Compact Discs and Dvds - Popular, Jazz, Ethno Recent Releases - Spring 2021
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GLEN COVE ______Gazette Goo Goo Dolls Inside: Bet You Can’T Eat Senior Rock on Health Expo Just One Page 15 Pullout Page 3 VOL
HERALD________________ GLEN COVE _______________ Gazette Goo Goo Dolls Inside: Bet you can’t eat Senior rock on Health Expo just one Page 15 Pullout Page 3 VOL. 28 NO. 31 AUGUST 1-7, 2019 $1.00 ‘We can’t lose this lot’ City files appeal on behalf of Glen Cove Senior Center By RONNY REYES center, a series of legal back-and- [email protected] forths between the city and the front lot’s owner, Car Care Co. With a membership of about Inc., could remove more than a 2,000 seniors from all over the dozen parking spaces now set North Shore, the Glen Cove aside for them. In December, Senior Center plays an impor- State Supreme Court Judge Juli- tant role in the lives of the area’s anne Capetola barred Car Care elderly residents. It from evicting the offers a lunch pro- city from the park- gram, a library, a ing lot, which thrift shop and doz- f we lose this allowed the city to ens of events and continue leasing courses aimed at Iparking lot, we the lot on a month- seniors. lose participation. ly basis. The City Barbara Stanco, Council even dis- Tab Hauser/Herald Gazette 79, a volunteer, And if we lose cussed plans to knows how busy participation, we purchase the lot at Making the most of a summer night the center can be, the beginning of because she helps lose funding. the year. But Car Kathy and Glen Paganetti shared some popcorn while enjoying a night of music and dancing dur- screen movies for C a r e f i l e d a n ing the annual Downtown Sounds summer concert series. -
State of Bass
First published by Velocity Press 2020 velocitypress.uk Copyright © Martin James 2020 Cover design: Designment designment.studio Typesetting: Paul Baillie-Lane pblpublishing.co.uk Photography: Cleveland Aaron, Andy Cotterill, Courtney Hamilton, Tristan O’Neill Martin James has asserted his right under the Copyright, Designs and Patents Act 1988 to be identied as the author of this work All rights reserved. No part of this publication may be reproduced, in any form or by any means, without permission from the publisher While the publishers have made every reasonable eort to trace the copyright owners for some of the photographs in this book, there may be omissions of credits, for which we apologise. ISBN: 9781913231026 1: Ag’A THE JUNGLISTS NAMING THE SOUND, LOCATING THE SCENE ‘It always has been such a terrible name. I’ve never known any other type of music to get so misconstrued by its name.’ (Rob Playford, 1996) Of all of the dance music genres, none has been surrounded with quite so much controversy over its name than jungle. No sooner had it been coined than exponents of the scene were up in arms about the racist implications. Arguments raged over who rst used the term and many others simply refused to acknowledge the existence of the moniker. It wasn’t the rst time that jungle had been used as a way to describe a sound. Kool and the Gang had called their 1973 funk standard Jungle Boogie, while an instrumental version with an overdubbed ute part and additional percussion instruments was titled Jungle Jazz. The song ends with a Tarzan yell and features grunting, panting and scatting throughout. -
David S. Ware in Profile
Steve Coleman: The Most Influential Figure Since Coltrane? AMERICA’s JAZZ MAGAZINE Win a Trip for Two on The Jazz Cruise! TBetweenia Fuller Bop&Beyoncé David S. Ware Fred Ho in Profile His Harrowing BY DAVID R. ADLER Fight Against Cancer Before & After Lee Konitz Nate Chinen on Kirk Whalum John Ellis A $250,000 Turntable? Audiophile Gear to Die For Stan Getz & Kenny Barron Reviewed 40 JAZZTIMES >> JUNE 2010 A f te r the here were torrential rains, and gusts up to 60 miles per hour, on the night in mid- March when saxophone icon David S. Ware played solo before an intimate crowd in Brooklyn. Seated in the cozy home office of host Garrett Shelton, a music industry con- sultant, Ware began with an assertive, envel- Still coping with the oping improvisation on sopranino—a new Thorn