Katalim*.' O Uditilunu

Total Page:16

File Type:pdf, Size:1020Kb

Katalim*.' O Uditilunu 244. KATAliM*.' O UDiTilUNu De trettens Udstilling * 1910 * Eriksens Bogtr., Prins J-ørgensg. Kbhvn. N. Folmer Bonnén. 1. Sjippende Smaapiger 3000 Kr. 2. Lille Pige med Blomster 500 — 3. Altanbillede 500 — 4. Godthaabsvej 100 — 5. Fyrreskov efter Regn. Hornnæs, Norge 100 — 6. Hortensia 100 — 7, Syrtveit, Norge. Elv 100 — 8. Ola : 50 — 9. Hestvog. Skyer, der har gaaet langs Jorden, letter 50 — 10. Hestvog. Mørk Himmel 50 — 11. Syrtveit. Sæbeagenten 50 — 12. do. Birk foran Heierne 40 — 13, do. Fjøset 50 — 14. Hestvog. Det nøgne Fjeld titter frem 40 — 15. do. Tordenhimmel 40 — 16. Syrtveit. Smaatræer paa Fjeldryggen 40 — 17. Fossen med Syrtveit Heien 50 — 18. Tøffelblomster 25 — 19. Elses daarlige Arm 35 — 20. Fra Biilowsvej 35 — — 3 — Ripcke Edsberg. 21. Blæst 500 Kr. 22. Vinterdag 125 — 23. Marts 300 — 24. April 350 — 25. Foraar 350 — 26. Sol over Tagene 125 — 27. Bøgetræ 250 — 28. Ved Flyglet (Portræt) 600 — Anton Hansen. 29. 4 Rammer: med Tegninger. 30. 1 do. Degenereret Slægt. 31. 1 do. Bournonvilles evigunge Ballet. 32. 1 do. Selvportræt. Ejnar Hansen. 33. Dameportræt 300 Ivr. 34. Maanenat 200 35. Svindende Sol 125 — 36. Tidligt Foraar 125 — 37. Pileallé 100 — 38. Fra Dyrehaven 100 — 39. Graavejr ved Øen (Frederiksberg Have) 150 — 40. I Grejsdalen 150 — 41. Kanalbroen (Frederiksberg Have) ... 125 — 42. Mollen 20® — — 4 — 43. Foraarsdag (Frederiksberg Have) 100 Kr. 44. Birketræ 85 — 45. Fra Falster 75 — 46. Violbuket 35 — 47. Aften (Vejle) 100 — 48. Graavejr 85 — 49. Blomster 40 — 50. Blomster 50 — 51. Den kinesiske Bro 200 — 52. Aftenstemning 150 — 53. Mølle ved Roskildevejen 85 — 54. Vinter 55. Det røde Træ Harald Henriksen. 57. 1 Serie Træsnit. 58. 1 Serie Tegninger. Carl Holm. 59. I Haven 100 Kr. 60. Interieur 100 — 61. Snelandskab 200 — 62. Aalholm 350 — 63. Guldborgsund 100 — 64. Aften. Christianshavn 200 — 65. Violinspiller 125 — 66. Krostue 200 — 67. Staldlænge 75 — — 5 — 68. Eng, Foraar 150 Kr. 69. Læsende Dame 100 — 70. Skumring 50 — 71. Sol i Skoven 50 — 72. Christianshavns Kanal 200 — 73. Strand ved Marielyst 100 — 74. Børnehusbroen 200 — 75. Sne i Haven 10ø — 76. Blodbøg. (Tilhører Grosserer J. Her­ mann). 77. 1 Radering. Fra Christianshavn. Axel P. Jensen. 78. Ryaa 100 Kr. 79. Landskab fra Vendsyssel 200 — 80. Vinter i Vendsyssel 500 — 81. Badende Drenge.. , 400 — 82. Bondedreng 250 — 83. To Drenge 350 — 84. Moder og Barn 1500 — 85. Villahave (tilhører Hr. Arkitekt Einar Ambt). 86. Foraar 600 — 87. Gaardinterieur 300 — 88. Sol i Plantagen 200 — 89. Skovinterieur 150 — Carl Jensen. 90. Studie 75 Kr. 91. do 75 — — 6 — 92. Studie 75 Kr. 93. do. 75 — Tegninger: 94. Ramme med Tegninger. 95. do. 96. do. 97. do. 98. Karikaturtegning af Maleren Einar Hansen. 99. Portrættegning. 100. Landskabstegninger. 101. do. 102. Karikaturtegning af Maleren Scharff. 103. Fra Kalvebod Strand. Aksel Jørgensen. 