Distributed Art Publishers Art Distributed Artbook Fall

distributed art publishers art distributed artbook Fall

artbook FALL 2014 NEW BOOKS ON ART & CULTURE distributed art publishers 155 Sixth Avenue, nd Floor, New York, NY 10013 www.artbook.com F14_coverout_Layout 1 5/5/14 5:10 PM Page 1 Page PM 5:10 5/5/14 1 F14_coverout_Layout John Whitney, Catalog. From Earthquakes, Mudslides, Fires & Riots: California and Graphic Design, 1936–1986, published by Metropolis Books. See page 4.

FEATURED RELEASES 2 Journals 86

FALL HIGHLIGHTS 90 Photography 92 CATALOGUE EDITOR Thomas Evans Limited Editions 111 ART DIRECTION Art 112 Stacy Wakefield

IMAGE PRODUCTION Writings 154 Ranya Asmar Architecture 156 DATA PRODUCTION Alexa Forosty Design 166

COPY WRITING Mary Al-Sayed, Janine DeFeo, Thomas Evans, Tyler Fields, Annabelle Maroney SPECIALTY BOOKS 170 PRINTING Sonic Media Solutions, Inc. Art 172 Group Exhibitions 187 FRONT COVER IMAGE Matthew Brandt, from the series Lakes and Reservoirs, Nurphar Lake, WY 1, Photography 191 2013. Chromogenic color print soaked in Nurphar Lake water. Unique. © Matthew Brandt, courtesy Yossi Milo Gallery, New York. From Matthew Brandt: Lakes and Reservoirs, published by Damiani. See page 40. Backlist Highlights 194

BACK COVER IMAGE Index 199 Confectionery tin, USSR (c. 1960). From Soviet Space Dogs, published by Fuel Publishing. See page 47. The American road trip is one of the most distinct, important and appealing genres of photography

ALSO AVAILABLE Walker Evans: TheOpenRoad:PhotographyandtheAmericanRoadTrip American Photographs 9780870708350 Edited with text by David Campany. Clth, U.S. | CDN $35.00 After World War II, the American road trip began appearing prominently in literature, music, movies and pho- The Museum of Modern tography. As Stephen Shore has written, “Our country is made for long trips. Since the 1940s, the dream of Art, New York the road trip, and the sense of possibility and freedom that it represents, has taken its own important place

Danny Lyon: within our culture.” Many photographers purposefully embarked on journeys across the U.S. in order to create The Bikeriders work, including Robert Frank, whose seminal road trip resulted in The Americans. However, he was preceded 9781597112642 by Edward Weston, who traveled across the country taking pictures to illustrate Walt Whitman’s Leaves of Clth, U.S. | CDN $35.00 Grass; Henri Cartier-Bresson, whose 1947 trip through the American South and into the West was published Aperture in the early 1950s in Harper’s Bazaar; and Ed Ruscha, whose road trips between Los Angeles and Oklahoma formed the basis of Twentysix Gasoline Stations. Hundreds of photographers have continued the tradition of the photographic road trip on down to the present, from Stephen Shore to Taiyo Onorato, Nico Krebs, Alec Joel Sternfeld: American Prospects Soth and Ryan McGinley. The Open Road considers the photographic road trip as a genre in and of itself, 9781935202974 and presents the story of photographers for whom the American road is muse. The book features David APERTURE Clth, U.S. | CDN $125.00 Campany’s introduction to the genre and 18 chapters presented chronologically, each exploring one American D.A.P./Distributed Art 9781597112406 U.S. | CDN $ 65.00 Publishers road trip in depth through a portfolio of images and informative texts. This volume highlights some of the Hbk, 10 x 11.5 in. / 336 pgs / 250 color. most important bodies of work made on the road, from The Americans to the present day. September /Photography

2 artbook.com artbook.com 3 Earthquakes,Mudslides, Fires&Riots:California andGraphicDesign, 1936–1986 Edited and designed by Louise Sandhaus. Text by Lorraine Wild, Denise Gonzales Crisp, Michael Worthington, Louise Sandhaus. According to the cliché, California is the place where anything goes and everyone does their own thing. Maybe that’s because everyone knows that in California there’s no terra firma: earthquakes, mudslides, fires and the occasional civil uprising cause constant upheaval and change. California is fluid. It has a sense of humor. It is a place of constant innovation, where the entertainment, aerospace and high-tech industries found a home. California is the great mecca of consumerism, but it is also legendary as fertile ground for creativity, freedom and social consciousness, where the status quo undergoes constant renovation. Earthquakes, Mudslides, Fires & Riots is the first publication to capture the enormous body of distinctive and visually ecstatic graphic design that emanated from this great state throughout most of the twentieth century. Edited and designed by graphic designer Louise Sandhaus, this raucous gathering of smart, offbeat, groundbreaking graphic design from the “Left Coast” will amaze readers with its breadth and richness. The fruit of more than a decade of research, the volume is arranged in four sections: “Sunbaked Mod- ernism,” “Industry and the Indies,” “60s Alt 60s” and “California Girls.” Included are books and magazines designed by Merle Armitage, Alvin Lustig, Herbert Matter and Sheila Levrant DeBretteville; posters for Disneyland, Cream and Herman Miller; Marget Larsen’s print ads for Joseph Magnin; title cards or title sequences for Lassie, The Smothers Brothers and other hit TV shows; title sequences for films from The Man with the Golden Arm to the trippy Stargate Book design, film title sequences, posters, sequence in 2001: A Space Odyssey; motion graphics from the earliest animated abstractions motion graphics, environmental design and to the classic 7-Up “Bubbles” ad and Atari video games; immersive live shows of Bill Ham more: a cornucopia of California’s design and Single Wing Turquoise Bird; architectural talent, ten years in the making supergraphics by Barbara Stauffacher Solomon and Alexander Girard; print and environmental designs by Gere Kavanaugh and Deborah Sussman; and much, much more.

METROPOLIS BOOKS 9781938922619 U.S. | CDN $ 55.00 Hbk, 7.5 x 10 in. / 432 pgs / 275 color. November /Design & Decorative Arts

4 artbook.com artbook.com 5 Painted poetry: the ultimate monograph on Cy Twombly’s painting, drawing, sculpture and photography

TheEssentialCyTwombly Edited by Nicola Del Roscio. Text by Laszlo Glozer, Thierry Greub, Simon Schama, Kirk Varnedoe. Recognized as one of the greatest and most idiosyncratic artists of the postwar era, Cy Twombly left behind an oeuvre of incredible versatility, sensitivity and originality upon his death in 2011 at age 83. Working in the immediate aftermath of Ab- stract Expressionism, Twombly developed an intensely personal scription consisting of scrawled letters and words, in an effusive, calligraphic mark-making that suggests a kind of painted poetry. Working across painting, drawing, sculpture and photography with a restless energy, Twombly incorporated the gods of Ancient Greece, the poetry of Stéphane Mallarmé and the history, culture and mythology of the Occident into his art. The Essential Cy Twombly, edited by Twombly’s longtime collaborator Nicola Del Roscio, is the ultimate overview of his work, presenting the most important paintings and cycles of paintings, drawings, sculptures and photographs from Twombly’s diverse oeuvre. The most accessible survey of his work to date, this volume includes essays by Laszlo Glozer, Thierry Greub, Kirk Varnedoe and Simon Schama. Edwin Parker (Cy) Twombly (1928–2011) was born in Lex- ington, Virginia. He lived and worked in New York in the early 1950s (where he met Robert Rauschenberg, with whom he was to have a long personal and artistic relationship) and studied at the legendary Black Mountain College in North Carolina before traveling around North Africa, Spain and Italy and ultimately settling in Rome before the end of the decade, just as the art world was shifting its center of gravity to New York. Best known for his paintings and drawings, often executed on a massive scale across multiple canvases, Twombly also made sculptures and photographs.

D.A.P./DISTRIBUTED ART PUBLISHERS, INC. 9781938922459 U.S. | CDN $ 75.00 Hbk, 10 x 11.5 in. / 240 pgs / 160 color. September /Art

6 artbook.com artbook.com 7 Goya:Order&Disorder Text by Stephanie Loeb Stepanek, Frederick Ilchman, Janis A. Tomlinson, Clifford S. Ackley, Jane E. Braun, Manuela B. Mena Marqués, Gudrun Maurer, Elisabetta Polidori, Sue W. Reed, Benjamin Weiss, Juliet Wilson-Bareau. Francisco Goya has been widely celebrated as the most important Spanish artist of the late-eighteenth and early nineteenth centuries, the last of the old masters and the first of the moderns, and an astute observer of the human condition in all its complexity. The many-layered and shifting meanings of his work have made him one of the most studied artists in the world. Few, however, have made the ambitious at- tempt to explore his work as a painter, printmaker and draftsman across media and the timeline of his life. This book does just that, presenting a comprehensive and integrated view of Goya’s most important paintings, prints, and drawings through the themes and imagery that continually challenged or preoccupied the artist. They reveal how he strove re- lentlessly to understand and describe human behav- ior and emotional states, even at their most orderly or disorderly extremes, in elegant and incisive portraits, dramatic and monumental history paintings, and series of prints and drawings of a satirical, disturbing and surreal nature. Derived from the research for the largest Goya art exhibition in North America in a quarter-century, this book takes a fresh look at one of the greatest artists in history by examining the fertile territory between the two poles that defined the range of his boundlessly creative personality. Francisco José Goya y Lucientes (1746–1828) was born in Fuendetodos, Aragón, in the northeast of Spain. Goya was court painter to the Spanish Crown, and famously documented the Peninsular War (1807–1814) between France and Spain in his harrowing Disasters of War series. An important bridge to the modernist era, Goya’s oeuvre provided a crucial precedent for artists such as Manet, Picasso and Francis Bacon.

MFA PUBLICATIONS, MUSEUM OF FINE ARTS, BOSTON 9780878468089 U.S. | CDN $ 65.00 Clth, 9.25 x 11 in. / 392 pgs / 260 color. October /Art

EXHIBITION SCHEDULE Boston, MA: Museum of Fine Arts, Boston 10/12/14–01/19/15

The last of the old masters, the first of the moderns: Goya’s works in all media are gathered in this opulent volume

artbook.com 9 ObjECT:PhOTO.ModernPhotographs1909–1949 PHOTOGRAPHERS INCLUDE TheThomasWaltherCollectionatTheMuseumofModernArt Berenice Abbott • Manuel Álvarez Edited with text by Mitra Abbaspour, Lee Ann Daffner, Maria Morris Hambourg. Text by Quentin Bajac, Bravo • Karl Blossfeldt • Margaret Jim Coddington, Constance McCabe, Matthew Witkovsky, et al. Bourke-White • Henri Cartier- OBJECT:PHOTO contains brilliant photographs from the first half of the twentieth century—the most dynamic and radical period in the development of modern photography—but it explores them using a Bresson • Walker Evans • Florence new approach: instead of privileging the content of the images, it shifts the dialogue to the photo- Henri • André Kertész • El Lissitzky • graphic object—the actual, physical thing created by a particular artist using particular techniques at a László Moholy-Nagy • Aleksandr precise time, surviving into the present with a unique history. This perspective provides new insight into Rodchenko • August Sander • the singular nature of each work and the density of references that each contains while also acknowl- Alfred Stieglitz • Paul Strand edging the cultural importance of photography from the interwar period—as well as the rarity of its best examples. Recognition of this importance informed The Museum of Modern Art’s acquisition, in 2001, of the 341 modernist photographs that now constitute the Thomas Walther Collection, each pre- THE MUSEUM OF MODERN ART, NEW YORK sented in this volume in special 5 color reproductions and accompanied by an unprecedented degree 9780870709418 U.S. | CDN $ 75.00 Clth, 9.5 x 12 in. / 400 pgs / 473 color. of detailed information, constituting new standards for the field. OBJECT:PHOTO represents the culmi- January/Photography nation of four years of research by the Museum’s Departments of Photography and Conservation and by more than two dozen visiting scholars, demonstrating in its varied voices their remarkable collabora- EXHIBITION SCHEDULE New York: The Museum of Modern Art, tions with the works and with each other. Essays by historians, curators and conservators consider 11/18/14–04/26/15 such topics as the political and cultural pressures shaping the formation of the photographic avant- garde in Europe, the reception of modernist photography at the time and in subsequent revivals of in- ALSO AVAILABLE terest in it, the intellectual backgrounds that were then generating new histories of photography, the Walker Evans: American standards and rationale for material analysis of photographs and the physical qualities of the photo- Photographs graphs in the Walther collection as evidence of the development of photographic materials during the 9780870708350 Clth, U.S. | CDN $35.00 period. Thematic object-based case studies demonstrate new multidimensional approaches to the pho- The Museum of Modern Art, tograph as a cultural and artistic object in its own right. New York

artbook.com 11 Steidl Backlist Bestsellers

Robert Frank: The Americans 9783865215840 U.S. | CDN $40.00 Premier photography book Saul Leiter: Early Color 9783865211392 U.S. | CDN $45.00 Looking in: Robert Frank’s The Americans publisher STEIDL to join the 9783865218063 U.S. | CDN $75.00 Ed Ruscha: Photographer ARTBOOK | D.A.P. list in Fall 2014 9783865212061 U.S. | CDN $48.00 William Eggleston: Los Alamos Revisited 9783869305325 U.S. | CDN $345.00 Gerhard Steidl began working as a designer and printer in 1967, and started his own Mitch Epstein: New York Arbor photo book program in 1996. Today, some of the world’s most renowned photographers 9783869305813 U.S. | CDN $68.00 and artists are part of the STEIDL program, and what began as a backyard enterprise has Yves Marchand: The Ruins of Detroit evolved into one of the finest and most distinguished printing and publishing companies 9783869300429 U.S. | CDN $125.00 in the world. All titles are designed and produced under the same roof; Steidl himself Edward Burtynsky: Water oversees every step of the production, from layout to printing. 9783869306797 U.S. | CDN $128.00 Trent Parke: Minutes to Midnight 9783869302058 U.S. | CDN $45.00 John Cohen: The High & Lonesome Sound Selected Highlights from the Steidl Fall Program 9783869302546 U.S. | CDN $58.00 Juergen Teller: Woo! 9783869306520 U.S. | CDN $50.00 William Eggleston: At Zenith 9783869307107 U.S. | CDN $68.00 Patrick Demarchelier 9783865217363 U.S. | CDN $75.00 Edward Burtynsky: Oil 9783865219435 U.S. | CDN $128.00 Henry Leutwyler: Ballet 9783869305448 U.S. | CDN $88.00 Henri Cartier-Bresson: Bruce Davidson: Robert Frank: In America Karl Lagerfeld: The Little Gordon Parks: Collected Works The Decisive Moment In Color 9783869307954 Black Jacket 9783869307886 9783869307893 U.S. | CDN $55.00 9783869308166 9783869305301 U.S. | CDN $185.00 U.S. | CDN $125.00 U.S. | CDN $85.00 U.S. | CDN $70.00 The Unknown Berenice Abbott 9783869306506 U.S. | CDN $350.00 Balthus: The Last Studies 9783869306858 U.S. | CDN $610.00 Philip-Lorca diCorcia: Hustlers 9783869306179 U.S. | CDN $128.00

Gordon Parks: Andrew Savulich: The City Stephen Dupont: William Eggleston: From Segregation Story 9783869306902 Generation AK Black and White to Colour 9783869308012 U.S. | CDN $45.00 9783869307435 9783869307930 U.S. | CDN $45.00 U.S. | CDN $90.00 U.S. | CDN $45.00

For the complete list of forthcoming and available titles or to receive a copy of the Fall 2014 hardcover STEIDL catalogue, please visit www.artbook.com/steidl.html

12 artbook.com artbook.com 13 WhatIf...?:TheArchitectureandDesignofDavidRockwell Rockwell asks: AlvarAalto:SecondNature Edited by Chee Pearlman. Text by David Rockwell, Justin Davidson, Elizabeth Diller, John Guare, Jack O’Brien. Widely admired for his sophistication, creativity and exuberance, David Rockwell is one of the leading archi- Edited by Jochen Eisenbrand, Mateo Kries. Text by Jochen Eisenbrand, Pedro Gadanho, Dörte Kuhlmann, What if you could Peter MacKeith, Mina Marefat, Silvia Micheli, Akos Moravánszky, Eric Mumford, Markku Norvasuo, Eeva-Liisa tects, interiors architects and set designers working today. For over 30 years, he has explored his desire to Pelkonen. imagine new worlds, to tell stories and to engage with others. This interest is rooted in his sense of play and step inside a Described by the architectural critic Sigfried Giedion as the “Magus of the North,” Alvar Aalto (1898–1976) possibility—an endless curiosity that continually drives him to ask, “What if?” What if you could step inside a is the best-known Finnish architect of his generation and a leading proponent of a more human modernism. crystal goblet? What if your environment transformed with every step? What if a restaurant could vanish at crystal goblet? His buildings such as the Paimio Sanatorium (1933), the legendary Villa Mairea (1939) and the church of the a moment’s notice? What if your ultimate escapist fantasy was real? What If…? presents a wide array of Three Crosses in Vuoksenniska (1958), embody a masterful interplay of organic volumes, forms and materials. Rockwell’s brilliant explorations of the rich intersection between architecture and theater. Through immersive What if your From door handles and lighting fixtures to built-in furniture, Aalto frequently designed complete interiors imagery and behind-the-scenes details, Rockwell introduces readers to 35 projects, from initial driving idea ultimate escapist down to the smallest detail. With his plywood chairs, the master builder additionally became one of the through physical realization. Works include the famed Nobu Fifty Seven and the newcomer TAO Downtown in most significant designers of the twentieth century. His Savoy Vase represents the quintessential qualities New York, the W Paris Opéra, the West Lobby at The Cosmopolitan in Las Vegas and the newly opened TED fantasy was real? of Finnish and organic design. This richly illustrated book is the first in many years to offer a comprehensive Theater in Vancouver; set designs for the Academy Awards, Kinky Boots and Hairspray; the Hall of Fragments and current overview of Aalto’s oeuvre as an architect, designer and urban planner. Ten authors, including at the 2008 Venice Architecture Biennale and Jamie Oliver’s traveling teaching kitchen, the Food Revolution the renowned architectural historians Eeva-Liisa Pelkonen and Akos Moravanszky, and MoMA curator Pedro truck. Engaging texts by Tony Award–winning playwright and screenplay writer John Guare, Tony Award–win- VITRA DESIGN MUSEUM Gadanho, address central aspects of Aalto’s work. Particular attention is paid to Aalto’s dialogue with impor- ning director and producer Jack O’Brien and Pulitzer Prize–winning critic Justin Davidson—written specially for 9783931936938 U.S. | CDN $ 110.00 tant artists of his day, including Laszlo Moholy-Nagy, Jean Arp, Alexander Calder and Fernand Léger, as well this publication—and a conversation between Rockwell and acclaimed architect Elizabeth Diller round out this Clth, 8.75 x 11.25 in. / 368 pgs / 364 color. METROPOLIS BOOKS spectacular, celebratory volume. November / Architecture & Urban as his interest in film, cinema and photography, whose influences on his work are examined here for the first 9781938922565 U.S. | CDN $ 45.00 Studies/Design & Decorative Arts time. The catalogue section presents numerous never-before-seen original drawings and architectural models David Rockwell (born 1956) is an American architect and designer. He is founder and president of Rockwell Hbk, 7.75 x 10 in. / 352 pgs / 375 color. from the archive of the Alvar Aalto Foundation. This perspective on Aalto is complemented with photographs Group, an award-winning, cross-disciplinary architecture and design practice based in New York City, with October / Architecture & Urban Studies/ EXHIBITION SCHEDULE Theater/Interior Design Weil am Rhein, Germany: Vitra Design by Armin Linke, who documented a number of Aalto’s buildings anew especially for this publication. As these satellite offices in Madrid and Shanghai, that has been named as one of Fast Company’s most innovative Museum, 09/27/14–03/15/15 images demonstrate, Aalto’s work is as current and inspiring today as it was at the time of its creation. design practices.

14 artbook.com artbook.com 15 MakingDesign Designed by the Cooperhewitt,SmithsonianDesignMuseumCollections Text by Cara McCarthy, Matilda McQuaid, Susan Brown, Kimberly Randall, Lucy Commoner, Sarah D. Coffin, legendary Irma Cynthia Trope, Gail S. Davidson, Caitlin Condell, Gregory Herringshaw, Stephen Van Dyk, Elizabeth Broman, Tools:ExtendingOurReach Jennifer Colman Bracci. Text by Cara McCarthy, Matilda McQuaid. Boom, Making Cooper Hewitt possesses one of the most diverse and comprehensive collections of design works in existence Tools celebrates the richness of the human imagination through a surprising range of juxtaposited and seem- Design is a and is the only museum in the United States devoted exclusively to historic and contemporary design. Reopen- ingly disparate objects. Accompanying an exhibition of the same name that celebrates the fall 2014 reopening ing in late 2014, the museum has undergone a transformative renovation. Its landmark home in the Andrew of Cooper Hewitt, Smithsonian Design Museum, Tools is unprecedented in its composition of collaborators— handsome Carnegie Mansion offers an entirely new and interactive visitor experience resulting in 60 percent more gallery the exhibition is Cooper Hewitt’s first pan-institutional show, spanning ten Smithsonian museums. From the space. To mark the occasion, Cooper Hewitt is publishing an expansive book on its unparalleled collection, earliest times to the present, tools have been at the frontier of design, demonstrating how technology and glossary of which consists of 212,000 objects from all over the world, spanning 30 centuries. Designed by Irma Boom, and culture are inextricably linked. Consider, for example, that hand axes remained the dominant tool for 1.5 million a wonderful design object in itself at over 700 pages, the book expresses the museum’s primary goal —to in- years before any significant change was made to the human toolkit, and that the range of tools began to design excellence spire people to see how design impacts their lives. The print edition is bundled with a digital version providing expand only 10,000 years ago. It is notable that the design of our basic tools—hammers, saws, screwdrivers, COOPER HEWITT, SMITHSONIAN DESIGN MUSEUM multidimensional ways to experience the collection. This user-centered approach is reinforced throughout the drills—has remained virtually unchanged for hundreds of years, indicating not only their continuity of need and 9780910503778 U.S. | CDN $ 29.95 pages with 55 narratives and an extensive process glossary that discusses individual objects through a design function, but also the effectiveness of their design solutions. Their various incarnations and histories link us Hbk, 8 x 9.5 in. / 176 pgs / 200 color. lens. The book’s emphasis is on people, purpose and making—the collective nature of design. Featuring more to the past. Other tools highlight new technologies and scientific breakthroughs that have opened new worlds November / Design & Decorative Arts COOPER HEWITT, SMITHSONIAN DESIGN than 900 collection objects selected by the curatorial staff, Smithsonian Design Library and renowned designer to us. Through lush images, authoritative essays and superb design, the book shows the interconnectedness Also forthcoming as an eBook edition. MUSEUM Irma Boom, Making Design is organized entirely by Boom’s visual sequencing of images; her design and the of scientists, designers, historians, anthropologists, engineers and artists through design-thinking and problem- 9780910503747 U.S. | CDN $ 40.00 EXHIBITION SCHEDULE Hbk, 6 x 8.25 in. / 780 pgs / 1,100 color. curators’ essays weave parallel narratives throughout the book. This wildly playful and unexpected jaunt solving, while also looking at various design perspectives and methodologies. Tools explores the world of de- New York: Cooper Hewitt, Smithsonian November / Design & Decorative Arts through the collection embraces the user-centered experiences in Cooper Hewitt’s galleries. sign ideas while celebrating human ingenuity across cultures and over time. Design Museum, Fall 2014

16 artbook.com artbook.com 17 Churches from paper tubes, houses from shipping containers: Shigeru Ban is the “gentle revolutionary” of humanitarian architecture

Beautiful, ethereal homes that offer Shigeruban:humanitarianArchitecture lightweight, low-impact solutions in terrains Foreword by Heidi Zuckerman Jacobson. Text by Claude Bruderlein, Naomi Pollock, Eyal Weizman, Michael Kimmelman, Koh Kitayama, Brad Pitt. ranging from cityscapes to deserts In 1994, after seeing photographs of the plastic sheets given to Rwandan refugees to live under, Shigeru Ban went to the United Nations High Commissioner for Refugees to propose ideas for better shelters. Since then, Ban has been critically heralded for his innovative approaches to environmentally sound architecture and his Superlight devotion to humanitarian efforts in the wake of some of the most devastating natural and man-made disasters. RethinkinghowOurhomesImpacttheEarth His temporary housing has employed everything from plastic beer cartons to paper tubes to create ingeniously Text by Phyllis Richardson. flexible spaces. By sourcing unconventional, recycled, inexpensive, local and sustainable materials, he stimu- One of the most powerful design philosophies of recent years has been architect Glenn Murcutt’s dictum lates devastated economies by involving local resources and labor. These works stem from empathy and have that buildings should “touch the earth lightly.” Ever since the Industrial Revolution, architects have sought restored shelter and gathering places, offering comfort, protection and dignity to stricken communities around to liberate our houses from their solid foundations, but now climate change, new materials and restricted the world. This important volume is the first book-length study to collect, catalogue and examine these works. land use have given fresh impetus to finding lightweight solutions for our dwellings. The projects here com- Essays and discussions of individual projects, drawings in the artist’s hand, instruction manuals, diverse photo- bine two strands of thinking: that buildings can weigh less and have minimal impact on their environments, graphs and a timeline and map make an essential compendium for the most personal and relevant aspect of EXHIBITION SCHEDULE Aspen, CO: Aspen Art Museum, and that this lightness—visual, material, ecological—can create beautiful, ethereal houses that offer new, Ban’s work. The book is a major contribution to the broad subjects of humanitarian relief and sustainable de- 08/09/14–10/05/14 natural modes of habitation and greater communion with our surroundings. Each of the 40 houses selected sign solutions, and provides an inspiring testament to Ban’s ongoing dedication to our planet and its people. New Orleans, LA: Prospect 3, by Phyllis Richardson—author of the widely successful XS series and Nano House—is presented through Born in Tokyo in 1957, Shigeru Ban studied at the Southern California Institute of Architecture and went on to 10/25/14–01/25/15 photographs, plans and lucid explanations. Residences that float on air or water, ingenious constructions Cooper Union’s School of Architecture where he studied under John Hejduk. At age 48, Ban won the 2005

using local materials, innovative structures, inflatable spaces, high-tech hyper-intelligent houses— Thomas Jefferson Medal in Architecture from the University of Virginia. He was profiled by Time in their projec- ALSO AVAILABLE ALSO AVAILABLE “superlight” takes many forms. From the desert landscape of Arizona to the urban jungle of Tokyo, from tion of twenty-first-century innovators in the field of architecture and design. Ban was awarded the Pritzker Ar- Design Like You Give a Cape Cod Modern rural China to mountainous Chile, this book brings new solutions for architects and designers everywhere. chitecture Prize in 2014. Damn: Architectural 9781935202165 Responses Hbk, U.S. | CDN $45.00 METROPOLIS BOOKS ASPEN ART PRESS/D.A.P. to Humanitarian Crises Metropolis Books 9781938922589 U.S. | CDN $ 35.00 9780934324649 U.S. | CDN $ 60.00 9781933045252 Hbk, 7.75 x 9.75 in. / 256 pgs / 320 color / 80 b&w. Hbk, 9 x 13 in. / 280 pgs / illustrated throughout. Pbk, U.S. | CDN $35.00 October / Architecture & Urban Studies/Sustainability October /Architecture & Urban Studies/Sustainability Metropolis Books

18 artbook.com artbook.com 19 RobertGober:Theheart IsNotaMetaphor Introduction by Ann Temkin. Essay by Hilton Als. Chronology by Claudia Carson, Paulina Pobocha with Robert Gober. Afterword by Christian Scheidemann. Robert Gober rose to prominence in the mid-1980s and was quickly acknowledged as one of the most significant artists of his generation. Early in his career, he made deceptively simple sculptures of everyday objects—beginning with sinks and moving on to domestic furniture such as playpens, beds and doors. In the 1990s, his practice evolved from single works to theatrical room-sized environments. In all of his work, Gober’s formal intelligence is never separate from a penetrating reading of the socio-political context of his time. His objects and installations are among the most psychologically charged artworks of the late twentieth century, reflecting the artist’s sustained concerns with issues of social justice, freedom and tolerance. Published in conjunction with the first large-scale survey of the artist’s career to take place in the United States, this publication presents his works in all media, including individual sculptures and immersive sculptural environments, as well as a distinctive selection of drawings, prints and photographs. Prepared in close collaboration with the artist, it traces the development of a remarkable body of work, highlighting themes and motifs that emerged in the early 1980s and continue to inform Gober’s work today. An essay by Hilton Als is complemented by an in-depth chronology featuring a rich selection of images from the artist’s archives, including never-before- published photographs of works in progress. MarleneDumas:TheImageasburden Robert Gober was born in 1954 in Wallingford, Dumas paints raw Connecticut. He has had numerous one-person Edited by Leontine Coelewij, Kerryn Greenberg, Helen Sainsbury, Theodora Vischer. Text by Leon- tine Coelewij, Colm Tóibín. Interview by Theodora Vischer. exhibitions, most notably at the Dia Center for the Marlene Dumas is one of the most prominent and influential painters working today. In an era domi- humanity pitched Arts, New York; The Museum of Contemporary nated by the mass media and a proliferation of images, her work is a testament to the meaning and Art, Los Angeles; and Schaulager, Basel. In 2001, against political trauma potency of painting. Dumas draws on her expansive visual archive and the nuances of language to he represented the United States at the 49th Venice create intense, psychologically charged works which explore themes such as sexuality, love, death Biennale. Gober’s curatorial projects have been and guilt, often referencing art history and current affairs. Her paintings and drawings are character- TATE/D.A.P. shown at The Institute of Contemporary Art, Boston; ized by their extraordinary expressiveness and sometimes controversial subject matter. This fully il- 9781938922541 U.S. | CDN $ 45.00 The Menil Collection, Houston; Hammer Museum, lustrated exhibition catalogue accompanies a major exhibition at the Tate Modern, the Stedelijk Pbk, 9.25 x 12 in. / 196 pgs / 200 color. Los Angeles; and the Whitney Museum of American November /Art The domestic uncanny: three decades of Museum and the Fondation Beyeler. Surveying the artist’s oeuvre from the mid-70s to the present, it Art, New York. He lives and works in New York. features over 100 of her most important paintings and drawings alongside lesser-known works from EXHIBITION SCHEDULE Robert Gober’s influential sculptures and THE MUSEUM OF MODERN ART, NEW YORK the early period of her career. The Image as Burden also includes a new interview with the artist; ex- Amsterdam: Stedelijk Museum, 09/06/14–01/04/15 London: Tate Modern, 02/04/15–05/10/15 9780870709463 U.S. | CDN $ 45.00 tracts from previously published but lesser-known texts (some available in English for the first time); installations Hbk, 6.5 x 9.75 in. / 264 pgs / 264 color. Basel: Foundation Beyeler, 05/30/15–09/13/15 October / Art and a new short story from prize-winning author Colm Tóibín written in response to the paintings. Essays and texts from a wide range of contributors examine the key themes and motifs in her work ALSO AVAILABLE EXHIBITION SCHEDULE and reflect on Dumas’ entire career. Marlene Dumas: Measuring Your New York: The Museum of Modern Art, 10/04/14– Born in Cape Town, South Africa, in 1953, Marlene Dumas has lived in Amsterdam since 1976. Own Grave 01/18/15 9781933751085 Over the last three decades she has had numerous solo exhibitions throughout Europe and the U.S., Hbk, U.S. | CDN $55.00 including shows at The Institute of Contemporary Art, Boston; the Centre Georges Pompidou, Paris; D.A.P./Museum of Contemporary The Museum of Contemporary Art, Los Angeles; and The Museum of Modern Art, New York. Art, Los Angeles

20 artbook.com artbook.com 21 DorothyIannone:You WhatNerve! WhoReadMeWith AlternativeFiguresinAmericanArt, PassionMustForever 1960tothePresent Edited with text by Dan Nadel. Text by Robert Cozzolino, beMyFriends Dominic Molon, Roger Brown, John Smith, Naomi Fry, Edited by Lisa Pearson. Text by Trinie Dalton. Michael Rooks, Nicole Rudick, Judith Tannenbaum. For over five decades, Dorothy Iannone has What Nerve! reveals a hidden history of American figurative been making exuberantly sexual and joyfully painting, sculpture and popular imagery. It documents and/or transgressive image–text works. Karen restages four installations, spaces or happenings, in Chicago, Rosenberg wrote of her in The New York San Francisco, Detroit and Providence, which were crucial to Times: “High priestess, matriarch, sex god- the development of figurative art in the United States. Several dess: the self-taught American artist of the better-known artists in What Nerve! have been the sub- Dorothy Iannone has been called all these ject of significant exhibitions or publications, but this is the things and more. Since the early 1960s she first major volume to focus on the broader impact of figurative has been making paintings, sculptures and art to connect artists and collectives from different generations artist’s books that advocate ‘ecstatic unity,’ and regions of the country. These are: from Chicago, the Hairy most often achieved through lovemaking.” Who (James Falconer, Art Green, Gladys Nilsson, Jim Nutt, Beginning with the famous “An Icelandic Suellen Rocca, Karl Wirsum); from California, Funk artists Saga,” in which Iannone narrates her jour- (Jeremy Anderson, Robert Arneson, Roy De Forest, Robert ney to Iceland (where she meets Dieter Hudson, Ken Price, Peter Saul, Peter Voulkos, William T. Wiley); Roth and leaves her husband to live with from Detroit, Destroy All Monsters (Mike Kelley, Cary Loren, him), this singular volume traces Iannone’s Niagara, Jim Shaw); and from Providence, Forcefield (Mat search for “ecstatic unity” from its carnal Brinkman, Jim Drain, Leif Goldberg, Ara Peterson). Created beginnings in her relationships with Roth in collaboration with artists from these groups, the historical and other men into its spiritual incarnation moments at the core of What Nerve! are linked by work from as she becomes a practicing Buddhist. Re- six artists who profoundly influenced or were influenced by producing several previously unpublished or the groups: William Copley, Jack Kirby, Elizabeth Murray, Gary long-out-of-print works in their entirety Panter, Christina Ramberg and H.C. Westermann. Featuring (such as Danger in Düsseldorf, The Whip, paintings, sculptures, drawings, prints, photographs and “An Explosive Interlude”), as well as longer videos, as well as ephemera, wallpaper and other materials excerpts from rarely-seen works like A used in the reconstructed installations, the book and exhibition Cookbook and Berlin Beauties, this volume will broaden public exposure to the scope of this influential gives readers the chance to read her work history. The exuberance, humor and politics of these artworks with sustained attention, and enjoy the so- remain powerfully resonant. Much of the work in this book, phistication of the stories she tells and the including installation photos, exhibition ephemera and visual–textual embellishments that make correspondence, is published for the first time. What Nerve! them so irresistible.Associated with Fluxus represents the first historical examination of the circum- through her close friendships with Emmett stances, relationships and works of an increasingly important Williams, Robert Filliou and Ben Vautier, as lineage of American artists. EXHIBITION SCHEDULE Providence, RI: Rhode Island School of Design Museum of Art, 09/19/14–01/09/15 well as most well-known for her relationship RISD MUSEUM OF ART/D.A.P. SIGLIO with Dieter Roth, Dorothy Iannone (born 9781938922466 U.S. | CDN $ 39.95 9781938221071 U.S. | CDN $ 45.00 1933) nevertheless has her own distinct aes- Pbk, 8.75 x 10.5 in. / 368 pgs / 300 color. Pbk, 7.25 x 9 in. / 320 pgs / 95 color / 210 b&w. September /Art thetic style and substantive concerns. Her From Funk art and the Hairy Who to November / Art first major museum show in the U.S. came Destroy All Monsters and Forcefield: when she was 75 in 2008 at the New Mu- seum, shortly after her “orgasm box” titled a secret history of American figuration Iannone’s image–text “I Was Thinking of You” was included in the works celebrate a joyful Whitney Biennial in 2006, and she has recently attained more recognition with solo shows at the Camden Arts Centre, sexuality and spirituality ALSO AVAILABLE Elizabeth Murray Return of the Palais de Tokyo and the Berlinischer Galerie. Karl Wirsum 9780870704932 Repressed: Destroy All 9781939799142 Hbk, U.S. | CDN $55.00 Monsters 1974–1977 Pbk, U.S. | CDN $19.95 The Museum of 9780983719908 FLAT40 Modern Art, New York Pbk, U.S. | CDN $34.95 Derek Eller Gallery PictureBox

22 artbook.com artbook.com 23 YoshitomoNara:Drawings YayoiKusama:IWhohave 1984–2013 Arrivedinheaven Text by Masue Kato. Text by Akira Tatehata, Yayoi Kusama. Yoshitomo Nara: Drawings focuses on the Yayoi Kusama: I Who Have Arrived in Heaven features new internationally acclaimed Japanese artist’s prolific work from the artist’s critically acclaimed 2013 inaugural exhi- drawing output of the past 30 years. Rendered in bition at David Zwirner, which spanned the gallery’s three lo- colored pencil and acrylic, Nara’s drawings are cations in New York. Kusama’s extraordinary and highly executed on a variety of paper types, such as influential career spans paintings, performances, room-size found envelopes, stationery and inexpensive lined presentations, outdoor sculptural installations, literary works, sheets, and deftly fuse Japanese visual traditions films, fashion, design and interventions within existing archi- such as manga and anime with Western mod- tectural structures. Opening this book is a series of exquisitely ernism and elements of American pop culture. produced color plates of brightly colored, large-format square The artist’s ever-increasing cast of childlike, paintings. Part of a recent body of work, they allude to univer- vulnerable but sinister characters has won him sal spheres or basic life forms and highlight Kusama’s unique a devoted following around the world. With an amalgamation of representational and nonrepresentational abundance of color plates, Yoshitomo Nara: subject matter. Also featured is the video installation, Song of Drawings includes reproductions of early works a Manhattan Suicide Addict, in which the artist herself is seen never publicly exhibited and omitted from the performing a song she composed while an animated artist’s catalogue raisonné, as well as an essay slideshow of selected artworks moves behind her and the two by Masue Kato. The volume is published in mirrored infinity rooms. Infinity Mirrored Room—The Souls of conjunction with a large-scale exhibition of Millions of Light Years Away encompassed a cube-shaped, mir- Nara’s paintings, drawings and sculptures at ror-paneled room that featured a shallow reflecting pool as its Blum & Poe, Los Angeles, in Spring 2014. floor; hundreds of multicolored LED lights were suspended at Yoshitomo Nara was born in 1959, in Aomori, varying heights from the ceiling, flickering on and off in a stro- Japan. He is one of the leading artists of Japan’s belike effect. Another mirrored infinity room, Love Is Calling, Neo Pop movement. His drawings and paintings stands as one of Kusama’s most immersive, kaleidoscopic en- are informed by a range of influences, from vironments to date. It was composed of a darkened, mirrored ALSO AVAILABLE manga and anime to punk rock. He has also room illuminated by inflatable, tentacle-like forms—covered in The latest immersive, Yayoi Kusama worked in sculpture, ceramic and large-scale the artist’s characteristic polka dots—that extended from the 9781935202813 installation. In the fall of 2010, the Asia Society floor and ceiling, gradually changing colors. kaleidoscopic Hbk, U.S. | CDN $49.95 in New York presented the first major New York D.A.P./Tate DAVID ZWIRNER exhibition of his work. 9780989980937 U.S. | CDN $ 55.00 environments from BLUM & POE Hbk, 12.5 x 12.5 in. / 108 pgs / 60 color. June / Art/Asian Art & Culture 9780966350371 U.S. | CDN $ 50.00 the iconic Kusama Pbk, 8.25 x 10 in. / 240 pgs / 225 color. July / Art/Asian Art & Culture PREVIOUSLY ANNOUNCED jeffKoons:Gazingball Text by Francesco Bonami. This volume documents Jeff Koons’ (born 1955) major 2013 exhibition at David Zwirner, in which he debuted his Gazing Ball series. The title originates from the mirrored ornaments frequently found on lawns in residential neighborhoods, including around Koons’ childhood home in Pennsylvania. In these works, blue gazing balls, hand- blown from glass, have been placed on white plaster sculptures depicting signature examples of antique statues from the Greco-Roman era, including the Farnese Hercules and the Esquiline Venus, along with everyday utilitar- ian objects encountered in today’s suburban landscape, such as rustic mailboxes, a birdbath and an inflatable snowman typically seen outside during Christmas. Created in close collaboration with Koons, this elegant publication, which echoes the classic design of a 1970 Picasso catalogue admired by the artist, is the first to survey these works. Exquisitely produced color plates capture the stark contrast between the pristine whiteness of the plaster sculptures and the highly reflective spheres. ALSO AVAILABLE Thirty years of Nara’s much-loved drawings, DAVID ZWIRNER Jeff Koons: The Painter and the 9780989980913 U.S. | CDN $ 50.00 Sculptor with previously unpublished work Hbk, 9.75 x 12.5 in. / 80 pgs / 31 color. 9783775733717 Available / Art Slip, Hbk, 2 vols, U.S. | CDN $75.00 Hatje Cantz

24 artbook.com artbook.com 25 International artists explore how we represent “the human” today All styles and periods are up ThehumanFactor TheFigureinContemporarySculpture for grabs in the Foreword by Ralph Rugoff. Text by Penelope Curtis, Martin Herbert, Lisa Lee, James Lingwood, Ralph Rugoff. “atemporal” The Human Factor: The Figure in Contemporary Sculpture painting of today brings together the work of over 25 leading international artists, in whose practice the human form plays a central role. Over the past 25 years, artists have reinvented figurative sculpture by looking to earlier movements in art history as ForeverNow well as imagery from contemporary culture. Setting up dia- PaintingintheNewMillennium logues with modernist as well as classical and archaic models Text by Laura Hoptman. of art, these artists engage and confront the question of how Forever Now presents the work of 17 artists we represent “the human” today. In these works, bodily forms whose paintings reflect a singular approach hover between familiarity and an unsettling otherness, be- that characterizes our cultural moment at the tween signs of presence and absence, agency and objectifica- beginning of this new millennium—they refuse tion, as artists find novel ways to question our commonplace to allow us to define, or even meter our time codes of subjectivity and to challenge our impulse to identify by them. This phenomenon was first identified with the anthropomorphic. Eschewing concerns related to by the science fiction writer William Gibson, psychological portraiture, these artists use the figure as a who used the term “atemporality” to describe catalyst for evoking far-ranging content, including subjects a cultural product that paradoxically doesn’t spanning political violence and mortality to sexuality and represent, through its style, its content or voyeurism. A unique survey of contemporary figurative its medium, the time from which it comes. sculpture, this profusely illustrated volume features works by Atemporality, or timelessness, manifests itself Paweł Althamer, Frank Benson, Huma Bhabha, Maurizio in painting as an ahistorical free-for-all, where Cattelan, Urs Fischer, Katharina Fritsch, Ryan Gander, Isa contemporaneity as an indicator of new form is Genzken, Rachel Harrison, Georg Herold, Thomas Hirschhorn, nowhere to be found, and all eras co-exist. This Martin Honert, Pierre Huyghe, Jeff Koons, Paul McCarthy, profligate mixing of past styles and genres is a John Miller, Cady Noland, Ugo Rondinone, Thomas Schütte, hallmark for our moment in painting, which Yinka Shonibare, Paloma Varga Weisz, Mark Wallinger, artists achieve by reanimating historical styles Rebecca Warren, Andro Wekua and Cathy Wilkes, among or creating a contemporary version of them, others. incorporating motifs from throughout twentieth-century art into a single painting or a body HAYWARD PUBLISHING 9781853323225 U.S. | CDN $ 50.00 of work, or radically paring their language Hbk, 9.25 x 11.5 in. / 208 pgs / illustrated throughout. down to the most archetypal forms. Published July/ Art to accompany an exhibition at The Museum

EXHIBITION SCHEDULE of Modern Art, this volume features work by London, England: Hayward Gallery, 06/10/14–09/07/14 an international roster of artists including Richard Aldrich, Joe Bradley, Kerstin Brätsch, Matt Connors, Michaela Eichwald, Nicole Eisenman, Mark Grotjahn, Charline von Heyl, Rashid Johnson, Julie Mehretu, Dianna Molzan, Oscar Murillo, Laura Owens, Amy Sillman, Josh Smith, Mary Weatherford and Michael Williams.

THE MUSEUM OF MODERN ART, NEW YORK 9780870709128 U.S. | CDN $ 50.00 Hbk, 9.5 x 12 in. / 176 pgs / 135 color. ALSO AVAILABLE ALSO AVAILABLE Isa Genzken December / Art Rachel Harrison: Fake Titel Drawing Now 9780870708862 9783863353780 9780870703621 EXHIBITION SCHEDULE Clth, U.S. | CDN $75.00 Pbk, U.S. | CDN $55.00 Pbk, U.S. | CDN $34.95 New York: The Museum of Modern Art, The Museum of Walther König, Köln The Museum of 12/14/14–04/05/15 Modern Art, New York Modern Art, New York

26 artbook.com artbook.com 27 ZERO:Countdownto Tomorrow,1950s–60s Text by Valerie Hillings, Daniel Birnbaum, Edouard Derom, Johan Pas, Dirk Pörschmann, Margriet Schavemaker. ZERO: Countdown to Tomorrow, 1950s–60s is the first large-scale historical survey in the United States dedicated to the German artist group Zero (1957– 66). The group was founded by Heinz Mack and Otto Piene, who were joined by Günther Uecker in 1961, and ZERO, an international network of like- minded artists from Europe, Japan and North and South America—including Lucio Fontana, Yves Klein, Yayoi Kusama, Piero Manzoni, Almir Mavig- nier, Jan Schoonhoven and Jesús Rafael Soto—who “My painting represents the victory of the forces of darkness and shared their aspirations to redefine art in the after- peace over the powers of light and evil.” —Ad Reinhardt math of World War II. The catalogue explores the experimental practices developed by the more than 30 artists from nine countries featured in the show, whose work anticipated aspects of Land art, Mini- malism and Conceptual art. The publication is organized around points of intersection, exchange and collaboration that defined these artists’ shared history. Among the themes explored are the establishment of new definitions of painting; the introduction of movement and light as both formal and idea- based aspects of art; the use of space as subject and material; the interrogation of the relationship between nature, technology and humankind; and the production of live actions or demonstrations. At once a snapshot of a specific group and a portrait of a generation, this book celebrates the pioneering nature of both the art and the transnational vision advanced by the ZERO network.

GUGGENHEIM MUSEUM AdReinhardt 9780892075140 U.S. | CDN $ 65.00 Hbk, 11 x 10 in. / 256 pgs / 190 color. Text by Robert Storr. October /Art Ad Reinhardt was one of the most significant American artists of the twentieth century. He was also one of the few artists of the Abstract Expressionist generation to have painted abstractions from the start. “To him EXHIBITION SCHEDULE New York: Solomon R. Guggenheim abstraction was not a genre or style,” New York Times art critic Holland Cotter writes of him: “it was an Museum, 10/10/14–01/07/15 ethos.” This extensively illustrated catalogue—the first comprehensive Reinhardt overview in 13 years— reproduces the artist’s signature “black” paintings (his 60 x 60 inch canvases of the 1960s, which he With their battle cry “Zero is the beginning. considered to be his “ultimate” aesthetic expression, and “the last paintings that anyone can paint”), as well as his cartoons and photographic slide presentations. Published to document a critically lauded Zero is round. Zero is Zero,” the ZERO exhibition at David Zwirner in New York in 2013, the monograph includes new scholarship by curator Robert DAVID ZWIRNER Storr, in addition to an extensive chronology of the artist’s life. artists anticipated Land art, Minimalism 9780989980999 U.S. | CDN $ 75.00 Ad Reinhardt (1913–1967) was born in Buffalo, New York, and studied art history at Columbia University, Hbk, 9.75 x 11.5 in. / 225 pgs / 200 color. and Conceptual art December / Art where he forged lifelong friendships with the authors Thomas Merton and Robert Lax. After studies at the American Artists School, he worked for the WPA and became a member of the American Abstract Artists

ALSO AVAILABLE group, with whom he exhibited for the next decade; later he was also represented by Betty Parsons. ALSO AVAILABLE Lucio Fontana: Yves Klein: With the Ad Reinhardt: How to Look Throughout his career Reinhardt engaged in art-world activist politics, participating in the famous protests Piero Manzoni: Sculpture Void, Full Powers 9783775737685 against The Museum of Modern Art in 1940 and the Metropolitan Museum of Art in 1950 (among the When Bodies 9780934324571 9780935640946 Hbk, U.S. | CDN $40.00 Became Art Pbk, U.S. | CDN Hbk, U.S. | CDN $65.00 group that became known as “The Irascibles”). Hatje Cantz/David Zwirner 9783866788749 $20.00 Hirshhorn Museum Clth, U.S. | CDN $55.00 Aspen Art Press and Sculpture Garden/ Kerber Walker Art Center

28 artbook.com artbook.com 29 The bestselling Masters of Photography series has become a touchstone of APERTURE’s ToddhidoonLandscapes, commitment to introducing the history and art of photography to a broader public. Initially Interiors,andTheNude presented as the History of Photography series in 1976, it is relaunched in fall 2014 as ThePhotographyWorkshopSeries Aperture Masters of Photography, with new, image-by-image commentary and chronologies Introduction by Gregory Halpern. Text by Todd Hido. of the artists’ lives. The series will also include entirely new titles on individual artists. In The Photography Workshop Series, Aperture Foundation works with the world’s top photographers to distill their creative approaches, teachings and insights on photography, offering the workshop DorotheaLange experience in a book. Its goal is to inspire photographers of all levels who wish to improve their work, ApertureMastersofPhotography as well as readers interested in deepening their un- Text by Linda Gordon. derstanding of the art of photography. Each book Dorothea Lange (1895–1965) documented rural poverty for the federal Resettlement Admin- features the creative process and core thinking of a istration and Farm Security Administration from 1935 to 1939. Her powerful images—from photographer told in their own words and through migrant workers in California fleeing the “dustbowl,” to struggling Southern sharecroppers— pictures of their choosing, and is introduced by a became icons of the era. She later photographed Japanese Americans in internment camps well-known student of the featured photographer. during World War II and traveled throughout Europe and Asia. This book presents 42 of the In this book, Todd Hido explores the genres of land- greatest images from throughout Lange’s career, including some of her work done abroad. scape, interior and nude photography, with empha- She possessed the ability, as she put it, to photograph “things as they are” and through this sis on creating images from a personal perspective her photographs give us “more about the subjects than just the faces.” It is no wonder that and with a sense of intimacy. Through words and Edward Steichen called her the greatest documentary photographer in the United States. photographs, he also offers insight into his own Linda Gordon contributes a new biographical essay and an image-by-image commentary to practice and discusses a wide range of creative accompany a newly selected set of photographs. A professor of humanities and history at issues, including mining one’s own memory and New York University, she has written at length on Dorothea Lange. Her 2009 book, Dorothea experience as inspiration; using light, texture and Lange: A Life Beyond Limits, won the Bancroft Prize. detail for greater impact; exploring the narrative “Lange’s work defines an era of destitution and drought, and still resonates even now. This potential activated when sequencing images; and is the perfect introduction to one of the world’s greatest photojournalists.”—Practical creating powerful stories with emotional weight Photography, from a review of the original edition. and beauty. APERTURE Todd Hido (born 1968) is a San Francisco Bay 9781597112956 U.S. | CDN $ 18.95 Area–based artist. He is well known for his photog- Hbk, 8 x 8 in. / 96 pgs / 42 duotone. raphy of urban and suburban housing across the October / Photography United States, and for his use of detail and luminous color. His previous books include House Hunt- PaulStrand ing (2001), Outskirts (2002), Roaming (2004) and ApertureMastersofPhotography Between the Two (2007). He is a recipient of a Eu- reka Fellowship and a Wallace Alexander Gerbode Text by Peter Barberie. Foundation Visual Arts Award, and is represented Paul Strand (1890–1976) was more than a great artist: he was a discoverer of the true poten- by Stephen Wirtz Gallery in San Francisco. He is an tial of photography as the most dynamic medium of the twentieth century. Purity, elegance adjunct professor at California College of the Arts. and passion are the hallmarks of Strand’s imagery. As a youth, Strand studied under Lewis Gregory Halpern received a BA in history and With personal anecdotes Hine and went on to draw acclaim from such illustrious sources as Alfred Stieglitz. After literature from Harvard University and an MFA from World War II, Strand traveled around the world to photograph, and, in the process, created a California College of the Arts. His third book of and practical advice, The dynamic and significant body of work. In this redesigned and expanded version of a classic photographs, entitled A, is a photographic ramble Aperture book, Peter Barberie, Brodsky Curator of Photographs, Alfred Stieglitz Center, Photography Workshop through the streets of the American Rust Belt. Philadelphia Museum of Art, a leading historian on Strand, and curator of the major 2014 His other books include Omaha Sketchbook and retrospective exhibition at the Philadelphia Museum of Art, introduces the work and presents Series captures the workshop Harvard Works Because We Do. He currently an image-by-image commentary, along with an expanded chronology of the artist’s life. teaches at the Rochester Institute of Technology experience in a book ”Paul Strand is one of those photographers who have established not just a body of work and is the coeditor of The Photographer’s Playbook but a way of seeing. His prints encourage the eye to take an apparently endless journey.” (Aperture 2013). —The Times Literary Supplement, from a review of the original edition. ALSO AVAILABLE Larry Fink on Composition APERTURE APERTURE Alex Webb and Rebecca Norris and Improvisation 9781597112970 U.S. | CDN $ 29.95 Webb on Street Photography 9781597112734 9781597112864 U.S. | CDN $ 18.95 Pbk, 7.5 x 10 in. / 128 pgs / illustrated throughout. and the Poetic Image Pbk, U.S. | CDN $29.95 Hbk, 8 x 8 in. / 96 pgs / 42 duotone. October /Photography 9781597112574 Aperture October / Photography Pbk, U.S. | CDN $29.95 Aperture

30 artbook.com artbook.com 31 becomingDisfarmer A gorgeously Edited with text by Chelsea Spengemann. Text by Gil Blank, Tanya Sheehan. printed celebration Becoming Disfarmer uses a compelling sequence of over 100 images to tell the story of Mike of photographers Disfarmer’s vernacular portraiture and its transformation into art. This monograph features his vin- both well known tage prints along with a selection of enlargements made from his negatives in the 1970s, through and unknown which his work first became known. Disfarmer’s postcard-size vintage photographs are reproduced in full color to accurately convey their varied sur- ThePlotThickens faces, and most of the examples are shown in the Introduction by Jeffrey Fraenkel. condition in which they were found, rather than Published to mark the esteemed Fraenkel as restored images. This is also the first publication Gallery’s 35th year, The Plot Thickens is an to reproduce the backs of numerous vintage eye-opening expedition through the history photographs and to provide transcriptions of the of the medium, with approximately 90 wide- handwritten notes that appear on the objects. ranging photographs by artists as diverse In addition, the monograph contains high-quality as Diane Arbus, Christian Marclay, Robert reproductions of newspaper pages in which Adams, Bernd & Hilla Becher, Mel Bochner, Disfarmer’s images appeared, locally produced Walker Evans, Sol LeWitt, Lee Friedlander, historical journals that include images by other Alec Soth, Katy Grannan, Hiroshi Sugimoto photographers who worked at the same time and and Richard Learoyd. In the tradition of in the same region as Disfarmer and album pages Fraenkel Gallery’s award-winning anniversary like those for which Disfarmer’s photographs were publications from years past (such as Further- originally made. These fascinating additions to the more, 20Twenty and The Eye Club), The Plot scholarship were collected as primary research Thickens includes a trove of images by un- by the editor over a three-year period and provide known photographers, virtually none of which historical context for Disfarmer’s portraits. have been reproduced before. Designed by Complete with three scholarly essays, a bibliogra- Katy Homans and printed with extraordinary phy and exhibition history, this monograph fidelity, The Plot Thickens is a meditation on qualifies as the most comprehensive Disfarmer the inexplicable essence of the medium and publication to date. an essential new publication for anyone who Mike Disfarmer (1884–1959) was born Michael cares seriously about art and photography.. Meyer in Indiana, and began working as a photog- FRAENKEL GALLERY rapher in Heber Springs, Arkansas in 1914. In 9781881337393 U.S. | CDN $ 65.00 addition to selling portraits made in his studio, he Hbk, 10 x 11 in. / 256 pgs / 99 color. October / Photography processed film, sold postcards and worked for hire. He was considered a mythical figure in his own lifetime for changing his surname to Disfarmer in 1939 and claiming to have originated from a tornado. His portraits—commonly considered as honest depictions of a rural population made by an eccentric outsider—have been Becoming Disfarmer compared with the work of masters such as reveals the exquisite August Sander and Irving Penn. NEUBERGER MUSEUM OF ART EXHIBITION SCHEDULE 9780979562983 U.S. | CDN $ 60.00 San Francisco, CA: Fraenkel Gallery, 11/14–12/14 objecthood of these Hbk, 9 x 12 in. / 240 pgs / 156 color / 84 b&w. November / Photography vernacular “penny ALSO AVAILABLE Furthermore EXHIBITION SCHEDULE 20Twenty 9781881337270 portraits” Purchase, NY: Neuberger Museum of Art, 9781881337072 Hbk, U.S. | CDN $65.00 11/09/14–03/08/15 Hbk, U.S. | CDN $45.00 Fraenkel Gallery Fraenkel Gallery

32 artbook.com artbook.com 33 DA M I A N I announces a new series of photography books by Hiroshi Sugimoto in collaboration with Matsumoto Editions, in which the artist assembles selections from his major bodies of work. Future volumes will present work from Seascapes, Theaters, Architecture and Lightning Fields.

