Dypdykk I Musikkhistorien - Del 26: Grensesprengende Musikk Fra Japan (21.10.2019 - TFB) Oppdatert 21.10.2019

Total Page:16

File Type:pdf, Size:1020Kb

Dypdykk I Musikkhistorien - Del 26: Grensesprengende Musikk Fra Japan (21.10.2019 - TFB) Oppdatert 21.10.2019 Dypdykk i musikkhistorien - Del 26: Grensesprengende musikk fra Japan (21.10.2019 - TFB) Oppdatert 21.10.2019 Spilleliste pluss noen ekstra lyttetips: Inspirasjon Taj Mahal Travellers Nihonjin (1973) / Far Out Far East Family Band Satori (1971) / Flower Travellin’ Band Opera "From The Works Of Tadanori Yokoo" (1969) / Toshi Ichiyanagi Les Rallizes Denudes Spor 6 (3/3 (1975) / 3/3) Punk Live! (1990) / SS Mony mony (Live 1978-1979 (2001) / Aunt Sally) Gaseneta Post-punk Renzoku Shasatsuma New Kids In The City (Lizard (1979) / Lizard) けしの華 (1980) / Benitokage Cool fool ; Cycle dance (Friction (1980) / Friction) 1 ‘79 live (1980 / 2005) / Friction Red light dumb (Zone tripper (1999) / Friction) Phew (1981) / Phew 乙女の祈りはダッダッダッ!(1981) / Mizutama Shobodan Ultra Bide Noise Corroded Mary (終末処理場 (2000) / Hijokaidan)[Shumatsu-Shorijo, 1980] Incapacitants Merzbow C.C.C.C. Masonna Metacompound (2006) / Absolut Null Punkt Psykedelia Andromeda (Super record (1975) / Magical Power Mako) Tenjo-Sajiki music work collection vol. 1-4 / J.A. Seazer Cycle goddess (II (1986) / High Rise) Spor 1 (Fushitsusha 1st (1989) / Fushitsusha) Acid Mother Temple I did are (Kore ga mayaku da (2005) / Afrirampo) 2 Jazz Poo-Sun (1970) / Masabumi Kikuchi Air (1977) / Air Loose bowel ; Where is my self (Death cures even idiots (1998) / Soh Band) Naked lunch (The man who does not nod (1995) / Tipographica) Floating opera ; 95.9.23 fine ; Rainbow of the gravity (Floating opera (1997) / Tipographica) Impro New Direction Masayuki Takayanagi Abe Kaoru Lost Aaraaff (1991) / Lost Aaraaff Black stage (1996) / Black Stage Progressive rock 1971 (1996 [1971-1973] / Datetenryu Warning (Bi Kyo Ran (1982) / Bi Kyo Ran) Suite “ran” (Parallax (1983) / Bi Kyo Ran) Vision I Bugbear (1984) / Lacrymosa The clap (Tokyo symphonic score (1994) / Time Unit) Jules Verne Street At Midnight (Golden Avant-Garde (1994) / Golden Avant-Garde) 3 Le soleil (8-8 (2004) / Le Silo) Method of panic (Joujoushka (2004) / Unbeltipo) Umbra bis tundra (Uncle bunny tongue (2011) / Unbeltipo) Space rock / Ambient / Elektronika Cisco! (Pico! (1998) / Rovo) Superroots 9 (2007) / Boredoms Metal / hardcore Dead sun rising (Desire for agony (1993) / Zeni Geva) Mind thief (13 hedgehogs - mxbx singles 1994-1999 (2005) / Melt-Banana) Folk Kiyohiko Semba Steep slope ; Deko-boko (Deko-boko (2001) / Cicala Mvta) Zeuhl Utrecht ; 1998 (Amygdala (2004) / Amygdala) Rock & young ; Shige et osanna ; Rolling the law court Happy Family (1994) / Happy Family 4 Toscco (1997) / Happy Family Rigo ; Octopus-Command ; Arabia no zou (Bondage Fruit (1994) / Bondage Fruit) Recit (III (1997) / Bondage Fruit) Koenjihyakkei 80-tallet spor 1 ; spor 5 (Y. De noir II (1983) / Takami) Watashi dake? (1981) / Haino Keiji Inanaki (Shinutokiwa betsu (1981) / Wha-ha-ha) Taco (1983) / Taco Tenno (1980) / Noise Cymbals at dawn (After Dinner (1984) / After Dinner) Dataspill Zaxxon (Sega, 1985) Legend of game music vol. 1 & 2 Konami Kukeiha Club - Opening (1989) Diggin in the carts : a collection of pioneering japanese video game music (2017) Boredoms Onanie bomb meets Sex Pistols (1988) Bo-Go-Bompoo Pop tartari (1992) Seadrum - House of sun (2004) 5 90-tallet Electrostatic hotel (Il Berlione (1992) / Il Berlione) Snakebery Altered States (1992) / Altered States Ungarded (Haco (1995) / Haco) Slipp Ent Cabien ; Agues Die Macinesse (Erioka Con Animac Planetico (1996) / Hi-speed) In Convolution (Hades park (1998) / Dragon Blue) God Mountain Records A meaningful meaningnessless (2005) / Hoppy Kamiyama The scraps screamed​ / Doom Neu Konservatiw (1994) Spor 5 (P.O.N. (1995) / P.O.N.) Ground Zero (1992) / Ground Zero Tipographica (1993) / Tipographica Penetration (Bug (1994) / Optical 8) Anima (No. 11 (1996) / Fomoflo) Crater (Alloy (2007) / Salle Gaveau) 6 Demon within ; Agony & desire (Synaesthesia (1999) / Death Ambient) Tatsuya Yoshida Dark side (In the dark (1985) / Phadia) Kingdom Of Familydream I ; Kingdom Of Familydream II (Kingdom Of Familydream (1986) / YBO2) Outburn (Ruins (1986) / Ruins) Human being (Ruins II (1986) / Ruins) Symphonica (1998) / Ruins Djubatczegromm Tzomborgha (2002) / Ruins Grembo zavia (II (1997) / Koenjihyakkei) Can coffee (Chateau Du Akaten (2001) / Akaten) Ground Zero Last concert (1999) Consume Mao ; Rush capture of the revolutionary opera 1 Revolutionary Pekinese opera (1996) Tangent ; Etude ; (Zypressen (1996) / Zypressen) On a moonlit night (People from the continent (2001) / Wilkinson Brothers) 7 Anbefalt litteratur: Japrocksampler : how the post-war japanese blew their minds on rock’n’roll / Julian Cope Dokkiri! : Japanese indies music 1976-1989 : a history and a guide / Kato David Hopkins Japanese independent music (Sonore, 2001, ISBN: 2-9515644-0-6) 8 .
Recommended publications
  • Tenor Saxophone Mouthpiece When
    MAY 2014 U.K. £3.50 DOWNBEAT.COM MAY 2014 VOLUME 81 / NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editors Ed Enright Kathleen Costanza Art Director LoriAnne Nelson Contributing Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter,
    [Show full text]
  • Download Press File
    Ruin Porn (2016) by Guillaume Marie, Igor Dobricic & KK Null Conception, direction, choreography: Guillaume Marie Conception, direction, dramaturgy: Igor Dobričić Original soundtrack: Kazuyuki Kishino aka KK Null Created in collaboration with and performed by: Els Deceukelier, Guillaume Marie, Roger Sala Reyner & Suet Wan Tsang Costumes: Cédrick Debeuf Make-up: Rebecca Florès Light Designer: Abigail Fowler MIDI programming : Abigail Fowler & Stéphane Monteiro Technical direction and sound enginner: Stéphane Monteiro Management France: Guillaume Bordier - [email protected] - +33 664 810 798 Booking: Erwan Coëdelo - [email protected] - +33 689 857 175 International creative producer: Steve Slater - [email protected] - +44 7791 314650 Graphism: Grégoire Gitton Production: TAZCORP/ Co-productions: Ménagerie de Verre (F), le CND - un centre d’art pour la danse (F) - résidence augmentée, CCN Roubaix/Ballet du Nord (F) - accueil studio, Hostellerie de Pontempeyrat (F) - accueil studio. With the support of French Ministry of Culture and Communication (F), DICREAM and ADAMI. Our deep gratitude to: l'Atelier Bas & Hauts/Laura Ragno, Anna Le Houerf, Stéphanie Méméteau-Gitton, Arnaud Delacelle & Frédérique Marciniak. www.tazcorp.org Created in Festival Etrange Cargo at la Ménagerie de Verre, Paris (F) on the 29th and 30th of March 2016. Video link: https://vimeo.com/166030181 Ruin Porn is an intense sensorial journey into the future past of a dance as a ritual and of a theatre as a site. Four personas that are gradually materializing out of the cloud of light and sound, are both pathetic ruins of what was before and a never fulfilled promise of what is yet to come. They are creatures forever caught in between departing and arriving into the present moment of the performance.
