Kate Steciw CV

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KATE STECIW Lives and works in Brooklyn Education BA, Sociology, Smith College, Northampton, MA_MFA, Photography, SAIC, Chicago Solo and Two Person Exhibitions: 2012 Deep Common, NADA Miami Beach (Toomer Labzda Solo Booth), Miami 2012 Boundless Hyper, Toomer Labzda, New York 2012 Live, Laugh, Love, The Composing Rooms, London 2012 Matt Nichols/Kate Steciw, Hungry Man, San Fancisco 2012 Popular Options (Yellow Diamonds in the Light), Klauss Gallery, New York 2011 Love My Way, Primary Photographic Gallery, New York Selected Group Exhibitions: 2013 Color Shift, Mixed Greens, New York The Web is a Lonely Place, Center for Photography at Woodstock, Woodstock, NY 1:1, Steve Turner Contemporary, Los Angeles 2012 Attachments, The Hole, New York Building Materials, The Control Room, Los Angeles Photogenus, DAAP Galleries, U. of Cincinnati, Cincinnati, Ohio How to Eclipse the Light, Wilkinson Gallery, London Business Innovations for Ubiquitous Authorship, Higher Pictures, New York Friends of Freiheit, Craig Leonard, North Adams, Massachusetts Image Object, Foxy Production, New York Real Time, Nudashank, Baltimore Hassla: 5 Years, Printed Matter, New York BCC #7, STADIUM, New York Merge Visible, Prairie Productions, Chicago That is the Dawn, Gregor Staiger Gallery, Zurich Aude Pariset/Kate Steciw/Letha Wilson, Toomer Labzda, New York 2011 Flatten Image, The End, Brooklyn Notes on a New Nature, 319 Scholes, Brooklyn BCC#6, Reference Gallery, Richmond, Virginia Hassla Artists, Piñata, Los Angeles BAM Next Wave Festival, Brooklyn BYOB, Cleaveland, Ohio A Small Forest, Kunsthalle New, Chicago Monkey Wrench, Horton Gallery, New York Wax Apple, Bodega, Philadelphia Friends in Deed Auction, Philips de Pury, New York All the Young Strangers, Higher Pictures Gallery, New York NEXT/ART CHICAGO, Featured Artist, LVL3 Gallery, Chicago BYOB, Philadelphia, BAM Annual Auction, Brooklyn, Spring Video Screening, Small Space, Milwaukee, WI 2010 Post-Internet Survival Guide, Future Gallery, Berlin, hArts for Art: 2nd Annual Benefit Auction + Raffle, LVL3, Chicago SRANUS, Steinsland Berliner, Stockholm (Featured Artist), Humble Arts, Miami Beach FINISHED, Showpaper Gallery, New York Picture Books, F.L.O.A.T Gallery, Brooklyn G/IRL, 300 West 22nd St., New York New York, New Work, Levi's Photo Workshop, New York Mugs, LVL3, Chicago THE STATE, Online 2009 SMOKEBATH, Online Graphic Intersections Fashion's Night Out: New Art Photography, Eponomy, Brooklyn The Serious Show, Spacecamp Presents, Online 2008 (Super)Natural, NYPH, Brooklyn All Hallows Eve, Gowanus Studio Space, Brooklyn 31 under 31: Young Women in Art Photography, 3rd Ward, Brooklyn Published 2011 The Collector’s Guide to New Art Photography Vol. 2, Humble 2010 New Age Visions, Cool Glories, Grace Micelli Tell Mum Everything is OK #3, Editions FP&CF Post-Internet Survival Guide, Katja Novitskova The Strangeness of This Idea, Hassla SMOKEBATH, Seems 2008 The Collectors Guide to New Art Photography, Humble Selected Press and Interviews 2012 Rhizome Artist Profile_2012 Lay Flat 2011 Art Forum Online Interview Magazine The New York Times The Block Magazine Saatchi Online 2010 The Last Magazine Huh Magazine Tourist Magazine Future Shipwreck Twin Magazine 2008, 2009, 2010, 2011 iheartphotograph.

