Joh's Jury Music Credits
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composer Mario Millo Music Assistant Cos Russo Composer Mario Millo: Mario Millo had a detailed wiki listing here, and an eponymous website with this brief biography, together with other details of his career in music (here, WM here): From eight years of age, Mario Millo has been playing guitar for increasingly enthusiastic audiences. By the late sixties he was progressing through local rock bands, until in 1973 he joined forces with Sydney powerhouse Sebastian Hardie. With Millo on guitar and his symphonic compositions, Sebastian Hardie cut a swathe through the Australian progressive rock scene, with two sublime albums, “Four Moments” and“Windchase.” When rock’n’roll stardom moved on, Mario Millo the musician continued to develop. He emerged as an award winning composer whose music became the soundtrack to popular Australian film and television classics such as Against the Wind, The Lighthorsemen, Brides of Christ and Changi. Sebastian Hardie would never quite disappear though, and performances in the USA and Japan showed their international standing. In 2018 Mario Millo reclaimed his musical heritage where it matters most, on stage. Powerful performances with his cracking band in Tokyo, Sydney and Newcastle left audiences clamouring for more. With this talented band proving great music never dies, Mario Millo is back. There was also this extended tribute up to the year 2000 (see the original for accompanying illustrations, WM here): At the age of eight it would’ve been easy to predict Mario Millo’s musical future: a steady income playing the clubs of Australia doing Hank Marvin (The Shadows) impressions in dance bands covering the latest hits. Not particularly inspiring, but nice solid work. At eight and nine, Millo could already do a pretty fair Hank Marvin, and in a nice spangly vest he was learning the joys of live performance at “The Village” a night club in Canley Vale, deep in Sydney’s western suburbs. Then, in a story repeated throughout the world, Mario heard “She Loves You” by The Beatles, and suddenly The Shadows were old hat. He had the guitar, he had the talent, and now he had the vision. Right across the country kids were forming bands, and the Millo family garage would eventually lay claim to producing one of Australia’s greatest bands. From that garage lay a path to one of the world’s leading exponents of symphonic rock, and one of the few Australian bands to have had a major influence on the international music scene. The link from that Seven Hills garage to international acclaim was Mario Millo, one of the most significant artists in the history of Australian music. THE MENU - MARK #1 At the grand age of twelve, Mario joined his first rock’n’roll band, The Wanted. In his own words, “it was a trio (piano, drums and guitar). We rehearsed a number of times and then decided to add a fourth player. This is where I first met Peter Stanley. He and I clicked the moment we began to sing and play and it wasn't long before we left The Wanted and formed The Menu. He was also a big brother figure to me as I was 12 and he was 19”. The Menu was where Mario was able to play out his Beatles fantasies, a real rock’n’roll band. For two years they played live wherever they could, thrilling enthusiastic young audiences at a time in Australian music when the live scene was incredibly vibrant and exciting. Any kid that could play a recognisable tune was guaranteed a few minutes of fame on stage, the screaming adulation of female friends, and the respect and jealous admiration of the males. For someone with the talent of Mario Millo, it was the foothold of a career. The original Menu lasted for about two years of intense, exciting experience until Peter Stanley’s day job was to transfer him to Narrabri in north western New South Wales, a long way from any rock’n’roll centre. The Menu was now Mario’s band, and continued after Stanley’s departure with a lineup more reflective of his age. THE MENU - MARK #2 The 1969 Pepsi Pop Poll provided the next step, as The Menu rocked Sydney Stadium successfully, winning the contest which gave them a record deal with Festival Records and a contract with Cordon Bleu Booking Agency. This was the big time for a high school band whose veteran leader was still only fourteen. THE CLIK The realities of rock stardom soon came crashing in. Cordon Bleu recommended a change of name to The Clik, and real Beatles style riches and fame seemed imminent when they were selected to front a Fanta soft drink campaign. Of course another name change was required, and The Clik became Fantasy. Red carpets were rolled out, dazzling promises made, and school kids prepared to order cars