DOCSLIB.ORG

Kk Null / Julien Ottavi/ Gisle Frøysland

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Kk Null / Julien Ottavi/ Gisle Frøysland KLUBB KANIN presenterer: KK NULL / JULIEN OTTAVI/ GISLE FRØYSLAND/ CLOUDBUILDER Den japanske noise legenden KK NULL og multikunstneren JULIEN OTTAVI er på Europa turné sammen med VJ og kunstner GISLE FRØYSLAND. Oslobaserte CLOUDBUILDER åpner kvelden! ROCKHEIM Lørdag 22. oktober kl. 20.00. GRATIS INNGANG! Konserten avholdes i samarbeide med Musikkteknologidagene, MUSTEK, NTNU. --- KK NULL http://kknull.com/en/ (real name : KAZUYUKI KISHINO) was born in Tokyo, Japan. Composer, guitarist, singer, mastermind of ZENI GEVA and electronic wizard. One of the top names in Japanese noise music and in a larger context, one of the great cult artists in experimental music since the early 80's. In 1981 KK NULL studied at Butoh dancer, Min Tanaka's "Mai-Juku" workshop and started his career by performing guitar improvisations in the clubs in Tokyo. He continued by collaborating with MERZBOW for two years, and joining the band YBO2 (with Masashi Kitamura, the chief editer of "Fool's Mate" magazine and Tatsuya Yoshida, the drummer of RUINS) and starting the improvised noise/rock trio ABSOLUT NULL PUNKT (with Seijiro Murayama, the original drummer of Keiji Haino's FUSHITSUSHA), and also GEVA2 (GEVA GEVA) with Tatsuya Yoshida (RUINS) and Eye Yamatsuka (BOREDOMS). In 1985 he established his own label NUX ORGANIZATION to produce & release his own works and subsequently the bands such as MELT-BANANA and SPACE STREAKINGS. He also produced the series of "Dead Tech" (compilation albums by Japanese bands) which heralded Japanese alternative music boom internationally from the early 90's to date. In the early 90's he gained world-wide recognition as the mastermind, guitarist and singer of the progressive hardcore trio ZENI GEVA with their extremely heavy sound, releasing five albums produced by STEVE ALBINI (two on Jello Biafra's Alternative Tentacles label) and a few more on other labels such as NEUROSIS's Neurot Recordings. Also ZENI GEVA recorded twice for JOHN PEEL SESSION on BBC, and immensely toured throughout Europe, USA, Australia, New Zealand and Japan, playing hundreds of concerts. All the while, KK NULL has worked on his solo career and collaborated with other musical innovators such as Z'EV, CHRIS WATSON, DANIEL MENCHE, KEIJI HAINO, SEIICHI YAMAMOTO, JON ROSE, BILL HORIST, PHILIP SAMARTZIS, ALEXEI BORISOV, MATMOS, FRED FRITH to name a few, and has been invited to perform at international festivals such as "Sonar" in Barcelona (Spain), "Beyond Innocence" in Kobe/Osaka (Japan), "Exiles" in Berlin (Germany), "International Sound Art Festival" in Mexico City (Mexico), "Sergey Kuryokhin International Festival (SKIF-6 & 8)" in St.Petersburg & Moscow (Russia), "X-peripheria" in Budapest (Hungary), "Totally Huge New Music Festival" in Perth (Australia), "Avanto Helsinki Media Art Festival" in Helsinki (Finland), "All Tomorrow's Parties UK", "International Festival Musique Actuelle" in Victoriaville (Canada), "Electron" in Geneve (Switzerland), "Presences Électronique" in Paris (France) and more. After playing the guitar as his main instrument for some twenty years, KK NULL has gradually moved towards a more electronic approach. In recent years he has concentrated his efforts on his solo & collaborative recordings, exploring the outer territories of electronica, creating intense clashing wave of noise, structured electro- acoustic ambience, broken down rhythmics, scattered pitch sculptures, droning isolationist material which could be described "cosmic noise maximal/minimalism". At present KK NULL has more than 100 titles of recordings released (inc. solo, bands, collaborations, compilations). JULIEN OTTAVI http://www.noiser.org/ http://www.myspace.com/julienottavi A mediactivist, artist-researcher, composer / musician, poet and tongues destroyer, experimental film maker and anarchitect, founder and member of Apo33, Julien Ottavi is involved in research and creative work, combining sound art, real-time video, new technologies and body performances. Since 1997, he develops a composition work using voice and its transformation through computer. Active developer of audio/visual programs with Puredata, he has also developed since many years DIY electronics (radio transmitters, oscillators, mixers, amplifiers, video transmitters...etc) in the perspective of knowledge sharing on technological development. Main