian Sovereignty, 1762-1796 by Thomas Lucius Lowish Doctor of Philosophy in History University of California, Berkeley Professor Victoria Frede-Montemayor, Chair Historians of Russian monarchy have avoided the concept of sovereignty, choosing instead to describe how monarchs sought power, authority, or legitimacy. This dissertation, which centers on Catherine the Great, the empress of Russia between 1762 and 1796, takes on the concept of sovereignty as the exercise of supreme and untrammeled power, considered legitimate, and shows why sovereignty was itself the major desideratum. Sovereignty expressed parity with Western rulers, but it would allow Russian monarchs to bring order to their vast domain and to meaningfully govern the lives of their multitudinous subjects. This dissertation argues that Catherine the Great was a crucial figure in this process. Perceiving the confusion and disorder in how her predecessors exercised power, she recognized that sovereignty required both strong and consistent procedures as well as substantial collaboration with the broadest possible number of stakeholders. This was a modern conception of sovereignty, designed to regulate the swelling mechanisms of the Russian state. Catherine established her system through careful management of both her own activities and the institutions and servitors that she saw as integral to the system. -
The Enlightenment Revisited: Sources & Interpretations. Learning Activities
DOCUMENT RESUME ED 406 276 SO 027 048 AUTHOR Donato, Clorinda; And Others TITLE The Enlightenment Revisited: Sources & Interpretations. Learning Activities. INSTITUTION California State Univ., Long Beach. SPONS AGENCY National Endowment for the Humanities (NFAH), Washington, D.C. PUB DATE 92 NOTE 121p.; This publication resulted from a 1992 summer institute at California State University, Long Beach. PUB TYPE Guides Classroom Use Teaching Guides (For Teacher)(052) EDRS PRICE MF01/PC05 Plus Postage. DESCRIPTORS *Eighteenth Century Literature; *European History; Foreign Countries; *French Literature; Literary History; Neoclassicism; Secondary Education; Social Studies; Teaching Guides; *World History IDENTIFIERS *Age of Enlightenment; France ABSTRACT This resource book provides 26 learning activities with background materials for teaching about the Enlightenment. Topics include:(1) "What Was the Enlightenment?";(2) "An Introduction to the Philosophes";(3) "Was the Enlightenment a Revolt Against Rationalism?";(4) "Were the Philosophes Democrats? A Comparison of the 'Enlightened' Ideas of Voltaire and Rousseau on Democracy and Equality";(5) "What is the Significance of the Term Enlightenment in the Context of the 18th Century?";(6) "Were the Philosophes Atheists?"; (7) "How was French Society Portrayed in the 'Encyclopedie?'";(8) "Were the Philosophes True Philosophers, or Illogical Extremists?"; (9) "Did the French Philosophes Inspire the French Revolution?"; (10) "The Salon' as a Center for Enlightenment in the 18th Century"; (11) "Reader's -
The Minor an Eigliteentli-Centuryfarce By
The VO Russian and East European Studies Center is proud to present The Minor an eigliteentli-centuryfarce by Denis Fonvizin HedopoCJlb ,[I;eHHca <POHBH3HHa :9Liapteaby Ju[ia Nimirovs~aya 'With Songs by'Yu[ii 1(jm fJ)irector~ 9{ptes Russia in the 18th century was known as a "woman's kingdom." During the course of almost 70 years there was a woman on the throne. Longer than any other ruled the most powerful, the most clever and educated of them all-Catherine the Great. Many Western philosophers, such as Voltaire and Diderot, considered her a truly enlightened monarch. Denis Fonvizin was the secretary of her personal enemy, Count Panin. Fonviziil wrote his most famous comedy The Minor in 1782; it is one of the 10 most famous Russian plays in the canon and one of the most frequently produced. Contemporaries read it as a criticism of female dominance and a satire on Catherine's reign, with the message that a strong woman is worse than a tyrannical man. The play's other goal was to show the audience that education improves people morally, while ignorance allows them to degrade and become mere beasts (thus the pig-loving Skotinin). In this comedy, all the educated people are kind and good, and all the uneducated people behave like animals. Of course, according to the laws of classical comedy, light and goodness con~er darkness and malice. It was not always this way in the 18t century-goodness did not always win. But we remember this century as a time of brilliant individualities, when strong personalities, eccentrics, and other talented people made their mark. -
