Top 40 Singles Top 40 Albums
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Bomb Scare Clears Kirkbride Therapy for Accident Victim "If It's on Camous and It's by KEN MAMMARELLA Threat Procedure of Leaving the Suspected Karen Seitz
Bulk Rate U.S. Postage PAID ff>ermit No.320 Newark, DE. Friday. April6. 1979 By DEBORAH PETIT MIDDLETOWN, Pa.,- With a potential core melt-down now greatly reduced, officials at the Three Mile Island Nuclear Reactor Site are turning their attention to the pro blems of cleaning up radioactive substances left by the re cent reactor accident. Upon analysis of the extent of damage incurred in the mishap and the level of radioactive contamination left in the reactor, experts will determine the fate of the Three Mile site. An evaluation of the costs involved will leave the officials with the options of either refurbishing or decommissioning the plant. Both of which would require large amounts of time and money. · The projected time for complete decontamination of the reactor now stands at least one to two years. Additional time beyond ~hat estimate would be required to bring the plant back to operational levels. Cost estimates for the refurbishment of the reactor can not be determined from present data. The costs and time involved in decommissioning the site, however, can be more accurately determined from previous studies done by the Nuclear Regulatory Commis sion (NRC). Most data points to a dismantling cost estimate of roughly Review photo by Andy Cline 5 percent to 10 percent of the original construction costs. "THEY'VE PUSHED THE PANIC BUTTON as HAROLD DENTON, Director of the NRC's of The NRC conducted a study of the Trojan reactor site in far as I'm concerned," Mitzi Krause said of fice of Nuclear Reactor Regulation, and Oregon and came up with a dismantling cost in 1978 of just the nuclear accident on near by Three Mile NRC spokesman Joseph Fouchard {left) aid- over $42 million to level the plant. -
Trinity Tripod, 1979-02-27
.!-..._-_-_•-•-. :.^. '. ^ i "..-'".•.. -..• , _L" .. •• v-.. .--' r -.-V--. :'-"-,•;-:- .-•:,••..'. -.*/. *:?-"" i-,««•*•?*'-tiffJ/TW H VRTFORD. A- Vol. 77 THE TRINITY Issue 19 TRIPOD FeSmiary 27,1978 ! , Fraternities Challenged To 'Clean House' by Dick Dahling & Alan Levlne prohibit women members, he is fraternities' attitudes, both In response to several com- success has made them to appear Citing evidences of racism and generally against the "exclusivity" nationally and locally toward the plaints concerning the timing of the not as open as the administration sexism on campus, President that necessarily occurs in frater- inclusion of minorities and women. letters' writing and Lockwood's would like." Theodore Lockwood, in a letter nities which have no women or She was surprised to find on the departure for two months, Gael "The letter should be read in a dated January 29, reminded all six minority members. whole that they are much more O'Brien, Administrative Assistant broad frame of reference, O'Brien issues,v as well as discussing their Representatives of each inclined to accept minorities than to the President emphasized that emphasized, going on to say that role should be with respect to these fraternity were told to consult with women as members. In most cases, the, letter was not a "high-handed other student organizations, such issues, as well as relating to their Assistant Dean of Students Barbara women only have partial mem- effort" on the part of the as the S.G.A. have made moves to general purpose at Trinity. Robinson-Jackson to duscuss their bership. President." She noted that his try to deal with problemsof racism, Dean of Students David Winer views and plans for dealing with the Jackson says that the frater- original plan was to meet with each with fraternities serving as another reported that Lockwood had been issues at hand before Lockwood. -
1978-05-22 P MACHO MAN Village People RCA 7" Vinyl Single 103106 1978-05-22 P MORE LIKE in the MOVIES Dr