105. Portræt 400 Kr. 106. Landskab I 200 — 107. do 100 — 108. do 150 — 109. do 300 — 110. Selvportræt 300 — 111. Dobbeltportræt. (Tilhører Billedhug­ geren Utzon Frank). 112. Haven 200 — Per Krohg. 113. Jeanette 400 Kr. 114. En Edderkop 400 — 115. Interieur 400 — — 7 — 116. Røde Tøfler. (Privat Eje.) 117. En Torsk 300 Kr. 118. Nana 200 — 119. En liden Pige 200 — 120. Nøgen Model 200 — 121. Bokken Lasson 200 — 122. Sascha 200 — 123. Forfatteren Sven Elvestad 400 — 124. Tegninger. 20 Stk. Charles Lonholdt. 125. Selvportræt 300 Kr. 126. Skovsti ved Nærum 250 — 127. Sommersol. Lyngby 100 — 128. Sommerregn 150 — 129. Eftermiddagssol 150 — 130. Sommersol ved Lyngby 250 — Jais Nielsen. 131. Middagssol 100 Kr. 132. Gadekæret 200 — 133. Bygevejr 150 — 134. Nature morte 125 — 135. Fra Ladegaardsaaen 250 — 136. Mølledammen, Haderslev 225 — 137. Fra Bispebjerg 75 — 138. Anthurium 200 — 139. Fra Sandbjerg 150 — — 8 — 140. Tigerlilje 150 Kr: 141. Pige fra Vendsyssel 400 — 142. Moder og Datter 500 — Louis Nielsen. 143. Albrechtsburg. Meissen 75 Kr- 144. Udsigt over Trætoppe. (Ved Dresden). 85 — 145. Landevej i Sol. Rom 75 — 146. Tidlig Morgen. Rom 85 — 147. Aften udenfor Rom 85 — 148. Aften. Rom 85 — 149. Fra den spanske Trappe. Rom 60 — 150. Fra Øen i Tiberen. Rom 75 — 151. Udsigt fra Palatin mod Forum Romanum. Rom 75 — 152. Aften ved PonteMolle.Rom.(Tempera) 50 — 153. Paaskeprocession. Florenz 85 — 154. Aftensol. Florenz 50 — 155. Ponte Trinita. Florenz. (Akvarel). 65 — 156. Aalandskab. Pompei 75 — 157. Landevej. Pompei 100 — 158. Januar. Pompei 85 — 159. Fra Galleriet i St. Marco. Venedig. 75 — 160. » » » » .85 — 361. Henad Aften. (Ved Luzern) 85 — 162. Rothsee. (Ved Luzern) 75 — 163. » » (Akvarel)... 50 — 164. Aftensol. Appenzell 65 — 165. Lange Skygger. Appenzell 100 — 166. Mellem Graner. Syd-Bayern 85 — 167. Dæmring. Syd-Bayern 60 — — 9 — J. G. Oppenheuser. 168. Christianshavn 130 Kr. 169, Sortedamssøen 70 — 170. Landskab 35 — 171 Gade i Ribe. Sol 100 — 172 Ribe 150 — 173 Gade i Ribe. Graavejr 100 — 174. Aftensol 75 — Eigil Petersen. 175 En Serie Tegninger. Olaf Rude. 176, Fra den nye Personbanegaard 700 Kr. 177. Strandbred 300 — 178 Aftensol 125 — 179. Landskab i Sol 300 — 180. Gadestemning 150 — 181. Gadestemning 150 — 182. Landskab 100 — 183. Modelfigur 800 — 184. Gyldenløwesgade 300 - 185. Landskab. (Tilhører Forfatteren Jens Pedersen). 186. St. Thomas Porten. (Tilhører Tand­ læge Ruben). — io — Ørnulf Salicath. 187. Irma 800 I 188. Trold *500 - 189. Grønt Tæppe 400 - 190. Dauvtjarn 500 - 191. Dameportræt 800 - 192. St. Hansmorgen 500 - 193. Staburloft 300 - 194. Stilleben 200 - 195. Nat 300 - 196. Aften 200 - 197. Høst 100 - 198. Fra Gjovik 100 - 199. Skog (Nat) 150 - 200. Stilleben 100 - 201. Fra Mjosen 100 - 202. Høstaften 50 - 203. Fra Nordstrand 50 - 204. Aften 75 - 205. Regnvejrsaften 100 - 206. Fra Robinson. Paris 100 - 207. Staburloft 50 - 208. Fra Soon 100 - 210. Have . 100 - 211. Udsigt. Nordstrand 100 - 212. Tegninger (Paris) pr. Ramme 100 - — ti — William Scharff. 213. Raadhuspladsen 800 Kr. 214. Gadebillede 400 — 215. (Tilhører Overretssagf. Kitil Carlsen). 