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And I Heard 'Em Say: Listening to the Black Prophetic Cameron J
Claremont Colleges Scholarship @ Claremont Pomona Senior Theses Pomona Student Scholarship 2015 And I Heard 'Em Say: Listening to the Black Prophetic Cameron J. Cook Pomona College Recommended Citation Cook, Cameron J., "And I Heard 'Em Say: Listening to the Black Prophetic" (2015). Pomona Senior Theses. Paper 138. http://scholarship.claremont.edu/pomona_theses/138 This Open Access Senior Thesis is brought to you for free and open access by the Pomona Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Pomona Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. 1 And I Heard ‘Em Say: Listening to the Black Prophetic Cameron Cook Senior Thesis Class of 2015 Bachelor of Arts A thesis submitted in partial fulfillment of the Bachelor of Arts degree in Religious Studies Pomona College Spring 2015 2 Table of Contents Acknowledgements Chapter One: Introduction, Can You Hear It? Chapter Two: Nina Simone and the Prophetic Blues Chapter Three: Post-Racial Prophet: Kanye West and the Signs of Liberation Chapter Four: Conclusion, Are You Listening? Bibliography 3 Acknowledgments “In those days it was either live with music or die with noise, and we chose rather desperately to live.” Ralph Ellison, Shadow and Act There are too many people I’d like to thank and acknowledge in this section. I suppose I’ll jump right in. Thank you, Professor Darryl Smith, for being my Religious Studies guide and mentor during my time at Pomona. Your influence in my life is failed by words. Thank you, Professor John Seery, for never rebuking my theories, weird as they may be. -
Nexus, September 1965
Wright State University CORE Scholar Nexus Student Activities Fall 9-1-1965 Nexus, September 1965 Wright State University Community Follow this and additional works at: https://corescholar.libraries.wright.edu/nexusliteraryjournal Part of the Fiction Commons, Illustration Commons, Interdisciplinary Arts and Media Commons, Mass Communication Commons, Nonfiction Commons, Other Arts and Humanities Commons, Photography Commons, and the Poetry Commons Repository Citation Wright State University Community (1965). Nexus, September 1965. This Creative Work is brought to you for free and open access by the Student Activities at CORE Scholar. It has been accepted for inclusion in Nexus by an authorized administrator of CORE Scholar. For more information, please contact [email protected]. I . \_ \ \ ' I ''v I ·; ·. ' \ \ ...... ,-- ! t ,'' \~ \ t \ ~ If, C·V A,_ . l j'"" ( \.. I \ C \ 1 ,,- r I : -r- ,.. I' .. ' I I ... ... - •\. f ilr· , / \ 1 ' - I ,_ I 1 _,,, \ \ \ E' I - - -- ' ! ' .. \ ,._, \ I } ! ,f 'J i I .'"\ I J !- C ! .,. ·• . ,I I • r I \ j ! I I ,,.. .. \ ~ "'- I / I. - ~ \.,' le., t'{ y Y\ : 'V / .., ., / \ '- \_; .. ......_., l Smiling Kneepads l Earl Butler :rmxtJ:S thanks D ve Koch, chairman of the Publications Bonrd, for Residue 2 Robert Benchdell his valuable assistance. Special thanks to James Hughes for his · The Cricket's Wings 2 Barry Dwyer encouragement. Ironic Justice "3 Dolores Roach Coal.miner 9 Gloria Jones The Picture Rocks of Lac Lacroix 10 Don Wills Portrait of Mindy 11 Reo Eske Justice 13 Charles R. Brooks Nexus . September, 1965 Vol. I, Uo. l Editor Regina Carlson Assoc. Editor John von IsnkoVics Business Manager Varale Svarda Circulation Manager Jeanne Barber Typist Bernice Fields IJEXUS is a magazine of ·writing by members of the Dayton Campus academic community: Emphasis is placed upon ideas, as well as per fecting literary forms. -
1538442480077.Pdf