1978-05-22 P MACHO MAN Village People RCA 7" vinyl single 103106 1978-05-22 P MORE LIKE IN THE MOVIES Dr. Hook EMI 7" vinyl single CP 11706 1978-05-22 P COUNT ON ME Jefferson Starship RCA 7" vinyl single 103070 1978-05-22 P THE STRANGER Billy Joel CBS 7" vinyl single BA 222406 1978-05-22 P YANKEE DOODLE DANDY Paul Jabara AST 7" vinyl single NB 005 1978-05-22 P BABY HOLD ON Eddie Money CBS 7" vinyl single BA 222383 1978-05-22 P RIVERS OF BABYLON Boney M WEA 7" vinyl single 45-1872 1978-05-22 P WEREWOLVES OF LONDON Warren Zevon WEA 7" vinyl single E 45472 1978-05-22 P BAT OUT OF HELL Meat Loaf CBS 7" vinyl single ES 280 1978-05-22 P THIS TIME I'M IN IT FOR LOVE Player POL 7" vinyl single 6078 902 1978-05-22 P TWO DOORS DOWN Dolly Parton RCA 7" vinyl single 103100 1978-05-22 P MR. BLUE SKY Electric Light Orchestra (ELO) FES 7" vinyl single K 7039 1978-05-22 P HEY LORD, DON'T ASK ME QUESTIONS Graham Parker & the Rumour POL 7" vinyl single 6059 199 1978-05-22 P DUST IN THE WIND Kansas CBS 7" vinyl single ES 278 1978-05-22 P SORRY, I'M A LADY Baccara RCA 7" vinyl single 102991 1978-05-22 P WORDS ARE NOT ENOUGH Jon English POL 7" vinyl single 2079 121 1978-05-22 P I WAS ONLY JOKING Rod Stewart WEA 7" vinyl single WB 6865 1978-05-22 P MATCHSTALK MEN AND MATCHTALK CATS AND DOGS Brian and Michael AST 7" vinyl single AP 1961 1978-05-22 P IT'S SO EASY Linda Ronstadt WEA 7" vinyl single EF 90042 1978-05-22 P HERE AM I Bonnie Tyler RCA 7" vinyl single 1031126 1978-05-22 P IMAGINATION Marcia Hines POL 7" vinyl single MS 513 1978-05-29 P BBBBBBBBBBBBBOOGIE -
Chuck Klosterman on Pop
Chuck Klosterman on Pop A Collection of Previously Published Essays Scribner New York London Toronto Sydney SCRIBNER A Division of Simon & Schuster, Inc. 1230 Avenue of the Americas New York, NY 10020 www.SimonandSchuster.com Essays in this work were previously published in Fargo Rock City copyright © 2001 by Chuck Klosterman, Sex, Drugs, and Cocoa Puffs copyright © 2003, 2004 by Chuck Klosterman, Chuck Klosterman IV copyright © 2006, 2007 by Chuck Klosterman, and Eating the Dinosaur copyright © 2009 by Chuck Klosterman. All rights reserved, including the right to reproduce this book or portions thereof in any form whatsoever. For information address Scribner Subsidiary Rights Department, 1230 Avenue of the Americas, New York, NY 10020. First Scribner ebook edition September 2010 SCRIBNER and design are registered trademarks of The Gale Group, Inc., used under license by Simon & Schuster, Inc., the publisher of this work. For information about special discounts for bulk purchases, please contact Simon & Schuster Special Sales at 1- 866-506-1949 or [email protected]. The Simon & Schuster Speakers Bureau can bring authors to your live event. For more information or to book an event contact the Simon & Schuster Speakers Bureau at 1-866-248-3049 or visit our website at www.simonspeakers.com. Manufactured in the United States of America ISBN 978-1-4516-2477-9 Portions of this work originally appeared in The New York Times Magazine, SPIN magazine, and Esquire. Contents From Sex, Drugs, and Cocoa Puffs and Chuck Klosterman IV The -
Jeremy Porter Howler's Coyote Cafe Friday April 9, 2010 Bloomfield
April 9, 2010 Jeremy Porter Howler's Coyote Cafe Friday April 9, 2010 Bloomfield In an effort to preview new music and upcoming shows of worth, I am starting a new feature here. Rather than an interview, I will ask few questions pertaining to an artists' musical taste. Today, I ask Jeremy Porter (who has a long and interesting career) to participate. The first album you ever bought? "KISS Alive! or Cheap Trick at Budokan. I remember hearing I Want You To Want Me and just being drawn in by that melody. I couldn’t get it out of my head and to this day melody and hooks are my favorite parts of music. Truth is though, it was probably Alive! I knew I wanted a KISS record, I knew it had to have Rock And Roll All Night on it, and Alive! had