    [Show full text]
  • Immersion Into Noise
    Immersion Into Noise Critical Climate Change Series Editors: Tom Cohen and Claire Colebrook The era of climate change involves the mutation of systems beyond 20th century anthropomorphic models and has stood, until recent- ly, outside representation or address. Understood in a broad and critical sense, climate change concerns material agencies that im- pact on biomass and energy, erased borders and microbial inven- tion, geological and nanographic time, and extinction events. The possibility of extinction has always been a latent figure in textual production and archives; but the current sense of depletion, decay, mutation and exhaustion calls for new modes of address, new styles of publishing and authoring, and new formats and speeds of distri- bution. As the pressures and re-alignments of this re-arrangement occur, so must the critical languages and conceptual templates, po- litical premises and definitions of ‘life.’ There is a particular need to publish in timely fashion experimental monographs that redefine the boundaries of disciplinary fields, rhetorical invasions, the in- terface of conceptual and scientific languages, and geomorphic and geopolitical interventions. Critical Climate Change is oriented, in this general manner, toward the epistemo-political mutations that correspond to the temporalities of terrestrial mutation. Immersion Into Noise Joseph Nechvatal OPEN HUMANITIES PRESS An imprint of MPublishing – University of Michigan Library, Ann Arbor, 2011 First edition published by Open Humanities Press 2011 Freely available online at http://hdl.handle.net/2027/spo.9618970.0001.001 Copyright © 2011 Joseph Nechvatal This is an open access book, licensed under the Creative Commons By Attribution Share Alike license. Under this license, authors allow anyone to download, reuse, reprint, modify, distribute, and/or copy this book so long as the authors and source are cited and resulting derivative works are licensed under the same or similar license.
    [Show full text]
  • Kk Null & the Noiser
    KK NULL & THE NOISER Aurkezpena - Zuzenekoa KK NULL (jp) & THE NOISER (fr) Martxoaren 11a ostirala 19:00 / Arteleku Antolatzailea: Audiolab Kazuyuki Kishino Japoniako noise musikaren mugimenduko izen nabarmenenetakoa da. 80ko harmakadatik gaurdaino, bere musika abenturek, bereziki ZENI GEVA bezalako rock taldeetan parte hartuz edo bere bakarkakSo proposamen elektronikoen bidez, nazioarteko musika esperimentalaren zirkuituan ohiko bihurtu dute bere izena. Bide luze hortan Kishinok Min Tanaka Butoh dantzaria, Merzbow, Seijiro Murayama (Fushitsuha), Tatshuya Yoshida (Ruins), Eye Yamatsuka (Boredoms, Naked City), Chris Watson (Cabaret Voltaire), Keiji Haino edo Fred Frith izan ditu lagun, eta nazioarteko jaialdi esaguratsuenetan aurkeztu zan du bere lana. Hogei urteren ondotik gitarra musika tresan nagusi bezala izan ondotik, KK Null-ek elektronikarentzarako joera hartu zuen, zarata