The Films of Billy Wilder" Continue Daily at 3 and 5:30 P.M., and Thursdays Again at 8, Through February 6

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he Museum of Modern Art £ ]Kmm msASE West 53 Street, New York, N.Y. 10019 Circle 5-8900 Cable: Modernart Monday, January 11, 19^5 REMINDER TO FILM EDITORS The Museum of Modern Art screenings of "The Films of Billy Wilder" continue daily at 3 and 5:30 p.m., and Thursdays again at 8, through February 6. Richard Griffith, Curator of the Museum Film Library and director of the series, says that Wilder "has become the most precise, indeed relentless, chronicler of the post-war American scene, in shade as well as light, that the movies have produced,* Many of his films are enormously entertaining comedies, but they appeal to the experience of audiences with a sharp-edged bite of truth that seems the product of long observation of and involvement with the American ethos on all its levels." The series, which began December 13, continues with the following films: Jan. 10-13 THE LOST WEEKEND. 19^5. With Ray Milland and Jane Wyman. 101 minutes. Jan. lk-x6 SUNSET BOULEVARD. 1950. With William Holden, Gloria Swanson, Eric von Stroheim, Jack Webb, Cecil B. De Mille, Buster Keaton, and Hedda Hopper. 110 minutes. Jan. 17-20 THE BIG CARNIVAL (ACE IN THE HOLE). 1951. With Kirk Douglas and Jan Sterling. 112 minutes. Jan. 21-23 STALAG 1?. 1953. With William Holden. 120 minutes. Jan. 2^-27 SABRINA. 195^. With Humphrey Bogart, William Holden, Audrey Hepburn and Martha Hyer. 113 minutes. Jan. 28-30 WITNESS FOR THE PROSECUTION. 1958. With Marlene Dietrich, Charles Laughton, Tyrone Power. Ilk minutes. Jan. 31- SOME LIKE IT HOT. 1959. With Marilyn Monroe, Jack Lemmon Feb, 3 and Tony Curtis. 120 minutes. Feb. h~6 THE APARTMENT, i960. With Jack Lemmon, Shirley MacLaine and Fred MacMurray. 125 minutes. NO 5:30 PM SHOWING. The Wilder series will be followed by A WEEK OF SPANISH FILMS. Additional information and film stills available from Linda Goldsmith, Department of Public Information, The Museum of Modern Art, 11 West 53rd Street, New York, New York 10019, Circle 5-89OO. .

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The Inventory of the Joan Fontaine Collection #570
The Inventory of the Joan Fontaine Collection #570 Howard Gotlieb Archival Research Center TABLE OF CONTENTS Film and Video 1 Audio 3 Printed Material 5 Professional Material 10 Correspondence 13 Financial Material 50 Manuscripts 50 Photographs 51 Personal Memorabilia 65 Scrapbooks 67 Fontaine, Joan #570 Box 1 No Folder I. Film and Video. A. Video cassettes, all VHS format except where noted. In date order. 1. "No More Ladies," 1935; "Tell Me the Truth" [1 tape]. 2. "No More Ladies," 1935; "The Man Who Found Himself," 1937; "Maid's Night Out," 1938; "The Selznick Years," 1969 [1 tape]. 3. "Music for Madam," 1937; "Sky Giant," 1938; "Maid's Night Out," 1938 [1 tape]. 4. "Quality Street," 1937. 5. "A Damsel in Distress," 1937, 2 copies. 6. "The Man Who Found Himself," 1937. 7. "Maid's Night Out," 1938. 8. "The Duke ofWestpoint," 1938. 9. "Gunga Din," 1939, 2 copies. 10. "The Women," 1939, 3 copies [4 tapes; 1 version split over two tapes.] 11. "Rebecca," 1940, 3 copies. 12. "Suspicion," 1941, 4 copies. 13. "This Above All," 1942, 2 copies. 14. "The Constant Nymph," 1943. 15. "Frenchman's Creek," 1944. 16. "Jane Eyre," 1944, 3 copies. 2 Box 1 cont'd. 17. "Ivy," 1947, 2 copies. 18. "You Gotta Stay Happy," 1948. 19. "Kiss the Blood Off of My Hands," 1948. 20. "The Emperor Waltz," 1948. 21. "September Affair," 1950, 3 copies. 22. "Born to be Bad," 1950. 23. "Ivanhoe," 1952, 2 copies. 24. "The Bigamist," 1953, 2 copies. 25. "Decameron Nights," 1952, 2 copies. 26. "Casanova's Big Night," 1954, 2 copies.