Peter the Great and His Changing Identity Emily Frances Pagrabs Wofford College
Wofford College Digital Commons @ Wofford Student Scholarship 5-2016 Peter the Great and His Changing Identity Emily Frances Pagrabs Wofford College Follow this and additional works at: http://digitalcommons.wofford.edu/studentpubs Part of the European History Commons, and the Slavic Languages and Societies Commons Recommended Citation Pagrabs, Emily Frances, "Peter the Great and His Changing Identity" (2016). Student Scholarship. Paper 17. http://digitalcommons.wofford.edu/studentpubs/17 This Honors Thesis is brought to you for free and open access by Digital Commons @ Wofford. It has been accepted for inclusion in Student Scholarship by an authorized administrator of Digital Commons @ Wofford. For more information, please contact [email protected]. Peter the Great and His Changing Identity Senior History Honors Thesis May 11, 2016 Emiley Pagrabs Pagrabs 1 Introduction Well aware of the perception that foreigners held of him, Peter the Great would never apologize for his nationality or his country. A product of his upbringing, Peter did have some qualities that many foreigners criticized as barbaric and harsh. Said Peter: They say that I am cruel; that is what foreigners think of me, but who are they to judge? They do not know what the situation was at the beginning of my reign, and how many were opposed to my plans, and brought about the failure of projects which would have been of great benefit to my country obliging me to arm myself with great severity; but I have never been cruel…I have always asked for the cooperation of those of my subjects in whom I have perceived intelligence and patriotism, and who, agreeing with my views, were ready to support them.1 Essentially, Peter I was simply a Russian. -
Russian Museums Visit More Than 80 Million Visitors, 1/3 of Who Are Visitors Under 18
Moscow 4 There are more than 3000 museums (and about 72 000 museum workers) in Russian Moscow region 92 Federation, not including school and company museums. Every year Russian museums visit more than 80 million visitors, 1/3 of who are visitors under 18 There are about 650 individual and institutional members in ICOM Russia. During two last St. Petersburg 117 years ICOM Russia membership was rapidly increasing more than 20% (or about 100 new members) a year Northwestern region 160 You will find the information aboutICOM Russia members in this book. All members (individual and institutional) are divided in two big groups – Museums which are institutional members of ICOM or are represented by individual members and Organizations. All the museums in this book are distributed by regional principle. Organizations are structured in profile groups Central region 192 Volga river region 224 Many thanks to all the museums who offered their help and assistance in the making of this collection South of Russia 258 Special thanks to Urals 270 Museum creation and consulting Culture heritage security in Russia with 3M(tm)Novec(tm)1230 Siberia and Far East 284 © ICOM Russia, 2012 Organizations 322 © K. Novokhatko, A. Gnedovsky, N. Kazantseva, O. Guzewska – compiling, translation, editing, 2012 [email protected] www.icom.org.ru © Leo Tolstoy museum-estate “Yasnaya Polyana”, design, 2012 Moscow MOSCOW A. N. SCRiAbiN MEMORiAl Capital of Russia. Major political, economic, cultural, scientific, religious, financial, educational, and transportation center of Russia and the continent MUSEUM Highlights: First reference to Moscow dates from 1147 when Moscow was already a pretty big town. -
Eugene Miakinkov
