What to Expect When Visiting an Anglican Church
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REACHING out a Celebration of the Work of the Choir Schools’ Association
REACHING OUT A celebration of the work of the Choir Schools’ Association The Choir Schools’ Association represents 46 schools attached to cathedrals, churches and college chapels educating some 25,000 children. A further 13 cathedral foundations, who draw their choristers from local schools, hold associate membership. In total CSA members look after nearly 1700 boy and girl choristers. Some schools cater for children up to 13. Others are junior schools attached to senior schools through to 18. Many are Church of England but the Roman Catholic, Scottish and Welsh churches are all represented. Most choir schools are independent but five of the country’s finest maintained schools are CSA members. Being a chorister is a huge commitment for children and parents alike. In exchange for their singing they receive an excellent musical training and first-class academic and all-round education. They acquire self- discipline and a passion for music which stay with them for the rest of their lives. CONTENTS Introduction by Katharine, Duchess of Kent ..................................................................... 1 Opportunity for All ................................................................................................................. 2 The Scholarship Scheme ....................................................................................................... 4 CSA’s Chorister Fund ............................................................................................................. 6 Finding Choristers ................................................................................................................. -
Location of Choir and Musical Instruments, January 2012
ARCHDIOCESE OF PHILADELPHIA Office for Liturgical Music 222 North Seventeenth Street ! Philadelphia, Pennsylvania 19103-1299 215-587-3696 www.ArchPhilaMusic.org www.CathedralPhilaConcerts.org LOCATION OF CHOIR AND MUSICAL INSTRUMENTS COMMENTARY OFFICE FOR WORSHIP ARCHDIOCESE OF PHILADELPHIA Sacrosanctum Concilium, the document of the Second Vatican Council on the Sacred Liturgy, speaks clearly of the importance of music in the liturgy and, while urging that “choirs … be diligently promoted,” insists that “religious singing by the people … be skillfully fostered.” Implicit is the recognition of the special service and gift given to the people of God by skilled ministers of music who are, at the same time, members of the community at prayer. Subsequent Church documents and statements by the United States Conference of Catholic Bishops support, develop, and expand upon Sacrosanctum Concilium regarding music ministers. In particular, they speak of the proper location of the choir, cantor, and other musicians in the church building itself -- as both musicians and members of the assembly. The Office for Worship of the Archdiocese of Philadelphia, based upon the norms expressed in liturgical documents regarding the placement of musicians, offers the following guidelines to pastors, musicians, and worship committees. Musicians (choir, cantor, instrumentalists), recognized and appreciated for the special gift they bring to the celebration of the Sacred Liturgy, must be located in the church in such a way that they are also clearly perceived to be members of the worshipping assembly. While lending their special training and skill, they must also be servants of the Sacred Liturgy and members of the community at prayer. -
The Passing of the Precentor
JOH N CAMP BELL IN THE TOLBOOTH C H U R C H F O ST G ILES, ED INBU R GH T H E P A S S I N G O F THE P R EC ENTOR B Y D U NC A N FR A SER , P rece ntor t o the Umted Fr ee Chu rch Gen er a l Assembly l I ’ THE EMPTY D ESK BOSTON S KI R K , , ‘ P hot o ra h d ’ ‘ J u n ( g e s ecwll for th l i book by r La r en . ) p p y ! , k u E D I N B U R G H ! P U B L I S H E D A T ’ “ HA Y W . J . J OH N KNOX s HO U SE , B Y LOND ON ! SA MU EL BAGSTE R §ONs LIMITED M C M V I s P R EFACE IN this little b ook the writer is well aware that he only touches the fringe Of a subj ect whi ch by - and - by may His o is receive fuller treatment . h pe i el kee that , meantime , t may h p to p alive the memory of th e Old meth o d of Uptaking the Psalme until that time comes for , unless something regarding e o n th Precentor is put record speedily , b o th the man and his work will soon be forgotten by a generation that has not been distinguished fo r valuing eithe r of em th too highly . -
Aug-Sept 2016
