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СОДЕРЖАНИЕ СОДЕРЖАНИЕ СОДЕРЖАНИЕ 2 ВВЕДЕНИЕ 3 СОЦИАЛЬНЫЕ МЕДИА НА ВЫБОРАХ: НАЧАЛО ДЛИННОГО ПУТИ 4 Становление политических интернет-технологий 1996–2016 4 2016: интернет побеждает телевизор. Феномен Дональда Трампа 5 ПОЛОЖЕНИЕ СОЦИАЛЬНЫХ МЕДИА К СТАРТУ КАМПАНИИ-2020 8 ИСПОЛЬЗОВАНИЕ НОВЫХ ИНСТРУМЕНТОВ В ХОДЕ ПРЕЗИДЕНТСКОЙ ГОНКИ 10 Цифровая стратегия демократов на выборах-2020. «Барометр» 10 Цифровая стратегия Трампа на выборах-2020. Роботизация таргетинга 14 Полевая работа в условиях эпидемии 18 Растущая популярность мобильных приложений 19 Фандрайзинг 22 Предвыборный дискурс и цензура 25 TikTok. Фактор новых соцмедиа в политической агитации 27 КЛЮЧЕВЫЕ ВЫВОДЫ 31 СПИСОК ИСТОЧНИКОВ 32 2 ВВЕДЕНИЕ ВВЕДЕНИЕ Выборы 2020 года в США прошли в самых не- В этом докладе не ставится цель проследить обычных условиях из всех возможных – на фоне хронологию президентской гонки в США и не вы- глобальной пандемии, самого тяжёлого экономи- сказываются оценочные суждения о результатах ческого кризиса за более чем 80 лет и наиболее прошедших выборов. Он посвящён анализу того массовых уличных протестов за последние 50 лет. инструментария, что использовался в ходе пред- Политтехнологам приходится на ходу подстра- выборной борьбы. иваться под эти неожиданные обстоятельства, В самом ближайшем будущем эти технологии адаптируясь к новой реальности. Уже давно про- станут активно использоваться во всём мире. Сле- должающаяся цифровизация современной поли- дует внимательно изучить цифровые тренды в тики лишь ускорилась. планировании и проведении предвыборных кам- На фоне кризиса традиционных медиа и соцсе- паний, агитации, полевой работы и уличной ак- тей появляются альтернативные площадки, на- тивности, которые на деле показали себя в США. бирающие стремительную популярность. Пред- выборная активность уходит в онлайн, где проще и дешевле проводить виртуальные митинги, со- брания сторонников и заниматься мобилизацией избирателей. -
February 26, 2021 Amazon Warehouse Workers In
February 26, 2021 Amazon warehouse workers in Bessemer, Alabama are voting to form a union with the Retail, Wholesale and Department Store Union (RWDSU). We are the writers of feature films and television series. All of our work is done under union contracts whether it appears on Amazon Prime, a different streaming service, or a television network. Unions protect workers with essential rights and benefits. Most importantly, a union gives employees a seat at the table to negotiate fair pay, scheduling and more workplace policies. Deadline Amazon accepts unions for entertainment workers, and we believe warehouse workers deserve the same respect in the workplace. We strongly urge all Amazon warehouse workers in Bessemer to VOTE UNION YES. In solidarity and support, Megan Abbott (DARE ME) Chris Abbott (LITTLE HOUSE ON THE PRAIRIE; CAGNEY AND LACEY; MAGNUM, PI; HIGH SIERRA SEARCH AND RESCUE; DR. QUINN, MEDICINE WOMAN; LEGACY; DIAGNOSIS, MURDER; BOLD AND THE BEAUTIFUL; YOUNG AND THE RESTLESS) Melanie Abdoun (BLACK MOVIE AWARDS; BET ABFF HONORS) John Aboud (HOME ECONOMICS; CLOSE ENOUGH; A FUTILE AND STUPID GESTURE; CHILDRENS HOSPITAL; PENGUINS OF MADAGASCAR; LEVERAGE) Jay Abramowitz (FULL HOUSE; GROWING PAINS; THE HOGAN FAMILY; THE PARKERS) David Abramowitz (HIGHLANDER; MACGYVER; CAGNEY AND LACEY; BUCK JAMES; JAKE AND THE FAT MAN; SPENSER FOR HIRE) Gayle Abrams (FRASIER; GILMORE GIRLS) 1 of 72 Jessica Abrams (WATCH OVER ME; PROFILER; KNOCKING ON DOORS) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEPPER) Nick Adams (NEW GIRL; BOJACK HORSEMAN; -
The Adventure Zone Balance: Here There Be Gerblins, Chapter One Published on December 3Rd, 2014 Listen on Themcelroy.Family