elektronikoa,. ambient elektroakustikoa, erritmo puskatuak eta drone pisutsuak erabiliz minimalismoaren eta maximalismoaren artean kokatzen den musika gihartsua osatuz. The noiser (zaratazalea) izenaren azpian Julien Ottavi media-aktibista, artista, ikerlari, konposatzailea gordetzen da. Nantes hiriko Apo33 plataformako sortzaile ta kideak, soinu artea, bideoa, teknologia berriak eta gorputz performance-a nahasten dituen sorkuntza lana jorratzen du. Azken hamarkadan bereziki ahotsa eta honen ordenagailu bidezko eraldaketa izan du ikergai Ottavik, software librea erabiliz eta bere gailu eletronikoak (irrati transmisoreak, osziladoreak, mixerrak...) sortuz. Horren haritik APODIO izeneko linux distribuzioaren sortzaile nagusia da. Musikaren alorrean Formanex bezalako taldetan hartu du parte eta Jenny Pickett, Brandon Labelle, Keith Rowe, Kasper T. Toeplitz, Christian Galarreta, Zbigniew Karkowski, Randy Yau, Dion Workman edo Phill Niblock bezalako artistekin egin du lan. Loturak: http://www.kknull.com/ http://www.noiser.org http://www.apo33.org http://www.a10lab.info http://fibrr.apo33.org http://ecos.crealab.info.
    [Show full text]
  • Whitehouse, Merzbow, Maurizio Bianchi, the Haters, Hanatarash, the Gerogerigege, Massona, Prurient, John Wiese…
    As Loud as Possible As Loud as Possible Concert de Hanatarash, Toritsu Kasei Loft, Tokyo, 1985 (Photos : Gin Satoh) Concert de Hanatarash, Toritsu Kasei Loft, Tokyo, 1985 (Photos : Gin Satoh) Whitehouse, Merzbow, Maurizio Bianchi, The Haters, Hanatarash, The Gerogerigege, Massona, Prurient, John Wiese… Un parcours parmi les grandes figures du harsh noise, au sein de l’internationale du bruit sale de ses origines à nos jours. AS LOUD AS 48 POSSi- 49 bLe. Whitehouse, Merzbow, Maurizio Bianchi, The Haters, Hanatarash, The Gerogerigege, Massona, Prurient, John Wiese… A tour among the major figures in harsh noise, within dirty Noise International—from its inception to the present day. Fenêtre ouverte. Le bruit, c’est ce son fronde, indompta- juste une main pour sculpter, une intention pour guider, Mais comment la musique a-t-elle osé muter en ça ? ble, discordant, une puanteur dans l’oreille, comme l’a écrit à peine une idée pour le conceptualiser. Il n’est pas une Objectivement, si on regarde la tête du harsh noise, son Ambrose Bierce dans son Devil’s Dictionary, ce que tout musique bruyante mais une musique-bruit taillée, pas un nom, il faut tout de même se pencher un peu en arrière, le oppose et tout interdit à la musique. Le bruit sévère, le bruit genre, encore moins un mélange, car s’il est né d’amonts XXe siècle brouhaha, pour comprendre cette « birth-death dur, le harsh noise, c’est, pire encore, le chaos volontaire, la lisibles dans l’histoire de la musique, dans l’histoire du XXe experience », si l’on m’autorise à citer le titre d’un disque de crasse en liberté, même pas la musique de son-bruits rêvée siècle, il n’a dans sa pratique et sa nature d’autre horizon Whitehouse, le premier de surcroît.