developer for the Gnu/Linux operating system APODIO for digital art and A/V & streaming diffusion. His practices is not limited to the art spheres but crosses different fields from technological development to philosophy / theoretical research, biomimetic analysis & experimentation. Since many years he reflects on the relations between experimental practices and collective practices within the creation of autonomous collective groups, putting in question the authorship strategy of the “art ideology”. Regular collaborators of reconized artists : Jenny Pickett, Brandon Labelle, Keith Rowe, Kasper T. Toeplitz, Jerome Joy, Ryan Jordan, Joachim Montessuis, Christian Galarretta, Achim Wollscheid, Elpueblodelchina, Zbigniew Karkowski, Randy Yau, Ilios, Philippe Roux, Dominique Leroy, Dion Workman, Yvan Etienne, Mike Bullock, Phill Niblock, Seth Cluett, KKnull, Jean-Louis Costes...etc. Julien Ottavi has exhibited, performed and presented his work extensively over the last 15 years : STEIM – Amsterdam, Junctions/Verbidingen Festival – Brussels, Piksel festival – Bergen – Norway, Knitting Factory Old Office, NYC, Art museum of Nantes – France, DEAF (V2.nl) Rotterdam, Salon Bruit - Berlin,, TWEAK FESTIVAL- Limerick/Ireland, PDCONF09 - Sao Paulo / Brazil, Subtle Technologies Festival - Toronto / Canada, MAL AU PIXEL - Paris / FR, Goldsmiths College / London - UK, Riam Festival - Marseille - France, MobilFest III - Sao Paulo / B&razil, Bandits-mages Bourges - France, RadiaLx2008 - Lisbon, European Sound Delta - Bulgaria/Roumania, Architectones & Nuit Bleues - Arc & Senans/France, Aloardi todo es chevere!! Festival - Peru, sound art festival - Krakow/Poland - novembre 2006, Arteleku Saint Sébastien / Spain, Earthsquake Festival – New-York/US, radioqualia - Amsterdam, residency at Festival Parochial - Berlin, Montevidéo - Marseille, Festival Musique Action - Nancy, CCN - Belfort, CCN - Rennes, Le centre d’Art la Criée - Rennes, La Halle aux Grains - Blois, Festival La batie - Genéve, Festival Dança Na Cidade - Lisbone, Festival Fast Forward - Salzbourg, La ménagerie de Verre - Paris, Kunsten Festival Des Arts - Bruxelles, ZDB Lisbonne - Portugal, Electronic Orphanage - Chinatown - Los Angeles, Fitigogo Gallery - Albuquerque - New Mexico, Dodorama - Rotterdam - Hollande, Recyclart - Bruxelles - Belgique, Musée d’art Contemporain – Strasbourg...etc Julien Ottavi is part of a generation of audio artists to emerge in the 90\`s that indicated some of the directions that music and soundart is taking. While at art school, he organized a series of concerts, bringing international artists from the experimental scene to Nantes, drawing touring musicians to movements happening outside of Paris. This became not just a destination but a nexus for collaborations. This resulted for example in the group Formanex to perform graphical scores of electro-acoustic music, and in Apo33, an artists collective to facilitate, nurture, and disseminate creative audio practice. In this way, Julien represents the energy and initiative of a present day artist – activist through practice, organizing as performance, publishing as networking, open source and open aesthetic. This fluidity of working across boundaries of style and role are seen in his music, physical with computer, performative and reflective. (introduction by Atau Tanaka) GISLE FRØYSLAND http://www.220hex.org 220hex / Gisle Frøysland has for over a decade been one of the keyfigures of the Norwegian electronic arts scene. He is a founding member of BEK - the Bergen Centre for Electronic Art, initiator/maintainer of the FLOSS videoapp MøB, and main organizer of the Piksel festival in Bergen, Norway. Since the early 80s he has been working as a musician, VJ and visual artist. "Frøysland's work is an inquiry into what he himself calls the "hype traps that the computer and media industry wants us tobelieve in". In pieces like "Dodonews" and "the FaceBot", he turnsthese traps into dialogic scenes, thereby revealing hidden powerstructures and presumptions. The dislocations of Frøysland form a media critique that questions not only the cybernetics of the net but also its utopian claim; neither browsing nor digital interpretation can free itself from contextual references. "- Electrohype 2002 CLOUDBUILDER http://flavors.me/cloudbuilder http://soundcloud.com/cloudbuilder http://www.myspace.com/cloudbuilder Cloudbuilder is U lf A. S. Holbrook and A rne Borgan. Improvised live electronics. Based in Oslo, Norway. .