THIRD ENGLISH LANGUAGE EDITION josefKoudelka:Exiles Text by Czeslaw Miłosz. New commentary with Josef Koudelka, Robert Delpire. About Exiles, Cornell Capa once wrote, “Koudelka’s unsentimental, stark, brooding, intensely human hiroshiSugimoto:Dioramas imagery reflects his own spirit, the very essence of an exile who is at home wherever his wandering body Text by Hiroshi Sugimoto. finds haven in the night.…” In this newly revised and expanded edition of the 1988 classic, which includes Hiroshi Sugimoto (born 1948) began his four-decade-long series Dioramas in 1974, inspired by a trip to ten new images and a new commentary with Robert Delpire, Koudelka’s work once more forms a powerful the American Museum of Natural History in New York. Surrounded by the museum’s elaborate, natura- document of the spiritual and physical state of exile. The sense of private mystery that fills these photo- listic dioramas, Sugimoto realized that the scenes jumped to life when looked at with one eye closed. graphs—mostly taken during Koudelka’s many years of wandering through Europe and Great Britain Recreated forestry and stretches of uninhabited land, wild, crouching animals against painted back- since leaving his native Czechoslovakia in 1968—speaks of passion and reserve, of his rage to see. Solitary, grounds and even prehistoric humans seemed entirely convincing with this visual trick, which launched moving, deeply felt and strangely disturbing, the images in Exiles suggest alienation, disconnection and a conceptual exploration of the photographic medium that has traversed his entire career. Focusing his love. Exiles evokes some of the most compelling and troubling themes of the twentieth century, while camera on individual dioramas as though they were entirely surrounding scenes, omitting their frames ALSO AVAILABLE resonating with equal force in this current moment of profound migrations and transience. and educational materials and ensuring that no reflections enter the shot, his subjects appear as if pho- Koudelka Josef Koudelka (born 1938) has published ten books of photographs, many of which focus on the relation- DAMIANI 9781597110303 tographed in their natural habitats. He also explores the power of photography to create history—in his ship between man and the landscape, including Gypsies (1975; revised and enlarged edition in 2011), Exiles 9788862083270 U.S. | CDN $ 65.00 Hbk, U.S. | CDN $75.00 own words, “photography functions as a fossilization of time.” Hiroshi Sugimoto: Dioramas narrates a Clth, 10.25 x 11.25 in. / 118 pgs / 56 b&w. Aperture (1988), Black Triangle (1994), Invasion 68: Prague (2008) and Wall (2013). Significant exhibitions of his work story of the cycle of life, death and rebirth, from prehistoric aquatic life to the propagation of reptile and September / Photography/Asian Art & Culture have been held at The Museum of Modern Art and the International Center of Photography, both in New animal life to Homo sapiens’ destruction of the earth, circling back to its renewal, where flora and fauna York; Hayward Gallery, London; and Palais de Tokyo, Paris. Koudelka is the recipient of the Medal of Merit flourish without man. Here Sugimoto writes his own history of the world, an artist’s creation myth. Josef Koudelka: Invasion awarded by the Czech Republic (2002) and numerous other awards. In 2012, he was named Commandeur ALSO AVAILABLE Hiroshi Sugimoto was born and raised in Tokyo, Japan, where he studied politics and sociology at Hiroshi Sugimoto 68 de l’Ordre des Arts et des Lettres by the French Ministry of Culture. He is based in Paris and Prague. 9781597110686 Rikkyõ University, later retraining as an artist at the Art Center College of Design in Los Angeles, CA. He 9783775724128 Hbk, U.S. | CDN $60.00 APERTURE currently lives in New York and Tokyo. Clth, U.S. | CDN $125.00 Aperture 9781597112697 U.S. | CDN $ 65.00 Hatje Cantz Hbk, 11.75 x 10.5 in. / 180 pgs / 77 duotone. October/ Photography

34 artbook.com artbook.com 35 A contemporary vision of New York in detailed, epic panoramas

jeffChien-hsingLiao:NewYork GailAlberthalaban:ParisViews Text by Justin Davidson, Sean Corcoran. Introduction by Christian Caujolle. Text by Cathy Rémy. The perfect photo With painstaking care and the use of multiple exposures, Jeff Chien-Hsing Liao crafts each of his Gail Albert Halaban: Paris Views is a continuation of Halaban’s 2012 series Out My Window. In this new set images with technological precision. Shooting primarily with a large-format film camera, then of images, Halaban shifts her focus from New York to Paris—while continuing to steady her gaze through the book for all scanning and digitally editing the negatives, Liao creates enormous, detail-driven panoramas of windows of her neighbors and others in the community. The photographs, taken between 2012 and 2013, the social and urban landscape of New York. This oversized monograph includes photographs Francophiles feature cinematic atmospheres and intimate domestic stills. Through Halaban’s lens, the viewer is welcomed taken over the last ten years. From rehabilitated Coney Island to the Grand Concourse in the into the private worlds of ordinary people. The photographs in Paris Views explore the conventions and Bronx, from the demise of Shea Stadium in Queens to the newly rebuilt One World Trade Center, tensions of urban lifestyles, the blurring between reality and fantasy, feelings of isolation in the city and the Liao has created a lasting document of a significant period of transformation in New York’s sky- intimacies of home and daily life. In these meticulously directed, window-framed versions of reality, Halaban line and social fabric. His unique perspective on New York is both personal and hyperreal, manag- allows the viewer to create his or her own fictions about the characters, activities and interiors illuminated ing to capture both the lasting charm of the city’s well-known landmarks as well as the moment within. This invitation to imagine renders the characters and settings both personal and mysterious. when New York entered the twenty-first century. Gail Albert Halaban (born 1970) received a MFA in photography from Yale, where she was mentored by Jeff Chien-Hsing Liao (born 1977) first received recognition with his series Habitat 7, which Gregory Crewdson. She has taught at the School of Visual Arts in New York, the International Center of was featured in the September 11, 2005, issue of The New York Times Magazine as the winner APERTURE Photography and Yale, among other notable institutions. She has been included in group shows and featured of the Capture the Times photography contest. His work has been exhibited at the J. Paul Getty 9781597112796 U.S. | CDN $ 95.00 in solo exhibitions internationally and received a Lucie award in 2007. Her most recent book, Out My Hbk, 16.5 x 13.5 in. / 160 pgs / 100 color. Museum, Los Angeles; Museum of the City of New York; Queens Museum of Art; and Bronx Window, was published by PowerHouse in 2012. She is represented by Edwynn Houk Gallery in New York. September / Photography Museum of the Arts. Born in Taiwan and raised in Vancouver, Canada, Liao lives in Queens, APERTURE EXHIBITION SCHEDULE New York. 9781597113021 U.S. | CDN $ 79.95 New York: Museum of the City of New York, January 2015 Hbk, 15 x 13 in. / 120 pgs / 60 color. October /Photography

36 artbook.com artbook.com 37 This sequel to Olaf’s bestselling and long unavailable Aperture monograph showcases the photographer as a virtuoso of the eerie and the atmospheric NEW EDITION CarloMollino:Polaroids Foreword by James Crump. Text by Fulvio Ferrari, Napoleone Ferrari, Silvio Curto. ErwinOlaf:VolumeII In a career that spanned more than four decades, Carlo Mollino designed buildings, homes, furniture, cars Text by Francis Hodgson. and aircraft. One of the most dashing figures of mid-century Italy, Mollino was famed for his design finesse Erwin Olaf’s approach to storytelling is uniquely evocative and enticingly ambiguous. Critic Francis Hodgson and his elegant organicism. In 1949 he published an important book on photography: Message from the writes of Olaf’s images, “They lead us to a Stimmung (a sense of atmosphere) which is broad enough to Darkroom. Sometime around 1960, he began to seek out women—mostly dancers—in his native Turin, invit- repay many second readings of the pictures and so keep us viewers interested.” In this presentation of his ing them to his villa for late-night modeling sessions. The models would pose against extraordinary back- most recent work, Olaf expands on his established, highly polished and stylized color studio images to in- drops, designed by Mollino, in clothing, wigs and accessories that he had carefully selected. Finally, having clude a series drawn from his sculptural video installation, Keyholes; a group of black-and-white images he printed the Polaroids, Mollino would painstakingly amend them with an extremely fine brush, to attain his ide- has exhibited as carbon prints; and photographs created on location in Berlin—a departure from the con- alized vision of the female form. The pictures, which totaled around 1,200, remained a secret until after his structed mises-en-scène of earlier work produced in his Amsterdam studio. Erwin Olaf: Volume II showcases death, in 1973. Only a few were ever publically shown, until the acclaimed first edition of this volume was the artist at the height of his powers, as an artisan of atmosphere and a craftsman who uses high polish to published by James Crump in 2002. Reviewing that book, The New Yorker declared, “This lavish selection of DAMIANI several hundred Polaroids preserves the essential mystery of a project both decadent and hermetic. Though both perverse and seductive effect. 9788862083782 U.S. | CDN $65.00 Erwin Olaf (born 1959) is a Dutch photographer known for his highly stylized, daring and often provocative clearly the product of a deep obsession, the photographs are deliberately impersonal, each baroque detail an Hbk, 8.5 x 10.5 in. / 288 pgs / 400 color. work addressing social issues and taboos. He is the recipient of numerous awards, including the Johannes invitation for the viewer to imagine Mollino’s encounters with the women.” Now back in print, with a newly October/Photography/Erotica Vermeer Award (2011), a Lucie Award (2008) and Photographer of the Year in the International Color Awards designed cover, this beautiful volume offers a captivating portrait of a unique erotic sensibility. ALSO AVAILABLE (2006). His work is shown in museums and galleries around the world. Olaf also received a commission to Carlo Mollino (1905–1973) studied mechanical engineering, art history and architecture before working in ALSO AVAILABLE Erwin Olaf: Own design the new national side of the Dutch Euro, launched in 2013. the architectural practice of his father, Eugenio Mollino, in Turin. His first architectural masterpiece was the Message from the Darkroom 9789491301445 Turin Equestrian Association headquarters (1937). In 1965 he designed the Teatro Regio in Turin, which is By Carlo Mollino Clth, U.S. | CDN $75.00 APERTURE 9788889082034 now regarded as one of his best works. A 1949 Mollino table was sold at auction by Christie’s in 2005 for a Lido 9781597112987 U.S. | CDN $ 65.00 Hbk, U.S. | CDN $240.00 Clth, 10 x 13 in. / 112 pgs / 75 color. staggering $3.8 million. In 1960–68 he designed an enigmatic apartment for himself that today has become Adarte October / Photography the Museo Casa Mollino.

38 artbook.com artbook.com 39 StephenShore:Survey Brandt unites form Matthewbrandt:LakesandReservoirs Text by Marta Dahó, Sandra S. Phillips, Horacio Fernández. Interview by David Campany. Matthew Brandt creates his work using physical elements from the depicted subject. Inspired by Stephen Shore has had a significant influence on multiple generations of artists and photographers. Even for and content in his landscape photography of the American West and alternative photograph processes developed dur- the youngest photographers working today, his work remains an ongoing and indisputable reference point. ing photography’s infancy in the mid-nineteenth century, the artist revives traditional photographic Stephen Shore: Survey includes over 250 images that span Shore’s impressive and productive career. The photographs of techniques through various production processes. Whether soaking prints in water from the de- images range from 1969 to 2013, with series such as Early Works, Amarillo, New York City, American Sur- picted lake, printing on paper made from the subject tree or even using a pigment created from the faces and Uncommon Places, among others. Stephen Shore: Survey elucidates Shore’s contributions, as well lakes developed in subject, Brandt blurs the line between the photograph and the photographed. For his series Lakes as the historiographical interpretations of his work that have influenced photographic culture over the past and Reservoirs, Brandt photographs lakes and reservoirs in the western United States, and then sub- four decades. The narrative of the catalogue is conceptualized around three particularly revealing aspects of their water merges each resulting C-Print in water collected from the subject of the photograph. Prints are Shore’s work, including his analysis of photographic and visual language, his topographical approach to the soaked for days or weeks or even months, and this process impacts the layers of color that com- contemporary landscape and his significant use of color within a photographic context. The images are ac- prise the image. Brandt removes the print once it reaches its desired look, which can range from companied by an interview between David Campany and Shore, as well as texts by Sandra S. Phillips, Marta mostly representational to completely abstract. The Lakes and Reservoirs series considers the cur- Dahó and Horacio Fernández. Published for his first ever retrospective exhibition, this essential catalogue APERTURE/FUNDACIÓN MAPFRE 9781597113090 U.S. | CDN $65.00 rent condition not only of our lakes and reservoirs, but also of traditional color photography. also features a complete bibliography and chronology. Hbk, 11.75 x 9.5 in. / 300 pgs / 250 color. In December 2011, Forbes named Matthew Brandt (born 1982) one of tomorrow’s “brightest Stephen Shore (born 1947) had his work purchased by Edward Steichen for The Museum of Modern Art, October/ Photography stars,” in the article “30 Under 30: Art & Design.” Brandt’s work is included in the collections of The New York, at age 14. At 17, Shore was a regular at Andy Warhol’s Factory, producing an important photo-

Metropolitan Museum of Art, New York; J. Paul Getty Museum, Los Angeles; National Gallery of graphic document of the scene, and in 1971, at the age of 24, he became the first living photographer since ALSO AVAILABLE Art, Washington, D.C.; Brooklyn Museum, New York; Cincinnati Art Museum; Los Angeles County Alfred Stieglitz to have a solo show at the Metropolitan Museum of Art. He has had numerous one-man Stephen Shore: Museum of Art; Hammer Museum, Los Angeles; Royal Danish Library, National Museum of Photog- shows, including those at The Museum of Modern Art, New York; George Eastman House, Rochester, New Uncommon Places DAMIANI/YOSSI MILO 9781931788342 raphy, Copenhagen; and the Columbus Museum of Art, among others. Brandt was born in California York; the Hammer Museum, Los Angeles; and the Art Institute of Chicago. Since 1982, he has been director 9788862083744 U.S. | CDN $ 75.00 Hbk, U.S. | CDN $55.00 Hbk, 13.75 x 11 in. / 176 pgs / illustrated throughout. and received his BFA from Cooper Union and his MFA from UCLA. The artist currently lives and of the photography program at Bard College, Annandale-on-Hudson, New York, where he is the Susan Aperture October / Photography works in Los Angeles. Weber Professor in the Arts.

40 artbook.com artbook.com 41 Nick Brandt’s moving testament to Africa’s vanishing wildlife Aller captures the RenateAller:OceanandDesert Text by Janet Dees. infinitely shifting This new project by German-born photographer Renate Aller is an extension of the ongoing series and book Oceanscapes (2010). Aller has continued to make images of the ocean from a single vantage point— Nickbrandt:OnThisEarth,AShadowFalls colors and for which she is internationally known—but for the last several years, she has also photographed sand Text by Vicki Goldberg, Peter Singer, Jane Goodall, Alice Sebold, Nick Brandt. dunes in New Mexico and Colorado. She has now paired the resulting images in a fascinating new series In 2001, Nick Brandt embarked on an ambitious photographic project, a trilogy of books memorializing the textures of water, that continues her investigation into the relationship between romanticism, memory and landscape in the fast-disappearing natural grandeur of East Africa. Focusing on some of the world’s last great populations of context of our current sociopolitical awareness. There is both a visual and visceral relationship between the large mammals—elephants, giraffes, lions, gorillas and their kin—he created two of the twenty-first century’s sand and sky two bodies of work. The desert images also capture visitors to the dunes, who engage in beach activities most popular photographic books: the instant bestsellers On This Earth (2005) and A Shadow Falls (2009). Por- far away from any large body of water. And while these parallel realities are from completely different loca- traying East Africa’s animals with a solemnity and empathy usually reserved for human subjects, Brandt’s pho- RADIUS BOOKS tions, the simultaneous, multiple activities on the sloping sand hills appears as if layers of different people tographs “tell us, in a way that is beyond words, that we do not own this planet, and are not the only beings 9781934435816 U.S. | CDN $ 75.00 and activities were choreographed next to rolling waves of the sea. Aller’s first combination of these im- living on it who matter,” as philosopher Peter Singer writes in an essay in this new volume. On This Earth, A Hbk, 16.75 x 11.25 in. / 136 pgs / 104 color. ages was in book form, for a mammoth handmade book that was 36 inches wide. The overwhelming suc- Shadow Falls collects the most memorable images from Brandt’s first two books in a handsome linen-bound September / Photography cess of that publication has inspired this new trade edition, which features the largest binding that can be edition, printed in quadratone at Meridian in the U.S. A bestseller since its release in 2012, On This Earth, A mechanically bound, and includes an expanded selection of the work. Shadow Falls includes essays by Peter Singer, renowned primatologist Jane Goodall, author Alice Sebold and

ALSO AVAILABLE Born in Germany, Renate Aller lives and works in New York. Ocean and Desert is her third monograph photography critic Vicki Goldberg. With Africa’s natural resources being fast wiped out, this volume stands all Renate Aller: published with Radius Books, following Dicotyledon and the long-term project Oceanscapes–One View–Ten the more movingly as a last testament and elegy to a disappearing world. Oceanscapes Years. Pieces from that series and other site-specific artworks are in the collections of corporate institu- Nick Brandt (born 1966) photographs exclusively in Africa, using medium-format black-and-white film with- 9781934435236 BIG LIFE EDITIONS/D.A.P. tions, private collectors and museums, including the Lannan Foundation, Santa Fe; the Corcoran Gallery out telephoto or zoom lenses. Born in Britain and currently based in Southern California, Brandt cofounded Hbk, U.S. | CDN 9781938922442 U.S. | CDN $ 160.00 $50.00 of Art, Washington, D.C.; Yale University Art Gallery, Conneticut; the George Eastman House, Rochester; Clth, 15.5 x 13.5 in. / 192 pgs / 90 quadratone. Big Life Foundation in September 2010, which helps protect the endangered wildlife inhabiting a large area of Radius Books New Britain Museum of American Art; Hamburger Kunsthalle; and the Chazen Museum of Art, Madison. July/Photography East Africa.

42 artbook.com artbook.com 43 A painterly portrait of the harmony and disarray of domestic life

julieblackmon:homegrown Foreword by Billy Collins. Interview by Reese Witherspoon. Julie Blackmon has transfixed the contemporary art world with images of her children, nieces, nephews and friends (and their children). As the oldest of nine children herself, Blackmon has always been fasci- jessicaToddharper:ThehomeStage nated by family life, and her photographs are crammed with children and adults, everyday objects, toys Foreword by Alain de Botton. Text by Alison Nordström. and playthings. The subjects in the distance are often as fascinating as those highlighted in the fore- Though Jessica Todd Harper (born 1975) uses a camera rather than a paintbrush, the viewer quickly ground, and even the figures barely visible, hidden behind doors or windows, add a sometimes sinister, senses in her images the familiar canvases of Sargent, Whistler and Vermeer. Harper’s naturalistic always intriguing element to the scene. Following the success of the bestselling volume Domestic images pause or recreate real life for the camera; the play between the often-formal environment Variations (2009), Homegrown shows how Blackmon’s style has evolved, as she continues to capture and her subjects—intimately portrayed family members—creates images that seem at once intimate the tensions between the harmony and disarray of domestic life. Though her photographs continue to be and artificial. Her latest collection is thus aptly called The Home Stage, a double entendre that refer- undeniably contemporary, references to classic painting and portraiture can be detected: the influence ences the home-bound lifestyle of families with small children as well as the idea that home is the of seventeenth-century Dutch painter Jan Steen mixes with more contemporary figures, such as stage on which children first learn to live. With her elegant compositions, unique color palette and Balthus, Edward Gorey, Tim Burton and Federico Fellini. Included in this new volume are 45 works skillful handling of light, Harper transforms every room and yard into a stage set. No detail is left un- made from 2009–2014, along with an introduction by renowned poet Billy Collins and an interview by touched by her eye: even the wallpaper that recedes into darkness bears symbolic significance. the actress Reese Witherspoon. Somehow both private and universal, Harper’s photography is genuine, tender, uninhibited and, at Julie Blackmon (born 1966) is a Missouri-based photographer who has amassed many honors since times, humorous, demonstrating the emotional range of the finest actor and director and drawing beginning her career just a few years ago. Her work has appeared in such publications as The New York strong performances from her supporting cast—her husband, her children, her sister, extended fam- DAMIANI RADIUS BOOKS Times Magazine, The New Yorker and Vanity Fair, and can be found in the collections of the Kemper ily and friends. Harper’s photographs have been reviewed in The New Yorker, Photo District News, 9781934435793 U.S. | CDN $ 55.00 9788862083645 U.S. | CDN $ 45.00 Hbk, 11.5 x 13.5 in. / 108 pgs / 45 color. Museum of Art in Kansas City, the Toledo Museum of Art, the Portland Museum of Art in Oregon and Camera Austria, the Frankfurter Allgemeine Zeitung and other publications, and she has taught at the Hbk, 11 x 9.5 in. / 112 pgs / illustrated throughout. September / Photography the Museum of Fine Arts in Houston, among others. International Center of Photography and Swarthmore College. She lives in Philadelphia. October / Photography

44 artbook.com artbook.com 45 Celebrating the dogs that conquered the final frontier, in ephemera and collectibles

SovietSpaceDogs Edited by Damon Murray, Stephen Sorrell. Text by Olesya Turkina. This book is dedicated to the Soviet Space Dogs, who played a crucial part in the Soviet Space program. These homeless dogs, plucked from the streets of Moscow, were selected because they fitted the program’s criteria: female, weighing no more than 15 pounds, measuring no more than 14 inches in length, robust, photogenic and with a calm tempera- ment. These characteristics enabled the dogs to withstand the extensive training that was needed to prepare them for suborbital, then for orbital, space fights. On 3 November 1957, the dog Laika was the first Earth- born creature to enter space, making her instantly famous around the world. She did not return. Her death, a few hours after launching, transformed her into a legendary symbol of sacrifice. Two further strays, Belka and Strelka, were the first beings to make it back from space, and were swiftly immortalized in children’s books and cartoons. Images of the Space Dogs proliferated, reproduced on everyday goods across the Soviet Union: cigarette packets, tins of sweets, badges, stamps and postcards all bore their likenesses. Soviet Space Dogs uses these unique items to illustrate the story (in fact and fiction) of how they became fairytale heroines. The first book to document these items, it contains more than 350 images, almost all of which are previously unpublished, and many of which have never been seen before outside Russia. The rich and varied ephemera (from cigarette packets to sweet wrappers and children’s toys) of Soviet graphics will have immense appeal to the art and design market, as well as appealing to dog-lovers everywhere.

FUEL PUBLISHING 9780956896285 U.S. | CDN $ 32.95 Clth, 5 x 8 in. / 240 pgs / 350 color. RobinSchwartz:AmeliaandtheAnimals September /Popular Culture

Text by Amelia Forman. Amelia is 14 years old. In many ways, she is your average American teenager: since she was three years old, she has been her mother’s muse, and the subject of her photographs. However, not every mom is a world-class photographer with a predilection for photographing animals. And it’s not every teenager who has portraits of herself with elephants, llamas, ponies, tigers, kangaroos, chimpanzees and endless dogs, cats, and other animals—portraits that hang in the collections of major art museums around the world. Amelia and the Animals is Robin Schwartz’s second monograph featuring this collaborative series dedicated to documenting her and Amelia’s adventures among the animals. As Schwartz puts it, “Photogra- phy is a means for Amelia to meet animals. Until recently, she took these opportunities for granted. She didn’t realize how unusual her encounters were until everyone started to tell her how lucky she was to meet so many animals.” Nonetheless, these images are more than documents of Amelia and her rapport with animals; they offer a meditation on the nature of interspecies communication and serve as evidence of a shared mother–daughter journey into invented worlds. Robin Schwartz (born 1957) earned an MFA in photography from Pratt Institute, and her photographs are held in the collections of The Metropolitan Museum of Art and The Museum of Modern Art, in New York; Smithsonian American Art Museum, Washington, D.C.; San Francisco Museum of Modern Art; APERTURE Brooklyn Museum; Chrysler Museum of Art, Norfolk, Virginia; Bibliothèque Nationale, Paris; and Museum 9781597112789 U.S. | CDN $ 39.95 Hbk, 8.5 x 10.75 in. / 144 pgs / 75 color. Folkwang, Essen, Germany. She is an assistant professor of photography at William Paterson University October / Photography and lives in New Jersey with her husband, Robert Forman, daughter, Amelia, and five companion animals.

46 artbook.com artbook.com 47 Found at a Southern Severson’s surf California flea market, odyssey through a rock-history gem painting, photography, film Found:TheRollingStones and publishing Edited by Lauren White, George Augusto. Found: The Rolling Stones presents a series of never-before-seen snapshots of The Rolling Stones on a 1965 tour through Savan- nah, Georgia and Clearwater, Florida. Found in an unmarked box johnSeverson’sSuRF at a flea market in Southern California by musician and art collec- Foreword by Gerry Lopez. Interview by Nathan Howe. Afterword by Drew Kampion. tor Lauren White, these rare candid images of Mick Jagger, Brian John Severson (born 1933) revolutionized pop Jones, Keith Richards, Charlie Watts, Bill Wyman and founding culture’s vision of surfing and surf culture through member and road manager, Ian Stewart, capture the band—on his prolific artistic output that transverses decades the brink of global superstardom—relaxed and unguarded. On and disciplines. He began his career as a painter, tour in North America in the spring of 1965, the young band was selling his canvases at Long Beach State College. playing YMCA auditoriums and college gymnasiums in support These first works consisted of oil paintings, pho- of their third album, The Rolling Stones, Now!, and still trying to tographs, drawings and prints relating to Hawai- set themselves apart from the scores of other bands emerging ian and Californian surf culture. In 1958, Severson out of Britain at the time. An additional handful of snapshots expanded his repertoire and created a series of (found in the same box) appear to be from a year or two later, popular surf movies, such as Surf Safari, Surf with the band in full rock-star mode. Dilettante gallery in Los Fever, Big Wednesday and Pacific Vibrations. Angeles showed the photographs for the first time after their While his were among the first surf movies, it was discovery, but despite considerable press attention, the photog- the posters associated with them, hugely popular rapher responsible for these remarkable images still has not when issued in the 1950s and 1960s, that remain emerged. Some have speculated that it could be Keith Richards, collector favorites today. Showcased in these since he appears in only one of the 23 photographs. White has early posters, his graphic skills translated easily to her own suspicions: “My female intuition says that it was a girl. Surfer magazine, which he founded in 1960. The If you look at the photos, they look very vulnerable … I don’t magazine was the first to celebrate and revolu- think that a guy could evoke that kind of expression.” This key tionize the art and sport of surfing, establishing it moment in the band’s history was recently chronicled in the as a powerful pop culture phenomenon. The first documentary The Rolling Stones: Charlie Is My Darling—Ireland issue was a 36-page collection of black-and-white 1965 (2012), filmed during another tour that same year. The photos, cartoon sketches and short articles— cache of photographs in Found: The Rolling Stones is a rare dis- every aspect of which was created by Severson covery and a thrilling piece of rock-and-roll history, but also an in- himself. His photographs appeared in Life, Sports timate, fresh look at five faces that were soon to become iconic. Illustrated, Paris Match and other print venues. THE ICE PLANT John Severson’s SURF explores Severson’s surf 9780989785921 U.S. | CDN $ 24.95 Hbk, 6.25 x 8 in. / 64 pgs / 29 color. odyssey through painting, photography, film and October / Music/Photography publishing. Featuring an interview with the artist by Nathan Howe, artist and curator at Puka Puka, Hawaii, foreword by Gerry Lopez, surfer and cofounder of Lightning Bolt surfboards and afterword by Drew Kampion, author and former editor of Surfer, John Severson’s SURF documents the birth of surf culture and serves as a testament to our ocean.

DAMIANI/PUKA PUKA ALSO AVAILABLE 9788862083263 U.S. | CDN $ 45.00 California Surfing and Hbk, 9.5 x 12.25 in. / 212 pgs / illustrated throughout. Climbing in the Fifties September/Art/Popular Culture/Sports & Recreation 9781938922268 Hbk, U.S. | CDN $39.95 T. Adler Books

48 artbook.com artbook.com 49 This sequel to Campbell’s bestselling Slide Your Brains Out Twenty years of photography from the prolific icon of the Beautiful celebrates Morocco’s glorious surf and sun Losers generation

ThomasCampbell:SeeingFatima’sEyes EdTempleton:WaywardCognitions Surf,Life,Stuff,Morocco,NorthAfrica Text by Stijn Huijts. Foreword by Scott Hulet. Text by Thomas Campbell. Wayward Cognitions is a collection of photographs by Ed Templeton (born 1972), chosen from his Seeing Fatima’s Eyes is a new photographic essay by the self-taught painter, sculptor, photographer archives spanning 20 years. For this volume, Templeton selected photographs that do not fit into his and filmmaker Thomas Campbell (born 1969), on surfing and life in Morocco. In the early 1990s, just usual manner of organizing by theme or subject. In past publications he has arranged his work in prior to his immersion in the scene around New York’s Alleged Gallery, Campbell would regularly hole straightforward groupings such as Teenage Kissers, Teenage Smokers, or photographs shot from a mov- up in the North African enclave to produce paintings for solo exhibitions in Paris, New York and Rabat, ing car (as in his book The Seconds Pass). In Deformer he presented the photographs under the theme of all the while scouring the coast during the winter months for whatever waves might roll in from the suburbia. Wayward Cognitions represents the in-between moments that arise when shooting in the Atlantic. Later, over the last ten years, Campbell brought various surfers of note (such as Dan Malloy, streets without theme or subject. “It’s about looking, people watching, finding pleasure in the visual vi- Alex Knost, Craig Anderson, Dave Rastovich and Ryan Burch) to join him there, and to savor Morocco’s gnettes we glimpse each day,” says Templeton. When those moments are removed from the context in glorious climate and stupendous surf. This book, the second in Campbell’s Slide surfing series (follow- which they were shot, dynamic stories can be told or imagined in book form. The photographs in Way- ing 2012’s Slide Your Brains Out), records these collective Moroccan adventures from the past 20 years, ward Cognitions were printed by Templeton in his darkroom; he then created the layout and design him- ALSO AVAILABLE in color and black-and-white images that range from the everyday to the sublime. self, building the book from scratch in his home studio. ALSO AVAILABLE Thomas Campbell: Ed Templeton: The UM YEAH PRESS Slide Your Brains Out UM YEAH PRESS Cemetery of Reason 9780985361136 U.S. | CDN $ 39.95 9780985361105 9780985361129 U.S. | CDN $ 39.95 9789075679342 Hbk, 6.75 x 9.75 in. / 144 pgs / illustrated throughout. Hbk, U.S. | CDN $39.95 Hbk, 8 x 10.75 in. / 160 pgs / illustrated throughout. Pbk, U.S. | CDN $39.95 October / Photography/Surfing Um Yeah Press October /Art/Photography S.M.A.K.

50 artbook.com artbook.com 51 Rickard’s raw vision of America sourced from YouTube

DougRickard:N.A.Catalog PREVIOUSLY ANNOUNCED For the last three years, photographer Doug Rickard has been immersed in YouTube videos uploaded by Americans KatyGrannan:TheNinetyNineandTheNine from their cellphones. These videos, documenting a dizzying array of activities, from seemingly criminal or semilegal acts to comic antics, allowed Rickard to witness scenarios he otherwise would never have seen—“right from the hands The result of three years of work in California’s Central Valley, Katy Grannan’s new series The and eyes of other people,” he writes, “hijacking their own device to give me very special views and intimate situations.” Ninety Nine and the Nine features large-scale color portraits and black-and-white photographs. Reveling in this vicariousness, he found that he could be “riding in a car full of teens through Detroit at night with a Grannan’s recent photographs are set in the parched landscape and forgotten towns along camera phone hanging out the window … or witnessing, from their own lens, someone who is paying a drug addict to Highway 99, including Modesto, Fresno and Bakersfield. In her intensely vivid color portraits, dance for a dollar to later get ‘View,’ ‘Comments’ and ‘Likes’ on YouTube.” Rickard then selected and appropriated spe- the artist works at midday when the sun is direct and the heat is unrelenting, presenting each cific images by pausing the footage and advancing through it second by second. The resulting volume expands on his individual, often simultaneously heroic and vulnerable, against stark, white backgrounds. In the previous and critically lauded monograph A New American Picture, offering a darker and more dynamic portrait of black-and-white photographs, many of her subjects reappear on Modesto’s South 9th Street America’s urban underbelly, and engaging with themes of race, politics, technology, surveillance and our cultural shift and along the banks of the Tuolumne River. Everyday rituals, small interactions and moments toward an ever-present camera. Rickard explains the title: “[It] has always been ‘N.A.,’ coming for ‘National Anthem’ … of beauty on the fringes of society are depicted in detail, conferring significance upon what is it also could be interpreted to mean ‘Not Applicable,’ a common statistical check box on government forms here in the often overlooked. This large-format, two-volume slipcased monograph gathers this series for US, [or] ‘North America.’” Visceral and intense, this volume offers an extraordinary inventory of America today. the first time. Doug Rickard (born 1968) studied history and sociology at the University of California, San Diego. He is the founder of Katy Grannan (born 1969) has published three previous monographs: Model American, American Suburb X (www.americansuburbx.com) and These Americans (www.theseamericans.com), aggregating The Westerns and Boulevard. Her photographs are included in the collections of the Whitney FRAENKEL GALLERY websites for essays on contemporary photography and historical photographic archives. His previous monograph, VERLAG KETTLER/D.A.P. Museum of American Art, The Metropolitan Museum of Art, The Museum of Modern Art and 9781881337386 U.S. | CDN $ 65.00 A New American Picture (2010, 2012), which offered a view of America through Google Street View, was widely ac- 9781938922626 U.S. | CDN $ 65.00 Slip, Pbk, 2 vols, 12 x 15 in. / 160 pgs / 44 color / 26 b&w. the Guggenheim Museum in New York, the San Francisco Museum of Modern Art and the Los Hbk, 12.5 x 9.5 in. / 128 pgs / claimed, and (in its first edition by White-Press, Helge Schlaghecke, 2010) was voted “best book” of 2010 by Photo-Eye Available / Photography Angeles County Museum of Art, among others. Grannan lives and works in Berkeley, CA. 96 color. magazine and is reproduced on the last spread of Phaidon’s The Photobook Vol. III by Martin Parr and Gerry Badger. October / Photography

52 artbook.com artbook.com 53 ChrisMarker:AGrinWithouta blow-up Cat Antonioni’sClassicFilmand Photography Edited by Chris Darke, Magnus af Petersens, Habda Rashid. Text by Christine Van Assche, Chris Darke, Nicola Mazzanti, Edited by Klaus Albrecht Schröder, Raymond Bellour, Arnaud Lambert, Chris Marker. Walter Moser. Text by Roland This important publication—the first comprehensive survey of Fischer, Philippe Garner, Anna Hanreich, Gabriele Jutz, Astrid the filmmaker’s influential oeuvre—surveys the entirety of Chris Mahler, Walter Moser, Thomas Marker’s prolific career and considers his lasting influence on Seelig. contemporary artists and filmmakers. It charts Marker’s unique The 1966 cult film Blow-Up is not commentaries on societies at times of upheaval, from his early only the widely recognized, first Eng- writing and photography to his later use of CD-ROM and appro- lish-language film from Michelangelo priation of web technology. Integrating his films within the Antonioni, but can also be regarded display, it also brings together for the first time all of Marker’s as an excursion in photography. On a multimedia installations. Alongside a wealth of images that futile search for evidence of a crime chart Marker’s substantial creative output, Chris Marker: A Grin he thinks he has seen, fashion pho- Without a Cat also explores through essays the filmmaker’s shift tographer Thomas enlarges his pic- from word to image, the commissioning of his multimedia in- tures, pushing the envelope of the stallations and the subsequent interplay of media. In addition, it medium’s boundaries. Antonioni’s includes the first translations of texts from key Marker scholars, film, a milestone in film history, re- as well as the only English translation of Marker’s own writing. volves around the issue of how much Director, writer, photographer, multimedia artist and film essay- truth exists in perception and delves ist, Chris Marker (1921–2012) began his career in film and into the ways in which media repro- journalism after the Second World War (during which he was ductions can be manipulated. This a member of the Resistance). In 1952, Marker made his first publication examines Blow-Up from film, Olympia 52, and soon became affiliated with the Left a photographic perspective, investi- Bank Cinema movement that included filmmakers such as Alain gating in detail the photographic and Resnais and Agnès Varda. In 1962 he made his best-known film, art-historical stances presented in the La Jetée, which won him an international audience. His most film, as well as the genres it repre- ambitious film, A Grin Without a Cat (1977), compares the prom- sents. The stylistic devices discussed ise of the global socialist movement before May 1968 (the grin) range from social reportage, fashion with its actual activities after May 1968 (the cat). (When asked photography and Pop art to abstract for a picture of himself, the famously reclusive Marker usually photography. In addition to film stills, offered a photograph of a cat instead.) Marker’s acclaimed film works that can be seen in Blow-Up Sans Soleil (1983) heralded his deep interest in digital technol- and photographs that illuminate the ogy, further evidenced by the 1998 CD-ROM Immemory. Marker cultural context of the film, the fa- died on his 91st birthday, in 2012. mous, ambivalently incriminating

WHITECHAPEL GALLERY photos are also included here. This 9780854882281 U.S. | CDN $ 45.00 volume demonstrates that Blow-Up Pbk, 9.5 x 11 in. / 136 pgs / illustrated throughout. has retained its relevance into the July / Film & Video present day as a study of images and their multitudes of interpretations. Fashion, photography and HATJE CANTZ Antonioni’s cult classic 9783775737371 U.S. | CDN $ 55.00 Hbk, 8.75 x 11.75 in. / 280 pgs / 1,020 color. September /Photography/Film/Fashion

EXHIBITION SCHEDULE Vienna, Austria: Albertina, 05/10/14–08/24/14 Winterthur, Switzerland: Fotomuseum

Winterthur, 09/13/14–11/30/14 ALSO AVAILABLE Berlin, Germany: C/O, Hippie Chic 12/13/14–04/15/15 9780878467952 Hbk, U.S. | CDN $35.00 MFA Publications

54 artbook.com artbook.com 55 New Truth chronicles Fischerspooner’s quest to merge art, music and performance

Fischerspooner:NewTruth Edited with introduction by Meredith Mowder. Text by Klaus Biesenbach, Gavin Brown, Jeffrey Deitch, Warren Fischer, Casey Spooner. Founded by artists Warren Fischer and Casey Spooner in 1998, Fischerspooner began as a philosophical provoca- tion that sought to explore the expressive potential located in the gap between popular entertainment and art. Soon swelling from a duo to an army of dancers, stylists, photographers and musicians, the group has activated a variety of spaces such as traditional concert halls, nightclubs, construction sites, parades, art galleries and museums. Their Brechtian theatrics lay bare the potential honesty of spectacle and device by not only revealing their inner workings but also celebrating them. Fischer- spooner ultimately proposes that artifice and surface can be recombined to create a new concept of authenticity— a “new truth.” This kaleidoscopic monograph provides unprecedented insight into the first five years of the Fis- cherspooner project. From a debut performance in a New York City Starbucks, to a blitz of the international art An encyclopedic Disco world, to more mainstream visibility via a major label AnEncyclopedicGuidetotheCoverArtofDiscoRecords recording contract, New Truth chronicles Fischer- spooner’s quest to profoundly upend the boundaries of Edited by Disco Patrick, Patrick Vogt. guide to the art, music and performance. Invested in liminal spaces This large-format deluxe hardback book features the amazing artwork of thousands of disco record cover de- and the in-between, Fischerspooner also captures a cover art of disco signs from the 1970s up to the mid-1980s. Together, the record cover designs gathered here create a unique unique millennial moment that seemed to prophesy a fu- visual history of disco culture. Featuring more than 2,000 album cover designs (including hundreds of full-size ture where the avant-garde could be translated into a ver- covers) as well as over 700 12-inch sleeves, this book is truly an encyclopedic document of disco music and nacular of pure joy. the industry and culture attending it. In addition to the visual documents from the era, the book includes inter- Warren Fischer and Casey Spooner met at the School of views with a number of important disco figures such as Mel Cheren (West End Records), Henry Stone (TK the Art Institute of Chicago and formed Fischerspooner Records), Ken Cayre (Salsoul), Marvin Schlachter (Prelude) and Tom Moulton, as well as histories, biographies in New York in 1998. As an art pop performance project, and discographies of all the major disco record companies, plus sections on roller disco sleeves, disco instruc- Fischerspooner’s practice involves music, dance, fashion, tion albums, 12-inch sleeves and a scrapbook of disco ads. Among the many musicians featured here are film and photography. They have released three full-length Bohannon, James Brown, Jocelyn Brown, Cerrone, Dennis Coffey, Donna Summer, Chic, Fatback Band, Gino music albums, #1 (2001), Odyssey (2005) and Entertain- SOUL JAZZ BOOKS Soccio, Giorgio Moroder, Gloria Gaynor, Grace Jones, Isaac Hayes, Kool and the Gang, DC LaRue, Loleatta ment (2009). 9780957260023 U.S. | CDN $ 49.95 Holloway, MFSB, Ohio Players, Salsoul Orchestra and The Trammps. This is the latest volume in Soul Jazz’s Hbk, 12 x 12 in. / 360 pgs / 600 color. deluxe series of books featuring full-size reproductions of record cover art designs. It is compiled and edited DAMIANI October / Music/Popular Culture/Design & 9788862083287 U.S. | CDN $ 50.00 by Disco Patrick and Patrick Vogt, editors of the book Disco Patrick Presents: The Bootleg Guide to Disco Decorative Arts Hbk, 9.5 x 11 in. / 256 pgs / illustrated throughout. Acetates, Funk, Rap and Disco Medleys. October /Popular Culture/Music/Art

ALSO AVAILABLE Freedom, Rhythm Black Fire! New Spirits! ALSO AVAILABLE Studio One Records and Sound 9780957260016 Tabboo! The Art of 9780955481772 9780955481727 Hbk, U.S. | CDN $49.95 Stephen Tashjian Hbk, U.S. | CDN $49.95 Hbk, U.S. | CDN $39.95 Soul Jazz Books 9788862082648 Soul Jazz Books Soul Jazz Books Hbk, U.S. | CDN $50.00 Damiani

56 artbook.com artbook.com 57 VisionaireNo.64:Art johnbaldessari In Henry Joost and Ariel Schulman’s short film A Brief History of John Baldessari, the world-renowned conceptual artist suggests that he will be best remembered as “the guy who Uptown glamor StephenSprouse:Xerox/Rock/Art put dots over people’s faces.” Baldessari recalls: “I felt like it AnArchiveofDrawingsandEphemera [the dot] leveled the playing field”—surely an ironic claim to and downtown Edited by Carol McCranie, Javier Magri. Introduction by Deborah Harry. Text by Carol McCranie. Designed fame in an age of self-obsession and self-celebration. Espe- by Nick Vogelson. cially from the early Renaissance, when mirrors became more edge collide in Drawn from an archive comprised of 1,500 separate pieces, including 600 original drawings, color Xeroxes, readily available, through today—an age of constant surveil- swatch references and inspiration materials, Stephen Sprouse: Xerox/Rock/Art presents a revelatory look at lance in which nearly every pedestrian carries some form of the sinuous Sprouse’s design work from the mid-1970s through the late 1980s—a period characterized by the artist/de- camera—the auto portrait has become an inevitability that, to signer’s participation in and connection to the glamorous studios of Bill Blass and Halston and his embrace of varying degrees, finds its way into the practice of many work- fashion drawings New York City’s edgy East Village/ Bowery vibe. The works on paper included here reveal Sprouse’s unmistak- ing artists. For its 64th issue, Visionaire invites a roster of con- able energy: his facile and powerful inked lines, his use of the Xerox machine which, in the spirit of Andy temporary actors, entertainers and personalities to contribute VISIONAIRE PUBLISHING, LLC of Stephen Warhol, allowed Stephen to vary gouache color applications. Sprouse’s fashion designs and sketches unmistak- a self-portrait. The participants include artists Ai Weiwei and VisionaireNo.64:Art,baldessariRedEdition ably capture the era of disco and punk. Inspirational muses represented here include Jackie Onassis, Patty Ed Ruscha; models Gisele Bundchen and Kate Upton; actors 9781888645989 U.S. | CDN $ 325.00 SDNR30 Sprouse Boxed, 13 x 9 in. / 10 pgs / illustrated throughout / Hearst, Patti Smith and Debbie Harry of Blondie. In 1978, Harry famously wore an off-the-shoulder creation in a Scarlett Johansson and James Franco; singer Miley Cyrus; Limited Edition of 500 copies. concert that signaled Sprouse’s public debut and the two star talents collaborated for years (Harry also provides filmmaker Pedro Almodovar; fashion designers Kate and September /Limited & Special Editions/Art/Fashion the introduction to this volume). Though he was recognized at the tender age of 14 as a design prodigy, Laura Mulleavy (Rodarte) and Riccardo Tisci (Givenchy); athlete Sprouse’s commercial success alternately soared and stalled, but his assuredness of vision and unique concepts Lionel Messi, and many more. Their self-portraits are printed in VisionaireNo.64:Art,baldessariblueEdition have made legendary contributions to the world of fashion. The intimacy of the sketches and designs collected black and white, and then silkscreened with shapes and colors 9781888645996 U.S. | CDN $ 325.00 SDNR30 Boxed, 13 x 9 in. / 10 pgs / illustrated throughout / here give the viewer a rare opportunity to draw closer to Stephen Sprouse the artist and his frenetic career. created by Baldessari. The resulting collection of images offers Limited Edition of 500 copies. ALSO AVAILABLE Stephen Sprouse (1953–2004) launched his first collections in the early 1980s to immediate critical acclaim, a snapshot of contemporary iconography, bridging technology September /Limited & Special Editions/Art/Fashion Visionaire No. DAMIANI selling in venues such as Henry Bendel and Bergdorf Goodman. In the late 1980s, Sprouse opened stores on and craftsmanship, high art and pop culture, digital and 63: Forever 9788862083706 U.S. | CDN $ 50.00 Wooster St in New York and at the Beverly Center in Los Angeles. In 2001, Louis Vuitton incorporated Stephen’s analogue, new and old. Visionaire No. 64: Art is available in VisionaireNo.64:Art,baldessariGreenEdition 9781888645972 9781941340004 U.S. | CDN $ 325.00 SDNR30 Slip, Hbk, U.S. | CDN Hbk, 8.5 x 11 in. / 208 pgs / designs into their product line. Sprouse died of heart failure, following a diagnosis of lung cancer, at the age three different editions, each themed by a color, and featuring illustrated throughout. Boxed, 13 x 9 in. / 10 pgs / illustrated throughout / $350.00 SDNR30 September / Fashion of 50. a different selection of contributors. All of the editions are Limited Edition of 500 copies. Visionaire Publishing, presented in a beautifully printed cloth box. September /Limited & Special Editions/Art/Fashion LLC.

58 artbook.com artbook.com 59 hansj.Wegner:justOneGoodChair Text by Christian Holmsted Olesen. The name of Hans J. Wegner (1914–2007) is inseparable from his unrivalled chairs, which have helped Danish design achieve international recognition. Any fan of design has his or her favorite among Wegner’s approximately 500 creations, and there is hardly an interior design magazine that has not included an illustration of his elegant China Chair (1943) or Y Chair (1950). Even John F. Kennedy sat on the Round Chair, now known simply as The Chair (1949). Trained as a furniture maker, Wegner typically made his prototypes by hand, using traditional joinery techniques such as tongue- and-groove or finger joints. In the process, he often pushed the limitations of wood, giving his designs an unequaled elegance. Their beauty was matched by their practi- cality: he considered comfort and ergonomics to be equally as important as appearance. Despite his concern for functionality, his personality and sense of humor also shone through his works, as evidenced by his splendid Peacock Chair (1947) or the masculine Ox Chair (1960), available with or without horns.

HATJE CANTZ 9783775738095 U.S. | CDN $ 75.00 Hbk, 9.5 x 11.75 in. / 256 pgs / 300 color. September /Design & Decorative Arts

Finnjuhlandhishouse Text by Per H. Hansen, Birgit Lyngbye Pedersen. The Danish design scholar Birgit Lyngbye Pedersen discovered the work of Finn Juhl (1912–1989) when she was looking for a suitable sofa for her 1950s home. Juhl’s furniture is undergoing The Haas Thehaasbrothers a renaissance at present, and when his house in Charlotten- Text by Laura Dern, Vincent Gallo, Simon and Nikolai Haas. lund—which he designed and decorated in 1941–42—came Brothers combine In a meteoric rise to fame, the Los Angeles–based Haas Brothers have garnered international accolades up for sale, Pedersen purchased the building and all of its for their set design and props for print and video, one-of-a-kind fashion works and their highly original furnishings, presenting it immediately afterward to the adjacent material ingenuity, furniture and object designs. Their exploration and mastery of materials—ranging from brass, bronze, Ordrupgaard Museum. This monograph takes a look at Finn sculptural porcelain and fur to highly technical resins and polyurethane—matched with their insatiable curiosity and Juhl—who, alongside Hans J. Wegner and Arne Jacobsen, remarkable visual intelligence, sets them apart as designers. This monograph—the first on the brothers— is one of the most important Danish modernists—in an brilliance and focuses on their projects, including their Hex series of handworked bronze tile pieces, their Accretion series agreeable, unpretentious fashion. Per H. Hansen, a renowned of unique ceramic vessels, the Beast series of brass and wool anthropomorphic furniture and a new body expert in Scandinavian furniture design, provides a humorous, accomplished of works that engages ideas about arousal and eroticism in playful, sculptural forms. The book features extremely informative description of Juhl’s unconventional color photographs as well as writings and drawings by Simon and Nikolai Haas that convey their humor character and his classic furniture—the Chieftain Chair, the craftsmanship and eloquence while illuminating the inspirations, theories and processes behind the works, plus images Pelican Chair, the Poet Sofa. Drawings, photographs, images of of the Haas Brothers’ studio and practice. the newly curated house (2008) and an amusing final chapter Twin brothers Nikolai and Simon Haas (born 1984), known as The Haas Brothers, got their start in design about his patrons round off this unusual and atmospherically by studying stone carving and construction under their father in their hometown of Austin, Texas. In illustrated tribute to the brilliant Danish designer and his own September 2010, the brothers were commissioned to collaborate on a project by renowned architectural home, an icon of good taste. firm Johnston Marklee, at Sony Studios in Los Angeles, and “The Haas Brothers” as a studio practice HATJE CANTZ DAMIANI was born. In the years since, the brothers have continued to grow their design studio and spend their time 9783775737975 U.S. | CDN $ 55.00 9788862083737 U.S. | CDN $ 50.00 prototyping forms and experimenting with materials, surface textures and processes. In 2013 they created Hbk, 9.25 x 9.25 in. / 228 pgs / 183 color. Pbk, 8.75 x 11.5 in. / 176 pgs / illustrated September /Design & Decorative Arts/Architecture & Urban Studies throughout. a limited-edition furniture collection for Versace. In their current design works, The Haas Brothers explore

September / Design & Decorative Arts aesthetic and formal themes related to nature, science fiction, psychedelia and color theory.

60 artbook.com artbook.com 61 bernardTschumi Architecture:ConceptandNotation Edited by Frédéric Migayrou, Aurélien Lemonier. Initially known as a theorist exploring the spatial-political implications of the May 1968 uprisings, Bernard Tschumi emerged as an architect of international repute in the 1980s with his Parc de la Villette, a 125-acre cultural park located in northeast- ern Paris. His buildings and design theory famously draw on an array of disciplines, such as literature, cinema and philosophy. All aspects of the man and his work are examined in Bernard Tschumi, published to accompany a landmark retrospective at the Centre Pompidou. This volume is the most complete and authoritative of any yet published on the celebrated architect: no mere reference book, it boasts a wide selection of previously unpublished designs for cities as varied as Santo Domingo and Dubai, accompanied by the original commissioning plans, sketches and models. Concise case studies comple- ment the projects discussed, walking the reader through the rationale of each design. Essays by Frédéric Migayrou, the head of the Centre Pompidou architecture and design department, give insight into Tschumi’s thinking; he unfolds and explores conceptual questions of design through the lenses of film, literature, visual art and philosophy, particularly decon- struction. Abstract theory and concrete design intermingle in Tschumi’s body of work, as they do in this volume, to produce the radical, deconstructive effect for which he is famed. Bernard Tschumi (born 1944) was Dean of the Graduate School of Architecture, Planning and Preservation at Columbia University from 1988 to 2003. He lives in Paris and New York.

CENTRE POMPIDOU 9782844266491 U.S. | CDN $ 55.00 Hbk, 9.5 x 11.25 in. / 256 pgs / 650 color. July / Architecture & Urban Studies

EXHIBITION SCHEDULE Paris, France: Centre Pompidou, 04/30/14–07/28/14 unevenGrowth New strategies TacticalurbanismsforExpandingMegacities Edited with text by Pedro Gadanho. Text by Richard Burdett, Teddy Cruz, David Harvey, Saskia Sassen, for a rapidly Nader Tehrani. In 2030, the world’s population will be a staggering eight billion people. Of these, two-thirds will live in cities; urbanizing world most will be poor. With limited resources, this unbalanced growth will be one of the greatest challenges faced by societies across the globe. In the coming years, city authorities, urban planners, designers, econo- mists and others will have to join forces to avoid a major social and economic catastrophe and to ensure that THE MUSEUM OF MODERN ART, NEW YORK these expanding megacities will be habitable. Exploring how emergent forms of tactical urbanism could ad- 9780870709142 U.S. | CDN $ 35.00 Tschumi’s “deconstructed” dress rapid and uneven urban growth around the globe, The Museum of Modern Art presents Uneven Pbk, 8 x 10 in. / 176 pgs / 150 color. November/Architecture & Urban Studies/ Growth: Tactical Urbanisms for Expanding Megacities, its third iteration of the Issues in Contemporary Archi- Sustainability architecture draws on film, literature, tecture series. Following the same model as the critically acclaimed projects Rising Currents and Foreclosed, Uneven Growth is a combination of workshop, exhibition and publication that brings together ideas from an EXHIBITION SCHEDULE New York: The Museum of Modern Art, visual art and philosophy international group of scholars, practitioners and other experts on architecture and urbanism. Featuring pro- 11/22/14–05/10/14 posals for six cities on five continents—New York, Mumbai, Rio de Janeiro, Istanbul, Hong Kong and Lagos,

each developed by a pair of teams (one local to the host city and one abroad)—Uneven Growth also docu- ALSO AVAILABLE ments the brainstorming processes and the workshops. Contributions from each of the teams and essays by Foreclosed: Rehousing leading scholars on the issue make the publication a rich resource for students and professionals alike. Par- the American Dream 9780870708275 ticipating teams include Cohabitation Strategies with Situ Studio, POP Lab with URBZ, MAS Urban Design Pbk, U.S. | CDN $35.00 ETH with Rua Arquitetos, Atelier d’Architecture Autogérée with Superpool, Network Architecture Lab with The Museum of Modern MAP Office and Inteligencias Colectivas with NLÉ Architects. Art, New York

62 artbook.com artbook.com 63 PREVIOUSLY ANNOUNCED jeanProuvé:MaisonDémontable Text by Catherine Coley. Though lacking any formal education in architecture, Jean Prouvé (1901–1984) became one of the most influential architects of the twentieth century, boldly experimenting with new building designs, materials and methods. Prouvé was raised in an environment of artistic, socially motivated innovation: his father belonged to “l’École de Nancy,” a collective that sought LifeofaMansion GALERIE PATRICK SEGUIN to unite art, industry and social awareness. He continued this practice throughout his adult- TheStoryofCooperhewitt,SmithsonianDesignMuseum jeanProuvé:MaisonDémontable6x6Demountablehouse hood, opening the Ateliers Jean Prouvé to manufacture standardized, economical goods on a Text by Heather Ewing. 9782909187037 U.S. | CDN $ 40.00 mass scale—which, during World War II, included creating portable and demountable bar- Clth, 8 x 9.5 in. / 80 pgs / illustrated throughout. Life of a Mansion tells the story of the building that Cooper Hewitt, Smithsonian Design Museum calls home. It Available / Architecture racks. After the war, the French government commissioned Prouvé to design inexpensive, ef- details how Andrew Carnegie’s grand but functional Fifth Avenue mansion—which was pioneering in its design, fective housing for the newly homeless, prompting him to perfect his patented axial portal with an electric elevator and modern steel-frame construction—was constructed. The book features the rooms jeanProuvé:MaisonDémontable8x8Demountablehouse frame to build easily constructed demountable houses. Despite their advantages, though, few in which Carnegie conducted his business and philanthropic endeavors, and where the family and staff lived and 9782909187068 U.S. | CDN $ 40.00 of these architectural triumphs were built, and even fewer survive. In order to preserve entertained throughout the mid-twentieth century. It also surveys plans for the 1976 renovation by Hardy Clth, 8 x 9.5 in. / 80 pgs / illustrated throughout. Available / Architecture Prouvé’s architectural and engineering legacy, the Galerie Patrick Seguin has worked tirelessly Holzman Pfeiffer (when Cooper Hewitt first opened as a public museum) and the building’s latest extraordinary to promote his “constructional philosophy,” exhibiting his designs and showcasing his eco- renovation by Gluckman Mayner Architects, executive architect Beyer Blinder Belle and world-renowned Diller,

ALSO AVAILABLE logically responsible methodologies. Jean Prouvé: Maison Démontable 6x6 Demountable Scofidio + Renfro, which has positioned Cooper Hewitt as a truly twenty-first-century design museum. Upon COOPER HEWITT, SMITHSONIAN DESIGN Jean Prouvé: Objects and Furniture House and 8x8 Demountable House, the first two of nine monographs published by the Ga- completion of three years of intense work, the new building has been LEED certified, and has gained an MUSEUM 9780910503716 U.S. | CDN $ 14.95 Design By Architects lerie Patrick Seguin on Prouvé’s housing modules, highlight the simplest of these modules. additional 6,000 square feet of gallery space. With an engaging narrative illustrated by 200 photographs, maps, 9788434311442 Flexi, 9 x 7 in. / 160 pgs / 110 color / Introduced by Catherine Coley, renowned art and architectural historian, these volumes con- floor plans and letters, Life of a Mansion chronicles the 110-year history of the National Landmark building, Hbk, U.S. | CDN $30.00 50 duotone. Poligrafa tain Prouvé’s sketches, black-and-white photographs of the designer at work and detailed ex- as well as the evolution of the museum from its establishment by the Hewitt Sisters in 1897 to its status post- October / Architecture & Urban Studies amples of the building process. renovation in 2014 as the site of the nation’s design authority. Also forthcoming as an eBook edition.

