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Distributed Art Publishers Art Distributed Artbook   Fall F14_coverout_Layout 1 5/5/14 5:10 PM Page 1 artbook Fall FALL 2014 NEW BOOKS ON ART & CULTURE & distributed art publishers artbook distributed art publishers 155 Sixth Avenue, nd Floor, New York, NY 10013 www.artbook.com John Whitney, Catalog. From Earthquakes, Mudslides, Fires & Riots: California and Graphic Design, 1936–1986, published by Metropolis Books. See page 4. FEATURED RELEASES 2 Journals 86 FALL HIGHLIGHTS 90 Photography 92 CATALOGUE EDITOR Thomas Evans Limited Editions 111 ART DIRECTION Art 112 Stacy Wakefield IMAGE PRODUCTION Writings 154 Ranya Asmar Architecture 156 DATA PRODUCTION Alexa Forosty Design 166 COPY WRITING Mary Al-Sayed, Janine DeFeo, Thomas Evans, Tyler Fields, Annabelle Maroney SPECIALTY BOOKS 170 PRINTING Sonic Media Solutions, Inc. Art 172 Group Exhibitions 187 FRONT COVER IMAGE Matthew Brandt, from the series Lakes and Reservoirs, Nurphar Lake, WY 1, Photography 191 2013. Chromogenic color print soaked in Nurphar Lake water. Unique. © Matthew Brandt, courtesy Yossi Milo Gallery, New York. From Matthew Brandt: Lakes and Reservoirs, published by Damiani. See page 40. Backlist Highlights 194 BACK COVER IMAGE Index 199 Confectionery tin, USSR (c. 1960). From Soviet Space Dogs, published by Fuel Publishing. See page 47. The American road trip is one of the most distinct, important and appealing genres of photography ALSO AVAILABLE Walker Evans: ​The​Open​Road:​Photography​and​the​American​Road​Trip​ American Photographs 9780870708350 Edited with text by David Campany. Clth, U.S. | CDN $35.00 After World War II, the American road trip began appearing prominently in literature, music, movies and pho- The Museum of Modern tography. As Stephen Shore has written, “Our country is made for long trips. Since the 1940s, the dream of Art, New York the road trip, and the sense of possibility and freedom that it represents, has taken its own important place Danny Lyon: within our culture.” Many photographers purposefully embarked on journeys across the U.S. in order to create The Bikeriders work, including Robert Frank, whose seminal road trip resulted in The Americans. However, he was preceded 9781597112642 by Edward Weston, who traveled across the country taking pictures to illustrate Walt Whitman’s Leaves of Clth, U.S. | CDN $35.00 Grass; Henri Cartier-Bresson, whose 1947 trip through the American South and into the West was published Aperture in the early 1950s in Harper’s Bazaar; and Ed Ruscha, whose road trips between Los Angeles and Oklahoma formed the basis of Twentysix Gasoline Stations. Hundreds of photographers have continued the tradition of the photographic road trip on down to the present, from Stephen Shore to Taiyo Onorato, Nico Krebs, Alec Joel Sternfeld: American Prospects Soth and Ryan McGinley. The Open Road considers the photographic road trip as a genre in and of itself, 9781935202974 and presents the story of photographers for whom the American road is muse. The book features David APERTURE Clth, U.S. | CDN $125.00 Campany’s introduction to the genre and 18 chapters presented chronologically, each exploring one American D.A.P./Distributed Art 9781597112406 U.S. | CDN $ 65.00 Publishers road trip in depth through a portfolio of images and informative texts. This volume highlights some of the Hbk, 10 x 11.5 in. / 336 pgs / 250 color. most important bodies of work made on the road, from The Americans to the present day. September / Photography 2 artbook.com artbook.com 3 ​Earthquakes,​Mudslides, Fires​&​Riots:​California and​Graphic​Design, 1936–1986​ Edited and designed by Louise Sandhaus. Text by Lorraine Wild, Denise Gonzales Crisp, Michael Worthington, Louise Sandhaus. According to the cliché, California is the place where anything goes and everyone does their own thing. Maybe that’s because everyone knows that in California there’s no terra firma: earthquakes, mudslides, fires and the occasional civil uprising cause constant upheaval and change. California is fluid. It has a sense of humor. It is a place of constant innovation, where the entertainment, aerospace and high-tech industries found a home. California is the great mecca of consumerism, but it is also legendary as fertile ground for creativity, freedom and social consciousness, where the status quo undergoes constant renovation. Earthquakes, Mudslides, Fires & Riots is the first publication to capture the enormous body of dis- tinctive and visually ecstatic graphic design that emanated from this great state throughout most of the twentieth century. Edited and designed by graphic designer Louise Sandhaus, this raucous gathering of smart, offbeat, groundbreaking graphic design from the “Left Coast” will amaze readers with its breadth and richness. The fruit of more than a decade of research, the volume is arranged in four sections: “Sunbaked Mod- ernism,” “Industry and the Indies,” “60s Alt 60s” and “California Girls.” Included are books and magazines designed by Merle Armitage, Alvin Lustig, Herbert Matter and Sheila Levrant