so many songs. Seemed like a good choice. Funny that they were both live records!" Your last album bought? "The Big To-Do by the Drive-By Truckers. Lots of people see them as the best band in the world these days. I have trouble arguing that. They have been unbelievably consistent for many years. This record is a bit shorter and a bit more rockin’ than the last couple, but the perfect follow up to last year’s Brighter Than Creations Dark." Favorite album of all time? "Tough question. It rotates around a bit I suppose. Let it Be by The Replacements is up there. Exile on Main Street (Rolling Stones) or Quadrophenia by The Who. -
Singles 1970 to 1983
AUSTRALIAN RECORD LABELS PHILIPS–PHONOGRAM 7”, EP’s and 12” singles 1970 to 1983 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, APRIL 2019 PHILIPS-PHONOGRAM, 1970-83 2001 POLYDOR, ROCKY ROAD, JET 2001 007 SYMPATHY / MOONSHINE MARY STEVE ROWLAND & FAMILY DOGG 5.70 2001 072 SPILL THE WINE / MAGIC MOUNTAIN ERIC BURDON & WAR 8.70 2001 073 BACK HOME / THIS IS THE TIME OF THE YEAR GOLDEN EARRING 10.70 2001 096 AFTER MIDNIGHT / EASY NOW ERIC CLAPTON 10.70 2001 112 CAROLINA IN MY MIND / IF I LIVE CRYSTAL MANSION 11.70 2001 120 MAMA / A MOTHER’S TEARS HEINTJE 3.71 2001 122 HEAVY MAKES YOU HAPPY / GIVE ‘EM A HAND BOBBY BLOOM 1.71 2001 127 I DIG EVERYTHING ABOUT YOU / LOVE HAS GOT A HOLD ON ME THE MOB 1.71 2001 134 HOUSE OF THE KING / BLACK BEAUTY FOCUS 3.71 2001 135 HOLY, HOLY LIFE / JESSICA GOLDEN EARING 4.71 2001 140 MAKE ME HAPPY / THIS THING I’VE GOTTEN INTO BOBBY BLOOM 4.71 2001 163 SOUL POWER (PT.1) / (PTS.2 & 3) JAMES BROWN 4.71 2001 164 MIXED UP GUY / LOVED YOU DARLIN’ FROM THE VERY START JOEY SCARBURY 3.71 2001 172 LAYLA / I AM YOURS DEREK AND THE DOMINOS 7.72 2001 203 HOT PANTS (PT.1) / (PT.2) JAMES BROWN 10.71 2001 206 MONEY / GIVE IT TO ME THE MOB 7.71 2001 215 BLOSSOM LADY / IS THIS A DREAM SHOCKING BLUE 10.71 2001 223 MAKE IT FUNKY (PART 1) / (PART 2) JAMES BROWN 11.71 2001 233 I’VE GOT YOU ON MY MIND / GIVE ME YOUR LOVE CAROLYN DAYE LTD. -
Afro-American Annual Awards Banquet Held
Vol. 25-No. 23 Jacksonville (Alabama) State Univerkity Tuesday, April 3, 1979 Student activitv fee questions answered The Student Government Association of Jacksonville programs '! State University has proposed an amendment to the A: The fee will provide the SGA with much more money constitution of the SGA to allow for the collection of a than is presently doted. These funds will be used to ex- Student Activity Fee. The student body of JSU must ap pand student services and activities to a level more prove this amendment for it to become a part of the compatable with the third largest university in Alabama. constitution. In order that you the students of JSU might Bigger and better concerts, lectures and movies will be have full knowledge of the costs and benefits of such a noticable improvements. Also, new services are 'under program; we have organized the following list of construction. questions and answers concerning the fee. Q: Will my BEOG grant cover the fee? Q: How much will the Activity Fee cost per student and A: Yes. Since BEOG is awarded based on fhe cost of how will it be collected? attending JSU, as the cost rise your grant will be adjusted. A: The proposed fee would be $10 per student per Q: Who will have to pay the fee? semester and would be added to the bill mailed out by A: Presently the program calls for all students to pay. JSU's business office. Mini or summer sessions would cost Ariy student, full or part time, who is able to use the less. -
2017-Into-The-Woods.Pdf