Russian Military Culture during the Reigns of Catherine II and Paul I, 1762-1801 by Eugene Miakinkov A thesis submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in History Department of History and Classics University of Alberta ©Eugene Miakinkov, 2015 Abstract This study explores the shape and development of military culture during the reign of Catherine II. Next to the institutions of the autocracy and the Orthodox Church, the military occupied the most important position in imperial Russia, especially in the eighteenth century. Rather than analyzing the military as an institution or a fighting force, this dissertation uses the tools of cultural history to explore its attitudes, values, aspirations, tensions, and beliefs. Patronage and education served to introduce a generation of young nobles to the world of the military culture, and expose it to its values of respect, hierarchy, subordination, but also the importance of professional knowledge. Merit is a crucial component in any military, and Catherine’s military culture had to resolve the tensions between the idea of meritocracy and seniority. All of the above ideas and dilemmas were expressed in a number of military texts that began to appear during Catherine’s reign. It was during that time that the military culture acquired the cultural, political, and intellectual space to develop – a space I label the “military public sphere”. This development was most clearly evident in the publication, by Russian authors, of a range of military literature for the first time in this era. The military culture was also reflected in the symbolic means used by the senior commanders to convey and reinforce its values in the army. -
BETWEEN PHILOSOPHIES: the EMERGENCE of a NEW INTELLECTUAL PARADIGM in RUSSIA by Alyssa J. Deblasio Bachelor of Arts, Villanova
BETWEEN PHILOSOPHIES: THE EMERGENCE OF A NEW INTELLECTUAL PARADIGM IN RUSSIA by Alyssa J. DeBlasio Bachelor of Arts, Villanova University, 2003 Master of Arts, University of Pittsburgh, 2006 Submitted to the Graduate Faculty of the School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2010 UNIVERSITY OF PITTSBURGH School of Arts and Sciences This dissertation was presented by Alyssa J. DeBlasio It was defended on May 14, 2010 and approved by Tatiana Artemyeva, Professor, Herzen State Pedagogical University (St. Petersburg, Russia), Department of Theory and History of Culture Vladimir Padunov, Associate Professor, University of Pittsburgh, Department of Slavic Languages and Literatures James P. Scanlan, Emeritus Professor, The Ohio State University, Department of Philosophy Dissertation Advisor: Nancy Condee, Associate Professor, Department of Slavic Languages and Literatures ii Copyright © by Alyssa J. DeBlasio 2010 iii BETWEEN PHILOSOPHIES: THE EMERGENCE OF A NEW INTELLECTUAL PARADIGM IN RUSSIA Alyssa J. DeBlasio, PhD University of Pittsburgh, 2010 This dissertation takes as its primary task the evaluation of a conflict of paradigms in Russian philosophical thought in the past decade. If until the early nineties Russian philosophers were often guilty of uncritically attributing to their domestic philosophy a set of characteristics that fell along the lines of a religious/secular binary (e.g. literary vs. analytic; continuous vs. ruptured), in recent years the same scholarship is moving away from the nineteenth-century model of philosophy as a “path” or “special mission,” as it has been called by Konstantin Aksakov, Aleksei Khomiakov, Ivan Kireevskii, and later, Nikolai Berdiaev, among others. -
Woman, Nature, and Equality in Russian Sentimentalism
Zurich Open Repository and Archive University of Zurich Main Library Strickhofstrasse 39 CH-8057 Zurich www.zora.uzh.ch Year: 2016 Disrupted Idylls: Nature, Equality, and the Feminine in Sentimentalist Russian Women’s Writing (Mariia Pospelova, Mariia Bolotnikova, and Anna Naumova) Stohler, Ursula DOI: https://doi.org/10.1017/slr.2018.178 Other titles: With translations by Emily Lygo Posted at the Zurich Open Repository and Archive, University of Zurich ZORA URL: https://doi.org/10.5167/uzh-120423 Monograph Accepted Version Originally published at: Stohler, Ursula (2016). Disrupted Idylls: Nature, Equality, and the Feminine in Sentimentalist Russian Women’s Writing (Mariia Pospelova, Mariia Bolotnikova, and Anna Naumova). Bern: Peter Lang. DOI: https://doi.org/10.1017/slr.2018.178 1 Ursula Stohler Disrupted Idylls: Nature, Equality, and the Feminine in Sentimentalist Russian