64 artbook.com artbook.com 65 jewelsofAncientNubia From Edo-era Japan to contemporary biker culture, Tattoo combines Text by Yvonne J. Markowitz, Denise M. Doxey. Located at the intersection of trade routes from central aesthetic and anthropological approaches Africa, the ancient Near East and the Classical world, ancient Nubia ruled the entire Nile Valley at the height of its power in the eighth century B.C. Its neighbor and fre- Tattoo quent rival Egypt called it “the gold lands” because its Edited by Anne & Julien. Text by Pascal Bagot, Joe territories held such an abundance of the precious metal, Cummings, Anna Felicity Friedman, Sébastien Galliot, Alan and because its inhabitants produced some of the most Govenar, Simon Jean, Andrea Juno, V. Vale, Lars Krutak, Florence Lamy, Karl Marc, Michael McCabe, Jérôme Pierrat, finely crafted jewelry of the ancient world. This book fea- Luc Renaut, Yoshimi Yamamoto. tures over 100 adornments and personal accessories The practice of tattooing has an extensive primitive history from the Museum of Fine Arts, Boston, which houses in Asian and African countries, where it had social, religious the finest collection of Nubian jewelry outside Khartoum. and mystical roles. In 3000 BC, Ötzi (whose mummy was The first comprehensive introduction to the sophisticated famously discovered in the 1990s) covered his body in 57 jewels of this great empire, it reveals how Nubian arti- tattoos. In the West, meanwhile, tattoos have long been sans employed techniques that would not be reinvented signifiers of infamy and criminality, before becoming a badge in Europe for another two thousand years, and how the of identity for various urban tribes. Tattoo examines the artis- original owners valued such possessions not only for tic nature of the practice and celebrates its many cultural their inherent beauty, but also because they were im- expressions from ancient times to the present. Among the bued with magical meanings. Exquisite photography and topics explored are Native North American tattoos; American an authoritative history written by leading experts make tattooing from the Revolution through the 1980s; Russian this book essential for both jewelry aficionados and any- criminal tattooing; European sideshow culture; Japan’s tat- one interested in the great cultures of the ancient world. too boom during the Edo period; tattooing in the Marquesas MFA PUBLICATIONS, MUSEUM OF FINE ARTS, BOSTON Islands, Indonesia, the Philippines and Thailand; and newly 9780878468072 U.S. | CDN $ 45.00 emerging Latino, Chicano and Chinese tattoo cultures. Hbk, 8 x 11 in. / 240 pgs / 150 color. Alongside accounts of older tattoo practices (presented October / Design & Decorative Arts/African Art & Culture through rare artifacts, paintings and archival photographs) EXHIBITION SCHEDULE and contemporary cultural trends in tattooing, the book pays Boston, MA: Museum of Fine Arts, Boston 07/19/14– tribute to the pioneers of the modern era, those responsible 05/14/17 for its transformation into the mainstream. In addition, it includes two “workshop” sections in which contemporary tattoo artists demonstrate their craft. The artists featured are internationally renowned, and many have created a style that has evolved into its own school. The book closes with a series of photos assessing the most recent currents in modern tattooing.

MUSÉE DU QUAI BRANLY/ACTES SUD 9782330032463 U.S. | CDN $ 60.00 Hbk, 7.5 x 10 in. / 304 pgs / 220 color. August / Popular Culture

EXHIBITION SCHEDULE Paris, France: Musée du Quai Branly, 05/06/14–10/18/15

66 artbook.com artbook.com 67 ThePuppetandtheModern VitalArtNouveau1900 Text by Marie Jirásková, Pavel Jirásek. FromtheCollectionoftheMuseumofDecorativeArts Czechoslovakia’s unique culture of puppet theater reached a glorious apex be- inPrague tween about 1900 and 1950, and its visual style was integral to the development Edited with text by Lucie Vlecˇková, Radim Vondrácˇek. Text by Iva of modernist and contemporary theater and animation. The Puppet and the Modern Knobloch, Otto Urban, Filip Wittlich, et al. looks at this incredibly fertile phase in puppetry in Bohemia and Moravia and Vital Art Nouveau 1900 presents a selection of the most outstanding traces the development of stage design and stage technologies, also focusing on works of Czech and European Art Nouveau style from the collection of the the connection of artists from disciplines and styles—designers, carvers, painters Museum of Decorative Arts in Prague, all of which are on permanent dis- and scenographers—to the development of avant-garde and modernist currents play at the Prague Municipal House. This volume establishes the Art Nou- in twentieth-century art. Narrated with text by scholars Marie Jirásková and Pavel veau arts and crafts as part of the forward-looking trends and Jirásek, this richly illustrated, epic (456-page) volume begins in the Art Nouveau emancipation efforts that evolved in the late nineteenth century; as a re- and Symbolist eras, tracing the development of Czech puppetry through its formist art movement, Art Nouveau strove to achieve a unity between art Expressionist incarnations and on to its radical reconception and renaissance and life, aspiring to overcome the Romantic duality of beauty versus real- as an art during the Cubist and Art Deco epochs. A truly revelatory publication, ity, or “the truth of life.” These rebellious artists not only forced a break The Puppet and the Modern includes gorgeous color photographs of individual with the rigidity of existing art practices, but also regenerated forms of puppets drawn from public and private Czech puppet collections and supple- artistic expression that many considered to be stagnant. Infused with the ments them with archival images of performances, sets, sketches, posters, popular aesthetic theories of the times, such as Vitalism and Spiritism, the programs, periodicals, illustrations and caricatures. Art Nouveau aesthetic answered and responded to the new zest for life that swept nineteenth-century society as a whole. Masterpieces of deco- ARBOR VITAE rative art exhibited at the famous Paris World’s Fair of 1900 are repro- 9788074670565 U.S. | CDN $ 75.00 Hbk, 8.5 x 13 in. / 456 pgs / 750 color. duced in this volume in color, alongside a variety of works ranging from August / Design & Decorative Arts/Performing Arts paintings, poster art, magazines and ceramic works to jewelry, glassware and furniture.

ARBOR VITAE/MUSEUM OF DECORATIVE ARTS PRAGUE 9788074670541 U.S. | CDN $ 65.00 Modern puppetry Flexi, 8.25 x 9.75 in. / 304 pgs / 539 color. August /Design & Decorative Arts/Art

reached its apex in EXHIBITION SCHEDULE early twentieth-century Prague: Municipal House, 11/01/13–12/31/15

ALSO AVAILABLE Czechoslovakia Jan Svankmajer: Dimensions of Dialogue 9788074670169 Flexi, U.S. | CDN $85.00 WilliamMorris:Words&Wisdom Arbor Vitae William Morris (1834–1896) was a radical thinker whose democratic vision for society and art has continued to influence designers, artists and writers to this day. He was a gifted poet, architect, painter, writer and textile designer, who also founded the Kelm- scott Press, the most famous of the Arts and Crafts private presses. Morris’ ideas later TheDodals came to influence numerous artists and craftspeople who sought to negotiate a viable PioneersofCzechAnimatedFilm place within the modern world in the troubled years that followed the First World War. byEvaStrusková. His ideals inspired designers, including those who contributed to the 1951 Festival of Today, Czechoslovakia is famous for its unique tradition of animated film. Standing at the very beginning Britain, with a direct sense of mission to bring the highest design standards within the of this tradition is Karel Dodal (1900–1986), who, in collaboration with his wives Hermína Dodalová (née reach of everyone. This collection of quotations by Morris, his friends, associates and Týrlová) and, later, Irena Dodalová (née Leschnerová), made the very first Czech animations, starting those who came after, including Oscar Wilde and George Bernard Shaw, among oth- with 1927’s Felix the Cat Receives a Lesson. The Dodals’ marvelous short films range from abstract ani- ers, reveals and explores his passionately held view that beautiful, functional design mations to works made with intimate little sets that vividly convey the ways in which Czechoslovakia’s should be accessible to all. ˇ rich culture of puppetry influenced its animation (as instanced by the films of Jan Svankmajer). This NATIONAL PORTRAIT GALLERY attractively designed and abundantly illustrated biography of the Dodals traces their career from its 9781855144941 U.S. | CDN $ 19.95 outset, in the 1920s, through their wartime exiles in Paris, Minneapolis (Karel Dodal taught at Minnesota Pbk, 6.75 x 7.5 in. / 144 pgs / 80 color. November / Design & Decorative Arts University), New York and Argentina as well as looking at their contemporaries. It includes a DVD featuring 28 restored and digitized films along with documentation on the Dodals themselves. EXHIBITION SCHEDULE London, England: National Portrait Gallery, 10/16/14–01/11/15 ACADEMY OF PERFORMING ARTS IN PRAGUE AND NATIONAL FILM ARCHIVE PRAGUE 9788073312718 U.S. | CDN $ 39.95 Pbk, 6.5 x 9 in. / 376 pgs / 105 color / 319 b&w / DVD (PAL). July / Film & Video

68 artbook.com artbook.com 69 Attractively compact and fully illustrated, the NATIONAL PORTRAIT VirginiaWoolf: GALLERY COMPANIONS profile celebrated cultural figures from British Art,LifeandVision culture and the defining circles to which they belonged. Each is authored Text by Frances Spalding. by a leading authority on the relevant subject. Virginia Woolf’s many novels—notably Night and Day (1919), Jacob’s Room (1922), Mrs Dalloway (1925), To the Lighthouse (1927) and The Waves (1931)—transformed ideas about structure, plot and characterization. Sister of Vanessa Bell, Woolf was a central figure in the Bloomsbury Group, that union of friends who revolutionized British culture with their innovative approach to art, design and society in the early years of the twentieth century. Portrai- ture figured greatly in Woolf’s life: portraits by G.F. Watts and photographs made by her aunt, Julia Margaret Cameron, furnished rooms in which she lived; written portraits were produced in the family home; and her father, Leslie Stephen, published short biographies of Samuel Johnson, Pope, Swift, George Eliot and Thomas Hobbes, while editing the first 26 volumes of the Dictionary of National Biography. Throughout her life, Woolf, a sharp observer and a brilliant wordsmith, composed memorable vignettes-in-words of people she knew or encountered, and was herself portrayed by artists and photographers on many TennysonandhisCircle FirstWorldWarPoets ThebloomsburyGroup occasions. This beautifully illustrated book looks at Woolf’s appearance and that of the Text by Lynne Truss. Tennyson’s ascendency as Text by Alan Judd, David Crane. This collection of Text by Frances Spalding. At the beginning of England’s foremost poet coincided with one of short biographies of those remarkable men who the twentieth century, the Bloomsbury Group world around her, pointing to her desire to un- the most significant inventions of the nineteenth sought to record the First World War in poetry transformed British culture with its innovative derstand better the moment in which she century: photography. As Poet Laureate, draws on letters, memoirs and portraits. Key approach to art, design and society. In this lived. In charting the emotional milestones in Tennyson (and those in his circle) was portrayed poems by each of the poets are included, along- book, Frances Spalding—the foremost scholar Woolf’s life—her love affairs, wartime experi- by such pioneering spirits as Julia Margaret side images of Rupert Brooke, Wilfred Owen, on the group—presents 19 fascinating ences and the depression that resulted in her Cameron. Lynne Truss’s insightful and often Siegfried Sassoon, Isaac Rosenberg and Ivor biographies, all of which are illustrated with suicide in 1941—acclaimed art historian, critic amusing text captures the spirit of the age. Gurney, to provide a new approach to one of the paintings and intimate photographs created by and biographer Frances Spalding acknowl- most devastating events of the last century. members of the group. NATIONAL PORTRAIT GALLERY edges the seen and unseen aspects of her 9781855144903 U.S. | CDN $ 19.95 NATIONAL PORTRAIT GALLERY NATIONAL PORTRAIT GALLERY subject. Virginia Woolf: Art, Life and Vision in- Pbk, 5.75 x 7.75 in. / 120 pgs / 40 color. 9781855144897 U.S. | CDN $ 19.95 9781855144767 U.S. | CDN $ 19.95 cludes 90 beautifully reproduced key works July / Literature Pbk, 5.75 x 7.75 in. / 120 pgs / 30 color. Pbk, 5.75 x 7.75 in. / 120 pgs / 68 color. July / Literature July / Art/Literature from public and private collections, documentary photographs, extracts from Woolf’s writings and a chronology of her life and work. TheRomanticPoetsandTheir OscarWildeandhisCircle ThePre-RaphaeliteCircle NATIONAL PORTRAIT GALLERY Circle Text by Simon Callow. One of literature’s most Text by Jan Marsh. The Pre-Raphaelite Brother- 9781855144811 U.S. | CDN $ 45.00 Text by Richard Holmes. The ideal of the “in- witty personalities, Oscar Wilde captivated Lon- hood lent its name to one of the most significant Pbk, 7.5 x 9.5 in. / 192 pgs / 100 color. “Painting and writing spired artist” owes its origin to the figures of the don society. In this perceptive appraisal of Wilde and innovative artistic movements of the Victorian August / Literature/Biography/Art Romantic period, who revolutionized English and those around him—including Aubrey Beards- age. Jan Marsh’s lively and revealing account of have much to tell each ley, Sir Max Beerbohm and Wilde’s lover, Lord these remarkable men and women explores the EXHIBITION SCHEDULE art and literature. In this book, Richard Holmes London, Engalnd: National Portrait Gallery, Alfred Douglas (“Bosie”)—acclaimed actor and individual personalities, the close friendships and explores the portraits and lives of such key poets 07/10/14–10/26/14 other; they have much as Lord Byron, Percy Bysshe Shelley and John author Simon Callow captures the spirit of one of the artistic force that bound this diverse group Keats, and assesses the impact of their work Britain’s most feted, but ultimately tragic literary together. in common.” figures. on contemporary culture and society. NATIONAL PORTRAIT GALLERY NATIONAL PORTRAIT GALLERY NATIONAL PORTRAIT GALLERY 9781855144798 U.S. | CDN $ 19.95 —Virginia Woolf | Pbk, 5.75 x 7.75 in. / 136 pgs / 78 color. 9781855144774 U.S. | CDN $ 19.95 9781855144781 U.S. CDN $ 19.95 Pbk, 5.75 x 7.75 in. / 136 pgs / 84 color. Pbk, 5.75 x 7.75 in. / 136 pgs / 70 color. July / Art/Literature July / Literature July / Literature

70 artbook.com artbook.com 71 This classic study, now Cézanne:LandscapeintoArt Text by Pavel Machotka. expanded, juxtaposes Cézanne is the supreme landscape painter of modernity, and his famous dictum that “painting from nature is not copying the object; it is realizing one’s sensations” defines the course of Cézanne’s paintings modern painting’s extreme departure from fidelity to reality. Despite or because of this dictum, Cézanne’s marvelously lucid “sensations” become all the more evident and dazzling when set GustaveCourbet HATJE CANTZ with photographs of the 9783775738637 U.S. | CDN $75.00 against images of the locales he painted. Cézanne: Landscape into Art, which reprises and ex- Edited by Ulf Küster. Text by Stéphane Guégan, Michel Hilaire, Ulf Küster, Laurence Madeline, Bruno Mottin, Hbk, 9.75 x 12 in. / 192 pgs / 150 color. pands the classic 1996 publication by Yale University Press, does precisely this. In this highly James Rubin. December/Art landscapes they depict praised study, the scholar Pavel Machotka juxtaposes photographs of the sites of Cézanne’s Published for an exhibition at the Fondation Beyeler, this volume concentrates on Gustav Courbet’s position EXHIBITION SCHEDULE landscape paintings—whenever possible, from the same angle and at the same time of day as the first avant-garde painter. With his provocative canvases and his emphasis on the artist as individual, Basel, Switzerland: Fondation Beyeler, that the artist painted the scenes—with reproductions of the relevant paintings, offering a Courbet was a crucial precursor of modernism who broke with the conventions of traditional academic train- 09/07/14–01/18/15 uniquely practical analysis of the ways in which Cézanne transformed reality into art. Since the ing. Featuring self-portraits, representations of women and pictures of grottos and seascapes, this volume original publication of this volume, new sites have been discovered—the result of scrutinizing highlights Courbet’s innovative implementation of color and his strategic use of ambiguity. Other themes in- collections of contemporaneous photographs and land registry records. These discoveries have clude his break with French academic tradition, the development of Realism in art, his revolutionary impasto COMPANION READER added considerably to our knowledge of Cézanne’s movements and have even helped to date painting technique and his playful treatment of traditional motifs and symbols. Courbet’s famous painting Gustave Courbet: Art to Read Series his paintings more precisely. The new photographs, which range from postcards from the “L’origine du monde” is at the heart of the book and exhibition. Made in 1866, the painting was for decades 9783775738774 artist’s time or the author’s own color photographs, allow for a richer and better informed con- the unknown masterpiece of the nineteenth century—a work that few saw at the time but which everyone Pbk, U.S. | CDN $25.00 sideration of Cézanne’s oeuvre. In light of those discoveries, Machotka has rewritten the previ- discussed, and which retains its provocativeness even today. Courbet’s landscapes—depicting the springs, Hatje Cantz ous edition to offer a fresh, rich view of Cézanne’s artistic aims and accomplishments. While caves, steep limestone cliffs and the forests of Jura around Ornans, where he was born—are often com- there are a number of books that focus on this important artist’s landscape work, none is as bined with representations of the female nude, uniting sexuality and nature in a fascinating equilibrium. ALSO AVAILABLE closely informed by painterly perception or as exacting in its analysis as this one. Other canvases center on the impenetrable darkness of mountain caves (showing Courbet to have been a Odilon Redon 9783775737531 master of suggestion), and snowscapes. ARBOR VITAE Hbk, U.S. | CDN $75.00 9788074670497 U.S. | CDN $ 50.00 Hatje Cantz Hbk, 12 x 9.75 in. / 224 pgs / 154 color. August / Art

72 artbook.com artbook.com 73 PREVIOUSLY ANNOUNCED TheMorbidAnatomyAnthology Edited by Joanna Ebenstein, Colin Dickey. Text by Chiara Ambrosio, Stephen T. Asma, Zoe Beloff, Elizabeth L. Bradley, Simon Chaplin, Mark Dery, Colin Dickey, Caitlin Doughty, Joanna Ebenstein, Richard Faulk, Kate Forde, Mel Gordon, Richard Harris, Amy Herzog, Amber Jolliffe, Vadim Kosmos, Paul Koudounaris, Ross MacFarlane, Dániel Margócsy, Evan Michelson, Pat Morris, Salvador Olguín, David Pescovitz, Carl Schoonover, Daniel K. Smith, Shannon Taggart, Ronni Thomas, John Troyer. With a new building opening in spring 2014, Brooklyn's Morbid Anatomy Museum has hosted some of the best scholars, artists and writers working along the intersections of the history of anatomy and medicine, death and the macabre, religion and spectacle. The Morbid Anatomy Anthology collects some of the best of this work in 28 lavishly illustrated essays. Included are essays by Evan Michelson (star of Science Channel’s hit ElizabethI& GeorgeCatlin: show Oddities) on the catacombs of Palermo; Simon Chaplin (head of the Wellcome Li- brary in London) on public displays of corpses in Georgian England; mortician Caitlin herPeople AmericanIndian PREVIOUSLY ANNOUNCED unityofNature Doughty on demonic children; and Paul Koudounaris (author of Empire of Death) on a Text by Tarnya Cooper, Ian W. Portraits truck stop populated with human skulls. In addition are pieces on books bound in human Archer, Lena Cowen Orlin. Alexandervonhumboldt TheGettysburg Text by Stephanie Pratt, skin, death-themed cafes in fin-de-siècle Paris, post-mortem photography, eroticized The reign of Queen Elizabeth I, andtheAmericas Joan Carpenter Troccoli. Addressby anatomical wax models, taxidermied humans and other animals, Santa Muerte, “artist of which spanned more than 40 This book showcases works from Edited by Gabriela Rangel, Christina De León. Text by Wenzel AbrahamLincoln death” Frederik Ruysch, and much more. years, was a time of economic sta- George Catlin’s (1796–1872) Indian Bilger, Georgia de Havenon, Pablo Though only 272 words long, MORBID ANATOMY PRESS bility, with outstanding successes Gallery, repositioning this remark- Diener, Katherine Manthorne, et al. Abraham Lincoln’s legendary 9780989394307 U.S. | CDN $ 30.00 in the fields of maritime explo- ALSO AVAILABLE able artist for a contemporary audi- The intrepid Prussian explorer, sci- speech still resonates as one of Clth, 6 x 8.5 in. / 491 pgs / 108 color / 64 b&w. ration and defense, a huge expan- ence. The authors explore the entist, diplomat and author Alexan- Available /Popular Culture/Art The Sick Rose the world’s great statements on 9781938922404 sion in trade, the creation of new der von Humboldt (1769–1859) origins of Catlin’s achievement: his human equality, and has long been Hbk, U.S. | CDN $35.00 industries, a rise in social mobility ambition to record what he be- was reputedly the second best- a cornerstone in the political dis- D.A.P./Distributed Art and the development of an extraor- lieved to be dying cultures, and his known person in early nineteenth- course of democracy. In this book, Publishers, Inc. dinary literary culture. Elizabeth I & collecting activities, educational in- century France (Stephen Jay Gould the text of the speech is featured Her People explores the stories of tentions and methods of exhibition describes him as “probably the alongside Abraham Byers’ those individuals whose achieve- and display, which demonstrate world’s most famous and influen- ambrotype portrait of Abraham ments brought about these the growth of a new sensibility to- tial intellectual [of his time]”), yet Lincoln (1858) and the Gettysburg ThejourneysofCasanova changes, as well as giving a fasci- wards native peoples. Stephanie he is little known in the US today. battlefield glass negative photo- Text by Marco Carminati. nating glimpse into their way of life Pratt provides an overview of the From 1799 to 1804, Humboldt tra- graph “A Harvest of Death” by Having lived in cities including Vienna, Paris, Rome, London, Berlin, St. Petersburg through accessories and artifacts. important historical events affect- versed about 6,000 miles, journey- Timothy H. O’Sullivan, then a and Madrid, Giacomo Casanova (1725–1796) could be described as the first The book features portraits of the ing native Americans in the 1820s ing through the Spanish American 23-year-old field photographer cosmopolitan. On his tireless jaunts through eighteenth-century Europe, he not Queen and her courtiers, including and 1830s, while Joan Carpenter colonies (modern-day Venezuela, working for the printer Alexander only encountered the beautiful and erotic but also powerful figures and artists of his explorers such as Francis Drake Troccoli examines the life and art Colombia, Ecuador, Peru, Mexico Gardner. Beautifully printed with time. Whether Voltaire, Benjamin Franklin, Frederick the Great, Johann Joachim and Martin Frobisher, statesmen of Catlin from the 1820s through and Cuba) to observe nature in the French folds, the publication in- Winckelmann, or (probably) even Mozart, Casanova knew them all. This large-format and soldiers, and portraits of the the period of his European tours of “torrid zone,” and later published cludes a letterpress front plate and illustrated volume follows in the footsteps of the well-known libertine and couples Queen’s female courtiers. From the the 1840s and 1850s. The book some 30 volumes about his travels. a colophon insert held in a glassine passages from his memoirs, remarkable in so many aspects, with magnificent early mid-sixteenth century, interest in also includes an examination of the This catalogue traces the breadth sleeve. This elegant and simple photographs and charming hand-colored book illustrations. Although it was not until portraiture broadened as members creation and reception of the In- of Humboldt’s influence through keepsake is published just prior nearly a century later that photography’s first pioneers roamed the alleys of Venice of a growing wealthy middle class dian Gallery. Reproductions of painting and objects, including to the television premiere of The or attempted to capture the flair of Paris, these contemporary documents give an sought to have their likenesses pages from Catlin’s sketchbooks work by Albert Bierstadt, Adela Address, the long-planned Ken impression of the wonders that the great seducer encountered on his Grand Tour. captured for posterity. The book Breton, Norton Bush, Frederic and ephemera demonstrate how Burns PBS documentary centered HATJE CANTZ includes lesser-known images of the Indian Gallery was toured over- Edwin Church, George Catlin, Mar- on the Greenwood School of 9783775738576 U.S. | CDN $ 150.00 Elizabethan merchants, lawyers, seas, and some of the items Catlin tin Johnson Heade, Louis Rémy Putney, Vermont, where students Hbk, 13 x 19 in. / 128 pgs / 50 color. goldsmiths, butchers, calligra- September / Photography/Art/Literature collected in the field. Mignot, Thomas Moran, Johann are encouraged to memorize and phers, playwrights and artists. Moritz Rugendas and Mark Dion. NATIONAL PORTRAIT GALLERY recite the Gettysburg Address— NATIONAL PORTRAIT GALLERY 9781855144576 U.S. | CDN $ 49.95 KERBER a goal that Burns and PBS have 9781855144651 U.S. | CDN $ 55.00 Hbk, 9.05 x 10.25 in. / 192 pgs / 9783866789395 U.S. | CDN $ 50.00 challenged Americans, and partic- ALSO AVAILABLE Japanese Dream Hbk, 9.25 x 11.25 in. / 224 pgs / 100 color. Hbk, 7.5 x 10.5 in. / 168 pgs / Grand Tour: A Photographic ularly students, to undertake. 9783775734370 100 color. August/ Art 70 color / 3 b&w. Journey Through Goethe’s Clth, U.S. | CDN $150.00 August/ Art August/Art T. ADLER BOOKS Italy Hatje Cantz 9781938922473 U.S. | CDN $ 14.00 9783775736183 EXHIBITION SCHEDULE Hbk, 5 x 7 in. / 6 pgs / 2 quadratone. Hbk, U.S. | CDN $150.00 New York: Americas Society, Available / History Hatje Cantz 04/29/14–07/26/14 74 artbook.com artbook.com 75 ThePhysiologyoftheEmployee TheCreator byhonorédebalzac. byMynona. Introduction and translation by André Naffis-Sahely. Illustrations by Louis Joseph Trimolet. Foreword and translation by Peter Wortsman. Afterword by Detlef Thiel. Illustrations by Alfred If Honoré de Balzac’s Treatise on Elegant Living addressed one crucial pillar of modernity—the “mode” Kubin. itself, fashion—his Physiology of the Employee examines another equally potent cornerstone to the mod- Billed by its author—the pseudonymous Mynona (German for “anonymous” backward)—as “the ern era: bureaucracy, and all of the cogs and wheels of which it is composed. Long before Franz Kafka most profound magical experiment since Nostradamus,” The Creator tells the tale of Gumprecht described the nightmarish metaphysics of office bureaucracy, Balzac had undertaken his own exploration Weiss, an intellectual who has withdrawn from a life of libertinage to pursue his solitary philosophi- of the dust-laden, stifling environment of the paper-pusher in all of his roles and guises. “Bureaucracy,” cal ruminations. At first dreaming and then actually encountering an enticing young woman named as he defined it: “a gigantic power set in motion by dwarfs.” In this guidebook, published for mass con- Elvira, Weiss discovers that she has escaped the clutches of her uncle, the Baron, who has been sumption in 1841, Balzac’s classic theme of melodramatic ambition plays itself out within the confined, using her as a guinea pig in his metaphysical experiments. But the Baron catches up with them and unbreathable space of the proto-cubicle, filtered through the restricted scale of the pocket handbook. persuades Gumprecht and Elvira to come to his laboratory, to engage in an experiment to bridge The template for such later novels such as The Bureaucrats, and one of the first significant texts to grap- the divide between waking consciousness and dream by entering a mirror engineered to bend and ple with the growing role of the bureaucrat, this physiology reads like a birding field guide in its presenta- blend realities. Mynona’s philosophical fable was described by the legendary German publisher tion of the various classifications of the office employee, from the Intern to the Clerk (all ten species, Kurt Wolff as “a station farther on the imaginative train of thought of Hoffmann, Villiers, Poe, etc.,” from Dapper to Bootlicker to Drudger) to Office Manager, Department Head, Office Boy and Pensioner. when it appeared in 1920, with illustrations by Alfred Kubin (included here). With this first English- The job titles may change over the years, and paper-pushing has perhaps evolved into email-forwarding, language edition, Wakefield Press introduces the work of a great forgotten German fabulist. but the taxonomy remains the same. In our twenty-first-century crisis of employment, jobs continue to Mentioned in his day in the same breath as Kafka, Mynona, aka Salomo Friedlaender (1871–1946), be themselves a form of currency, and the question continues to loom: when will it be quitting time? was a perfectly functioning split personality: a serious philosopher by day (author of Friedrich Nietzsche: An Intellectual Biography and Kant for Children) and a literary absurdist by night, who WAKEFIELD PRESS composed black humored tales he called Grostesken. His friends and fans included Martin Buber, 9781939663047 U.S. | CDN $ 13.95 Pbk, 4.5 x 7 in. / 160 pgs / 55 b&w. Walter Benjamin and Karl Kraus. September / Nonfiction & Criticism WAKEFIELD PRESS 9781939663078 U.S. | CDN $ 13.95 Pbk, 4.5 x 7 in. / 160 pgs / 1 color / 18 b&w. ALSO AVAILABLE Pybrac Flametti, or The Dandyism October /Literature Treatise on Elegant 9781939663023 of the Poor Living Pbk, U.S. | CDN $13.95 9781939663030 9780984115501 Wakefield Press Pbk, U.S. | CDN $17.95 Pbk, U.S. | CDN $12.95 Wakefield Press Wakefield Press

TheEmperorofChina,TheMuteCanary& TheDeathInstinct TheExecutionerofPeru byjacquesMesrine. byGeorgesRibemont-Dessaignes. Introduction by Robert Greene. Translation by Robert Greene, Catherine Texier. Introduction and translation by Christopher Butterfield. France’s Public Enemy Number One from the late 1960s to the end of the 1970s—when he was This volume collects three savage plays from the man André Breton designated as one of the only killed by police in a sensational traffic shootout—Jacques Mesrine (1936–1979) is the best-known “true Dadas” (alongside Tristan Tzara and Francis Picabia): The Emperor of China (1916), The Mute criminal in French history. Mesrine was notorious both for his violent exploits and for the media at- Canary (1920) and The Executioner of Peru (1928). The first two have long been acknowledged as tention he attracted, and he remains very much a public media figure in France and Europe. In 2008 highpoints in the Dada movement’s contribution to the theater, but in their brutal depictions of there were two feature-length films based on his life, one of them starring Vincent Cassel in the lead violent sexuality and nightmarish tyranny, and their casts of manipulative bureaucrats, murderous role. Mesrine wrote The Death Instinct while serving time in the high-security prison La Santé; the henchmen, insane dictators, lascivious virgins, Ubuesque cuckolds and nonsense-spewing enigmas, manuscript was smuggled out of the prison and was later published by Guy Debord’s publisher these plays also echo the work of such other dissident surrealists of the era as Georges Bataille and Gérard Lebovici (who briefly adopted Mesrine’s daughter, Sabrina, before being assassinated, a few André Masson. These unsettling theatrical works were significant anticipations of Antonin Artaud’s years after Mesrine). The Death Instinct deals with the early years of Mesrine’s criminal life, includ- Theater of Cruelty and the Theater of the Absurd of the 1960s. ing a horrifically graphic description of a murder he committed early on in his career and a highly Georges Ribemont-Dessaignes (1884–1974) was a French writer and artist, and one of the fiercest detailed account of the workings of the French criminal underworld—making this book perhaps one adherents of the Paris Dada movement, acting as the group’s secretary, and for which he authored of the most intriguing and detailed anthropological studies of a criminal culture ever written. some of its most vitriolic texts. Disenchanted with the Surrealist movement that followed, Ribemont- TAMTAM BOOKS Dessaignes allied himself instead with such other Surrealist dissidents as René Daumal and the 9780966234688 U.S. | CDN $ 16.95 Grand Jeu. Throughout his long life, Ribemont-Dessaignes authored a sizable oeuvre of novels, Pbk, 6.75 x 9 in. / 325 pgs. November /Biography/True Crime plays, poetry, essays and memoirs, none of which has to date been translated into English.

WAKEFIELD PRESS 9781939663054 U.S. | CDN $ 17.95 Pbk, 6 x 9 in. / 264 pgs / 1 b&w. October / Literature/Performing Arts

76 artbook.com artbook.com 77 Semmelweis byLouis-FerdinandCéline. Introduction by Philippe Sollers. Translation by John Harman. Louis-Ferdinand Céline (1894–1961) is best known for his early novels Journey to the End of the Night (1932)—which Charles Bukowski described as the greatest novel of the past 2,000 years—and Death on the Installment Plan (1936), but this delirious, fanatical “biography” pre- dates them both. The astounding yet true story of the life of Ignacz Semmelweis provided Cé- line with a narrative whose appalling events and bizarre twists would have lain beyond credibility in a work of pure fiction. Semmelweis, now regarded as the father of antisepsis, was Longingforthe the first to diagnose correctly the cause of the staggering mortality rates in the lying-in hospital Past at Vienna. However, his colleagues rejected both his reasoning and his methods, thereby caus- The78rpmErain ing thousands of unnecessary deaths in maternity wards across Europe. This episode, one of SoutheastAsia the most infamous in the history of medicine, and its disastrous effects on Semmelweis him- Edited by David Murray. Text by self, are the subject of Céline’s semi-fictional evocation, one in which his violent descriptive ge- Jason Gibbs, David Harnish, Terry nius is already apparent. The overriding theme of his later writing—a caustic despair verging E. Miller, David Murray, Tan Sooi Edgewise: Beng, Kit Young. on disgust for humanity—finds its first expression here, and yet he also reveals a more com- AbookofGlyphs ArcanaVII: When American and European passionate aspect to his character. Semmelweis was not published until 1936, after the novels APictureof byEdwardSanders. Musicianson record companies began recording that made Céline famous. “It is not every day we get a thesis such as Céline wrote on Semmel- CookieMueller A Book of Glyphs is a facsimile Music music in Southeast Asia, their goal weis!” wrote Henry Miller of this volume. byChloéGriffin. reproduction of legendary author, Edited and with preface by John was simply to create markets for ATLAS PRESS Contributions by John Waters, musician and Fugs founder Ed Zorn. new phonograph machines. In Mink Stole, Gary Indiana, et al. 9781900565479 U.S. | CDN $ 15.95 Sanders’ first book-length work John Zorn’s acclaimed Arcana se- doing so, they created a rich histor- Pbk, 6 x 6.75 in. / 110 pgs. Cookie Mueller (1949–1989) was of glyphs, which he created in ries, now in its seventh installment, ical archive of beautiful music that July / Literature a firecracker, a cult figure, a wild Florence, Italy in 2008, using is a major source on new music has been vastly underexplored and child, a writer, a go-go dancer, a colored pencils and a small sketch- ALSO AVAILABLE Aurora and Cardinal theory and practice in the twenty- barely studied. Longing for the mother and a queer icon. A child Three New York Dadas Point book. Though each piece stands first century. The most varied col- Past is the first-ever survey of the of suburban 1950s Maryland, she and The Blind Man 9781900565462 on its own, collectively the 72 lection to date, Arcana VII includes 78 rpm record era in Southeast 9781900565431 Hbk, U.S. | CDN $25.95 made her name first as an actress glyphs convey, with characteristic personal essays by New Music Asia. A kaleidoscopic collection Hbk, U.S. | CDN $26.95 Atlas Press in the films of John Waters, and humility and humor, many of the Atlas Press luminaries Pat Metheny, Bryce featuring four CDs with 90 tracks then as an art critic and columnist, themes explored by Sanders over Dessner, Irvine Arditti, Thurston of music from 1905 to 1966, this a writer of hilarious stories and a his long and diverse career, includ- Moore, Kenny Werner, Eugene beautifully produced 272-page vol- maven of New York’s downtown ing history, myth, activism and Chadbourne and David Krakauer ume includes essays and annota- art world. Edgewise tells the story pacifism. The glyph—“a drawing alongside articles on musical tions by ethnomusicologists, along AMammal’sNotebook:TheWritingsofErikSatie of Cookie’s life through an oral that is charged with literary, emo- theory and practice by veterans with more than 250 vintage photo- Edited and with introduction by Ornella Volta. Translation by Antony Melville. history composed of more than tional, historical or mythic and po- Joe Morris, Matt Shipp, Ben graphs, record labels and sleeves. This is the largest selection, in any language, of the writings of Erik Satie (1866–1925). 80 interviews with the people who etic intensity”—has been a Goldberg, Ches Smith, George Illustrations include photographs Although once dismissed as an eccentric, Satie has come to be seen as a key influence on knew her, including John Waters, dimension of Sanders’ poetry since Steel, Billy Martin, Hilda Paredes of musicians from the countries modern music, and his writings reveal him as one of the most beguiling of absurdists, in the Mink Stole, Gary Indiana, Sharon 1962; he cites Zen rock gardens, and Gloria Coates and insightful covered, which range from Burma, mode of Lewis Carroll or Edward Lear—but with a strong streak of Dadaism (a movement in Niesp, Max Mueller, Linda the markings on Egyptian tombs new views by younger musicians Indonesia, Laos, Thailand and which he participated). The nonconformism of Satie’s private life seems deliberately calculated: Yablonsky, Richard Hell, Amos and the typographic designs in Chris Otto, James Moore, Theresa Vietnam to Singapore, Cambodia he assumed various personae at different periods of his life, from the mystical “velvet gentle- Poe and Raymond Foye. The John Cage’s writings as influences Wong, Shanir Blumenkranz, and Malaysia. The nearly 100 man” to the Dadaist disguised as quizzical bureaucrat. His poignant, sly and witty writings contributors take us from the in the development of the form. Jay Campbell, Du Yun, James tracks range from Laotian classical embody all of his contradictions. Included here are his “autobiographical” ”Memoirs of an late-1960s artist communes of Sanders’ name for the original Ilgenfritz, Chuck Bettis, Aya music, Vietnamese opera and Amnesic”; gnomic annotations to his musical scores (“For the Shrivelled and the Dimwits, I Baltimore to 1970s Provincetown notebook is “Smile-Book of Grace- Nishina and many others. A kalei- Cambodian monks to Khmer clas- have written a suitably ponderous chorale … I dedicate this chorale to those who do not like and New York, through 1980s Joy,” which aptly describes the doscope of manifestoes, scores, sical selections, Buddhist sermons me”); the publications of his private church; his absurdist play Medusa’s Snare; advertising Berlin and Positano. Along with the range of concerns explored in interviews, critical papers, musical from Laos and folk opera and copy for his local suburban newspaper; and the mysterious, calligraphed “private advertise- text, Edgewise includes artwork, this important and joyful work. studies, rants and more, Arcana piphat ensembles from Thailand. ments” found stuffed behind his piano after his death. Satie referred to himself as “a man unpublished photographs and GRANARY BOOKS, INC. VII is a fascinating compendium in the manner of Adam (he of Paradise)” and added: “My humor is reminiscent of Cromwell’s. archival material and photography DUST-TO-DIGITAL 9781887123815 U.S. | CDN $ 24.95 from first word to last. 9781938922572 U.S. | CDN $ 65.00 I am also indebted to Christopher Columbus, as the American spirit has sometimes tapped by Philip-Lorca diCorcia, David Pbk, 4 x 6 in. / 168 pgs / 73 color. Slip, Hbk, 10 x 6.75 in. / 272 pgs / HIPS ROAD/TZADIK me on the shoulder, and I have joyfully felt its ironically icy bite.” He died as he lived: “without Armstrong, Robert Mapplethorpe, July / Poetry/Artists' Books 143 color / 90 b&w / 39 duotone / 9780978833749 U.S. | CDN $ 34.95 quite ceasing to smile.” Peter Hujar and others. 4 audio CDs. Pbk, 6.5 x 10 in. / 348 pgs / July /Music/Asian Art & Culture 156 b&w. ATLAS PRESS BBOOKS VERLAG 9781900565660 U.S. | CDN $ 35.00 9783942214209 U.S. | CDN $ 24.95 October / Music Hbk, 6.75 x 9 in. / 224 pgs / 153 b&w. Pbk, 6 x 9 in. / 336 pgs / 230 b&w. July / Music/Nonfiction & Criticism September / Art/Gay & Lesbian Studies

78 artbook.com artbook.com 79 NYCMakers:The2014MADbiennial Sunrisetohigh-Rise Edited with text by Jake Yuzna. Text by Glenn Adamson, Travis Chamberlain, Karen Finley, AWallbookofArchitectureThroughtheAges K-Hole, Fran Lebowitz, Douglas Rushkoff, Timotheus Vermeulen, Robin van den Akker. Illustrations by Lucy Dalzell. This publication traces the curatorial methodology behind the Museum of Arts and Design This large concertina book forms a timeline of global architecture through the ages, starting in the Stone (MAD)’s institution-wide exhibition, NYC Makers: The 2014 MAD Biennial. Marking a new Age, and ending in the twenty-first century. More than 60 buildings, meticulously pencil-drawn by Lucy chapter for the Museum, NYC Makers surveys the work of approximately 100 twenty-first- Dalzell in her inimitable intricate and warm style, are included here, among them the Leaning Tower of century makers who have flattened traditional hierarchies and escaped rigid categories of Pisa, the Taj Mahal, Cologne cathedral, La Sagrada Familia, the Chrysler Building, Fallingwater, Seoul production through post-disciplinary practices as well as innovative application of skill and Tower, Centre Pompidou, Guggenheim Bilbao, Burj Khalifa and the World Trade Center. Short texts (in technique. From world-renowned cultural leaders to emergent enfants terribles, those in- neon print) identify each building and describe its architectural significance. The book features a grey- cluded demonstrate the highest level of skill in their respective field, whether by fabricat- board cover, and is printed on dense stock that can be opened out and refolded without damage. It can ing furniture or fashion, creating artworks, cinema and architecture, inventing new also be hung on a wall like a mural, or read as a conventional book. Sunrise to High-Rise makes a beauti- possibilities for food, or reshaping educational and social gatherings. Marking a unique ful gift book for architecture and illustration enthusiasts and their young ones. moment in time as the museum and the city are reshaped by the cultural production of CICADA these inventive individuals living and working within a single city, this publication acts as a 9781908714183 U.S. | CDN $ 19.95 process book for NYC Makers: The MAD Biennial by combining analysis and comments on Hbk, 10.25 x 12 in. / 20 pgs / 30 color. culture within New York, transparent documentation of the September /Children’s/Architecture curatorial process, as well as plates from the 100 makers in the exhibition.

MUSEUM OF ARTS AND DESIGN 9781890385293 U.S. | CDN $ 45.00 Flexi, 9.5 x 11 in. / 352 pgs / illustrated throughout. July / Design & Decorative Arts Evolution EXHIBITION SCHEDULE AColoringbook New York: Museum of Arts and Design, 07/01/14–10/12/14 byAnnuKilpelainen. Evolution: A Coloring Book is a playbook on the subject of natural evolution that expands the traditional conventions of coloring books and invites readers to immerse themselves in the interactive elements of the book. In addition to coloring the pages, there are stencils, a map of Pangea that can be opened, dinosaur eggs that hatch, fossils hiding inside rocks and pages that can be mixed and matched to create hybrid images. Accessible to readers of all ages, Evolution also boasts tactile features, such as flaps to lift and die-cut holes. Text on each page explains the con- TheRoadCyclist’sCompanion cepts of natural selection and describes the evolution of life. Printed on heavy Edited with text by Peter Drinkell. card, beautifully packaged and featuring Finnish illustrator Annu Kilpelainen’s dex- As the inexorable rise of the bicycle continues, many casual cyclists are moving into a more se- terous use of pattern and detail, this is a great gift book on a fascinating subject. rious brand of cycling, riding in road races, groups or in cycle clubs—and stumbling straight CICADA into a minefield of etiquette. From how to wear your socks, to the position of your tan-line, to 9781908714169 U.S. | CDN $ 19.95 the eternal quandary of leg-shaving, there are things that any serious cyclist should know. The Pbk, 8.75 x 12 in. / 32 pgs / 1 color / 30 b&w. Road Cyclist’s Companion covers all this and more. Divided into chapters covering kit, bike, September /Children’s/Science group riding and training, it imparts all the essential knowledge that those who have grown up in clubs instinctively know. Peter Drinkell, author of The Bike Owner’s Handbook, writes clear, Stína accessible text, which is accompanied by beautiful photography and illustration. Interviews byLaniYamamoto. with pro-cyclists, clothing designers and established figures in the field add further attractions Stína, by award-winning author and illustrator Lani Yamamoto, tells a heart-warming story of friendship for the true enthusiast. and love amid the cold of winter. Those who live in cooler climates, like the acclaimed author herself,

CICADA BOOKS know all too well the energy and ingenuity that goes into staying warm during the coldest months. In the 9781908714121 U.S. | CDN $ 24.95 quirky but realistic world of Stína, the titular character thinks up brilliant invention after brilliant invention Hbk, 5.75 x 8.5 in. / 144 pgs / 200 color / 100 b&w. to stay clear of the chilly outside world. She soon realizes, though, that to keep warm will take more than July / Sports & Recreation ingenuity, logic and science—it takes action and friendship. Stína has won multiple awards in Iceland and was also nominated for the prestigious Nordic Council Literature Award as one of the best Scandinavian children’s books.

CRYMOGEA ALSO AVAILABLE 9789935420428 U.S. | CDN $ 15.00 The Bike Owner’s Clth, 6.5 x 8 in. / 48 pgs / 15 color. Handbook October /Children’s/Art 9780956205384 Flexi, U.S. | CDN $14.95 Cicada Books

80 artbook.com artbook.com 81 badLuck,hotRocks:Towarda GeologicConscience ConscienceLettersandPhotographsfromthePetrified Forest Edited by Ryan Thompson, Phil Orr. Photographs by Ryan Thompson. The Petrified Forest National Park in Northeast Arizona protects one of the largest deposits of petrified wood in the world. Despite stern warnings, visitors remove several tons of petrified wood from the park each year, often returning these rocks by mail (sometimes years later), accompanied by a “conscience letter.” These letters often include stories of misfortune attributed directly to their theft: car troubles, cats with cancer, deaths of family members, etc. Some writers hope that by returning these stolen rocks, good for- tune will return to their lives, while others simply apologize or ask forgiveness. “They are beautiful,” reads one letter, “but I can’t enjoy them. They weigh like a ton of bricks on my conscience. Sorry….” Bad Luck, Hot Rocks documents this ongoing phenomenon, combining a series of original photographs of these otherworldly “bad luck rocks” with facsimiles of intimate, oddly entertaining letters from the park’s archives.

THE ICE PLANT 9780989785914 U.S. | CDN $ 39.95 Pbk, 7.5 x 10.25 in. / 144 pgs / 140 color. October /Artists' Books

A children’s art book that all ages will enjoy

ThisEqualsThat byjasonFulford,TamaraShopsin. BACK IN PRINT Aimed at children ages five and up, this clever and surprising picture book by artists and collaborators, Jason Fulford and Tamara Shopsin, takes young viewers on a whimsical journey while teaching them jasonFulford:hotelOracle associative thinking and visual language, as well as colors, shapes and numbers. Through a simple Edited by Lorenzo De Rita. Text by Jason Fulford. narrative and a rhythmic sequence of photographs, the book generates multiple meanings, making the ”My neighbor June believes in Zeus” is the arresting opening sentence of Jason Fulford’s latest photo experience of reading the book interactive—parent and child must ask questions and come up with their book. At once humorous and full of reverence, Hotel Oracle is a sustained visual meditation on the cos- own answers, drawing on the child’s imagination. Each spread presents a new relationship that changes mos—what constitutes it, what its future might be and how to reconcile the world of the supernatural and shifts as the book unfolds, with the last picture relating again to the first, forming a circle. Through with the world of the 99-cent store. Fulford’s photos of everyday scenes and people search out the clues playful and inspired sequencing, everyday scenes are transformed into a game of pairs, enjoyable for and signs of the prophetic and the numinous, readily mingling them with the banal and the preposterous. adults and children alike. The pictures in Hotel Oracle were taken in the US, Canada, Italy, Greece, the Czech Republic, Poland, Jason Fulford (born 1973) is a photographer and cofounder of the nonprofit J&L Books. He is a contribut- South Korea, Japan, Hungary, India, Bermuda and Germany. Fulford is a photographer, cofounder of ing editor at Blind Spot and a frequent lecturer at universities. His monographs include Sunbird (2000), J&L Books and a contributing editor to Blind Spot magazine. His books include Sunbird (2000), Crushed APERTURE Crushed (2003), Raising Frogs for $$$ (2006), The Mushroom Collector (2010) and Hotel Oracle (2013). (2003), Raising Frogs For $ $ $ (2006) and The Mushroom Collector (2010). Limited stock available. 9781597112888 U.S. | CDN $ 19.95 Tamara Shopsin (born 1979) is a graphic designer and illustrator whose work has been featured in Hbk, 7.75 x 7.75 in. / 80 pgs / 40 color. THE SOON INSTITUTE The New York Times, Good, Time, Wired and Newsweek. She is the author of Mumbai New York Scranton Jason Fulford: Raising Frogs September / Photography/Children’s 9789081058452 U.S. | CDN $ 65.00 for $ $ $ and designer of 5 Year Diary. She is also a cook at her family’s restaurant, Shopsin’s, in New York. Hbk, 7.75 x 9.5 in. / 144 pgs / 80 color. 9780977648115 June / Photography Hbk, U.S. | CDN $35.00

The Ice Plant

82 artbook.com artbook.com 83 Now in paperback, from The Museum of Modern Art, New York

NOW IN PAPERBACK NOW IN PAPERBACK henriMatisse:TheCut-Outs bioDesign Edited by Karl Buchberg, Nicholas Cullinan, Jodi Hauptman. Text by Nature+Science+Creativity Samantha Friedman, Flavia Frigeri, Markus Gross, Stephan Lohrengel, Edited with text by William Myers. Foreword by Nicholas Serota. Paola Antonelli. Published in conjunction with the most comprehensive exhibition ever devoted First published in 2012 to wide acclaim for its to the paper cut-outs Henri Matisse made from the early 1940s until his death timely focus on the nascent movement of design- in 1954, this paperback edition presents approximately 150 works in a ground- ing with living organisms, Bio Design is now breaking reassessment of the artist’s colorful and innovative final chapter. The available in paperback as an inspiring resource result of new research by conservators and curators, the catalogue explores a for designers, architects, engineers and students. host of technical and conceptual issues: the artist’s methods and materials and Featuring 73 projects at the intersection of biol- the role and function of the works in his practice; their economy of means and ogy and design, it surveys artworks, prototypes exploitation of decorative strategies; their environmental aspects; and their and architectural concepts that harness living double lives, first as contingent and mutable in the studio and ultimately made materials and processes, presenting bio-inte- permanent, a transformation accomplished by mounting and framing. Richly grated approaches to achieving sustainability, illustrated to present the cut-outs in all of their vibrancy and luminosity, the new innovations enabled by biotechnology, and book includes an introduction and a conservation essay that consider the provocative experiments that deliberately illus- cut-outs from new theoretical and technical perspectives, and five thematic trate the dangers and opportunities of manipulat- essays, each focusing on a different moment in the development of the cut- ing life for human ends. Ranging from fabrics and out practice, that provide a chronicle of this radical medium’s unfolding. Period “concrete” made from bacteria to arbor-architec- photographs show the works in progress in Matisse’s studio. ture, these projects are now more pertinent than One of modern art’s towering figures, Henri Matisse (1869–1954) was a ever. By examining how this new phenomenon painter, draftsman, sculptor and printmaker before turning to paper cut-outs in fits into the history of architecture, art, and indus- the 1940s. From the clashing hues of his Fauvist works, made in the South of trial design, William Myers contextualizes the France in 1904–5, to the harmonies of his Nice interiors from the 1920s to this shift toward bio design through comparisons to brilliant final chapter, Matisse’s career followed a path that he described as previous historic transitions in art and design “construction by means of color.” practices, clarifying its implications for the future. THE MUSEUM OF MODERN ART, NEW YORK THE MUSEUM OF MODERN ART, NEW YORK 9780870709487 U.S. | CDN $ 45.00 9780870709524 U.S. | CDN $ 29.95 Pbk, 9 x 10.5 in. / 300 pgs / 314 color. Pbk, 8.25 x 10 in. / 288 pgs / 400 color. October/ Art October /Design & Decorative Arts/Sustainability

EXHIBITION SCHEDULE London: Tate Modern, 04/17/14–09/07/14 New York: The Museum of Modern Art, 10/25/14–02/08/15

ALSO AVAILABLE Henri Matisse: The Cut-Outs 9780870709159 Hbk, U.S. | CDN $60.00 The Museum of Modern Art, New York

84 artbook.com artbook.com 85 JOURNALS

Esopus21 PREVIOUSLY ANNOUNCED PREVIOUSLY ANNOUNCED Edited by Tod Lippy. ApologyMagazine:No.4 AdultMagazineNo.2 Esopus 21 includes artists’ projects by Stephen Edited by Jesse Pearson. Adult is a magazine of new erotics. Through Eichhorn, Penny McCarthy, Thomas Nozkowski Apology is a quarterly-ish magazine of art, fic- photography, conversation, art, criticism, essays and Leslie Wayne; an essay on the design of tion, games, humor, essays, interviews, journal- and original reporting, it returns to the first the 9/11 Memorial by architect Michael Arad; ism and photography. Founded and edited by meaning of “radical”—the roots of things, poems by Chantal Bizzini; a new installment former Vice magazine editor-in-chief and index traced below the skin. “The first issue reads as of the “Modern Artifacts” series, copresented magazine editor Jesse Pearson, Apology is if Hustler married The Paris Review,” said New with the Museum of Modern Art Archives, and inspired in equal measure by The New Yorker York magazine, while The New Republic de- featuring documents related to the never-pub- under William Shawn’s editorship; 1980s and clared that “Adult hits its mark: it straddles the lished second issue of Possibilities (edited by 90s punk zines; the Encyclopedia Britannica, The mundane and the shocking in a way that feels Robert Motherwell and Harold Rosenberg); pho- People’s Almanac and MAD magazine. In its first natural.” The second issue explores what the tographer Dennis Stock’s images of the 1954 two issues, Apology published work by authors art critic Leo Steinberg called “the condition of world premiere of Judy Garland’s A Star Is Born; and artists such as John Ashbery, Bill Callahan, being deathbound and sexed,” and includes a an interview with playwright/filmmaker Kenneth Dan Colen, Roe Ethridge, Ryan McGinley, Eileen profile of the cult-film idol Udo Kier at home in Lonergan relating to his childhood fascination Myles, Raymond Pettibon, Richard Prince, Terry Palm Springs, an interview with the masterful with science fiction; pages from the late Richardson, Aurel Schmidt and many more. English painter Cecily Brown and a gorgeously Austrian artist Otto Meuhl’s sketchbook featur- Aiming to be “a general-interest magazine for reported feature on Satanism in the city ing drawings based on Cézanne paintings; and APERTURE ApertureMagazine people whose general interests aren’t general,” from journalist Katie Baker. Other contributors several perspectives on the African art collective Aperture216:Fashion Apology is “a sophisticated alternative to include poet Melissa Broder, writer and artist Invisible Borders: an essay by Emmanuel Iduma Edited by Michael Famighetti. 9781597112826 U.S. | CDN $ 24.95 sophomoric magazines and a sophomoric Molly Crabapple, porn star and writer Stoya, accompanied by a photographic portfolio; and Pbk, 9.25 x 12 in. / 128 pgs / illustrated Aperture magazine is a sophisticated guide to the world of contemporary photography that combines the alternative to sophisticated magazines ... a downloadable audio compilation of music throughout. author Stephanie LaCava, artist and writer finest writing with inspiring photographic portfolios. Relaunched in 2013, the new Aperture updates its and sounds curated by Emeka Okereke that August / Journals/Photography Readers can always count on entertaining Brad Phillips, novelist Catherine Lacey and 62-year-old mission as the world’s most vital photography magazine in print. Presenting fresh perspectives Aperture217:Lit and thought-provoking writing and art from more. Photographers include John Edmonds, relates to the collective’s 2012 road trip. accessible to the photo practitioner and the culturally curious alike, each issue examines one theme at the 9781597112833 U.S. | CDN $ 24.95 yesterday, today, and tomorrow.” Stacey Mark and Natasha Gornik; artists and ESOPUS FOUNDATION LTD. Pbk, 9.25 x 12 in. / 128 pgs / illustrated heart of contemporary photography, explored in two distinct sections: Words, focused on ideas, interviews 9780989911702 U.S. | CDN $ 20.00 APOLOGY MAGAZINE illustrators include Quentin Jones, Sam throughout. and debate, and Pictures, offering an immersive photographic experience of artists’ projects and series. Pbk, 9 x 11.5 in. / 176 pgs / 194 color. 9780985932633 U.S. | CDN $ 18.00 McKinniss, Mike Rinaldi and Mia Schwartz. November / Journals/Photography Columns include Studio Visit, The Collectors, Dispatches, Object Lessons and What Matters Now. June /Journals Pbk, 6.5 x 9.5 in. / 200 pgs / illustrated throughout. The magazine is edited by Sarah Nicole Prickett Fall 2014: Fashion, produced in collaboration with esteemed fashion photography duo Inez van Lamsweerde October / Journals and creative-directed by Berkeley Poole. and Vinoodh Matadin, explores the role of image reference and quotation in fashion photography. The issue ALSO AVAILABLE showcases both contemporary and historical work, as well as key touchstones, including breakthrough ALSO AVAILABLE ADULT CONTENT ALSO AVAILABLE Aperture 215: São Paulo magazines and advertisements. Apology Magazine: No. 3 9780615914954 U.S. | CDN $ 20.00 Esopus 20 9781597112819 9780985932626 Pbk, 8.25 x 11 in. / 120 pgs / illustrated throughout 9780981574592 Pbk, U.S. | CDN $24.95 Winter 2014: Lit. considers the relationship between photography and literature, looking at writers who Pbk, U.S. | CDN $18.00 June / Journals/Erotica Pbk, U.S. | CDN $20.00 Aperture were also practicing photographers and contemporary photographers who investigate language or use Apology Magazine Esopus works of literature as springboards for their work.

