Fiction John Fowles, the Collector, Boston: Little, Brown and Company, 1963

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BIBLIOGRAPHY WORKS BY JOHN FOWLES Fiction John Fowles, The Collector, Boston: Little, Brown and Company, 1963. —— Daniel Martin, Boston: Little, Brown and Company, 1977. —— The Ebony Tower, Boston: Little, Brown and Company, 1974. —— The French Lieutenant’s Woman, Boston: Little, Brown and Company, 1969. —— A Maggot, Boston: Little, Brown and Company, 1985. —— The Magus, New York: Dell Publishing, 1978. —— Mantissa, Boston: Little, Brown and Company, 1982. Nonfiction John Fowles, The Aristos, Boston: Little, Brown and Company, 1964. —— The Enigma of Stonehenge, New York: Summit Books, 1980. —— Foreword, in Ourika, by Claire de Duras, trans. John Fowles, New York: MLA, 1994, xxix-xxx. —— Islands, Boston: Little, Brown and Company, 1978. —— Lyme Regis Camera, Boston: Little, Brown and Company, 1990. —— Shipwreck, Boston: Little, Brown and Company, 1975. —— A Short History of Lyme Regis, Boston: Little, Brown and Company, 1982. —— Thomas Hardy’s England, Boston: Little, Brown and Company, 1984. —— The Tree, New York: The Ecco Press, 1979. Translations Claire de Duras, Ourika, trans. John Fowles, New York: MLA, 1994. 238 John Fowles: Visionary and Voyeur Essays John Fowles, “Gather Ye Starlets”, in Wormholes, ed. Jan Relf, New York: Henry Holt and Company, 1998, 89-99. —— “I Write Therefore I Am”, in Wormholes, ed. Jan Relf, New York: Henry Holt and Company, 1998, 5-12. —— “The J.R. Fowles Club”, in Wormholes, ed. Jan Relf, New York: Henry Holt and Company, 1998, 67. —— “John Aubrey and the Genesis of the Monumenta Britannica”, in Wormholes, ed. Jan Relf, New York: Henry Holt and Company, 1998, 175-96. —— “The John Fowles Symposium, Lyme Regis, July 1996”, in Wormholes, ed. Jan Relf, New York: Henry Holt and Company, 1998, 73-76. —— “Land”, in Wormholes, ed. Jan Relf, New York: Henry Holt and Company, 1998, 321-39. —— “The Nature of Nature”, in Wormholes, ed. Jan Relf, New York: Henry Holt and Company, 1998, 343-61. —— “Notes on an Unfinished Novel” in Wormholes, ed. Jan Relf, New York: Henry Holt and Company, 1998, 13-26. —— Wormholes, ed. Jan Relf, New York: Henry Holt and Company, 1998. Journals John Fowles, The Journals, ed. Charles Drazin, London: Vintage, I, 2003. —— The Journals, ed. Charles Drazin, London: Vintage, II, 2006. Interviews James R. Baker, “John Fowles: The Art of Fiction CIX”, in Conversations with John Fowles, ed. Dianne L. Vipond, Jackson, MS: University Press of Mississippi, 1999, 182-97. Carol Barnum, “An Interview with John Fowles”, in Conversations with John Fowles, ed. Dianne L. Vipond, Jackson, MS: University Press of Mississippi, 1999, 102-18. Melissa Denes, “Fowles on a Fair Day”, in Conversations with John Fowles, ed. Dianne L. Vipond, Jackson, MS: University Press of Mississippi, 1999, 223-30. .