Load more

Recommended publications
  • Download Press File
    Ruin Porn (2016) by Guillaume Marie, Igor Dobricic & KK Null Conception, direction, choreography: Guillaume Marie Conception, direction, dramaturgy: Igor Dobričić Original soundtrack: Kazuyuki Kishino aka KK Null Created in collaboration with and performed by: Els Deceukelier, Guillaume Marie, Roger Sala Reyner & Suet Wan Tsang Costumes: Cédrick Debeuf Make-up: Rebecca Florès Light Designer: Abigail Fowler MIDI programming : Abigail Fowler & Stéphane Monteiro Technical direction and sound enginner: Stéphane Monteiro Management France: Guillaume Bordier - [email protected] - +33 664 810 798 Booking: Erwan Coëdelo - [email protected] - +33 689 857 175 International creative producer: Steve Slater - [email protected] - +44 7791 314650 Graphism: Grégoire Gitton Production: TAZCORP/ Co-productions: Ménagerie de Verre (F), le CND - un centre d’art pour la danse (F) - résidence augmentée, CCN Roubaix/Ballet du Nord (F) - accueil studio, Hostellerie de Pontempeyrat (F) - accueil studio. With the support of French Ministry of Culture and Communication (F), DICREAM and ADAMI. Our deep gratitude to: l'Atelier Bas & Hauts/Laura Ragno, Anna Le Houerf, Stéphanie Méméteau-Gitton, Arnaud Delacelle & Frédérique Marciniak. www.tazcorp.org Created in Festival Etrange Cargo at la Ménagerie de Verre, Paris (F) on the 29th and 30th of March 2016. Video link: https://vimeo.com/166030181 Ruin Porn is an intense sensorial journey into the future past of a dance as a ritual and of a theatre as a site. Four personas that are gradually materializing out of the cloud of light and sound, are both pathetic ruins of what was before and a never fulfilled promise of what is yet to come. They are creatures forever caught in between departing and arriving into the present moment of the performance.
    [Show full text]
  • Highly Anticipated Non-Profit Music Venue in Williamsburg, Brooklyn, Announces Opening, Curators, Programming Details and a New Name
    For Immediate Release May 8, 2015 Press Contacts: Blake Zidell, John Wyszniewski and Ron Gaskill at Blake Zidell & Associates: 718.643.9052, [email protected], [email protected], [email protected]. HIGHLY ANTICIPATED NON-PROFIT MUSIC VENUE IN WILLIAMSBURG, BROOKLYN, ANNOUNCES OPENING, CURATORS, PROGRAMMING DETAILS AND A NEW NAME Beginning in October, National Sawdust (Formerly Original Music Workshop) Will Provide Composers and Musicians a State-of-the-Art Home for the Creation of New Work and Will Give Audiences and a Place to Discover Genre-Spanning Music at Accessible Ticket Prices Curators to Include Composers Anna Clyne, Bryce Dessner, David T. Little and Nico Muhly; Pianists Simone Dinnerstein and Anne Marie McDermott; Vocalists Helga Davis, Theo Bleckmann and Magos Herrera; and Violinists Miranda Cuckson and Tim Fain Groups and Artists in Residence to Include Brooklyn Rider, Glenn Kotche (Wilco), Alicia Hall Moran and Zimbabwe’s Netsayi Venue Partners and Collaborators Range from Carnegie Hall's Weill Music Institute and the New York Philharmonic’s CONTACT! to Stanford University and Williamsburg-Based El Puente Center for Arts and Culture National Sawdust +, Created by Elena Park, Will Include National Sawdust Talks as well as Performance Series that Offer Leading Directors and Writers, from Richard Eyre to Michael Mayer, a Platform to Share Their Musical Passions Opening Concerts in October to Feature Terry Riley, John Zorn, Roomful of Teeth, Nico Muhly, Bryce Dessner, Fence Bower Jon Rose, Throat Singer Tanya Tagaq and Others Brooklyn, NY (May 7, 2015) - The non-profit National Sawdust, formerly known as Original Music Workshop, is pleased to announce that its highly anticipated, state-of-the-art, Williamsburg, Brooklyn venue will open this fall.