216. Portræt 400 — 217. (Tilhorer Forfatteren Jens Pedersen). 218 150 — 219. Ruden 500 — 220. Stilleben. (Tilhører Skibsreder Strøj- berg). Georg Thylstrup. 221. Hamrede Kobberarbejder. V. Wils. 222. Frederikssundsvej 100 Kr- 223. Frederiksberg Allé 100 — 224. Fra Lersøen — 75 — 225. En Gade. (Tilh. Maleren Aksel Jør­ gensen). 226. En ny Gade 50 — 227. Regnvejr 100 — 228. Fisker-Skure 50 — 229. Nørre Vold 40 — 230. St. Hans Torv 75 — 231. Tagensvej. (Tilh. Dr. Hans Kruse). — 12 — Udstillernes Adresser: Folmer Bonnén: Biilowsvej 40, Atelieret. Ripcke Edsberg: Stavangergade 6, Atelieret. Anton Hansen: Vesterbrogade 111, 2. Sal o. G. Ejnar Hansen: Hollændervej 7, 5. Sal. Harald Henriksen: Brøndshøj Kro. Carl Holm: Wildersgade 40, 1. Sal. Axel P. Jensen: Pilestræde 52, 3. Sal. Carl Jensen: Dannebrogsgade IA, 1. Sal. Aksel Jørgensen: Engtoftevej 10, 3. Sal. Per Krohg: Margrethevej 21, Hellerup. Charles Lonholdt. Gothersgade Al. Jais Nielsen: St. Kongensgade 31, Atelieret. Louis Nielsen: Aabenraa 15, 1. Sal. J. G. Oppenheuser: Fredericiagade 57, 2. Sal. Olaf Rude: Westend 7, 1. Sal. Ørnulf Salicath: Margrethevej 21, Hellerup. William Scharff: Emiliegade 4, 2. Sal. Georg Thylstrup: Lille Kongensgade 36. V. Wils: Frederiksborggade 48, 2. Sal. ipppipgpiH[ .
Recommended publications
  • Phd Day 2015 Programme
    PHD DAY 2015 PROGRAMME 8.30 Welcome Professor Lise Wogensen Bach, Vice dean and Head of Graduate School 8.40 Welcome and today’s program Alexander Juhl Andersen, Co-chairman of the PhD Association 8.45 Fogh-Nielsen Prize competition Chaired by Professor Søren Moestrup, chairman of the Fogh-Nielsen board 9.30 Coffee/tea and fruit break The Lakeside auditorium 9.45 Oral presentations The Lakeside auditorium 11.15 Break 11.30 Poster presentations Bartholin (build. 1241), Anatomy (build. 1230) and the Lakeside Auditorium 12.45 Lunch /poster viewing Bartholin (build. 1241), Anatomy (build. 1230) and the Lakeside Auditorium 13.30 “Academic doping”, panel debate Panel participants: Professor Kirsten Ohm Kyvik , Professor Jørgen Frøkiær Associate Professor Ask Vest Christiansen and Professor Eskild Petersen 15.00 Coffee/tea and cake break The Lakeside auditorium 15.15 “Diligence, Deception and Fraud”, key note lecture Morten Staberg, Pediatric specialist, MD 16.00 Poster and oral awards The Lakeside Auditorium 16.45 Closing remarks Professor Lise Wogensen Bach, Vice dean and Head of Graduate School 18.30 Dinner and awards ceremony for the JCD and the Fogh Nielsen prizes Centralværkstedet Festive speech by Professor Ole Bækgaard Nielsen AARHUS UNIVERSITY Aarhus University Graduate School of Health PHD DAY 23 JANUARY 2015 1 Practical Information nd Posters should be hung up between 4.30pm and 8pm on January 22 or between 7.30am and 8am on January 23rd. All posters must be taken down before 3.00 pm Oral presenters for sessions O1-O5 must meet in the auditorium concerned between 7.30am and 8:00am on January 23rd to save their presentation onto the auditorium hard disk.