The Adventure Zone Balance: Here There Be Gerblins, Chapter One Published on December 3rd, 2014 Listen on TheMcElroy.family Griffin: Hey, everybody. This is Griffin McElroy, your dungeon master and sweet babiest brother. And thank you very much for tuning in to The Adventure Zone. What you are about to hear is the pilot episode for the show. If you listen to My Brother My Brother and Me, you may have already heard it. It was our experimental D&D episode; an experiment that a lot of you really loved, and told us that you wanted more of. So thank you so much for that outpouring of that support. We really wanted to do more of this and release it as a show, and you guys definitely made it known that you wanted that, too. So that is the plan, we are going to do this as a regular thing. The plan now is to do them bi-weekly? I think that‘s right. Every other week, every other Thursday here on MaximumFun.org and on iTunes, you will be able to find new episodes of the show, and we‘re gonna keep it going. So, if you could do us a favor and tell any nerd friends that you might have that you think might enjoy the show about it, and spread the word, leave a review on iTunes, just to help us sort of get it going. We would, of course, really, really appreciate it. I‘ve talked enough, it‘s time for the campaign to begin. So… [clears throat] Announcer: Strap on your fantasy seatbelts and brace your asses for… The Adventure Zone! [theme music plays] Griffin: So, you guys ready to make some dudes? Travis: Yeah. -
Back Listeners: Locating Nostalgia, Domesticity and Shared Listening Practices in Contemporary Horror Podcasting
Welcome back listeners: locating nostalgia, domesticity and shared listening practices in Contemporary horror podcasting. Danielle Hancock (BA, MA) The University of East Anglia School of American Media and Arts A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy January 2018 Contents Acknowledgements Page 2 Introduction: Why Podcasts, Why Horror, and Why Now? Pages 3-29 Section One: Remediating the Horror Podcast Pages 49-88 Case Study Part One Pages 89 -99 Section Two: The Evolution and Revival of the Audio-Horror Host. Pages 100-138 Case Study Part Two Pages 139-148 Section Three: From Imagination to Enactment: Digital Community and Collaboration in Horror Podcast Audience Cultures Pages 149-167 Case Study Part Three Pages 168-183 Section Four: Audience Presence, Collaboration and Community in Horror Podcast Theatre. Pages 184-201 Case Study Part Four Pages 202-217 Conclusion: Considering the Past and Future of Horror Podcasting Pages 218-225 Works Cited Pages 226-236 1 Acknowledgements With many thanks to Professors Richard Hand and Mark Jancovich, for their wisdom, patience and kindness in supervising this project, and to the University of East Anglia for their generous funding of this project. 2 Introduction: Why Podcasts, Why Horror, and Why Now? The origin of this thesis is, like many others before it, born from a sense of disjuncture between what I heard about something, and what I experienced of it. The ‘something’ in question is what is increasingly, and I believe somewhat erroneously, termed as ‘new audio culture’. By this I refer to all scholarly and popular talk and activity concerning iPods, MP3s, headphones, and podcasts: everything which we may understand as being tethered to an older history of audio-media, yet which is more often defined almost exclusively by its digital parameters. -
Greatestgentour.Com Now to See a Live Podcast That's the Exact Opposite of This
Note: This show periodically replaces their ad breaks with new promotional clips. Because of this, both the transcription for the clips and the timestamps after them may be inaccurate at the time of viewing this transcript. 00:00:00 Ben Harrison Promo The following is a message from Uxbridge-Shimoda LLC. 00:00:02 Sound Effect Sound Effect [Computer beeps.] 00:00:03 Music Music Fun, jazzy background music. 00:00:04 Adam Promo Have you been the victim of a bad live podcast experience? Has this Pranica ever happened to you? You bought a ticket to your favorite live podcast, and when you get there, there aren't any seats for you, so you have to sit in the bathroom because the toilet is the only unoccupied seat? And because the sounds of flushing and people having diarrhea, you can just barely hear the sound of laughter? But it's not the kind of laughter where you can tell the podcast hosts are doing well. It's the kind of laughter where you know the hosts are eating shit. 00:00:31 Adam Promo And when the show is over and you wipe yourself off, there isn't any toilet paper. So you use your underwear and try to flush those down the toilet. But the toilet gets clogged on all your underwear, and giant dookies you spent 90 minutes making, and starts overflowing, so you just leave it there and go out to the meet and greet. But you aren't feeling normal, because you aren't wearing underwear, because you're feeling the inside of your pants in a way you've never felt before, so you're awkward in your own body. -