in his arsenal—and followed it with an S toaftermath of a rkidney m extended tenor display, rigorously developed, with mounting sonic power. transplant, David S. Ware After he finished, Ware played up the salon-like atmosphere by inviting questions forges ahead with solo from listeners. Multi-instrumentalist Cooper- Moore, Ware’s good friend and one-time saxophone, a new trio roommate, who (like me) nearly missed the show on account of a subway power outage, and a return to the Vision was among the first to speak. He noted that the weather was also perfectly miserable on Festival this summer Oct. 15, 2009, the night of Ware’s previous solo concert. So one had to wonder, “What’s goin’ on with you, man?” Laughing, Ware By David R. -
Keeping the Tradition Y B 2 7- in MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar
June 2011 | No. 110 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Dee Dee Bridgewater RIAM ANG1 01 Keeping The Tradition Y B 2 7- IN MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar It’s always a fascinating process choosing coverage each month. We’d like to think that in a highly partisan modern world, we actually live up to the credo: “We New York@Night Report, You Decide”. No segment of jazz or improvised music or avant garde or 4 whatever you call it is overlooked, since only as a full quilt can we keep out the cold of commercialism. Interview: Cooper-Moore Sometimes it is more difficult, especially during the bleak winter months, to 6 by Kurt Gottschalk put together a good mixture of feature subjects but we quickly forget about that when June rolls around. It’s an embarrassment of riches, really, this first month of Artist Feature: Orrin Evans summer. Just like everyone pulls out shorts and skirts and sandals and flipflops, 7 by Terrell Holmes the city unleashes concert after concert, festival after festival. This month we have the Vision Fest; a mini-iteration of the Festival of New Trumpet Music (FONT); the On The Cover: Dee Dee Bridgewater inaugural Blue Note Jazz Festival taking place at the titular club as well as other 9 by Marcia Hillman city venues; the always-overwhelming Undead Jazz Festival, this year expanded to four days, two boroughs and ten venues and the 4th annual Red Hook Jazz Encore: Lest We Forget: Festival in sight of the Statue of Liberty. -
Carles Santos El Fervor De La Perseverancia
folleto fest07-41+ 12/4/07 19:16 Página 1 folleto fest07-41+ 12/4/07 19:16 Página 2 El Festival Internacional de las Artes de Castilla No hemos querido en esta nueva edición del y León es una iniciativa de la Consejería de Cultura y Turismo que Festival limitarnos a dirigir una mirada pasiva al mundo de la crea- nació con una intención clara de apertura hacia formas actuales de ción, sino adoptar una actitud de compromiso y apoyo a la creación expresar y sentir el arte y la cultura, en el marco de una ciudad contemporánea internacional, con una apuesta decidida por las como Salamanca, Patrimonio de la Humanidad, y que constituye por compañías, desarrollando líneas de coproducción que nos han lleva- sí sola el más prestigioso escenario urbano, dispuesto siempre a do a colaborar con otros importantes festivales europeos, como son acoger y proyectar al mundo, con la fuerza y prestigio que le conce- los Festivales de Avignon, Atenas y Roma. Damos así un trascenden- de su trayectoria histórica, su tradición científica y su vocación cul- te paso hacia delante, ya que además de escaparate de la creación tural, las más importantes creaciones del arte moderno. artística más novedosa, el Festival se convierte en plataforma de la misma, y nos concede el privilegio de asistir al descubrimiento de Este objetivo de trascender el marco de lo local los espectáculos coproducidos que, después de Salamanca, girarán abriéndose a horizontes más amplios y situar a Salamanca como por el resto del mundo. centro de las artes escénicas se manifiesta más firme que -
Grassroots Event Focuses on Black, Brown Trans