    [Show full text]
  • “The Barber Painter”: John Christensen – a Cult Figure on the Interwar Art Scene
    ARTICLE “The Barber Painter”: John Christensen – a cult figure on the interwar art scene The ‘Barber Painter’ John Christensen went from being a celebrated figure in the Danish art world to being a marginalized character in art history. Here new light is shed on John C. and his role in the art of his time. by Hanne Abildgaard / Published October 2015 RESUMÉ The article analyses the process that made the barber John Christensen a celebrated figure on the Danish interwar art scene over the course of just a few years, as well as the conditions that prompted his marginalisation in art history from 1950. The text points to a vein of ‘Primitivist’ art, supported by art institutions, and to an ever-growing awareness of working class audiences and the labour movement as important factors within the field of art. Taking its starting point in John C. and a number of artists associated with him, the article proposes a more pluralistic view of the art created during this period; a position that offers more nuances than the widespread view of two irreconcilable blocks: avant-garde and tradition. ARTICLE In 2011 Statens Museum for Kunst (the SMK) acquired Circus Artists in the Ring, 1932, thereby making it the fourth painting by John Christensen to enter the museum’s collections. The first, Snow-Clearing from 1933, was received as a donation in 1940, whereas the other two, A Lady Wearing a Hat. The Artist’s Wife, Dagny Marie Christensen from 1935 and Self-Portrait from 1936, were purchased in the 1980s. The museum collection also encompasses thirty-nine of Christensen’s works on paper; the first such purchase was made in 1932, the most recent in 2002.
    [Show full text]
  • Virksomhedsregnskab 2001 Statens Museum for Kunst Læsevejledning
    2001 VIRKSOMHEDSREGNSKAB VIRKSOMHEDSREGNSKAB 2001 STATENS MUSEUM FOR KUNST LÆSEVEJLEDNING LÆSEVEJLEDNING museets og forskernes udgivelser samt museets del- tagelse i udstillinger uden for museet i regnskabs- Virksomhedsregnskabet for 2001 er udformet i over- året. ensstemmelse med Vejledning i udarbejdelse af virk- somhedsregnskaber, Finansministeriet januar 1998. Regnskabspraksis og opgørelsesmetode Regnskabet er udformet som et udgiftsbaseret regn- Virksomhedsregnskabets opbygning skab, hvilket er det almindelige regnskabsprincip i Virksomhedsregnskabet består af otte kapitler: staten. Alle udgifter er registreret på varernes og tje- nesteydelsernes leveringstidspunkt. Kapitel 1 beskriver kort museets formål og primære opgaver. I kapitel 2 giver museet sin generelle beret- Driftsregnskab m.m. i kapitel 4 er udarbejdet i løben- ning om året 2001 – såvel aktivitetsmæssigt som de priser, således at der er sammenhæng med opgø- økonomisk – og de forventninger, der er til de kom- relserne i statsregnskabet og med bevillingslovene. mende år. Kapitel 3 opstiller en skematisk oversigt De formålsopdelte driftsregnskaber samt effektivi- over de resultatmål, som var fastlagt i museets resul- tets- og produktivitetsmål i kapitel 5 er udarbejdet i tatkontrakt for 1998-2001. Opfyldelsen af målene faste 2001- priser. bliver yderligere kommenteret i beretningen og kapi- tel 5. I kapitel 4 afgives museets driftsregnskab, Som andre statsvirksomheder er der i museets ud- bevillingsafregning og regnskabsmæssige forklarin- gifts- og indtægtsbevilling indlagt beløb til dækning ger, de nærmere principper for opstilling og afgivelse af afskrivninger. Statens Museum for Kunst afskriver af regnskab beskrives senere i denne læsevejledning. efter Kulturministeriets anvisning to pct. af ultimo- Driftsregnskabet viser sammenhæng mellem ind- saldoen for de langfristede aktiver.Afskrivningen tægter og udgifter registreret på finanslovens § sker efter saldometoden.