Aristotle Meets Apple: Rhetoric in the Podcast”
“Aristotle Meets Apple: Rhetoric in the Podcast” By Anna Butrico An Undergraduate Honors Thesis presented to the faculty of Vanderbilt University in partial fulfillment of the requirements for the degree of BACHELOR OF ARTS in ENGLISH April 24, 2016 Thesis Advisor: John Clayton Second Reader: Haerin Shin Program Director: Teresa Goddu Instructions for Reading and Listening: This thesis is a multimedia project that has both written and audio components. The introduction and conclusion to the thesis are podcasts themselves, and there are sound bites within the thesis that showcase the podcasts discussed. Refer to the “Butrico Introduction Podcast” MP3 file to hear the introductory podcast, work through the “Sound Bites for Chapter 1 – 3” folders to listen to the bites embedded within the piece, and refer to the “Butrico Conclusion Podcast” file to hear the conclusion. 1 Introduction: Listen to “Butrico Intro Podcast” Chapter I Engaging Listeners in Problem Solving: Deliberative Rhetoric in the Podcast Mrs. Thompson stands on stage at a University of Michigan conference in 2004, holding a letter in her hands. Her shaky voice belies her strength and focused intentions, as she leans her sixty-year old body over the microphone to speak. “Dear Miss Buchanan,” her voice rings out, slowly reading a letter that fired an African American teacher from the local school system. Mrs. Thompson’s words unroll a profound social paradox: the integration of White students into Black schools after the Brown v. Topeka Board of Education verdict illogically caused an increased segregation of Black teachers. This policy (that had large and lasting unintended consequences) is one of the many examples of deliberative rhetoric that the podcast Revisionist History addresses. -
Mbmbam 391: Jeff Wolfworthy Published on January 29, 2018 Listen Here on Themcelroy.Family
MBMBaM 391: Jeff Wolfworthy Published on January 29, 2018 Listen here on TheMcElroy.family Intro (Bob Ball): The McElroy brothers are not experts, and their advice should never be followed. Travis insists he’s a sexpert, but if there’s a degree on his wall, I haven’t seen it. Also, this show isn’t for kids, which I mention only so the babies out there will know how cool they are for listening. What’s up, you cool baby? [theme music, “(It’s a) Departure” by The Long Winters, plays] Justin: Hello, everybody, and welcome to My Brother, My Brother and Me, an advice show for the modern era. I’m your oldest brother, Justin McElroy! Travis: I’m your middlest brother, Travis McElroy! Griffin: I’m your sweet baby brother and 30 Under 30 media luminary, Griffin McElroy. Justin: Are you ready for more footballll? Griffin: I’m ready for twice the amount of football I currently consume, which would still... Justin: An undetermined night of the week party! Griffin: Whew! [sing-song] It’s all night, and the balls are hot; don’t touch the balls, ‘cause you’ll burn your hands! Justin: [sing-song] We have a bunch—some announcers to be determined that are gonna get it kickstarted. Travis: [sing-song] Or maybe, like, hand-off start it. We don’t know, we haven’t finished out the rules yet. Griffin: [sing-song] There may not even be a ball this time. It’s football of the mind, XFL. Justin: You’ve probably guessed we’re.. -
“No Left, No Right – Only the Game”