86 artbook.com artbook.com 87 JOURNALS

blindSpot: ToiletPaper: Issue49 Calendar2015 Edited by Maurizio Cattelan, Cabinet54: Cabinet55:Love ParkettNo.95 OsmosMagazine: Edited by Dana Faconti. Pierpaolo Ferrari. Blind Spot has published some of Since its first issue in June 2010, Kenzine:VolumeII Edited by Sina Najafi. Edited by Bice Curiger. TheAccident Conjunctions:63, Issue05 today’s most renowned artists Toilet Paper has created a world Love was classically thought to Since 1984, Parkett has been an Edited by Maurizio Cattelan, Edited by Sina Najafi. SpeakingVolumes Edited by Cay Sophie Rabinowitz. working in the medium of photog- that displays ambiguous narratives Pierpaolo Ferrari, Humberto Leon, come in four distinct varieties— important source of literature on Though most often thought of in The Osmos brand was initiated 15 raphy as they were building their and a troubling imagination. It Carol Lim. agape (spiritual love), eros (physi- Edited by Bradford Morrow. prosaic terms—a spilled drink, a international contemporary art. careers—Adam Fuss, Vik Muniz, Kenzine is the exciting collabora- Conjunctions: 63, Speaking Vol- years ago with a project space in combines the vernacular of com- cal passion), philia (friendship) and Each biannual issue is a collabora- fender bender, a slip on an icy Berlin, and since then, with Osmos Doug & Mike Starn and James mercial photography with twisted tion between the magazine Toilet storge (familial affection). It might umes is a library of ideas on the street—the accident is a concept tion with four artists, in which their Welling appeared in the first Paper and the Parisian clothing line book as a portal of the imagina- Exhibitions, Osmos Books, Osmos narrative tableaux and surrealistic be argued that with modernity, one work is explored in fully illustrated with a long and complex philo- Magazine and the Osmos Preserve issue—and since its launch in imagery. The result is a publication Kenzo. Japanese designer Kenzo of these—eros—has come to dom- tion, a gateway of language and sophical pedigree. From Aristotle essays by leading writers and crit- 1993, the magazine has featured Takada, founder of Kenzo, is imagery. Here, the reader discov- Collection, it has developed into a that is itself a work of art which, inate our landscape, where ro- ics. In addition, each artist creates to Paul Virilio, the accident—from fully integrated concept for curato- more than 400 living artists, includ- through its accessible form as a known for his meld of distinctively mance and its obstacles inform so ers meditations on historic books, the Latin, meaning to “fall out”—is an exclusive limited edition, avail- ing Robert Adams, Francis Alÿs, Asian and Japanese-influenced secret books, imaginary books, rial and editorial activities. After co- magazine, and through its wide many of our cultural narratives and able to Parkett readers. Recent something that comes as a sur- founding Fantom in 2009 in Milan John Baldessari, William Eggle- distribution, challenges the limits style with Parisian high fashion. consumer fantasies. Nonetheless, ghostwritten and pseudonymous prise, yet must also be planned for artists featured in Parkett include ston, Rachel Harrison, Zoe Leonard In 2011, Humberto Leon and Carol books, books translated and books and New York, Cay Sophie Rabi- of the contemporary art economy. all of these modalities of love con- Frances Stark, Adrián Villar Rojas, and strategically avoided. And, of nowitz is continuing the editorial and Ed Ruscha, as well as younger The 2015 Toilet Paper wall calendar Lim, the founders of the Opening tinue to structure the relationships banned, rare books and forged course, not all accidents are bad— Danh Vô, Valentin Carron (no. 93), artists like Walead Beshty, Peter Ceremony fashion retail store and books. Books that break new endeavor with Osmos Magazine, a features photographs conceived that govern human societies. Cabi- Paulina Olowska, Jimmie Durham, think of the accidental encounter journal of texts and image series Coffin, Anne Collier, Seth Price, by Maurizio Cattelan and Pierpaolo private label collection in New net issue 55, with a special section ground, books that put words with a stranger that turns into Damián Ortega and Helen Marten Michael Queenland and Amanda York, were appointed Creative under the microscope, books that by practitioners and professionals Ferrari and taken from their maga- on “Love,” features Christopher (no. 92); Yto Barrada, Monika Sos- friendship or love. Cabinet issue investigating the uses and abuses Ross-Ho. Printed in the United zine, an image-only publication de- Directors of Kenzo. The duo has Turner on the “celestial bed” of signify and those that defy inter- 54, with a special section on “The nowska, Liu Xiaodong and Nicole States by Meridian Printing, Blind since revitalized the label with their pretation. Books made of paper or of photography. One outstanding voted to the realization of surrealist eighteenth-century proto-sexolo- Eisenman (91); El Anatsui (90); Accident,” features Greg Siegel on feature is the critical approach to Spot is known for its commitment ideas via commercial photography. unique, multifaceted experience gist James Graham; Margaret Gor- parchment, e-books, poems both the concept of the “decent inter- Haegue Yang (89); and Paul Chan the cover, which acknowledges to the highest quality reproduc- from the fashion world and avant- don on epistolary friendships; and about and on Greek urns, narra- DAMIANI val,” the amount of time a struc- (88). Additional articles have fo- the delayed effect of image captions. Features are often designed garde aesthetics. Toilet Paper, tives tattooed on skin. Speaking 9788862083690 U.S. | CDN $ 25.00 Olga Lemerova on the love be- cused on artist Daido Moriyama, ture is expected to function before ture or so-called “after image,” by in collaboration with the artists, Pbk, 11.5 x 15.75 in. / 13 pgs / by artists Maurizio Cattelan and tween humans and their pets. Else- Volumes encompasses them all, its “accidental” collapse or failure; the Kochi-Muziris Biennale in India, and recent issues have been guest- 13 color. Pierpaolo Ferrari with art direction with writing about writing itself featuring an artist or work to be where in the issue: Sasha September / Calendar Jeffrey Schnapp on a philosophy and the current Berlin art scene discussed in the following issue. edited by contemporary artists, by Micol Talso, is a picture-based Archibald on the decorative fabric and books that beget other books. of motorcycle racing and acci- (92); and choreographers Jérôme With a blend of arresting images, providing a visual exploration of magazine that explores surrealistic or leather patches worn in the sev- Among the many innovative con- dents; Dorion Sagan on magic Bel and Xavier Le Roy (91). print quality and distinctive design, specific ideas and approaches to narratives. Kenzine II is published enteenth century to conceal facial temporary writers who address tricks and the production of appar- PARKETT Osmos Magazine is among the photography-based image-making. in a limited run of 2,000 numbered blemishes; D. Graham Burnett on this fundamental subject are Peter ently accidental miracles, and 9783907582558 U.S. | CDN $ 45.00 copies. Gizzi, Samuel R. Delany and most recognized photo journals. BLIND SPOT watermarks; and Babak Sadr on Pbk, 8 x 10 in. / 300 pgs / illustrated Andrea Reti on the slow-moving 9780983998976 U.S. | CDN $ 22.00 how zoos perform annual invento- throughout. Melissa Pritchard. OSMOS DAMIANI horror of the Boston Molasses Pbk, 9 x 10.5 in. / 80 pgs / December / Art/Journals 9780991660803 U.S. | CDN $ 25.00 9788862083713 U.S. | CDN $ 35.00 ries of their animals, both counta- BARD COLLEGE illustrated throughout. Disaster. Pbk, 8.5 x 11 in. / 97 pgs / illustrated Flexi, 8.5 x 11.75 in. / 40 pgs / 9780941964791 U.S. | CDN $ 15.00 October / Photography/Journals ble and uncountable. throughout. 22 color. CABINET Pbk, 6 x 9 in. / 380 pgs. November /Photography/Journals September/ Journals/Fashion | CABINET January / Journals 9781932698626 U.S. CDN $ 12.00 Pbk, 7.75 x 9.75 in. / 112 pgs / 9781932698633 U.S. | CDN $ 12.00 70 color / 30 b&w. Pbk, 7.75 x 9.75 in. / 112 pgs / ALSO AVAILABLE ALSO AVAILABLE ALSO AVAILABLE ALSO AVAILABLE September / Journals 70 color / 30 b&w. Parkett No. 94: Tauba Auerbach, Osmos Magazine: Blind Spot: Issue 47 Toilet Paper: Issue 9 December / Journals Cyprien Gaillard, Ragnar Kjartansson, Issue 04 9780983998945 9788862082945 Shirana Shahbazi 9780988340442 Pbk, U.S. | CDN Pbk, U.S. | CDN $16.00 9783907582541 Pbk, U.S. | CDN $25.00 $22.00 Damiani Pbk, U.S. | CDN $45.00 Osmos Blind Spot Parkett

88 artbook.com artbook.com 89 FALL HIGHLIGHTS

Christo and Jeanne-Claude, Wrapped Coast, Little Bay, Sydney, Australia, 1968–69. Photo: Shunk-Kender. From Christo and Jeanne-Claude: In/Out Studio, published by Verlag Kettler/D.A.P. See page 118. HIGHLIGHTS ■ PHOTOGRAPHY KathyRyan:OfficeRomance PhotographsfromInsideThe New York Times building LaToyaRubyFrazier:TheNotionofFamily Introduction by Renzo Piano. Text by Kathy Ryan. Interview by Dawoud Bey. Text by Laura Wexler, Dennis C. Dickerson. Office Romance is Kathy Ryan’s love song, in photographs, to her of- In this, her first book, LaToya Ruby Frazier (born 1982) offers an incisive exploration fice life. Shot on the sixth floor of the landmark, Renzo Piano–de- of the legacy of racism and economic decline in America’s small towns, as embod- signed New York Times building where she acts as Director of ied by Braddock, Pennsylvania, Frazier’s hometown. The work also considers the im- Photography for The New York Times Magazine, Ryan captures mo- pact of that decline on the community and on her family, creating a statement both ments of luminous beauty in her daily routine. First published on In- personal and truly political—an intervention in the histories and narratives of the re- stagram, it offers her account of the minute details of her working gion that are dominated by stories of Andrew Carnegie and Pittsburgh’s industrial environment; her colleagues, who pose for her photographs; the glo- past, but largely ignore those of black families and the working classes. Frazier has rious building she works in; and the light of New York City. As well as set her story of three generations—her Grandma Ruby, her mother and herself— the joy and pleasure in each moment captured, Ryan’s introduction against larger questions of civic belonging and responsibility. The work also docu- refers to contrasts and ironies that characterize the photo world ments the demise of Braddock’s only hospital, reinforcing the idea that the history of today; as old media meets new, an editor who commissions swash- a place is frequently written on the body as well as the landscape. With The Notion buckling photographers all over the world finds moments of tran- of Family, Frazier knowingly acknowledges and expands upon the traditions of clas- scendent beauty within her office, that in turn become a hugely sic black-and-white documentary photography, enlisting the participation of her fam- popular Instagram feed. ily, and her mother in particular. As Frazier says, her mother is “co-author, artist, Kathy Ryan, the long-term Director of Photography at The New York photographer and subject. Our relationship primarily exists through a process of Times Magazine, has been a pioneer at combining fine-art photogra- making images together. I see beauty in all her imperfections and abuse.” Frazier’s phy and photojournalism in the pages of the Magazine. During this work reinforces the idea of image-making as a transformative act, a means of reset- time, the Magazine has been recognized with numerous photography ting traditional power dynamics and narratives, both those of her family and those of awards, including National Magazine Awards in both 2011 and 2012. the community at large. Frazier is a 2014 Guggenheim fellow. In 2012, Ryan received the Royal Photographic Society’s annual award for Outstanding Service to Photography. Under Ryan’s leader- APERTURE 9781597112482 U.S. | CDN $ 60.00 FLAT40 ship, the Magazine commissions the world’s best photographers, a Clth, 9.5 x 10.75 in. / 156 pgs / 32 color / 100 duotone. selection of which was published in The New York Times Magazine September/Photography/African American Art & Culture Photographs (Aperture, 2011), edited by Ryan. Ryan also lectures on photography (she gave the 2012 Karsh Lecture in Photography at the Museum of Fine Arts, Boston) and serves as a mentor at the School of Visual Arts. NicholasNixon:40Yearsofthe APERTURE 9781597113045 U.S. | CDN $ 29.95 brownSisters Hbk, 5.5 x 8 in. / 160 pgs / 132 color. Afterword by Sarah Hermanson Meister. September / Photography In August 1974, the photographer Nicholas Nixon made a group portrait of his wife, Bebe, and her three sisters, Heather, Mimi and Laurie—the Brown sisters. He did not keep that image, but in 1975 he made another portrait of the four, who then ranged in age from 15 to 25. Working with an 8 x 10-inch view camera, whose large negatives capture a wealth of detail and a luscious continuity of tone, Nixon did the same in 1976, and this second successful photograph prompted him to suggest to the sisters that they assemble for a portrait every year. The women agreed and have gathered for an annual portrait ever since. Nicholas Nixon: 40 Years of the Brown Sisters celebrates the 40th anniversary of the series with luminous tritone reproductions of all 40 portraits and a new afterword by Sarah Hermanson Meister, which examines the series’ public exhibitions, critical reception, and cult following. Like the previous edi- ALSO AVAILABLE tions of the series, published in 1999 and 2008 for its 25th The New York Times and 33rd anniversaries (both out of print), Nicholas Nixon: Magazine Photographs The poignant Instagram photographs of an 9781597111461 THE MUSEUM OF MODERN ART, NEW YORK 40 Years of the Brown Sisters is a milestone in an ongoing Hbk, U.S. | CDN $75.00 9780870709531 U.S. | CDN $ 34.95 project that we hope will continue for many years to come. influential editor turned photographer Aperture Hbk, 11.5 x 9.5 in. / 96 pgs / 46 duotone. November /Photography

92 artbook.com artbook.com 93 Political and landscape photography HIGHLIGHTS ■ PHOTOGRAPHY SzeTsungLeong:horizons Text by Joshua Chuang, Charlotte Cotton, Duncan Forbes, Pico Iyer, Sze Tsung Leong. In his new Horizons series, the British-American artist Sze Tsung Leong (born 1970) combines wide-angle photographs of landscapes from throughout the world that exhibit fundamental formal similarities and rhythms by connecting them with a common horizon line. Unconventional juxtapositions allow the viewer to transcend distances and boundaries and to leap from the glacial lake of Jökulsárlón in Iceland to the tropical Indian Ocean; from the Israeli separation barrier to the Three Gorges Dam on the Yangtze River; from the sub- urbs of California to the plains of Kenya. More than ten years in the making, Horizons gives an unfurled view of the surface of the globe. Thought-provoking and witty, poignant and playful, the series is above all a cumulative reminder of the complex and perpetually trans- forming relations between regions, cultures and nations that constitute the planet we live on.

HATJE CANTZ 9783775737890 U.S. | CDN $95.00 Hbk, 13.5 x 10.75 in. / 160 pgs / 145 color. August/Photography

NadavKander:Dust Text by Nadav Kander, Will Self. Nadav Kander (born 1961) is a recipient of the renowned Prix Pictet and one of today’s most successful photogra- An-MyLê:EventsAshore phers. Upon learning of the existence of two “closed” cities on the border between Kazakhstan and Russia, Text by Geoff Dyer. he decided to visit them. For Dust he photographed the An-My Lê’s first publication, Small Wars, brought together three bodies of black-and-white work (Vietnam, Small desolated landscapes of the Aral Sea and the restricted Wars and 29 Palms), offering a trilogy of tautly rendered examinations of the spectacle of war, memory and land- military zones of Priozersk and Kurtchatov, which did scape. With Events Ashore, Lê continues her exploration of the American military, a pursuit both personal and not appear on any map until well after the end of the civic. With this body of work, however, Lê emerges as a master colorist, employing the large-format color nega- Cold War. Long-distance missiles were secretly tested in tive to powerful effect to capture the sometimes surreal, often surprisingly beautiful vistas of the military at Priozersk, and hundreds of atomic bombs were detonated work, with an emphasis on descriptive and compositional precision and subtlety of palette. Events Ashore began in the so-called Polygon near Kurchatov, until the program when the artist was invited to photograph US naval ships preparing for deployment to Iraq, the first in a series ended in 1989. The bombs were exploded in a remote of visits to battleships, humanitarian missions in Africa and Asia, training exercises and scientific missions in the but still populated area, and covert studies were made Arctic and Antarctic. As Lê explains, these trips allowed her to study close at hand the military’s non-combat of the effects of the radiation on the unsuspecting activities, becoming “a launching point for an examination of the US military on the global stage across oceans inhabitants. Kander describes how the ticking of the and borders as a symbol of conflict, an echo of the age of exploration and an unlikely (and unsung) force in Geiger counter on his belt while he photographed served the unfolding environmental crisis … This work is as much about my perspective, and personal history as a polit- as a foil against the aesthetic allure of the ruins. ical refugee from Vietnam, as it is about the vast geopolitical forces and conflicts that shape these landscapes.” An-My Lê (born 1960) received her BAS and MS degrees from Stanford University and an MFA from Yale HATJE CANTZ 9783775738439 U.S. | CDN $ 120.00 University. She is currently a professor of photography at Bard College and is the recipient of numerous awards, Hbk, 13.5 x 10.5 in. / 128 pgs / 50 color. including fellowships from the New York Foundation for the Arts and the John Simon Guggenheim Memorial ALSO AVAILABLE October / Photography Foundation. In 2012, she became a MacArthur Foundation Fellow. Her work has been widely shown and Nadav Kander: Bodies EXHIBITION SCHEDULE APERTURE collected internationally, including at The Museum of Modern Art and MoMA PS1, New York; The Metropolitan 9783775734493 9781597112994 U.S. | CDN $89.95 Clth, U.S. | CDN $120.00 Arles, France: Fotofestival Les Rencontres d’Arles, Museum of Art, New York; Museum of Contemporary Photography, Chicago; San Francisco Museum of Modern Clth, 13 x 10.5 in. / 2 gatefolds / Hatje Cantz 07/07/14–09/21/14 192 pgs / 125 color. Art; Museum of Fine Arts, Houston; Bibliothèque Nationale de France, Paris; and the Queensland Art Gallery, October/Photography Australia, among others.

94 artbook.com artbook.com 95 Political and landscape photography HIGHLIGHTS ■ PHOTOGRAPHY MichaelLight:LakeLasVegas/blackMountain Text by Rebecca Solnit, Lucy Lippard. Until 2008, Nevada was the fastest-growing state in America. But the recession stopped this urbanizing gallop, and Las Vegas froze at exactly the point where its aspi- rational excesses were most baroque and unfettered. In this third installment of Michael Light’s aerial survey of the inhabited West, the photographer hovers intimately over the topography of America’s most fevered residential dream, capturing castles on the cheap—some half-built, some foreclosed, some still waiting to spring from empty cul-de-sacs. Throughout, Light finds beauty and empathy amid a visual vertigo of spec- ulation, overreach and environmental delusion. Janus-faced in design, one side of the DavidLaChapelle: book plumbs the surrealities of “Lake Las Vegas,” a lifestyle resort comprised of 21 Landscape Mediterranean-themed communities. The other side dissects nearby Black Mountain and the city’s most exclusive—and empty—future community, where a quarter billion Foreword by Shana Nys Dambrot, johnGossage: Kevinbubriski: Paul Watson. dollars was spent on moving earth that has lain dormant for the past six years. Pomodoria Peterbialobrzeski: The latest monograph from David RADIUS BOOKS Nailhousesorthe ImagesofNepal LaChapelle (born 1963) comprises 9781934435854 U.S. | CDN $ 60.00 Grappolo Hbk, 10.5 x 16 in. / 128 pgs / 52 color / 21 b&w. 1975–2011 two separate series, Gas Station Text by Marlene Klein. Destructionof September /Photography Text by Charles Ramble. and Refineries, each of which was Pomodori a Grappolo is a collection LowerShanghai In 1975, as a young Peace Corps shot on location in the rainforests of three interconnected books by During his travels through China, volunteer, Kevin Bubriski (born of Maui and on the coastlines of photographer and bookmaker Peter Bialobrzeski (born 1961) be- CovertOperations:InvestigatingtheKnownunknowns 1954) was sent to Nepal’s north- California. This idyllic scenery is John Gossage (born 1946). Each came aware of the constructions Foreword by Timothy Rodgers. Introduction by Claire C. Carter. Text by Sandra S. Phillips, Dana west Karnali Zone, the country’s brutally punctured by LaChapelle’s book takes the form of a visual known as “nail houses”—derelict Priest. remotest and most economically scale models of disturbingly daz- short story based on images made houses earmarked for demolition, Following the tragedies of September 11, 2001, contemporary artists such as Ahmed Basiony, depressed region. He walked the zling oil refineries and petrol sta- in Northern Italy and Sardinia whose owners refused to vacate. Thomas Demand, Harun Farocki, Jenny Holzer, Trevor Paglen and Taryn Simon urgently pursued length and breadth of the Karnali, tions with bright, fluorescent between 2009 and 2011, and In Nail Houses or the Destruction of the complicated intersection of freedom, security, secrecy, power and violence. Covert Operations: conducting feasibility studies for smokestacks—handcrafted from includes a short text by Marlene Lower Shanghai, the artist gathers Investigating the Known Unknowns features 13 international artists who have collected and re- gravity-flow drinking water sys- cardboard and a vast array of recy- Klein, written in response to photographs of these isolated vealed unreported information on subjects ranging from classified military sites and reconnais- tems and overseeing their con- cled materials from egg cartons to Gossage’s pictures, which reflects structures, often captured in the sance satellites to border and immigration surveillance, terrorist profiling, narcotics and human struction. He also photographed tea canisters, hair curlers and other the 30 years that Klein has spent evening hours, when brightly lit trafficking, illegal extradition flights and nuclear weapons. Among the other contributing artists are the villagers he lived among, pro- by-products of our petroleum- living and working in Venice. As windows convey a sense of the do- Anne-Marie Schleiner, Luis Hernandez Galvan, David Taylor and Kerry Tribe. ducing an extraordinary series of based, disposability-obsessed cul- much a photographic essay as it mestic comfort these homes pro- 35mm and large-format black-and- ture. The striking contrast between RADIUS BOOKS is a study in the way the book vide for their owners, despite their 9781934435861 U.S. | CDN $ 55.00 white images. Over more than the fueling stations and refineries EXHIBITION SCHEDULE can inform perception, these three condition. Bialobrzeski stands up Hbk, 12.5 x 10 in. / 136 pgs / 55 color. three decades, Bubriski has re- and their naturalistic backdrops is October /Photography Scottsdale, AZ: Scottsdale Museum of books—individually titled The Girl for these stubborn homeowners, Contemporary Arts, 10/28/14–01/11/15 turned many times to Nepal, main- both captivating and repelling: at the Crossing, Nullo and Sideways compelling the viewer to face un- taining his close association with though the natural world seems on Glance—are each a different trim comfortable questions and under- the country and its people. Images the verge of engulfing these man- size, but contain roughly 50 photos scoring the right of every human of Nepal 1975–2011 presents this made creations, the eerie, unnatu- #Sandy:SeenThroughtheiPhonesofAcclaimed each that are all reproduced at being to a home and a feeli ng of remarkable body of work—pho- rally lit buildings suggest the the same image size. security. Following the publication Photographers tographs that document Nepal’s extent of the destruction already of Case Study Homes and Informal Edited by Wyatt Gallery. Text by Sean Corcoran, Eddie Brannan. RADIUS BOOKS evolution over a 36-year period caused, even as their chromatic 9781934435847 U.S. | CDN $ 85.00 Arrangements, this striking volume #Sandy is a book of iPhone photos of Hurricane Sandy captured by photographers Benjamin Lowy, from a traditional Himalayan cul- glare distracts from their function. Clth, 3 vols, 11 x 13 in. / 288 pgs / completes the Habitat trilogy. Stephen Wilkes, Ed Kashi VII, Hank Willis Thomas, 13th Witness, Richard Renaldi, Michael Christo- ture to the globalized society of 146 color. DAMIANI/PAUL KASMIN GALLERY pher Brown, Wyatt Gallery, Ruddy Roye and others. After Hurricane Sandy devastated communities in October / Photography HATJE CANTZ today. Both visual anthropology 9788862083317 U.S. | CDN $ 45.00 9783775738293 U.S. | CDN $ 45.00 the New York City, New Jersey and Connecticut areas in October of 2012, Foley Gallery and photogra- and cultural history, it is also a suc- Pbk, 13 x 12 in. / 88 pgs / illustrated Hbk, 8 x 11.75 in. / 116 pgs / 64 color. throughout. pher Wyatt Gallery organized an exhibition of iPhone photographs of the storm by the photographers cinct look at one photographer’s September / Photography/Asian Art & September/ Photography featured here. Hundreds of people attended the one-night event, and almost 400 photographs were Culture aesthetic evolution. purchased: as a result, $19,000 was donated to Occupy Sandy and Third Wave Volunteers. All royal- ALSO AVAILABLE RADIUS BOOKS/PEABODY MUSEUM ties from this collection, published to coincide with the Rising Waters exhibition at the Museum of The PRESS John Gossage: City of New York, will be entirely donated to Occupy Sandy and Sandy Storyline. The Pond 9781934435724 U.S. | CDN $ 50.00 9781597111324 Hbk, 9.5 x 11 in. / 224 pgs / DAYLIGHT BOOKS Clth, U.S. | CDN $65.00 illustrated throughout. 9780988983175 U.S. | CDN $ 39.95 Aperture July / Photography/Asian Art & Culture Hbk, 8 x 8 in. / 96 pgs / 94 color. July / Photography

96 artbook.com artbook.com 97 Erotic photography and gay interest HIGHLIGHTS ■ PHOTOGRAPHY

PREVIOUSLY ANNOUNCED jeremyKost:Fractured LindaTroeller&Marion SashaEisenman: LisaKereszi:TheMore EveFowler:hustlers Text by Glenn O’Brien. Interview by Franklin ILearnAboutWomen Schneider:Orgasm jackPierson: Sirmans. Foreword by Garrett Neff. Designed by CaliforniaGirls Text by Kevin Killian. Sam Shahid. While photographer Lisa Kereszi (born 1973) Photographs&Interviews LynnValley9 For American photographer Sasha Eisenman, Hustlers gathers a photographic series taken by Jeremy Kost’s (born 1977) last monograph, It’s was researching for her previous book, Joe’s Tomorrow’sMan California connotes a state of mind and a way of Photographs by Linda Troeller. Interviews by Los Angeles–based artist Eve Fowler (born Always Darkest before Dawn, established him as Junk Yard, her father, Joe Jr., gave her a worn Marion Schneider. life, conjuring not only golden light, blue skies, Edited by Jack Pierson, Roger Bywater. 1964) on the streets of the West Village in New a master of the Polaroid. His body of work is at and tattered old photo album that he had com- In this volume, New York–based photographer Text by Veralyn Behenna. beaches, deserts, canyons and mountains, but York and Santa Monica Boulevard in Los Ange- once image, performative act and genre-bend- piled in the 1970s and 80s. Inside were 4 x 6- Linda Troeller (born 1949) collaborates with Tomorrow’s Man, Lynn Valley 9, combines famil- also one particular image: the California Girl. les between 1993 and 1998. Drawing on her ing fusion of subject, environment and artistic inch color photographs taken by Joe Jr. of biker scholar and artist Marion Schneider to discuss iar imagery from American photographer Jack Sasha Eisenman: California Girls captures this background in both journalism and photogra- technique. Born of one of the fortuitous mis- babes in bars, at bike rallies and drag races, in and portray women’s feelings upon orgasm Pierson’s (born 1960) vast archive—portraits, icon and her environment, investigating her phy, Fowler explores queerness and social “oth- takes in the artist’s studio that leads to incredi- various states of undress. As Kereszi says, “It’s through personal narratives and photographs. vintage Physique magazines, celebrity promo representations through nudes and seminudes erness.” Here, her untitled, intimate images lay ble breakthroughs—a camera malfunction— really a very odd group of images for a daughter The project involves 25 women of different ages, shots and oddball ephemera—with work from against beautiful Californian backdrops. Shoot- bare the ambiguities of identity, class, sexuality Kost’s latest series consists of multiple-exposure to find—pics of biker babes showing off their nationalities, and cultural and social back- an eclectic range of contributors such as Andy ing entirely on medium-format film and dead and gender—all of which combine to lend the Polaroids of young, stereotypically beautiful tattoos, their boyfriends’ bikes and hot rods, grounds. Schneider posed the following ques- Warhol, Mark Morrisroe, David Carrino, Florence stock Polaroid, Eisenman sought out a group figure of the hustler a semidangerous allure— men—a subject and technique that Kost has and, well, breasts.” Kereszi appropriated the tions to them: “What does the word orgasm Derive, Alex Jovanovich, Dan McCarthy, Ryan of women who represented the unique style, and the ambiguous attractions of the social been investigating for nearly a decade. These photographs, and re-cropped them for this mean to you?” “Can you remember your first or- Sullivan, Evan Whale, Jeff Elrod, Hugo Guin- personality and vibrancy of California and pho- outlaw. Stark and unencumbered by typical mesmerizing, layered Polaroid images are col- volume. “The edit goes through various gasm and show the feelings to the camera?” ness, Jimmy Paul, Channing Tatum, Richard Tin- tographed them collaboratively, without styling, compositional elements or dramatic lighting, lected in Fractured, along with contextualizing different types of pictures,” she notes, “from “Can you remember your strongest orgasm and kler and others, as well as a short story by at backyard parties, surf trips and music shows. Fowler’s subjects demand direct consideration, and descriptive text from Franklin Sirmans, the expected, posed shots, to the ‘money show the feelings to the camera?” Troeller’s por- Veralyn Behenna entitled “The Lobster.” Utilizing The images resulting from these shoots are col- forcing the viewer to confront in a single face LACMA Curator of Contemporary Art. Made shots,’ then on to some very interesting and traits are juxtaposed with interviews with the par- an unconventional design layout in which im- lected here in Eisenman’s first photo book. Each both masculine vulnerability and intrepidity. throughout 2013, only a fraction of the work beautiful images of women unawares.” ticipants. Boldly and tenderly countering the agery has been dropped in with a complete dis- image is accompanied by an interview with its Accompanying this collection is an essay by has been seen outside of the studio before the taboo associated with the topic, this frank and in- regard for page breaks and centerfolds, this subject, allowing the viewer both a visual and J&L BOOKS Kevin Killian, an award-winning American poet, publication of this book. Presenting dreamlike, timate examination of the female orgasm as told compendium quickly establishes itself as some- textual entry into the sensuality, beauty, individu- 9780989531115 U.S. | CDN $ 29.95 author and playwright well known for his contri- fractured narratives collapsed into a single Hbk, 5.5 x 8 in. / 112 pgs / 100 color. through the mouths of these diverse participants thing other than a straightforward photo book: ality and lives of the women photographed. butions to LGBT literature. Polaroid frame, each image takes the viewer to October / Photography serves as a touchstone for women and men its scrapbook-style design and diverse imagery Eisenman’s work has appeared in magazines an intimate place filled with broken dreams and everywhere. This book presents Pierson as an inventive, irreverent CAPRICIOUS such as Dazed and Confused, Teen Vogue, Glam- unrequited desire, while celebrating man’s 9780989865623 U.S. | CDN $ 39.95 continues the investigation into female sexuality editor and bookmaker with a great eye for our, InStyle, Elle, Interview, Jalouse, L’Officiel, iD, Hbk, 8 x 10 in. / 132 pgs / illustrated throughout. beauty and identity. Whether cropped to show begun by Troeller and Schneider’s 1998 volume unexpected, fun juxtapositions. V Man, Playboy, Spin and others, and he has July / Photography/Gay & Lesbian Studies luminous details or simply floated on the page, The Erotic Lives of Women, acclaimed in The photographed countless celebrities, from Lady PRESENTATION HOUSE GALLERY & BYWATER BROS. each photograph represents a tangible, beautiful New York Times Review of Books as “one of the EDITIONS Gaga to Jennifer Lawrence. moment layered in mystery. gutsiest books of the decade.” 9780920293911 U.S. | CDN $ 35.00 FLAT40 DAMIANI Pbk, 6.5 x 10 in. / 84 pgs / 78 color / 32 duotone. DAMIANI 9788862083669 U.S. | CDN $ 50.00 DAYLIGHT BOOKS July / Artists’ Books/Gay & Lesbian Studies/Erotica 9788862083638 U.S. | CDN $ 49.95 Pbk, 9.5 x 11.75 in. / 240 pgs / illustrated 9780989798136 U.S. | CDN $ 35.00 Hbk, 9 x 11 in. / 208 pgs / illustrated throughout. throughout. Flexi, 9 x 7 in. / 188 pgs / 90 color. October / Photography/Gay & Lesbian Studies/Erotica October / Photography/Erotica October / Photography/Erotica

98 artbook.com artbook.com 99 Spanish and Mexican photography HIGHLIGHTS ■ PHOTOGRAPHY PhotobooksSpain1905–1977 Text by Horacio Fernández. The form of the photo book allows for narrative meaning to arise from the images, and as such, has been used by many of the most preeminent photographers to present and communicate their works. In Spain particularly, the photo book is colored by a complex national history: the Civil War, the transition to democracy, the social and cultural role of the peasantry and the evolving role of women have all been significantly documented via the photo book. The relationship of Spanish culture and photography to the photo book is comprehensively explored in this volume, published to accompany an exhibition at the Museo Nacional Centro de Arte Reina Sofía. This volume collects the work of not only well-known photographers such as José Ortiz Echagüe, Alfonso, Francesc Català-Roca, Ramón Masats, Xavier Miserachs, Francisco Ontañón and Colita, but also relatively unknown figures, such as Antonio Cánovas, the collective work of Misiones Pedagógicas (Teaching Missions), José Compte, Enrique Palazuelo, Luis Acosta Moro and Salvador Costa. Text by Horacio Fernández explains the cultural significance of these artists’ works and further delves into the complex relationship between the Spanish photo book and literature. Mujercitos Colita joanColom:IWorkthe RM/MUSEO NACIONAL CENTRO DE ARTE REINA SOFÍA Edited with text by Susana Vargas. Foreword Text by Laura Terré. Street 9788415118817 U.S. | CDN $ 75.00 by Cuauhtémoc Medina. Hbk, 8.75 x 11.25 in. / 264 pgs / illustrated throughout. Colita, born Isabel Steva in Barcelona in 1940, is Photographs1957–2010 The results of detailed research from Susana November /Photography one of the most renowned names in contempo- Edited by David Balsells, Jorge Ribalta. ALSO AVAILABLE Vargas and art critic Cuauhtémoc Medina, Mu- EXHIBITION SCHEDULE rary Catalan photography. While she learned the The Latin American jercitos gathers photographs of men dressed as The most acclaimed chronicler of Catalan cul- Madrid, Spain: Museo Nacional Centro de Arte trade of photography studying under Oriol Photobook women featured in the periodical Alarma!, ture, Joan Colom (born 1921) is one of the most Reina Sofía, 06/28/14–10/14 Maspons, Julio Ubiña and Xavier Miserachs, she 9781597111898 known as a nota roja or “red page” newspaper important Spanish photographers of the second Hbk, U.S. | CDN $75.00 soon branched out into her own individualistic for its bloody content, from the 1960s to the half of the twentieth century. This book presents Aperture style. Specializing in portraiture, Colita docu- 1980s. This volume collects a selection of key more than 500 photographs spanning the whole mented the transition from dictatorship to Mexican newsprint tearsheets, with the original of his career. It includes his best-known images democracy in Spain and worked with many layout and typography, each of which represents of the 1950s and 60s, taken somewhat clandes- magazines to produce strident, powerful images a mujercito, or “effeminate man,” in a highly tinely in the red-light district of Barcelona’s fa- Photography&ModernArchitectureinSpain of liberty and sexuality. Colita, published to ac- sexualized, objectified way. Vargas’ contextualiz- mous Barrio Chino—black-and-white portrayals company the exhibition Colita: Porque sí! at La 1925–1965 ing research explores the ways in which these of the city’s street life and underworld that have Pedrera, presents a broad selection from Colita’s Edited by Iñaki Berguera. Text by Víctor Pérez Escudero, Alberto Martín. photographs, printed in sensationalistic “true- since become iconic. Also included is a less graphic career, particularly those photographs From its inception, photography has been a key resource in the study of architecture, crime” newspapers, participate in the larger na- familiar side of Colom’s career—his reportage which capture her most intimate moments. as architects perceived that the photographic representation of their work would tional imaginary of non-normative sexualities in of the 1990s, in which he began to use color, Going beyond her best-known works in docu- become the iconic image of their artistry. Spanish Architecture Photography 1925– Mexico. In studying these representations of surveyed here for the first time. This 464-page mentary and portrait photography, the images 1965 looks at the history of architectural photography during Spanish architecture’s mujercitos, Vargas further traces Anglo–North monograph is published on the occasion of a collected here represent her friends, family, modern period, which ranged from the avant-garde of the 1920s to the conclusion American theories of gender/sex performativity major exhibition at The Museu Nacional d’Art pleasures, ideas and best-loved places, each of of the International Style. Alongside hundreds of photographs documenting the onto Mexican society, only to discover the de Catalunya, to whom Colom donated his which is infused with the artist’s palpable architectural environment of Spain during these decades, text by Iñaki Berguera multitude of ways in which the relation between massive archive. humor. Text from the exhibition curator, Laura unfolds the relationship between photographer and architect. Among the photogra- gender, sex, sexual orientation and desire is LA FÁBRICA/MNAC, MUSEU NACIONAL D’ART DE Terré, accompanies the photographs. phers included are Francesc Catala-Roca, Marin Chivite, Paco Gomez, Alejandro de permeated with concerns of race and class in CATALUNYA 9788415691778 U.S. | CDN $ 85.00 la Sota, José Galle, Luis Lladó, Oriol Maspons, Nicolás Muller, Margaret Michaelis, Mexican culture. RM/FUNDACIÓ CATALUNYA LA PEDRERA Hbk, 9.5 x 12.5 in. / 464 pgs / illustrated 9788415118770 U.S. | CDN $ 45.00 Francisco Ruiz Tilve, Alberto Schommer, Julio Ubiña, José de Yarza García, Fernando RM Hbk, 7.5 x 10.75 in. / 184 pgs / 171 color. throughout. Higueras, José Manuel Aizpúrua, Fernando García Mercadal and Josep Brangulí. September / Photography 9788415118824 U.S. | CDN $ 45.00 July / Photography Pbk, 9.25 x 12 in. / 104 pgs / 80 color. LA FÁBRICA/MUSEO ICO November / Photography/Latin American Art & 9788415691723 U.S. | CDN $ 60.00 Culture/Gay & Lesbian Studies Hbk, 8.75 x 10.25 in. / 240 pgs / illustrated throughout. September /Architecture & Urban Studies/Photography

100 artbook.com artbook.com 101 Historical photography from Europe and America HIGHLIGHTS ■ PHOTOGRAPHY Katihorna Text by Petar Baki, Jean François Chevrier, Estrella de Diego, Juan Manuel Bonet, Norah Horna, Ángeles Alonso Espinosa. The photographic oeuvre of Kati Horna (1912–2000) spans decades, geographical boundaries and visual practices. Horna witnessed the fall of the Austro-Hungarian Empire; the outbreak of World War I, which ousted her from Budapest—after which she moved to Berlin, then Paris; and the Spanish Civil War, after which World War II prompted her final move to Mexico, her adopted country. It was in Mexico that Horna found her artistic community, among the Surrealist ex-pats Leonora Carrington, Remedios Varo and Edward James. Even as a war photographer, she appropriated Surrealist photomontage, developing an original, intimate style of photojournalism. This superbly produced volume celebrates her extensive and diverse work, much of which has been previously unpublished or available only in limited circulation, and allows us to appreciate the incredible range of her oeuvre, from Surrealist to documentary MiloňNovotný: photography. Featured alongside these photos are a chronology of Horna’s life, essays by Peter Baki, underthe SixtiesLondon Jean-Francois Chevrier, Estrella de Diego, Juan Manuel Bonet and Jos Antonio Rodriguez and a text by Text by Josef Moucha, A.G. DavidSeymour EveArnold Influence: Hughes. Horna’s daughter, accompanied by documentary material from her personal archive. Edited by Dario Cimorelli, Edited by Dario Cimorelli, First published during the “Prague Alessandra Olivari. Text by RM/MUSEO AMPARO/JEU DE PAUME johnDeakin, Alessandra Olivari. Text by Spring” of 1968, this now-classic Carole Naggar, Francesco Zanot. Simonetta Agnello Hornby, 9788415118732 U.S. | CDN $ 65.00 Photographyand Cofounder of the Magnum agency Angela Madesani. Clth, 9.25 x 12 in. / 352 pgs / 160 color. photo book by Czech photogra- September / Photography theLureofSoho pher Miloˇn Novotný (1930–1992) with Henri Cartier-Bresson and Eve Arnold (1912–2012) was not Text by Robin Muir. presents a portrait of the British Robert Capa, David “Chim” only the first woman to become John Deakin (1912–1972) was one capital as the nation was sloughing Seymour (1911–1956) was one of associated with Magnum Photos, heinrichheidersberger:Lightharmonies of London’s greatest postwar pho- off the collapse of its empire. the most acclaimed photojournal- but also one of the major photog- tographers, renowned for his pene- ists of the twentieth century, and raphers of the twentieth century. Edited with text by Andrew Witt. Novotný focuses on the city’s trating portraits, haunting street a man who documented his times Throughout her long career, she The rhythmograms of Heinrich Heidersberger (1906–2006) are intricately curved compositions of pure light street life and its architecture. scenes and inventive fashion work. with a keen social conscience, photographed celebrities and that weave together abstract figures, organisms and space. The artist created these complex light patterns “Here our ‘dear, damned, decep- Though recognized as a genius by always determined to be “in the Hollywood stars at the height of during the 1950s and 1960s, capturing the invisible and elusive worlds of time and motion in a single frame. tive city’ is portrayed uniquely,” both peers and rivals, he was middle of the action.” Working glamour—such as Marilyn Monroe Outfitted not with a camera, but rather with an ingenious, room-sized, deconstructed photographic machine of wrote the British journalist A.G. prodigal and careless with his tal- for leading magazines such as Life (a close friend of Arnold’s), Joan his own design, Heidersberger traced the geometry of delicate waves and oscillations: his machine could re- Hughes for the first edition. A turn- ent. He flourished briefly at Vogue, and Regards, Seymour covered Crawford, Elizabeth Taylor and produce the elegant orbit of even a single ray of light onto a photographic plate. Widely known as an architec- ing point in Novotný’s work that but the lure of nearby Soho with its the most significant events of the Marlene Dietrich—as well as the tural photographer of postwar modernism, Heidersberger’s little-known rhythmograms serve as a fascinating sees him shift from solitary images pubs, clubs and subterranean wa- postwar era: the Spanish Civil War; poor and dispossessed. Her work bridge between the work of early modernists and the future of algorithmic art and architecture. This is the first to series, Sixties London portrays tering holes led him away from the places and faces of a Europe was sought out by presidents, critical study of these rhythmograms in all their delicate detail. citizens from all walks of life— regular employment. Loved and commuters, pensioners, police- ravaged by World War II; the royalty and political activists: HATJE CANTZ loathed in equal measure, Deakin men, evangelists at Hyde Park’s hopes placed in the new State Malcolm X personally asked Eve 9783775737746 U.S. | CDN $ 60.00 of Israel. He also documented a Arnold to document his fight Hbk, 9.5 x 12 in. / 120 pgs / 76 duotone. was a legendary member of the famous Speaker’s Corner, children September / Photography quarter’s bohemian crowd of playing on the street, on the Tube postwar Italy filled with contradic- against racism. For her interna- artists and misfits including the or by the Thames in neighbor- tions—the rising stars of the tional work, which took her from painters Francis Bacon and Lucian hoods ranging from the East End Cinecittà Studios, the Vatican Afghanistan to Mongolia and was jaromírFunke:betweenConstructionandEmotion Freud, the writers Dylan Thomas to the City, the Docklands to palaces and Venice, along with often commissioned by leading religious processions and the magazines, she received numerous Edited with text by Antonin Dufek. and Jeffrey Bernard, and Muriel Chelsea. This new edition contains small rural schools scattered honors and awards, culminating This is the first substantial monograph to examine the photography of Jaromír Funke (1896–1945), an inno- Belcher, proprietor of the fabled a foreword by the author and jour- through southern Italy. This volume in her election as Master Photogra- vator of modernist photography, comparable to contemporaries such as Jaroslav Rössler, Man Ray, László drinking den the Colony Room. nalist Josef Moucha. This volume explores the hidden traces the career of this extraordi- pher, the world’s most prestigious Moholy-Nagy, Albery Renger-Patzsch, Aleksander Rodchenko, Paul Strand and Edward Weston. Funke ini- KANT corners and colorful characters of nary photographer through over photographic honor. Eve Arnold tially worked within abstract photography, but eventually he invented his own genre called “photogenism”; 9788074371226 U.S. | CDN $ 45.00 120 black-and-white images. includes a biography of the artist, in the 1920s, he was one of the first to embrace Surrealist innovations in photography. Also aligned with this notorious London scene as Hbk, 9.5 x 8.5 in. / 120 pgs / 70 duotone. a foreword by Angela Madesani the Bauhaus, Funke was additionally influenced by Cubism, New Objectivity and Constructivism. In the captured by Deakin. With dozens SILVANA EDITORIALE September / Photography | and text by Arnold’s close friend second half of the 1930s, Funke established what he called “emotional photography,” based on theories of his most compelling images, let- 9788836628292 U.S. CDN $ 38.00 ters and contact sheets, it is an Pbk, 9 x 11 in. / 168 pgs / 130 color. Simonetta Agnello Hornby. and writings by Surrealist André Breton. Made in cooperation with Funke’s daughter, this book focuses pri- August / Photography marily on the ideas that shaped and transformed Funke’s work, while placing it within the context of Euro- evocative record of life in and SILVANA EDITORIALE pean avant-garde photography and culture. around 1950s and 1960s Soho. 9788836627936 U.S. | CDN $ 38.00 Pbk, 9 x 11 in. / 168 pgs / 130 color. KANT ART / BOOKS August / Photography 9781908970152 U.S. | CDN $ 50.00 9788074371073 U.S. | CDN $ 95.00 Hbk, 9.5 x 11.5 in. / 240 pgs / 223 color / 18 b&w. Clth, 9.5 x 11.5 in. / 176 pgs / September / Photography 60 color / 115 duotone. July / Photography

102 artbook.com artbook.com 103 Portraits of people and places HIGHLIGHTS ■ PHOTOGRAPHY EugeneRichards:Redballof Sunejonsson:LifeandWork aSunSlippingDown Edited by Charlotta Broady. Text by Val Williams. Text by Eugene Richards. Sune Jonsson (1930–2009) spent most of his life in the county of Västerbotten The Arkansas Delta has been called at different times in the north of Sweden, where he documented the agrarian lifestyles he saw the soul of the South, the land of opportunity, a place disappearing in the wake of an increasingly urban and industrial society. Subject ruled by race, a forgotten place. Eugene Richards (born to the whims of harsh weather, unpredictable seasons and often infertile soil, 1944) first went to the delta as a VISTA volunteer in these men and women lived in constant states of flux: homes were imperma- 1969. It was less than a year after the assassination of nent, self-built structures, crops were few, and animals fewer. Jonsson pub- Dr. Martin Luther King, Jr., a time when cotton, reli- lished his work in a series of 25 photo books, which began in 1959 with Byn gion, prejudice and poverty were what characterized med det blå huset (The Village with the Blue House) and ended almost 50 years most peoples’ lives. Increasingly drawn to this both later with And Time Becomes a Wondrous Thing (2007). These volumes were sorrowful and beautiful place, Richards would stay for not solely photographic works: complementing his black-and-white documen- more than four years, working as a social worker and tary-style pictures were Jonsson’s written narratives, a poetic mix of fact and reporter until the community service organization and fiction gleaned from interviews with his subjects and combined with his own newspaper he helped found were forced to close their political and philosophical concerns. Sune Jonsson: Life and Work not only doors. But over the years he would keep returning. Red republishes some of the most powerful photographs Jonsson took over the Ball of a Sun Slipping Down is a book that speaks of re- course of his lengthy career, but also provides intimate insight into the artist’s membrance and change, of struggle and privation, of historical, literary and social interests. Explicatory text by Val Williams provides loving and loss, of then and now. Black-and-white pho- contextual analysis. tographs made long years ago but never before pub- MAX STRÖM MANY VOICES PRESS lished are interwoven with recent color photographs 9789171262950 U.S. | CDN $ 85.00 FLAT40 9780991218905 U.S. | CDN $ 50.00 and, in turn, with a short story that relates Richards’ Clth, 10 x 12.25 in. / 320 pgs / 231 b&w. Hbk, 12 x 9.75 in. / 112 pgs / 26 color / 26 b&w. July / Photography August/ Photography relationship with an impoverished delta family as well as a growing awareness of his own aging and mortality.

NEW EDITION RagnarAxelsson:FacesoftheNorth Introduction by Mary Ellen Mark. Text by Ragnar Axelsson. Raised on an isolated farm in southern Iceland, Ragnar Axelsson (born 1958) became captivated early on by the brutal beauty of the North Atlantic and the delicate interactions between its inhabitants and their environment. Born of that fascination, Faces of the North, first published in a small print run in 2004, established Axelsson as one of the leading documentary photographers of our time. It contained about 100 lushly austere, powerful images of Greenland, Iceland and the Faroe Islands, taken over two decades. Long out of print, Faces of the North is now republished in a special anniversary edition that echoes the format of Axelsson’s latest publications, Last Days of the Arctic and Behind the KatrínElvarsdóttir: TrineSøndergaard: NormaI.Quintana: Mountains. Containing the original selection of photographs documenting VanishedSummer Stasis Circus the vanishing lifestyles of the North Atlantic, the new edition also includes Text by Katrín Elvarsdóttir, Harpa Árnadóttir. Text by Mieke Bal. ATravelingLife previously unpublished photos, Axelsson’s personal accounts of the Vanished Summer, a stark and subtle photo- Layered with quiet emotion, the photographs of Introduction by Mona Simpson. journeys which led to the images’ creation and the artist’s sketches of graphic series by Icelandic artist Katrín Elvarsdóttir Danish artist Trine Søndergaard (born 1972) are Norma I. Quintana (born 1954) is an American the photographs, drawn nightly as he traveled through the Arctic. In the (born 1964), is inspired by author Gyrðir Elíasson’s celebrated for their intensification of our percep- photographer and educator working in the tradi- 2004 edition of Faces of the North, Axelsson collected the images of farm- texts on solitude. Containing more than 40 of tion of reality. Søndergaard’s new volume brings tion of social documentary, shooting exclusively ers, hunters and fishermen in the Arctic and the Atlantic that he became her often melancholy photographs, Vanished together three recent series exploring stillness in black and white and using only available light. best known for; in the 2014 edition, his oeuvre comes full circle, as he Summer also features a poetic text by Harpa and introspection, in which different historical Her first monograph presents a decade-long looks back upon the foundation of his photographic passion and career. Árnadóttir and a cover that unfolds into a poster. time periods and materials meet. pictorial series of a traveling one-ring circus.