    [Show full text]
  • Danmarks Kunstbibliotek the Danish National Art Library
    Digitaliseret af / Digitised by Danmarks Kunstbibliotek The Danish National Art Library København / Copenhagen For oplysninger om ophavsret og brugerrettigheder, se venligst www.kunstbib.dk For information on copyright and user rights, please consult www.kunstbib.dk DANSK MALERKUNST GENNEM DE SIDSTE 40 AAR UDGIVET AF FYENS STIFTS KUNSTFORENING LEVIN & MUNKSGAARDS FORLAG EJNAR MUNKSGAARD /' i* C 1934 DANSK MALERKUNST GENNEM DE SIDSTE 40 AAR / i s i s HERMAN MADSEN DANSK MALERKUNST GENNEM DE SIDSTE 40 AAR UDGIVET AF FYENS STIFTS KUNSTFORENING LE VI N & MUNKSGAARDS FOR LA G NAR MU N KSGAARD /?/{ ä V EJ 19 3 4 PRINTED IN DENMARK 1 INDHOLD I. Futurisme, Kubisme og Ekspressionisme. II. Kunstens Problemer og Publikum. III. Den moderne Kunst i Danmark. IV. Stilbestræbelse og Symbolisme. J. F. Willumsen. V. Den fynske Naturalisme og det fortællende Monumentalmaleri. De fynske Malere og Niels Larsen Stevns. VI. Det maleriske Gennembrud. Sigurd Swane, Harald Giersing og Edvard Weie. VII. Ekspressionismen. Oluf Hartmann, Jens Adolf Jerichau og Mogens Lorentzen. VIII. Kubismen som Overgangsform. Olaf Rude, Jais Nielsen, William Scharff. Det harmoniske Rum. Ernst Zeuthen. IX. Den rene Kubisme og den forenklede Form. Vilhelm Lundstrøm, Karl Larsen og Svend Johansen. X. Dekorativ Naturalisme. Kræsten Iversen, Axel P. Jensen og Axel Bentzen. XI. Primitivitet og Oplevelse. Jens Søndergaard, Niels Lergaard, Oluf Høst, Erik StæhrsNielsen og O. V. Borch. XII. Akademisk Mørkemaleri. Hjemstavnsskildring. Tidens kunstneriske Ansigt former sig. mÉmmmm. i . FUTURISME KUBISME OG EKSPRESSIONISME K u n s t e n s h is t o r ie e r s o m b ø l g e e f t e r b ø l g e , n a a r e n Periodes Kunst staar højest, bryder den over og opløser sig i hvirvlende Skum.
    [Show full text]
  • Helhesten and the Danish Avant-Garde, 1934-1946
    City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2-2015 Mobilizing The Collective: Helhesten And The Danish Avant-Garde, 1934-1946 Kerry Greaves Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/566 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] MOBILIZING THE COLLECTIVE: HELHESTEN AND THE DANISH AVANT-GARDE, 1934-1946 by KERRY GREAVES A dissertation submitted to the Graduate Faculty in Art History in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2015 © 2015 KERRY GREAVES All Rights Reserved ii This manuscript has been read and accepted for the Graduate Faculty in Art History in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. Date Professor Emily Braun Chair of Examining Committee Date Professor Claire Bishop Executive Officer Professor Romy Golan Professor David Joselit Professor Karen Kurczynski Supervision Committee THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT MOBILIZING THE COLLECTIVE: HELHESTEN AND THE DANISH AVANT-GARDE, 1934-1946 by KERRY GREAVES Adviser: Professor Emily Braun This dissertation examines the avant-garde Danish artists’ collective Helhesten (The Hell- Horse), which was active from 1941 to 1944 in Nazi-occupied Copenhagen and undertook cultural resistance during the war. The main claim of this study is that Helhesten was an original and fully established avant-garde before the artists formed the more internationally focused Cobra group, and that the collective’s development of sophisticated socio-political engagement and new kinds of countercultural strategies prefigured those of postwar art groups such as Fluxus and the Situationist International.