The Magazine ■ 2 Music and Lyrics by Stephen Sondheim Book by James Lapine Originally Directed on Broadway by James Lapine Original Broadway Production by Heidi Landesman, Rocco Landesman, Rick Steiner, M. Anthony Fisher, Frederic H. Mayerson, Jujamcyn Theatres Originally Produced by the Old Globe Theatre, San Diego, Ca. Originally Directed on Broadway by James Lapine. Licenced exclusively by Music Theatre International (Australasia). All performance materials supplied by Hal Leonard Australia. Program devising and layout: Julia Faragher Program Graphic Design: Zoe O’Leary Cameron StockInDesign ■ 3 FROM THE EXECUTIVE nlivening Stephen Sondheim, whose musicals are full of such lyrical and orchestral dextrosity, in less than ten weeks, we knew would be a phe- Enomenal achievement. However, we knew we had a Director and Mu- sical Director more than capable of exceeding every expectation placed on them in CAT Award winners Spencer Cliff and Katrina Tang. When the full production team, cast and orchestra were announced, I knew we would have an incredible show on our hands because they were full of such fantastically talented and mo- tivated people. IHP is incredibly fortunate to have the amazingly diverse people who make up the society; it is all of your commitment and generosity that make these shows so spectacular and makes the society such a joy to be a part of. I am sincerely grateful to all of you. his is the last performance that will be held in the ANU Arts Centre, and I know the show will be a fitting vale. Becoming involved in the arts at ANU Twas one of the best decisions I have ever made, and this venue carries very fond memories with it for thousands of students. -
AXS TV Canada Schedule for Mon. December 30, 2013 to Sun
AXS TV Canada Schedule for Mon. December 30, 2013 to Sun. January 5, 2014 Monday December 30, 2013 Premiere 6:00 AM ET / 3:00 AM PT 6:00 PM ET / 3:00 PM PT Baltic Coasts Gene Simmons Family Jewels Of Forests and Lakes - The episode starts with a hovercraft patrol at the Gulf of Bothnia, Tracy The Wedding Planner - As a gift to Shannon and Gene, Tracy offers to plan the entire leading to the world’s biggest archipelago around Turku, to the vast lakes of Vaaksy and wedding and a reluctant Shannon agrees. Kotka. Premiere 8:00 AM ET / 5:00 AM PT 7:00 PM ET / 4:00 PM PT Dan Rather Reports Gene Simmons Family Jewels American Soles - The US shoe industry has moved almost all manufacturing and jobs to Asia Wedding Boot Camp - With the wedding fast approaching Gene and Shannon enroll in a boot but one major American company is bucking the trend. Also, are apprenticeships the key to camp. an American manufacturing rebirth? 8:00 PM ET / 5:00 PM PT 9:00 AM ET / 6:00 AM PT Dan Rather Reports Baltic Coasts The Best Of Dan Rather Reports 2013 - From Afghanistan to the International Space Station, The Reborn Gems - From the impressive Dome Hill of Tallinn via thousands of Estonian a look back at our favorite stories from 2013. islands adorning the bay of Riga to the Latvian capital, where Rem Koolhaas forms a new city skyline. Premiere 9:00 PM ET / 6:00 PM PT Premiere Guitar® Center Sessions 10:00 AM ET / 7:00 AM PT Cake - An intimate concert and interview with alternative rock band Cake. -
Shame Music Credits
Original Music by Mario Millo Music Engineering Cos Russo 'He's My Man' Composed and Arranged by Lucky Oceans Composer Mario Millo: At time of writing, Millo had an eponymous website here, which contained this biography, together with other details: Mario Millo was born in Sydney, Australia in May 1955 to Italian parents, both whom had musical backgrounds. His music career began at the age of five when his father taught him to play the mandolin. By nine, he had begun performing in various Sydney night-clubs and was fast becoming an accomplished guitar player. In 1967, at twelve years of age, he formed his first band, wrote his first song and two years later his second band "The Clik" were the winners of a major "battle of the bands" launching the group into mainstream live venues and their first record release. "The Clik" broke up in late 1973 and Millo decided to join Sydney band "Sebastian Hardie". It was with this band that he began to develop his unique writing style and in 1975, Sebastian Hardie released their debut album "Four Moments" which achieved gold status soon