Model Germania by Thomas Schauerte
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Albrecht Dürer - Engl
Leseprobe Albrecht Dürer - engl. Bestellen Sie mit einem Klick für 49,00 € Seiten: 488 Erscheinungstermin: 23. September 2019 Mehr Informationen zum Buch gibt es auf www.penguinrandomhouse.de Duerer_englisch_1_67 13.08.19 15:28 Seite 1 DÜRERAlbrecht Duerer_englisch_1_67 13.08.19 15:28 Seite 4 Lenders to the Exhibition We thank all our lenders, who entrusted their invaluable works of art to us for the period of the exhibition: Staatliche Museen zu Berlin, Gemäldegalerie Staatliche Museen zu Berlin, Kupferstichkabinett Kunsthalle Bremen Gallerie degli Uffizi, Florence Städel Museum, Frankfurt am Main Hamburger Kunsthalle, Kupferstichkabinett Wallraf-Richartz-Museum & Fondation Corboud, Cologne Museu Nacional de Arte Antiga, Lisbon The British Museum, London The National Gallery, London Museo Nacional del Prado, Madrid Museo Nacional Thyssen-Bornemisza, Madrid Veneranda Biblioteca Ambrosiana, Milan Bayerische Staatsgemäldesammlungen, Munich Germanisches Nationalmuseum, Nuremberg, Sammlung Bernhard Hausmann Kunstsammlungen der Stadt Nürnberg, Nuremberg Bibliothèque nationale de France, Paris Fondation Custodia—Collection Frits Lugt, Paris Musée du Louvre, Paris, Département des Arts graphiques National Gallery of Art, Washington Klassik Stiftung Weimar, Graphische Sammlungen Akademie der bildenden Künste, Vienna Kunsthistorisches Museum, Vienna, Gemäldegalerie Duerer_englisch_1_67 19.08.19 14:44 Seite 5 klaus albrecht schröder 8 Foreword julia zaunbauer 12 Albrecht Dürer: A Biography christof metzger 36 Dürer, the Draftsman christof metzger -
A Cidade Real E Ideal: a Paisagem De Nuremberg Na Crônica De Hartmann Schedel E a Sua Concepção De Espaço Urbano
A CIDADE REAL E IDEAL: A PAISAGEM DE NUREMBERG NA CRÔNICA DE HARTMANN SCHEDEL E A SUA CONCEPÇÃO DE ESPAÇO URBANO LA CIUDAD REAL E IDEAL: EL PAISAJE DE NUREMBERG EN LA CRÓNICA DE HARTMANN SCHEDEL Y SU CONCEPCIÓN DE ESPACIO URBANO THE REAL AND IDEAL CITY: THE NUREMBERG LANDSCAPE IN HARTMANN SCHEDEL’S CHRONICLE AND ITS CONCEPTION OF URBAN SPACE Vinícius de Freitas Morais Universidade Federal Fluminense [email protected] Fecha de recepción: 11/10/2016 Fecha de aprobación: 01/06/2017 Resumo A partir de uma concepção de espaço confeccionada pela elite local de Nuremberg, buscava-se, através de um projeto tipográfico promover uma imagem ideal para esta cidade. Hartmann Schedel, um importante humanista local em conjunto com o impressor Anton Koberger e os gravadores Micheal Wolgemut e Wilhem Pleydenwurff produziram duas edições do imponente incunábulo comumente conhecido pela historiografia como A Crônica de Nuremberg. Este presente artigo tenta, a partir de uma comparação entre fonte escrita e imagética, elucidar esta apologia de Nuremberg como um importante polo econômico para a região da Baviera. Palavras-chave Cidade – Incunábulo - humanismo Resumen A partir de una concepción de espacio confeccionada por la élite local de Nuremberg, se buscaba, a través de un proyecto tipográfico promover una imagen ideal para esta ciudad. Hartmann Schedel, un importante humanista local, en conjunto con el impresor Anton Koberger y los grabadores Micheal Wolgemut y Wilhem Pleydenwurff, produjeron dos ediciones del imponente incunable comúnmente conocido por la historiografía como La Crónica de Nuremberg. Este presente artículo intenta, a partir de una comparación entre fuente escrita e imagética, elucidar esta apología de Nuremberg como un importante polo económico para la región de Baviera. -
FINDING AID to the RARE BOOK LEAVES COLLECTION, 1440 – Late 19/20Th Century
FINDING AID TO THE RARE BOOK LEAVES COLLECTION, 1440 – Late 19/20th Century Purdue University Libraries Virginia Kelly Karnes Archives and Special Collections Research Center 504 West State Street West Lafayette, Indiana 47907-2058 (765) 494-2839 http://www.lib.purdue.edu/spcol © 2013 Purdue University Libraries. All rights reserved. Processed by: Kristin Leaman, August 27, 2013 Descriptive Summary Title Rare Book Leaves collection Collection Identifier MSP 137 Date Span 1440 – late 19th/early 20th Century Abstract The Rare Book Leaves collection contains leaves from Buddhist scriptures, Golden Legend, Sidonia the Sorceress, Nuremberg Chronicle, Codex de Tortis, and an illustrated version of Wordsworth’s