Editor: zeek0 Fonts: Solbera Feedback: Reddit Unearthed Arcana Network Adventurer: ezfi Barkeep: distovei Beauty: ezfi Cartographer: zeek0 Chosen One: ezfi Clockmaker: zeek0 Cultist: the_singular_anyone Displaced: ezfi Doctor: TextuallyExplicit Farmer: Satyrsol Immortal: zeek0 Inquisitive: zeek0 Judge: ezfi Nomad: zeek0 Servant: zeek0 Shaman: zeek0 Cover llustrator: Raymond Minaar Cover Logos: AeronDrake Interior Illustrators (in order of appearance): CrystalGraziano, Lenamoart, Littleulvar•, Feverworm•, Siwoo Kim, Insolense, Artastrophe, Arvalis, Reza, Yanzi-5•, Kromnz, Aerenwyn•, Seraph777, Jean-Léon Gérôme°, Charro, Telthona• ˙• = with permission ° = out of copyright Based on the game by Wizards of the Coast, LLC On The Cover Raymond Minaar illustrates a party of adventurers venturing to the easternmost spire of K’laxanak, the abandoned Illithid city. – Version 1.8 d8 Personality Trait 1 I can't bring myself to ignore a cry for help. 2 I hold onto every mildly interesting item I find, in case it comes in handy someday. 3 After all the strange things I've seen in my travels, nothing can surprise me. d6 Origin 4 I spit and laugh in the face of danger. 1 My parents are famous adventurers who trained me to 5 Giving up is never an option for me. follow in their footsteps. 6 I feel more at home in monster-infested dungeons 2 I was an apprentice at an adventurer’s guild. than in civilized society. 3 A group of adventurers found me when I was a lost, 7 I fill silence with wacky stories about my past abandoned child and they raised me as their own. misadventures, which may or may not be exaggerated. -
ENTERTAINMENT WEEKLY Interview for Not Making It Clear That He Wasn't the Father of the Baby She Miscarried Last May
Love's Story The combative singer-actress embarks on a legal skirmish with her record label that may change what it means to be a rock star. Oh, and she also has some choice words about her late husband's bandmates, her newfound ancestry, Russell Crowe, Angelina Jolie... By Holly Millea | Mar 25, 2002 Image credit: Courtney Love Photographs by Jean Baptiste Mondino COURTNEY LOVE IS IN A LIMOUSINE TAKING HER FROM Los Angeles to Desert Hot Springs on a detox mission. "I've been on a bit of a bender after 9/11," she admits. "I've got a lot of s--- in me. I weigh 147 pounds." Which is why she's checking into the We Care colonic spa for five days of fasting. Slumped low in the seat, the 37-year-old actress and lead singer of Hole is wearing baggy faded jeans, a brown pilled sweater, and Birkenstock sandals, her pink toenails twinkling with rhinestones. On her head is a wool knit hat - 1 - that looks like something she found on the street. Last night she sat for three hours while her auburn hair extensions were unglued and cut out. "See?" Love says, pulling the cap off. "I look like a Dr. Seuss character on chemo." She does. Her hair is short and tufty and sticking out in all directions. It's a disaster. Love smiles a sad, self-conscious smile and covers up again. Lighting a cigarette, she asks, "Why are we doing this story? I don't have a record or a movie to promote. -
Chloe and the Homeless
HUMAN SERVICES a play by Tom Baum © Tom Baum 2017 CHARACTERS (in order of appearance) KELSEY, 20s, a famous pop star. MOMMA, Kelsey’s mom, early 40s. ROMAN, 30s-40s, a paparazzo. MILO, 20s-30s, a paparazzo. BAXTER, 60s, a street person, a client at Aspiration House, a halfway house for addicts, homeless, and recently discharged psychotics. CARMEN, 20s-30s, a client at Aspiration house. Hispanic. DARNIQUE, 30s, the administrator at Aspiration House. RACHEL, late 20s, early 30s, counselor at Aspiration House. DAISY, 20s-30s, a pre-op male-to-female transgender, a client at Aspiration House. WYATT, 20s, a client at Aspiration House. OFFSTAGE CHARACTERS TWO LAPD COPS JUDGE 1 Scene 1 (Lights up on KELSEY’s bedroom. KELSEY’s on her smartphone, rolling a joint. Spotlight on MOMMA, on the other end.) KELSEY: A half a billion hits! MOMMA: I know, baby. How can anyone compete with that? KELSEY: Incredible. MOMMA: It’s staggering. That horse-faced bitch, I thought she jumped the shark two years ago. Just proves we’ve gotta get our asses in gear. Have you given any more thought to a disease? KELSEY: I don’t know, what’s not taken? MOMMA: Well, there’s lupus. KELSEY: What’s lupus? MOMMA: I think it’s the one where your nose falls off. They’re looking for somebody hot. KELSEY: Ohmigod, Momma, I’ve got so much shit chasing me. I can’t focus on a charity right now. MOMMA: Baby, you need a disease. Didn’t you see the Star this week? You were voted Biggest Ego, Most Selfish, some stupid award like that. -