The Goodnewsletter A Newsletter for Members of St. Ann, St. Vincent de Paul & St. Patrick Parishes Stannlenox.org/[email protected] 134 Main St., Lenox, MA 01240 (413) 637-0157 Volume 4 - Issue 2 September 2016 A NOTE FROM OUR PASTOR . On June 20th, our first parish meeting was held in the Family Center. There were some 55 people in attendance. To prepare for the parish meeting a survey was posted on the parish website and available for parishioners to answer. Some submitted an available paper survey. The results are posted on the parish web site and will remain available for anyone to consult throughout the year. Some 58 persons answered the survey. The results ran to some 50+ pages. A synthesis of the material will be posted on the website soon. However, I urge everyone to read the survey responses. All of the responses were well thought out and cogently expressed. There seems to be a remark- able consensus on many mattes and a thoughtful disagreement on others. At the parish meeting, fortunately, it turns out; I was not able to present a synthesis of the survey because I could not hook up my laptop to the projector. As a happy consequence the conversation among the participants begins right away, based upon what they wanted to express and not as a response to my presentation. The conversation was spirited and fruitful. Participants focused on three overriding issues: faith formation, stabilizing our financial situation, and outreach in general but particularly to youth and young adults. A variety of views were expressed and differences were very respectfully express and received. -
What They Wear the Observer | FEBRUARY 2020 | 1 in the Habit
SPECIAL SECTION FEBRUARY 2020 Inside Poor Clare Colettines ....... 2 Benedictines of Marmion Abbey What .............................. 4 Everyday Wear for Priests ......... 6 Priests’ Vestments ...... 8 Deacons’ Attire .......................... 10 Monsignors’ They Attire .............. 12 Bishops’ Attire ........................... 14 — Text and photos by Amanda Hudson, news editor; design by Sharon Boehlefeld, features editor Wear Learn the names of the everyday and liturgical attire worn by bishops, monsignors, priests, deacons and religious in the Rockford Diocese. And learn what each piece of clothing means in the lives of those who have given themselves to the service of God. What They Wear The Observer | FEBRUARY 2020 | 1 In the Habit Mother Habits Span Centuries Dominica Stein, PCC he wearing n The hood — of habits in humility; religious com- n The belt — purity; munities goes and Tback to the early 300s. n The scapular — The Armenian manual labor. monks founded by For women, a veil Eustatius in 318 was part of the habit, were the first to originating from the have their entire rite of consecrated community virgins as a bride of dress alike. Belt placement Christ. Using a veil was Having “the members an adaptation of the societal practice (dress) the same,” says where married women covered their Mother Dominica Stein, hair when in public. Poor Clare Colettines, “was a Putting on the habit was an symbol of unity. The wearing of outward sign of profession in a the habit was a symbol of leaving religious order. Early on, those the secular life to give oneself to joining an order were clothed in the God.” order’s habit almost immediately. -
How Do Cardinals Choose Which Hat to Wear?
How Do Cardinals Choose Which Hat to Wear? By Forrest Wickman March 12, 2013 6:30 PM A cardinal adjusts his mitre cap. Photo by Alessia Pierdomenico/Reuters One-hundred-fifteen Roman Catholic cardinals locked themselves up in the Vatican today to select the church’s next pope. In pictures of the cardinals, they were shown wearing a variety of unusual hats. How do cardinals choose their hats? To suit the occasion, to represent their homeland, or, sometimes, to make a personal statement. Cardinals primarily wear one of three different types. The most basic hat is a skullcap called the zucchetto (pl. zucchetti), which is a simple round hat that looks like a beanie or yarmulke. Next is the collapsible biretta, a taller, square-ridged cap with three peaks on top. There are certain times when it’s customary to put on the biretta, such as when entering and leaving church for Mass, but it’s often just personal preference. Cardinals wear both of these hats in red, which symbolizes how each cardinal should be willing to spill his blood for the church. (The zucchetto is actually worn beneath the biretta.) Some cardinals also wear regional variations on the hat, such as the Spanish style, which features four peaks instead of three. On special occasions, such as when preparing to elect the next leader of their church, they may also wear a mitre, which is a tall and usually white pointed hat. The mitre is the same style of cap commonly worn by the pope, and it comes in three different styles with varying degrees of ornamentation, according to the occasion. -
Faith Formation Resource to Welcome Cardinal Joseph W. Tobin As the Sixth Archbishop of Newark