Photo by Tim Peacock VOL 35, NO. 21 JULY 8, 2020 www.WindyCityMediaGroup.com E. PATRICK JOHNSON A profile of the newest NU dean. Photo from Johnson's website, run with permission 10 DAVID ZAK Leaves Pride Films and Plays amid controversy. Photo by Bob Eddy MARCH 13 POLITICAL PARTY FORWARD Durbin, Baldwin meet with Grassroots event focuses supporters. Official photo of U.S. Sen. Tammy Baldwin on Black, Brown trans lives 5 PAGE 4 @windycitytimes /windycitymediagroup @windycitytimes www.windycitymediagroup.com July 8, 2020 WINDY CITY TIMES PAGE 6 Chicago Pride Parade 2019. Photo by Kat Fitzgerald (www.MysticImagesPhotography.com) "Kickoff," The Chicago Gay Pride Parade 1976. Diane Alexander White Photography TWO SIDES OF PAGE 20 YESTERDAY APRIL 29, 2020 VOL 35, NO. 20 Looking back at Pride memories of the past (above) WINDYJUNE 24, 2020 and this month’s Drag March for Change (below) PRIDEChicagoBuffalo Pridedrives Grove postponed; on Pride VOL 35, NO. 16 CITY www.WindyCityMediaGroup.com AND TODAY EDDIE TIMES HUNSPERGER PAGE 17 Activist and partner of Rick Garcia dies. Photo of Hunsperger (right) and Garcia courtesy of Garcia 4 Buffalo Grove Pride 2019. SEEING Tim Carroll Photography THE LIGHT Lighthouse Foundation prepares programming. Photo of Rev. Jamie Frazier by Marcel Brunious 8 PAGE 4 www.windycitymediagroup.com From the Drag March for Change. Photo by Vernon Hester @windycitytimes /windycitymediagroup @windycitytimes www.windycitymediagroup.com @windycitytimes FUN AND GUNN Tim Gunn on his new show, /windycitymediagroup 'Making the Cut'. Photo by Scott McDermott 13 @windycitytimes SUPPORT Photo by Tim Peacock 2 VOL 35, NO. 21 JULY 8, 2020 www.WindyCityMediaGroup.com E. -
Suicide Silence Album Downloads Suicide Silence
suicide silence album downloads Suicide Silence. This is a simple method for silence removal and segmentation of audio streams that contain speech. The method is based in two simple audio features (signal energy and spectral centroid). As long as the feature sequences are extracted, as thresholding approach is applied on those sequence, in. License: Freeware Size: 983.04 KB Download (28): Silence removal in speech signals Download. Batch Audio Silence Remover can trim a bunch of audio files that have silence at the beginnings and ends automatically. This software scans each audio file for when sound starts and ends, then clips off any silence. Batch Audio Silence Remover can help you fix the files that feature quiet. License: Freeware Size: 7.07 MB Download (29): Batch Audio Silence Remover Download. Audio Silence Remover Pro helps to remove silence from multiple audio files together. You can just give it a list of files to trim as opposed to having to do them individually. It scans silence at the beginning, middle and end of input audio tracks and removes silent part(s) automatically. Platforms: Windows, Windows 7, Windows Server. License: Freeware Size: 12 MB Download (57): Audio Silence Trimmer Pro Download. This application warns of the awkward silence. It supports the interruption of a silence. You will be able to use this application at the meeting. Moreover, you will be able to use it to talk with the lover. And, You will say the goodbye to a awkward silence. "How should I use it?" it is up to. License: Freeware Size: 512 KB Download (14): AWKWARD SILENCE BREAKER Download. -
Ash Ra Tempel Join Inn Mp3, Flac, Wma
Ash Ra Tempel Join Inn mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock Album: Join Inn Country: France Released: 1991 Style: Krautrock, Prog Rock, Ambient MP3 version RAR size: 1751 mb FLAC version RAR size: 1544 mb WMA version RAR size: 1350 mb Rating: 4.3 Votes: 381 Other Formats: XM ADX TTA AUD APE WMA DTS Tracklist 1 Freak 'n' Roll 19:15 2 Jenseits 24:18 Companies, etc. Distributed By – MSI Manufactured By – Tecval Memories SA Phonographic Copyright (p) – Tempel Copyright (c) – Tempel Phonographic Copyright (p) – Spalax Music Copyright (c) – Spalax Music Recorded At – Dierks Studios Credits Bass – Hartmut Enke Cover – Günter Gritzner Drums, Organ, Synthesizer [Synthi A] – Klaus Schulze Engineer – Dieter Dierks Guitar – Manuel Göttsching Music By, Lyrics By [Text By] – Hartmut Enke, Klaus Schulze, Manuel Göttsching Producer [Ein Ohr Produktion Von] – Rolf-Ulrich Kaiser Voice [Stimme] – Rosi* Notes Sechsunddreißigste Ohr - Platte. Aufgenommen im Dezember 1972 während der