CRYMOGEA CRYMOGEA HATJE CANTZ DAMIANI 9789935420404 U.S. | CDN $ 75.00 9789935420374 U.S. | CDN $ 30.00 9783775737807 U.S. | CDN $ 70.00 9788862083652 U.S. | CDN $ 60.00 Hbk, 11 x 11 in. / Hbk, 12.25 x 11.5 in. / 270 pgs / 210 duotone. Pbk, 8.25 x 11.25 in. / 72 pgs / 43 color. Hbk, 11 x 12.5 in. / 156 pgs / 94 color. 144 pgs / illustrated throughout. November / Photography July/Photography July / Photography October / Photography

104 artbook.com artbook.com 105 Photo-essays and portraits of cities HIGHLIGHTS ■ PHOTOGRAPHY

ChrissyPiper: LauraLetinsky:Ill WheretheDay ElaineMayes: Form&VoidFull TakesYou Recently Interview by Lynne Tillman. Edited by Jason Fulford. For the past six years, the photog- ”There are eight million stories in rapher Elaine Mayes (born 1936) Chicago-based photographer OnlytheGood jasonLanger: Laura Letinsky (born 1962) is hiroshiWatanabe: the naked city,” says the narrator in has been crisscrossing the US, MartinParr: known for her depictions of the TwentyYears Jules Dassin’s 1948 noir classic never remaining in one place for ReinierGerritsen: TheDaytheDam Ones GrandParis remnants of foods and objects TheSnapshotAesthetic Foreword by Julia Dolan. Naked City. This sense of the more than three or four months at TheLastbook Collapses Since 1982, Paris Audiovisual and common to the dining table, rang- Revisited Text by John Hill. bustling American metropolis as a a time. The resulting sequence of Text by Boris Kachka. Text by Kirsten Rian. the Maison Européenne de la ing from a lipstick-smeared half- Text by Michal Nanoru. Jason Langer’s Twenty Years pur- vast reservoir of untapped stories stylistically eclectic photographs According to author and technolo- The latest body of work from Photographie (MEP) have commis- empty wine glass to nibbled-upon Only the Good Ones explores the sues a solitary journey through the has moved numerous photogra- collected in this volume represents gist Nicholas Negroponte, the California-based Japanese photog- sioned great photographers to cakes over ripe fruits. These works ongoing influence of the snapshot nocturnal streets and dimly lit phers to surf the urban sprawl with a diary-like record of an itinerant paper book is dead, to be replaced rapher Hiroshi Watanabe (born capture their views of Paris. Taking have commonly used an actual on photographers working rooms of a dream like world. Span- an open-ended attention to chance life that seems a far cry from the by digital technology. This copy 1951), The Day the Dam Collapses up the task after Henri Cartier- tabletop as their point of origin. For throughout the twentieth century ning 20 years of his career, this encounters and unexpected visual On the Road-style liberty enjoyed might well make its appearance on consists (unusually for this artist) Bresson, Edouard Boubat, Ralph her new series Ill Form & Void Full, and beyond, with particular focus aptly titled book is the first survey serendipities. After watching the by rebellious young people of the the subway. Such is the premise of of digital pictures taken over the Gibson, Mimmo Jodice, Bruce she creates references to the table on the last 25 years. It narrates the of Langer’s work. Included are documentary film A Fire in the 1950s and 60s—and yet Mayes’ The Last Book, the latest body of past five years (since his son was Davidson and others, Martin Parr from existing photographs, Martha history of the snapshot aesthetic as many previously unpublished im- East: A Portrait of Robert Frank in pictures, taken in places that range work by Amsterdam-based pho- born). Ranging from seemingly (born 1952) hones in on the city, Stewart, Dwell and Good House- a story of provocative, diaristic inti- ages, surrealist experimentation the early 1990s, Los Angeles– from the Southern Oregon Coast tographer Reinier Gerritsen, who ordinary details of quotidian life to and on Parisians and the tourists keeping magazines, her old work, macy and the poetry of everyday and figure studies, as well as his based photographer Chrissy Piper to Italy, France, Seattle, Washing- portrays the plethora of books and poetic visual metaphors, the The who inundate the French capital. the art of friends and actual ob- life—an aesthetic that periodically singular investigation of the city of wrote a fan letter to Frank, and ton, DC and New York’s Financial their readers on New York City’s Day the Dam Collapses paints the He visits the Notre Dame cathe- jects. This process shows how revitalizes artistic practice with the Berlin. Langer’s photographic lan- traveled to New York to meet him. District, Tribeca and Brooklyn, are subways as an indicator of a still- cycles of life as fleeting, fragile dral, sightseer-laden riverboats, the ideas about the private sphere and primitive force of an unpremedi- guage has been variously de- Frank’s work and their eventual nothing if not joyful, exuberant ex- robust public readership. The work and devastatingly ephemeral. Champs-Élysées on Bastille Day, their manifestation in our lives are tated gesture. Included are works scribed as cinematic and poetic, friendship inspired Piper to con- ercises in freedom and revolt. With began for Gerritsen as a series of In his introduction to the book, the Paris Air Show, the Agricultural always predicated upon what has by Nobuyoshi Araki, Tim Barber, haunting and romantic. Best tinue shooting on the street. The this volume, Mayes moves forward modest observations, and has Watanabe writes: “the truth is, we Show, along with fashion shows, come before: that is, perception it- Richard Billingham, Mike Brodie, known for his noir visions of con- pictures gathered in this book were from the portrayal of more liber- turned into a series of portraits set are all living like the characters in museums and art fairs. Martin self is a construction. Included in William Christenberry, Larry Clark, temporary urban life, Langer has taken mostly on the streets of New ated lifestyles that she began in against a landscape of bestsellers, a disaster movie. We know we Parr: Grand Paris collects more this monograph are all 50 works Barbara Crane, Bill Dane, Corinne photographed not only some of York City, but also in other locales the 1960s with her pictures from classics, romance novels, detective may someday face a disaster or a than 40 of Parr’s photographs, from the series, as well as an inter- Day, William Eggleston, JH En- the world’s great cities, but inti- across America, during various San Francisco’s Haight Ashbury thrillers, Bibles, biographies and terrible event, but we keep living most of which are previously un- view with the artist conducted by gström, Walker Evans, Lee Fried- mate scenes as well, ranging from road trips with friends. and the music counterculture other printed books. From the in- calmly as we do not know what male and female nudes to inani- published, that range from newly the acclaimed novelist and cultural lander, Luigi Ghirri, Nan Goldin, J&L BOOKS to focus on a broader vista that teractions of passengers and facial and when that might occur. But a conceived images to the iconic and critic, Lynne Tillman. Jacob Holdt, Jerry Hsu, William mate objects captured in moments 9780989531122 U.S. | CDN $ 29.95 encompasses our current cultural expressions to the sociological disaster will surely come to us. of lifelike feeling. Whatever their Hbk, 10 x 8 in. / 48 pgs / 30 b&w. moment. the oldest of Parisian clichés. This RADIUS BOOKS Klein, Jacques-Henri Lartigue, Ari clues of book titles, the narrative is And the largest disaster must be subject, his carefully crafted im- October /Photography volume, an astonishing and un- 9781934435878 U.S. | CDN $ 55.00 Marcopoulos, Ryan McGinley, Joel DAYLIGHT BOOKS informed by the choices of readers our death that we all have to face compromising portrayal of the Hbk, 11.5 x 13 in. / 128 pgs / Meyerowitz, Slava Mogutin, Daido ages, rich with lush, black tones, 9780989798150 U.S. | CDN $ 45.00 and the mélange of New York 50 color. sometime in the future.” Despite Hbk, 10 x 7.5 in. / 96 pgs / 79 color. French capital, is presented as an Moriyama, Mark Morrisroe, Ed exude an air of vintage, timeless City’s subway riders. Featuring a October / Photography these looming intimations of October /Photography accurate Paris map in layout—even Panar, Tod Papageorge, Walter mystery —“as much Hopper and jacket that becomes a foldout mortality, Watanabe persists in including the street index—with EXHIBITION SCHEDULE Pfeiffer, Jack Pierson, Stephen Raymond Chandler as Steichen” poster, The Last Book also includes New York: Nancy Richardson Gallery, recording and sharing a life fully Parr’s photographs taking the place Shore, Dash Snow, Joel Sternfeld, (Bomb magazine). an illustrated index and bibliogra- 09/14 felt. of the traditional maps. Gus Van Sant, Jürgen Teller, Andy RADIUS BOOKS phy charting the titles and authors. DAYLIGHT BOOKS 9781934435786 U.S. | CDN $ 55.00 EDITIONS XAVIER BARRAL Warhol, Henry Wessel and Garry APERTURE 9780989798112 U.S. | CDN $ 45.00 Clth, 12 x 11.5 in. / 172 pgs / 9782365110471 U.S. | CDN $ 45.00 Winogrand, among others. 9781597112703 U.S. | CDN $ 65.00 Hbk, 7.5 x 9.5 in. / 88 pgs / 66 color. 100 color. FLAT40 FLAT40 September / Photography/Asian Art & GALERIE RUDOLFINUM October / Photography Flexi, 8.25 x 12 in. / 128 pgs / Hbk, 6.5 x 9 in. / 240 pgs / 45 color. Culture 9788086443317 U.S. | CDN $ 15.00 40 color. September / Photography Hbk, 5.75 x 7.75 in. / 190 pgs / July / Photography 155 color / 29 b&w. August / Photography

106 artbook.com artbook.com 107 Artists’ books and pop-culture photography HIGHLIGHTS ■ PHOTOGRAPHY

90Degreesof DeborahFeingold: Shade Music blackForest ManginiStudio DeGeer: 100YearsofPhotography Introduction by Anthony DeCurtis. bailey’sboxof hans-Peter FourVisiblePoems Photographs by Gordon Stettinius Photographs intheCaribbean Made over the past three decades, KimjongIl and Terry Brown. Introduction by Postcards Feldmann: Edited by Russell Joslin. 1959–1980 Edited by Stuart Baker. Foreword photographer Deborah Feingold’s Dr. Manuel Moore. For this exclusive collection of Black Forest is an arcane collection LookingatThings by Paul Gilroy. According to the artists, this col- Edited by Johan Kugelberg. iconic portraits are filled with per- Voyeur6 Edited by João Rocha. Text by The image of the Caribbean is as postcards, David Bailey (born featuring the works of over 50 con- Born in 1938 to a powerful sonality, simplicity and eloquence. This sixth volume in Hans-Peter Marco Bohr. lection of photographed hairstyles much a creation of the West as it is 1938), one of the world’s most dis- temporary photographers, includ- Swedish aristocratic family, Carl Her portraits of figures as varied Feldmann’s (born 1941) ongoing, Comical and bizarre, Kim Jong Il was not originally intended to be the result of its population’s incred- tinguished and distinctive photog- ing Roger Ballen, Arthur Tress, Johan De Geer grew up on a grand as musical icons, famed actors, much-loved and now-classic Looking at Things is based upon disseminated, as the first image ibly complex identity. A melting raphers, has chosen a selection of Debbie Fleming Caffery, Elijah country estate, went to art school award-winning authors, Nobel artist’s book series offers a chaotic one of the most followed, shared was conceived as a one-off piece. pot of races born of the 400-year images from his archive—some fa- Gowin, Louviere and Vanessa, in the late 1950s and, in an epic laureates and presidents, have compendium of movie stills, pho- and imitated monothematic Tumblr Gordon Stettinius, then a professor slave trade—Africans, indigenous miliar, others previously unseen. Arno Rafael Minkkinen, Irina act of rejection, became an under- appeared in Rolling Stone, GQ, tojournalism, ads, amateur photos, blogs in recent years. Created by at Virginia Commonwealth Univer- Americans and their French, This box of 36 portraits, reminis- Ionesco, Julie Blackmon, Gilles ground artist, musician, author, Time and numerous international pornography, art, scientific im- João Rocha, an art director at an sity, had given his students an as- Spanish, German, Dutch and cent of Bailey’s acclaimed Box of Berquet and many other interna- filmmaker and photographer docu- publications. This volume concen- agery, archival imagery, found pho- advertising firm in Lisbon, the blog signment to create an edition of 16 English colonizers—the identity Pin-Ups (1965), demonstrates the tionally known photographers. In menting Sweden’s 1960s–80s left- trates on Feingold’s portraits tographs and much else, dipping is a collection of photographs images, which were collated into of the Caribbean stands at the in- extraordinary range of people that this volume, editor Russell Joslin— ist bohemia. (He also exposed his of popular musicians such as into the iconographic whirlpool of which depict the former “Dear portfolios. Stettinius, having al- tersection of tourism, colonialism he has captured during his long ca- long-time publisher of Shots maga- grandmother’s Nazi sympathies Mick Jagger, Madonna, Pharrell our times and bringing up a world Leader” of North Korea, often ac- ways contributed to these class and tropicality. This deluxe large- reer—many of them famous, some zine—follows in the steps of André in a film called Mormor, Hitler och Williams, Bono, Prince, Keith both familiar and incongruous. companied by military personnel or portfolios, decided to get a perm at format volume features hundreds anonymous, all of them unforget- Breton (from whom he borrows his jag (Grandmother, Hitler and I). Richards, Chet Baker, James From the very first page (there is senior advisers, engaged in the act a hair salon and then visit a com- of fascinating and unique photo- table. Beautifully presented in a gift title), exploring what he calls “sub- A master of the Leica M4 snapshot Brown, Joey Ramone and Cyndi no title page), Feldmann’s carefully of looking at things. Since its cre- mercial photography studio to get graphs that span 100 years of box with a drawer and an acetate terranean beauty.” Darkly atmos- in the vein of Ed van der Elsken Lauper, and bands such as The composed sequencing and design ation in October 2010, Rocha has a studio portrait. Thus an acciden- Caribbean history, culture, industry slipcase, Bailey’s Box of Postcards pheric sequences of surrealistic and Daido Moriyama, De Geer Replacements, The Beastie Boys, invites the reader to interpret the posted photographs appropriated tal collaboration was born. Terry and more, as well as the subse- includes portraits of celebrities photographs become a metaphor captures the world with intimate REM and more. Alongside black-and-white photographs as a from the North Korean Central Brown was the studio photogra- quent diaspora of its people to such as Michael Caine, Jean for the unconscious and the mys- informality, in black-and-white Feingold’s black-and-white and narrative—something that is only News Agency, which he matches pher at Mangini Studio at the time, America, England and elsewhere. Shrimpton, Marianne Faithful, Patti terious, dark corners of the psy- photographs that, in this slim, color photographs, this volume intermittently possible, but com- with deadpan captions: “looking at and she wound up with the task of The photographs show the many Smith, Bob Dylan, Damon Albarn, che. Suggesting loose, intuitive affordable volume (most of De includes an introduction by pelling and almost inevitable—like cows”; “looking at blue rods”; delivering a traditional studio ways in which the region has been David Bowie, Jack Nicholson, relationships between the works of Geer’s previous photo books are Anthony DeCurtis, a Grammy a photo book in comic-book form. “looking at pastry”; “looking at a shoot. Brown has been delivering portrayed, from tropical backdrop Man Ray, Salvador Dalí, Jane contemporary artists, Joslin cre- out of print and extremely rare), Award winner and noted music Most of the images include faces, metalworker”; “looking at a DVD the goods since, recording each of tourism and hedonism to Birkin, Vivienne Westwood, ates four visual narratives associ- writer. and occasionally, familiar figures labeling machine.” This hilarious hairstyle that Stettinius has put are beautifully reproduced on ated in tone, emotion and formal colonial outpost and revolutionary Beyoncé and Desmond Tutu. such as Mohammed Ali, Isabella book collects a series of the blog’s together. Seven years and nearly heavy-weight newsprint, in an DAMIANI structure, but requires that his threat in North America’s own NATIONAL PORTRAIT GALLERY Rossellini or Henry Miller loom out most memorable photographs and 50 studio portraits later, this informal zine style. 9788862083119 U.S. | CDN $ 45.00 readers and viewers render for backyard. The introduction is by Hbk, 10.25 x 10 in. / 108 pgs / 9781855144910 U.S. | CDN $ 29.95 from the image continuum, among includes an essay by visual culture project has been gathered in this BOO-HOORAY NR50 themselves the hidden, connective Paul Gilroy, author of The Black illustrated throughout. those whose anonymity endows writer Marco Bohr. extraordinary and witty volume. 9781938265273 U.S. | CDN $ 20.00 September /Photography/Music Boxed, 5 x 6.5 in. / 36 pgs / 8 color / layers of meaning. Atlantic, There Ain’t No Black in the book with a sense of vast scale FLAT40 28 b&w. JEAN BOÎTE ÉDITIONS CANDELA BOOKS Pbk, 8 x 10.5 in. / 80 pgs / 81 b&w. the Union Jack and Black Britain: August / Photography and reach, as if traversing the en- CANDELA BOOKS 9782365680028 U.S. | CDN $ 39.95 9780984573943 U.S. | CDN $ 55.00 June /Photography A Photographic History (2004), 9780984573936 U.S. | CDN $ 45.00 tire history of photography. Hbk, 6.75 x 9.75 in. / 192 pgs / Hbk, 8.5 x 10.5 in. / 96 pgs / Hbk, 7 x 9.5 in. / 128 pgs / 72 color. among others. ALSO AVAILABLE 80 color. 54 color. November / Photography David Bailey: Bailey WALTHER KÖNIG, KÖLN July / Photography/Artists’ November / Photography SOUL JAZZ BOOKS 9783863354794 U.S. | CDN $ 19.95 Exposed Books/Asian Art & Culture 9780957260030 U.S. | CDN $ 49.95 EXHIBITION SCHEDULE 9781855144668 Pbk, 4.5 x 6.5 in. / 265 pgs / Hbk, 12 x 12 in. / 200 pgs / 150 color / 800 b&w. Richmond, VA: Candela Gallery, Flexi, U.S. | CDN $19.95 11/14 150 b&w. National Portrait Gallery June / Photography/Artists’ Books October / Photography

108 artbook.com artbook.com 109 Science and abstraction in contemporary photography HIGHLIGHTS ■ LIMITED EDITIONS

LucTuymans: WennderFrühling RobertShults:The Kommt SuperlativeLight XavierGuardans: Edited by Patrizia Dander. Text by Stephanie Rosenthal, Introduction by Todd Ditmire. Windows Luc Tuymans, Verena Herber. EdgarMartins: Text by Rudy Rucker. SarahSchönfeld: LimitedEdition TheWayWeWere: The Superlative Light presents a Stefanheyne: Google,Volume1 This volume documents a solo TheRehearsal AllYouCanFeel Text by Christopher Harth, ThePhotography Edited by King Zog. exhibition at the Haus der Kunst in layperson’s awestruck experience Text by Matthias Harder, Alexander NakedLight Amanda Schmitt. ofSpaceandthe ofjulianWasser Munich in 2008 by Luc Tuymans of the Texas Petawatt Laser, an un- Klose, Jeannie Moser, Christina The photographs of Stefan Heyne Windows is the debut volume of Google, Volume I reproduces the PoeticImpossibility LimitedEdition (born 1958). While the retrospec- paralleled research facility which Vagt, Anna Zett. (born 1965) are emphatically non- photographer Xavier Guardans first image shown by a Google All You Can Feel documents a re- tive assembled 90 representative toManagethe produces the most powerful laser representational. The artist omits (born 1954). This limited edition of Edited by Brad Elterman. Text by Image search for every word in the markable new project by Berlin- Julian Wasser. works from the last 30 years of the Infinite pulse anywhere in the world. elements that generally define a the trade volume is slipcased and dictionary. London-based artists based photographer Sarah This limited edition of Julian Felix Heyes and Ben West (King artist’s career, the strength of the Text by Sérgio Mah, João Seixas, Texas-based photographer Robert photograph, forgoing the use of includes a signed and numbered Schönfeld (born 1979), for which Wasser’s long-overdue first mono- exhibition lay not only in the art John Gribbin, Leonor Nazaré, Shults’ series of images draws any identifiable motif. Instead he print. Guardans’ portraits of indi- Zog) used the Oxford English Sean Blair. she entirely set aside her camera. graph includes a print signed and displayed, but also in the location: upon the visual traditions of “grade creates abstract photographs that viduals from a variety of Kenyan Pocket Dictionary and its 21,110 Though a notoriously secretive or- Obtaining a variety of both legal numbered by Wasser. The book the Haus der Kunst, built on B” science-fiction cinema in its ex- are honed to perfection by paring tribes—including Turkana, Sam- words as the basis for this project, ganization, in 2012 the European and illegal drugs—from heroin, co- presents a panorama of a bygone Hitler’s orders in 1933, was used ploration of a truly unique space his imagery to a blurred play of buru, Masai, Rendille, Gabra and which conceptually contrasts the Space Agency (ESA) allowed Por- caine, MDMA, speed and crystal Los Angeles: Joan Didion leaning to exhibit German art “by and for where some of the most extreme light and shadows with no indica- Pokot—were shot through the definitiveness of a linguistic dic- tuguese photographer Edgar Mar- meth to caffeine, Valium, Prozac, against a Corvette Stingray; Marcel the people” and quickly became a conditions in the universe are tion of form. In his most recent window of his Toyota Land Cruiser. tionary that is updated annually tins (born 1977) to explore their Ritalin, synthetic hormones, Duchamp playing chess at his center of cultural propaganda for recreated, recasting real working series of works, Heyne even avoids His world is both dark and light, with Google’s definition of the facilities. The photographs col- dopamine, serotonin and adrena- seminal 1963 Pasadena exhibition; the Nazi regime. In this space, scientists as the heroes of an the use of soft focus as an artistic and is elegantly expressed in his most relevant image for a given lected here depict more than 15 line—Schönfeld dropped liquid Jack Nicholson and Angelica Hus- Tuymans’ works, often concerned imaginary epic. The book features device and emphasizes, in con- choice of black-and-white film. word—which is, of course, in ESA facilities—test centers, robot- mixtures of these drugs onto an ex- ton at Jack’s Mulholland Drive with power relations and twentieth- a scientific introduction by Dr. trast, the high-definition reproduc- These images balance the solid continual flux. Nonetheless, this ics departments, jet propulsion lab- posed negative film, creating home; images of California coun- century history, were grouped into Todd Ditmire, director of the Texas tion of perhaps one of the purest and ephemeral. Windows is the volume ostensibly offers the most oratories, space simulators, unique reactions on the film’s coat- terculture such as the Hog Farm “islands of meaning” to create a Petawatt at the University of Texas motifs of all: the cloudless sky, first in a series of five books to neutral basic reference for describ- astronaut training centers and ing. She then enlarged the negative Commune in Sunland; surfers in narrative that would resonate with at Austin, as well as an original sci- photographed by the artist from be published featuring Guardans’ ing our world in visual terms. more—scattered throughout the to produce the otherworldly and Malibu Beach; the Beatles, the the museum, and Tuymans further ence fiction story by award-win- the window of an airplane. The long-term photographic projects. Retaining the conventional alpha- Beach Boys, the Byrds, Frank conceived of a site-specific mural. world. Though Martins’ photo- ning author and mathematician enchanting abstractions gathered color spectra of pure light that are betical structure of a dictionary, DAMIANI Zappa and Joni Mitchell; the Watts graphs aim for total reproductive Rudy Rucker. Additionally, each in this beautiful volume. The aston- and listing all of the “source In this volume, Tuymans himself revealed in these images seem 9788862083508 U.S. | CDN $ 390.00 riots; and Roman Polanski at his guides the reader through the fidelity, their very simplicity and copy of the volume includes a ishing and colorful imagery within blurry and out of focus, but in SDNR20 words” in an appendix, Google, house on Cielo Drive after the mur- exhibition and offers new perspec- starkness disassembles space, unique bookmark made from spe- these works variously evokes plan- fact are not. In these photographs, Slip, Clth, 12 x 12 in. / 80 pgs / Volume I is the first edition of a dic- 40 b&w / Signed & numbered edition der of Sharon Tate in 1969. tive on his works’ relations both to provoking contemplation of the cialized laser “burn paper” with an ets, crystals, snowflakes, land- the viewer is confronted with an tionary that will be updated with of 40 copies. aesthetic, material and discursive scapes, embryos or close-ups of each other and to the installation image etched directly onto its sur- endless depth of space. Heyne September /Limited & Special Editions/ DAMIANI each new volume of the dictionary | space. The book includes an ex-lib- potentialities of these highly confi- face by the Texas Petawatt. minerals. These forms—sometimes thus achieves the most radical Photography 9788862083775 U.S. CDN $ 700.00 it is based upon. It is handsomely SDNR20 dential areas. Martins’ project does raggedly biomorphic, sometimes bound in marbled paper over ris bookplate signed by Tuymans. DAYLIGHT BOOKS degree of abstraction in his work Slip, Hbk, 9.5 x 12.5 in. / 144 pgs / not end with this volume: between perfectly spherical—are presented Limited quantity available. 9780989798129 U.S. | CDN $ 39.95 to date. illustrated throughout / Signed & boards. Only 300 copies are avail- 2014 and 2018, his exploration of Flexi, 9 x 8 in. / 84 pgs / 42 duotone. against a black background that numbered edition of 50 copies. able. LUDION HATJE CANTZ the ESA will continue in the form October / Photography enhances their special luminosity. September /Limited & Special 9789491819032 U.S. | CDN $ 150.00 9783775738415 U.S. | CDN $ 60.00 JEAN BOÎTE ÉDITIONS of audience-driven events, such as The relationships between alchemy, Editions/Photography SDNR30 Pbk, 9.5 x 11.5 in. / 128 pgs / 9782365680059 U.S. | CDN $ 140.00 Hbk, 19.25 x 13.5 in. / 88 pgs / seminars, exhibitions and forums. pharmacology, photography and 45 color. Hbk, 8.5 x 11.75 in. / 1,328 pgs / ALSO AVAILABLE ALSO AVAILABLE 100 color / Edition of 600 copies. October / Photography 2,241 color. LA FÁBRICA psychology are discussed in four Xavier Guardans: Julian Wasser July /Art/Limited & Special Editions July / Artists’ Books/Limited & Special 9788415691686 U.S. | CDN $ 60.00 essays. Windows 9788862083492 Editions Hbk, 9.5 x 12.5 in. / 184 pgs / 9788862083232 Hbk, U.S. | CDN $60.00 KERBER illustrated throughout. Clth, U.S. | CDN Damiani 9783866789005 U.S. | CDN $ 50.00 September / Photography $60.00 Hbk, 9.75 x 13 in. / 96 pgs / 31 color. Damiani August / Art/Photography

110 artbook.com artbook.com 111 American painters of the 1950s–60s HIGHLIGHTS ■ ART CyTwombly:Paradise jasperjohns:Regrets Edited by Julie Sylvester. Foreword by Text by Ann Temkin, Christophe Cherix. Eugenio Lopez Alonso. Preface by Patrick In June 2012, Jasper Johns encountered a Charpenel. Text by Philip Larratt-Smith. photograph of the painter Lucian Freud re- This book accompanies the much-anticipated produced in a Christie’s auction catalogue. 2014 exhibition Cy Twombly: Paradise, at Inspired not only by the image, but by the Museo Jumex in Mexico City—the first time a physical qualities of the photograph itself, comprehensive exhibition of the American Johns took this motif through a succession artist’s work has been mounted in Latin Amer- of cross-medium permutations. He also ica. The exhibition and book include works incorporated into his art the text of a rubber on paper, paintings and sculpture that span stamp he had had made several years Twombly’s career, from early works of the earlier to allow him to efficiently decline the 1950s to the Camino Real series of paintings myriad requests and invitations that come that he completed shortly before his death his way: “Regrets/Jasper Johns.” But the in 2011. The book includes 57 works of art, stamp’s text also calls to mind the more fa- along with double-page, full-bleed detail miliar connotations of regret, such as loss, photographs that capture Twombly’s dramatic disappointment and remorse, evoking an gestural style and lush palette. An essay by enigmatic sense of melancholy. Published in curator and author Philip Larratt-Smith contex- conjunction with an exhibition of this series tualizes the works and this monumental exhi- of paintings, drawings and prints created bition. In his essay, Larratt-Smith considers over the last year and a half through an the abiding presence of Roman and Greek intricate combination of techniques, this THE MUSEUM OF MODERN ART, NEW YORK mythology in Twombly’s art: “For Twombly, ALSO AVAILABLE 9780870709586 U.S. | CDN $ 24.95 publication presents each of the new A Thing Among Things: the myths of antiquity are dreams and mirrors. Hbk, 9 x 10.5 in. / 72 pgs / 45 color. works in full color. An essay by Ann Temkin, The Art of Jasper Johns Mythical characters are archetypes, and the July / Art Chief Curator of Painting and Sculpture, 9781933045627 sequence of events follows an oneiric logic Hbk, U.S. | CDN $39.95 and Christophe Cherix, Chief Curator of EXHIBITION SCHEDULE that is intuitively convincing even when New York: The Museum of Modern Art, D.A.P./Distributed Art Publishers Drawings and Prints, The Museum of irreducible to reason. Twombly finds his own 03/15/14–09/01/14 Modern Art, examines the importance of passions reflected in the external patterns of Ellsworth Kelly: The Chatham process and experimentation, the cycle Series myth; the mirroring effect between aesthetic of dead ends and fresh starts, and the 9780870708732 experience and psychic response is profound incessant interplay of materials, meaning, Hbk, U.S. | CDN $22.95 and generative. His works are never literary The Museum of Modern Art, and representation so characteristic depictions of a myth, though myth may New York of Johns’ career over the last 60 years. suggestively open the work up to narrative. Myth permits emotional expressivity without disclosing biographical origins and, conversely, provides an objective correlative AlexKatz:45YearsofPortraits1969–2014 to the realm of sexuality and fantasy.” Edited by Alessandra Bellavita, Séverine Waelchli. Text by Adrien Goetz, Suzy Menkes. Alex Katz: 45 Years of Portraits 1969–2014 explores the ongoing importance of the figure in the artistic output of Alex Katz (born 1927). This volume collects some 100 works, from classic paintings of the 1960s and 1970s to more recent work ranging stylistically from large-scale works to intimate and cursory sketches and Katz’s relatively lesser-known and less-exhibited “cutouts,” which have the appearance of autonomous silhouettes detached and floating in the exhibition space. In juxtaposing DAMIANI works from different styles and periods in his creative life, this series gives rise to an often overlooked 9788862083768 U.S. | CDN $ 60.00 narrative dimension in Katz’s oeuvre. Alongside these figural works, the catalogue features original Clth, 9.75 x 13.5 in. / 172 pgs / 90 color. essays by writer and art historian Adrien Goetz—who examines Katz’s work in light of works by September / Art Dominique Ingres, Edouard Manet and Edgar Degas—and fashion journalist Suzy Menkes, who EXHIBITION SCHEDULE considers Katz in the context of style and fashion. Mexico City, Mexico: Museo Jumex, 06/05/14–10/12/14 GALERIE THADDAEUS ROPAC, PARIS/SALZBURG 9782910055585 U.S. | CDN $ 50.00 Hbk, 8.5 x 11 in. / 136 pgs / 102 color. July / Art

EXHIBITION SCHEDULE Paris, France: Galerie Thaddaeus Ropac, 03/02/14–07/12/14

112 artbook.com artbook.com 113 German painters of the 1960s–70s HIGHLIGHTS ■ ART GerhardRichter: Pictures/Series Edited with text by Hans Ulrich Obrist. Text by Georges Didi-Huberman, Dietmar Elger, Michiko Kono, Dieter Schwarz. Over the 60 years of his artistic career, Gerhard Richter (born 1932) has produced a standard-setting oeuvre whose thematic and stylistic diversity has no equal among the art of our time. This extensive monograph is the first to present the complete range of the numerous works Richter realized as series, cycles and spaces. It includes figurative paintings, such as landscapes, still lifes and portraits, many of which are based on photographs, such as the series S. and Child, a personal and intimate variation on the traditional subject of the Madonna and Child. It

HATJE CANTZ ALSO AVAILABLE also features abstract works, for 9783775738057 U.S. | CDN $ 75.00 Gerhard Richter: Patterns which Richter draws from a chang- Hbk, 11 x 12.5 in. / 256 pgs / 180 color. 9781935202981 ing repertoire of forms and colors to August / Art Hbk, U.S. | CDN $45.00 D.A.P./Distributed Art Publishers produce both small and monumen- EXHIBITION SCHEDULE tal paintings. Basel, Switzerland: Fondation Beyeler, 05/15/14–09/07/14

GerhardRichter:books MartinKippenberger:CatalogueRaisonnéofthePaintings Text by Dieter Schwarz. Interview by Hans Ulrich Obrist. Volume4,1993–1997 Gerhard Richter (born 1932) is predominantly known for his paintings and drawings, which Text by Isabelle Graw, Tim Griffin. strike a playful balance between photo-realism and abstraction, while at once delving into often Although Martin Kippenberger (1953–1997) was prolific in many media, it was in painting that his enduring controversial political commentary. His works have explored a multitude of media, from photo- achievements were made. His relationship to the medium was intensified by his feeling that he was working based, monochrome and brightly colored paintings to ink-doused papers and thin, multicolored against “a perceived death of painting,” and that producing anything original was an impossibility. One famous in- strips of pure pattern. Beyond his artistic works, and particularly in recent years, Richter stance of his tormented and irreverent attitude to painting was his integration of an all-gray abstract painting by has published extensively on his vision of art and artistic values: in letters, interviews, public Gerhard Richter (which he had purchased) into the top of a coffee table. The fruit of several years’ labor by Kippen- statements, excerpts and articles, Richter has established himself as a brilliant advocate of berger’s estate, this first volume of the catalogue raisonné of Kippenberger’s paintings contains details of all works contemporary painting. Richter has also increasingly explored the possibilities of the book as made from 1993 to 1997. The entries for these 225 paintings include catalogue number, title, year, media, dimen- medium in a series of extraordinary artist’s books. Gerhard Richter: Books takes an in-depth look sions, inscriptions, provenance, exhibitions and bibliography. Each work is reproduced in full color, along with any at his work in this medium. It features a book-length interview with the artist by internationally relevant source materials (where applicable). This volume also contains an overview of unfinished works. Each se- renowned art critic and historian Hans Ulrich Obrist, who walks us through the Richter archive ries or group of works is presented as a separate chapter with its own commentary covering the genesis of the and discusses the work with the artist himself, affording the reader an entirely new perspective works as well as references to both Kippenberger’s own work and that of other artists. This volume also contains a on his works. The book also includes a new text by Kunstmuseum Winterthur director Dieter chronological list of works with black-and-white thumbnails, a chronological list of exhibitions and a bibliography ALSO AVAILABLE Schwarz. that reflects Kippenberger’s very particular use of the terms “exhibition catalogue,” “artist’s book” and “book.” Kippenberger 9780982964286 GREGORY R. MILLER & CO. WALTHER KÖNIG, KÖLN Pbk, U.S. | CDN $29.95 9781941366011 U.S. | CDN $ 24.95 9783863354817 U.S. | CDN $ 395.00 FLAT40 J&L Books Flexi, 5.75 x 8.25 in. / 122 pgs / 24 color. Clth, 9.5 x 11.5 in. / 480 pgs / 480 color / 230 b&w. September / Art/Nonfiction & Criticism September /Art

114 artbook.com artbook.com 115 Major museum shows from MoMA PS1’s Peter Eleey HIGHLIGHTS ■ ART Sturtevant jamesLeebyars:1/2anAutobiography, Text by Peter Eleey. Interview by Bruce Hainley and Michael Lobel. Sourcebook Sturtevant has been repeating the works of her contemporaries since 1964, Edited by Magalí Arriola, Peter Eleey. Interview by David Sewell. using some of the most iconic artworks of her generation as a source and ”I see my autobiography as an arbitrary segment of so many pages of time, of things that I catalyst to explore originality and authorship. Beginning with her versions of have paid attention to at this point in my life,” wrote James Lee Byars (1932–1997) in 1969. works by Jasper Johns and Andy Warhol, Sturtevant initially turned the visual He was then 37, about half the average male lifespan at the time, and accordingly thought it logic of Pop art back on itself, probing uncomfortably at the workings of art appropriate to write his “1/2 autobiography.” Byars’ art ranged from highly refined objects history in real time. Yet her chameleonlike embrace of other artists’ work is to extremely minimal performance and events, and books, ephemera and correspondence also what has allowed her to be largely overlooked in the history of postwar that he distributed widely among friends and colleagues. Today, more than 15 years after his American art. As a woman making versions of the work of better-known male death, assessments of his art must negotiate Byars’ performance of his charismatic self in artists, she has passed almost unnoticed through the hierarchies of mid-century his life and art. For his first major posthumous survey in the US, exhibition curators Magalí modernism and postmodernism, at once absent from these histories while Arriola and Peter Eleey decided to produce a catalogue in two “halves,” playing on his “1/2 nevertheless articulating their structures. Published to accompany the first autobiography”: a catalogue of the exhibition itself, including new scholarship, and a retrospective of her work organized by a US museum, this publication presents sourcebook of primary documents. 1/2 an Autobiography, Sourcebook constitutes the latter Sturtevant as an artist who adopts style as her medium to expose aspects of volume—a reference guide filled with photographs and documents drawn from a variety of art making, circulation and canonization. Featuring works drawn from all archival sources, including The Getty Research Institute, the Berkeley Art Museum and Pa- periods of her career and previously unpublished sketches from her archive, it cific Film Archives, MoMA and Byars’ own papers. This volume also includes a series of links Sturtevant’s earliest repetitions to the video works she has produced since previously unseen interviews that artist and art historian David Sewell conducted 1998, providing a comprehensive overview of her practice while situating it with Byars in the late 1970s in preparation for a book that was never published. These dis- firmly within postwar American culture. cussions cover a number of Byars’ major projects, among them The World Question Cen- Sturtevant was born in Lakewood, Ohio, in 1924. She had her first solo ter, The Holy Ghost and the artist’s time at CERN. show in 1965 at the Bianchini Gallery in New York. Solo exhibitions of her work WALTHER KÖNIG, KÖLN/MOMA PS1/MUSEO JUMEX have since been held at Deichtorhallen, Hamburg (1992), Museum für Moderne 9783863355111 U.S. | CDN $ 45.00 Kunst, Frankfurt (2004), Musée d’Art Moderne, Paris (2010) and Moderna Flexi, 6.75 x 9.5 in. / 304 pgs / 213 color / 87 b&w. Museet, Stockholm (2012). In 2011, Sturtevant received the Golden Lion for June / Art lifetime achievement at the 54th Venice Biennale. EXHIBITION SCHEDULE THE MUSEUM OF MODERN ART, NEW YORK New York: MoMA PS1, 06/15/14–09/07/14 9780870709494 U.S. | CDN $ 50.00 Hbk, 9.5 x 12 in. / 200 pgs / 130 color. jamesLeebyars:1/2anAutobiography, November / Art ExhibitionCatalogue EXHIBITION SCHEDULE Text by Peter Eleey, Magalí Arriola, Ana Janevski, Pan Wendt, Shinobu Sakagami. New York: The Museum of Modern Art, 11/09/14–02/22/15 Famous for his performances “The Death of James Lee Byars” and “The Perfect Smile,” and for sculptural works that have been described as “austere and rococo, understated and flamboyant,” James Lee Byars (1932–1997) was a legend in his lifetime and an enduringly influential artist since his death at the age of 65. His preferred materials were characterized by strong colors—black, red, gold, pink—and by a sensuous luxuriance, as in his use of folded Japanese paper or silk. This second volume of the two-volume catalogue accompanying the first major posthumous survey on Byars in the US constitutes the catalogue “proper” (the first volume being conceived as a sourcebook), and includes images of works well beyond the scope of the show. Through a selection of more than 125 sculptures, costumes, performable paper works, films, ink paintings, correspondence, ephemera, live per- ALSO AVAILABLE formances and documents, the catalogue represents the full scope of the artist’s work. It Sturtevant: The Razzle Dazzle focuses on the ephemeral and intangible nature of much of Byars’ art, and features several of Thinking 9783037640906 critical texts, including curatorial texts by Peter Eleey and Magalí Arriola; an essay on Byars’ Hbk, U.S. | CDN $55.00 early performances by Ana Janevski from the Department of Media and Performance at JRP|Ringier MoMA; an essay focusing on his “costume” and performable fabric works by art historian, Pan Wendt; and curator Shinobu Sakagami on Byars’ time in Japan.

Sturtevant: Image Over Image WALTHER KÖNIG, KÖLN/MOMA PS1/MUSEO JUMEX 9783037642825 9783863355128 U.S. | CDN $ 60.00 Pbk, U.S. | CDN $24.95 Flexi, 6 x 9 in. / 352 pgs / 109 b&w / 243 color. JRP|Ringier August / Art

EXHIBITION SCHEDULE New York: MoMA PS1, 06/15/14–09/07/14

116 artbook.com artbook.com 117 Pioneers of installation and assemblage HIGHLIGHTS ■ ART Georgeherms:TheRiver book Text by Dave Hickey, George Herms. George Herms: The River Book is the first-ever comprehensive publication on acclaimed and pivotal California assemblage artist George Herms (born 1935). The handsome, two-volume slipcased book covers his earliest works from the 1960s, through his influential assemblages from the 1970s to today, as well as his work on such films as Easy Rider, his set designs for poet and playwright Michael McClure and dancer/choreographer Fred Herko, and his fascinating collaborations with, among others, Diane di Prima and Wallace Berman, for his LOVE Press series of hand-printed books. Interspersed throughout are comments by Herms on various works and on his creative ethos. Also included is a trove of never-before-seen archival photographs of Herms’ friends, such as Wallace and Tosh Berman, Fred Herko, Diane di Prima, Kirby Doyle and Ray Johnson, as well as of Herms himself. A bonus DVD showcases the entirety of Herms’ opera The Artist’s Life. Renowned art critic Dave Hickey provides an insightful look at the artist and his milieu, and the artist himself offers witty and informative text throughout. This is truly an essential book for anyone interested in California art, the Beats, avant-garde theater and film, and fine-art printing. 65 years of Christo and Jeanne-Claude, with a wealth of archival HAMILTON PRESS 9780615953915 U.S. | CDN $ 95.00 Slip, Hbk, 2 vols, 8.5 x 11 in. / 408 pgs / 154 b&w / material 244 color / DVD (NTSC). August / Art Christoandjeanne-Claude:In/OutStudio Edited with text by Matthias Koddenberg. Christo (born 1935) and Jeanne-Claude (1935–2009) have created some of the most visually breathtaking works of the twentieth and twenty-first centuries. Their projects have traversed and transcended the boundaries of painting, sculpture and architecture. This lavishly designed, epic volume brings together a wealth of archival material and photographic documentation to offer an intimate behind-the-scenes view of the monumental installations with which the couple have dazzled the public. Photographs portraying the artists at work are supplemented by pictures of all their major projects—Wrapped Coast (1968–69), Valley Curtain (1970–72), Running Fence (1972–76), Surrounded Islands A gorgeous two-volume survey on the (1980–83), The Pont Neuf Wrapped (1975–85), The Umbrellas (1984–91), Wrapped Reichstag (1971–95) and The Gates (1979–2005)—as well as reproductions of drawings, collages and objects. Matthias Koddenberg, art historian and California assemblage virtuoso close friend of the artists, spent many years compiling the more than 250 mostly unpublished photographs and illustrations assembled here. Many of them show works that were previously unknown or thought lost, including early

drawings and paintings dating back to when Christo was still studying art in Bulgaria. Others document temporary ALSO AVAILABLE sculptures—Wrapped Woman (1962, 1963 and 1968), Wrapped Volkswagen (1963) and Wrapped Tree (1966 and Charles Brittin: West and South VERLAG KETTLER/D.A.P. 1969)—or works that were intentionally destroyed and only survive as photographs. The publication was put together 9783775728362 9781938922510 U.S. | CDN $ 65.00 in close collaboration with Christo and includes documentation by renowned photographers such as Ugo Mulas, Enzo Hbk, U.S. | CDN $60.00 Hbk, 8 x 11 in. / 304 pgs / illustrated Hatje Cantz throughout. Sellerio, Harry Shunk and János Kender, Charles Wilp and Wolfgang Volz, who has documented all of the artists’ proj- October / Art ects since 1971, together with photos by associates and friends as well as pictures from the artists’ private archives.

118 artbook.com artbook.com 119 Collage HIGHLIGHTS ■ ART

RobertSeydel: SongsofS. Afterword by Peter Gizzi. PREVIOUSLY ANNOUNCED S., another persona invented by RichardMeier: RichardKraft: RobertSeydel: artist and writer Robert Seydel, SimonEvans was a recluse who kept a great li- Album EvaKotatkova Timepieces hereComesKitty APictureIs SomeCanterbury Edited with text and foreword by brary which he suddenly aban- Edited by Eline Mugaas, Elise Edited by Vit Havranek. Text by 50YearsofCollage AComicOpera Alwaysabook Storsveen. Elodie Evers, Jacob Fabricius. Text doned along with a manuscript of Tales Eva Kotatkova. Edited by Krystyna Gmurzynska, by Jens Hoffmann, Anders Kold, FurtherWritingsfrom This publication collects the first Text by Danielle Dutton. poems and a slim stack of draw- byGeoffreyChaucer. This publication presents 300 re- Mathias Rastorfer, Isabelle Bscher. Will Self, Dana Ward. Interview by bookofRuth ten issues of Album magazine, cre- Text by Richard Meier, Judd Tully. Jacob Fabricius. In this wildly irreverent collage Illustrations by Marvin Gaye cently realized collages by Czech Artist and writer Robert Seydel ings. These poems—hypnotic, dis- narrative, Los Angeles artist Chetwynd. ated by artists Eline Mugaas, artist Eva Kotatkova (born 1982). Richard Meier: Timepieces gives a Working with maps, plans and (1960–2011) often used personas tilled, obsessive and playful—are Richard Kraft reassembles a In her inventive rendition of chiefly a photographer, and Elise This new body of work is pre- thorough overview of the Pritzker words, realized in works on paper and fictional constructs in a vast written by Seydel as S., whom he pre-perestroika era comic about a Chaucer’s The Canterbury Tales Storsveen, who works primarily in sented as having been compiled Prize-winning architect’s five- and in sculptural forms such as body of work that incorporated devises as a naïf, suffering bouts of Polish spy infiltrating the Nazis, or- for Four Corners’ Familiars series, painting, collage and textile. Each from an imaginary schoolbook decade-long involvement with his globes and pyramids, London- collage, drawing, photography and madness and apophenia. Seydel chestrating a multiplicity of voices artist Marvin Gaye Chetwynd (born issue of the magazine grapples from the 1980s, when the artist own art-making practice of collage. born, Brooklyn-based artist Simon writing. His primary alter ego Ruth described S. in his notebooks as “a into joyous cacophony. Like an 1973) selects her favorite of the with a different theme: heterosexu- was growing up in Prague, under Like his architecture, Meier’s col- Evans (born 1972) painstakingly di- Greisman—banker by day, artist by small ghost who lived alone in an Indian miniature painting, each tales—the Prologue, The Miller’s ality, commodities and commodifi- the totalitarian regime of that lages are clean and methodical on agrams everyday concerns such as night, friend of Marcel Duchamp apartment in a house in Amherst, comic book page is densely lay- Tale, The Reeve’s Tale, The Friar’s cation, the “lonely man,” decade. The images—which often the surface, the images delineated drugs, advice, loneliness and all and Joseph Cornell—lived in on a gray street and around the ered, collapsing foreground and Tale, The Merchant’s Tale, The Wife femininity, architecture, the desire feature drawn embellishments by by an unchanging grid. Within the manner of everyday phenomena Queens, caring for her shell- corner from Emily Dickinson’s background, breaking the frame of Bath’s Tale, The Summoner’s for children, outer space, the cre- Kotatkova—largely consist of chil- grid, images range from the erotic and personal experience. Evans’ shocked brother, a veteran of manse on Main Street. He wrote and merging time. An enormous Tale and The Pardoner’s Tale—and ative female and nature. Each dren playing games or interacting to painterly illustration, referencing works, with their laboriously hand- WWI. This book collects Ruth’s prolifically—these small songs & in cast of characters emerges as sets them against hundreds of col- theme is explored entirely through with various other collaged com- popular culture, art history and lettered, densely layered texts, offer “journal pages,” typed on paper a journal & drew as well, small Kraft appropriates images and lages. These eclectic illustrations found images or full pages taken ponents, such as anatomical parts, Meier himself. Often the collages what Jens Hoffmann calls, in his purloined from old photo albums strange drawings of heads like texts from an extraordinary variety reflect the artist’s participatory, from a variety of sources from the or being manipulated as puppets. are deeply personal and autobio- essay for this volume, “lucid com- and adorned with drawings, narrat- hillocks that stare out from the of sources (the Amar Chitra Katha communal energies: many of the 1960s to the 1970s, which range Kotatkova thus dramatizes relation- graphical, using everyday collected binations of explosive minutiae.” ing Ruth’s inner life and the tenu- small valleys of the Holyoke.” comics of Hindu mythology, photographs used were sent to her from Scandinavian advertisements, ships between people, ideas and objects such as theater and travel This monograph is the first com- ous creation of self. She says, “I’ll Siglio and Ugly Duckling Presse Jimmy Swaggart’s Old and New by friends and acquaintances or etiquette manuals, cookbooks and objects in elaborate psycho-physi- tickets, as well as intimate photo- prehensive overview of Evans’ invent who I am, against what is. have collaborated to publish the Testament stories, the 1960s are found images. Chetwynd cre- magazines to craft books and sex- cal dramas redolent of the writings graphs. The publication is fully il- unique art—long known only to a My time and name: a Queens of complete cycle of poems along English football annual Scorcher, ates a marvelous milieu of inter- education guides. Each thematic of Franz Kafka or Miroslav Holub. lustrated in color, featuring rare relatively small circle of curators the mind.” All of Ruth’s works— with a full-color 32-page booklet underground porn comics like locking allusions—medieval church issue provides a deftly arranged Interspersed among the collages documentary images showing and artists—spanning works made collages, journal pages and draw- entitled “Maybe S.” that repro- Cherry, images from art history, imagery, Baroque ornamentation, panoply of clever readings, made are installation photographs and Meier’s lifelong involvement with over the past 15 years. It examines ings—were purportedly discovered duces the drawings made by S. as outdated encyclopedias and more). Renaissance etching, natural-his- clear only through the artists’ jux- related documentation. Kotatkova the arts. Judd Tully and Richard Evans’ collage technique, his diaris- buried in boxes of miscellanea in well as handwritten excerpts from Kraft constructs a world constantly tory photography and absurdist, taposition of images. Album en- studied at the San Francisco Art In- Meier have both contributed texts tic notes and mapping strategies the Joseph Cornell Study Center at Seydel’s notebooks that reveal the in flux, rich with dark humor surreal imagery combines. With gages in a sophisticated stitute, and was acclaimed in The to what is the definitive volume on as well as the influence of literature the Smithsonian’s Archives of creation and revisions of this per- and revelatory nonsense. Author their intertwined, complex threads metanarrative on the human body, Guardian (UK) as a highlight of the this private aspect of Richard on his art, and includes essays by American Art and in the family sona and the mysterious, perme- Danielle Dutton’s interpolations and narrative qualities, the collages sexuality and the social lives of im- 2013 Venice Biennale (The Encyclo- Meier’s creative practice. Will Self, Jens Hoffmann, Anders garage. A definitive selection will able universe to which he belongs. punctuate the book. reflect Chaucer’s own eclecticism ages. pedic Palace). GALERIE GMURZYNSKA Kold and Elodie Evers, a poem by be exhibited at the Neilson Library, SIGLIO/UGLY DUCKLING PRESSE and produce similar moments of PRIMARY INFORMATION/TEKNISK 9783905792201 U.S. | CDN $ 45.00 Dana Ward and an interview with SIGLIO 9781938221057 U.S. | CDN $ 24.00 JRP|RINGIER Smith College. crude eroticism and ribaldry. INDUSTRI AS Hbk, 9.75 x 12 in. / 132 pgs / the artist by Jacob Fabricius. 9781938221088 U.S. | CDN $ 32.00 Pbk, 6 x 8.5 in. / 144 pgs / 16 color. 9783037643617 U.S. | CDN $ 49.95 9780985136499 U.S. | CDN $ 30.00 102 color. Hbk, 8.5 x 11.5 in. / 64 pgs / 64 color. SIGLIO/SMITH COLLEGE LIBRARIES October / Literature/Poetry/Artists’ Hbk, 9.5 x 6.75 in. / 400 pgs / FOUR CORNERS BOOKS Pbk, 8.5 x 11 in. / 430 pgs / Available /Art KERBER December / Artists’ Books 9781938221064 U.S. | CDN $ 36.00 Books 430 color / 35 b&w. 9781909829008 U.S. | CDN $ 30.00 420 color. 9783866788909 U.S. | CDN $ 55.00 Clth, 6 x 8.5 in. / 112 pgs / 73 color. October/ Art Pbk, 8.75 x 11.25 in. / 176 pgs / EXHIBITION SCHEDULE Pbk, 8.25 x 11.75 in. / 280 pgs / October /Artists' Books September / Artists’ Books/Literature 121 color. Los Angeles, CA: Charlie James 280 b&w. July / Literature/Artists’ Books August / Art Gallery, 01/15/15–02/28/15 EXHIBITION SCHEDULE Northampton, MA: Smith College, 09/02/14–12/15/14

120 artbook.com artbook.com 121 Video art and conceptual photography HIGHLIGHTS ■ ART AnneCollier Foreword by Madeleine Grynsztejn. Text by Michael Darling, Chrissie Iles, Kate Zambreno. New York–based conceptual photographer Anne Collier (born 1970) creates neutral images of objects that already exist in the world, often charged with un- dercurrents of emotional complexity and vulnerability. Her work deftly addresses subjects inherent to both the act and industry of photography while simultaneously lampooning clichés and uncovering hidden truths. Describing Collier’s work in Frieze magazine, the acclaimed author and critic Brian Dillon wrote, “Collier uncouples the machinery of appropriation so that her found images seem weightless, holding their obvious meaning in abeyance.” This volume, part of the MCA Monograph series, accompanies the first major solo US exhibition of Collier’s work. Alongside a selection of color plates, Michael Dar- DouglasGordon ling, James W. Alsdorf Chief Curator at the MCA, reviews the works in the ex- PREVIOUSLY ANNOUNCED T.j.Wilcox: PrettyMuchEveryFilm Monahatoum: hibition within the context of the artist’s career; Chrissie Iles, Anne and Joel IntheAir andVideoWorksfrom Turbulence Ehrenkranz curator at the Whitney Museum of American Art, examines the Christoph artist’s position within photographic and cinematic history; and novelist Kate Text by Chrissie Iles. Interview by about1992untilNow Edited by Sam Bardaouil, Zambreno considers the fragments of lost objects and what it means to collect. Schlingensief Kirsty Bell. Text by Odile Burluraux. Till Fellrath. Edited by Klaus Biesenbach, In the Air, an incredible view of In this artist’s-book-cum-career- Mona Hatoum: Turbulence, pub- MCA CHICAGO Anna-Catharina Gebbers, Aino New York from far up and all survey, Scottish video artist lished to accompany the artist’s 9781938922527 U.S. | CDN $ 35.00 Laberenz, Susanne Pfeffer. Contri- Hbk, 10 x 10 in. / 116 pgs / 55 color. around, is a critically celebrated Douglas Gordon (born 1966) first major exhibition in the Arab butions by Tilda Swinton, et al. September /Photography ode to the city from artist T.J. world, highlights the diverse artis- Christoph Schlingensief collects more than 100 stills from Wilcox (born 1965). The fascinating tic output of Mona Hatoum (born EXHIBITION SCHEDULE (1960–2010) was a German film his acclaimed films and video Annandale-on-Hudson, NY: CCS Bard Hessel Museum, 06/27/14–9/21/14 view from his 18th-floor studio on installations—designing them as 1952) over the past 30 years. Its and theater director, actor, artist Chicago, IL: Museum of Contemporary Art Chicago, 11/22/14–03/08/15 Union Square initially distracted centerpiece is the work Turbu- and author. Starting as an under- bound postcards that can be re- Aspen, CO: Aspen Art Museum: 04/02/15–07/05/15 Wilcox from his work, but ulti- lence. Placed exactly at the exhibi- ground filmmaker, Schlingensief moved and used. In the exhibition Toronto, ON: Art Gallery of Ontario: 09/26/15–01/10/16 mately inspired him to create this tion space’s center, this installation later began staging productions for this volume acompanies, the artist dazzling display. Using 60,000 indi- comprises a 13 x 13-foot square theaters and festivals, which often piled 101 monitors atop each vidual photographs, one shot every composed of thousands of glass provoked public controversy. Edited other, along with beer crates and second by four cameras over a pe- marbles laid directly into the floor. by his friends and associates Klaus stacks of books, to present 82 MikaRottenberg:TheProductionofLuck riod of 15 hours, the artist assem- The notion of “turbulence” as a Biesenbach, Anna-Catharina Geb- visual works in a single, nonhierar- Introduction by Christopher Bedford. Text by Julia Bryan-Wilson, Wayne Koestenbaum, bled a half-hour long “film in the conceptual framework for the ex- bers, Aino Laberenz and Susanne chical reenvisioning of his oeuvre. Mika Rottenberg. round.” Projected onto a circular hibition is derived not only from Pfeffer, Christoph Schlingensief in- Including iconic works such This volume offers a comprehensive look at the career of Mika Rottenberg (born 1976). screen, the film completely sur- this key piece, but also from the cludes over 500 pages of photo- as “24 Hour Psycho” (1993), Each chapter is devoted to one of the major videos/installations for which Rottenberg rounds the viewer. Superimposed thematic and formal dichotomies graphs from Schlingensief’s films, “Between Darkness and Light has become known, with an abundance of installation views, video stills, planning dia- on this 360-degree panorama are and unexpected juxtapositions plays and projects. In a preface, the (After William Blake)” (1997) and grams and source materials. Additional illumination is provided through texts by Rot- six vignettes, featuring a variety of within Hatoum’s work at large. As editors write: “Just how far ahead “Play Dead; Real Time” (2003), tenberg herself that accompany each project. The book also includes drawing and New Yorkers from all walks of life. collected in this volume, “turbu- of his time Christoph Schlingensief along with many of his most photography, significant bodies of work by Rottenberg not previously explored in book One, for example, focuses on An- lence” arises on three levels: the was with regard to artistic, political recent works, the exhibition and form. Also included is a major new text by award-winning poet, novelist, humorist and tonio Lopez, the fashion designer internal, as a questioning of her and social themes and subjects is this volume offer a unique, imagi- cultural critic Wayne Koestenbaum, as well as texts on the artist by Rose Art Museum who lost his life to AIDS and who own identity, confused by alien- evident only in retrospect ... He still natively realized survey. Gordon director Christopher Bedford, and author and theorist Julia Bryan-Wilson. The book was an inspiration to the teenaged ation and displacement; the pub- challenges and overwhelms view- provides concise and illuminating also contains a thorough biography and bibliography of the artist to date, making this a Wilcox; another features Andy lic, as a reflection upon common ers with his overflowing images, his notes on the work illustrated comprehensive resource on Rottenberg. Warhol; a third follows “John,” the notions of belonging and collec- deliberate confusion of fact and on the verso of each card. GREGORY R. MILLER & CO./ROSE ART MUSEUM super of the studio’s building, who tive memory; and formal, as an in- imagination, and the sociopolitical WALTHER KÖNIG, KÖLN 9781941366004 U.S. | CDN $ 55.00 describes witnessing 9/11. quiry into ways of expanding Hbk, 8 x 10 in. / 292 pgs / 204 color. volatility of the issues he tackles.” 9783863355258 U.S. | CDN $ 55.00 September / Art/Film & Video HATJE CANTZ FLAT40 artistic expression. WALTHER KÖNIG, KÖLN Hbk, 4 x 6 in. / 224 pgs / 102 color. 9783775737814 U.S. | CDN $ 45.00 SILVANA EDITORIALE EXHIBITION SCHEDULE 9783863354954 U.S. | CDN $ 59.95 Hbk, 11.75 x 9 in. / 80 pgs / 40 color. June / Art/Film & Video ALSO AVAILABLE Pbk, 7.5 x 10 in. / 544 pgs / illustrated 9788836628117 U.S. | CDN $ 45.00 Waltham, MA: The Rose Art Museum at July / Art/Film & Video Pbk, 9 x 12 in. / 192 pgs / 160 color. Brandeis University, 02/14/14–06/08/14 Mika Rottenberg throughout. EXHIBITION SCHEDULE 9780982681305 Available / Art/Film & Video Paris, France: Musée d’art moderne August / Art/Middle Eastern Art & Culture Hbk, U.S. | CDN $45.00 de la Ville de Paris, 03/07/14–12/14 Gregory R. Miller & Co. EXHIBITION SCHEDULE New York: MoMA PS1, 03/09/14–06/30/14

122 artbook.com artbook.com 123 Contemporary painting, drawing and artists’ books HIGHLIGHTS ■ ART DorothyIannone:ThisSweetnessOutside WilliamKentridge: ofTime SecondhandReading Text by Jan-Frederik Bandel, Michael Glasmeier, Annelie Lütgens, Susanne Secondhand Reading began life as a film Rennert. Interview by Maurizio Cattelan. constructed from a succession of drawings The art of Dorothy Iannone (born 1933) combines images and words to cele- made by William Kentridge (born 1955) in 2013, brate unfettered eroticism with jubilant delight and wit. Working autobiographi- on the pages of old books. Conceived as a kind cally in media such as artist’s books, collage, drawing, writing, sculpture and of secondhand reading in which books are video, she has long been recognized as a pioneering advocate of liberated fe- translated into a filming of books, it is both a male sexuality, and a revolutionary in the fields of artist’s books and video art in narrative—it begins at the beginning and will particular. Her immediately recognizable graphic style—always brightly chro- eventually get to the end—and an acknowledg- matic and peppered with linguistic embellishment—evokes both comic books ment of the necessity of repetition, inconsis- and illuminated manuscripts, and only grows more contemporary with the pass- tency and the illogical. One of today’s most ing of time. Dorothy Iannone: This Sweetness Outside of Time offers an overview preeminent and popular artists, Kentridge has of the artist’s distinguished half-century career, following the evolution of her made many flip books and book-length works work—almost fully formed from the start—as she traversed the globe, from that attest to his longstanding interest not only New York to Rekjavik, Düsseldorf to France and Berlin, in the company of artists in film (he has been making animated films for such as Daniel Spoerri, Robert Filliou and her longtime partner Dieter Roth, bat- two decades) but also in the relationship be- tling censorship and elucidating her vision of a joyous sexuality into a spiritual tween drawing, photography and filmmaking. quest for “ecstatic unity.” An interview with the artist conducted by Maurizio At 800 pages, Secondhand Reading is by far Cattelan plus various statements by companions and friends as well as a richly his most ambitious volume. An exquisitely illustrated biography round out this catalogue—the most comprehensive produced publication, it boasts a robust French- overview of her work to date. fold dustjacket.