    [Show full text]
  • In Search of Japanoise Globalizing Underground Music
    16 In Search of Japanoise Globalizing Underground Music David Novak In 1990, I had just returned from a year of teaching English in Japan, so I was surprised when I came back to college in Ohio and started to hear about “Jap- anese Noise Music.” Some cut out the “music” idea altogether and called it all “Japanese Noise,” and others just compressed it to “Japanoise.” The name was supposed to identify a specic Japanese type of “Noise,” which was already a pretty vague genre name. Some friends added that its top artists mostly came from the Kansai region and the cities Osaka and Kyoto where I’d been living. I’d run into some noisy punk rock and experimental music in little under- ground record stores and small clubs around Japan … but Japanoise? I had never heard of it until I was back in the United States, when the Boredoms’ LP Soul Discharge found its way to the college radio station where I was a DJ, and tapped into the emerging independent music scene. At the time, the ow of underground cassettes, CDs, and vinyl into the station was increasing on a daily level. But dropping the needle on Soul Discharge released the most spectacularly dissonant racket I’d ever heard, tog- gling through a spectrum of styles and sounds. Sometimes Boredoms sounded like a hardcore band, sometimes a random Dada cutup of popular culture: it was desperately heavy but also funny as hell. You couldn’t possibly take it seriously, but, at the same time, it demanded your full attention.
    [Show full text]
  • Guru Guru Dance of the Flames Mp3, Flac, Wma
    Guru Guru Dance Of The Flames mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Dance Of The Flames Country: Russia Released: 2014 Style: Space Rock, Experimental MP3 version RAR size: 1181 mb FLAC version RAR size: 1493 mb WMA version RAR size: 1780 mb Rating: 4.1 Votes: 530 Other Formats: AAC MP1 MPC AC3 VOC DTS AAC Tracklist Hide Credits Dagobert Duck's 100th Birthday 1 7:41 Music By – H. Hartmann*, H. Nejadepour*, M. Neumeier*Words By – M. Neumeier* The Girl From Hirschhorn 2 8:38 Music By – H. Hartmann*, H. Nejadepour*, M. Neumeier*Words By – M. Neumeier* The Day Of Timestop 3 5:25 Music By – H. Nejadepour* Dance Of The Flames 4 3:31 Music By – H. Hartmann*, H. Nejadepour*, M. Neumeier* Samba Das Rosas 5 4:08 Music By, Vocals – H. Nejadepour* Rallulli 6 4:38 Music By – H. Hartmann*, H. Nejadepour*, M. Neumeier* At The Juncture Of Light And Dark 7 3:14 Music By – H. Nejadepour* God's Endless Love For Men 8 7:27 Music By – H. Nejadepour* Doing (Live 1975) 9 7:23 Music By – H. Hartmann*, M. Neumeier* Credits Bass Guitar, Contrabass – Hans Hartmann Coordinator [Re-release Coordination] – Michael Schmitz Drums, Percussion, Vocals – Mani Neumeier Electric Guitar, Acoustic Guitar – Houschäng Nejadépour Engineer – David Siddle* Layout [Re-release Layout] – Thomas Ewerhard Liner Notes – Matthias Mineur Liner Notes [Translation] – Markus Schurr, Matt Goodluck Other [Re-release Assistant] – Björn Münz Photography By – Tai Lüdicke* Producer – Guru Guru Remastered By – Eroc Technician [Assistant Engineer] – Günter Theis, Uwe Schier Notes Original album recorded at Studio 70, Munich, April 12 to 20, 1974.
    [Show full text]
  • Chapter 3 Chapter 3
    CHAPTER 3 3 CHAPTER LISTENING TO NOISE IN KANSAI It was late, and we were wandering up a side alley away from the light and clamor of the main market road that leads away from the station. I was woozy after several drinks of strong Okinawan liquor that Tabata Mitsuru and I had been drinking at an uchiage, a collective gathering of musicians after a performance. “I’m going to miss the last train,” I complained, as we headed farther into the darkness, away from the rumble of the trains. “Don’t worry about it,” mumbled Tabata, pointing to a tall hedge that ran along the wall of a nearby house, “I’ve slept back there a couple times when I missed the train . besides, we’re almost there, and we can hang out and listen all night. Unless it’s closed . .” We stopped before the door of what looked like an abandoned storefront, its large window completely pasted over with record album jackets, their images so faded that only blurs of blue ink remained. Some peeled of the wall in shreds, like remnants of old posters from some long-past political campaign. Te door, too, shed bits of old magazine pages as we swung it open to step inside. As my eyes ad- justed to the darkness, I could see that the interior walls and ceiling were the same, covered with faded images and torn posters behind shelves clut- tered with junk and bottles of Jinro shôchû, a Korean rice whiskey, marked with the names of the regulars by whom they were claimed.