Produktion der LP "Tarot" im Studio Dierks. Copyright information: On booklet rear: RERELEASE P + C 1991 TEMPEL, SPALAX MUSIC, PARIS, FRANCE Disc print is blue ink on this version with MSI circled logo (no Spalax) MANUFACTURED IN SWITZERLAND BY TECVAL Catalogue number variations are: 14246 on tray inlay and disc, EL 14246 on spines (EL is rotated). Released originally in 1973 on Ohr Records (OMM 556032). Barcode and Other Identifiers Matrix / Runout: SPA10218-14246 Rights Society: SACEM SACD SDRM SGDL Other versions Category Artist Title (Format) Label Category Country Year OMM 556.032, Ash Ra OMM 556.032, Join Inn (LP, Album) Ohr, Ohr Germany 1973 OMM 556032 Tempel OMM 556032 Ash Ra Join Inn (CD, Album, Purple CLP 1258-2 CLP 1258-2 US 2002 Tempel RE) Pyramid OMM 556032, Ash Ra Join Inn (LP, Album, OMM 556032, Ohr , Ohr Europe 2017 OMM 556.032 Tempel RE, Unofficial) OMM 556.032 Ash Ra Join Inn (LP, Album, OMM 556032 Ohr OMM 556032 Germany 2011 Tempel Ltd, RE, Unofficial) Klaus Klaus Schulze, Ash Pld. -
Zoomagazine Interview 2
MANUEL GÖTTSCHING Im Wachsfigurenkabinett von Tokio hat man ihn zwischen Abraham Lincoln und Marilyn Monroe aufgestellt: Manuel Göttsching, geboren 1952 in West-Berlin, spielte Anfang der 70er Jahre in der legendären Krautrock-Formation Ash Ra Tempel, zehn Jahre später schrieb er mit seinem einstündigen Synthesizer-Epos "E2-E4" Musikgeschichte. Im New Yorker Studio 54 spielte man das Stück gerne zum Warmwerden, um die Ecke in der Paradise Garage krönte es die Sets des DJ- Pioniers Larry Levan. 1989 diente das Stück als Basis des millionenfach verkauften Ibiza-Gassenhauers "Sueno Latino", seitdem wurde "E2-E4" unzählige Male gesamplet, gecovert und imitiert. Während zum 25. Geburtstag des Stücks neue Remixe auf den Markt kommen, sitzt Manuel Göttsching noch immer im tiefsten Berlin-Schöneberg, um die Ecke eines Etablissements namens "Big Sexyland", und arbeitet an Musik, die das Zeitempfinden ihrer Hörer nachhaltig außer Kraft setzt. Ein Gespräch über Timothy Leary, reiche Japaner, Klaus Nomi und vorsintflutliche Lochkarten-Synthesizer. Herr Göttsching, Sie haben 1981 mit "E2-E4" ein Stück aufgenommen, das als wegweisend für die Entwicklung der elektronischen Tanzmusik gilt. Was war das für ein Tag, an dem das Stück entstand? Hmm. Also das Datum weiß ich ja noch, das war der 12. Dezember 1981, aber sonst... Haben Sie nie versucht, zu rekonstruieren, was an dem Tag möglicherweise besonders war, ob es eine außergewöhnliche Sternenkonstellation gab oder so etwas? Nein. Vielleicht klingt es komisch, aber ich denke, "E2-E4" ist einfach so gut geworden, weil ich den Kopf total frei hatte. Ich habe gar nicht daran gedacht, dass ich da jetzt was besonders Tolles machen muss, was ich veröffentlichen kann. -
Phonographic Performance Company of Australia Limited Control of Music on Hold and Public Performance Rights Schedule 2
PHONOGRAPHIC PERFORMANCE COMPANY OF AUSTRALIA LIMITED CONTROL OF MUSIC ON HOLD AND PUBLIC PERFORMANCE RIGHTS SCHEDULE 2 001 (SoundExchange) (SME US Latin) Make Money Records (The 10049735 Canada Inc. (The Orchard) 100% (BMG Rights Management (Australia) Orchard) 10049735 Canada Inc. (The Orchard) (SME US Latin) Music VIP Entertainment Inc. Pty Ltd) 10065544 Canada Inc. (The Orchard) 441 (SoundExchange) 2. (The Orchard) (SME US Latin) NRE Inc. (The Orchard) 100m Records (PPL) 777 (PPL) (SME US Latin) Ozner Entertainment Inc (The 100M Records (PPL) 786 (PPL) Orchard) 100mg Music (PPL) 1991 (Defensive Music Ltd) (SME US Latin) Regio Mex Music LLC (The 101 Production Music (101 Music Pty Ltd) 1991 (Lime Blue Music Limited) Orchard) 101 Records (PPL) !Handzup! Network (The Orchard) (SME US Latin) RVMK Records LLC (The Orchard) 104 Records (PPL) !K7 Records (!K7 Music GmbH) (SME US Latin) Up To Date Entertainment (The 10410Records (PPL) !K7 Records (PPL) Orchard) 106 Records (PPL) "12"" Monkeys" (Rights' Up SPRL) (SME US Latin) Vicktory Music Group (The 107 Records (PPL) $Profit Dolla$ Records,LLC. (PPL) Orchard) (SME US Latin) VP Records - New Masters 107 Records (SoundExchange) $treet Monopoly (SoundExchange) (The Orchard) 108 Pics llc. (SoundExchange) (Angel) 2 Publishing Company LCC (SME US Latin) VP Records Corp. (The 1080 Collective (1080 Collective) (SoundExchange) Orchard) (APC) (Apparel Music Classics) (PPL) (SZR) Music (The Orchard) 10am Records (PPL) (APD) (Apparel Music Digital) (PPL) (SZR) Music (PPL) 10Birds (SoundExchange) (APF) (Apparel Music Flash) (PPL) (The) Vinyl Stone (SoundExchange) 10E Records (PPL) (APL) (Apparel Music Ltd) (PPL) **** artistes (PPL) 10Man Productions (PPL) (ASCI) (SoundExchange) *Cutz (SoundExchange) 10T Records (SoundExchange) (Essential) Blay Vision (The Orchard) .DotBleep (SoundExchange) 10th Legion Records (The Orchard) (EV3) Evolution 3 Ent. -