KERBER FOURTHWALL BOOKS ALSO AVAILABLE William Kentridge & Peter L. Galison: The Refusal of Time 9783866789241 U.S. | CDN $ 50.00 9780992226312 U.S. | CDN $ 85.00 William Kentridge: Pbk, 9 x 10.5 in. / 184 pgs / 205 color / 55 b&w. Clth, 8 x 11 in. / 800 pgs / 800 color. The Refusal of Time 9783775728584 August / Art August /Artists’ Books 9782365110075 Pbk, U.S. | CDN $10.00 Clth, U.S. | CDN $125.00 Hatje Cantz Editions Xavier Barral

PREVIOUSLY ANNOUNCED RaymondPettibon:ToWit

Text by Lucas Zwirner. Interview by Kim Gordon. NEW EDITION In the summer of 2013, Raymond Pettibon (born 1957) converted one of David Zwirner’s New York exhibition spaces into an improvised studio, in order to prepare the drawings and collages SigmarPolke:Paintings,PhotographsandFilms for his critically acclaimed show at the gallery. The works ranged from depictions of Joe DiMag- Edited by Gloria Moure. gio as a young boy, Bob Dylan and the comic strip character Bazooka Joe to pieces dovetailing This beautifully produced volume is the updated and revised edition of Polígrafa’s 2005 popular imagery with quotations from Marcel Proust, William Faulkner, Henry James, Gustave publication of the same name, which was designed and conceived in collaboration with Flaubert and the Bible, and addressed themes of violence, humor, sex, evolution, religion, poli- the artist and includes documentation from his private archives. Sigmar Polke: Paintings, tics, literature, youth, art history and sports. This volume documents both the making of these Photographs and Films is also the only publication to include a critical overview of the works during Pettibon’s intensive tenure in the space and the finished works themselves. Boast- artist’s films, and to examine the abiding import of Goya’s painting, “El tiempo de las ing a drawing made especially for the cover, Raymond Pettibon: To Wit includes an essay by Viejas” (“The Time of the Old Women”), to Polke’s oeuvre in general. (The new cover Lucas Zwirner that describes the show’s making and offers fresh observations on the relation- shows Polke photographing this painting in The Beaux Arts Museum in Lille, ship between word and image, and reading and writing, in Pettibon’s art. This essay is comple- France.) Throughout, the volume demonstrates how Polke interpreted images of reality mented by a selection of black-and-white photographs by Andreas Laszlo Konrath, who rather than reality itself, while also satirizing tendencies in contemporary painting, inter- documented the creation of these works, and an interview with Pettibon by artist and founding rogating the role of the artist as author, dismantling the visual rhetoric of media photog- member of Sonic Youth Kim Gordon, who first encountered Pettibon’s work in the early 1980s raphy and always embarking upon the most magnificent flights of imagination. Sigmar in Los Angeles. Polke: Paintings, Photographs and Films affirms the artist’s oft-quoted observation that “there has to be an element of risk-taking for me, in my work.” DAVID ZWIRNER 9780989980944 U.S. | CDN $ 45.00 ALSO AVAILABLE EDICIONES POLÍGRAFA Raymond Pettibon: Hbk, 9.25 x 12.5 in. / 188 pgs / 97 color / 13 b&w. 9788434313378 U.S. | CDN $75.00 Available / Art Here’s Your Irony Back Hbk, 8.5 x 10.25 in. / 328 pgs / 180 color. 9783775737333 August/Art Hbk, U.S. | CDN $60.00 Hatje Cantz/ David Zwirner/Regen Projects

124 artbook.com artbook.com 125 Contemporary African and African-American art HIGHLIGHTS ■ ART

PREVIOUSLY ANNOUNCED 30Americans RubellFamilyCollection,ThirdEdition Text by Franklin Sirmans, Glenn Ligon, Robert Hobbs, Michele Wallace. Since the 1960s, Miami’s Rubell family has collected the works of the most relevant contemporary African- American artists as an integral part of their broader mission to collect the most interesting art of our time. 30 Americans serves as both the catalogue for their exhibition of African-American art at the Contemporary Art Center New Orleans and a visual record of the Rubell family’s diverse collection, which spans genres and generations. This expanded third edition contains not only artists long collected by the Rubells such as Robert Colescott, Jean-Michel Basquiat, Renée Green, David Hammons, Barkley Hendricks, Kerry James Marshall, Gary Simmons, Lorna Simpson, Kara Walker and Carrie Mae Weems, but also those who have recently been catapulted to the forefront of the art world, such as Kalup Linzy, Nick Cave, Iona Rozeal PREVIOUSLY ANNOUNCED Brown, Rashid Johnson, Mikalene Thomas, Hank Willis Thomas, Kehinde Wiley and Wangechi Mutu. MeschacGaba PascaleMarthine PREVIOUSLY ANNOUNCED RUBELL FAMILY COLLECTION EXHIBITION SCHEDULE Text by Okwui Enwezor, Kerryn Kerryjames KehindeWiley: 9780982119594 U.S. | CDN $ 39.95 New Orleans, LA: Contemporary Arts Center, 02/08/14–06/15/14 Greenberg, Achille Mbembe, Tayou:ILoveYou! Hbk, 8.5 x 13 in. / 223 pgs / 121 color. Little Rock, AR: Arkansas Arts Center, 04/19/15–06/21/15 Rutger Pontzen. Edited by Yilmaz Dziewior. Text by Marshall:Painting TheWorldStage Available / Art/African American Art & Culture Detroit, MI: Detroit Institute of the Arts, 10/18/15–01/18/16 Colorful aesthetics and social Yilmaz Dziewior, Okwui Enwezor. andOtherStuff jamaica In his sculptures, drawings, videos critique merge in the installations, Edited by Nav Haq. Text by Okwui Text by Ekow Eshun. and performances—which are objects and performances of Enwezor, Nav Haq. Interview by The painting of New York–based frequently interwoven to become Dieter Roelstraete. PublicIntimacy:ArtandOtherOrdinaryActsinSouthAfrica Benin-based artist Ekué Woekedje Kehinde Wiley (born 1977) fuses opulent, lavish installations— Kerry James Marshall (born 1955) Meschac Gaba (born 1961). Gaba portraiture and pattern, situating Edited by Betti-Sue Hertz, Frank Smigiel, Dominic Willsdon. Text by Betti-Sue Hertz, Frank Smigiel, Dominic Cameroonian artist Pascale is widely admired for his painterly Willsdon, Terry Kurgan, Portia Malatjie, Riason Naidoo, Gabi Ngcobo, Sarah Nuttall, et al. tackles sociopolitical questions modern subjects in traditional Marthine Tayou (born 1967) ad- and sculptural explorations of Afro- Public Intimacy brings together 25 artists and collectives who disrupt expected images of a country known largely such as the current effects of heroic poses against richly pat- dresses such subjects as national American identity and history, and through its apartheid history. The book presents a critical sensibility that existed but was mostly overlooked during colonialism in the context of terned backgrounds. In the works identity, consumerism and the his attendant critiques of art his- apartheid, and which is now shared by many artists and writers of a new generation—the expression of the poetics globalization and the art industry. reproduced here, the artist paints global village, drawing on cheap tory and the art economy. Among and politics of the “ordinary act.” Public Intimacy includes works by Ian Berry, Chimurenga, Ernest Cole, David The banknote is a central motif of young, urban Jamaican men and materials such as plastic bags, his well-known works are Rhythm Goldblatt, Handspring Puppet Company, Nicholas Hlobo, ijusi (Garth Walker), Anton Kannemeyer, William Kentridge, his art; manipulated bills symbolize women in poses appropriated from beads, dolls and brushes. His instal- Mastr, a comic book that trans- Donna Kukama, Terry Kurgan, Sabelo Mlangeni, Santu Mofokeng, Billy Monk, Anthea Moys, Zanele Muholi, Sello an abstract currency system that colonial-era British portraiture, who lations blur distinctions between sa- poses African mythology to a con- Pesa and Vaughn Sadie, Cameron Platter, Lindeka Qampi, Jo Ractliffe, Athi-Patra Ruga, Berni Searle, Penny Siopis, makes abstruse judgments about are placed against and intertwined cred objects and commercial goods, temporary city; the Garden Project, Mikhael Subotzky and Patrick Waterhouse and Kemang Wa Lehulere. social exclusion and integration. with backgrounds from British playing with popular conceptions of which draws on the idyllic-sound- Declaring himself a product of his textile designer William Morris. YERBA BUENA CENTER FOR THE ARTS ing names given to housing proj- EXHIBITION SCHEDULE heritage but resisting the arbitrary African art and conjoining religious 9780982678978 U.S. | CDN $ 30.00 Wiley thus restages history: the fetishism and consumer fetishism ects; the Lost Boys series, which Pbk, 6 x 9 in. / 200 pgs / 60 color. San Francisco, CA: Yerba Buena Center for the Arts, mechanisms of the market, Gaba race and gender of the colonial 02/21/14–06/29/14 with wit and sculptural ingenuity. He portrays young, disenfranchised November / Art/African Art & Culture defies the Eurocentric thinking of hero have been transformed. The has been championed by curators black men; and his gigantic stamps the international art world and dignified, strong pose refers not such as Daniel Birnbaum, Nicolas of Black Power slogans. “I’ve stages African art as an equivalent only to the conventions of the Bourriaud and Okwui Enwezor, always wanted to be a history TheDivineComedy axis of influence. His Museum of genre, but also to the symbolism who here elaborates on the idea painter on the grand scale of heaven,PurgatoryandhellRevisitedbyContemporaryAfricanArtists Contemporary African Art (1997– of Jamaican culture and its particu- of “openness” as a fundamental Giotto and Géricault,” he once 2002), for instance, was a labora- lar ideals of style and beauty. Edited by Mara Ambroic, Simon Njami. Text by Mara Ambroic, Zdenka Badovinac, Roberto Casati, et al. artistic strategy, using Tayou’s early said, and he has created many tory in which the collective effects An essay by cultural commentator In this luxurious volume, 60 artists from 22 African countries explore Dante’s The Divine Comedy, employ- assemblage technique as a point mural-sized canvases interweaving of the market were not only appar- Ekow Eshun explicates the ing a broad range of artistic media such as painting, photography, sculpture, video, installation and of departure. In his contribution, heroic and everyday aspects of re- ent, but could also be varied. Thus symbolism in Wiley’s work. performance. Structured as a triptych (distinguished by differing paper stocks) in the manner of Dante’s cent Afro-American history. This icons of Western culture enter into Yilmaz Dziewior focuses on the con- famous poem, it includes five essays tracing the many ways in which artists have updated The Divine monograph offers the largest retro- STEPHEN FRIEDMAN GALLERY a creative dialogue with historical cept of the exhibition at Kunsthaus Comedy for our times. Among the participating artists are Ghada Amer, Joël Andrianomearisoa, Kader spective of his works in all media. 9780957567481 U.S. | CDN $ 40.00 figures from African tradition. Bregenz that this volume accompa- Clth, 8.75 x 11.5 in. / 59 pgs / 32 color. Attia, Sammy Balodji, Berry Bickle, Bili Bidjocka, Wim Botha, Zoulikha Bouabdellah, Mohamed nies and the large-scale installations LUDION Available /Art/African American Art & Bourouissa, Nabil Boutros, Edson Chagas, Loulou Cherinet, Lawrence Chikwa, Kudzanai Chiurai, Chris- HATJE CANTZ that have been newly created for 9789461301260 U.S. | CDN $49.95 Culture 9783775738187 U.S. | CDN $ 55.00 tine Dixie, Dimitri Fagbohoun, Franck Abd-Bakar Fanny, Jellel Gasteli, Pélagie Gbaguidi, Kendell Geers, FLAT 40 Hbk, 8.75 x 10.75 in. / 144 pgs / the Kunsthaus, which are also docu- Pbk, 8.25 x 10.25 in. / 192 pgs / ALSO AVAILABLE Frances Goodman, Nicholas Hlobo, Ato Malinda, Julie Mehretu, Wangechi Mutu, Mwangi Hutter, 100 color. mented here. 100 color. Kehinde Wiley: The World Youssef Nabil, Yinka Shonibare, Pascale Marthine Tayou, Guy Tillim, Guy Wouete and Dominique Zinkpè. December / Art/African Art & Culture KUNSTHAUS BREGENZ Available/Art/African American Art & Stage, India, Sri Lanka Culture KERBER EXHIBITION SCHEDULE 9783863355326 U.S. | CDN $ 55.00 9780615444598 9783866789319 U.S. | CDN $ 85.00 Savannah, GA: SCAD Museum of Art, 09/14–12/14 Pbk, 8.5 x 10.5 in. / 160 pgs / Clth, U.S. | CDN $40.00 EXHIBITION SCHEDULE Hbk, 9.75 x 11.5 in. / 376 pgs / 212 color. Washington, DC: Smithsonian National Museum of illustrated throughout. Rhona Hoffman Gallery Chicago, IL: Museum of Contempo- August/ Art/African Art & Culture African Art, 01/15–06/15 July / Art/African Art and Culture rary Art, 2015

126 artbook.com artbook.com 127 Abstract painting from the US and Europe HIGHLIGHTS ■ ART

joséParlá:InMediasRes Text by Manon Slome, Greg Tate, Carlo McCormick, Michael Betancourt, Isolde Brielmaier, Lara Pan, Bryce Wolkowitz, Dieter Buchhart. The art of José Parlá (born 1973) lies at the PREVIOUSLY ANNOUNCED boundary between abstraction and calligraphy. MarkGrotjahn: MichelMajerus PREVIOUSLY ANNOUNCED PREVIOUSLY ANNOUNCED His practice originated in graffiti’s experimental butterflyPaintings Conversation with Daniel Birnbaum, John MichaelChow: and collaborative approaches during the 1980s. Kelsey. Text by Douglas Fogle. RecipeforaPainter OscarMurillo:Work Markbradford:Through Composed from layers of paint, gestural draw- Before his untimely death at the age of 35, Mark Grotjahn’s (born 1968) ongoing Butterfly Text by Donatien Grau, James Lawrence. Text by Liam Gillick, Nicola Lees, Johnathan P. DarkestAmericaby ing and found ephemera, his work evokes the Michel Majerus (1967–2002) helped reset the Watts. Interview by Hans Ulrich Obrist. series—one of several investigations into the Interview by Jeffrey Deitch. histories of urban environments. Using the terms for painting in the 1990s and early 2000s. This volume documents the first US solo exhibi- TruckandTank natural world in Grotjahn’s oeuvre—focuses on Michael Chow was born Zhou Yinghua in backdrop of New York and many other towns, This fully illustrated catalogue includes a Edited by Susan May, Honey Luard. Text by perspectival techniques used since the Renais- Shanghai, China, in 1939. At the age of 13 he tion of Colombian-born, London-based artist conversation between Daniel Birnbaum and Christopher Bedford, Mark Bradford, Susan May. he recreates in paint what appear to be photo Oscar Murillo (born 1986), held at the Rubell sance, such as dual and multiple vanishing was abruptly uprooted to England, where he lost realist fragments of what he sees in the chaos of John Kelsey that sheds light on the artist’s Mark Bradford (born 1961) uses materials found points, to create the illusion of depth on a two- everything familiar to him: his family, culture and Family Collection in Florida in 2013. Over the dizzying fusion of commercial imagery, painterly in the urban environment such as billboard the metropolis and the history of our neighbor- course of a five-week residency in the summer dimensional surface. Though at first the Butterfly even his name. He studied art, subsequently hoods, showing how words, signs and marks gesture and stylistic quotation. As Kelsey sheets, posters and newspapers to create multi- paintings may appear entirely formal and working as a painter for ten years before decid- of 2012, Murillo took over a 60-foot space at the explains, Majerus’ work anticipates many of layered paintings comprised entirely of paper. come to mean more over time. These markings Rubell, as well as its sculpture garden, to create graphic (alluding to modernist painting from ing to take a break and open his first restaurant, express Parlá’s desire to articulate or divulge the the issues now confronting image makers more Focused on Bradford’s recent body of work in- Russian Constructivism to Op art), the raylike Mr. Chow, in Knightsbridge, London, in 1968. 32 works, including five massive paintings, all of than a decade after his death: “His attention spired by the interstate road network, this new passing of time, and to celebrate the symphony which are reproduced here. These works were “butterfly wings” are often layered over under- The restaurant became an international success, of diversity, both incongruous and harmonious, to speed and screens—as well as to branding, monograph takes its title from a chapter in the paintings, giving them texture and tonal depth. spawning locations around the world, and Chow informed by Murillo’s exposure to Miami’s Latin the viral spread of youth subcultures, screen memoirs of President Eisenhower about his ex- that surrounds us. In Medias Res concentrates culture, as well as a weekend visit to his native This volume, published to accompany the first also thrived in the realm of interior design, from on the portion of Parlá’s work that stems from space, etc.—seems to acknowledge a certain perience as a member of the Transcontinental exhibition of Grotjahn’s butterfly paintings at specialty boutiques for Giorgio Armani to his Colombia and the gigantic proportions of the ex- erosion and dispersion already picking up Motor Convoy of 1919, which informed his sup- his experiences of living and traveling in various hibition space itself. Two of the largest works are Blum & Poe in New York, not only collects these own restaurants and his home in Los Angeles. countries—his time in Puerto Rico, his child- speed.” In Birnbaum’s words, Majerus “concen- port for a nationwide highway system in the US arresting compositions, but also delves into Chow has continued to be involved in all walks abstract; three are inscribed with words evoking trated on the things that surrounded him and in the 1950s. Topographical points of reference hood in South Florida in the 1980s, extended colonial and/or Western appropriation “mango,” the artistic contexts involved, in an essay by of creativity, from architecture and theater to journeys throughout the southern United States made possible new ways of organizing visual shift in and out of focus in Bradford’s abstract Douglas Fogle that discusses the history of the film. After a 50-year sabbatical, in 2012, encour- “chorizo” and “yoga”); all display the heavily elements—on the canvas and beyond.” This compositions, characterized by fractures and and Central America in the 1990s and, most re- worked surfaces for which Murillo is well Butterfly works since their conception in the aged by Jeffrey Deitch, Chow picked up the cently, his travels throughout Europe and Asia. catalogue, the first US publication on Majerus, incisions that echo the social disruption that early 2000s. brush again and returned to his true passion. known. Also included here is photo documenta- also includes an illustrated exhibition history followed when interstate highways ripped Spanning painting, watercolor, photography and This volume documents his return to painting. tion of the exhibition’s preparation and an inter- BLUM & POE and a detailed bibliography. through communities like Bradford’s own in sculpture, this volume shows Parlá at his most view with the artist. 9780966350388 U.S. | CDN $ 30.00 PEARL LAM GALLERIES South Central Los Angeles. versatile and cosmopolitan. MATTHEW MARKS GALLERY Clth, 7 x 9.5 in. / 48 pgs / 20 color. 9789881244185 U.S. | CDN $ 65.00 RUBELL FAMILY COLLECTION July / Art 9781880146774 U.S. | CDN $ 35.00 WHITE CUBE DAMIANI/BRYCE WOLKOWITZ Hbk, 10 x 12 in. / 148 pgs / 103 color / DVD 9780982119587 U.S. | CDN $ 24.99 Hbk, 9.75 x 12.25 in. / 88 pgs / 56 color. (multi-region). U.S. | CDN 9788862083621 U.S. | CDN $ 60.00 Pbk, 8 x 10.25 in. / 112 pgs / 56 color. 9781906072780 $ 45.00 FLAT40 EXHIBITION SCHEDULE July / Art Hbk, 10 x 11.5 in. / 256 pgs / illustrated throughout. Available / Art/Asian Art & Culture Available / Art/Latin American Art & Culture Clth, 8.75 x 12.5 in. / 160 pgs / 103 color. New York: Blum & Poe, 05/01/14–06/21/14 Available / Art/African American Art & Culture November / Art/Latin American Art & Culture

ALSO AVAILABLE ALSO AVAILABLE Mark Bradford: Merchant JR & José Parlá: Posters Wrinkles of the City 9780980024227 9788862082501 Hbk, U.S. | CDN $50.00 Hbk, U.S. | CDN $49.95 Gregory R. Miller & Damiani/Standard Press Co./Aspen Art Press

128 artbook.com artbook.com 129 Multimedia and political art HIGHLIGHTS ■ ART Wangjianwei:TimeTemple Text by Thomas J. Berghuis, Gao Shiming, Wang Hui, Wang Jianwei. The Robert H.N. Ho Family Foundation Chinese Art Initiative at the Guggenheim Museum, launched in early 2013, strives to advance the achievements of contemporary Chinese artists by commissioning major pieces that will be exhibited in the museum and enter its permanent collection. Selected for the first commission, Beijing- based artist Wang Jianwei (born 1958) is recognized throughout Asia and Europe for his bold experiments in new media, video, performance, conceptual and installation art. His highly innovative works consider space and time in elaborate ways, working from the notion that the production of artwork can be a continuous rehearsal. The exhibition comprises a multifaceted space that includes painting, installation, sculpture, film and a theatrical production. The accompanying catalogue includes three texts in English and Chinese: a curatorial essay on Wang’s artistic practice; a look at the artist’s recent work by Gao Shiming; and a text by Wang on contemporary Chinese art. In addition, this volume includes a chronology of his oeuvre to date.

GUGGENHEIM MUSEUM 9780892075164 U.S. | CDN $ 40.00 EXHIBITION SCHEDULE PaulChan: PREVIOUSLY ANNOUNCED Hbk, 7.5 x 11 in. / 128 pgs / illustrated throughout. New York: Solomon R. Guggenheim Museum, SelectedWorks Andreabowers November / Art/Asian Art & Culture/Film & Video 10/31/14–02/16/15 SueCoe: Superflex:An Edited by Heidi Naef, Isabel Edited by Rebecca McGrew, Ciara Friedli. Foreword by Maja Oeri. TheGhostsof Ennis. Introduction by Rebecca Artistwith6Legs Text by Daniel Birnbaum. McGrew. Text by Maria Elena OurMeat Buszek, Peter Kalb. Interview by Edited by Pernille Albrethsen. This volume accompanies the first Ciara Ennis. Introduction by Jacob Fabricius. MichaelRiedel:Oskar Edited by Phillip J. Earenfight. Text by Yuko Hasegawa, Eungie major solo exhibition on American This publication complements the Over the past decade, German artist Michael Riedel (born 1972) has incorporated a wide Text by Stephen F. Eisenman. Joo, Rirkrit Tiravanija, et al. artist Paul Chan (born 1973) since exhibition Andrea Bowers: #sweet- range of media into his practice, including works on canvas, fabric works, film and video, The Ghosts of Our Meat examines The first retrospective monograph his series The 7 Lights was pre- jane at the Pomona College Mu- audio recordings and installations. A central focus of his work is the publishing and produc- a series of paintings, prints and on internationally acclaimed Danish sented at the New Museum in 2008. seum of Art and the Pitzer College tion of artist’s books, catalogues, brochures, posters and cards. In 2000, Riedel and Dennis drawings by artist/activist Sue Coe artist’s collective Superflex, An Chan is one of the most versatile Art Galleries and represents an Loesch launched a collaborative project in an abandoned building in Frankfurt. Using the (born 1951) that criticize the prac- Artist with 6 Legs catalogues the and unpredictable artists of his gen- overview of the artist’s work since building’s address—Oskar-von-Miller Strasse 16—as the name for their new space, they cre- tice of meat consumption and the group’s work from 1993 to 2013. eration, and certainly one of the 2006. It highlights Bowers’ (born ated an experimental laboratory where they restaged cultural events held at other locations capitalist slaughterhouse industry, The first major museum retrospec- most original voices in contempo- 1965) commitment to merging art throughout the city, including readings, film screenings, exhibitions and concerts—sometimes while advocating animal rights and tive for this group—known for their rary art today. Active as artist, writer and social activism with a focus on days or weeks after the original event. With the motto of “record, label, playback,” a group of a non-meat diet. Coe’s work centers participatory, politically engaged and publisher, he engages the political and environmental issues. young artists reiterated the language of a city’s cultural offerings, exploring the faults of trans- on such issues as animal rights, projects which they call “tools”—is viewer in a challenging discourse Grounded in the legacy of feminist mission and transference created by this decontextualization. Oskar documents this project. empathy, cruelty, corporate greed appropriately unconventional, about the place of art in social and art, Bowers’ socially engaged work and consumer guilt. Discussing her comprised of eight individual retro- DAVID ZWIRNER political life. Chan’s combination of combines a hyper-conceptual and works in an accompanying essay, spectives curated by Eungie Joo, 9780989980951 U.S. | CDN $ 65.00 old and new works casts new light formalist approach with raw and Pbk, 10.5 x 10.5 in. / 492 pgs / illustrated throughout. Stephen Eisenman demonstrates Yuko Hasegawa, Toke Lykkeberg, on the content and complexity of uncompromising content. This June / Art connections between Coe’s work Daniel McClean and Lisa his fascinating art. In addition to publication weaves together multi- and paintings by artists such as Rosendahl, Adriano Pedrosa, early video installations, rarely seen ple strands of the artist’s practice Hogarth, Goya, Grosz, Dix, Shahn, Agustín Pérez Rubio, Hilde works on paper, sculptures and to foreground her incisive vision, KonstantinTrubkovich:TheFirstNineYears Picasso and Golub. However, while Teerlinck and Rirkrit Tiravanija. works from the 7 Lights series, this activism and dedication to social Edited by Cay Sophie Rabinowitz. these artists focused largely on Kunsthal Charlottenborg also volume includes reproductions of justice. Andrea Bowers: #sweet- This first monograph on the oeuvre of Kon Trubkovich (born 1979) surveys the Russian artist’s career in man’s inhumanity toward fellow signed a contract prohibiting the the 1,005 painted book covers that jane, the exhibition of the Los An- color reproductions and in-depth critical discussion, traversing the period from his first museum exhibition man, Sue Coe broadens the institution, the artists or the cura- constitute Volumes (2012), and new geles–based artist’s most recent in 2006 to the present day. His works delve into themes of rebellion, memory, imprisonment and perception perspective to include atrocities tors from mentioning the group by works created for the exhibition. body of work, examined the 2012 through a wide variety of media, including painting, drawing, photography and sculpture. Trubkovich’s committed by man against fellow name during the exhibition’s run— Steubenville, Ohio, high-school multimedia creations are generally based upon film stills, sourced from videos that range from prison LAURENZ FOUNDATION, SCHAULAGER animals. Indeed, many of Coe’s hence the replacement of the name BASEL footage to found movie clips and home videos. Extended across a series, these isolated fragments, works reference the style and im- rape case, the subsequent trial and 9783952397176 U.S. | CDN $ 35.00 “Superflex” with a black bar or the media and activist reactions. generally distorted or grainy, evoke human processes of memorialization and psychological narrative. Pbk, 8.25 x 10 in. / 386 pgs / agery of Weimar-era art, drawing characters “XXXXXXXXX” through- The artist’s solo exhibitions, all of which are touched upon here, include No Country for Old Men MoMA 300 color / 300 b&w. uncomfortable and controversial POMONA COLLEGE MUSEUM OF ART out the catalogue. An Artist with 6 July / Art (PS1), Almost Nowhere, Signali (both Marianne Boesky) and Leap Second (OHWOW). comparisons between the slaugh- 9780985625139 U.S. | CDN $ 39.95 Legs is both conceptual provoca- ALSO AVAILABLE terhouses of the meat industry Flexi, 8 x 11 in. / 184 pgs / 170 color / OSMOS BOOKS tion and an essential reference. Paul Chan: Selected 12 b&w. 9780988340480 U.S. | CDN $ 65.00 and those of the Holocaust. Writings 2000–2014 August / Art KUNSTHAL CHARLOTTENBORG Clth, 7.5 x 10.5 in. / 160 pgs / illustrated throughout. 9783952397145 THE TROUT GALLERY/DICKINSON 9788788944976 U.S. | CDN $ 65.00 September / Art/Film & Video Pbk, U.S. | CDN $25.95 COLLEGE FLAT40 Schaulager, Laurenz 9780982615669 U.S. | CDN $ 19.95 Flexi, 9.5 x 13.5 in. / 342 pgs / Foundation/Badlands Hbk, 10.25 x 10.5 in. / 118 pgs / 96 color / 246 b&w. Unlimited 119 color. July / Art Available /Art

130 artbook.com artbook.com 131 The “Pictures Generation” and beyond HIGHLIGHTS ■ ART barbaraKruger:belief&Doubt Edited with text by Yilmaz Dziewior. Conversation with Beatriz Colomina, Mark Wigley, Barbara Kruger. Barbara Kruger (born 1945) fuses picture- and word-based art to engage issues of power, pleasure, money, love and death. Her photographs, large-scale installations and immersive, multichannel video rooms address the viewer through an intensely spatialized visual display. Though Kruger’s art often imitates advertising, it is the overwhelming disparity between her work and the commercial forms she imitates that compels us to consider her work: instead of the advertisement we are conditioned to expect, we are instead confronted with problematic social attitudes, issues and stereotypes. In this volume, her oeuvre is examined from various perspectives in an in-depth conversation between Kruger, Beatriz Colomina and Mark Wigley. Designed in close cooperation with the artist, this catalogue documents the Belief & Doubt installation at Kunsthaus Bregenz, demonstrating the enormous social currency of Kruger’s artistic statements and her powerful forms of address. Danieljoseph KUNSTHAUS BREGENZ Ronihorn: Martinez:The 9783863355333 U.S. | CDN $ 55.00 EverythingWas Hbk, 8.75 x 12 in. / 136 pgs / 182 color / 19 b&w. ReportofMy July / Art Sleepingasif FelixGonzalez- DeathIsan theuniverse PREVIOUSLY ANNOUNCED Exaggeration Torres:billboards WereaMistake Text by Matthew Drutt. haimSteinbach: Memoirs:Ofbecoming RobertLongo:Stand Narrenschiff Interview by Julie Ault. In celebration of its 15th anniver- Travel As the winner of the fourth Joan sary in 2010, Artpace in San Anto- Text by Isabelle Graw, Robert Longo. Text by Juli Carson. Edited by Honey Luard. Text by Miró prize, American artist Roni nio, Texas, mounted an ambitious Jenny Jaskey. Stand was a 2012 site-specific installation by Robert Longo (born 1953) which fully utilized the unique ar- As interpreted by Michel Foucault, Horn (born 1955) received a mono- state-wide exhibition of 336 semi- Haim Steinbach (born 1944) ex- chitecture of the Capitain Petzel gallery in Berlin. The building was shrouded with an enormous mono- Das Narrenschiff (The Ship of graph exhibition of her work at the nal billboards created by Cuban- plores the social rituals of collect- chrome depiction of the American flag. Upon entering the gallery, the viewer was immediately confronted Fools), a fifteenth-century satire by Fundació Joan Miró in Barcelona born artist Felix Gonzalez-Torres ing, arranging and presenting with a large charcoal drawing. This was flanked by two drawings: one depicted a mass of Occupy Wall Sebastian Brant, imagines a world and CaixaForum, which this vol- (1957–1996). Developed with spe- everyday objects and materials, an Street protesters; the other, a lone American soldier walking toward an uncertain and ominous future. With in which knowledge belongs ume accompanies. Though Horn cial permission from the artist’s es- experience that extends to us all, the consent of the artist, Longo also updated the style and content of Hans Haacke’s Oelgemaelde, Hom- squarely in the realm of madness, considers drawing to be the activ- tate, this presentation was the whether in the way we arrange our mage à Marcel Broodthaers (1982). He replaced Ronald Reagan, opposite an image of a crowd protesting useful only to those who would ity unifying all strands of her work, first-ever comprehensive survey of homes or the way we select and the deployment of American missiles in Bonn, with President Obama, facing Tea Party protestors. The re- debate idly and apply nothing to she is prolific across multiple Gonzalez-Torres’ billboard works in wear our clothes. Travel explores mainder of the gallery exhibited a group of 25 drawings and featured a performance based upon the clas- experience. Artist Daniel Joseph media, including sculpture, pho- the US. Situated deliberately in the Steinbach’s recent exhibition at sic American novel Moby Dick. Martinez (born 1957) has recog- tography, books and works on public’s path in four cities (Austin, White Cube Mason’s Yard, London, HATJE CANTZ nized the relevance of this allegory paper. Her artistic practice links Houston, Dallas and San Antonio), and is comprised of two new se- 9783775738149 U.S. | CDN $ 55.00 to present times, and through text aspects of nature, landscape and these artworks gracefully inter- ries of works that trace a trajectory Hbk, 9.5 x 11.75 in. / 108 pgs / 101 color. paintings, photographs and sculp- September / Art materiality with the mechanics rupted daily routines with poignant in the artist’s practice that tures, he has traced contemporary of perception and communication. reflections on life, love and human- stretches from the 1970s to today. Los Angeles onto Foucault’s con- As affirmed by this recent award, ity. The transcendent quality of In 1976, Steinbach produced a ception of Narrenschiff. Inspired Horn’s oeuvre is endlessly open- Gonzalez-Torres’ work was magni- series of works based on gridlike Peterhalley:Since2000 by bus rides observing his fellow ended. Roni Horn: Everything Was fied in the Texas landscape, and geometric patterns created with Edited by Sandrine Lalonde, passengers, Martinez conceived Sleeping as if the Universe Were the project garnered international strips of linoleum flooring. The Peter Halley, Alain Noirhomme. Text by Jo Melvin. of four narratives that explore a a Mistake includes an interview attention for its unprecedented Linopanel works evoke a pivotal Peter Halley (born 1953) is well known for his brightly colored, gridded, geometric abstractions modern kind of knowledge-based with the artist by Julie Ault. commemoration of this remarkable moment in Steinbach’s career, which he calls “prisons” and “cells.” Composed of rectangular shapes and vertical bars, Halley’s perversity. The Report of My body of work. This book covers all when he abandoned his investiga- works evoke a range of geometric network models, from the urban grid to high-rise apartment Death Is an Exaggeration, which TURNER the billboard pieces and serves as tion into minimalist painting and buildings to electromagnetic conduits. In an introduction to this publication, which reproduces documents Martinez’s installation 9788415832522 U.S. | CDN $ 40.00 Hbk, 11 x 12 in. / 154 pgs / 100 color. a mini-retrospective of this critical began to work with found objects. works created since 2000, Jo Melvin writes: “In Peter Halley’s paintings colors clash and conjoin of these works at Roberts & Tilton September/ Art part of Gonzales-Torres’ career. Jenny Jaskey’s text explores to create a dizzying sensation. At times the optical effect created by the Day-Glo’s luminosity in Culver City, California, also fea- Steinbach’s interest in collecting is so jarring that the paintings almost hurt the eye. He celebrates effects such as the plethora tures an essay by art historian, RADIUS BOOKS/ARTPACE, SAN ANTONIO and the methodologies of display of color in neon signs, internet surfing, and our image-saturated media world. The three-dimen- critic and curator Juli Carson. 9781934435809 U.S. | CDN $ 60.00 forms. sional quality of Halley’s work asserts the object status of the paintings in a way that photo- Hbk, 13 x 10.5 in. / 168 pgs / ROBERTS & TILTON 120 color. WHITE CUBE graphic reproduction simply cannot represent.” 9780991488902 U.S. | CDN $ 40.00 October / Art/Gay & Lesbian Studies | Hbk, 12 x 12 in. / 68 pgs / 76 color. 9781906072834 U.S. CDN $ 40.00 MARUANI & NOIRHOMME GALLERY July / Art FLAT40 9782930487137 U.S. | CDN $ 40.00 Pbk, 5.25 x 7.75 in. / 128 pgs / Hbk, 12 x 12 in. / 88 pgs / 36 color. 79 color. July / Art Available / Art

132 artbook.com artbook.com 133 Contemporary sculpture and painting HIGHLIGHTS ■ ART

AiWeiwei: Mirror&hammer Text by Saskia Sassen, Rosa Pera, Vicenç Furió. SarahSzeatThe Davidhammons/ Ai Weiwei: Mirror & Hammer ErnestoNeto: PeterFischli& PREVIOUSLY ANNOUNCED provides an unprecedented explo- FabricWorkshop PaulThekin YvesKleinYves ThebodyThat DirkSkreber: ration of the eclectic production andMuseum DavidWeiss: RaoulDeKeyser: Process: Klein/David CarriesMe Currents36 of one of the most culturally and Foreword by Marion Boulton Polyurethane TheLastWall Commentarieson/ hammons politically relevant artists of our Edited by Petra Joos. Text by Stroud. Text by Arthur C. Danto, Edited by Christina Dittrich. Intro- Sculptures Afterword by Barbara Weiss, Edited by Michelle Piranio. Rainer Hehl, Franck Leibovici, Jonathan Gilmore, Jeffrey Kastner. duction by Margaret Andera, Brady ofanExhibition time. Known for his interest in the Kasper König. Photographs by Foreword by Heidi Zuckerman Pedro Luz, Hannah Monyer, Luiz This catalogue accompanies an Peter Fischli (born 1952) and David Roberts. Text by Will Heinrich. Jef Van Eynde. Edited with text by Susanne Jacobson. Text by Klaus Ottmann, creation and destruction of social Alberto Oliveira, Raphaela Platow, Weiss (1946–2012) are celebrated Interviews by Margaret Andera. exhibition of a new work by Sarah Neubauer. Franklin Sirmans, Phillipe Vergne, imaginaries of power, Ai Weiwei Tania Rivera. In the summer of 2012, the ac- Sze (born 1969) at The Fabric around the world for their multidis- German artist Dirk Skreber (born Heidi Zuckerman Jacobson. Though Brazilian artist Ernesto Paul Thek in Process gathers all of (born 1957) poses fundamental ciplinary projects, films, sculptures 1961) depicts natural disasters, claimed Belgian painter Raoul De Workshop and Museum in the research material that was This volume offers a compelling ex- questions about the ways in which Neto (born 1964) defines himself Keyser (1930– 2012) was preparing Philadelphia. Sze’s immense and and books. The two artists began catastrophic events and ominous amination of the surprising concep- simply as a sculptor, his works are made public in various formats art and culture relate to society producing their Polyurethane Ob- scenes of vague but impending a show with David Zwirner, intricate site-specific works are during the 2012–2013 traveling Eu- tual and visual correspondences and how society relates to created as total experiences to be planned for March 2013. His akin to drawings in space, manipu- jects in 1982, and continued until danger, but with a calm detach- between the works of these two entered, inhabited, felt and even ropean exhibition series Paul Thek individual existence. He eschews Weiss tragically died in 2012 from ment that infuses his work with a friend, the photographer Jef Van lating architectural spaces to pro- in Process. The exhibition was born pivotal artists known for their inno- traditional boundaries of artistic smelled. He states: “What we have Eynde, visited him that summer foundly affect the way they are cancer. Hand-carved and hand- peculiar tension. He has emerged vative practices. Klein (1928–1962) in common is more important than out of the desire to memorialize disciplines, investigating sculpture, painted, these sculptural works as a prominent contemporary artist along with gallerist Barbara Weiss viewed. This work was installed on the installation work that Thek cre- was a major figure in postwar art photography, video, design, the in- what makes us different. I’m inter- and Writer Kasper König. “We three floors of the museum, virally overturn the notion of the ready- who explores seemingly contradic- who opened up new possibilities ested in discussing the situation of ated in Europe and to approach it ternet and architectural installation. made while uncovering wit and po- tory ideas such as abstraction and were allowed to take a look at a traversing the exhibition spaces within a larger historical context. for material, conceptual and perfor- Weiwei has become known for humanity, the temperature and the new series of small paintings in his and creating a narrative that etry in everyday things. Edited and figuration, beauty and calamity, mative expression, often touching things we experience.” Ernesto As exhibition, documentation and more than his prolific creative sequenced by Fischli himself, the through paintings, sculptures and studio,” Weiss and König recall, in unfolds as viewers navigate the a restaging, the project not only on the metaphysical. Hammons output: he has become a global Neto: The Body That Carries Me, their postscript to this volume. “In galleries and experience Sze’s book features 140 objects, depict- video. His subjects reveal his fasci- (born 1943) is a conceptual artist published to accompany an exhibi- traced the tracks of a lost artistic figure, as his engagement with ing such humble and seemingly in- nation with the process by which their startling simplicity, these had reflections on time, exploration practice of the 1970s, but also ex- whose works in performance, in- Chinese policies and critical tion at Guggenheim Bilbao devel- been reduced right down to the es- of movement and investigation auspicious items as power tools, everyday scenery and forms are stallation, sculpture, printmaking oped in close collaboration with amined the importance of activism has thrust the artist into shipping pallets, stained paint- transformed and take on a sepa- sential. Some of them just had an of materials. Each gallery floor ephemeral material in exhibition and other media confront contem- the political spotlight. Featuring the artist, includes an extensive oversized hook for a hanger, with presents a singular experience, brushes and buckets. The foldout rate existence. There are aerial porary realities with an often hard- selection of his oeuvre from the contexts, the boundaries of the art- his most significant work since cover depicts the sculptures as views of buildings submerged in the canvas simply wrapped around yet viewing all three spaces is work, the exhibition and institution hitting wit. This publication aims the 1990s, Mirror & Hammer delves end of the 1980s to the present. a wooden board.” De Keyser died cumulative, akin to experiencing they are exhibited, in arrangements floodwaters and scenes of cars not to draw out any notion of influ- Some of his previous works have history, the reception and today’s into the symbolism of Weiwei’s that evoke the distinctive disarray crushed after accidents—a recur- in October 2012, and Van Eynde’s separate acts in a theatrical pro- practice of restaging. The publica- ence or direct correlation between images, as well as exploring been reconfigured based upon the photographs of the paintings and duction. The catalogue illustrates of an artist’s studio. ring image for Skreber in all three these bodies of work, but rather ideas and wishes of the artist, as tion includes a list of works, a bi- the power of civil activism and media. This fully illustrated cata- the titular wall upon which they multiple views of each gallery floor. WALTHER KÖNIG, KÖLN ography and a history of objects, to elucidate a resonance between criticism. well as for Guggenheim Bilbao’s were arranged are the only docu- Along with essays by Jonathan 9783863354992 U.S. | CDN $ 39.95 logue features a carefully consid- two artists who both engage trans- specific architecture. Captured an image documentation of the FLAT40 ered essay by Will Heinrich, an mentation of his intentions for the EDICIONES POLÍGRAFA Gilmore and Jeffery Kastner, this exhibitions and a self-critical formative processes to invest the 9788434313316 U.S. | CDN $ 40.00 beautifully in this volume, Neto’s Pbk, 6 x 8 in. / 144 pgs / 146 color. Zwirner show. This intimate vol- volume includes a 2011 essay on interview with the artist and exhibi- humblest of everyday materials Hbk, 6.5 x 9.25 in. / 160 pgs / exhibition is a rich realm of smells, June / Art ume gathers these alongside por- curatorial review of the project. Sze by the late philosopher and art tion installation photographs. with deep aesthetic significance. 105 color. colors, emotions, language and traits of De Keyser at home and in REVOLVER November / Art/Asian Art & Culture critic Arthur C. Danto. MILWAUKEE ART MUSEUM sensory happenings. his studio. 9783957630988 U.S. | CDN $ 29.95 ASPEN ART PRESS ALSO AVAILABLE 9781938885037 U.S. | CDN $ 29.95 9780934324656 U.S. | CDN $ 55.00 THE FABRIC WORKSHOP AND Pbk, 6 x 8.25 in. / 214 pgs / 47 b&w. EDICIONES POLÍGRAFA Fischli & Weiss: Rock MUSEUM Pbk, 8 x 12 in. / 80 pgs / 37 color. MER. PAPER KUNSTHALLE July / Art Hbk, 8 x 10 in. / 208 pgs / 70 color. 9788434313286 U.S. | CDN $ 45.00 on Top of Another Rock July / Art 9789491775284 U.S. | CDN $ 49.95 9780983631712 U.S. | CDN $ 45.00 October /Art 9788275475426 Pbk, 8.5 x 11 in. / 144 pgs / 70 color. Clth, 11.75 x 12.75 in. / 80 pgs / FLAT40 Hbk, U.S. | CDN $45.00 EXHIBITION SCHEDULE October / Art/Latin American Art & 28 color. Hbk, 6.75 x 9.25 in. / 40 pgs / Forlaget Press Aspen, CO: Aspen Art Museum, Culture July / Art 19 color / 11 b&w. Available /Art 08/09/14–11/30/14

134 artbook.com artbook.com 135 Contemporary sculpture and works on paper HIGHLIGHTS ■ ART RichardTuttle:Prints Edited by Christina von Rotenhan. Text by Chris Dercon, Joachim Homann, Armin Kunz, Susan Tallman, Richard Tuttle, James Cuno, Christina von Rotenhan. Since the 1970s, in collaboration with renowned printers and publishers, Richard Tuttle (born 1941) has produced almost 300 prints. Exploiting the unique possibilities of printmaking to make process, materials and actions visible, Tuttle celebrates the complexity of printmaking. Ac- companying an exhibition at the Bowdoin College Museum of Art, Brunswick, and published as Tuttle creates a major installation at the Tate Modern’s Turbine Hall (Fall 2014), this volume is the first monograph on Tuttle’s printmaking. These works, which he began producing in the early 1970s, span woodcut, lithography, aquatint and etching, and often incorporate printer’s errors. Edited by Christina von Rotenhan, it explores not only the artist’s unique approach to printmak- CharlesRay: ing with scholarly essays, artist statements and catalogue entries for selected prints between KenPrice:The Sculpture, 1973 and 2013, but also Tuttle’s deep interest in the collaborative dimension of printmaking. LargeSculptures 1997–2014 Phyllidabarlow: JRP|RINGIER Phyllidabarlow: 9783037643655 U.S. | CDN $ 80.00 EXHIBITION SCHEDULE Text by Alex Kitnick. Text by Bernhard Mendes Bürgi, Scree Hbk, 11 x 10.75 in. / 144 pgs / 100 color / 50 b&w. Brunswick, ME: Bowdoin College Douglas Druik, Michael Fried, FiftyYearsof For over five decades, Ken Price Edited with text by Gilbert Vicario. August /Art Museum of Art, 06/27/14–10/17/14 Richard Neer, Charles Ray, Interview by Alexandre da Cunha. (1935–2012) produced small-scale James Rondeau, Anne Wagner. Drawings Since the 1960s, British sculptor ceramic sculptures with brightly Charles Ray (born 1953) is one of Edited with text by Sara Harrison. Phyllida Barlow (born 1944) has Text by Hans Ulrich Obrist. colored finishes that achieved a America’s most outstanding con- FredSandback:Drawings pursued a unique investigation into Reproducing over 200 works on balance between form and sur- temporary sculptors. Like Jeff Text by Dieter Schwarz. materiality, form and process in paper from the past 50 years, this face. Then, in the last years of his Koons and Katharina Fritsch, he From the beginning of his career, Fred Sandback (1943–2003) used drawing to formulate his ideas of the wake of the minimalist and retrospective publication presents life, he initiated a dramatic shift in has developed a new kind of plas- sculptural volume. In pictures of existing rooms, Sandback explored the possibilities of spaces and planes postminimalist movements of the a crucial part of British sculptor scale and finish. Ken Price: The tic figuration, as can be seen in his by drawing his famous horizontal, vertical and diagonal lines in colored pencil. In the 1980s, he expanded 1960s and 70s. Barlow’s 2013 ex- Phyllida Barlow’s (born 1944) oeu- Large Sculptures unveils this final white-painted steel sculpture “Boy his drawing repertoire to include acrylic, the pochoir technique and pastel. In these late drawings— hibition Scree, at the Des Moines vre. Designed by Japanese graphic body of work in its entirety. With with Frog” (2009), whose recent considered to be more pictorial than his pencil sketches—Sandback elaborated on the experience of Art Center, was designed specifi- designer Takaaki Matsumoto, the dimensions that echo those of the installation on the Punta della Do- space, mass and volume in ways impossible in a coherent space: many of these sculptural ideas are cally for the museum, responding book will be published alongside human body, these sculptures gana in Venice drew a great deal of absolutely boundless. Only a specific section of the whole is intimated in the drawing, for which Sandback to and residing within the architec- the Hauser & Wirth London exhibi- speak directly to the viewer’s cor- critical and popular attention. De- invented unusual techniques: actual incisions instead of drawn lines, for instance, or painterly traces ture of its I.M. Pei wing. Built in tion opening in late May 2014. A poreality. Cast in bronze composite spite its apparent naturalism, Ray’s on transparent film. Superbly produced and edited, Fred Sandback: Drawings assembles works from a 1968, this classically Brutalist ar- never-before-published interview and painted with color-shifting au- oversized figure of a nude boy frol- 30-year span, supplemented by sculptural works. tomotive paint, the large sculp- chitecture with its poured concrete between the artist and Hans Ulrich icking animatedly, even rabidly, ALSO AVAILABLE structure and expansive windows Obrist provides insight into draw- RICHTER VERLAG tures are in one sense the Fred Sandback: Drawings 1968–2000 with the animal world, verges 9783941263680 U.S. | CDN $ 60.00 forms the perfect backdrop to the ings that are not preparations but, culmination of Price’s long career upon the classical. “Horse and Hbk, 10.5 x 12.5 in. / 208 pgs / 243 color. 9783937572338 artist’s ongoing development of rather, daily exercises done before, Pbk, U.S. | CDN $25.00 and in another the beginning of a Rider,” a self-portrait of the artist August /Art the minimalist legacy. Scree also during and after the creation of her Richter Verlag new path cut tragically short. This on horseback (2014), likewise re- includes 55 works on paper from sculptures. While the works on large-format book includes a de- vives the traditional images of the the late 1960s to the present, paper range in style, they demon- tailed essay by Alex Kitnick that sit- horseback rider and the hero of the which are juxtaposed with works strate a consistency in color and uates these works in the history of American West, but in a way that CharlesGaines:Gridwork1974–1989 modern sculpture. The plates sec- she has selected from the Des form in their exploration of ideas is decidedly anti-heroic. This vol- Edited by Naima J. Keith. Foreword by Thelma Golden. Text by Courtney J. Martin, Anne Ellegood, Moines Art Center’s Permanent related to structures, architectural tion features multiple views of the ume offers a comprehensive Howard Singerman, et al. Collections. These include works interiors and urban surroundings. works’ seemingly ever-shifting monograph on Ray’s sculptural Widely regarded as one of the leading exponents of postminimalist art in the late 1970s, Charles Gaines by artists who have been central Barlow’s works on paper date back forms. Completing the book are works of recent years. (born 1944) is known primarily for his photographs, drawings and works on paper that investigate systems, to her artistic development such to the early 1960s when she was a numerous unpublished photo- cognition and language. Considered against the backdrop of the Black Arts Movement of the 1970s and the HATJE CANTZ graphs of the fabrication process as Louise Bourgeois, Yayoi student at Chelsea College of Art 9783775737937 U.S. | CDN $ 60.00 rise of multiculturalism in the 1980s, the works in Charles Gaines: Gridwork 1974–1989 are radical gestures. Kusama, Magdalena Abakanowicz, in London. at Price’s studio. Clth, 9.5 x 11.75 in. / 160 pgs / Eschewing overt discussions of race, they take a detached approach to identity that exemplifies Gaines’ de- 80 color. John Chamberlain and Eva Hesse. JRP|RINGIER MATTHEW MARKS GALLERY termination to transcend the conversations of his time and create new paths. Charles Gaines: Gridwork 1974– July / Art 9783037643662 U.S. | CDN $ 80.00 9781880146835 U.S. | CDN $ 35.00 DES MOINES ART CENTER 1989 gathers significant examples from several of the artist’s most important series, including 75 key works EXHIBITION SCHEDULE Hbk, 9.75 x 12.75 in. / 244 pgs / Hbk, 11 x 13 in. / 80 pgs / 59 color / 9781879003675 U.S. | CDN $ 50.00 Chicago, IL: Art Institute of Chicago, 195 color. from the mid-1970s through the late 1980s. It features drawings and photographs from public and private 4 b&w. Pbk, 9 x 11.75 in. / 76 pgs / 30 color / 05/24/14–10/04/15 August / Art collections—some of which were previously considered lost—and essays by leading scholars and curators. July / Art 1 duotone. July / Art THE STUDIO MUSEUM IN HARLEM EXHIBITION SCHEDULE 9780942949407 U.S. | CDN $ 50.00 EXHIBITION SCHEDULE New York: Matthew Marks Gallery, Hbk, 8.75 x 10.25 in. / 168 pgs / 100 color / 70 duotone. New York: The Studio Museum 05/09/14–06/28/14 August /Art/African American Art & Culture in Harlem, 07/17/14–10/29/14