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Selling and Collecting Art in the Network Society
PAU | PAU WAELDER SELLING AND COLLECTING ART IN THE NETWORK SOCIETY NETWORK THE IN ART COLLECTING AND SELLING PhD Dissertation SELLING AND COLLECTING ART IN THE NETWORK SOCIETY Information and Knowledge Society INTERACTIONS Doctoral Programme AMONG Internet Interdisciplinary Institute(IN3) Universitat Oberta de Catalunya (UOC) CONTEMPORARY ART NEW MEDIA AND THE ART MARKET Pau Waelder Thesis Directors Dr. Pau Alsina Dr. Natàlia Cantó Milà PhD Dissertation SELLING AND COLLECTING ART IN THE NETWORK SOCIETY INTERACTIONS AMONG CONTEMPORARY ART, NEW MEDIA, AND THE ART MARKET PhD candidate Pau Waelder Thesis Directors Dr. Pau Alsina Dr. Natàlia Cantó Milà Thesis Committee Dr. Francesc Nuñez Mosteo Dr. Raquel Rennó Information and Knowledge Society Doctoral Programme Internet Interdisciplinary Institute(IN3) Universitat Oberta de Catalunya (UOC) Barcelona, October 19, 2015 To my brother David, who taught me what computers can do. Cover image: Promotional image of the DAD screen displaying the artwork Schwarm (2014) by Andreas Nicolas Fischer. Photo: Emin Sassi. Courtesy of DAD, the Digital Art Device, 2015. Selling and collecting art in the network society. Interactions among contemporary art, new media and the art market by Pau Waelder is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. ACKNOWLEDGEMENTS The present dissertation stems from my professional experience as art critic and curator, Sassoon, Shu-Lea Cheang, Lynn Hershmann-Leeson, Philippe Riss, Magdalena Sawon as well as my research in the context of the Information and Knowledge Society Doctoral and Tamas Banovich, Kelani Nichole, Jereme Mongeon, Thierry Fournier, Nick D’Arcy- Programme at the Internet Interdisciplinary Institute (IN3) – Universitat Oberta de Fox, Clara Boj and Diego Díaz, Varvara Guljajeva and Mar Canet, along with all the artists Catalunya.
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Letha Wilson
Education: 2009 Skowhegan School of Painting and Sculpture, Maine 1999 - 2003 Hunter College; New York, NY Master of Fine Arts, combined media concentration 1994 - 1998 Syracuse University; Syracuse, NY College of Visual & Performing Arts, BFA with Honors Letha Wilson Solo and Two-Person Exhibitions: [email protected] 2018 Horizon Eyes, GRIMM Gallery, New York, NY www.lethaprojects.com 2017 Paper Covers Rock, Brie Ruais and Letha Wilson, SEPTEMBER Gallery, Hudson, NY 2017 Platform 19: Letha Wilson, deCordova Sculpture Park and Museum, Lincoln, MA 2017 Shadows and Sunlight, Center for Contemporary Art and Culture at Pacific Northwest College of Art, Portland, OR 2016 Fold and Unfold: Kate Steciw and Letha Wilson, MACRO Museo d’Arte Contemporanea, Rome, Italy Surface Moves, Galerie Christophe Gaillard, Paris, FR 2015 The Distance, Richard T. Walker and Letha Wilson, CAPITAL, San Francisco, CA Look With Your Hands, Grimm Gallery, Amsterdam, NL Sight Specific, Light Work, Syracuse, NY Terra Firma, Brand New Gallery, Milan, Italy 2014 Higher Pictures, New York, NY Letha Wilson, Galerie Christophe Gaillard, Paris, France Jason Middlebrook/Letha Wilson, Retrospective Gallery, Hudson, NY 2013 Monuments and Landmarks, Art in General, New York, NY 2012 Higher Pictures, New York, NY 2011 Punch the Sky, Vox Populi, Philadelphia, PA 2009 Lines Through the Wilderness, Rosenberg Gallery, Hofstra University, Hempstead, NY Selected Group Exhibitions: 2018 Anna Atkins Refracted: Contemporary Works, Stephen A. Schwarzman Building, The New York Public Library, New York, NY Recognize you when she sees you, Give you the things she has for you, SEPTEMBER Gallery, Hudson, NY LANDED, Darkroom Detroit, Detroit, MI. Still Life, organized by Candice Madey.