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1 Introduction 93
Notes 1 Introduction 1. See Mark Amory, 'Tales Out of School', Sunday Times Magazine (22 September 1974) 34, where Fowles says, 'if there is one thing that all the books I like have it is narrative; and if there is an author whose star I am under it is Defoe.' 2. Another reason why Fowles is a best-selling author is that three of his novels - The Collector, The Magus and The French Lieutenant's Woman - and one of his short stories, The Ebony Tower', have been made into films. Though discussion of these films lies outside the scope of this study, I have included some articles and a book on the films of The Collector, The Magus and The French Lieutenant's Woman in the bibliography for those who wish to read about them. 3. John Fowles, quoted by Lorna Sage, in John Fowles: a Profile', New Review, 1 (7 October 1974) 35. 4. Sarah Benton, 'Adam and Eve', New Socialist, 11 (May-June 1983) 19. 5. Ibid. 6. John Fowles, The Aristos (1964, revised 1968; rev. version rpt. London: Triad Grafton, 1986) p. 157. All quotations are from this edition; page numbers will be given in the text. 7. See Benton, 19, for Fowles's comment that he is aware that Mantissa is not as good as his other fictions, and should not have been published. 8. Ibid. 9. Katherine Tarbox, The Art ofJohn Fowles (Athens/London: University of Georgia Press, 1988) p. 188. 10. Jung sets out his theory of the anima (and animus, the male compo nent to be found in women), in The Relations Between the Ego and the Unconscious', in Two Essays on Analytical Psychology, trans.
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Dalrev Vol68 Iss3 Pp288 301.Pdf (6.837Mb)
Frederick M. Holmes The Novelist as Magus: John Fowles and the Function of Narrative It is difficult to trap John Fowles the writer under conceptual nets. Having announced his intention not "to walk into the cage labelled 'novelist,' " 1 he has published, in addition to his best-selling novels, a volume of poems, a philosophical tract, and discursive prose on such subjects as Stonehenge, the Scilly Isles, trees, cricket, and Thomas Hardy. When we restrict our attention to his fiction, he is equally hard to classify unambiguously. His aesthetic has been called "conservative and traditional,''2 and yet John Barth includes Fowles, along with himself, in a group of avant-garde novelists who have been tagged postmodernist.J On the one hand, Fowles has championed realism, 4 repudiated art which exalts technique and style at the expense of human content,5 endorsed the ancient dictum that the function of art is to entertain and instruct, 6 and announced a didactic intention to "improve society at large."7 To some extent, his novels do realize these traditional aims. They usually create an intense illusion that real human dramas are being played out before the reader's eyes. Each of these dramas is a didactic exemplum of Fowles's belief in the value of freedom. 8 On the other hand, though, Fowles has affirmed the reality of the crisis often said to have made the contemporary novel prob lematic.9 This awareness has rendered his fictions self-referential in ways that cast doubt upon their mimetic capacity. His narratives frequently expose themselves as arbitrary, decentred, and inconclusive structures of words cut loose from any legitimating origin or trans cendent authority.
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The Post-Postmodern Aesthetics of John Fowles Claiborne Johnson Cordle
University of Richmond UR Scholarship Repository Master's Theses Student Research 5-1981 The post-postmodern aesthetics of John Fowles Claiborne Johnson Cordle Follow this and additional works at: http://scholarship.richmond.edu/masters-theses Recommended Citation Cordle, Claiborne Johnson, "The post-postmodern aesthetics of John Fowles" (1981). Master's Theses. Paper 444. This Thesis is brought to you for free and open access by the Student Research at UR Scholarship Repository. It has been accepted for inclusion in Master's Theses by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. THE POST-POSTMODERN AESTHETICS OF JOHN FOWLES BY CLAIBORNE JOHNSON CORDLE A THESIS SUBMITTED TO THE GRADUATE FACULTY OF THE UNIVERSITY OF RICHMOND IN CANDIDACY FOR THE DEGREE OF ~.ASTER OF ARTS ,'·i IN ENGLISH MAY 1981 LTBRARY UNIVERSITY OF RICHMONl:» VIRGINIA 23173 CONTENTS INTRODUCTION . p . 1 CHAPTER 1 MODERNISM RECONSIDERED . p • 6 CHAPTER 2 THE BREAKDOWN OF OBJECTIVITY . p • 52 CHAPTER 3 APOLLO AND DIONYSUS. p • 94 CHAPTER 4 SYNTHESIS . p . 102 CHAPTER 5 POST-POSTMODERN HUMANISM . p . 139 ENDNOTES • . p. 151 BIBLIOGRAPHY . • p. 162 INTRODUCTION To consider the relationship between post modernism and John Fowles is a task unfortunately complicated by an inadequately defined central term. Charles Russell states that ... postmodernism is not tied solely to a single artist or movement, but de fines a broad cultural phenomenon evi dent in the visual arts, literature; music and dance of Europe and the United States, as well as in their philosophy, criticism, linguistics, communications theory, anthropology, and the social sciences--these all generally under thp particular influence of structuralism.