136 artbook.com artbook.com 137 Performance and writings HIGHLIGHTS ■ ART

CarlAndre:Poems Edited by Lynn Kost. Text by AllenRuppersberg: Gavin Delahunty, Lynn Kost, TonyConrad: TitleTK:An Lun*naMenoh: MoyraDavey: AllenRuppersberg: Valérie Mavridorakis. Writings Anthology ARingAround burntheDiaries Drawing andWriting Carl Andre (born 1935) was a Introduction by Bill Berkson. poet before he was an artist, A legendary figure of the New York Comprised of the artists and musi- TheCollar ArielPink’s Texts by Moyra Davey, Alison Text by Leslie Jones. art and music worlds, Tony Conrad cians Cory Arcangel, Howie Chen Strayer. Allen Ruppersberg (born 1944) and between 1960 and 1965 he Introduction by Leslie Dick. hauntedGraffiti: Uniquely among his contempo- (born 1940) has traversed experi- and Alan Licht, Title TK is a “band” In the oeuvre of New York artist is among the first generation of produced a substantial body of For 14 years, Los Angeles–based SelectedLyrics raries, Allen Ruppersberg (born mental film, drone music, minimal- that performs in music or art con- Moyra Davey (born 1958), litera- American conceptual artists. Allen innovative visual poetry. Arranging artist, fashion designer and musi- byArielPink. 1944) has adapted the possibilities ist video and writing over the texts. While they appear on stage ture and writing are as significant Ruppersberg: and Writing presents language on paper as carefully and cian Lun*na Menoh has been ex- of drawing to make idea-based Edited by Anthony Atlas. a wide array of the artist’s text- course of his career. In each, he as a band, the members do not as photography, film and video. work in populist terms, by uniting as sculpturally as he was later to ploring the many unexpected is the debut print has met with equal success: in play live music. Instead the per- Selected Lyrics In her latest text, Burn the Diaries, based works from the late 1960s arrange pieces of metal or bricks possibilities of the dirty shirt collar, his twin loves of illustration and liter- publication of acclaimed Los through to his most recent proj- music, he was a member of The formances are conversations be- Davey considers the work of ature. Ruppersberg’s drawings, on the floor, Andre approached producing paintings, sculptures, Angeles songwriter Ariel Pink (born Dream Syndicate, he played along- tween the three artists about French playwright and political ac- ects. A companion volume to Allen words as adjustable entities, to music, DVDs, performance art and which range from depictions of 1978), as the first survey of lyrics Ruppersberg Drawing, it gathers side Lou Reed in The Primitives music, performance and the music tivist Jean Genet, while examining books from his library and letters by be moved around within the limits fashion shows inspired by this by his band, Ariel Pink’s Haunted and, more recently, he has com- industry, and their act plays with fugitive moments from her own writings (and visual works contain- of the space of the sheet of paper. lowly, ubiquitous aspect of cloth- authors such as Joseph Conrad and Graffiti. It provides lyrics for ing writing) from series and proj- posed string music using just into- the tensions created by the audi- life. An essay by her childhood Ezra Pound to writing, portraits and These works, made during ing. The collar is a fashion bound- Pink’s most classic material that, nation; in film, he redefined the ence’s expectations and the actual- friend and reading companion ects such as Al’s Café, From the the height of the international ary—the dividing line between drawn appropriations of illustrations famously, has been so difficult to South Forty to the Bunkhouse, boundaries of structural filmmak- ity of their performance. Though Alison Strayer, written in response, from magazines, postcards and Concrete poetry movement, what is hidden by clothing and the comprehend by ear, due to his ing through works such as The ostensibly not music, their sponta- reflects on Davey’s themes. The Great Acts of the Imagination, appeared alongside his sculptures body that emerges from the books, reveal both skill and deftness emphatically lo-fidelity recording Le Mot Juste, Free Poetry, Obits Flicker and Yellow Movies. Re- neous banter nonetheless demon- publication is part of a group of of conception. This survey of Rup- in exhibitions and were excerpted cloth—and the stains commonly practices. With 37 lyrics culled cently, Conrad has turned to re- strates Arcangel, Chen and Licht’s new works—also including photo- and Studies, and excerpts from The in scholarly writings about the found there often confound sarto- persberg’s early drawings—many from both well-known and obscure Novel that Writes Itself and Great searching and writing about topics incredible range of artistic influ- graphs, a film and an installation reproduced here for the first time— artist. With this volume, Andre’s rial panache, a fact which Menoh releases, the songs in as varied as traditional Western ences and preoccupations, all of Selected of her signature mailers, which Speckled Bird. In his introduction influential poetic oeuvre is now takes as the mischievous starting looks at his accomplishments in this Lyrics span the entirety of Ariel to the book, poet Bill Berkson music and mathematical princi- which stem from a sophisticated Davey sends to family, friends and medium. An essay by Leslie Jones, gathered comprehensively for the point for her work. Lun*na Menoh: Pink’s recorded output, and ples, both ancient and modern. understanding of music and com- acquaintances—that illuminate the writes: “Ruppersberg’s co-exem- first time. The poems, which were A Ring Around the Collar docu- curator at the Los Angeles County together comprise a kind of plars are John Baldessari and Ed Tony Conrad: Writings is the first posing. The conversations engage relationship between image and Museum of Art, explores the rela- often typed on 8½ x 11 paper, ments the paintings included in “best-of,” a one-stop tour of the book to collect this wide range of each audience as the performer language. This volume can be Ruscha … Because they are visual are reproduced in quasi-facsimile, this series, as well as Menoh’s per- tionship between drawing and writ- musician’s recurrent themes and artists first, they present language texts, some of which have never reveals his own infatuations with read both as an artist’s book and ing in Ruppersberg’s work (an idea to convey Andre’s sculptural formance art and fashion shows. fascinations. Pink’s tragic dramas before been published, which popular culture, music and art. a catalogue to accompany the foremost as image—color, shape, intentions. Also included are Included with this book is a flexi- further explored in and Writing, the of domestic pain come to life in light and scale being conditioned illuminate the influences upon his Title TK: An Anthology collects the exhibition at mumok, Vienna, and companion volume to Drawing). essays by art historians Gavin disc with two songs by the artist’s “L’estat (acc. To the widow’s maid)” work and address his theories transcripts of these live perform- the ICA, Philadelphia, in 2014. often enough by lettering, the Delahunty and Valérie Mavridorakis, band, Les Sewing Sisters, and an and the beloved tunes “Envelopes CHRISTINE BURGIN about art and music. ances from 2010 to 2014, charting quality of handwriting or font, or and curator Lynn Kost. introduction by acclaimed author ICA, UNIVERSITY OF PENNSYLVANIA/ 9780977869664 U.S. | CDN $ 39.95 Another Day,” “Among Dreams” MUSEUM MODERNER KUNST the format of a book. The upshot the group’s development. Clth, 8.25 x 10.25 in. / 112 pgs / JRP|RINGIER PRIMARY INFORMATION Leslie Dick. STIFTUNG LUDWIG WEIN/DANCING and “Life in L.A.” Included in the 55 color. is a blithe alchemical switch of 9780991558513 U.S. | CDN $ 30.00 PRIMARY INFORMATION FOXES PRESS 9783037643648 U.S. | CDN $ 80.00 TAMTAM BOOKS volume are several pages of hand- June / Art sign into symbol.” Hbk, 11 x 10.75 in. / 144 pgs / Pbk, 8 x 10 in. / 250 pgs. 9780991558506 U.S. | CDN $ 28.00 9780985337728 U.S. | CDN $ 27.00 9780985272418 U.S. | CDN $ 59.95 December / Art/Nonfiction & Criticism Pbk, 8.5 x 11 in. / 270 pgs / written, animated lyrics, a repro- Pbk, 6.25 x 8.25 in. / 104 pgs / 100 color / 50 b&w. Hbk, 8.5 x 11 in. / 48 pgs / 40 color / CHRISTINE BURGIN September / Art/Poetry 4 duotone. duction of drawings by Ariel Pink 36 color / 1 b&w. ALSO AVAILABLE flexi disc. 9780977869671 U.S. | CDN $ 15.00 November / Art/Nonfiction & Criticism June / Art Allen Ruppersberg: November / Artists’ Books/Asian Art & and a thorough discography. Pbk, 5.25 x 8 in. / 128 pgs / 80 color / Collector’s Paradise Culture 20 b&w. NIEVES EXHIBITION SCHEDULE 9780977869657 Philadelphia, PA: Institute of Contem- June / Art/Nonfiction & Criticism 9783905999525 U.S. | CDN $ 16.00 Pbk, U.S. | CDN $35.00 Pbk, 4.5 x 7 in. / 52 pgs / 52 b&w. porary Art, University of Pennsylva- Christine Burgin July / Music/Artists’ Books nia, 09/17/14–12/28/14

138 artbook.com artbook.com 139 Contemporary abstraction and figurative drawing HIGHLIGHTS ■ ART jamesDrake:1242 Interview by Cormac McCarthy. Three years ago, the artist James Drake (born 1946) began the ambitious project of creating 1,242 drawings that would trace and reference all of the developments of his multifaceted career. Known as both a sculptor and video artist, Drake has always considered draftsmanship to be a key to his process, and this body of drawings does not disappoint. It is both a fascinating tour of Drake’s creative thinking and a testament to the simple SeanScully: power of graphite and ink on paper in the hands jacqueline of a master of the craft. The volume is published NightandDay TerryWinters: humphries jasonMiddlebrook: to accompany a touring exhibition (titled The Text by John Yau. MyLandscape Anatomy of Drawing and Space) opening at The Patternsina Text by Angus Cook, Suzanne Sean Scully (born 1945) is known Museum of Contemporary Art San Diego in July ChromaticField Hudson, David Joselit. Text by Susan Cross, Cary Levine, for rich, painterly abstractions in Carter Foster. 2014—the largest show of Drake’s work to date. Text by Suzanne Hudson. Over the course of her three- which stripes or blocks of layered Jason Middlebrook: My Landscape RADIUS BOOKS Terry Winters: Patterns in a Chro- decade career, American painter color are a prevailing motif. The de- documents the American sculptor 9781934435823 U.S. | CDN $ 85.00 matic Field unveils a new body of Jacqueline Humphries (born 1960) lineated geometry of his work pro- and painter’s exhibition at the Hbk, 15.5 x 12.5 in. / 320 pgs / 1,280 color. work by the celebrated abstract has committed to abstraction at its ALSO AVAILABLE September /Art vides structure for an expressive, Massachusetts Museum of James Drake: Red Drawings and White Cut-outs painter. With these 17 paintings, extreme. In the mid-2000s, physical rendering of color, light, Contemporary Art, with spectacu- 9781934435403 EXHIBITION SCHEDULE reproduced here for the first time, Humphries began experimenting and texture. Scully’s simplification lar installation shots and individual Hbk, U.S. | CDN $60.00 San Diego, CA: Museum of Contemporary Art San Winters (born 1949) further devel- with reflective silver paint on can- Radius Books Diego, 07/10/14–09/21/14 of his compositions and use of photos of his colorful abstract ops his research into the optical vas, a feature that has since be- Austin, TX: Blanton Museum of Art, 10/19/14–01/04/15 repetitive forms—squares, rectan- paintings on hardwood planks, and and psychological capacities of oil come a signature of her work. gles, bands—echoes architectural a major site-specific sculpture—a paint. His layering of color and Humphries’ iridescent surfaces motifs (doors, windows, walls) and working fountain suspended from form echoes the abstracting create an unsettling relationship in this way appeals to a universal the museum’s rafters—as well as AprilGornik:Drawings processes of contemporary sci- between the viewer and the paint- understanding and temporal navi- large-scale works on paper and Text by Steve Martin, Archie Rand, Lawrence Weschler, Bruce Wolosoff. ence and technology, allowing ing, constantly shifting according gation of the picture plane. How- a wall drawing. Texts by Susan April Gornik: Drawings is an extensive compilation of charcoal drawings done each canvas to open up new av- to movement and time. Register- ever, the intimacy of Scully’s Cross, MASS MoCA curator, Cary by Gornik (born 1953) since 1984. Lush and wide-ranging in scope and sub- enues of perception and physical ing the colors and tones of the en- process, in which he layers and Levine, Professor of Art History ject, these landscapes call out the wild and the cultivated, from the desert to experience. As Suzanne Hudson vironments around them, the manipulates paint with varying at the University of North Carolina, the forest to the sea, and show both the progress and consistency in her explains in the book’s essay, Win- paintings engage in a mysterious brushstrokes and sensibilities, re- Chapel Hill, and Carter Foster, evocative approach to drawing. As she has said, “Charcoal drawings look so ters’ paintings are “wholly in- play of shadows and light, sugges- sults in a highly sensual and tactile Curator of Drawings at the unlike anything else in the world, they have their own light, their own den- tended works, based not upon tion and intimation. This distinctive materiality. His colors and their in- Whitney Museum of American Art, sity.” Contributions include essays by Steve Martin and artist Archie Rand; a pre-existing matrices or a-compo- monograph—the first to collect teractions, often subtly harmo- shed light on three major facets fascinating interview with the artist, conducted by Lawrence Weschler, about sitional methods but on necessities Humphries’ silver paintings in one nized, elicit profound emotional of Middlebrook’s diverse practice her approach to her studio practice and her life; and a musical offering by that accumulate and progress as volume—illustrates over 70 works, associations. Scully does not shy and their relationship to one composer Bruce Wolosoff, who has written a stunning work for piano and the painting is brought into being.” reproducing their luminous sur- away from Romantic ideals and the another. The only major mono- cello inspired by one of Gornik’s drawings (available with purchase through Along with Hudson’s essay, the faces using a technique that lays potential for personal revelation. graph available on the artist, iTunes). Gornik’s art has been the subject of solo exhibitions at the Pennsylva- book features extensive illustra- conventional ink over an Iriodin He strives to combine, as he has this volume gives fresh insight nia Academy of the Fine Arts (1998); Guild Hall Museum (1994); the Frederick tions, including full-scale details of silkscreened varnish. With essays said, “intimacy with monumental- into Middlebrook’s work and moti- R. Weisman Museum of Art (1993); and the Parrish Art Museum (1988). She the canvases, as well as new pho- by David Joselit, Suzanne Hudson ity.” This volume surveys works of vations, from the important role received a Lifetime Achievement Award from Guild Hall Museum in 2003. A tographs of the Winters studio in and Angus Cooke, the book situ- the past three years. mid-career retrospective began at the Neuberger Museum of Art in Purchase, ates Humphries within a genera- nature plays in his art to his preoc- upstate New York. NY, in fall 2004, and traveled to the Art Gallery of Nova Scotia, the Sheldon CHEIM & READ tional discourse as well as a cupations with time and place and MATTHEW MARKS GALLERY Memorial Art Gallery in Nebraska and the Allen Memorial Art Museum in 9780985141097 U.S. | CDN $ 60.00 broader art-historical context. his explorations of both abstraction FLAT40 9781880146811 U.S. | CDN $ 30.00 and representational imagery. Oberlin, Ohio. Clth, 11.75 x 13 in. / 64 pgs / 13 color. Clth, 9.25 x 11.75 in. / 76 pgs / 40 WALTHER KÖNIG, KÖLN FIGUREGROUND PRESS July / Art color / 3 b&w. 9783863355098 U.S. | CDN $ 45.00 MASS MOCA U.S. | CDN July / Art FLAT40 9780982991442 U.S. | CDN $ 37.50’ 9781938922558 $ 50.00 Hbk, 9.75 x 10 in. / 188 pgs / 96 color. Clth, 8.25 x 11.75 in. / 80 pgs / Hbk, 9.5 x 11.5 in. / 232 pgs / 2 color / 123 duotone. EXHIBITION SCHEDULE June / Art 64 color. July / Art Los Angeles, CA: Matthew Marks August / Art Gallery, 04/19/14–06/21/14

140 artbook.com artbook.com 141 Deste 2000 Words series and group exhibitions HIGHLIGHTS ■ ART Cruzamentos:ContemporaryArtinbrazil Edited by Jennifer Lange, Bill Horrigan, Paulo Venancio Filho. Text by Bill Horrigan, Paulo Venancio Filho, Jennifer Lange, Chris Stults, Cristiana Tejo, Cheryl-Lynn May, Denise Carvalho, Ann Bremner. Foreword by Sherri Geldin. Cruzamentos features 35 artists, working across all genres, who reflect the vibrant artistic scene currently flourishing throughout Brazil. Many of the artists are emerging or mid-career and, with very few exceptions, have not been widely (or ever) exhibited in the US. “Cruzamentos” translates literally as “crossings” or ‘“intersections,” but in Brazil it also refers to the mixing of cultures that renders the country so distinctive. Cruzamentos extends that metaphor to contemporary art, focusing on artists whose practices are as varied as the country itself. Although a handful of postwar Brazilian visual artists have received recognition in North America, the astonishingly high level of artistic production throughout Brazil over recent decades remains significantly overlooked beyond its borders. Among the artists included are Márcio Almeida, Jonathas de Andrade, Laura Belém, Tatiana Blass, José jakubjulian ChristianaSoulou: SethPrice: PaulChan: Damasceno, Cia de Foto, Dias & Riedweg, Marcius Galan, Fernanda Gomes, Jac Leirner, Cristiano Ziółkowski: 2000Words 2000Words 2000Words Lenhardt, Cinthia Marcelle, Beatriz Milhazes, Regina Silveira, Adriana Varejão and Marcia Xavier.

2000Words Edited by Karen Marta, Edited by Karen Marta, Edited by Karen Marta, WEXNER CENTER FOR THE ARTS, THE OHIO STATE UNIVERSITY Massimiliano Gioni. Text by Massimiliano Gioni. Text by Chris Massimiliano Gioni. Text by 9781881390534 U.S. | CDN $ 59.95 Edited by Karen Marta, Claire Gilman. Wiley, Seth Price. Stephen Squibb. Massimiliano Gioni. Text by Hbk, 9.75 x 12.25 in. / 224 pgs / 140 color / 26 b&w. EXHIBITION SCHEDULE Cecilia Alemani. Using a restrained palette of pencil New York–based artist Seth Price The varied practice of Paul Chan July / Art/Latin American Art & Culture Columbus, OH: 02/01/14–04/20/14 Juxtaposing the heavenly and the and colored pencil on paper, Greek (born 1973) traverses the possibili- (born 1973) includes paintings, debased, the innocent and the per- artist Christiana Soulou (born 1961) ties of art through his work and drawings, video animations and verse, the celestial and the micro- draws figures that embody a critical writings. An ardent voice in font design, as well as critical writ- RuffneckConstructivists scopic, Polish artist Jakub Julian ceaseless formation and fragmen- the contemporary art community, ing. The characters in his works are Edited and with an introduction by Kara Walker. Foreword by Amy Sadao. Text by Craig L. Wilkins. Ziółkowski (born 1980) traces his tation of the self. Soulou’s wide Price uses a range of media—digital animated beings, jerking and stut- Ruffneck Constructivists, published to accompany a group exhibition curated by artist Kara Walker, brings artistic lineage from Hieronymus range of characters includes the paintings, sculptures, vacuum- tering as they are violently thrust together 11 international artists in order to define a contemporary manifesto of urban architecture and Bosch to Philip Guston. Ziółkowski’s mysterious figures of the Tarot, the formed reliefs, music and perform- into the clumsy reel—or “real”—of change. Inspired by both the Russian Constructivists and McLyte’s 1993 hit song “Ruffneck,” the phrase work makes a startling demand: it fantastical beasts of Borges’ Book ance art—to investigate different history. Chan explores the intellec- “Ruffneck Constructivists” evokes thuggishness as an expression of abjection. The book features sculp- asks the eye not to glance but to of Imaginary Beings and a series means of dissemination of his and tual and sexual animus that courses ture, photography and video by the artists Dineo Seshee Bopape, Kendell Geers, Arthur Jafa, Jennie C. hold focus on the unraveling chaos of awkward ballet dancers. The other artists’ works in the Internet through our collective language and Jones, Kahlil Joseph, Deana Lawson, Rodney McMillian, Pope.L, Tim Portlock, Lior Shvil and Szymon of his images, and to embrace the richness of Soulou’s imagery and age. Part of the 2000 Words series, consciousness, drawing on sources Tomsia. As Walker states, “Ruffneck Constructivists are defiant shapers of environments. Whatever their hallucinatory vehemence of his storytelling is at the core of her conceived and commissioned by as varied as the King James Bible, gender affiliation, Ruffnecks go hard when all around them they see weakness, softness, compromise, vision. Part of the 2000 Words se- exploration of identity. Part of the Massimiliano Gioni, and published Marquis de Sade and Samuel sermonizing, poverty, and lack; they don’t change the world through conscious actions, instead they build ries, conceived and commissioned 2000 Words series, conceived and by the Deste Foundation for Con- Beckett. Part of the 2000 Words se- themselves into the world one assault at a time.” commissioned by Massimiliano temporary Art, 2000 Words: Seth ries, conceived and commissioned by Massimiliano Gioni, and pub- DANCING FOXES PRESS / INSTITUTE OF CONTEMPORARY lished by the Deste Foundation Gioni, and published by the Deste Price presents the entirety of the by Massimiliano Gioni, and pub- ART, UNIVERSITY OF PENNSYLVANIA 9780985337742 U.S. | CDN $ 25.00 EXHIBITION SCHEDULE for Contemporary Art, this volume Foundation for Contemporary Art, artist’s works in the Dakis Joannou lished by the Deste Foundation for Pbk, 8.5 x 10.25 in. / 96 pgs / 81 color. Philadelphia, PA: Institute of Contemporary Art, 2000 Words: Christiana Soulou Collection alongside a new essay Contemporary Art, 2000 Words: presents the entirety of the Polish August /Art/African American Art & Culture University of Pennsylvania, 02/12/14–08/17/14 artist’s works in the Dakis Joannou presents the entirety of the artist’s by Price and an essay by Chris Paul Chan presents the entirety of Collection and includes an essay works in the Dakis Joannou Wiley that examines the artist’s the artist’s works in the Dakis by Cecilia Alemani that examines Collection and includes an essay peripatetic and complex vision. Joannou Collection and includes PREVIOUSLY ANNOUNCED by Claire Gilman examining the an essay by Stephen Squibb that how the artist’s work searches the DESTE FOUNDATION FOR 28Chinese body for a nonhierarchical image tension between the material and CONTEMPORARY ART reveals the solitary image and its 9786185039073 U.S. | CDN $ 22.00 RubellFamilyCollection of the universe. immaterial in Soulou’s work. uncanny animation in Chan’s work. Pbk, 7.25 x 10 in. / 109 pgs / Interview by Juan Roselione-Valadez with Don and Mera Rubell. Text by Ai Weiwei, Chen Wei, Chen Zhou, et al. DESTE FOUNDATION FOR illustrated throughout. DESTE FOUNDATION FOR DESTE FOUNDATION FOR Held at the Rubell Family Collection in Miami, Florida, 28 Chinese is the culmination of six research trips that the CONTEMPORARY ART CONTEMPORARY ART September / Art CONTEMPORARY ART 9786185039066 U.S. | CDN $ 22.00 9786185039080 U.S. | CDN $ 22.00 9786185039059 U.S. | CDN $ 22.00 Rubell family made to China between 2001 and 2012. This publication gathers pieces by 28 artists working Pbk, 7.25 x 10 in. / 133 pgs / Pbk, 7.25 x 10 in. / 197 pgs / Pbk, 7.25 x 10 in. / 135 pgs / across several generations and in a myriad of themes, offering a broad survey of the Chinese art world today. illustrated throughout. illustrated throughout. illustrated throughout. It includes works and writings by artists such as Ai Weiwei, Chen Wei, Chen Zhou, Fang Lu, He Xiangyu, Hu September / Art September / Art September / Art Qingyan, Hu Xiangqian, Huang Ran, Huang Yong Ping, Lan Zhenghui, Li Ming, Li Ran, Li Shurui, Li Songsong,

ALSO AVAILABLE Andro Wekua: Urs Fischer: Elad Lassry: Li Zhanyang, Liu Chuang, Liu Wei, Qiu Zhijie, Shang Yixin, Wang Guangle, Wang Xingwei, Xie Molin, Xu Zhen, Paweł Althamer: 2000 Words 2000 Words 2000 Words Yan Xing, Zhang Enli, Zhang Huan, Zhao Yao and Zhu Jinshi. 2000 Words 9789609931465 9786185039011 9789609931489 9789609931472 Pbk, U.S. | CDN $22.00 Pbk, U.S. | CDN $22.00 Pbk, U.S. | CDN $22.00 RUBELL FAMILY COLLECTION Pbk, U.S. | CDN $22.00 DESTE Foundation for DESTE Foundation for DESTE Foundation for 9780991177004 U.S. | CDN $ 39.95 EXHIBITION SCHEDULE DESTE Foundation for Contemporary Art Contemporary Art Contemporary Art Pbk, 9 x 12 in. / 260 pgs / 149 color. Miami, FL: Rubell Family Collection, 12/04/13–08/01/14 Contemporary Art Available /Art/Asian Art & Culture San Antonio, TX: San Antonio Museum of Art, 08/15/15–11/08/15

142 artbook.com artbook.com 143 Group catalogues HIGHLIGHTS ■ ART Self-Portrait Edited by Michael Juul Holm, Jeanne Rank Schelde, Helle Crenzien. Foreword by Poul Erik Tøjner. Introduction by Helle Crenzien. Text by Eleanor Nairne, Finn Skårderud, Liz Rideal, Marco Pierini. Concentrating on 150 works by 64 international artists from the past two centuries, this volume contemplates questions of representations of the self and identity. At the simplest level, it asks: can a self-portrait be simply documentary? The self- portrait not only represents physical appearance, but, more tellingly, the artist’s conception thereof. In this volume, each of the works was assigned a category, according to a thematic motif determined by the artist’s technique of self-representation: the artist in the studio, pioneers, the course of life, simplification, dissolution, type cast, exhibitionism and mirrors. These revealing categories speak not only to the conceptions of self at work in these portraits, but also to the evolving nature PublicArt(Now) of identity: over time, one’s origins and affiliations have become less important as Arctic Composite determining factors of identity. The major works represented in this volume include OutofTime,OutofPlace ThePossible Edited by Michael Juul Holm, self-portraits by, among others, Marc Chagall, Henri Matisse, Edvard Munch, Egon Mathias Ussing Seeberg, Poul Landscapes Edited by Public Fiction, David Edited by Claire Doherty. Schiele, Frida Kahlo, Andy Warhol, David Hockney and Jean-Michel Basquiat. Erik Tøjner. Text by Minik Rosing, Photomontageand Wilson. Foreword by Lawrence The face of public art is changing. Rinder. Text by Luke Fischbeck, Geoff Dyer, Robert McGhee, LandscapeArchitecture LOUISIANA MUSEUM OF MODERN ART Peter Davidson, et al. In recent years, a new generation Lauren Mackler, Lawrence Rinder, Edited by Isabella Stewart. Text David Wilson. 9788792877086 U.S. | CDN $ 35.00 Looming large in the cultural imag- of artists has rejected the monu- Hbk, 8.75 x 10.25 in. / 128 pgs / 170 color. by James Comer, Annette Freytag, Combining studio, classroom, ination as a wild territory to be Andrea Hansen, et al. mental scale and mass appeal of July / Art library, gallery and stage, The conquered and the ultimate Composite Landscapes examines conventional public sculpture, in- Possible offered a new model of perimeter of human power, the one of landscape architecture’s stead favoring unconventional museum exhibition. Rather than seemingly untouched landscape of most recognizable forms: the mon- forms that disrupt rather than em- presenting existing artworks, the Arctic has been an inspiration tage view. This publication collects bellish a particular location. Public artist/curator David Wilson hosted to artists from the Romantic age to key works from a select group of Art (Now) is the first survey of the over 100 artists and collectives— the present. Arctic, published to the world’s most influential artists most influential forms of the past with “artist” understood in the accompany a major exhibition at and landscape architects to reveal decade that are redefining the PREVIOUSLY ANNOUNCED broadest sense. The BAM/PFA gal- the Louisiana Museum of Modern the practices of photomontage. practice of public art today. Some leries were transformed into studios TheNerdrumSchool Art in Denmark, brings together a The first book of its kind, Composite 40 key projects from around the that were used by both guest artists TheMasterandhisStudents range of artists responding to the Landscape depicts the conceptual, world are highlighted, with de- and museum visitors. The exhibition terrifying sublime of the Arctic, experiential and temporal dimen- tailed descriptions and installation Edited by Inger Schjoldager. Introduction by Richard Vine. Text by Richard T. Scott, made itself during its four-month Per T. Lundgren, Jan-Ove Tuv, Joakim Ericsson, David Molesky. from Caspar David Friedrich to Sig- sions of landscape and illustrates and process shots. Interviews and run, as works created in the studios Norwegian artist Odd Nerdrum (born 1944) was a student at the Academy of Art in Oslo mar Polke, Sophie Calle, Mark Dion the analog origins of a method now quotes from practitioners, commis- were exhibited in an adjacent when modernism made its delayed entry into Norway. Nerdrum broke away from his and Joachim Koester. With contri- rendered ubiquitous through digital sioners and commentators reveal gallery. The catalogue is conceived peers who rallied around the likes of Warhol and Lichtenstein, instead becoming a butions from geologists, historians, means. Artists and architects fea- the context for each project, while in a similar vein, as one of the exper- follower of Rembrandt and a painter in the classical tradition. Art students from all over archeaologists and glaciologists, as tured include Yves Brunier, Claude an introduction sets out the con- iments of The Possible created by the world have since sought out his teachings, and many have become internationally well as a new essay by Geoff Dyer Cormier, James Corner, Jan ceptual, practical and ethical is- guest artists Luke Fischbeck and known in their own right. This book documents the vast influence of Odd Nerdrum, about the photographs from the Dibbets, Charles Eliot, Isabella sues raised by the work. This Lauren Mackler of Public Fiction, a and his followers who went on to become some of today’s leading figurative painters. nineteenth-century expeditions Stewart Gardner, Adriaan Geuze, dynamic combination of projects, Los Angeles–based project space Among the many artists included are Nerdrum himself, Amy Sherald, Andrea J. Smith, that provided some of the first Booth Grey, Christopher Grubbs places and people is both a must- and journal. Created partially onsite, Andrew Scheglow, Anthony Ackrill, Atle Skudal, Austin Murphy, Billy Roy Økland, glimpses of the region and its in- and Hargreaves Associates, Gary have reference book for art-world it is inspired by the exhibition’s spirit Boris Koller, Brad Silverstein, Brad Wilde, Brandon Kralik, Caleb Knodell, Carlos Madrid, habitants, this catalogue considers Hilderbrand, David Hockney, specialists and an accessible intro- of improvisation and collaboration. Christer Tronsmed, Cornelia Maria Hernes, Clarissa James, David Maddy, David the place of the Arctic in the his- Kenneth Josephson, Kienast Vogt duction to the subject. Among the It gathers essays, photographic Molesky, David Ransom, Dylan Chritchfield Sales, Elisabeth Gyllensten, Eri Hareyiama, tory and culture of the West at a Partners, Eadweard Muybridge, featured artists are Mike Kelley, documentation and printed artifacts Evan Kitson, Even Richardson, Fereidoun Ghaffari, Francis O’Toole, Gabrielle Vitollo, moment when the region is taking Humphrey Repton, Arthur Shurcliff, Francis Alÿs, Superflex, Paul Chan, generated in the exhibition itself. Geir Stahl, Guillermo Lorca Garcia Huidobro, Gunnar Haslund, Harald Kolderup, on a new significance as a threat- Ken Smith and Alice Adams, Susan Philipsz and Theaster Gates. Hege Elisabeth Haugen, Helene Knoop, Irena Jovic, Ivanco Talevski, Jan-Ove Tuv, ened, vanishing space. John Stezaker, Stöckli, Kienast & UNIVERSITY OF CALIFORNIA, ART / BOOKS BERKELEY ART MUSEUM AND Jay Senetchko, Jeremy Francis Bell, Joakim Ericsson, Joel Frank and Johan Patricny. Koeppel, Michael Van Valkenburgh | LOUISIANA MUSEUM OF MODERN 9781908970176 U.S. CDN $ 50.00 PACIFIC FILM ARCHIVE ALSO AVAILABLE ARVINIUS + ORFEUS ART and Byron Wolfe. Hbk, 8.75 x 10.5 in. / 256 pgs / 9780983881308 U.S. | CDN $ 30.00 Odd Nerdrum: Kitsch, 9788792877161 U.S. | CDN $ 35.00 300 color. Pbk, 7 x 9.25 in. / 180 pgs / 25 color. 9789187543043 U.S. | CDN $ 75.00 More than Art HATJE CANTZ Hbk, 8.75 x 10.25 in. / 128 pgs / November / Art November / Art Hbk, 10 x 11 in. / 256 pgs / illustrated throughout. 9788251636384 9783775738194 U.S. | CDN $ 75.00 Available /Art 150 color. Hbk, U.S. | CDN $75.00 Hbk, 12 x 9.5 in. / 176 pgs / 250 color. EXHIBITION SCHEDULE July / Art Schibsted Forlag September / Art/Architecture & Urban Berkeley, CA: University of California, Studies Berkeley Art Museum and Pacific Film Archive, 01/29/14–05/25/14 144 artbook.com artbook.com 145 Figurative painting HIGHLIGHTS ■ ART

Everyhourofthe Light:TheArtof MarySipp-Green Text by Beth Venn. Foreword by Tomblackwell: Louis Zona. TheComplete RobertDevriendt: LauraKnight: American landscape painter Mary brokenStories Portraits Sipp-Green, based in the bucolic Paintings, Text by Michael Amy, Lorenzo Text by Rosie Broadley. Berkshire Hills of Massachusetts, 1970–2014 Benedetti, Edwin Carels, Laura Knight (1877–1970) was one is exceptional in her ability to draw Text by Linda Chase. Foreword Robert Devriendt. Interview by of the leading British painters of the viewer into her atmospheric by Carter Ratcliff. Preface by Eva Wittocx. the twentieth century. However, landscapes and seascapes. The in- Louis K. Meisel. The oeuvre of Belgian painter her rejection of modernism and her tensely saturated colors in her Tom Blackwell (born 1938) is Robert Devriendt (born 1955) is association with the mainstream works evoke an immediate sense primarily known for his work cinematic in character: his paint- led to a decline in her reputation, of place. Building up layer upon in photorealism, a movement char- ings, small in scale and highly and since her death she has fallen layer of paint, Sipp-Green achieves acterized by its ardent embrace of detailed, resemble a series of film into obscurity. This long-overdue an ethereal quality that imparts a photographic source material. In stills. A woman’s heel next to a reappraisal of a pioneering female refined serenity. Many of the sub- 1969, he began a series of brashly broken glass; a young man about artist features over 35 of her finest jects she paints—salt marshes, beautiful motorcycle paintings to enter a wood; the bloodied works from across her long and barns, meadows, rivers and the oc- that established him as one of the mouth of a reclining woman— prolific career, demonstrating both casional cityscape—are captured founders and foremost artists of when contemplated in sequences, the variety of her subjects and her in the beautiful light of dusk or a the movement. In his equally these frames form open, inter- consummate skills as an artist. luminescent sunrise. In a state- celebrated store-window paintings, pretable stories, although During the course of an extraordi- ment, she describes the appeal of Blackwell captures the counter- Devriendt establishes no clear-cut narily productive career that a life in painting: “to be always and point between the idealized reality script or coherent narrative that spanned over 70 years, Knight’s jamieWyeth everywhere involved in the myste- within the store display and the might explain their connection. bustling urban life reflected in Rather, the viewer of the series work reflected her commitment Text by Elliot Bostwick Davis, David Houston. rious dimensions of the everyday, the glass. As author Linda Chase becomes a kind of codirector to depicting modern life and her As famous, and sometimes famously controversial, as the three generations of Wyeth artists in the extraordinary way in which remarks in her essay, “The magic to Devriendt’s stories, almost fascination with the human figure, have been, the artistic vision of Jamie Wyeth (born 1946), considered separate from the the visible world can articulate of these paintings resides in the involuntarily connecting the dots as asserted in her iconic “Self context of his family, remains surprisingly little known. This retrospective, the first in more something meaningful through the artist’s ability to transform the between works. In this way, Portrait” (1913). This book demon- than 30 years, presents a full range of work from his earliest virtuoso portraits to his most medium of paint.” This is the first arbitrary photographic information Devriendt’s paintings, with their strates Knight’s impressive skills current mysteriously symbolic seascapes. Jamie Wyeth’s early exposure to painting in his substantial monograph on her mar- into dynamic and complex artistic deliberate visual abbreviation and as a painter and draftsman and her father Andrew Wyeth’s studio, his youthful immersion in Andy Warhol’s Factory and the velous oeuvre. compositions, revealing and cropping, test the automatism of compassionate approach to the New York art scene of the 1970s, and his continuing dialogue with artists past and present THE ARTIST BOOK FOUNDATION clarifying the image while preserv- the human compulsion to create sitters with whom she worked, combine with his artistic imagination to create an elusive, hybrid form of realism that ranges 9780988855762 U.S. | CDN $ 75.00 ing its mystery.” The first compre- narrative with the most minimal while also presenting a distinctive from sharply observed portraits of historical and cultural figures, to personified animals and Hbk, 10 x 11.5 in. / 160 pgs / 85 color. hensive resource on an icon of amount of information. Broken picture of twentieth-century animated landscapes, to a vision of an inferno set on Maine’s Monhegan Island. By exploring October / Art photorealism, this volume includes Stories documents this thought- Britain. the themes and subjects central to Jamie Wyeth’s vision, the authors place him in the further essays by esteemed art provoking, disjointed and intricately context of his own distinguished artistic heritage as well as the long tradition of American NATIONAL PORTRAIT GALLERY writers Louis K. Meisel and Carter detailed work, surveying Devriendt’s 9781855144637 U.S. | CDN $ 45.00 realist painting and its contemporary revival. The more than 100 paintings, works on paper EXHIBITION SCHEDULE Ratcliff. entire career with an emphasis Pbk, 9 x 11.5 in. / 128 pgs / 90 color. Boston, MA: Museum of Fine Arts, 07/16/14–12/28/14 and multimedia assemblages lavishly reproduced in this book invite us to explore the world August / Art on his most recent works. of a prodigiously gifted, adamantly individualistic American artist. Chadds Ford, PA: Brandywine River Museum of Art, THE ARTIST BOOK FOUNDATION 01/17/15–04/05/15 9780988855779 U.S. | CDN $ 95.00 LUDION MFA PUBLICATIONS, MUSEUM OF FINE ARTS, BOSTON San Antonio, TX: San Antonio Museum of Art, Hbk, 11 x 12 in. / 240 pgs / 150 color / 9789491819049 U.S. | CDN $ 45.00 9780878468140 U.S. | CDN $ 50.00 04/25/15–07/05/15 10 b&w. FLAT40 Clth, 10.75 x 9.25 in. / 208 pgs / 143 color. Bentonville, AR: Crystal Bridges Museum of American Art, November / Art Hbk, 9.25 x 11 in. / 176 pgs / July / Art 07/23/15–10/05/15 400 color / 20 b&w. November / Art 146 artbook.com artbook.com 147 Abstraction in America and Europe HIGHLIGHTS ■ ART RobertMotherwell:Collage Text by Mel Gooding. A number of Robert Motherwell’s most important early works were collage-paintings, beginning with his first effort in the spring of 1943, “Pierrot’s Hat,” made while working alongside Jackson Pollock in the latter’s studio. “I took to collage like a duck to water,” Motherwell later reflected, and he continued to “play with papers” for the rest of his life, esteeming his skill in the medium as one of his “chief gifts.” Collage also helped the artist reconcile his relationship to European modernism (particularly Surrealism) on the one hand, and American Abstract Expressionism on the other. Reproducing a concise selection of collages from throughout the artist’s career in full color, this volume also includes a series of “case studies” on individual collages and broader essays by critic Mel Gooding that examine their composition, palette and literary allusions, and Motherwell’s unique position bridging Surrealism and Abstract Expressionism.

BERNARD JACOBSON GALLERY 9781872784533 U.S. | CDN $ 16.95 jorn&Pollock: Pbk, 5 x 7.5 in. / 79 pgs / illustrated throughout. ALSO AVAILABLE July / Art RevolutionaryRoads Robert Motherwell: Early Collages Edited by Michael Juul Holm, Anders Kold. Text by Poul Erik Tøjner, Jeremy Lewison, 9780892074976 Axel Heil, Courtney Martin. Simonhantaï Hbk, U.S. | CDN $45.00 SoulagesinAmerica Edited and with preface by Dominique Guggenheim Museum In the years during and just after World War II, Fourcade, Isabelle Monod-Fontaine, Alfred Edited and with interview by Philippe Ungar. the Danish artist Asger Jorn (1914–73) and the Pacquement. Foreword by Alain Seban. Preface by Harry Cooper. Text by Sean Sweeney. American painter Jackson Pollock (1912–56) Afterword by Dominique Lévy. Born in Hungary in 1922, Simon Hantaï moved came to play major roles in the development of In 1948, America came knocking unexpectedly to Paris at the age of 26, and fell in with André a new Abstract Expressionist art. Both drew on at the door of Pierre Soulages (born 1919). Breton’s postwar Surrealist circle, where he was Surrealism and Picasso to explore automatism in James Johnson Sweeney, then curator at quickly acclaimed by Breton himself. But it was painting, each breaking through to a unique MoMA and future director of the Guggenheim not until the early 1960s that Hantaï developed style around 1943, when Pollock had his first Museum, had heard talk in Paris of a painter the “pliage” or “folding method” that has made show at Peggy Guggenheim’s gallery, and Jorn who worked in black with broad brushstrokes. him an influential figure on both sides of the established the groundwork for working collec- He wanted to find out more. Thus began the Atlantic. Hantaï began applying paint to folded tively that would lead to the founding of the success story of a young European painter in canvasses, which—once the canvasses were CoBrA group. In both cases, this led to an in- America. His thriving career during the 1950s unfolded and stretched—resulted in irregular credibly energetic, primitive-seeming painting to the mid-1970s consisted of shows at Betty patterns of bold color punctuated by strips of (although Jorn retained more figurative ele- Parsons and Sidney Janis, and exhibitions at unprimed ground. Throughout the rest of his ca- ments than Pollock). Alongside more than 100 the Phillips Collection and the Guggenheim. reer, Hantaï devoted himself to developing new color reproductions, Jorn & Pollock: Revolution- Hollywood celebrities like Otto Preminger, techniques that slowed down or automated the ary Roads includes the essays “Image Revolu- Charles Laughton and Alfred Hitchcock col- painterly gesture—a concept that stemmed in tions – Abstract Expressionism and What Looks lected his work, which today may be found in joanMitchell PatSteir AlbertOehlen:Interieurs part from the early influences of Surrealist au- Like It in Jorn and Pollock” by Anders Kold; “In the collections of more than 40 American muse- Text by Christoph Schreier. Text by Raphael Rubinstein. Text by Michael Bracewell. tomatism, Pollock’s Abstract Expressionism and the Shadow of Picasso: Asger Jorn and Jackson ums. In 1954, Soulages joined the Kootz Gallery; Highlighting ten paintings from 1951 to 1991, This monograph celebrates the Waterfall paint- This book presents a recent series of large-format Matisse’s cut-outs. Hantaï was featured in the Pollock” by British art historian Jeremy Lewison; when it closed 12 years later, Soulages found this publication provides an introduction to the ings of Pat Steir (born 1940), begun in 1989. Steir collage paintings by German artist Albert Oehlen Wexner’s seminal As Painting exhibition of 2001, “Sounds in the Grass” by Axel Heil; and himself without American representation, and work of American abstract painter Joan Mitchell pours a mixture of pigment, oil and turpentine (born 1954), utilizing cheerily cheap advertising and his work is housed in major collections “Simpler Evolutions” by Courtney Martin, which continued his career back in Europe, where he (1925–1992), examining her breakthrough as an down a vertical canvas and waits for it to coa- posters. The compositions reveal themselves as worldwide, including The Museum of Modern discusses the British critic Lawrence Alloway’s is among the most revered painters of his gener- artist in postwar New York, her time in France lesce between layers, resulting in stratified com- interiors only on second gaze: edges of walls and Art, New York. This elegant and comprehensive comparisons of the two artists. ation. Soulages in America contains a 2012 volume is published for the Centre Pompidou’s and the airy abstract impressionism of her late positions and overlapping color. floors, the elegant curve of a designer chair. interview with the artist and his wife; a wealth paintings. LOUISIANA MUSEUM OF MODERN ART acclaimed Hantaï retrospective, held five years CHEIM & READ HOLZWARTH PUBLICATIONS of documentary material, including letters from 9788792877222 U.S. | CDN $ 45.00 after his death in 2008, and constitutes the first HOLZWARTH PUBLICATIONS 9780991468102 U.S. | CDN $ 50.00 FLAT40 9783935567671 U.S. | CDN $ 50.00 FLAT40 Hbk, 8.5 x 10.5 in. / 198 pgs / 150 color. Alfred Barr, Leo Castelli and Sam Kootz; corre- Hbk, 10.25 x 13 in. / 64 pgs / 18 color. Hbk, 12 x 12.75 in. / 32 pgs / 16 color. major publication in English on his work. 9783935567688 U.S. | CDN $ 50.00 FLAT40 July / Art spondence from artists such as Robert Mother- Clth, 9.75 x 12 in. / 44 pgs / 18 color. July / Art July /Art CENTRE POMPIDOU well and Helen Frankenthaler; plus installation July / Art ALSO AVAILABLE ALSO AVAILABLE 9782844265999 U.S. | CDN $ 75.00 photographs and other archival documents. Albert Oehlen Jackson Pollock: Works, Hbk, 9.5 x 11.25 in. / 320 pgs / 330 color. 9783935567541 Writings, Interviews July / Art DOMINIQUE LÉVY GALLERY Hbk, U.S. | CDN $50.00 FLAT40 9788434312586 9780986060625 U.S. | CDN $ 39.95 Holzwarth Publications Hbk, U.S. | CDN $45.00 Hbk, 7.5 x 9.40 in. / 144 pgs / 16 color / 42 duotone. Ediciones Poligrafa July /Art

148 artbook.com artbook.com 149 Surrealism and other movements HIGHLIGHTS ■ ART

Published by EDICIONES POLÍGRAFA in collaboration with Maegth Editeur, this set of six volumes collects the complete lithographic work of one of the most prolific masters of the twentieth century. The first four volumes include a set of lithographs produced in the workshops of Fernand Mourlot, Miró’s collaborator.

ZERO:Avantgarde AlexandertheGreat:The MiróLithographs:Vol.I MiróLithographs:Vol.II MiróLithographs:Vol.III Surrealismand IolasGallery,1955–1987 1965–2013 1930–1952 1953–1963 1964–1969 Edited by Marco Meneguzzo. Non-WesternArt Introduction by Bob Colacello. Text and inter- Introduction by Michel Leiris. This set of six Introduction by Raymond Queneau. Originally Introduction by Joan Teixidor. This third volume, The ZERO Group formed in 1957, aiming to AFamilyResemblance views by Adrian Dannatt, Vincent Fremont. volumes collects the complete lithographic work published in 1975, the second volume in this originally published in 1977, represents the years Among his many facets, Alexander Iolas return to a “zero point” of art, which would take Text by Ingrid Comina, Christophe Flubacher, of Catalan artist Joan Miró (1893–1983). This comprehensive series chronicles Miró’s litho- 1964–1969, an era of international recognition Edward Kleijman, Sophie Leclercq, Valentine (1907–1987) is recognized as a great champion into account an atomic, spatial and dynamic first volume, containing 12 original lithographs, graphic work between 1953 and 1963. From and retrospectives in cities around the world, Plisnier, Daniel Salzmann. of Surrealism in America, and for mounting world. At this time, the German media and art focuses on the years 1930–1952, when he was 1948 on, Miró worked in collaboration with from Tokyo to Barcelona. This publication in- The Surrealists sought points of reference for Andy Warhol’s first gallery exhibition and Ed world seemed largely uninterested in the post- living in France and Spain, and beginning to prestigious lithographer Fernand Mourlot, who cludes six original lithographs, made ex professo the new artistic universe they wanted to constel- Ruscha’s first solo show in New York. A fantas- war neo-avant-garde artwork that had evolved, experiment with the medium. also instructed Picasso and Chagall. This volume and produced in Fernand Mourlot’s workshops. contains 12 lithographs produced in the Mourlot late in the cult objects of indigenous peoples, tic character and passionate art lover, Iolas prompting two young artists, Heinz Mack and EDICIONES POLÍGRAFA EDICIONES POLÍGRAFA workshop. which at the time had not yet been fully ex- built deep personal relationships and facilitated Otto Piene, to establish their own Düsseldorf 9788434300866 U.S. | CDN $ 990.00 SDNR30 9788434302631 U.S. | CDN $ 790.00 SDNR30 plored as aesthetic objects. Influenced by intercontinental connections among artists, studio. They would invite other artists to exhibit Clth, 9.75 x 13 in. / 244 pgs / 173 color. EDICIONES POLÍGRAFA Clth, 9.75 x 13 in. / 220 pgs / 249 color. October /Art October / Art dreams, imbued with mystical and magical pow- gallerists and collectors via his galleries in for single nights at a time, and from these 9788434302211 U.S. | CDN $ 990.00 SDNR30 Clth, 9.75 x 13 in. / 254 pgs / 173 color. ers of expression, the fantastic objects came Athens, Geneva, Madrid, Milan, New York and informal meetings, ZERO developed, particularly October / Art from Amazonia, Oceania and Africa, Indian and Paris. Noted for the pivotal role he played in the taking root in Italy. ZERO: Avantgarde 1965– Inuit communities, pre-Columbian civilizations. building of the Menil Collection in Houston, 2013 offers an introduction to this artistic The Surrealist artists recognized the aesthetic Iolas operated according to his own taste and movement, which includes artists such as Piero potential of these tokens and totems and made discerning eye. This fully illustrated publication Manzoni, Lucio Fontana, Agostino Bonalumi, use of them for their own creativity. This multi- includes archival photographs and installation Enrico Castellani, Dadamaino and many others. faceted publication places spectacular indige- views documenting the artworks, movements, Extended accounts from the movement’s nous objects in dialogue with unique works by personalities and friendships spanning critical founders and participants accompany archival around 50 Surrealists, as well as inquiring into periods in the art of the twentieth century. It documentation of their meetings and exhibi- how the perception of ethnic art has evolved includes work by Giorgio de Chirico, William tions, providing an intimate view of their over recent decades. In her essay, Ingrid Beytri- Copley, Joseph Cornell, Max Ernst, Lucio philosophy and practices. son Comina highlights the importance for the Fontana, Yves Klein, René Magritte, Ed Ruscha, SILVANA EDITORIALE MiróLithographs:Vol.IV MiróLithographs:Vol.V MiróLithographs:Vol.VI Surrealists of André Breton’s extensive ethno- Niki de Saint Phalle, Takis, Dorothea Tanning, 9788836627509 U.S. | CDN $ 70.00 logical collection. Paul Thek and Andy Warhol. Hbk, 8.5 x 8.5 in. / 192 pgs / 250 color. 1969–1972 1972–1975 1976–1981 August / Art Introduction by Nicolas Calas, Elena Calas. In Introduction by Patrick Kramer. Ediciones Polígrafa Introduction by Patrick Kramer. This final volume HATJE CANTZ PAUL KASMIN GALLERY the 1970s, Miró moved back to Barcelona for the in collaboration with Maegth Editeur present in Ediciones Polígrafa and Maegth Editeur’s 9783775737593 U.S. | CDN $ 60.00 9780988661325 U.S. | CDN $ 49.95 Pbk, 7 x 9.5 in. / 296 pgs / 180 color. Pbk, 8 x 10.5 in. / 200 pgs / 70 color / 45 b&w. construction of the Fundació Joan Miró Centre the fifth installment in a six-part series on the key complete Miró series looks at the Catalan October / Art July / Art d’Estudis d’Art Contemporani, designed by protagonist of modernist abstraction, Catalan master’s final works in the genre. innovative Catalan architect Josep Lluís Sert. artist Joan Miró (1893–1983). EDICIONES POLÍGRAFA Originally published in 1981, this fourth volume, EDICIONES POLÍGRAFA 9782869411890 U.S. | CDN $ 290.00 SDNR30 which includes six original prints, highlights 9782869411883 U.S. | CDN $ 290.00 SDNR30 Clth, 9.75 x 13 in. / 292 pgs / 216 color. lithographs from 1969–1972. Clth, 9.75 x 13 in. / 192 pgs / 212 color. October / Art EDICIONES POLÍGRAFA October / Art 9788434303492 U.S. | CDN $ 790.00 SDNR30 Clth, 9.75 x 13 in. / 212 pgs / 240 color. October / Art

150 artbook.com artbook.com 151 European modernism, from Cézanne to the Bauhaus HIGHLIGHTS ■ ART josefAlbers:MinimumMedia, Cézanne:Site/Non-Site MaximumEffect Edited with text by Guillermo Solana. Text by Paula Luengo. Text by Nicholas Fox Weber, Jeannette Redensek. In 1969, the artist Robert Smithson proposed a new interpretation of the work of Paul Surveying works in all media, Josef Albers: Minimum Media, Maximum Cézanne (1839–1906). In Smithson’s view, Cézanne’s painting had been distorted by the Effect offers a new comprehensive monograph of Josef Albers (1888– Cubists, reduced to an almost abstract play of forms. In contrast to this formalist simplifi- 1976) focusing on the artist’s abiding concern for clarity and simplicity. cation, Smithson underlined the need to recover the physical reference in Cézanne’s work, As the title suggests, Albers strove to attain the maximum effect with his strong link to certain places in Provence. Published on the occasion of a major exhibi- minimal media. This selection of works demonstrates the continuity of tion on Cézanne, Site/Non-Site celebrates the work of a foundational figure in late nine- Albers’ austere and luminous vision, as it permeated his teaching, teenth and early twentieth-century painting who is widely regarded as the father of furniture and design objects, photography, typographical design and his modern art. The term “site/non-site” evokes a pair of concepts that were coined by Smith- writings, from his early years as a schoolteacher in Germany and the son in connection with his own oeuvre and explores the dialectic between outdoor and Bauhaus years to the end of his artistic and teaching career at Yale. His studio practice, which Cézanne cultivated throughout his career. Landscape is the domi- prolific artistic output ranged from furniture design and figurative line nant genre in Cézanne’s work, identified with the practice of plein-air painting. But unlike drawing to engraving and painting, including his renowned Homage to his Impressionist contemporaries, he also attaches decisive importance to a genre charac- the Square. This substantial, 362-page survey is exhilarating in its scope, teristic of the studio: still life. This publication includes a chronology of Cézanne’s life as encompassing some 170 works, archival documents such as Albers’ well as a text from Guillermo Solana in which he traces the development of Cézanne’s notes and journals, and dozens of essays and scholarly discourses on style and motifs throughout the artist’s career. art, pedagogy and philosophy. This carefully designed volume illuminates FUNDACIÓN COLECCIÓN THYSSEN-BORNEMISZA Albers’ artistry and teachings and allows the reader to appreciate the 9788415113508 U.S. | CDN $ 55.00 FLAT40 incredible technical skill and the clarity of vision behind his apparently Flexi, 8.5 x 9.75 in. / 200 pgs / 117 color / 23 b&w. July / Art simple works. EXHIBITION SCHEDULE LA FÁBRICA/FUNDACIÓN JUAN MARCH Madrid, Spain: Museo Thyssen-Bornemisza, 02/04/14–05/18/14 9788415691747 U.S. | CDN $ 65.00 Hbk, 9.5 x 10.25 in. / 362 pgs / illustrated throughout. September / Art

ALSO AVAILABLE Josef Albers: Art as Josef Albers: Spiritual- Experience ity and Rigor 9788836625970 9788836625963 Hbk, U.S. | CDN $35.00 Hbk, U.S. | CDN $65.00 Silvana Editoriale Silvana Editoriale

LyonelFeininger:Woodcuts becomingabauhausArtist Edited with text by Björn Egging. One of the twentieth century’s great virtuosos in woodcut, Lyonel Feininger (1871–1956) VanGogh:Colours EmilNolde:Flowers EmilNolde:MyGarden created his oeuvre in this medium—some 320 works—in a period of just a few years, from oftheNorth,Coloursof Edited by Christian Ring. FullofFlowers the spring of 1918, when he was living in Paris, to the winter of 1920, by which time he theSouth Though Emil Nolde (1867–1956) began to paint Edited by Manfred Reuther. had begun teaching at the Bauhaus. Where Feininger’s etchings and lithographs never de- flower watercolors fairly late in his career— Edited with text by Sjraar Van Heugten. This new title in DuMont’s themed Emil Nolde veloped a particularly distinct formal idiom, his woodcuts easily rival his oil paintings and around 1918—they became nonetheless central Vincent van Gogh (1853–1890) discovered series is devoted to the painter’s garden and drawings. At once economical and expressionistic, they include nearly abstract depictions to his oeuvre. These works range from depic- Eugene Delacroix’s theories of color in Nuenen, flower pictures. Wherever he settled, Nolde al- of cityscapes (many of them Paris) and townscapes, coastlines, ships and maritime scenes, tions of single blooms and carefully arranged in the Brabant, where he worked from 1883 to ways planted a flower garden. Nolde’s garden at cathedrals and churches, all realized with a rare combination of precision and efferves- still lifes to full bouquets and fields of flowers 1885. His work began to truly evolve in Paris, Seebüll is a particular focus of this volume, and cence. This handsomely designed book examines, for the first time ever, the complete captured in flowing motion. His artistic where he continued to study the work of one of the artist’s most marvelous creations, range of Feininger’s woodcuts, evaluating them in the context of his complete oeuvre of technique in this genre was just as varied. Delacroix and the Impressionists. This publication designed as it is around motifs using the initials paintings, watercolors and drawings. In Emil Nolde: Flowers, 30 of Nolde’s flower provides a historical overview of van Gogh’s A and E (for his wife Ada and his own name). watercolors—many of which have never before KERBER development as a colorist and his influences, A sumptuous compilation, this new edition of 9783866788251 U.S. | CDN $ 70.00 ALSO AVAILABLE been published—are collected together in a including his brief friendship with Paul Gauguin. My Garden Full of Flowers includes larger plates. Hbk, 9.75 x 11.25 in. / 272 pgs / Lyonel Feininger: small, gift-book format. 233 color / 19 b&w. Drawings and Watercolors VAN GOGH FOUNDATION / ACTES SUD DUMONT BUCHVERLAG DUMONT BUCHVERLAG 9783832194833 U.S. | CDN $ 45.00 August / Art 9783775727877 9782330031145 U.S. | CDN $ 40.00 Hbk, U.S. | CDN $45.00 Hbk, 8.75 x 11.25 in. / 128 pgs / 82 color. 9783832194826 U.S. | CDN $ 24.95 Hbk, 9.5 x 11.75 in. / 134 pgs / 70 color / 20 b&w. Hatje Cantz August /Art Hbk, 7.25 x 5.75 in. / 80 pgs / 30 color. July /Art July / Art

152 artbook.com artbook.com 153 Art theory and writings on performance HIGHLIGHTS ■ WRITINGS