Alcohol and Alcohol Safetyi a Curriculummanqal for Senior High Level
pocoiENT -RESUME CG,011 580' ED.1.41 733 - AUTHOR Finn, Peter; Platt,,Judith-' , TITLE .Alcohol and Alcohol Safetyi A CurriculumManqal for Senior High Level. Volume II,A Teacher's Acfi..yities .. / . Guide. INSTITUTION Abt AsSociates, Inc.Cambiidge, Mass. SPO_RS AGENCY National Highway Traffic SafetyAdministration (Dq!, :Washington, D. C.; National Inst. onAlcohol'Abuse and Alcoholism (DHEW/PHS), Rockville, Md. - REPORT NO DOT-HS-800-70E 'PUB DATE Sep 72 . CONTRACT HSM-42-71-77 --- NOTE 500p.; For .Volume I, see ED672 383 AVAILABLE FROM Superintendent of,Documents, U.S. Government Printing Office, Washingto.C.. 20402 , EDRS PRICE ". MF-7$1-.00 HC-$26.11 Plus Postage. DESCRIPTORS *Alcohol Education; Alcoholism; *Drinking; Instructional Materials;-Interpersonal Competence; , , Laws; Lesson Tlans;.SecondaryEducation; *Senior High Schools; *Social *Attitudes.; *Social Behavior; Teaching Guides. a ABSTRACT ma3/41ual 'on Alcohol, and Alcohol Saf'ety . This curriculum is designed, .as ateacher's guidefor seniot high, level students. The topics it covers are,:(1) safety;.(2) attitudes towardalcohol'gnd reasons people drink.; (3) physical and behavioral effects.; (4) ' alcohol industty;(5) interpersonalsituations;(6) laws and customs;.. and (7),problem drinking andalcoholism. Each topic is divided into a number of activities. Each activityis,a self-contained learning -experience which requires varying numbersof class periods, and: focuses On one or More objectives.The particulaf skills developed by'' the &ctivity, as well as methods forevaluating it, are provided. ' ACtivities are also organized by teaChingmethod: art, audiovisual, debates., discussion, drama, independentstudy, 4ctures, 'reading, science"and, writing. (BP) . * * Documents 'acquired byERIC.incrude many informal unpublished * materials not available, fromother sources. ERIC makes'everY effort * * to obtain the best copyavailable. -
Yeah. 'But It's Also Very Personal and Subconscious and I Guess If You
EXHIBIT 135 WIT.900.020.0144 Yeah. 'But it's also very personal and subconscious and I guess if you were my psychologist or something I would feel a little more uncomfortable with you seeing it, but I don't know if you can see all the stiif.f. I mean because it's very personal. 3rd interview) Some found the experience very exciting: It was really cool because I guess when you first gave it to me I was so excited I'm like "Oh my God, what am I going to take photos op" I was just like trying to like run around and find all these ideas. But then I'm like "No, wait. Get over the excitement and start like figuring out what to do". So, yeah, it was Jim. ; 2nd interview) found it therapeutic and a most useful tool to express emotion and feel in control: It was actually quite good, because I could express a lot ofthings that I couldn't express verbally. Such emotions that I have no control over and kind of taking photos of them, that's kind of like taking control of them, which is good - feeling in control. And it calms me down in a sense. ; 2nd interview) For two of the adolescents, their photos revealed how useful visual material can be in sharing their stories: It's just basically like I can't find the right words to talk about my problems. And as you can see there's spaces in there, and that... Yeah. And I just - it's like for when I'm talking to someone I feel like I can't find the right words to express my feelings. -
Manifestations of Interactivity in Music and Their Commercial Potential in the Music Industry’S Contemporary Political Economy