after its release. The bands second album "Windchase" was released a year later - both these albums were hailed as classic progressive rock performances, with Sebastian Hardie recognised as one of the most innovative rock bands of the seventies. The band toured Australia with many international acts including Santana, Lou Reed, Osibisa and Focus. Sebastian Hardie held their own alongside these major acts in the eyes and ears of audiences and the press with Millo's melodic and soulful guitar playing gaining the respect of legend guitarists Carlos Santana and Jan Akkermann and the praise of his many followers. -
Music Business and the Experience Economy the Australasian Case Music Business and the Experience Economy
Peter Tschmuck Philip L. Pearce Steven Campbell Editors Music Business and the Experience Economy The Australasian Case Music Business and the Experience Economy . Peter Tschmuck • Philip L. Pearce • Steven Campbell Editors Music Business and the Experience Economy The Australasian Case Editors Peter Tschmuck Philip L. Pearce Institute for Cultural Management and School of Business Cultural Studies James Cook University Townsville University of Music and Townsville, Queensland Performing Arts Vienna Australia Vienna, Austria Steven Campbell School of Creative Arts James Cook University Townsville Townsville, Queensland Australia ISBN 978-3-642-27897-6 ISBN 978-3-642-27898-3 (eBook) DOI 10.1007/978-3-642-27898-3 Springer Heidelberg New York Dordrecht London Library of Congress Control Number: 2013936544 # Springer-Verlag Berlin Heidelberg 2013 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. Exempted from this legal reservation are brief excerpts in connection with reviews or scholarly analysis or material supplied specifically for the purpose of being entered and executed on a computer system, for exclusive use by the purchaser of the work. Duplication of this publication or parts thereof is permitted only under the provisions of the Copyright Law of the Publisher’s location, in its current version, and permission for use must always be obtained from Springer. -
Paws Music Credits
music by mario Millo Orchestrations Mario Millo Orchestra Australian Studio Orchestra Conductor Christopher Gordon Concert Master Phillip Hartl Music Supervisor Cos Russo Assistant Engineer James Cadsky Orchestra recorded at Eugene Goosens Hall, ABC, Sydney by Christo Curtis Additional Music recorded at Silver City Studio, Sydney Music mixed by Christo Curtis at the Crystal Palace, Soundfirm, Sydney Additional Music Performed by "Men from Mars" Guitars & Mandolins Mario Millo Piano & Hammond Cos Russo Bass Guitar Jeff Camilleri Drums Nick Lister also featuring on Trombones, Trumpets & Saxophone Ralph White Bagpipe Player Ron Clement "Papa Loves Mambo" By Al Hoffman, Dick Manning, Bix Reichner Used by Permission of Al Hoffman Songs, Inc. (ASCAP) and Shapiro, Bernstein & Co., Inc. New York Courtesy of J Albert & Sons Pty Ltd/Campbell Connelly (Aust) Pty Ltd Performed by Perry Como. Licensed by BMG Australia Limited "Peter Gunn" By H. Mancini All Nations Music Publishing/EMI Music Publishing Australia Pty Ltd Arranged by Mario Millo & Ralph White Performed by Men from Mars featuring Ralph White "Do-Re-Me" R. Rodgers/O. Hammerstein, Williamson Music International EMI Music Publishing Australia Pty Ltd "Back to the Blues" Written by F. Cavaleri, N. Cavaleri, M. Holden Performed by Nathan Cavaleri Published by Mushroom Music/Chrysalis Music Courtesy Mushroom Records Int. BV for Australia & New Zealand Courtesy Sony Records/MJJ Records for all other Territories "Gone Skits" Written by F. Cavaleri, N. Cavaleri, Published by EMI Music Publishing Australia Pty Ltd Performed by Nathan Cavaleri Courtesy Mushroom Records Int. BV for Australia & New Zealand Courtesy Sony records/MJJ Records for all other Territories "Bad Dog" Composed and Performed by Mario Millo CD: A CD of the soundtrack was released: CD (ST) Larrikin.