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A Critical Study of the Novels of John Fowles
University of New Hampshire University of New Hampshire Scholars' Repository Doctoral Dissertations Student Scholarship Spring 1986 A CRITICAL STUDY OF THE NOVELS OF JOHN FOWLES KATHERINE M. TARBOX University of New Hampshire, Durham Follow this and additional works at: https://scholars.unh.edu/dissertation Recommended Citation TARBOX, KATHERINE M., "A CRITICAL STUDY OF THE NOVELS OF JOHN FOWLES" (1986). Doctoral Dissertations. 1486. https://scholars.unh.edu/dissertation/1486 This Dissertation is brought to you for free and open access by the Student Scholarship at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. A CRITICAL STUDY OF THE NOVELS OF JOHN FOWLES BY KATHERINE M. TARBOX B.A., Bloomfield College, 1972 M.A., State University of New York at Binghamton, 1976 DISSERTATION Submitted to the University of New Hampshire in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in English May, 1986 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. This dissertation has been examined and approved. .a JL. Dissertation director, Carl Dawson Professor of English Michael DePorte, Professor of English Patroclnio Schwelckart, Professor of English Paul Brockelman, Professor of Philosophy Mara Wltzllng, of Art History Dd Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. I ALL RIGHTS RESERVED c. 1986 Katherine M. Tarbox Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. to the memory of my brother, Byron Milliken and to JT, my magus IV Reproduced with permission of the copyright owner.
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A Critical Study of the Novels of John Fowles Katherine M
University of New Hampshire University of New Hampshire Scholars' Repository Doctoral Dissertations Student Scholarship Spring 1986 A CRITICAL STUDY OF THE NOVELS OF JOHN FOWLES KATHERINE M. TARBOX University of New Hampshire, Durham Follow this and additional works at: https://scholars.unh.edu/dissertation Recommended Citation TARBOX, KATHERINE M., "A CRITICAL STUDY OF THE NOVELS OF JOHN FOWLES" (1986). Doctoral Dissertations. 1486. https://scholars.unh.edu/dissertation/1486 This Dissertation is brought to you for free and open access by the Student Scholarship at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. A CRITICAL STUDY OF THE NOVELS OF JOHN FOWLES BY KATHERINE M. TARBOX B.A., Bloomfield College, 1972 M.A., State University of New York at Binghamton, 1976 DISSERTATION Submitted to the University of New Hampshire in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in English May, 1986 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. This dissertation has been examined and approved. .a JL. Dissertation director, Carl Dawson Professor of English Michael DePorte, Professor of English Patroclnio Schwelckart, Professor of English Paul Brockelman, Professor of Philosophy Mara Wltzllng, of Art History Dd Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. I ALL RIGHTS RESERVED c. 1986 Katherine M. Tarbox Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. to the memory of my brother, Byron Milliken and to JT, my magus IV Reproduced with permission of the copyright owner.
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Choice of Theme in John Fowles's Mantissa
school and in society. tudes one cannot give absolute interpretations of these results. The element of subjectivity could It can be concluded that children like any have been minimised by offering the sample a other age group of the human race, all have their limited number of responses and a forced choice own wishes and needs. Differences arise because would have had to be made. It would also be inter of the motivation one has and the goals for which esting to study wishes of other groups as well as fulfilment of these wishes is sought. Satisfaction or factors - such as family background and ability fulfilment of wishes may be immediate or delayed levels - which could contribute to a meaningful and age is an important factor in this respect. understanding of why children make particular However, what can be said with certainty is that wishes. whatever type of wish is expressed whether seeking belongingness, security, independence, adventure, new experiences, constructing or knowing something, requesting a material References possession or a future achievement, whether the wish arises from processes taking place within the Bellak, L. (1954) The Thematic Apperception Test and the body or stimulated by external objects or even the Children's Apperception Test in Clinical Use; New York, need for expression of feeling - all children have Grune and Stratton. their wishes and needs and they should be helped Cronbach, L.J. (1970) Essentials of Psychological Testing; New as much as possible to facilitate the realization of York, Harper and Row. these wishes. Murray, H.A. et al. (1938) Explorations in Personality; London, Oxford University.
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