Manifestations of interactivity in music and their commercial potential in the music industry’s contemporary political economy by George Morahan A research paper submitted to the University of Dublin, in partial fulfillment of the requirements for the degree of Master of Science Interactive Digital Media 2015 Declaration I declare that the work in this research paper is, except where otherwise stated, entirely my own work and has not been submitted as an exercise for a degree at this or any other university. signed: ________________________________ George Morahan date: 15th May 2015 1 Permission to lend and/or copy I agree that Trinity College Dublin may lend or copy this research paper upon request. signed: ________________________________ George Morahan 2 Acknowledgements I would like to thank my supervisor, Marguerite Barry, for her encouragement and firm guidance. I would also like to thanks the rest of the IDM 2014-15 class for the mania we have shared as well as my family for their understanding and support in the face of utter neglect these past eight months. For Lorraine and Stevie. 3 Table of contents 1. Introduction 6 1.1. Definitions of interactivity 6 1.2. Concept definition of interactive music video 7 1.3. Interactive music software within the purview of this research paper 8 1.4. Research objectives 9 2. The literature on the political economy of the music industry 10 2.1. Record industry as music industry 10 2.2. Music networks and diversification into auxiliary industries 13 2.3. Imagining the future music industry 16 2.4. Artist vs. Industry attitudes 17 2.5. -
Veteran Continues Fight to Operate Business In
Lighting The Road To The Future Chaka Khan to Headline Data UNCF Zone Mayor’s Ball Page 7 “The People’s Paper” February 20 - February 26, 2016 50th Year Volume 43 www.ladatanews.com A Data News Weekly Exclusive Veteran Continues Fight to Operate Business in French Quarter Page 2 State & Local In The Spirit Macy’s Celebrates Black Kanye’s New History Month Gospel CD Page 5 Page 9 Page 2 February 20 - February 26, 2016 Cover Story www.ladatanews.com Veteran Continues Fight to Operate Business in French Quarter Cites Discrimination by French Quarter Groups, Alcohol Commissioner Tracy Riley, (pictured above) led a rally outside the chambers of Judge Paula Brown the U.S. District Court. Riley and supporters protested against what Riley is arguing has been racial discrimination of her business’ establishment, Rouge House by French Quarter groups and the Alcohol Commissioner. Story and Photo By Eric Craig Tracy Riley, who served as an Army Reservist, led a is therefore unable to operate her supper club, Rouge Data News Weekly Contributor rally outside the chambers of Judge Paula Brown at House, which is a business designed to bolster the ca- 421 Poydras St . Riley and supporters protested against reers of independent musicians . Tracy Riley outside of the U .S . District Court on what Riley is arguing has been racial discrimination “As a 24-year veteran I have served to protect the Poydras Street on Feb . 17th after she staged a protest of her business’ establishment . The group marched Constitution of the United States and that Constitution for a date in court that would allow her to make an in the hallway outside of a status meeting where Ri- certainly includes me as a citizen .” Riley said . -
Open Steinle Cory Kanyecriticism.Pdf
THE PENNSYLVANIA STATE UNIVERSITY SCHREYER HONORS COLLEGE DEPARTMENT OF COMMUNICATION ARTS & SCIENCES “I THOUGHT ABOUT KILLING YOU”: CONSIDERING THE UTILITY OF RHETORICAL AND BIOGRAPHICAL CRITICAL APPROACHES TO KANYE WEST’S YE CORY N. STEINLE SPRING 2020 A thesis submitted in partial fulfillment of the requirements for baccalaureate degrees in Communication Arts and Sciences and Labor and Employment Relations with honors in Communication Arts and Sciences Reviewed and approved* by the following: Bradford Vivian Professor of Communication Arts & Sciences Thesis Supervisor Lori Bedell Associate Teaching Professor in Communication Arts & Sciences Honors Adviser * Signatures are on file in the Schreyer Honors College. i ABSTRACT This paper examines the merits of intrinsic and extrinsic critical approaches to hip-hop artifacts. To do so, I provide both a neo-Aristotelian and biographical