“No Left, No Right – Only the Game” A Netnographic Study of the Online Community r/KotakuInAction Master of Arts: Media and Communication Studies – Culture, Collaborative Media, and Creative Industries Master’s Thesis (Two-year) | 15 credits Student: Oskar Larsson Supervisor: Maria Brock Year: 2021 Word Count: 15,937 Abstract This thesis examines how 'othering' discourse can be used to construct and negotiate boundaries and shape collective identities within online spaces. Through a mixed-method approach of thematic analysis and a netnographic study, and by drawing on theoretical concepts of online othering and identity formation, this thesis explores how the Gamergate community r/KotakuInAction can be understood in relation to Gamergate, the Alt-Right and society at large. The results show that the community perceive and construct the SJW as a common adversary – a monstrous representation of feminism, progressiveness and political correctness. The analysis also revealed how racist rhetorics and white male anxieties characterize the communitys' othering discourse. Through an in-depth study of user-submitted comment, this thesis argues that r/KotakuInAction's collective identity is fluid and reactionary in nature, characterized by a discourse that is indicative of Alt-Right ideology and white male supremacy. Future research should further explore the network of communities that r/KotakuInAction is part of, as well as examine how the community transform over time. Keywords: Gamergate, Reddit, Alt-Right, Online Othering, Collective Identity, -
The Adventure Zone: Here There Be Gerblins Pdf, Epub, Ebook
THE ADVENTURE ZONE: HERE THERE BE GERBLINS PDF, EPUB, EBOOK Carey Pietsch | 256 pages | 17 Jul 2018 | St Martins Press | 9781250153708 | English | New York, United States The Adventure Zone: Here There Be Gerblins PDF Book Presumably afterwards, he found religion in the service of Marthammor Duin later retconned to Pan. Want to Read saving…. Your beauty, Humor, Skyrim skills and intelligence get better every year. Griffin: Okay, yeah, that's a hit. Griffin: Uhh, he is, he is, uhh, fazed - He is not unfazed by that. Justin: Okay, good. Taako voice: Somebody was checking his fantasy football score! Zone of truth here: you won't regret it. Griffin: Uhh, so if you do that, you are permanently moving yourself back in the order. I wouldn't [laughing] know anything about that. Griffin: Uh, you guys move across the overpass - You move through a large chamber Taako: Is it far away? And he looks like Common. Actually about fifty-nine minutes, if you're exact- [Clint laughing] Taako: So listen. A speculative fiction serial of adventure novellas set in Griffin: Um, and Yeemick [chuckling] draws a short-bow and fires a round off at Klarg. This wiki All wikis. Taako: Look at this face, Klarg. Clint McElroy. You killed him and you didn't even think twice about it. About the Author Meet the McElroys! You're just burning a spell slot to use it? It lasts an hour. Showing Griffin: Not gonna do it. Clint: [talking over Taako] Well yeah, because if we're trying to be stealthy, it's always better to have smaller numbers. -
WTH Is Going on with the Retreat from Afghanistan? Amb. Ryan Crocker On
WTH is going on with the retreat from Afghanistan? Amb. Ryan Crocker on withdrawal, and the consequences for US national security Episode #115 | September 1, 2021 | Danielle Pletka, Marc Thiessen, and Amb. Ryan Crocker Danielle Pletka: Hi, I'm Danielle Pletka. Marc Thiessen: I'm Marc Thiessen. Danielle Pletka: Welcome to our podcast, What the Hell Is Going On? Marc, what the hell is going on? Marc Thiessen: I've never been more disgusted in my life with what's happening with what America is doing than I am right now watching the last planes leaving Kabul, leaving behind American citizens, thousands of Afghans who risked their lives to help us, the blood of 13 dead Americans and hundreds of Afghan civilians. It is the most shameful thing I have witnessed in my entire career in Washington. I'm shifting between absolute abject pain and rage as I watch this happen. Dany, what are your thoughts? Danielle Pletka: It is the worst thing in the world that a country like ours, we've suffered defeats, we've made mistakes, we've done terrible things. Never, I hope willfully, but by mistake, we've done terrible things. And we have betrayed allies before. We've not done enough for people who need us. We've let down the Kurds in Iraq, we've let down the Syrian people, but we have never actually gone in and rescued a group of people who in turn sacrificed all for us and for our security as Afghans did, because make no mistake, we were not in Afghanistan for the Afghan people. -