poem Daffodils. The collection demonstrates a variety of printing styles and paper. This particular collection is an excellent teaching tool for many classes in the humanities. Extent 0.5 cubic feet (1 flat box) Finding Aid Author Kristin Leaman, 2013 Languages English, Latin, Chinese Repository Virginia Kelly Karnes Archives and Special Collections Research Center, Purdue University Libraries Administrative Information Location Information: ASC Access Restrictions: Collection is open for research. Acquisition It is very possible Eleanore Cammack ordered these Information: rare book leaves from Dawson’s Book Shop. Cammack served as a librarian in the Purdue Libraries. She was originally hired as an order assistant in 1929. By 1955, she had become the head of the library's Order Department with a rank of assistant professor. Accession Number: 20100114 Preferred Citation: MSP 137, Rare Book Leaves collection, Archives and Special Collections, Purdue University Libraries Copyright Notice: Purdue Libraries 7/7/2014 2 Related Materials MSP 136, Medieval Manuscript Leaves collection Information: Collection of Tycho Brahe engravings Collection of British Indentures Palm Leaf Book Original Leaves from Famous Books Eight Centuries 1240 A.D.-1923 A.D. -
1 a Place Is Carefully Constructed: Reading the Nuremberg Cityscape
A Place is Carefully Constructed: Reading the Nuremberg Cityscape in the Nuremberg Chronicle Kendra Grimmett A Sense of Place May 3, 2015 In 1493 a group of Nuremberg citizens published the Liber Chronicarum, a richly illustrated printed book that recounts the history of the world from Creation to what was then present day.1 The massive tome, which contains an impressive 1,809 woodcut prints from 645 different woodblocks, is also known as the Nuremberg Chronicle. This modern English title, which alludes to the book’s city of production, misleadingly suggests that the volume only records Nuremberg’s history. Even so, I imagine that the men responsible for the book would approve of this alternate title. After all, from folios 99 verso through 101 recto, the carefully constructed visual and textual descriptions of Nuremberg and its inhabitants already unabashedly favor the makers’ hometown. Truthfully, it was common in the final decades of the fifteenth century for citizens’ civic pride and local allegiance to take precedence over their regional or national identification.2 This sentiment is strongly stated in the city’s description, which directly follows the large Nuremberg print spanning folios 99 verso and 100 recto (fig. 1). The Chronicle specifies that although there was doubt whether Nuremberg was Franconian or Bavarian, “Nurembergers neither wished to be 1 Scholarship on the Nuremberg Chronicle is extensive. See, for instance: Stephanie Leitch, “Center the Self: Mapping the Nuremberg Chronicle and the Limits of the World,” in Mapping Ethnography in Early Modern Germany: New Worlds in Print Culture (Basingstoke; New York: Palgrave Macmillan, 2010), 17-35; Jeffrey Chipps Smith, “Imaging and Imagining Nuremberg,” in Topographies of the Early Modern City, ed. -
Venetian Capital, German Technology and Renaissance Culture in the Later Fifteenth Century
Lowry, M. Venetian Capital, German Technology and Renaissance Culture in the Later Fifteenth Century pp. 1-13 Lowry, M., (1988) "Venetian Capital, German Technology and Renaissance Culture in the Later Fifteenth Century", Renaissance studies, 2, 1, pp.1-13 Staff and students of University of Warwick are reminded that copyright subsists in this extract and the work from which it was taken. This Digital Copy has been made under the terms of a CLA licence which allows you to: • access and download a copy; • print out a copy; Please note that this material is for use ONLY by students registered on the course of study as stated in the section below. All other staff and students are only entitled to browse the material and should not download and/or print out a copy. This Digital Copy and any digital or printed copy supplied to or made by you under the terms of this Licence are for use in connection with this Course of Study. You may retain such copies after the end of the course, but strictly for your own personal use. All copies (including electronic copies) shall include this Copyright Notice and shall be destroyed and/or deleted if and when required by University of Warwick. Except as provided for by copyright law, no further copying, storage or distribution (including by e-mail) is permitted without the consent of the copyright holder. The author (which term includes artists and other visual creators) has moral rights in the work and neither staff nor students may cause, or permit, the distortion, mutilation or other modification of the work, or any other derogatory treatment of it, which would be prejudicial to the honour or reputation of the author. -