    [Show full text]
  • FEN(Fareast Network,多国):
    FEN (FarEast Network, JP/KR/CN/SG/TH) FEN is an improvised music group founded by Japanese musician Otomo Yoshihide in 2008. he invited 3 musicians who are also organizers from 3 other Asian counties. They have never talk about music direction or construction but just improvise. They share samilar tradition and react to different society. The most important thing for meet is food and playing together. Their concert could be intense and noisy, or super quiet, sometimes come with melody and poetry. Anything is possible. They have played at MIMI Festival (Marseille), Asian Meeting Festival (Tokyo and Nagoya), Cafe Oto (London), Dampfzentrale (Bern), Area Sismica (Forlì, Italy) and toured in South Korea and China. FEN is Otomo Yoshihide (JP), Yan Jun (CN), Yuen Cheewai (SG/TH) and Ryu Hankil (KR) An interview (in chinese) by Contemporary Art & Investment magazine: http://blog.artintern.net/blogs/articleinfo/dongbingfeng/43762 Photo: FEN live at Yamaguchi Center of Art and Media, 2008; upper is Otomo Yoshihide’s installation (Photo: Ryuichi Maruo, Courtesy of YCAM) Otomo Yoshihide (JP) Yoshihide Ōtomo (大友 良英 Ōtomo Yoshihide, born August 1, 1959 in Yokohama, Japan) is a Japanese composer and multi-instrumentalist. He first came to international prominence in the 1990s as the leader of the noise rock group Ground Zero, and has since worked in a variety of contexts, ranging from free improvisation to noise, jazz, avant-garde and contemporary classical. He is also a pioneering figure in the EAI-scene, and is featured on important records on labels like Erstwhile Records. He plays guitar, turntables, and electronics.
    [Show full text]
  • Acid Mothers Temple & the Melting Paraiso U.F.O
    Acid Mothers Temple & The Melting Paraiso U.F.O. Son Of A Bitches Brew mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Rock Album: Son Of A Bitches Brew Country: US Released: 2012 Style: Psychedelic Rock MP3 version RAR size: 1188 mb FLAC version RAR size: 1536 mb WMA version RAR size: 1507 mb Rating: 4.4 Votes: 421 Other Formats: DTS AU MPC DTS XM VOC WMA Tracklist Hide Credits Son Of A Bitches Brew A1 Voice – Stoo Odom* B1 Helen Buddha; Miss Condom X B2 Fellatioh's Dance Also Bitch's Blow C1 Water Babies Kill Kill Kill D1 Theme From Violence Jack Johnson Tabata Mitsuru D2 Guitar, Guitar Synthesizer – Tabata Mitsuru*Tabla – Tabla Man D3 Sweet Peanut vs Macedonian Beauty Companies, etc. Recorded At – Acid Mothers Temple Credits Bass, Soprano Saxophone, Ney [Nei], Reeds [Pungi], Recorder [Alto], Voice – Tsuyama Atsushi* Drums – Shimura Koji Guitar, Electric Piano, Electronics, Effects [Fuzz-otamatone], Tape [Tape Machine], Dulcimer [Yangqin], Tambura [Tanbura], Producer, Mixed By, Engineer – Kawabata Makoto* Mastered By [Digital] – Tatsuya Yoshida Performer [Space Whisper] – Cotton Casino Photography By [Concert] – Kaori Tobi Synthesizer – Higashi Hiroshi* Words By – Tsuyama*, Cotton*, Kawabata* Written-By – Tsuyama* (tracks: A1 to D1, D3), Kawabata*, Tabata* (tracks: D2), Shimura* (tracks: A1 to D1, D3) Notes Recorded Dec. 2011 - Feb. 2012. No computers or hard disk recorders were used in the playing, recording or mixing of this album. Barcode and Other Identifiers Barcode: 793447535715 Other versions Category Artist Title (Format)