DeBretteville; posters for Disneyland, Cream and Herman Miller; Marget Larsen’s print ads for Joseph Magnin; title cards or title sequences for Lassie, The Smothers Brothers and other hit TV shows; title sequences for films from The Man with the Golden Arm to the trippy Stargate Book design, film title sequences, posters, sequence in 2001: A Space Odyssey; motion graphics from the earliest animated abstractions motion graphics, environmental design and to the classic 7-Up “Bubbles” ad and Atari video games; immersive live shows of Bill Ham more: a cornucopia of California’s design and Single Wing Turquoise Bird; architectural talent, ten years in the making supergraphics by Barbara Stauffacher Solomon and Alexander Girard; print and environmental designs by Gere Kavanaugh and Deborah Sussman; and much, much more. METROPOLIS BOOKS 9781938922619 U.S. | CDN $ 55.00 Hbk, 7.5 x 10 in. / 432 pgs / 275 color. November /Design & Decorative Arts 4 artbook.com artbook.com 5 Painted poetry: the ultimate monograph on Cy Twombly’s painting, drawing, sculpture and photography ​The​Essential​Cy​Twombly​ Edited by Nicola Del Roscio. Text by Laszlo Glozer, Thierry Greub, Simon Schama, Kirk Varnedoe. Recognized as one of the greatest and most idiosyncratic artists of the postwar era, Cy Twombly left behind an oeuvre of incredible versatility, sensitivity and originality upon his death in 2011 at age 83. Working in the immediate aftermath of Ab- stract Expressionism, Twombly developed an intensely per- sonal scription consisting of scrawled letters and words, in an effusive, calligraphic mark-making that suggests a kind of painted poetry. Working across painting, drawing, sculpture and photography with a restless energy, Twombly incorporated the gods of Ancient Greece, the poetry of Stéphane Mallarmé and the history, culture and mythology of the Occident into his art. The Essential Cy Twombly, edited by Twombly’s longtime collaborator Nicola Del Roscio, is the ultimate overview of his work, presenting the most important paintings and cycles of paintings, drawings, sculptures and photographs from Twombly’s diverse oeuvre. The most accessible survey of his work to date, this volume includes essays by Laszlo Glozer, Thierry Greub, Kirk Varnedoe and Simon Schama. Edwin Parker (Cy) Twombly (1928–2011) was born in Lex- ington, Virginia. He lived and worked in New York in the early 1950s (where he met Robert Rauschenberg, with whom he was to have a long personal and artistic relationship) and stud- ied at the legendary Black Mountain College in North Carolina before traveling around North Africa, Spain and Italy and ulti- mately settling in Rome before the end of the decade, just as the art world was shifting its center of gravity to New York. Best known for his paintings and drawings, often executed on a massive scale across multiple canvases, Twombly also made sculptures and photographs. D.A.P./DISTRIBUTED ART PUBLISHERS, INC. 9781938922459 U.S. | CDN $ 75.00 Hbk, 10 x 11.5 in. / 240 pgs / 160 color. September / Art 6 artbook.com artbook.com 7 ​Goya:​Order​&​Disorder​ Text by Stephanie Loeb Stepanek, Frederick Ilchman, Janis A. Tomlinson, Clifford S. Ackley, Jane E. Braun, Manuela B. Mena Marqués, Gudrun Maurer, Elisabetta Polidori, Sue W. Reed, Benjamin Weiss, Juliet Wilson-Bareau. Francisco Goya has been widely celebrated as the most important Spanish artist of the late-eighteenth and early nineteenth centuries, the last of the old masters and the first of the moderns, and an astute observer of the human condition in all its complexity. The many-layered and shifting meanings of his work have made him one of the most studied artists in the world. Few, however, have made the ambitious at- tempt to explore his work as a painter, printmaker and draftsman across media and the timeline of his life. This book does just that, presenting a compre- hensive and integrated view of Goya’s most impor- tant paintings, prints, and drawings through the themes and imagery that continually challenged or preoccupied the artist. They reveal how he strove re- lentlessly to understand and describe human behav- ior and emotional states, even at their most orderly or disorderly extremes, in elegant and incisive portraits, dramatic and monumental history paintings, and se- ries of prints and drawings of a satirical, disturbing and surreal nature. Derived from the research for the largest Goya art exhibition in North America in a quarter-century, this book takes a fresh look at one of the greatest artists in history by examining the fertile territory between the two poles that defined the range of his boundlessly creative personality. Francisco José Goya y Lucientes (1746–1828) was born in Fuendetodos, Aragón, in the northeast of Spain. Goya was court painter to the Spanish Crown, and famously documented the Peninsular War (1807–1814) between France and Spain in his harrowing Disasters of War series. An important bridge to the modernist era, Goya’s oeuvre provided a crucial precedent for artists such as Manet, Picasso and Francis Bacon.
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