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The Curriculum
The Curriculum . 3 Literature . 63 Africana Studies . 3 Mathematics . 73 Anthropology . 3 Middle Eastern and Islamic Studies . 76 Architecture and Design Studies . 7 Modern and Classical Languages and Art History . 7 Literatures . 77 Asian Studies . 10 Music . 78 Biology . 13 Philosophy . 88 Chemistry . 16 Physics . 91 Chinese . 19 Political Economy . 93 Classics . 20 Politics . 93 Cognitive and Brain Science . 20 Psychology . 97 Computer Science . 21 Public Policy . 107 Dance . 24 Religion . 108 Development Studies . 29 Russian . 111 Economics . 30 Science and Mathematics . 112 Environmental Studies . 33 Pre-Health Program Ethnic and Diasporic Studies . 34 Social Science . 113 Film History . 35 Sociology . 113 Filmmaking, Screenwriting and Media Spanish . 116 Arts . 37 Theatre . 118 French . 38 Urban Studies . 131 Games, Interactive Art, and New Genres 40 Visual Arts . 132 Gender and Sexuality Studies . 41 Architectural Design Geography . 41 Drawing German . 42 Filmmaking Greek (Ancient) . 44 New Media Health, Science, and Society . 45 Painting History . 45 Photography International Studies . 55 Printmaking Italian . 56 Sculpture Japanese . 58 Visual Fundamentals Latin . 59 Writing . 149 Latin American and Latino/a Studies . 60 Faculty . 161 Lesbian, Gay, Bisexual, and Transgender Studies . 60 Sarah Lawrence College is accredited by the Middle Modern Language and Literature (1101) BA States Association and the New York State Music (1004) BA Education Department. Philosophy (1509) BA Politics (2207) BA The following programs are registered by the New Premedical (4901) BA York State Education Department* for the degrees Psychology (2001) BA listed (registration number in parentheses). Religion (1510) BA Enrollment in other than registered or otherwise Sociology (2208) BA approved programs may jeopardize a student’s Theatre (1007) BA eligibility for certain student-aid awards.
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2012 Biennial Magazine
Director’s Statement Welcome to FOTOFOCUS 2012! Created to provide sponsorship, marketing, coordination, and administrative assistance to its venue participants, FOTOFOCUS is delighted to see the regional art and academic com- munity enthusiastically embrace our debut biennial and our mission to spotlight photography, the medium of our time. We are here to offer you and your family and friends an unprecedented opportunity to learn about and experience the diverse currents of photography. FOTOFOCUS aspires to link Cincinnati’s rich tradition of support for artists and designers to the global con- versation surrounding the accessible and ubiquitous medium of photography. Over 70 venues are present- ing photography exhibitions including, the Cincinnati Art Museum, the Contemporary Arts Center, the Taft Museum of Art, the Dayton Art Institute, as well as such academic institutional partners as the University of Cincinnati, Art Academy of Cincinnati, Xavier University, Northern Kentucky University, Ohio University, Miami University, and Wright State University. In addition, we are proud to be a sponsor of Continuum, the 2012 Society of Photographic Educators Regional Conference, and to provide public bus tours of Cincinnati art galleries highlighting photography in the lively historic neighborhoods of Downtown, Over-the- Rhine, Mt. Adams, O’Bryonville, Oakley, Clifton, and Northside. FOTOFOCUS is collaborating with artists, curators, collectors, students, and academics to bring you a richly varied celebration of photography. Museums, galleries, and universities are all part of FOTOFOCUS, and they are showcasing world-renowned artists as well as regional photographic professionals. If time does not permit you to read the entirety of this program insert today, please, before you put this down, turn to page 47 and peruse the 10 pages of images and exhibition listings at the sites that are available to you in the month of October.
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Kate Steciw Press
About Distributors Online Issues Printed Issues Shoot the Breeze Store Video Rachel de Joode The 50 Gallery Shows You Need to See This Spring Spring is nearly here, and it’s time to look ahead. We’ve culled gallery listings worldwide to highlight 50 must-see exhibitions over the next three months, spanning 14 cities and ranging from historical surveys to cutting-edge contemporary work, from all-female group exhibitions to debut solo shows. _____ Berlin Kate Steciw at Neumeister Bar-Am Apr. 30–Jun. 25, Goethestrasse 2 Steciw has shifted from providing incisive commentary on stock imag- ery to creating curious yet immaculate abstract works couched in care- fully crafted frames; new works, some over four feet, will hang in clus- ters. Various Qualities To Orbit The Mysterious Core, 2013 Interview by Whitney Mallett When I went to visit Rachel de Joode in her studio this Fall, she said we were going to try making a “squish.” This process consisted of filling a plastic tube with wet plaster and me hugging it lArtsyike a Editoriallover, lea ,v Marching an 2016imprint of my body, until it dried. About Distributors Online Issues Printed Issues Shoot the Breeze Store Video Rachel de Joode ‘Touch-tone’ by Rachel de Joode, Kate Steciw and Letha Wilson @ Martos Gallery Martos Gallery is now showcasing Touch-tone, featuring new works by Rachel de Joode, Kate Steciw and Letha Wilson. Continuing their dialogue that challenges the limits of photography as an artistic medium, Touch-tone is the first time these three artists will collaborate on an exhibition together.