    [Show full text]
  • Kk Null & the Noiser
    KK NULL & THE NOISER Aurkezpena - Zuzenekoa KK NULL (jp) & THE NOISER (fr) Martxoaren 11a ostirala 19:00 / Arteleku Antolatzailea: Audiolab Kazuyuki Kishino Japoniako noise musikaren mugimenduko izen nabarmenenetakoa da. 80ko harmakadatik gaurdaino, bere musika abenturek, bereziki ZENI GEVA bezalako rock taldeetan parte hartuz edo bere bakarkakSo proposamen elektronikoen bidez, nazioarteko musika esperimentalaren zirkuituan ohiko bihurtu dute bere izena. Bide luze hortan Kishinok Min Tanaka Butoh dantzaria, Merzbow, Seijiro Murayama (Fushitsuha), Tatshuya Yoshida (Ruins), Eye Yamatsuka (Boredoms, Naked City), Chris Watson (Cabaret Voltaire), Keiji Haino edo Fred Frith izan ditu lagun, eta nazioarteko jaialdi esaguratsuenetan aurkeztu zan du bere lana. Hogei urteren ondotik gitarra musika tresan nagusi bezala izan ondotik, KK Null-ek elektronikarentzarako joera hartu zuen, zarata elektronikoa,. ambient elektroakustikoa, erritmo puskatuak eta drone pisutsuak erabiliz minimalismoaren eta maximalismoaren artean kokatzen den musika gihartsua osatuz. The noiser (zaratazalea) izenaren azpian Julien Ottavi media-aktibista, artista, ikerlari, konposatzailea gordetzen da. Nantes hiriko Apo33 plataformako sortzaile ta kideak, soinu artea, bideoa, teknologia berriak eta gorputz performance-a nahasten dituen sorkuntza lana jorratzen du. Azken hamarkadan bereziki ahotsa eta honen ordenagailu bidezko eraldaketa izan du ikergai Ottavik, software librea erabiliz eta bere gailu eletronikoak (irrati transmisoreak, osziladoreak, mixerrak...) sortuz. Horren haritik APODIO izeneko linux distribuzioaren sortzaile nagusia da. Musikaren alorrean Formanex bezalako taldetan hartu du parte eta Jenny Pickett, Brandon Labelle, Keith Rowe, Kasper T. Toeplitz, Christian Galarreta, Zbigniew Karkowski, Randy Yau, Dion Workman edo Phill Niblock bezalako artistekin egin du lan. Loturak: http://www.kknull.com/ http://www.noiser.org http://www.apo33.org http://www.a10lab.info http://fibrr.apo33.org http://ecos.crealab.info.