to arrive at the same time as driving licences. The ad agency pulled out, the red carpet rolled back in, and Fantasy became The Clik again, as the band learned the dictionary definition of exploitation. They laboured along as a three piece for several months, before surrendering to the inevitable disillusionment. MILLO FAMILY - MUSIC IN THE BLOOD For most teenagers, this was where rock dreams gave way to parental advice. It was time to settle down and get a proper job. Work your way up, marry a good girl, get your deposit on a house and start a family. Rock’n’roll was just a fad anyway. You don’t want to be wasting your life with that junk. Fortunately, the Millo family was from more passionate stock. Music was a way of expressing yourself, and there was continued support for Mario to develop his self expression. “My parents did all they could to help me pursue music.” Parental support was fundamental in giving Mario the space and opportunity to grow, and he recognised it. He recollects, “they were passionately encouraging and in my early learning days, went without themselves to purchase guitars, amps, drum kits and microphones. They gave up the their garage so I had a place to rehearse with my bands. My dad is no longer alive but I know he was very proud, sometimes embarrassingly so.” With family support Mario spent three months in 1971 living with family in Trieste in northern Italy. It was a return to his roots, and despite hooking up with a German band, Novel Trend, an escape from the pressures and disappointments of teenage rock stardom. It was a necessary respite that gave him a chance to take stock. Back in Australia, The Clik were revived, and developed a reputation as one of Sydney’s up and coming rock bands. Late in 1973, Mario made the decision to finish The Clik, after an offer to join another veteran band of the local scene, Sebastian Hardie. They’d been around in various forms since the late sixties, playing the same suburban dance circuit as The Clik. Up until now, their main claims to fame had been as a backing band for Johnny O’Keefe, and providing Jon English to the hugely successful “Jesus Christ, Superstar” musical. Like The Clik, they had pretty much met a musical dead end by the time they recruited Mario in an attempt to provide something different. Sebastian Hardie linked Mario with one of Sydney’s best rhythm sections, drummer Alex Plavsic, and his bass playing brother Peter. Within a year, Toivo Pilt had joined with his vast array of keyboards, and the classic Sebastian Hardie lineup was in place. It all sounds terribly simple when written on paper, but the development of this critical combination of talent and personalities was the result of years of dreams, disappointments and endless gigging in Sydney suburban halls. SEBASTIAN HARDIE - THE DEFINITIVE LINEUP Sebastian Hardie - circa 1975 The definitive Sebastian Hardie lineup gave Mario the opportunity to write the music that was playing in his head, and the band to bring those sounds to fruition. Music had moved on considerably from the simplicity of “She Loves You” a decade before. Technology meant keyboards could reproduce any sound you could imagine, and guitars could now be heard through massive sound systems. Overseas, bands were taking music into new areas. Yes had toured Australia in March, 1973, and shown local audiences the potential of the new progressive school of music. Only the much loved Tully had really come close to bringing progressive music to Australia, and they had disbanded a couple of years before. Influences came thick and fast. To Mario, “at the time we were into bands like Yes, Focus, Mike Oldfield and the Mahavishnu Orchestra”. The challenge was then to come up with something that reflected those influences, while still retaining originality, and a sense of Australia. Mario Millo was up to the challenge, and proved it in 1975, with Sebastian Hardie’s debut album, the magnificent “Four Moments”. It is almost impossible to conceive of a better debut offering. The album was light years beyond anything any of the band had attempted in their previous lineups, and remains a watershed in Australian musical history Focus Tour - Hordern Pavillion - 1975 For many Australians, their introduction to “Four Moments” was getting to the concerts by Dutch band Focus early enough to catch the support. It was the winter of 1975, and Focus had a reputation for quasi-classical progressive rock. At Sydney’s Hordern Pavillion, the pattern for the tour was established. Focus were OK, but the support group, Sebastian Hardie, stole the show. They could do Mike Oldfield with their 20 minute version of “Tubular Bells”, but more importantly, they produced the soundscape that was “Four Moments”.