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Media Release
Contact: Communications Team 212.857.0045 [email protected] media release What Is a Photograph? On view from January 31, 2014 through May 4, 2014 Media Preview January 30, 2014 11:30am-1:30pm RSVP: [email protected] 212.857.0045 Mariah Robertson. 154 [detail]. 2010. Courtesy collection Dan and Barbara Newman. © Mariah Robertson, courtesy American Contemporary, New York On view at the International Center of Photography from January 31 through May 4, 2014, What Is a Photograph? explores the range of creative experimentation that has occurred in photography since the 1970s. This major exhibition brings together 21 emerging and established artists who have reconsidered and reinvented the role of light, color, composition, materiality, and the subject in the art of photography. In the process, they have also confronted an unexpected revolution in the medium with the rise of digital technology, which has resulted in imaginative reexaminations of the art of analog photography, the new world of digital images, and the hybrid creations of both systems as they come together. “Artists around the globe have been experimenting with and redrawing the boundaries of traditional photography for decades,” said ICP Curator Carol Squiers, who organized the exhibit. “Although digital photography seems to have made analog obsolete, artists continue to make works that are photographic objects, using both old technologies and new, crisscrossing boundaries and blending techniques.” Among those included in the exhibition is Lucas Samaras, who adopted the newly developed Polaroid camera in the late 1960s and early 1970s and immediately began altering its instant prints, creating fantastical nude self-portraits.
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Announcement
Announcement 77 articles, 2016-04-09 06:00 1 Matchesfashion.com Brings Pop-up to New York The temporary space will showcase the U. K.-based retailer’s pre-fall and fall 2016 buy. 2016-04-08 17:27 2KB wwd.com (2.00/3) 2 alcarol's fungi collection reveals nature's intricate textures at salone satellite alcarol's fungi collection captures natural organism found within decaying wood at salone (2.00/3) del mobile 2016. 2016-04-08 12:41 4KB www.designboom.com 3 Miart 2016 Dazzles in Milan At the 2016 edition of Miart, expertly curated sections and high-quality presentations lured European collectors and international curators to Milan. 2016-04-08 08:04 8KB (2.00/3) news.artnet.com 4 Free Freight Program Take advantage of our special year-round Free Freight Program for exhibitors! It's simple: When you send your artwork to any of our shows to exhibit, we'll transport it to the next show... and the next ... and the... 2016-04-09 06:00 1KB artexponewyork.com 5 Alexis Silk, 2016 Spotlight Artist Alexis Silk is breaking exciting ground with dramatic new works in blown glass and metal that are at once timeless and thought provoking. Emerging from the intersection of the artist's fascination with the human figure, passion for her molten medium, and desire for conceptual expression,... 2016-04-09 06:00 2KB artexponewyork.com 6 Show Guide Ad Upload AENY 2016 Show Guide Ad Upload Form 2016-04-09 06:00 602Bytes artexponewyork.com 7 Tickets Ticket Options Please Note: Above tickets include VIP Opening Preview Party but DO NOT include TRADE DAY Hours on Thursday, April 14, 12PM–4PM.