    [Show full text]
  • The Harp Extended: an Exploration of Resonance, Mimicry and Improvisation
    THE HARP EXTENDED: AN EXPLORATION OF RESONANCE, MIMICRY AND IMPROVISATION CLARE M. COOPER WRITTEN COMPONENT SUBMITTED IN PARTIAL FULFILMENT OF THE DEGREE OF MASTER OF FINE ART COLLEGE OF FINE ARTS, UNIVERSITY OF NEW SOUTH WALES, SYDNEY. 2008 CONTENTS INTRODUCTION…..……………………………………………... (Page 3) CHAPTER 1: Influence, Expectation and Evolving Ears……… (Page 4-19) Promises the Harp makes simply by being a Harp Cultural Baggage, Stereotype and Cliché The ‘whole’ Harp and its co-conspirators CHAPTER 2: “This Music” - the problem with defining approaches to extending the vocabulary of an instrument…………..………………………….. (Page 19- 29) “This Music” “Extended Technique” and “Non-traditional” playing “Preparation” Know the rules before you break them Lifting the sanctions CHAPTER 3: Improvisation and Necessitating Sounds………….. (Page 30- 34) CHAPTER 4: Mimicry……………………………………………….. (Page 35-37) Mimicking machines: Field Recordings CHAPTER 5: Exploring Physical Structure and Resonant Spaces (Page 38- 44) Exploring the instrument’s physical structure and resonant spaces Amplification and Electronic Extension Feeding tones CHAPTER 6: A Guide to Submitted Works …………………....… (Page 45-47) CONCLUSION ……………………………………………………...... (Page 48) References / Resources / Bibliography List of Interviews conducted via Email Performances / Collaborations / Residencies 2005-2007 1-2 Introduction This research project explores methods of extension of the pedal Harp vocabulary in an attempt to develop a unique language that challenges the instrument's stereotype and better responds to a range of contexts. I have investigated three key areas of extension: the physical structure of the Harp and its internal resonant spaces, mimicry as an exploratory tool useful in better understanding the Harp in relation to the Australian environment, and improvisation both free and structured used to challenge the vocabulary of the Harp in solo performance and collaborative contexts.
    [Show full text]
  • In Search of Japanoise Globalizing Underground Music
    16 In Search of Japanoise Globalizing Underground Music David Novak In 1990, I had just returned from a year of teaching English in Japan, so I was surprised when I came back to college in Ohio and started to hear about “Jap- anese Noise Music.” Some cut out the “music” idea altogether and called it all “Japanese Noise,” and others just compressed it to “Japanoise.” The name was supposed to identify a specic Japanese type of “Noise,” which was already a pretty vague genre name. Some friends added that its top artists mostly came from the Kansai region and the cities Osaka and Kyoto where I’d been living. I’d run into some noisy punk rock and experimental music in little under- ground record stores and small clubs around Japan … but Japanoise? I had never heard of it until I was back in the United States, when the Boredoms’ LP Soul Discharge found its way to the college radio station where I was a DJ, and tapped into the emerging independent music scene. At the time, the ow of underground cassettes, CDs, and vinyl into the station was increasing on a daily level. But dropping the needle on Soul Discharge released the most spectacularly dissonant racket I’d ever heard, tog- gling through a spectrum of styles and sounds. Sometimes Boredoms sounded like a hardcore band, sometimes a random Dada cutup of popular culture: it was desperately heavy but also funny as hell. You couldn’t possibly take it seriously, but, at the same time, it demanded your full attention.
    [Show full text]
  • Technology Fa Ct Or
    Art.Id Artist Title Units Media Price Origin Label Genre Release 056030 V/A Soulshine's Soulful...2 1 Cd € 20 Nld Cstar 2st 8/01/2003 029148 Adler, Larry Great Larry Adler 1 Cd € 19 Eu Flapp A/R 26/02/1996 076013 Aurelie Desde Que Naci 1 Cd € 16 Eu Swim A/R 21/12/2004 076478 Catching Flies Just a Phase 1 Cd € 19 Eu Arts A/R 31/12/1999 070884 City City City Dawn and the Blue Light D 1 Cd € 25 Imp Senpr A/R 29/03/2004 010387 For.Mat Media Circus 1 Cd € 18 Usa Setan A/R 30/06/1990 045097 Half Hour To Go Items For the Full Outfit 1 Cd € 21 Usa Grass A/R 18/06/1996 028140 Hurlements D'leo Ouest Terne 1 Cd € 25 Nld Wagra A/R 12/09/2008 053085 La Crus Dentro Me 1 Cd € 21 Eu Warne A/R 10/02/2000 064901 La Crus Dentro Me 1 Cd € 22 Eu Wealo A/R 10/02/2000 064921 La Crus Dietro La Curva Del Cuore 1 Cd € 22 Eu Warne A/R 9/02/1999 056224 Lawn Backspace 1 Cd € 20 Nld My Fi A/R 23/10/2003 036508 Maple It's My Last Night 1 Cd € 20 Usa Slab A/R 26/02/1996 015227 Modest Mouse This is a Long Drive 1 Cd € 20 Usa Up Re A/R 26/03/1996 040539 More Dogs Never Let Them Catch 1 Cd € 20 Usa Monit A/R 3/05/2005 051289 Nein Wrath of Circuits 1 Cd € 19 Usa So.Un A/R 17/05/2005 075942 Pee Now More Charm and More.