1 Faith Formation Resource to Welcome Cardinal Joseph W. Tobin as the Sixth Archbishop of Newark This catechetical tool is available for use throughout the Archdiocese of Newark to provide resources for catechists to seize this teachable and historical moment. The objectives are listed by grade level and were taken from the Catechetical Curriculum Guidelines for the Archdiocese of Newark. Let us keep our new Archbishop in prayer. Kindergarten Focus - Many Signs of God’s Love Scripture – Genesis 1:31 – God looked at everything He had made, and found it very good. Objective: To help children grow in their understanding of the People of God as God’s family and as a sign of God’s love. Some ideas: o Share pictures of your parish pastor, Cardinal Tobin, and Pope Francis; Explain that they each serve God and our Catholic family in a special way, and Cardinal Tobin is now serving God in a special way as our new Archbishop. o Point out the Scarlet red color as a sign of being a Cardinal o Use the Cardinal and Pope Craft for Catholic Kids activity o Pray for Cardinal Tobin and the Archdiocese of Newark. For discussion: o Does God love us very much? (Yes) o How much does God love us? (Spread your arms wide to show how big God’s love is) o Because God loves us, He sends us good people to lead us in our Church, like Cardinal Tobin, our new Archbishop. o Let’s pray for Cardinal Tobin, and give thanks to God for His love. -
Ten Strategies of a World-Class Cybersecurity Operations Center Conveys MITRE’S Expertise on Accumulated Expertise on Enterprise-Grade Computer Network Defense
Bleed rule--remove from file Bleed rule--remove from file MITRE’s accumulated Ten Strategies of a World-Class Cybersecurity Operations Center conveys MITRE’s expertise on accumulated expertise on enterprise-grade computer network defense. It covers ten key qualities enterprise- grade of leading Cybersecurity Operations Centers (CSOCs), ranging from their structure and organization, computer MITRE network to processes that best enable effective and efficient operations, to approaches that extract maximum defense Ten Strategies of a World-Class value from CSOC technology investments. This book offers perspective and context for key decision Cybersecurity Operations Center points in structuring a CSOC and shows how to: • Find the right size and structure for the CSOC team Cybersecurity Operations Center a World-Class of Strategies Ten The MITRE Corporation is • Achieve effective placement within a larger organization that a not-for-profit organization enables CSOC operations that operates federally funded • Attract, retain, and grow the right staff and skills research and development • Prepare the CSOC team, technologies, and processes for agile, centers (FFRDCs). FFRDCs threat-based response are unique organizations that • Architect for large-scale data collection and analysis with a assist the U.S. government with limited budget scientific research and analysis, • Prioritize sensor placement and data feed choices across development and acquisition, enteprise systems, enclaves, networks, and perimeters and systems engineering and integration. We’re proud to have If you manage, work in, or are standing up a CSOC, this book is for you. served the public interest for It is also available on MITRE’s website, www.mitre.org. more than 50 years. -
The Acoustics of the Choir in Spanish Cathedrals
acoustics Article The Acoustics of the Choir in Spanish Cathedrals Alicia Alonso * , Rafael Suárez and Juan J. Sendra Instituto Universitario de Arquitectura y Ciencias de la Construcción, Escuela Técnica Superior de Arquitectura, Universidad de Sevilla, Seville 41012, Spain; [email protected] (R.S.); [email protected] (J.J.S.) * Correspondence: [email protected]; Tel.: +34-954-559-51 Received: 13 November 2018; Accepted: 4 December 2018; Published: 6 December 2018 Abstract: One of the most significant enclosures in worship spaces is that of the choir. Generally, from a historical point of view, the choir is a semi-enclosed and privileged area reserved for the clergy, whose position and configuration gives it a private character. Regarding the generation and transformation of ecclesial interior spaces, the choir commands a role of the first magnitude. Its shape and location produce, on occasions, major modifications that significantly affect the acoustics of these indoor spaces. In the case of Spanish cathedrals, whose design responds to the so-called “Spanish type”, the central position of the choir, enclosed by high stonework walls on three of its sides and with numerous wooden stalls inside, breaks up the space in the main nave, thereby generating other new spaces, such as the trascoro. The aim of this work was to analyse the acoustic evolution of the choir as one of the main elements that configure the sound space of Spanish cathedrals. By means of in situ measurements and simulation models, the main acoustic parameters were evaluated, both in their current state and in their original configurations that have since disappeared. -
Cathedral Statistics 2019