ALBUMS EAG -ES, "HOTEL CALIFORNIA" (Prod
DFDICATED TO THE NF SINGLES ALBUMS EAG -ES, "HOTEL CALIFORNIA" (prod. by Bill SPINNERS; "YOU'RE THROWING A GOOD LOVE AMERICA, "HARBOR." This trio has Szymczyk) (writers: Felder -Henley - AWAY" (prod. by Thom Bell) (writ- mastered a form-easy-going, soft rock Frey) (pub. not listed) (6:08). Prob- ers: S. Marshall & T. Wortham) built around three-part harmonies and ably America's hottest group on bath (Mighty Three, BMI) (3:36). The group (on its more recent Ips) the sweet pro- the album and singles levels, The has slowed the tempo from its romp- duction and arrangements of George Eagles have followed the stunning ing "Rubberband Man" but main- Martin. "Don't Cry Baby," -Now She's success of "New Kid In Town" with tains the eclectic sound that has Gone" and "Sergeant Darkness" fill the the title track from their platinum made them a major force through- prescription most eloquently. They'll Ip. A mild reggae flavor pervades out pop and souldom. The track is never be in dry dock. Warner Bros. BSK the tune. Asylum 45386. from their forthcoming Ip. Atl. 3382. 3017 (7.98). THE MANHATTANS, "IT FEELS SO GOOD TO THE ISLEY BROTHERS, "THE PRIDE" (prod. by BAC -ëMAN-TURNER OVERDRIVE, "FREE- ItF LOVED SO BAD' (prod. by The The Isley Brothers) (R. Isley-O. Isley- WAYS." With "Freeways," BTO has Manhattans Co./Bobby Martin) (Raze R. Isley-C. Jasper -E.. Isley-M.Isley) reached a new stage of its career. zle Dazzle, BMI) (3:58). The group (Bovina, ASCAP) (3:25). A growling Hinted at previously _but fully devel- opens the tune with one of its by guitar and loping bass sound sets oped now, the group has retained its now obligatory narrative exhorta- the pace for the group's best effort power while moving to a more melody tions which sets the tors. -
Born in America, Jazz Can Be Seen As a Reflection of the Cultural Diversity and Individualism of This Country
1 www.onlineeducation.bharatsevaksamaj.net www.bssskillmission.in “Styles in Jazz Music”. In Section 1 of this course you will cover these topics: Introduction What Is Jazz? Appreciating Jazz Improvisation The Origins Of Jazz Topic : Introduction Topic Objective: At the end of this topic student would be able to: Discuss the Birth of Jazz Discuss the concept of Louis Armstrong Discuss the Expansion of Jazz Understand the concepts of Bebop Discuss todays Jazz Definition/Overview: The topic discusses that the style of music known as jazz is largely based on improvisation. It has evolved while balancing traditional forces with the pursuit of new ideas and approaches. Today jazz continues to expand at an exciting rate while following a similar path. Here you will find resources that shed light on the basics of one of the greatest musical developments in modern history.WWW.BSSVE.IN Born in America, jazz can be seen as a reflection of the cultural diversity and individualism of this country. At its core are openness to all influences, and personal expression through improvisation. Throughout its history, jazz has straddled the worlds of popular music and art music, and it has expanded to a point where its styles are so varied that one may sound completely unrelated to another. First performed in bars, jazz can now be heard in clubs, concert halls, universities, and large festivals all over the world. www.bsscommunitycollege.in www.bssnewgeneration.in www.bsslifeskillscollege.in 2 www.onlineeducation.bharatsevaksamaj.net www.bssskillmission.in Key Points: 1. The Birth of Jazz New Orleans, Louisiana around the turn of the 20th century was a melting pot of cultures.