    [Show full text]
  • Graduate Catalog 2010–11 Mills College Graduate Catalog 2010Ð11
    Graduate Catalog 2010–11 Mills College Graduate Catalog 2010–11 This catalog provides information on graduate admission and financial aid, student life, and academic opportunities for graduates at Mills College. Information for undergraduate students is provided in a separate Undergraduate Catalog. This catalog is published by: Mills College 5000 MacArthur Blvd. Oakland, CA 94613 www.mills.edu Cover photo: Nic Lehoux Table of Contents Mills College . 3 Education. 26 Accreditation . 3 Early Childhood Education . 28 Administration of Programs. 3 Master of Arts in Education Nondiscrimination Statement. 3 with an Emphasis in Early Childhood Education . 28 Student Privacy Rights. 3 Master of Arts in Education with Campus Photography . 3 an Emphasis in Leadership in Student Graduation and Persistence Rates. 3 Early Childhood . 28 Doctor of Education in Leadership with Academic Calendar . 4 an Emphasis in Early Childhood . 29 Master of Arts in Education About Mills College . 6 with an Emphasis in Child Life Overview . 6 in Hospitals . 29 Faculty . 6 Early Childhood Special Education Credential Program. 29 Academic Environment . 7 Educational Leadership . 30 Campus Resources . 7 Administrative Services Credential . 30 Graduate Housing. 7 Master of Arts in Education . 30 History . 8 Doctor of Education . 31 Studio Art . 9 Teacher Preparation . 31 Multiple Subjects Credential with Master of Fine Arts in Studio Art . 10 an Early Childhood Emphasis . 31 Courses. 10 Multiple Subjects Credential . 32 Single Subject Credential: Art, English, Biochemistry and Molecular Biology. 12 Foreign Language, or Social Studies . 32 Certificate Program . 13 Single Subject Credential: Math or Science . 32 Computer Science. 14 Master of Arts in Education with Master of Arts in Interdisciplinary an Emphasis in Teaching (MEET) .