Creative Arts Emmy® Awards for Programs and Individual Achievements at the Nokia Theatre L.A
FOR IMMEDIATE RELEASE August 16, 2014 7:00 PM PT The Television Academy tonight (Saturday, August 16, 2014) presented the 2014 Creative Arts Emmy® Awards for programs and individual achievements at the Nokia Theatre L.A. LIVE in Los Angeles. This first ceremony of the 66th Emmy Awards honored guest performers on television dramas and comedy series, as well as the many talented artists and craftspeople behind the scenes to create television excellence. Produced for the 20th year by Spike Jones, Jr., this year’s Creative Arts Awards featured an array of notable presenters, among them Jane Lynch, Tony Hale, Amy Schumer, Allison Janney, Tim Gunn and Heidi Klum, Comedy Central’s Key & Peele, Fred Armisen and Carrie Brownstein, Morgan Freeman, Tony Goldwyn, Aisha Tyler, Joe Manganiello and Carrie Preston. Highlights included Jon Voight’s moving posthumous presentation of the Academy’s prestigious Governors Award to casting icon, Marion Dougherty. Voight was one of Dougherty’s discoveries. The awards, as tabulated by the independent accounting firm of Ernst & Young LLP, were distributed as follows: Program Individual Total HBO 4 11 15 NBC 1 9 10 PBS 2 6 8 Fox 1 6 7 Netflix - 7 7 CBS 1 5 6 ABC 1 4 5 Discovery Channel 2 2 4 Disney Channel 1 3 4 FOX/NatGeo - 4 4 Showtime 1 3 4 Cartoon Network - 3 3 FX Networks - 3 3 Comedy Central - 2 2 Starz - 2 2 Adult Swim - 1 1 AMC - 1 1 CartoonNetwork.com - 1 1 CNN 1 - 1 comcast.com 1 - 1 ESPN 1 - 1 FunnyOrDie.com 1 - 1 justareflektor.com 1 - 1 Nat Geo WILD - 1 1 National Geographic Channel 1 - 1 pivot.tv 1 - 1 TNT 1 - 1 TELEVISION ACADEMY 2014 CREATIVE ARTS EMMY AWARDS This year’s Creative Arts telecast partner is FXM; a two-hour edited version of the ceremony will air Sunday, August 24 at 8:00 PM ET/PT with an encore at 10:00 PM ET/PT on FXM. -
Reminder List of Productions Eligible for the 86Th Academy Awards
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 86TH ACADEMY AWARDS ABOUT TIME Notes Domhnall Gleeson. Rachel McAdams. Bill Nighy. Tom Hollander. Lindsay Duncan. Margot Robbie. Lydia Wilson. Richard Cordery. Joshua McGuire. Tom Hughes. Vanessa Kirby. Will Merrick. Lisa Eichhorn. Clemmie Dugdale. Harry Hadden-Paton. Mitchell Mullen. Jenny Rainsford. Natasha Powell. Mark Healy. Ben Benson. Philip Voss. Tom Godwin. Pal Aron. Catherine Steadman. Andrew Martin Yates. Charlie Barnes. Verity Fullerton. Veronica Owings. Olivia Konten. Sarah Heller. Jaiden Dervish. Jacob Francis. Jago Freud. Ollie Phillips. Sophie Pond. Sophie Brown. Molly Seymour. Matilda Sturridge. Tom Stourton. Rebecca Chew. Jon West. Graham Richard Howgego. Kerrie Liane Studholme. Ken Hazeldine. Barbar Gough. Jon Boden. Charlie Curtis. ADMISSION Tina Fey. Paul Rudd. Michael Sheen. Wallace Shawn. Nat Wolff. Lily Tomlin. Gloria Reuben. Olek Krupa. Sonya Walger. Christopher Evan Welch. Travaris Meeks-Spears. Ann Harada. Ben Levin. Daniel Joseph Levy. Maggie Keenan-Bolger. Elaine Kussack. Michael Genadry. Juliet Brett. John Brodsky. Camille Branton. Sarita Choudhury. Ken Barnett. Travis Bratten. Tanisha Long. Nadia Alexander. Karen Pham. Rob Campbell. Roby Sobieski. Lauren Anne Schaffel. Brian Charles Johnson. Lipica Shah. Jarod Einsohn. Caliaf St. Aubyn. Zita-Ann Geoffroy. Laura Jordan. Sarah Quinn. Jason Blaj. Zachary Unger. Lisa Emery. Mihran Shlougian. Lynne Taylor. Brian d'Arcy James. Leigha Handcock. David Simins. Brad Wilson. Ryan McCarty. Krishna Choudhary. Ricky Jones. Thomas Merckens. Alan Robert Southworth. ADORE Naomi Watts. Robin Wright. Xavier Samuel. James Frecheville. Sophie Lowe. Jessica Tovey. Ben Mendelsohn. Gary Sweet. Alyson Standen. Skye Sutherland. Sarah Henderson. Isaac Cocking. Brody Mathers. Alice Roberts. Charlee Thomas. Drew Fairley. Rowan Witt. Sally Cahill.