    [Show full text]
  • The Abstract Book
    PHD DAY HEALTH PROGRAMME & ABSTRACTS 26 JANUARY 2018 PHD DAY 2018 PROGRAMME LOCATION: THE LAKESIDE LECTURE THEATRES 26 JANUARY 2018 8.30 Welcome by the Dean Lars Bo Nielsen, Dean, The Faculty of Health, Aarhus University 8.40 Welcome and presentation of the programme by the chairman of the PHD Association Iben Bach Damgaard, PhD student, Chairman of the PhD Association, Health, AU 8.50 “Believe in Science”, keynote lecture Charles A. Dinarello, Professor of Medicine and Immunology at the University of Colorado School of Medicine, and Professor of Experimental Medicine at Radboud University in the Netherlands. Introduced by Helene Nørrelund, Head of the Graduate School, Health, AU 09.50 Coffee/tea and fruit break 10.15 Poster presentations The Lakeside Lecture Theatres, the Bartholin Building (build. 1241) and Anatomy (build. 1230) 11.45 Lunch /poster viewing The Lakeside Lecture Theatres, the Bartholin Building (build. 1241) and Anatomy (build. 1230) 12.30 Oral presentations The Lakeside Lecture Theatres and the Bartholin Building (build. 1241) 14.00 Break 14.15 “Believe in Science”, keynote lecture Joseph Stephen Alpert, American cardiologist and professor of medicine at the University of Arizona Sarver Heart Center and editor-in-chief of the American Journal of Medicine. Introduced by Helene Nørrelund, Head of the Graduate School, Health, AU 15.15 Coffee/tea and cake break 15.40 Fogh-Nielsen Competition Chaired by Professor Søren K. Moestrup, Chairman of the Fogh-Nielsen board and co-chairman Rasmus Pihl, PhD student, Health, AU 16.25 Awards, Posters and oral presentations Professor, Bent Winding Deleuran and PhD student, Rasmus Pihl, Chair and Co-chair of the Organizing Committee, PhD Day 2018 16.35 Closing remarks Helene Nørrelund, Head of the Graduate School, Health, AU 16.40 The programme for the day ends 18.30 Dinner and awards ceremony for the JCD prize and the Fogh-Nielsen Competition Centralværkstedet; Aarhus C.
    [Show full text]
  • Helhesten and the Danish Avant-Garde, 1934-1946 Kerry Greaves Graduate Center, City University of New York
    City University of New York (CUNY) CUNY Academic Works Dissertations, Theses, and Capstone Projects Graduate Center 2-2015 Mobilizing The olC lective: Helhesten And The Danish Avant-Garde, 1934-1946 Kerry Greaves Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! Follow this and additional works at: https://academicworks.cuny.edu/gc_etds Part of the History of Art, Architecture, and Archaeology Commons, and the Other History Commons Recommended Citation Greaves, Kerry, "Mobilizing The oC llective: Helhesten And The aD nish Avant-Garde, 1934-1946" (2015). CUNY Academic Works. https://academicworks.cuny.edu/gc_etds/566 This Dissertation is brought to you by CUNY Academic Works. It has been accepted for inclusion in All Dissertations, Theses, and Capstone Projects by an authorized administrator of CUNY Academic Works. For more information, please contact [email protected]. MOBILIZING THE COLLECTIVE: HELHESTEN AND THE DANISH AVANT-GARDE, 1934-1946 by KERRY GREAVES A dissertation submitted to the Graduate Faculty in Art History in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2015 © 2015 KERRY GREAVES All Rights Reserved ii This manuscript has been read and accepted for the Graduate Faculty in Art History in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. Date Professor Emily Braun Chair of Examining Committee Date Professor Claire Bishop Executive Officer Professor Romy Golan Professor David Joselit Professor Karen Kurczynski Supervision Committee THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT MOBILIZING THE COLLECTIVE: HELHESTEN AND THE DANISH AVANT-GARDE, 1934-1946 by KERRY GREAVES Adviser: Professor Emily Braun This dissertation examines the avant-garde Danish artists’ collective Helhesten (The Hell- Horse), which was active from 1941 to 1944 in Nazi-occupied Copenhagen and undertook cultural resistance during the war.