    [Show full text]
  • Complete Christmas Songbook
    NEW RELEASES - ORDER FORM Outside Music, 7 Labatt Ave., Suite 210, Toronto, On, M5A 1Z1. FAX: 416-461-0973 / 1-800-392-6804. EMAIL: [email protected] CAT. NO. ARTIST TITLE LABEL GENRE UPC CONFPPD REL. DATE QTY 43563-1053-3 PAISLEY, DOUG Starter Home SD / No Quarter Rock-Pop 843563105337 CD$ 12.00 2-Nov-18 NOQ059 PAISLEY, DOUG Starter Home SD / No Quarter Rock-Pop 843563105313 LP$ 16.00 2-Nov-18 JAG330CS UNKNOWN MORTAL O IC-01 Hanoi SD / Jagjaguwar Experimen 656605233055 CS 8.00$ 26-Oct-18 56605-2330-2 UNKNOWN MORTAL O IC-01 Hanoi SD / Jagjaguwar Experimen 656605233024 CDEP$ 12.00 26-Oct-18 JAG330 UNKNOWN MORTAL O IC-01 Hanoi SD / Jagjaguwar Experimen 656605233017 12" EP $ 14.00 26-Oct-18 87828-0432-2 HOW TO DRESS WELLThe Anteroom Domino Rock-Pop 887828043224 CD$ 12.80 19-Oct-18 WIG432 HOW TO DRESS WELLThe Anteroom (180g LPx2) Domino Rock-Pop 887828043217 LPx2$ 25.60 19-Oct-18 87828-0817-2 HOLTER, JULIA Aviary Domino Rock-Pop 887828041725 CDx2$ 13.67 26-Oct-18 WIG417 HOLTER, JULIA Aviary Domino Rock-Pop 887828041718 LPx2$ 25.60 26-Oct-18 WIG417X HOLTER, JULIA Aviary (Indie Only - clear viny Domino Rock-Pop 887828041732 LPx2$ 25.60 26-Oct-18 66561-0138-2 MOSS, JESSICA Entanglement Constellation Rock-Pop 666561013820 CD$ 10.00 26-Oct-18 CST138 MOSS, JESSICA Entanglement Constellation Rock-Pop 666561013813 LP$ 14.25 26-Oct-18 28070-6355-2 SPECTRES Last Days Artoffact Records Punk 628070635528 CD$ 10.00 19-Oct-18 28070-6356-2 SPECTRES Nothing to Nowhere Artoffact Records Punk 628070635627 CD$ 10.00 19-Oct-18 28070-6357-2 SPECTRES Utopia
    [Show full text]
  • [email protected] Website: Nightshift.Oxfordmusic.Net Free Every Month
    email: [email protected] website: nightshift.oxfordmusic.net Free every month. NIGHTSHIFT Issue 129 April Oxford’s Music Magazine 2006 Oxford Punt 2006 Line-up announced Every Loser Wins NineNineNine StoneStoneStone CoCoCowbowbowboyyy Elvis, alcohol and suicide bombers - interview inside Also in this issue - The best in Oxford music news, reviews and previews Including The Odd Couple - when Suitable Case For Treatment met Jon Snow and ended up on the Richard and Judy Show plus Seven pages of local gigs NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWNEWSS Harlette Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] PUNT LINE-UP ANNOUNCED The line-up for this year’s Oxford featured a sold-out show from Fell Punt has been finalised. The Punt, City Girl. now in its ninth year, is a one-night This years line up is: showcase of the best new unsigned BORDERS: Ally Craig and bands in Oxfordshire and takes Rebecca Mosley place on Wednesday 10th May. JONGLEURS: Witches, Xmas The event features nineteen acts Lights and The Keyboard Choir. across six venues in Oxford city THE PURPLE TURTLE: Mark and post-rock is featured across showcase of new musical talent in centre, starting at 6.15pm at Crozer, Dusty Sound System and what is one of the strongest Punt the county. In the meantime there Borders bookshop in Magdalen Where I’m Calling From. line-ups ever, showing the quality are a limited number of all-venue Street before heading off to THE CITY TAVERN: Shirley, of new music coming out of Oxford Punt Passes available, priced at £7, Jongleurs, The Purple Turtle, The Sow and The Joff Winks Band.
    [Show full text]
  • View 2008 Program
    Third Annual Conference December 5-7, 2008 Improvisation and Identity: Discovering Self and Community in a Trans-Cultural Age ISIM promotes performance, education, and research in improvised music, and illuminates connections between musical improvisation and creativity across fields. Keynote Address: Roscoe Mitchell Featured Performers and Speakers: Joëlle Léandre and India Cooke isim INTERNATIONAL SOCIETY FOR IMPROVISED MUSIC THIRD ANNUAL CONFERENCE About ISIM Mission Statement ISIM promotes performance, education, and research in improvised music, and illuminates connections between musical improvisation and creativity across fields. Narrative Reflecting the melding of diverse cultures, ethnicities, disciplines, and ideas that shapes society at large, today’s musical world is increasingly characterized by creative expressions that transcend conventional style categories. Improvisation is a core aspect of this global confluence, and in recent years the phrase “improvised music” has emerged as a kind of an overarching label for much of this eclectic musical activity. Initially used to describe jazz and its offshoots, the phrase now encompasses a broad spectrum of formats—from computer music and multi-media 1 collaborations to string quartets, bebop quintets and multiethnic fusion. Enabling spontaneous interactions between musicians from the most disparate backgrounds, the dissolution of boundaries between performers and listeners, and access to the transcendent dimensions of creative experience, improvisation is at the heart of a new musical paradigm that is uniquely reflective of contemporary life. Musical improvisation may also shed light on creativity in a wide variety of fields, as corporate executives, educators, athletes, medical professionals and other practitioners recognize an improvisatory core to success, progress, and fulfillment in their respective disciplines.