Women’s Writing (Mariia Pospelova, Mariia Bolotnikova, and Anna Naumova) With translations by Emily Lygo This book is a revised version of my dissertation, Russian Women Writers of the 1800– 1820s and the Response to Sentimentalist Literary Conventions of Nature, the Feminine, and Writing: Mariia Pospelova, Mariia Bolotnikova, and Anna Naumova, submitted to the University of Exeter as a thesis for the degree of Doctor of Philosophy in Russian Studies, June 2005 2 Abstract This study explores the ways in which Russian women writers responded to Sentimentalist conventions of authorship, challenging their conceptualisation of women as mute and passive beings. Its particular focus is on the works by Anna Naumova, Mariia Pospelova and Mariia Bolotnikova, three late-18th- and early-19th- century Russian women authors who have only recently begun to receive some slight scholarly attention from Western European researchers in Russian Women’s Studies. -
Land Redistributions and the Russian Peasant Commune in the Late-Imperial Period
Land Redistributions and the Russian Peasant Commune in the Late-Imperial Period Steven Nafziger1 Preliminary and Incomplete Comments welcome and encouraged. Version: December, 2004 1Department of Economics, Yale University, [email protected]. This paper forms part of a larger project on the economics of rural development in Russia between 1861 and 1917. Research for this project was supported in part by the Title VIII Combined Research and Language Training Program, which is funded by the U.S. State Department and admin- istered by the American Councils for International Education: ACTR/ACCELS. The opinions expressed herein are the author’s and do not necessarily express the views of either the State Department or American Councils. Further support from the Economic History Association, the Sasakawa Foundation, Yale’s Economic Growth Center, and the Yale Center for Interna- tional and Area Studies is very much appreciated. The comments and suggestions of Tracy Dennison, Daniel Field, Timothy Guinnane, Mark Harrison, Valery Lazarev, Carol Leonard, Jason Long, Angela Micah, Carolyn Moehling, Benjamin Polak, Christopher Udry, and partic- ipants at the 2004 World Cliometric Congress, the 2004 Economic History Association meet- ings, and seminars at Yale and Harvard Universities were extremely helpful. Errors remain the exclusive property of the author. Abstract This paper investigates the motivations for, and effects of, intra-community land re- distributions by Russian peasants in the 19th century. Scholars such as Alexander Gerschenkron have emphasized that such repartitions of arable land create negative investment and innovation incentives and played a major role in hampering rural de- velopment in the period after serfdom. -
Mikhail Shcherbatov Introduction.Pdf
French in the education of the nobility: Mikhail Shcherbatov’s letters to his son Dmitrii Introduction Prince Mikhail Shcherbatov Prince Mikhail Mikhailovich Shcherbatov (1733-90) was a member of a large and ancient noble family that claimed to be descended from Riurik, the Norseman who, according to the Russian chronicles, had founded the Russian state in 862. One of Mikhail’s forebears, Ivan Andreevich Shcherbatov, who happened to become his father-in-law (and who also features in this corpus of primary source texts), had served as a diplomat in London in the reigns of Anne and Elizabeth. Mikhail’s father had seen military service in the wars of Peter I (the Great) against the Turks and the Swedes and had risen to the rank of Major-General. Mikhail himself, as a deputy elected by the nobility of the District of Iaroslavl, played a prominent role in the deliberations of the Legislative Commission set up in 1767 by Catherine II (the Great) with the supposed aim of drawing up a new code of laws and, even more ambitiously, fundamental political laws informed by the ideas of western thinkers of the Age of Enlightenment, above all Montesquieu.1 Resentful of the recent elevation of commoners such as Peter’s favourite, Prince Aleksandr Menshikov (1673-1729), Shcherbatov insisted on the pre-eminence of the high nobility of ancient lineage and made every effort to halt the rise of the newer service gentry. He accordingly opposed the meritocratic principle which is embodied in the Table of Ranks that Peter introduced in 1722 and which was favoured as a criterion for admission to and status in the nobility by many notable Russian writers and thinkers of the eighteenth century, including the satirist and diplomat Antiokh Kantemir and, in Shcherbatov’s own age, the dramatist Denis Fonvizin (1744 or 1745-92). -