    [Show full text]
  • Noise & Capitalism
    Cover by Emma (E), Mattin (M) and Sara (S) Noise & Capitalism Noise & Capitalism the interesting part, it’s an you copy another persons E: I was just thinking - you were saying that you Is it possible to try to make than male identified bodies was given at school, she is done this, quite often I have interesting challenge for drawing, where S starts what we’ve been talking weren’t sure if this would something, to capture some- writing in the book. I had studying Graphic Design. S compartmentalised my work our exchange. Now we are and I do a version, and I about, I mean I’ve talked work in relation to the as- thing in design that trans- been involved in an exhibi- sent me the work that she and friendships because I saying that you would do pass it to M, and then that about it with you and with signment you’ve been given, mits the relations produced tion called ‘Her Noise’ at and Brit Pavelson made, it is feel self-conscious or un- the design when maybe you becomes the cover. M, about the projection of because of the time, and the in making this cover? I am the South London Gallery a book that tells in both the generous perhaps. think that we should do the M: Yes it sounds interesting you as the expert and, just amount of time that you & Capitalism Noise struggling with this process in 2005, which in some way text and layout, what are the I started to project that design.
    [Show full text]
  • Complete Christmas Songbook
    NEW RELEASES - ORDER FORM Outside Music, 7 Labatt Ave., Suite 210, Toronto, On, M5A 1Z1. FAX: 416-461-0973 / 1-800-392-6804. EMAIL: [email protected] CAT. NO. ARTIST TITLE LABEL GENRE UPC CONFPPD REL. DATE QTY 43563-1053-3 PAISLEY, DOUG Starter Home SD / No Quarter Rock-Pop 843563105337 CD$ 12.00 2-Nov-18 NOQ059 PAISLEY, DOUG Starter Home SD / No Quarter Rock-Pop 843563105313 LP$ 16.00 2-Nov-18 JAG330CS UNKNOWN MORTAL O IC-01 Hanoi SD / Jagjaguwar Experimen 656605233055 CS 8.00$ 26-Oct-18 56605-2330-2 UNKNOWN MORTAL O IC-01 Hanoi SD / Jagjaguwar Experimen 656605233024 CDEP$ 12.00 26-Oct-18 JAG330 UNKNOWN MORTAL O IC-01 Hanoi SD / Jagjaguwar Experimen 656605233017 12" EP $ 14.00 26-Oct-18 87828-0432-2 HOW TO DRESS WELLThe Anteroom Domino Rock-Pop 887828043224 CD$ 12.80 19-Oct-18 WIG432 HOW TO DRESS WELLThe Anteroom (180g LPx2) Domino Rock-Pop 887828043217 LPx2$ 25.60 19-Oct-18 87828-0817-2 HOLTER, JULIA Aviary Domino Rock-Pop 887828041725 CDx2$ 13.67 26-Oct-18 WIG417 HOLTER, JULIA Aviary Domino Rock-Pop 887828041718 LPx2$ 25.60 26-Oct-18 WIG417X HOLTER, JULIA Aviary (Indie Only - clear viny Domino Rock-Pop 887828041732 LPx2$ 25.60 26-Oct-18 66561-0138-2 MOSS, JESSICA Entanglement Constellation Rock-Pop 666561013820 CD$ 10.00 26-Oct-18 CST138 MOSS, JESSICA Entanglement Constellation Rock-Pop 666561013813 LP$ 14.25 26-Oct-18 28070-6355-2 SPECTRES Last Days Artoffact Records Punk 628070635528 CD$ 10.00 19-Oct-18 28070-6356-2 SPECTRES Nothing to Nowhere Artoffact Records Punk 628070635627 CD$ 10.00 19-Oct-18 28070-6357-2 SPECTRES Utopia
    [Show full text]