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1942-01-09 [P 10]
Radio DA IS OFFICERS OUT OUR WAY By J. B. Williams OUR BOARDING HOUSE .. with . Major HooPie Today’s Programs i-*" ^ ' r kuow whut yo’re im stiffVs N/well ,x don't M WE WANT TO TIP YEAH, WHEN ¥THANKS— A- LAUGH IU’ AT / DLL ADMIT Y TIME, COWBOSSI BLAME THE YOu'<^f IET PROMOTIONS TIMERS! JULIET—THERE'S H, HE'S BROKE ¥ ALWAYS BEEN AN V WMFD 1400 KC X LOOK LIKE A HOG I SPENT TWO OLD OFF, ^ Wilmington HERDER MONTHS IM IITHIMKI’D A WILD ANIMAL IN THE M HE SETS EASY TARGET Dance. AM’I’M A-GOIM’ ) </( TOR Mjf FRIDAY, JAN. 9 3:30—Let’s AW SOOWER 3:55—Transradio News. T’STAY THETAWAY, TILL /TH1 BRUSH / j HOUSE/—IF JAKE HITS A BEAR <6?TOUCH/— MUST BE A Majors Martin, Kendall Ad- TWO CAYS LOOK LIKE ^ jjp 7:30—Family Altar, Rev. J. A. Sulli- 4:00—Club Matinee. COWBOYS SPEWD MORE \ / YOU FOR A SILLY STREAKT van. 4:15—Monitor Views the News. TIME IU TH’ BRESH IW TOWU— / A REAL- LOAN,PRETENdXtRAPFOR }| w-fH 5V. Lee. vanced To Rank Of \ 7:45—Red, White and Blue Network. 4:30—Piano Ramblings—H. TRYIN)’ TO BE COWBOVS NIOVJ IE YOU SECTIOM HAWD YOU'RE HARD OF HEAR- MEN, INHERITED FROM News 4:45—Club Matinee—A. P. News. | j J[ 8:00—European Roundup. THAW IN) CABARETS I SIT OUE O' THAW A AND START TALKING ) WOMEN fA 8:10— News from our 5:00—Adventure Stories. Lieutenant-Colonel |NG GRANDPA,WHO jHWq Capital.
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Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre.
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PELLISSIPPI STATE TECHNICAL COMMUNITY COLLEGE MASTER SYLLABUS INTRODUCTION TO FILM STUDIES HUM 2810 Class Hours: 3.0 Credit Hours: 3.0 Laboratory Hours: 0.0 Date Revised: Spring 03 Catalog Course Description: An overview of film history using selected world cinema feature films. Basic elements of film expression for understanding and analyzing narrative cinema. Some research is required. Entry Level Standards: Students must be able to read and write at the college level. Prerequisites: None Corequisites: None Textbook(s) and Other Reference Materials Basic to the Course: Text: Understanding Movies Films: in Media Center I. Week/Unit/Topic Basis: Week Topic 1 Note: Different film genres may be studied each semester. The following schedule outlines the classic mystery film genre. Introduction to course and syllabus - Best 100 films- Why study film? Various approaches to film study - Detective/mystery/crime genre in films; Technological factors behind film - Lumiere films (1895) - Melies film (1905); Homework: Read Understanding Movies, pages xi-17 Discuss Film Classification and Shots; Discuss factors in "Formalist Analysis of Classic Film Style "(handout); Screening: Musketeers of Pig Alley (1912, D.W. Griffith) 18 min.; Homework: Read pages 133-154, "Editing" 2 Discuss Continuity and Cutting; "Hollywood Behind the Badge" (police, crime, mystery genre films); Schedule a research paper; Homework: Read 112-123, "The Moving Camera" Oral research report (D.W. Griffith, Buster Keaton, Charlie Chapman); Discuss 7 Moving Camera Shots, etc.; Screening:
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Schedule of the Films of Billy Wilder
je Museum of Modern Art November 1964 53 Street, New York, N.Y. 10019 Circle 5-8900 Cable: Modernart THE MUSEUM OF MODERN ART FILM LIBRARY PRESENTS THE FILMS OF BILLY WILDER Dec. 13.16 MENSCHEN AM SONNTAG (PEOPLE ON SUNDAY). I929. Robert Siodmak's cele brated study of proletarian life gave Wilder hie first taste of film making. (George Eastman House) 55 minutes. No English titles. Dec. IT-19 EMIL UND DIE DETEKTIVE. 1951. Small boys carry on psychological war fare against a crook in this Gerhard Lamprecht comedy for which Wilder helped write the script. (The Museum of Modern Art) 70 minutes. No English titles. Dec. 20-23 NINOTCHKA. 1939. Ernst Lubitsch's ironic satire on East-West relations just before World War II, in which Garbo gave her most delicately articulated performance with Melvyn Douglas, and for which Wilder, with Charles Brackett and Walter Reisch, wrote the script. Based on the story by Melchior Lengyel. (M-G-M) 110 minutes. Dec. 2k~26 MIDNIGHT. 1959. One of the most completely and purposely ridiculous examples of the era of screwball comedy, with a powerhouse of a cast, including Claudette Colbert, Don Ameche and John Barrymore, and Wilder and Brackett*s brilliant non-sequitur script. (MCA) 9U minutes. Dec. 27-30 HOLD BACK THE DAWN. 19*11. The plight of "stateless persons" in the late '30s and early 'UOs, with Olivia de Havllland, romantically yet convincingly dramatised by Wilder and Brackett. Directed by Mitchell Leisen. (MCA) 115 minutes. Dec. 31* THE MAJOR AND THE MINOR. 19te. This, the first film Wilder directed, Jan.
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197 KB 14Th Feb 2019 Austin-Letter-2019-02-15
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