For Melchior Schedel
Bayerische Staatsbibliothek. Ausstellungskataloge. 89 This book accompanies the exhibition »Welten des Wissens. Die Bibliothek und Weltchronik des Nürnberger Arztes Hartmann Schedel (1440–1514)« held from 19 November 2014 to 1 March 2015 in the Bayerische Staatsbibliothek Munich. For more information on the exhibition and the Bayerische Staatsbibliothek see www.bsb-muenchen.de Exhibition and catalogue: Bettina Wagner Translations: Diane Booton and Bettina Wagner, with editorial assistance by Anthony Davis, Mirjam Foot and Giles Mandelbrote Exhibition design: Christine Kühn Photographs: Bayerische Staatsbibliothek Munich, with exception of: Staatsbibliothek zu Berlin – Preußischer Kulturbesitz (pp. 21-22), Landesbibliothek Coburg (pp. 155), Germanisches Nationalmuseum Nuremberg (pp. 15). All vignettes without caption have been taken from Hartmann Schedel’s personal copy of the World Chronicle (Munich, BSB, Rar. 287) Produced with financial support from the Association Internationale de Bibliophilie (AIB). Worlds of Learning The Library and World Chronicle of the Nuremberg Physician Hartmann Schedel (1440–1514) Edited by the Bayerische Staatsbibliothek For more information on the publisher see www.allitera.de April 2015 Allitera Verlag An imprint of Buch&media GmbH, Munich © 2015 Buch&media GmbH, Munich Cover design: Christine Kühn, using the portrait of Hartmann Schedel in Clm 30 (cat. 4.1), the map of northern Italy from Rar. 124 (cat. 3.1) and the view of Padua and the illustration for the forth day of Creation from the World Chronicle from Rar. 287 (cat. 1.1) Printed in Germany ISBN 978-3-86906-757-5 Inhalt Preface by Rolf Griebel ............................................ 7 Introduction by Bettina Wagner ..................................... 9 The rise and decline of a Nuremberg family ................... -
Die Kirche Am Oberrhein Im Spannungsverhältnis Von Humanistischer Reform Und Reformation
Sonderdrucke aus der Albert-Ludwigs-Universität Freiburg HERIBERT SMOLINSKY Die Kirche am Oberrhein im Spannungsverhältnis von humanistischer Reform und Reformation Originalbeitrag erschienen in: Freiburger Diozösanarchiv 110 (1990), S.23-37 23 Die Kirche am Oberrhein im Spannungsverhältnis von humanistischer Reform und Reformation Von Heribert Smolinsky Am 1. Mai 1518, mitten in einer sich dramatisch zuspitzenden Zeit, welche die Geschichtsschreibung einmal mit dem Namen „Reformation" belegen sollte, schrieb von Heidelberg aus ein junger Dominikanermönch einen Brief nach Schlettstadt, seiner Heimat. Der Empfänger des Briefes war Beatus Rhenanus; der Absender war Martin Bucer, der spätere Reformator von Straßburg. Bucer berichtete in deutlich erregter Stimmung von der Heidelber- ger Disputation, die kurz vorher, am 26. April, hochoffiziell im Hörsaal der philosophischen Fakultät stattgefunden hatte und in deren Zentrum Martin Luther gestanden war. Er schrieb u. a.: „Ich habe gelesen, wie Du mit Deinem Stift unsere Theologen angegriffen und verletzt hast. Dies täte mir wahrlich leid, wenn es vergeblich wäre; und deshalb, damit Du Dir nicht als Sieger vorkommst, weil wir Heidelberger die Sache aufgegeben hätten (denn sonst hat uns unser Senior, der Wimpfeling, ganz hervorragend beschützt), will ich Dir einen Theologen entgegenhalten, zwar keinen von den unsrigen, der aber dieser Tage bei uns zu hören war... Es ist Martin, jener Kritiker der Ablässe, mit denen wir bisher viel zu nachsichtig waren... Mit Erasmus stimmt er in allem überein, außer daß er ihn in dem einen zu übertreffen scheint, das, was jener nur andeutet, dieser offen und frei verkündet"2. Beatus Rhenanus, der Schlettstädter Humanist, erscheint bei Bucer als kri- tischer antischolastischer Theologe; Wimpfeling als Vaterfigur einer Heidel- berger humanistischen Opposition, und Erasmus von Rotterdam, die überra- gende Gestalt des europäischen Humanismus, als konform mit dem Augusti- nermönch Martin Luther3. -