Cathedral Statistics 2019 Research and Statistics Church House Great Smith Street London SW1P 3AZ Tel: 020 7898 1547 Published 2020 by Research and Statistics. Copyright © Research and Statistics 2020 All rights reserved. This document is available on line at https://www.churchofengland.org/researchandstats Any reproduction of the whole or any part of the document should reference: Church of England Research and Statistics, Great Smith Street, London SW1P 3AZ Email: [email protected] Twitter: @cofestats The opinions expressed in this booklet are those of the authors and do not necessarily reflect the official policy of the General Synod or National Church Institutions of the Church of England. 1 Summary This report presents information about worship and other activities taking place in Church of England cathedrals from 1st January to 31st December 2019. Data are collected from all 42 mainland Church of England cathedrals and from Westminster Abbey, through an annual cathedral statistics survey. Among other things, the survey asks about attendance at Sunday and midweek services; Easter and Christmas services; school visits; baptisms, marriages, and funerals; musical activities and volunteering. For reference, the survey form and guidance notes can be found in Appendix 2. Worship attendance (page 7) • A total of 37,300 people per week (82% adults and 18% children aged under 16) were reported attending usual cathedral services in 2019, a similar number to 2018 (37,100). Total weekly attendance is 13% larger in 2019 than it was a decade ago in 2009. • Weekly attendance at usual cathedral services is split fairly evenly between Sunday (47%) and midweek (53%) services. -
Some Notes on the Bema in the East and West Syrian Traditions
VII Some Notes on the Bema etc. 327 I,. Bouyer even goes so far as to claim that what is now generally accepted as the " Syrian arrangement " was formerly that of the ~~zantikerite as well ('). Because of the importance of this quesfion for the history of worship, it might be profitable to re- view the archeological and liturgical evidence. Some Notes on the Bema The most common solution to the problem of church anange- ment in both East and West was to place the seats for the clergy in the East and West Syrian Traditions in an apse at one end - usually the east - of the church. Before the clergy, at the beginning of the nave (or in the transept, or in the apse itself, depending on the architecture of the church) stood the altar. Beyond, further into the nave, stood the ambon Since the publication of H. C. Butler's Early Chwches of or ambons for the psalmody and readings. The congregation Syria (Princeton, 1929). archeologists and liturgiologists have occupied, it seems, not so much the central nave as today, but shown considerable interest in certain peculiarities in the liturgical the side naves, thus leaving the center of the church free for pro- disposition of a number of ancient churches in North Syria ('). cessions and other comings and goings of the ministers demanded by the various rites ('). (1) A partial list of recent works dealing with this problem would But modern archeological discoveries have shown that two include: H. C. BUTLER, Early Churches of Syria, Princeton. 1929,and Syria, areas of early Christianity followed a plan of their own: North Publications of the Princeton University Archeological Expedition to Syria Africa, and parts of Northern Syria and Mesopotamia. -
Altar Server Guidelines for St. John the Baptist Catholic Church
Altar Server Guidelines for St. John the Baptist Catholic Church Altar Servers Guidelines: St. John the Baptist, Dunnellon PRELIMINARIES: General Information Number of Servers Needed: Generally at weekend Masses, in the Catholic World, Altar Servers number from 2-6 servers. For pastoral reasons of promoting Children and Youth Ministry in the parish, as far as possible, we’ll need 3-5 “youth” Altar Servers for the Sunday 10.30 am Mass: three servers, if no incense is used and five servers if incense is used. If incense is NOT USED, we need only the Server Captain/Cross Bearer and the two Acolytes (Candle Bearers). If incense is USED, we need five servers, while three performs the roles already stated, the remaining two (only very mature and capable teenagers) will play the role of the Thurifer and the Incense Boat Bearer. In any case, three servers: the Server Captain/Cross Bearer and the two Acolytes sit on the altar, while the Thurifer and the Incense Boat Bearer both sit at the Baptistry area. NOTE: As a general rule, when the congregation stands or kneels, the Servers stand (except during the Consecration of the Bread and Wine: At this time, the servers should kneel, unless they are adults with knee problem). While standing and/or walking the Servers are to hold their hands in the praying position. The praying position is with palms of the hands together, fingers extended, thumbs crossed, hands chest high such that finger tips are about shoulder high. When the congregation sits, the Servers sit. In the sitting position the Servers’ hands should be on their laps.