Russian Theater
HUMANITIES INSTITUTE Ayse Dietrich, Ph.D. RUSSIAN THEATER Overview Until the 11th century the early Russian people had primitive forms of entertainment, mostly ritualistic ceremonies, pagan shows with dramatic recitations of fables, tales and proverbs, and singing and dances, performed by skomorokhi, traveling minstrels. While in the past the rigid rules of the Orthodox Church made the development of a truly national theater impossible, and theaters suffered partial destruction and the persecution of performers, during the Soviet period theaters had to conform to the rigid frames of ideological dictatorship. ANCIENT PERIOD Pagan ceremonies in which tales, proverbs and fables were recited, together with the songs and dances of itinerant jesters, known as skomorokhi, laid the foundation for the development of Russian theater. POST CLASSICAL PERIOD Skomorokhi: The Skomorokhi, based on Byzantine models, appeared around the middle of the 11th century in Kievan Rus and were performers who played musical instruments, sang, danced and even composed the scores for their performances. The skomorokhi were not universally popular in Kievan Rus, and were described in pejorative terms in the Primary Chronicle. Both the ruling authorities and the Orthodox Church viewed the skomorokhi as being in league with the devil, and persecuted them for maintaining what they regarded as pagan traditions. A major reason for the skomorokhi’s unpopularity with both the secular and religious leaders was the nature of their art. The skomorokhi’s performances were aimed at ordinary people, and often were in opposition to those in power. As a result the clergy and feudal rulers viewed the skomorokhi as useless to society at the very least, and politically and religiously dangerous at the very worst. -
The Russian Transition Challenges for German and American Foreign Policy
THE RUSSIAN TRANSITION CHALLENGES FOR GERMAN AND AMERICAN FOREIGN POLICY Washington, DC Conference Report Conference Report 9-10 June 1999 American Institute for Contemporary German Studies The Johns Hopkins University Conference Report THE RUSSIAN TRANSITION CHALLENGES FOR GERMAN AND AMERICAN FOREIGN POLICY Washington, D.C. 9-10 June 1999 American Institute for Contemporary German Studies The Johns Hopkins University The American Institute for Contemporary German Studies (AICGS) is a center for advanced research, study, and discussion on the politics, culture, and society of the Federal Republic of Germany. Established in 1983 and affiliated with The Johns Hopkins University but governed by its own Board of Trustees, AICGS is a privately incorporated institute dedicated to independent, critical, and comprehensive analysis and assessment of current German issues. Its goals are to help develop a new generation of American scholars with a thorough understanding of contemporary Germany, deepen American knowledge and understanding of current German developments, contribute to American policy analysis of problems relating to Germany, and promote interdisciplinary and comparative research on Germany. Executive Director: Jackson Janes Research Director: Carl Lankowski Development Director: Laura Rheintgen Board of Trustees, Cochair: Steven Muller Board of Trustees, Cochair: Harry J. Gray The views expressed in this publication are those of the author(s) alone. They do not necessarily reflect the views of the American Institute for Contemporary German Studies. ©1999 by the American Institute for Contemporary German Studies ISBN 0-941441-45-8 This AICGS Conference Report paper is made possible through grants from the German Program for Transatlantic Relations. Additional copies are available at $5.00 each to cover postage and processing from the American Institute for Contemporary German Studies, Suite 420, 1400 16th Street, NW, Washington, D.C.