    [Show full text]
  • The Art and Politics and Asger Jorn
    ashgate.com © copyrighted material ashgate.com the art and politics of asger jorn A leading fgure of the postwar avant-garde, Danish artist Asger Jorn has long been recognized for his founding contributions to the Cobra and Situationist International movements—yet art historical scholarship on Jorn has been sparse, particularly in English. This study corrects that imbalance, ofering a synthetic account of the essential phases of this prolifc artist’s career. It addresses his works in various media alongside his extensive writings and his collaborations with various artists’ groups from the 1940s through the mid-1960s. Situating Jorn’s work in an international, post-Second World War context, Karen Kurczynski reframes our understanding of the 1950s, away from the Abstract-Expressionist focus on individual expression, toward a more open- ended conception of art as a public engagement with contemporary culture and politics. Kurczynski engages with issues of interest to twenty-frst-century artists and scholars, highlighting Jorn’s proposition that the sensory address of art and its complex relationship to popular media can have a direct social impact. Perhaps most signifcantly, this study foregrounds Jorn’s assertion that creativity is crucial to subjectivity itself in our increasingly mediated “Society of the Spectacle.” Karen Kurczynski is Assistant Professor of Modern and Contemporary Art History at the University of Massachusets, Amherst, USA. ashgate.com © copyrighted material ashgate.com 9781409431978_Kurczynski.indb 1 5/8/2014 10:10:46 AM ashgate.com © copyrighted material ashgate.com For my mother, Elizabeth Kurczynski ashgate.com © copyrighted material ashgate.com 9781409431978_Kurczynski.indb 2 5/8/2014 10:10:46 AM ashgate.com © copyrighted material ashgate.com The Art and Politics of Asger Jorn The Avant-Garde Won’t Give Up Karen Kurczynski ashgate.com © copyrighted material ashgate.com 9781409431978_Kurczynski.indb 3 5/8/2014 10:10:46 AM ashgate.com © copyrighted material ashgate.com © Karen Kurczynski 2014 All rights reserved.
    [Show full text]
  • Danmarks Kunstbibliotek the Danish National Art Library
    Digitaliseret af / Digitised by Danmarks Kunstbibliotek The Danish National Art Library København / Copenhagen For oplysninger om ophavsret og brugerrettigheder, se venligst www.kunstbib.dk For information on copyright and user rights, please consult www.kunstbib.dk JAIS NIELSEN J A i s /?/V VO R TIDS KUNST • 6 JAIS NIELSEN ET UDVALG AF BILLEDER MED INDLEDENDE TEKST AF OLUF THOMSEN FORLAGT AF RASMUS NAVER KØBENHAVN 193 1 VOR TIDS KUNST REDAKTION KAJ BORCHSENIUS • UDGIVET MED UNDERSTØTTELSE AF NY CARLSBERGFONDET KUNSTAKADEMIETS BIBLIOTEK HOVEDKOMMISSIONÆRER: Akademiska Bokhandel, Helsingfors. A jB C. E. Fritzes Kung. Hovbokhandel, Stockholm. Cammermeyers Boghandel, Oslo. KLICHEER FRA MIDDELBOES REPRODUKTIONSANSTALT LANGKJÆRS BOGTRYKKERI Ja is IV“Isen er født 1885 i København. Han begyndte i Malerlære og kom derefter paa Teknisk Skole under den dygtige Lærer H . Grøn* vold. I Aarene 1907—09 træffer vi ham mellem de jævnaldrende Kammerater Olaf Rude, Aksel P. Jensen og William Scharff paa Zahrtmann og Johan Rohdes Skole. Allerede i 1907 udstillede Jais Nielsen paa en Elevudstilling i Charlottenborgs Antiksal, men hans egentlige første Fremtræden for Publikum foregik paa »de Tretten«s Udstilling 1909 10, der afholdtes i den Frie Udstillings gamle Byg* ning i Farimagsgade. Denne Udstilling markerede den »nye« Kunsts Gennembrud herhjemme og blev som alt nyt modtaget med megen Forargelse og ringe Forstaaelse. Jais Nielsen hører jo til det Kuld af begavet Malerungdom, der nødvendigvis maatte gøre Oprør mod dansk Kunst i forrige Aar* hundredes sidste Halvdel, og det var derfor naturligt, at han kort efter rejste til Paris for at studere den unge franske Kunst, der med Udgangspunkt i Cézanne havde skabt Revolution overalt i Europa.
    [Show full text]