Merisalo Ars Et Humanitas 8 2 2014.Pdf
This is an electronic reprint of the original article. This reprint may differ from the original in pagination and typographic detail. Author(s): Merisalo, Outi Title: Scripsi manu mea Hartmann Schedel in Munich, Bayerische Staatsbibliothek, clm 490 Year: 2014 Version: Please cite the original version: Merisalo, O. (2014). Scripsi manu mea Hartmann Schedel in Munich, Bayerische Staatsbibliothek, clm 490. Ars et Humanitas, 8(2), 119-130. https://doi.org/10.4312/ars.8.2.119-130 All material supplied via JYX is protected by copyright and other intellectual property rights, and duplication or sale of all or part of any of the repository collections is not permitted, except that material may be duplicated by you for your research use or educational purposes in electronic or print form. You must obtain permission for any other use. Electronic or print copies may not be offered, whether for sale or otherwise to anyone who is not an authorised user. OUTI MERISALO / SCRIPSI MANU MEA. HARTMANN SCHEDEL IN MUNICH Outi Merisalo Scripsi manu mea Hartmann Schedel in Munich, Bayerische Staatsbibliothek, clm 490 Keywords: German humanism, Hartmann Schedel, palaeography, codicology, book history DOI: 10.4312/ars.8.2.119-130 Th e Padua-trained1 medical doctor Hartmann Schedel (1440–15142) of Nuremberg is today perhaps best known for his Liber Chronicarum, printed in Latin and German (Weltchronik) in 1493 with an ambitious programme of xylographies.3 Th anks to his well-spent study years in Padua (1463–1466),4 he also played an important role in the dissemination of Italian humanism north of the Alps, as witnessed, for example, by his collection of inscriptions5 and transcription of part of the fi rst book of Poggio Bracciolini’s De varietate fortunae contained in the ms. -
Jakob Wimpfeling Als Zentrale Gestalt Des Oberrheinischen Humanismus
Sonderdrucke aus der Albert-Ludwigs-Universität Freiburg DIETER MERTENS Jakob Wimpfeling als zentrale Gestalt des oberrheinischen Humanismus Originalbeitrag erschienen in: Jahrbuch für badische Kirchen- und Religionsgeschichte 6 (2012), S. 49-72. Jakob Wimpfeling als zentrale Gestalt des oberrheinischen Humanismus Dieter Mertens 1. Reiser - Wimpfeling - Franck Die drei Protagonisten dieser Tagung sind im Abstand jeweils eines halben Jahrhun derts geboren: Friedrich Reiser 1401, Jakob Wimpfeling 1450, Sebastian Franck 1499. Wimpfeling ist Reiser und wohl auch Franck nie begegnet, aber Wimpfeling wusste von Reiser, und Franck wusste von Wimpfeling. Als Reiser 1458 in Straßburg als rückfalliger Ketzer verbrannt wurde, besuchte der junge Wimpfeling die Latein schule seiner Heimatstadt Schlettstadt. Erst vierzig Jahre später interessierte ihn jene Ketzerverbrennung aus einem nicht bekannten Grunde sehr. Sein Freund Geiler von Kaysersberg stellte 1497 in Straßburg Nachforschungen über "diesen Friedrich" an und übermittelte das Ergebnis nach Speyer, wo Wimpfeling damals als Domprediger wirkte. 1 Vier Jahre später machte Wimpfeling, der inzwischen in Straßburg lebte, von den Informationen Geilers Gebrauch im zweiten Buch seiner Schrift "Germania", mit der er beim Rat der Stadt dafür warb, dass dieser zum Wohle Straßburgs ein Gymna sium für die 15- bis 20jährigen als Ausbildungsstätte für die künftige Führungsschicht einrichten möge. Diese sollte einmal mit derselben Weisheit regieren, die der Straß• burg er Rat schon in früheren Zeiten bewiesen -
John Calvin and Natural Philosophy
John Calvin and Natural Philosophy By Lindsay J. Starkey A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (History) at the UNIVERSITY OF WISCONSIN-MADISON 2012 Date of final oral examination: 6/27/12 The dissertation is approved by the following members of the Final Oral Committee: Lee Palmer Wandel, Professor, History Johann Sommerville, Professor, History Thomas Broman, Professor, History of Science Michael Shank, Professor, History of Science David J. Sorkin, Professor, History, The Graduate Center, CUNY Copyright by Lindsay J. Starkey 2012 All Rights Reserved i Table of Contents Abbreviations ii Abstract iii Introduction 1 1. John Calvin and the Purpose of Natural 15 Philosophy 2. Sixteenth-Century Masters and the Purpose 45 of Natural Philosophy 3. The Heavens 82 4. Meteorological Phenomena 124 5. Water 162 Conclusions: Further Connections between 199 Sixteen-Century Theology and Natural Philosophy Bibliography 205 ii Abbreviations Corpus Reformatorum Ioannis Calvini Opera quae supersunt omnia. 