criticism of three songs from ye (2018) by Kanye West. Chapters 1 & 2 consider Roland Barthes’ The Death of the Author and other landmark papers in rhetorical and literary theory to develop an intrinsic and extrinsic approach to criticizing ye (2018), evident in Tables 1 & 2. Chapter 3 provides the biographical antecedents of West’s life prior to the release of ye (2018). Chapters 4, 5, & 6 supply intrinsic (neo-Aristotelian) and extrinsic (biographical) critiques of the selected artifacts. Each of these chapters aims to address the concerns of one of three guiding questions: which critical approaches prove most useful to the hip-hop consumer listening to this song? How can and should the listener construct meaning? Are there any improper ways to critique and interpret this song? Chapter 7 discusses the variance in each mode of critical analysis from Chapters 4, 5, & 6. -
The Life & Near Death Story of Patty Schemel
REVIEWS "Describing the parabolic ups and downs of the career of Hole drummer Patty Schemel, tricked-up docu Hit So Hard features never-before-witnessed tour documentation recorded on Schemel's own Hi-8 camera, including her extended stay at the digs of band frontwoman Courtney Love just before Kurt Cobain's suicide. This recently recovered ace-in-the-Hole footage is supplemented by helmer P. David Ebersole's newly shot interviews, presented in split-screen or apportioned in brief bursts. Pic benefits from the percussionist's plainspokenness, and should attract grunge curiosity-seekers in theatrical and tube play." VARIETY "A raw, unflinching look at Schemel's hard-knock life." WALL STREET JOURNAL "Necessary viewing for any Hole fan. The footage was ample and intimate -- scenes of Schemel passed out in her hotel room after shooting heroin, Love moshing backstage at Lollapalooza with the Offspring's Dexter Holland and, most eerily, Love at home with Kurt Cobain and Frances Bean. It's heartbreaking." SPIN MAGAZINE "Hit So Hard links one milestone of Schemel’s survival to another with a caustic grace lent by the subject herself: Alcoholic at age 12. Out, tormented lesbian at 17. Junkie by her early 20s. On and off the wagon numerous times by her late 20s. A homeless, crack-addicted, music-industry exile by the end of the ’90s. It’s all there in the open, backed up with fascinating, never-before-seen archival footage featuring Love and her husband Kurt Cobain." MOVIELINE "This pull-no-punches portrait of the hell-and-back life of Patty Schemel is no ordinary rockumentary. -
9. Beware of Lukewarm Christianity
BEWARE OF LUKEWARM CHRISTIANITY 3 14To the angel of the church in Laodicea write: This is what the Amen, the faithful and true witness, the Ruler* of God’s creation, says: 15I know your works, that you are neither cold nor hot. I wish that you were [either] cold or hot. 16Because you are lukewarm—neither cold nor hot—I am about to spit you out of my mouth. 17You say, “I am rich; I have acquired wealth and have need of nothing.” But you do not realize that you are wretched and pitiable and poor and blind and naked. 18[Therefore,] I counsel you to buy from me gold refined in the fire, so that you may become rich; and white garments, so that you may clothe yourself and not allow the shame of your nakedness to be exposed; and eye salve to put on your eyes, so that you may see. 19All those whom I love I rebuke and discipline. Therefore, be earnest and repent. 20Look! I am standing at the door, knocking. If anyone hears my voice and opens the door, I will come in to him. I will dine with him, and he [will dine] with me. 21To him who overcomes, I will give the right to sit with me on my throne, just as I overcame and sat down with my Father on his throne. 22He who has an ear, let him hear what the Spirit says to the churches. (Rev. 3:14‐22) *The Greek term, h arch, has the meaning, “the ruler,” as well as “the beginning” (A Concise GreekEnglish Dictionary of the New Testament, United Bible Societies, London, 1971.) The former meaning, “the Ruler of God’s creation,” is preferable.