    [Show full text]
  • Télécharger Le Dossier
    EDGING by Guillaume Marie, Igor Dobricic & Kazuyuki Kishino (aka KK Null). Choreography: Guillaume Marie Dramaturgy: Igor Dobricić Music: Kazuyuki Kishino (aka KK NULL) Performed by: Guillaume Marie et Suet-Wan Tsang Costumes : Cédrick Debeuf Light: Abigail Fowler Technical Director/Sound Engineer: Stéphane Monteiro Make-up: Rebecca Florès Graphism: Grégoire Gitton Production-Booking: Guillaume Bordier [email protected] / +33 (0)6 64 81 07 98 With the help for the translation of Stéphanie Gitton Production: TAZCORP/ Co-productions: La Ménagerie de Verre (Paris), Ville de Strasbourg, Emmetrop (Bourges), CDC Paris Réseau/Étoile du Nord (Paris), Ballet de l’Opéra national du Rhin (Mulhouse), NagiB Festival (Maribor, Slovenia). Residencies: Centre National de la Danse (Pantin), Danse Dense (Pantin), La Ménagerie de Verre in the frame of Studiolabs (Paris), Théâtre Hautepierre (Strasbourg), Théâtre du Marché aux Grains (Bouxwiller). Special thanks: Théâtre National de Chaillot, Centre national de la danse, Atelier Bas Et Hauts. © Gilles Vidal Edging: Sexual technique of arriving to a climax, then purposefully interrupting stimulation in order to delay a moment of release. Hikikomori: ("pulling inward, being confined"): a Japanese term to refer to the phenomenon of reclusive adolescents or young adults who withdraw from social life, often seeking extreme degrees of isolation and confinement. Laser: “Light Amplification by Stimulated Emission of Radiation” The catastrophe is not coming, it is here. We are already situated inside of it. When the world is holding itself together through the infinite management of its own collapse it is useless to wait for a breakthrough. In fact, to go on waiting becomes madness. That we are deriving pleasure from the repetition of our habits in the midst of the catastrophe is what makes this repetition into a ritual.
    [Show full text]
  • Some Proposals for Reclaiming the Practice of Live Music
    Listening to History: Some Proposals for Reclaiming ABSTRACT The author explores the vibrant, but often hidden, the Practice of Live Music unorthodox musical culture of Australia, recounting little known movements, events, dates, personalities and Aboriginal traditions. He urges Jon Rose the listener to investigate and value this unique and fecund musical history, and in so doing, find models that are relevant to solving the dilemmas of a declining contemporary music practice. Live music encourages direct interconnectivity among ast year at a Sydney university, a musicologist To many living in our current people and with the physical L world upon which we rely for observed, “Everybody knows that music in Australia didn’t re- cut-and-paste paradise, this prob- ally get going until the mid-1960s.” Significantly, this gem was ably seems irrelevant, even an irrita- our existence; music can be life supporting, and in some situa- spoken at a seminar that featured a film about the Ntaria Ab- tion—why bother with the detailed tions, as important as life itself. original Ladies’ Choir from Hermannsburg, Central Australia sonic interconnectivity of the past While there is much to learn (Fig. 1). The denial of a vibrant and significant musical history when you can avoid both past and from the past, digital technology in white as well as indigenous culture has done this country a present by logging into, say, Sec- can be utilized as an interface great disservice. ond Life? I didn’t add ‘future’ to establishing a tactile praxis and enabling musical expression It may well be the prime reason why none of the 20th cen- the list of avoidances, because you that promotes original content, tury’s great musical forms ever originated in Australia.
    [Show full text]