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2012 Biennial Catalogue
Jordan Tate, New Work #141, (detail), 2012, 1/10 framed Pigment Prints, each 16 x 20 inches, courtesy of the artist and Fred and Laura Ruth Bidwell Mission 1 Editors On the Cover James Crump Anthony Luensman Mission Director’s Statement 2 Linda Schwartz cloudhead, 2012, Co-Chair’s Statement 3 Judith Turner-Yamamoto photograph, 24" x 18" FOTOFOCUS recaptures the spirit of Cincinnati’s legacy as an Distinguished by a curatorial mandate set forth in inaugural meet- courtesy of the artist epicenter of art production and creative exchange, and seeks to ings with the region’s major art institutions and professionals, Spotlighting 5 Director, FOTOFOCUS and the Weston Art Gallery revitalize that spirit for the 21st century. Acting as a catalyst for FOTOFOCUS is co-chaired by James Crump, Chief Curator at the Mary Ellen Goeke Main FOTO 17 institutional collaboration and community engagement, FOTOFOCUS Cincinnati Art Museum, and Raphaela Platow, Alice and Harris Art Direction organizes a month-long biennial celebration spotlighting inde- Weston Director and Chief Curator of the Contemporary Arts Center, Alternate FOTO 44 pendently programmed exhibitions of historical and contemporary Cincinnati. FOTOFOCUS is a concept long envisioned by Thomas R. Richard Groot, Traction, photography and lens-based art. Schiff, a photographer and lifelong champion of the medium and Affiliated Activities 47 Cincinnati, OH an advocate for institutional alliances, as exemplified by the FOTO- Launching in October 2012, with many of the showcased exhibi- Exhibitions 49 Design FOCUS Lecture and Visiting Artist Series. tions continuing beyond, the FOTOFOCUS biennial presents an Jacob Drabik, Cincinnati, OH Lectures and Book Signings 54 unprecedented opportunity to learn about and experience the Copyright ©2012 by FOTOFOCUS, diverse currents of photography.
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Letha WILSON // BIOGRAPHY
Letha WILSON // BIOGRAPHY Born 1976 in Honolulu, Hawaii (US) Lives and works in Brooklyn, New York (US) 2013 New York Foundation for the Arts Fellowship (Deutsche Bank Fellow) in Photography (Also nominated in Archi- tecture / Environmental Structures), (US) Headlands Center for the Arts Residency, California (US) 2012 The Santo Foundation, Individual Artist Grant (US) Meredith S. Moody Residency Fellowship, Artist Residency, The Yaddo Foundation, Saratoga Springs, NY (US) Farpath Foundation Grant and Residency, Dijon (FR) 2011 EDUCATION Bemis Center for Contemporary Arts, Artist-in-Residence (US) 2009 2010 Skowhegan School of Painting and Sculpture, MA (US) Smack Mellon Hot Picks 2010, Smack Mellon, Brooklyn, NY (US) BRIC Rotunda Gallery Artist of the Month (US) 1999/2003 Hunter College, New York, NY (US), MFA in Combined Media 2009 Nomination, Louis Comfort Tiffany Biennial Award (US) 2001 Skowhegan School of Painting & Sculpture Fellowship (US) Exchange semester at the Glasgow School of Art MFA Santa Fe Art Institute Fellowship (US) Program, Glasgow (Scotland - GB) 2004 1994/1998 Artist in the Marketplace Program, Bronx Museum of the Arts (US) Syracuse University School of Visual and Performing Arts, Nomination, Rema Hort Mann Art Grant (US) Syracuse, NY (US) BFA in Painting; graduated with Honors, Summa cum 2000 Laude Hunter College Exchange Scholarship (US) 1997 1999 Exchange semester with Syracuse University’s Division of Orlin Prize, Honors Thesis Project Artspace: Art Beyond International Programs Abroad in Florence, Italy Academia
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Mariah Robertson
MARIAH ROBERTSON BORN 1975 Lives and works in Brooklyn, NY EDUCATION 2005 MFA | Yale University, New Haven, CT 1997 BA | UC Berkeley SOLO EXHIBITIONS 2013 Permanent Puberty, American Contemporary, New York, NY 2012 Museum of Modern Art, New York, NY (Performance) Kogod Courtyard, Washington, D.C. (Performance) Let’s Change, Grand Arts, Kansas City, MO 2011 Central Utah Art Center, Ephraim, UT BALTIC Centre for Contemporary Art, curated by Laurence Sillars, Gateshead, UK HOT TROPICAL RAIN JAM, Museum 52, New York, NY MoMA PS1, Long Island City, NY (Performance) 2010 ARTFORUM, Berlin, Germany 2009 Take Better Pictures, Museum 52, New York, NY I Am Passions, Marvelli Gallery, New York, NY Guild & Greyshkul, New York, NY (Performance) 2007 Nudes, Still Lives and Landscapes, Guild & Greshkul, New York, NY 