59 vols. Edited by CO Guilielmus Baum, Eduardus Cunitz, and Eduardus Reuss. Halle and Braunschweig: C.A. Schwetschke und Söhne, 1863-1900. Supplementa Calviniana: Sermons inédits. Edited by Erwin Mülhaupt et al. Neukirchen: SC Neukirchener Verlag der Buchhandlung des Erziehungsvereins, 1961 – . iii Abstract This dissertation explores the connections between sixteenth-century natural philosophy and theology, biblical exegesis, religious polemics, and sermons, arguing for deep connections between “religion” and “science.” It does so through an analysis of John Calvin’s works alongside widely circulated, contemporary natural philosophical texts. Sixteenth-century Christians shared a basic assumption that the universe and all things in it were God’s creation. -
Notes on the "Nuremberg Chronicle" (1493)
Founder: Edelgard E. DuBruck Consulting Editor: William C. McDonald Fifteenth~century studies volume 33 Edited by Edelgard E. DuBruck and Barbara 1. Gusick C A M DEN HO 0 $'E ' . Text, Culture, and Print-Media in Early Modem Translation: 'Notes on the "Nuremberg Chronicle" (1493) Jonathan Green Within the history of translation between the Vulgate by St. Jerome (347- 419/20) and the 1500s, more than a few landmarks are situated in early modem Germany, from Heinrich Steinhöwel's Esopus (1476) and Niklas von Wyle's Translaizen (1478) to Martin Luther's Bible.' The diglossia of Latin . and the vernaculars in a multi-lingual Europe makes the early modem pe- riod fascinating for the discipline of translation studies. This era marks the rise of an educated laity, the block book, arid printing, and accordingly has been the focus of much investigative effort within the study of book history. Both translation studies and the history of the book have enriched scholar- ship, arid each field seems curiously tangential to the other. The continuous debate within the sphere of translation studies over the relationship between cultural adaptation and linguistic remapping in the translation process' seems peripheral to the history of the book, as the latter involves textual analysis but does not pay heed to the books' physical appearances.' This article will fill in heretofore missing elements and reveal that print-media become crucial in rethinking early modem translation. To cite one example demonstrating the scholarly need for a more multi- faceted -
Here a More Joyous Scene Unfolds
HOWARD LOUThAN From the Rhine to the Vistula The Low Countries, Germany and Religious Reform in Renaissance Poland The construction had lasted more than a decade and had engaged the ener- gies of an entire workshop. The result, though, pleased the city council beyond measure. Worshippers entered the church early to stare open-mouthed at what was the largest altarpiece ever assembled. The figures of the central panel measured nearly three meters high. But it was not the monumentality as much as the altar’s sheer emotive power that left a lasting impression on the believers. The German artist who had so patiently and skillfully shepherded this project to completion had created a moving tableau that captured both the sorrow and joy of the Virgin’s earthly passing. In the hour of her death, the grieving Apostles have come to join her and share her last moments. A bearded Saint Paul supports her sagging body while to her immediate right a distraught Peter casts his melancholy eyes down to the book he is holding. To her left the Apostle John visibly shaken grabs his robe in distress. Others of the twelve, though, have turned their gaze upwards where a more joyous scene unfolds. There surrounded by angels, Mary is received by her son in heaven. The pres- entation reaches its climax above this depiction of her apotheosis, indeed above the central panel itself. Here the Virgin is flanked by a series of life-size figures who witness her glorious coronation. Though altarpieces of this type could be found up and down the Rhine, a closer examination of this wooden monument would show that the saints surrounding the Virgin were neither those of Brabant or Cologne but of Poland, and the artist, Veit Stoss (c.