2006 Please lie down and take a nap with me in my grave, Guild & Greyshkul, New York, NY GROUP EXHIBITIONS 2014 A World of Its Own: Photographic Practices in the Studio, Museum of Modern Art, New York, NY Outside the Lines: Rites of Spring, Contemporary Arts Museum Houston, Texas What is a Photograph?, International Center of Photography, New York, NY 2013 19 New Acquisitions in Photography, Museum of Modern Art, New York, NY 612 NORTH ALMONT DRIVE, LOS ANGELES, CALIFORNIA 90069 TEL 310 550 0050 FAX 310 550 0605 WWW.MBART.COM How Things are Made (an exhibition in 3 parts), Spot Welders, New York, NY Old Black, Team Gallery, New York, NY Under My Skin, Flowers Gallery, New York, NY Desire, Yancey Richardson, New York, NY 2012 Photography,
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Opacity Shift: Picturing the Cute, Zany and Interesting in Image-Based Art Practice
OPACITY SHIFT: Picturing the Cute, Zany and Interesting in image-based art practice. SKYE WAGNER A thesis in fulfilment of the requirements for the degree of Master of Fine Arts UNSW Art & Design February 2020 Thesis/Dissertation Sheet Surname/Family Name : Wagner Given Name/s : Skye Abbreviation for degree as give in the University calendar : MFA Faculty : Faculty of Art and Design School : School of Art and Design Thesis Title : Opacity Shift: Picturing the Cute, Zany and Interesting in image-based art practice. Abstract 350 words maximum: (PLEASE TYPE) This practice-based research project examines how photography, through its relationship to diverse social and technical apparatuses, can model and remodel constructions of visibility. Following W.J.T. Mitchell and related photography theory, this project develops and analyses a metapictorial inquiry that ‘pictures’ the complex interaction between aesthetics, visuality and contemporary discourse. Through this framework, the research project develops the terms ‘staging’ and ‘versioning’ to describe and image the ‘production of aesthetic experience’ and the ‘temporal movement in materials and forms’ that traverse art and social contexts. These terms are developed in concert with an investigation of image-based artworks and films by Camille Henrot, Elad Lassry, and Jacques Tati, as well as my own photographic practice. Specifically, this project examines how artists enact metapictorial critiques that give visibility to the aesthetic categories of the ‘cute, zany and interesting’ (terms devised by Sianne Ngai to articulate the complexities of contemporary aesthetic experience within late capitalist societies). This project argues that the art practices discussed co-implicate these seemingly ‘trivial’ aesthetics with a reflexive critique to produce defamiliarising effects that resist habitual modes of perceptual engagement.
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2012 Annual Report
2012 Annual Report AT BAM’s mission is to be the home for adventurous artists, audiences, and ideas. 3—6 35—38 Greetings Past and Future Chair Letter, 4 BAM at 150, 36 Executives Letter, 5 BAM Hamm Archives, 37 BAM Campus, 6 Capital Projects, 38 7—34 39—45 What We Do Who We Are 2011 Fall, 8 BAM Board List, 40 2011 Next Wave Festival, 9 BAM Supporters, 41 2012 Winter/Spring Season, 11 BAM Staff, 44 BAM Rose Cinemas, 13 BAMcafé Live, 19 46—48 BAMart, 22 Numbers Community, 24 BAM Financial Statements, 47 Professional Development Program, 26 BAM Education, 28 49—53 Humanities, 30 The Trust DanceMotion USASM, 32 Digital Media, 33 BET and Chair Letter, 50 Membership, 34 BET Donors, 51 BET Financial Statements, 52 2012 ANNUAL REPORT: BAM AT 150 YEARS 2 Table of Contents In 2011, BAM launched its 150th anniversary celebration as the country’s oldest performing arts center with 16 months of landmark performances and films (Sep 2011— Dec 2012), the release of a commemorative book, special archival and art exhibitions, iconic artist talks, parties, and the opening of the BAM Richard B. Fisher Building. This report covers Jul 2011—Jun 2012. Merce Cunningham Dance Company in The Legacy Tour | 2011 Next Wave Festival | Photo: Stephanie Berger Dear Friends, As our 150th anniversary draws to a new initiatives during the 2012 fiscal year. thanks to Jeanne Donovan Fisher and all Express on behalf of BAM. I’d also like to triumphant close, I’d like to thank every We expanded our commitment to education those who supported this project.
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