NOW IN PAPERBACK GrandDomestic jenshoffmann: PREVIOUSLY ANNOUNCED TheEthicsofArt ReNewMarxist RobertLehman Revolution Sacré101:An Arthistory (Curating)From 60Wrd/MinArt EcologicalTurnsinthe Anthologyon ThebestMost AtoZ Lectureson handbook PerformingArts Edited by Warren Carter, Barnaby Critic Edited by Binna Choi, Maiko The Rite of Spring uselessDress:Se- Haran, Frederic J. Schwartz. byjenshoffmann. Contemporary Edited by Guy Cools, Pascal byLoriWaxman. Tanaka. Text by Agency, Sepake Gielen. Text by Karolien Byttebier, Edited by Raphael Gygax. Text by lectedWritingsof From the early decades of the Text by Claire Fontaine. ArtNo.5 Angiama, Ask!, Ruth Buchanan, Sidi Larbi Cherkaoui, Guy Cools, Gabriele Brandstetter, Lynn Afterword by Carolyn Christov- Binna Choi, Doris Denekamp, et al. ClaudiaLaRocco twentieth century until the 1980s, (Curating) From A to Z offers a Bakargiev. Introduction by Lynne Cooke. Arne De Boever, Pascal Gielen, Garafola, Nicola Gess, Raphael Text by Benjamin H. D. Buchloh, Grand Domestic Revolution Hand- et al. Gygax, Sigrid Weigel. Edited by Paul Chan. Introduction Marxist art history was at the fore- summary of the development of ”Are you an artist? Do you need a Rebecca Comay, Brian Dillon, by Elizabeth Robinson. front of radical approaches to the book compiles investigations and The Ethics of Art explores the Igor Stravinsky’s The Rite of Spring curatorial practice over the last two review?” Operating from a small, Mark Godfrey, Branden W. Joseph, living research into the concept of growing ethical consciousness was premiered in 1913 by Sergei Widely known as an incisive critic discipline. But in the last two decades, seen through the eyes of Tom McDonough, Molly Nesbit, single-room structure installed at for The New York Times and Artfo- Marina Warner. the home and the “domestic” by within the artistic community, as it Diaghilev’s Ballets Russes under decades of the century and into curator, author and Deputy Direc- Documenta 13, Chicago-based art the choreography of Vaslav Nijin- rum, Claudia La Rocco is also a the next, Marxist art historians tor of the Jewish Museum, Jens From 1992 to 2004, Dia Art Foun- more than 25 artists, designers, relates to art’s production and dis- historian and “60 wrd/min art poet and performer whose hybrid dation presented the Robert theorists and activists. Through tribution mechanisms. It attempts sky, in the Théâtre des Champs found themselves marginalized Hoffmann (born 1974). In this new critic” Lori Waxman offered free Élysées in Paris. To this day it is texts are as mercurial and imagina- from the vanguard by the rise of publication, each letter of the al- Lehman Lectures on Contempo- case studies, project documenta- to show how the artistic commu- reviews to any artist who wanted tive as her criticism. The Best Most rary Art, in which a distinguished tion, ephemera, analyses and the- nity engages in creative, social dia- considered the biggest theater postmodernism and identity poli- phabet evokes a particular word re- one. A sign in the window an- scandal of the twentieth century. Useless Dress reveals the breadth tics. In the wake of the recent lated to the world of exhibition array of scholars, critics and cul- ory, the status of the home is logue based upon the potential of nounced: “Reviews are free of and depth of La Rocco’s art, en- tural historians engaged in cross- revealed beyond the narrow lens of the body. The first of this book’s With its revolutionary score and global crisis there has been a making—from A (as in Artist) and charge, and are written here on choreography, The Rite of Spring compassing a decade’s worth of resurgence of interest in Marx. B (as in Biennial) to R (as in Retro- disciplinary critical discourse private concerns, but with full con- two sections, “Ecosophy,” focuses Mondays, Wednesdays and Satur- poetry, essays, performance texts around Dia’s exhibition program. sideration of a “privateness” that on eco-art practices and the ways can be seen as one of modernism’s Now available in paperback, this spective) and W (as in White days between the hours of 1 and 6 great breakthrough events, and it is and reviews. These writings ex- collection of essays, a festschrift in Cube). Employing a diaristic style, The lectures were subsequently revitalizes the individual and allows in which the ethical turn in the arts p.m. Lori Waxman will spend 25 plore how movement and collected into a related series of for other forms of sociality. In both implies a greater receptivity to our the most choreographed ballet in honor of leading Marxist art histo- the curator presents his personal minutes looking at submitted work the world. Addressing the ballet’s rhythm—in time, through space, rian Andrew Hemingway, brings curatorial alphabet with a similar publications, providing a valuable form and content, this volume at- environment. The second section and writing a 200-word review. across bodies, on the page—en- record and extending the debate tempts to uncover the potentiali- addresses the contemporary dance context and history, this anthology together 30 academics who are re- transparency and the same idio- Thoughtful responses are guaran- includes a selection of archival doc- gender experience itself. Jay shaping art history along Marxist syncratic character revealed in on contemporary artistic practice ties of the house and the private scene as an example of this phe- teed. Completed reviews will be Sanders, curator of performing arts and theory. This fifth and final vol- sphere through a rethinking of so- nomenon, showing how it exhibits umentation alongside contributions lines. The essayists include many of his exhibitions. The entries published in the Hessische/- by artists and performers Eleanor at the Whitney, writes: “Claudia La Matthew Beaumont, Warren are not only stimulating and intel- ume focuses on analyses of the cial practices in conjunction with renewed interest in “caring” for Niedersächsische-Allgemeine Rocco’s impactful writing sketches work of internationally recognized practical design approaches. one’s body, rather than transgress- Antin, Marc Bauer, Dara Friedman, Carter, Michael Corris, Gail Day, lectually rigorous, but also emo- (HNA) weekly, and will remain on ing it, both on the individual level Millicent Hodson and Kenneth its performing subjects in real time, Paul Jaskot, Stewart Martin, Fred- tionally engaging. artists Jo Baer, Pierre Huyghe, Vera VALIZ/CASCO view here throughout Documenta depicting not only the character of eric J. Schwartz, Caroline Arscott, Lutter, Gerhard Richter, Rosemarie 9789078088929 U.S. | CDN $ 39.95 and on that of the larger “body Archer, Karen Kilimnik, Sara JRP|RINGIER 13.” This book collects together all work, but the conditions in which Trockel and Robert Whitman. Pbk, 12.5 x 9.5 in. / 336 pgs / politic” of cooperation and collabo- Masüger, Vaslav Nijinksy, Silke Steve Edwards, Charles Ford, Brian 9783037643723 U.S. | CDN $ 15.00 241 reviews written during the per- 400 color / 100 b&w. ration. In this volume, the singular Otto-Knapp, Yvonne Rainer and Ba- it collectively forms and exists. Foss, Tom Gretton, Alan Wallach, Pbk, 4 x 6.5 in. / 64 pgs / 23 color / formance, and includes an after- DIA ART FOUNDATION September/Architecture & Urban 3 b&w. voices of artists are as important as bette Mangolte, Lucy Stein, Alexis Here the spaces of New York per- Michael Bird, Martin I. Gaughan, word by the exhibition’s artistic 9780944521809 U.S. | CDN $ 16.95 Studies/Nonfiction & Criticism October / Art/Nonfiction & Criticism Pbk, 5.25 x 8 in. / 176 pgs / 12 color / the scholarly contributions. Marguerite Teplin, Julie Verhoeven formance and the spaces of critical Barnaby Haran and Fred Orton, director, Carolyn Christov- 45 b&w. writing reveal themselves anew.” among others. VALIZ/ANTENNAE SERIES and Mary Wigman, among others. ALSO AVAILABLE Bakargiev, who praises the project September / Art/Nonfiction & Criticism The book includes an introduction 9789078088875 U.S. | CDN $ 28.95 ART / BOOKS Ten Fundamental as “insanely democratic.” JRP|RINGIER/MIGROS MUSEUM FÜR Questions of Curating Pbk, 5.5 x 8.25 in. / 352 pgs. GEGENWARTSKUNST by poet Elizabeth Robinson. 9781908970121 U.S. | CDN $ 35.00 ONESTAR PRESS July / Art/Nonfiction & Criticism 9783037643686 U.S. | CDN $ 49.95 Pbk, 6.75 x 9.5 in. / 520 pgs / 9788867490530 BADLANDS UNLIMITED Pbk, U.S. | CDN $27.50 9782915359442 U.S. | CDN $ 29.95 Hbk, 5.75 x 9 in. / 216 pgs / 37 color / 106 b&w. 9781936440665 U.S. | CDN $ 16.95 Pbk, 5.5 x 9 in. / 150 pgs / 253 b&w. 28 b&w. September / Art/Nonfiction & Criticism Mousse Publishing Pbk, 5 x 8 in. / 120 pgs / 10 b&w. Available / Art/Non Fiction & Criticism August / Art/Performing Arts October / Art/Nonfiction & Criticism

154 artbook.com artbook.com 155 Architecture monographs and single buildings HIGHLIGHTS ■ ARCHITECTURE SixCanonicalProjectsbyRemKoolhaas WielArets–basPrincen EssaysonthehistoryofIdeas Interview by William Stout. byIngridböck. The multitalented Dutch architect, architectural theorist and industrial designer Wiel Dutch architect, architectural theorist and urban thinker Rem Koolhaas (born 1944) has Arets (born 1955)—currently Dean of the College of Architecture at the Illinois Institute been a protagonist of the international architectural avant-garde since the 1970s; his nu- of Technology, Chicago—is also well known as a designer, author and editor of numer- merous worldwide awards include the Pritzker Prize in 2000 for his lifetime achievement. ous publications. In this publication he connects his interest in architecture to his Through a series of essays, this book interprets his many buildings and projects by draw- lifelong passion for books. This ambitious volume, designed by Mevis & Van Deursen, ing on Koolhaas’ own theoretical oeuvre of polemics, manifestos, interviews, books such presents about ten projects by Wiel Arets, Architects (WAA), which was founded in as Delirious New York and his so-called “design patents.” In these writings, Koolhaas 1993 and today has branches in Amsterdam, Berlin, Maastricht and Zurich. But it is articulates a design method that links theory and practice, whereby an idea is applied also a book about the increasing importance of architecture publications and the evo- to several projects over a period of time, so that it can continuously evolve. This book not lution of their design over recent decades—a subject in which Arets is a connoisseur only orients this method within architectural history, but also shows how it repositions (his father was a book printer). A series of photographs by the acclaimed Dutch the function of the authors or the architects themselves. architectural photographer Bas Princen captures the atmosphere of Arets’ buildings

JOVIS and conveys the powerful symbolism of architecture in its primeval sense as protective 9783868592191 U.S. | CDN $ 32.00 shelter. Also included is an interview with Arets by San Francisco–based architecture Pbk, 6.5 x 9 in. / 240 pgs / 100 b&w. publisher William Stout. October / Architecture & Urban Studies/Non-Fiction & Criticism HATJE CANTZ 9783775735056 U.S. | CDN $ 85.00 Hbk, 11 x 11 in. / 160 pgs / 80 color. September/Architecture & Urban Studies ALSO AVAILABLE Hans Ulrich Obrist & Rem Koolhaas: The Conversation Series 9783865600776 Pbk, U.S. | CDN $17.95 Walther König, Köln

MichaelMaltzan:SevenSides MVRDV:bookMountainSpijkenisse ThePittmanDowellResidence biographyofabuilding Edited by Jessica Varner. Text by Lari Pittman, Jessica Varner. Photographs by Iwan Baan, Luisa byNicolinebaartman&WinyMaas. Lambri, Catherine Opie. Photographs by Marcel Veldman. Los Angeles has long been famous for defining and promoting modern domestic architecture, MVRDV’s Book Mountain is a building with a mission: to encourage a town populated both within the United States and internationally. Michael Maltzan, founder of the studio Michael by the least enthusiastic readers in the Netherlands—Spijkenisse, in South Holland—to Maltzan Architects, has written a new chapter in the evolution of contemporary architectural ob- switch off their televisions and start reading books again. Former Volkskrant newspaper jects as domestic spaces. His recently completed single-family house, the Pittman Dowell Resi- editor Nicoline Baartman’s “biography” of Book Mountain, from conception to con- dence, translates contemporary concepts into architectural reality: in the once-remote space struction, paints a picture of the town of Spijkenisse and the political and social con- inhabited since 1952 by Richard Neutra’s Serulnic Residence, Maltzan has designed a modernist texts in which such buildings are realized. Book Mountain Spijkenisse is the story of an landmark which responds to the newly urbanized environment. The house, while it can be simply architect with a vision, a revolutionary counselor, the widow of a veterinarian, an art-ori- described as heptagonical, is uniquely complex: the interior is divided by non-parallel walls that in- ented library director and a visionary hero from India who saves the town. The motives tersect—providing a level of privacy without ever once utilizing a door—and converge upon an ir- of the protagonists and the context are described in an accessible, straightforward regularly shaped outdoor room. This publication presents an in-depth view of the seven-sided style. Baartman’s book offers a fascinating portrayal of life and customs in a new polder architectural form through the points of view of seven different contributors. It serves further as an town. The story is illustrated with photographs by Marcel Veldman and informative accessible and intimate account of how architecture in the twenty-first century can change per- graphics by MVRDV. ceptions of space and inspire new ways of living in contemporary cities. The Pittman Dowell Resi- dence is positioned and contextualized through themes of history, domesticity, materiality, effect, NAI010 PUBLISHERS space, manipulation and form. 9789462081109 U.S. | CDN $ 39.95 FLAT40 Hbk, 6 x 8 in. / 440 pgs / 400 color. July / Architecture & Urban Studies

ALSO AVAILABLE HATJE CANTZ ALSO AVAILABLE Michael Maltzan: MVRDV: Buildings In the Temple of the 9783775737999 U.S. | CDN $ 60.00 No More Play 9789462080126 Hbk, 7.25 x 9.5 in. / 160 pgs / 100 color. Self 9783775728461 Hbk, U.S. | CDN $95.00 October /Architecture & Urban Studies 9783775735933 Pbk, U.S. | CDN $50.00 NAI010 Publishers Hbk, U.S. | CDN $75.00 Hatje Cantz Hatje Cantz

156 artbook.com artbook.com 157 Architecture monographs and theory HIGHLIGHTS ■ ARCHITECTURE Mariobotta:ArchitectureandMemory Architecture:AhistoricalPerspective Edited by Paola Pellandini, John Boyer. Text by John Boyer, Gillo Dorfles, byPavlosLefas. Aldo Colonetti, Mario Botta, Carlo Bertelli, Lionello Puppi, Roman Hol- Elucidating the history of world architecture—from the pyramids of Egypt and the temples of lenstein, Jacques Gubler. Greece to the ecological architecture of today—for both student and general readership, this ambi- The Bechtler Museum of Modern Art in Charlotte, North Carolina, tious book presents key buildings and styles in a passionate and engaged style. Pavlos Lefas (au- opened its doors to the public in January 2010 and is one of the most in- thor of Dwelling and Architecture) emphasizes the contemporary applications of past architectural spired and inspiring spaces in the region. Designed by the eminent practices worldwide, thematizing his chronology into such topics as architecture and mathematics, Swiss architect Mario Botta (born 1943), the museum’s architecture dis- scale, utopia, minimalism, grids, tall buildings and landscape architecture. Among the examples plays a sculptural power that connects its appearance to the dynamic art examined are the Terra Amata huts, the pyramids of Giza, the Temple of Amun at Karnak, the it houses. In 2014, the museum pays homage to its designer with a Acropolis of Athens, Roman aqueducts, Angkor Wat, The Alhambra, the Forbidden City, the Great monographic exhibition on this Swiss master architect, who is interna- Temple of Tenochtitlan, Sant’ Andrea in Mantua, The Rock Garden of Ryoan-ji Temple in Kyoto, the tionally renowned for his minimalist style and use of traditional materials Villa Rotonda, the Great Wall of China, the Masjed-e Shah in Isfahan and various modernist and such as brick and stone. Botta’s buildings respect topographical condi- contemporary buildings from Le Corbusier’s UN Headquarters to Freshkills Park in New York. tions, regional factors and building materials. This richly illustrated catalogue is published on the occasion of this exhibition. From the diversity JOVIS 9783868593150 U.S. | CDN $ 30.00 of Mario Botta’s activity and realized work, it focuses on four key Pbk, 6.5 x 9.5 in. / 224 pgs / 130 b&w. ALSO AVAILABLE themes: libraries, museums, theaters and religious buildings. These October /Architecture & Urban Studies George Nelson: Architect, themes express Botta’s idea of “spaces of memory.” The book also in- Writer, Designer, Teacher cludes essays—including a chapter titled “Encounters” which presents a 9783931936822 selection of works and artists that have influenced Botta’s thoughts in Clth, U.S. | CDN $95.00 fundamental ways, and to whom the architect feels indebted—plus a bi- Vitra Design Museum ography, a list of works, a list of personal and group exhibitions and a bibliography.

SILVANA EDITORIALE 9788836627998 U.S. | CDN $ 60.00 Pbk, 9.5 x 11 in. / 272 pgs / 515 color. August / Architecture & Urban Studies

EXHIBITION SCHEDULE Charlotte, NC: Bechtler Museum of Modern Art; 01/31/14–07/25/14

Show&Tell CollectingArchitecture Edited with text by Andres Lepik. Architectural collections are warehouses of knowledge: they are resources for historical plans and ArchitectureinContext Specifics ReflexiveDesign buildings, and they offer insight and ideas for the designs of tomorrow. However, in the age of com- DevelopingurbanLivingEnvironments DiscussingLandscapeArchitecture DesignandResearchinArchitecture puter-aided design, the sketches, plans and models that were once available for research and exhibi- beyondtheMasterPlanandFacade Edited by Christiane Soerensen, Karoline Liedtke. Edited by Margitta Buchert. Text by Margitta tions are being replaced by bits and bytes on a variety of storage media whose lifetimes have no Discussion Specifics presents the proceedings of the 2013 Buchert, Christoph Grafe, Alban Janson, Wolfgang guaranteed length. How will that change the profile of a classic architectural collection in the time to Jonas, Angelika Schnell, Manuel Scholl, Lara Edited by Kay von Keitz, Sabine Voggenreiter. conference on landscape architecture hosted by Schrijver, Ullrich Schwarz, Sophie Wolfrum. come? How will the history of architecture be written in the future, and how will exhibitions be pre- Text by Christoph Laimer, Klaus Overmeyer, ECLAS (The European Council of Landscape Ar- sented? The Architekturmuseum at the Technical University in Munich has one of the largest special Andreas Denk, Oliver Bormann, Per Als, Reflexive Design presents an integrative approach, chitecture Schools) and the Hafen City University. collections of architecture in Europe. This publication presents its complex history while placing it in the Anna-Lisa Müller, Regina Bittner, Elke Krasny. both in theory and in practice, to the emergence In this publication, scientists, planners, architects, context of other prominent international collections. Selected examples are used to discuss questions Attempting to explore untapped potential in and interpretation of research-based design artists, engineers and students alike share their about collecting, research and the exhibition of architecture in the future. urban planning, Architecture in Context debates strategies in architecture. The contributions in such topics as strategies for user-financed urban theories and site-specific strategies. this book portray the wide spectrum of creative HATJE CANTZ construction, transport in Copenhagen and urban and cultural aspects of such design processes. 9783775738019 U.S. | CDN $ 60.00 JOVIS planning in Africa. Contributors include archi- 9783868592993 U.S. | CDN $ 49.95 Pbk, 6.75 x 9.5 in. / 240 pgs / 100 color. JOVIS September / Architecture & Urban Studies tects, planners and theorists such as Christoph Pbk, 8 x 10.5 in. / 512 pgs / 60 color / 20 b&w. 9783868592986 U.S. | CDN $ 39.95 October / Architecture & Urban Studies Laimer, Klaus Overmeyer, Andreas Denk, Oliver Pbk, 6.5 x 9.5 in. / 256 pgs / 90 color / 20 b&w. Bormann and Per Als. October / Architecture & Urban Studies

JOVIS 9783868592979 U.S. | CDN $ 32.00 Pbk, 6 x 8.25 in. / 192 pgs / 30 color. October /Architecture & Urban Studies

158 artbook.com artbook.com 159 Architecture theory HIGHLIGHTS ■ ARCHITECTURE urbanLiteracy ReadingandWritingArchitecture byKlaskehavik. Literature provides essential insights into how people experience, use and imagine places. In an accessible but scientifically aware manner, architect and author Klaske Havik (born 1975) argues that literary authors most effectively portray the concept of lived and experienced space, evoking memories and imaginations in their readers. Havik offers new methods for “reading” and “writing” places, from the architectural to the urban, by engaging with three particular techniques of literature: description, tran- scription and prescription. This triad of interrelated concepts forms a “bridge” that connects to different literary discourses, which Havik translates into the domain of architecture and urban planning. This revised framework for architectural research, writing and reading encourages professional writing to recognize that each place is a complex and stratified phenomenon—a “lived” place. Throughout this theoretical discourse are thorough analyses of the work of Steven Holl, Bernard Tschumi and Rem Koolhaas.

NAI010 PUBLISHERS ArabContemporary LandscapeandEnergy 9789462081215 U.S. | CDN $ 49.95 FLAT40 Architecture&Identity DesigningTransition Pbk, 7 x 9.5 in. / 256 pgs / 80 b&w. byDirkSijmons. August / Architecture & Urban Studies Edited by Michael Juul Holm, Mette Marie SaadiyatCulturalDistrict Kallehauge. Text by Mette Marie Kallehauge, buildingaCulturalFuture Edited by Jasper Hugtenburg, Anton van Hoorn, Poul Erik Tøjner, William J.R. Curtis, Kaelen Fred Feddes. Wilson-Goldie, et al. Edited by Martha Thorne. Text by Deyan Sudjic, Landscape and Energy discusses and pictures Arab Contemporary is the second chapter in the Peter Weibel, Suzanne Stephens, Yasser Elsheshtawy. the transition from fossil fuels to renewable Louisiana Museum of Modern Art’s Architecture, Saadiyat Island in Abu Dhabi is devoted entirely energy—easily one of the greatest challenges Culture and Identity series, following 2012’s to culture and the arts. As one of the world’s of the twenty-first century. While explaining the New Nordic, which explores architecture in spe- most rapidly expanding cities, Abu Dhabi is al- driving forces behind the exponential growth cific regions. Arab Contemporary attempts to ready a regional and global hub of economic ac- of our energy use, this volume also visually distinguish particular features of architecture tivity, and its rapid transformation has brought compares the spatial footprints of all relevant that are shared by Arab countries from the Arab WeOwntheCity about a wealth of new architecture, cultural energy sources, allowing its readers to see at a Peninsula through Lebanon to Morocco. While EnablingCommunityPracticeinArchitectureandurbanPlanning creativity and art. Saadiyat Cultural District col- glance the importance of renewable energy for these areas are primarily connected via a com- Edited by Tris Kee, Francesca Miazzo. lects the architectural plans for this revolutionary our world’s future. But even as Landscape and mon language, they further share major ele- We Own the City examines the ways in which urban dwellers—who used to be merely development, which comprises universities, Energy acknowledges the breathtaking task ments of visual culture, such as the use of “clients” of development—are taking ownership of their neighborhoods. Bottom-up initiatives art galleries, promenades, restaurants and that lies ahead for our designers, planners and calligraphy in architecture. Ranging over varied are cropping up around the world, but institutions, government offices and developers often recreational areas, as well as the five key politicians, it elaborates the options and choices architectural works as well as visual arts, this find themselves uncertain how to collaborate with and empower these impassioned citizens features of the district: The Zayed National for an emerging “postfossil landscape” through volume showcases architecture by Ateliers Jean and communities. Offering solutions to this disconnect, We Own the City analyzes this inter- Museum by Sir Norman Foster, the Guggenheim a variety of case studies. A series of essays Nouvel, X-Architects, Henning Larsen Architects national trend through five case studies, focusing on Amsterdam, Hong Kong, Moscow, Abu Dhabi Museum by Frank Gehry, the Louvre on the energy market, the role of politics, and many others, alongside artwork by Egyptian New York and Taipei, each of which discusses different dynamics and intensities of citizens’ Abu Dhabi by Jean Nouvel, the Performing the psychology of transition and technical visual artist Mounir Fatmi, the Saudi artist redevelopment processes. This volume delves into the complexities surrounding the role Arts Centre by Zaha Hadid and the Maritime developments demonstrates that the energy Ahmed Mater, art historian and graphic artist of today’s city-makers and the potential and actual tensions between civil society and govern- Museum by Tadao Ando. Texts by fellow transition is not a technical, professional task, Bahia Shehab and the Tuareg author Ibrahim al- ment, and it further provides new foundations for inclusive urban development plans which architects and architectural scholars examine but rather a communal, cultural one. Koni. will set the standard for future public governments, housing authorities, architects, town the relevance of this unique phenomenon. NAI010 PUBLISHERS planners and real-estate developers. LOUISIANA MUSEUM OF MODERN ART 9789462081130 U.S. | CDN $ 100.00 FLAT40 TURNER 9788792877246 U.S. | CDN $ 39.95 Hbk, 8 x 10 in. / 480 pgs / 400 color. VALIZ/TRANCITY Pbk, 7.75 x 9.75 in. / 245 pgs / 300 color. 9788415832874 U.S. | CDN $ 54.00 August/ Architecture & Urban Studies/Sustainability 9789078088912 U.S. | CDN $ 37.50 Clth, 8.25 x 12 in. / 176 pgs / 180 color. July / Architecture & Urban Studies/Middle Eastern Pbk, 6.75 x 9.5 in. / 304 pgs / 170 color. December/ Architecture & Urban Studies/ Art & Culture September / Architecture & Urban Studies Middle Eastern Art & Culture ALSO AVAILABLE Compendium for the Civic Economy 9789078088004 Pbk, U.S. | CDN $29.95 Valiz/Trancity

160 artbook.com artbook.com 161 Architecture monographs and urbanism HIGHLIGHTS ■ ARCHITECTURE

junyaIshigami CarstenLorenzen RotterdamCentraal TokyoVoid Discovering GreenIslandsin howSmall?howVast? Edited by Roland Züger. Text by buildingAboveandbelow PossibilitiesinAbsence DowntownCairo theCity Neighborhoodin howArchitectureGrows Matthias Albrecht Amann, Roland theGround Text by Marieluise Jonas, Heike ArchitectureandStories 25IdeasforurbanGardens Züger. Interview by Walter Stamm- Motion Text by Junya Ishigami. For Junya Text by Ben Maandag. Rotterdam’s Rahmann. Tokyo’s urban land- Edited by Barbara Pampe, Vittoria Edited by Kamel Louafi. In this Teske. Danish architect Carsten OneNeighborhood, Ishigami (born 1974), architecture new central station for public scape is full of contradictions: a Capresi. Text by Mercedes Volait, publication, 25 landscape archi- Lorenzen has a wealth of experi- OneMonth,NoCars TadaoAndo:From is a field of infinite possibilities that transport, Rotterdam Centraal, densely packed megalopolis, it af- Galila El Kadi, Vittoria Capresi, et tects based in Germany outline ence in the field of residential ar- Edited by Konrad Otto-Zimmermann, EmptinesstoInfinity affect every area of life, raising ex- took many years to design and fords thousands of vacant spaces. al. This scholarly guide presents a their ideal vision of an urban gar- istential questions and requiring chitecture—ranging from build. This book takes the reader This volume explores possibilities Yeonhee Park. For the EcoMobility A Film by Mathias Frick. From detailed survey of the plans and ty- den. The book shows the wide va- both scientific and artistic observa- subsidized housing to private com- through both the above- and World Festival 2013, the 4,300 Emptiness to Infinity pays homage for rethinking these spaces in pologies of apartment buildings riety of possible interventions of tion. Here, the Japanese architect plexes, from the conception phase residents of the Haenggung-dong to one of the world’s most below-ground construction of the creative ways such as “space from the nineteenth and twentieth landscape architecture presented demonstrates what an environ- to the execution of details. This neighborhood in Suwon, South renowned architects, Japanese complex infrastructure, including agencies” and various architectural centuries in downtown Cairo. It through sketches and texts. ment that bases social life on or- first monograph on Lorenzen pres- Korea, agreed to stop using their minimalist master Tadao Ando interviews with architects Jan interventions. also maps the changes in use of ents some 25 projects and ideas JOVIS ganic principles might look like. Benthem and Maarten Struijs, and these spaces over time and shares cars for a month, removing their (born 1941), offering an exclusive JOVIS 9783868592634 U.S. | CDN $ 65.00 that have been planned or con- more. vehicles from the quarter and glimpse into his work process. HATJE CANTZ 9783868592726 U.S. | CDN $ 39.95 some of the inhabitants’ stories. structed since 1996. Hbk, 6.75 x 9.5 in. / 220 pgs / living an “ecomobile” lifestyle. Ando is known for his creative 9783775737944 U.S. | CDN $ 60.00 NAI010 PUBLISHERS BINDING, 6.5 x 8.75 in. / 192 pgs / 200 color. October / Architecture & JOVIS Neighborhood in Motion docu- implementation of natural light, Hbk, 10 x 14.25 in. / 44 pgs / HATJE CANTZ 9789462081208 U.S. | CDN $ 49.95 100 color. October / Architecture & Urban Studies/Sustainability 9783868592962 U.S. | CDN $ 34.95 ments this bold experiment from 140 color. September / Architecture & U S | CDN Urban Studies/Asian Art & Culture his deft interweaving of interior 9783775738422 . . $ 70.00 FLAT40 Hbk, 9.5 x 12 in. / 192 pgs / Flexi, 6.25 x 9.5 in. / 208 pgs / 100 Urban Studies/Asian Art & Culture conception to implementation. and exterior space and for design- Hbk, 9.5 x 11.5 in. / 272 pgs / 155 color. July / Architecture & Urban color. October / Architecture & Urban 500 color. November / Architecture & It looks at the unprecedented ing structures that elegantly evoke Studies Studies/Middle Eastern Art & Culture Urban Studies cooperation of local government the contours of the landscape in with community groups, local which they are set. Conceptually businesses, cities worldwide and aesthetically, his award-win- and international agencies; ning exposed concrete designs the dedication of community forge a link between traditional volunteers to establishing and Japanese architecture, Zen and maintaining a car-free neighbor- contemporary modernism, while hood; and the happiness that also expressing his fundamental pervaded the community as it belief that “to change the dwelling enjoyed car-free streets and open is to change the city and to reform spaces for all, for this brief period. society.” Directed by Mathias Photographs demonstrate how Frick and produced by Susann ChristophMäckler: Markusheinsdorff: buildingthe heritageasan Vienna’sRingstrasse Earth,Water,Air,Fire dusty and noisy streets were Schimk and Jörg Trentmann, Zoofensterberlin MobileSpaces baakenhafenbridge, Edited by Alfred Fogarassy. Text by ArchitectureandtheEle- converted into livable spaces, the film introduces viewers to AssetforInner and how the absence of 1,500 his world-famous buildings and Edited by Christoph Mäckler. Text by Knut Göppert, Gottfried hamburg CityDevelopment Monika Faber, Michaela Lindinger, ments:ARe-Interpretation Jochen Martz, et al. Photographs ofPrimordialThings empty metal cages from the offers an exclusive look into his At nearly 400 feet, Christoph Knapp, et al. As part of the Photographicjournal AnurbanManagers’ by Nora Schoeller. Celebrating the streets freed up opportunities work process, as Ando shares Mäckler’s Zoofenster is one of the 2012/2013 touring exhibition Guidebook Edited by Josep Lluís Mateo. Text Text by Jürgen Bruns-Berentelg, for community-building and tallest buildings in Berlin. However, Germany in India, 16 pavilion 150th anniversary of Vienna’s by Iñaki Abalos, et al. The elements his sources of personal inspiration Wilfried Dechau, Gert Kähler, Mike Text by Jean-Paul Corten, et al. it is not a typical skyscraper, but buildings were presented at five Ringstrasse, this illustrated volume neighborhood dialogue, and and motivation and looks back Schlaich. Photography by Wilfried play a significant role in determin- Drawing on the experience of brings to life the “Ringstrasse provided the conditions for safe over his 40-year career. rather a complexly tiered structure Indian megacities. The façades of ing a building’s experiential reality. Dechau. The Baakenhafen Bridge, urban management teachers and locomotion and dignity for the with a five-star hotel and stores the pavilions featured the crys- Society,” depicting architects and This book analyzes this topic in re- WALTHER KÖNIG, KÖLN in Hamburg’s new HafenCity students, this book evaluates the elderly and the handicapped. drawing street life into the build- talline forms of cut gems, through artists involved with the fascinating gard to contemporary architecture, 9783863355395 U.S. | CDN $ 30.00 development, gives access to the role of cultural heritage in the de- ing. This volume looks at the the use of fabric materials. This ensembles of buildings, everyday with texts and interviews by DVD (PAL), 5 x 7.5 in.. June / Architec- city’s Baakenhafen and Elbbrücken velopment of contemporary cities, JOVIS building’s innovations. book documents the occasion, life, banks and houses. Current renowned architects and artists 9783868592948 U.S. | CDN $ 39.95 ture & Urban Studies quarters. Wilfried Dechau and examines how a city’s existing also presenting experiments with photographs capture the still-visible such as Andy Goldsworthy, Hiroshi Pbk, 9.5 x 8.25 in. / 96 pgs / 80 color. JOVIS documented its construction, in resources might benefit its future. “environmental membranes.” wealth of this architectural legacy. Sugimoto and James Turrell. October / Architecture & Urban 9783868593273 U.S. | CDN $ 30.00 the photographs gathered here. NAI010 PUBLISHERS Studies/Asian Art & Culture Clth, 7.5 x 11 in. / 80 pgs / 50 color. JOVIS HATJE CANTZ EDICIONES POLÍGRAFA WASMUTH 9789462081161 U.S. | CDN $ 45.00 October / Architecture & Urban Studies U.S. | CDN 9783868592955 U.S. | CDN $ 68.00 9783775737739 $ 75.00 9788434313354 U.S. | CDN $ 40.00 9783803007773 U.S. | CDN $ 86.00 FLAT40 Pbk, 8 x 10 in. / 184 pgs / Hbk, 9.5 x 12 in. / 184 pgs / Hbk, 11.5 x 12.5 in. / 228 pgs / FLAT40 Hbk, 12.5 x 9.5 in. / 176 pgs / 125 color / 16 b&w. August / Hbk, 6.5 x 9.25 in. / 240 pgs / 110 color. October / Architecture & 200 color. December / Architecture & 183 color. July / Architecture & Urban Architecture & Urban Studies 110 color. October / Architecture & Urban Studies/Asian Art & Culture Urban Studies Studies Urban Studies/Art

162 artbook.com artbook.com 163 Series and journals HIGHLIGHTS ■ ARCHITECTURE

Space,Planning, YoungResearch Capacity LocalActionand SOMjournal9 OASE 92:Codes DASh10:housing Architecturein andDesign Forum Development Participation Edited by Oliver Schulze, Einar andContinuities theStudent theNetherlands This publication—volume five in ResearchPapersfor ApproachesforFuture LessonsLearnedfrom Jarmund, Robert Diemer. SOM Edited by Tom Avermaete, David An increased demand for quality Yearbook2013–2014 Journal 9 is the newest issue in an the Future Megacities series—fo- FutureMegacitieson Megacities ParticipatoryProjectsand de Bruijn, Job Floris. Text by student housing has accompanied Edited by Tom Avermaete, Hans ongoing series on the work of cuses on five emerging megacities Governance,Water, Edited by Bernd Mahrin. Capacity ActionResearchinFuture Vittorio Magnago Lampugnani, et the internationalization of higher van der Heijden, Edwin Oostmeijer, American architecture and engi- and urban regions across the Planning,andMobility Development focuses on energy- Megacities al. This volume of Oase, a thematic education. Volume ten of DASH, a Linda Vlassenrood. The annual neering firm Skidmore, Owings & globe. Based on various case Edited by Lukas Born. This volume and climate-efficient structures, Edited by Angela Jain, Sabine journal on architecture, urbanism journal devoted to residential de- yearbook Architecture in the Merrill (founded in 1936). The jour- studies, the book shows the early contains a selection of writings from strategic models to pilot Schröder, Ulrike Schinkel. Local and landscape design, focuses on sign, documents the development Netherlands provides an invaluable nal discusses the work through conceptualization and organization from a German research program plans, in nine fast-growing cities— Action and Participation, the fourth a generation of modern architects— of student housing at different overview of contemporary Dutch critical discussion by a jury. of integrative spatial planning on the sustainable development of Hefei, Gauteng, Casablanca, Ho volume in the series Future Mega- Fernand Pouillon, Kay Fisker, scales, including projects at Yale architecture. The book’s editorial Fernando Tavora, Giovanni Muzio and urban design for sustainable future megacities. Research topics Chi Minh City, Addis Ababa, Lima, cities, looks at participatory and HATJE CANTZ University and Leiden University team selects 30 outstanding proj- and others—who have remained and energy-efficient structures. include public transport, water Urumqi, Tehran-Karaj and Hyder- local-action approaches to climate 9783775737043 U.S. | CDN $ 30.00 College. ects completed that year and de- in the shadow of their famous con- JOVIS treatments and issues, clean abad—as they offer opportunities change adaptation and mitigation Pbk, 6.75 x 8.75 in. / 192 pgs / NAI010 PUBLISHERS scribes the most important trends 198 color. July / Journals/Architecture temporaries but managed to de- 9783868592771 U.S. | CDN $ 39.95 development mechanisms and for sustainable urban development. in urban areas, by examining seven 9789462081222 U.S. | CDN $ 45.00 that have influenced the produc- Pbk, 6.75 x 9.5 in. / 256 pgs / land use planning. case studies and pilot projects. velop entirely unique approaches. FLAT40 Pbk, 9 x 11 in. / 160 pgs / tion of Dutch architecture. JOVIS 240 color. October / Architecture & 150 color / 50 b&w. September / 9783868592757 U.S. | CDN $ 39.95 NAI010 PUBLISHERS NAI010 PUBLISHERS Urban Studies/Sustainability JOVIS JOVIS Architecture & Urban Studies 9789462080973 U.S. | CDN $ 35.00 9783868592795 U.S. | CDN $ 39.95 Flexi, 6.75 x 9.5 in. / 224 pgs / 9783868592764 U.S. | CDN $ 39.95 9789462081154 U.S. | CDN $ 60.00 Pbk, 6.75 x 9.5 in. / 224 pgs / 200 color. October / Architecture & Flexi, 6.75 x 9.5 in. / 224 pgs / 200 FLAT40 Pbk, 7 x 9.5 in. / 192 pgs / FLAT40 Pbk, 9.5 x 12.5 in. / 184 pgs / 200 color. October / Architecture & Urban Studies/Sustainability color. October / Architecture & Urban 50 b&w. July / Architecture & Urban 400 color. July Architecture/ & Urban Urban Studies/Sustainability Studies/Sustainability Studies Studies

The architectural office of von Gerkan, Marg and Partners (GMP) is responsible for the design and construction of an incredible range of important new cultural institutions. This new series from JOVIS provides in-depth examinations of their diverse projects, from Chinese cultural venues to a German ballet school.

JOVIS 3+1Stadiaforbrazil bungalowGermania Monolith Archiprix2014 QingdaoGrandTheaterinChina 9783868593211 brasília,Manaus,belo Edited by Alex Lehnerer, Savvas Controversies ThebestDutchGraduation TheChongqingGrandTheaterinChina horizonte,Riodejaneiro Ciriacidis. This catalogue docu- ChileNationalPavilion, Projects 9783868593297 Edited by Falk Jaeger. This publica- ments the German contribution to biennaleArchitettura2014 Text by Henk van der Veen. the architectural Venice Biennale, TheTianjinGrandTheaterinChina tion documents the most impor- Edited by Hugo Palmarola, Pedro Archiprix is well known as a plat- 2014—an experimental installation 9783868593280 tant stadia of the soccer world Alonzo. This publication accompa- form for promising architects, formulated by Zurich-based part- TheShanghaiOrientalSportsCenterinChina championship 2014—the Brasília nying the Chilean contribution to urban designers and landscape ar- 9783868593334 ners Alex Lehnerer and Savvas national stadium, the Arena the Venice Biennale 2014 docu- chitects. Each year, Dutch institu- TheNationalMuseumofChinainbeijing Ciriacidis. The two leading archi- Amazônia in Manaus, the ments a milestone of modern ar- tions teaching architecture, urban 9783868593204 tects examine national identity and Minerão in Belo Horizonte and chitecture: an original concrete design and landscape architecture TheShenzhenuniversiadeCenterinChina representation, related to architec- the Maracanã in Rio de Janeiro. panel produced for prefab housing, select their best final-year projects. 9783868593341 ture, over the past 100 years. Archiprix 2014 introduces the lat- JOVIS donated to Chile in 1971 by the ThehanoiMuseuminVietnam est wave of fledgling design talent. 9783868593303 9783868593266 U.S. | CDN $ 59.95 HATJE CANTZ Soviet Union, and later the subject 9783775738309 U.S. | CDN $ 40.00 TheStateballetSchoolinberlin Clth, 9.5 x 12.75 in. / 176 pgs / of much controversy. NAI010 PUBLISHERS Pbk, 9 x 11.5 in. / 100 pgs / 80 color. 9783868593327 150 color. October / Architecture & 9789462081147 U.S. | CDN $ 39.50 Architecture & Urban Studies HATJE CANTZ Urban Studies/Latin American Art & October / FLAT40 Pbk, 9.5 x 12 in. / 96 pgs / Culture 9783775738279 U.S. | CDN $ 55.00 U.S. | CDN $ 40.00 Clth, 7.5 x 11.75 in. / 80 pgs / 35 color / 20 b&w. Hbk, 6.75 x 8.25 in. / 352 pgs / 300 300 color. September / Architecture & October / Architecture & Urban Studies/Asian Art & Culture color. October / Architecture & Urban Urban Studies Studies/Latin American Art & Culture

164 artbook.com artbook.com 165 Product design and design monographs HIGHLIGHTS ■ DESIGN NewTerritories LaboratoriesforArt,CraftandDesigninLatinAmerica Introduction by Lowery Stokes Sims. Text by Mari Carmen Ramírez, Blanca Serrano, Nessi Pope, Fabiana Lopes, Adriana Kertzer, Gabriela Rangel, Jorge Rivas Pérez, Ana Elena Mallet, Adela Borges, Magdalena Grüneisen, Regine Basha, Antonio Sánchez Gómez, Marcella Echevarría. New Territories examines creative practices in today’s globalized world, in which disciplines overlap more than ever before. Looking in particular at countries such as Brazil, Cuba, Panama, Columbia, Mexico, El Salvador, Puerto Rico, Venezuela and Chile, this volume discusses the ways in which craft, art and design have transcended their former identities. Today, artists in these fields may address issues of not only commodification and mass production, but also social concerns of urbanization, displacement, housing and sustainability. Including the work of more than 100 artists, designers/ design studios and artisans, New Territories sets out to explore the present state of design—much CarloScarpa of which has emerged from interfaces between manufacturers, folk artisans, indigenous artists and Sandrobagnoli EvaEisler: designers—and its future. DesignforDinoGavina ClaudiaMoreira Design-Profile- TheGijs+Emmy TURNER Edited by Sandro Bagnoli, Alba Di Salles Spectacle 9788415832850 U.S. | CDN $ 50.00 EXHIBITION SCHEDULE Lieto. Text by Tobia Scarpa, Paola KeyFiguresSeries Introduction and interview by Hbk, 8 x 10 in. / 264 pgs / illustrated throughout. New York: Museum of Art Marini, Margherita Guccione, FashionandjewelryDesign Karen Stein. Preface by Raul Bar- Text by Petra Matejovicová. November / Design & Decorative Arts/Latin American Art & Culture Elena Tinacci, Alberto Bassi, San- byGijsbakkerandEmmy and Design, 11/04/14 reneche. dro Bagnoli, Elena Brigi, Alba Di The art jewelry of Czech artist Eva vanLeersum,1967–1972 Lieto, Andrea Masciantonio, Ketty One of Brazil’s most important Eisler (born 1952) is internationally Bertolaso, Rita El Asmar. Text by Marjan Boot. contemporary designers, Claudia admired for its austerely sculptural Carlo Scarpa Sandro Bagnoli recon- Husband-and-wife team Gijs Bakker Moreira Salles (born 1955) com- qualities. Although Eisler first be- 100MasterpiecesofDesign structs and expands upon the spe- (born 1942) and Emmy van Leersum bines traditional Brazilian craft with came known in the 1970s, her ma- Edited by Françoise Guichon, Frédéric Migayrou. Preface by Alfred Pacquement. cial relationship between one of (1930–1984) are internationally technical precision in her elegant ture work is indelibly linked to her 100 Masterpieces of Design showcases one of the world’s largest design collections. Founded in the early 1990s, the major architects of the twenti- recognized as pioneers in the field interiors and furniture in wood, years in the United States, where the Pompidou’s collection includes more than 200 designers and houses over 8,000 international pieces. Among its eth century and a visionary entre- of modern jewelry design. Together, concrete, stone and metal. In this she moved with her husband, ar- wide-ranging holdings are milestone pieces—the prototype of the Grand Confort Chair by Le Corbusier, Charlotte preneur. Though Carlo Scarpa they created an extensive oeuvre fully illustrated volume, Salles de- chitect John Eisler, in 1983. It was Perriand and Pierre Jeanneret (1928) and Pierre Chareau’s desk for Robert Mallet-Stevens (1927), for example—and (1906–1978) collaborated only of minimalistic, futuristic jewelry scribes how she came to create a in the US that she became known practical, everyday triumphs of design, like the Bic Cristal ballpoint pen (1950). These works are celebrated in this rarely, when furniture producer from unorthodox materials, includ- selection of pieces made over the for the full range of her talents, in- volume alongside pieces by some of the most influential designers of modern furniture—Alvar Aalto, Gae Aulenti, Dino Gavina asked him to design a ing Plexiglas, aluminum and even past decade, revealing, in her own cluding her interior design, installa- Harry Bertoia, Marcel Breuer, Charles and Ray Eames, Eileen Gray, Arne Jacobsen, Carlo Mollino, Isamu Noguchi, series of furnishings, Scarpa stovepipes. Their avant-garde words, her creative process and tion and visual art. The couple Giò Ponti, Gerrit Rietveld and Mies van der Rohe, to name just a few. brought in the young, brilliant ar- jewelry and clothing fuse fashion, her influences, from the minimal- returned to the Czech Republic in chitect Sandro Bagnoli to help him design and art. The Gijs + Emmy CENTRE POMPIDOU ism of Donald Judd and the mod- 2006. This monograph examines 9782844264756 U.S. | CDN $ 29.95 complete the projects. Scarpa’s Spectacle focuses on the early, ernism of Mies van der Rohe to Eisler’s oeuvre in its full typological Pbk, 8.25 x 11 in. / 120 pgs / 100 color. design repertoire, from buildings to collective work of the artistic duo, July / Design & Decorative Arts Brazilian colonial architecture. With breadth, and focuses particularly utensils, was challenged by the in- from 1967 to 1972. In May 1967, a new interview conducted by on her art jewelry from the late vitation to create furniture items, or Gijs and Emmy presented their New York–based curator and de- 1970s and 1980s. This monograph “mini-architectures.” This volume, designs in a spectacular show PierreCharpin sign critic Karen Stein, an illus- is the second volume in the De- edited by Bagnoli, analyzes in de- at the Stedelijk Museum: with its trated chronology and technical sign–Profiles–Key Figures series Edited by Lionel Bovier, Clément Dirié. Text by Alessandra Fanari, Françoise Guichon, Marco tail the conception and production futuristic clothing, large aluminum Romanelli. drawings for all of the projects sur- published by Prague’s Museum of of the Sarpi and Florian tables, the neck bands, avant-garde styling The furniture, objects and exhibition designs of French designer Pierre Charpin (born 1962) deal veyed, Claudia Moreira Salles is the Decorative Arts. Rialto bookcase and the Toledo and electronic music, this show with notions of landscape and autonomy, humor and surprise, poetic presence and minimalism. most up-to-date publication on this bed, along with Scarpa’s more rad- ARBOR VITAE/MUSEUM OF placed them in the vanguard of He speaks of them in terms of “receptors” rather than “emitters,” envisaging “objects primarily critical figure in contemporary de- DECORATIVE ARTS PRAGUE ical research, which remains only modern youth culture in one fell as forms and only on a second level as functional purposes.” Creating limited-edition series in sign, and an essential reference for 9788074670558 U.S. | CDN $ 35.00 in sketches that are reproduced in Pbk, 7.5 x 8.75 in. / 298 pgs / swoop. Author Marjan Boot has association with Galerie Kreo (Paris), working with world-famous glass workshop CIRVA in professionals, students and design this volume. The book further pro- 180 color. reconstructed and expanded upon Marseille or Sèvres porcelain studios, Pierre Charpin is active in both industrial and experimental lovers. August / Design & Decorative Arts vides a chronological list of the this sensational fashion show, design. In 2005, he was elected Creator of the Year at the Paris Salon du meuble and Grand- BEI˜ EDITORA pieces of furniture designed by exhibiting it at the Stedelijk Hornu Images (Belgium) organized a retrospective of his work in 2011. Richly illustrated with 9788578500993 U.S. | CDN $ 65.00 Scarpa and produced by other en- Museum and capturing it in this both objects and drawings, this monograph gathers together essays by former Centre Pompidou Hbk, 9.5 x 11 in. / 260 pgs / 4 color. trepreneurs between 1968 and July /Design & Decorative Arts volume, which includes a DVD of Head of Design Françoise Guichon and design critic Alessandra Fanari, a conversation with 1979. Lex Reitsma’s film about the duo. design historian Marco Romanelli and an index of Charpin’s creations of the past 25 years. SILVANA EDITORIALE NAI010 PUBLISHERS JRP|RINGIER 9788836628162 U.S. | CDN $ 40.00 9789462081239 U.S. | CDN $ 29.95 9783037642443 U.S. | CDN $ 55.00 Pbk, 11.5 x 9.5 in. / 120 pgs / Pbk, 5.5 x 7.5 in. / 174 pgs / Hbk, 10.5 x 8 in. / 160 pgs / 100 color. 165 color. 120 color / DVD (PAL). August/ Design & Decorative Arts August /Design & Decorative Arts July / Design & Decorative Arts

166 artbook.com artbook.com 167 Graphic design monographs and surveys HIGHLIGHTS ■ DESIGN TheGraphicWorld ofPaul PeterPiech Edited by Zoe Whitley. The first monograph on acclaimed Brooklyn-born, UK-based designer Paul Peter Piech, this volume brings together 120 key works from the collections of the Victoria and Albert Museum and the Univer- sity of Reading in the UK. Having worked as a printmaker producing prints, posters and books for much of his career, Piech’s own pieces often car- ried stylistic traces of the advertising industry, giv- Posters:The ing his works a bold, rugged style that became Typemotion immediately recognizable. His graphic images— SeaVoyage sometimes joyful, sometimes angry, but always in- TypeasImageinMotion hugoPuttaert: And/Or:On Contradictionin AdvertisingandCruisesin ventive—tackled the political concerns of the late Edited by Bernd Scheffer, Christine ThinkinColour Italyfrom1885to1965 Stenzer, Peter Weibel, Soenke theWorkofjan twentieth century, imbuing them with his forthright Zehle. Text by Friedrich W. Block, visionandfactory Edited by Paolo Piccione. personal beliefs (Piech was an ardent pacifist). The Klaus Peter Dencker, Michael Text by Hugo Puttaert, Steven vanToornExtended A continuation of Silvana Editori- Graphic World of Paul Peter Piech collects Piech’s Lentz, Joachim Paech, et al. Cleeren, Rick Poynor. Text by Els Kuijpers. ale’s Posters series, this volume most vibrant works, and includes a text by curator Typemotion looks at a variety of Visionandfactory, established in Alongside Wim Crouwel, Karel presents the most significant and art historian Zoe Whitley that traces the artist’s artistic productions in which type is 1990, has long played a prominent Martens and Walter Nikkels, examples of advertising graphics biography and stylistic influences, offering the animated—from feature films and role in the Belgian and interna- Jan van Toorn (born 1932) was produced by Italian shipping com- reader a contextualizing vision for this influential advertising to artworks and music tional graphic design scene. From instrumental in determining the panies between 1885 and 1965. designer’s career. videos—with examples from 20 its foundation, the studio has es- look of Dutch graphic design in The graphics range from those pro- Paul Peter Piech (1920–1996) was a graphic artist, countries dating from 1895 to the tablished a reputation for a rich the 1970s and 1980s. Van Toorn’s duced for the first steam ships of printer and publisher. He studied at Cooper Union present. Tracing the transition from culture of experimentation, an in- designs prompt among their view- the 1880s to those for the ocean and worked in advertising before being posted to analogue to digital treatments of novative combination of analog ers a more careful and questioning liners of the 1920s, cruise liners of Cardiff during the Second World War. Settling in type, it provides insights into larger and digital techniques and an ea- view of art, communication and the 1930s and, finally, those for the Britain after the war, he worked in advertising and cultural and media developments, gerness to tackle even the most media. His is an art of oppositions: last transatlantic lines in the 1960s. then as a freelance graphic artist, and set up his while also speculating on the future difficult of projects. The studio’s at the same time as he questions Posters: The Sea Voyage collects own press (the Taurus Press) in 1959 to print and of animated type, particularly in the key figure is Hugo Puttaert (born journalism, he invokes its placards, posters, announcements, disseminate more politically committed work. realm of interactive media. Among 1960), designer, professor, editor, processes; black-and-white images advertising leaflets, brochures and FOUR CORNERS BOOKS/V&A PUBLISHING the extraordinary range of cross- publisher and hugely influential fig- are spliced together with color pamphlets produced to promote 9781909829015 U.S. | CDN $ 50.00 disciplinary contributors to this ure in the design world. Think in pictures; his own handwriting passenger ships, cruises, sea jour- Hbk, 8.75 x 12.25 in. / 192 pgs / 124 color / 10 b&w. volume are John Baldessari, Colour offers a selection of the July / Design & Decorative Arts interrupts bold, authoritative neys and Atlantic crossings. In ad- Saul Bass, Stan Brakhage, Marcel firm’s work, a kaleidoscopic view typefaces. In And/Or Els Kuijpers dition to identifying these graphics, Broodthaers, Dellbrügge & de of Visionandfactory’s output. Text provides insight into van Toorn’s text by architect and scholar Pablo Moll, Marcel Duchamp, Sergei from Pattaert not only contextual- methodologies and intentions. Piccione contextualizes and histori- Eisenstein, Expanded Gramophone izes these selected works through Created in close collaboration cizes the development of Italian Project, Hollis Frampton, Terry insights into the studio’s history “Some remarkable individuals keep on believing, between author and designer, graphic styles and tastes . Gilliam, Jenny Holzer, Isidore Isou, and work processes, but also gives the text is comparable to the Eduardo Kac, Ferdinand Kriwet, the reader a glimpse into his vision SILVANA EDITORIALE throughout their lives, that the world could change visual designs of van Toorn him- 9788836627981 U.S. | CDN $ 65.00 Fritz Lang, Maurice Lemaître, Len of design as a discipline and the self, with countless digressions Clth, 9.5 x 11 in. / 240 pgs / Lye, David Lynch, Gaspar Noé, Tony for the better. The artist and printer Paul Peter social responsibility of the de- and derailments. 280 color. Oursler, Phenomena, Dieter Roth, signer. With a split-fountain cover August / Design & Decorative Arts NAI010 PUBLISHERS Piech was one such man.” —The Independent (UK) Gerhard Rühm, Paul Sharits, Super that reveals its color when touched 9789462081116 U.S. | CDN $ 29.95 Swap Sweden, Timm Ulrichs, and hundreds of full-color pages, FLAT40 Stan Vanderbeek, Johannes Vogt, this book illustrates Visionandfac- Pbk, 7 x 9 in. / 88 pgs / 85 color. Paul Wegener and Peter Weibel. tory’s motto—“Think in color.” July / Design & Decorative Arts ALSO AVAILABLE ALSO AVAILABLE Beauty Is in the Street Posters: Travelling Gerd Arntz: Graphic 9780956192837 HATJE CANTZ MER. PAPER KUNSTHALLE Around Italy Through Designer Hbk, U.S. | CDN $40.00 9783775737838 U.S. | CDN $ 60.00 9789491775185 U.S. | CDN $ 60.00 Advertising 9789064507632 Four Corners Books Hbk, 7.5 x 9.75 in. / 300 pgs / Hbk, 6.75 x 9.25 in. / 369 pgs / 9788836619221 Hbk, U.S. | CDN $55.00 900 color. 300 color / 100 b&w. Clth, U.S. | CDN $75.00 nai010 publishers October / Art/Film July / Design & Decorative Arts Silvana Editoriale

168 artbook.com artbook.com 169 SPECIALTY BOOKS

Tal R, “Adieu Interessant (silver),” 2005–08. From Tal R: The Virgin, published by Walther König, Köln. See page 186. Artists’ books | Artists of the 1960s SPECIALTY ■ ART

hans-PeterFeldmann: WadeGuyton: SarahLucas& bonalumi FranzErhard FranzErhard AbCfürKindermit Zeichnungenfür julianSimmons: Edited by Alberto Fiz, Fabrizio Walther:Perpetuum Walther:Thebody derKunst einkleinesZimmer TITTIPuSSIDAD Bonalumi. Milan-born Agostino Mobile Decides Bonalumi (1935–2013) is interna- Hans-Peter Feldmann’s (born 1941) Vol.2. Text by Sarah Lucas, Julian Storage,Pedestal,Action Text by Elena Filipovic. Interview tionally renowned for his “picture- numerous artist’s books have be- The color of Wade Guyton’s Simmons, Rodolfo Díaz Cervantes, Edited by Friederike Wappler. Text by Eric Walther. It seems only ap- objects,” paintings on stretched come perhaps the most celebrated kitchen floor determines the titles Elisa Miller, Laureana Toledo, by Franz Erhard Walther, et al. This propriate that this new publication and deformed canvases, as well part of his oeuvre. For the first of his artist’s book series . José Kuri, et al. TITTIPUSSIDAD catalogue documents the exhibi- from Franz Erhard Walther (born Drawings as for his “environmental objects,” IanWhittlesea: time, Feldmann presents a publica- After , and , he documents English artist Sarah tion , by German 1939) should take the form of an Blue Red Yellow sculptures in which the viewer Perpetuum Mobile becomingInvisible tion for children, with nearly 800 presents , which depicts Lucas’ (born 1962) journey through artist Franz Erhard Walther (born inviting, brightly colored pop-up Red Vol. II can actively take part. This is GerdRichter: paintings from art history, aiming a collection of magazine pages, Mexico. From a visit to a brick 1939). A pioneer of participatory book: since the 1960s, the pioneer- Both an artist’s book and a would- Bonalumi’s first English-language ComicStrip1962 be practical guide, this beautiful to acquaint young readers with overprinted with geometric factory in Oaxaca to the creation of art, Walther lays out tactile sculp- ing German artist has been cele- monograph. GerhardRichterArchiv, volume offers occult instructions numbers, colors and the alphabet. shapes, piled onto his kitchen her bulbous and sexually sugges- tural pieces that invite both mental brated for the performative and StaatlicheKunstsammlun- for becoming invisible by meditat- Note text is German only. floor. tive sculptures, the odyssey culmi- SILVANA EDITORIALE and physical engagement, whereby inclusive nature of his sculpture. ing on the color spectrum. It draws nates in a final exhibition at the 9788836628308 U.S. | CDN $ 50.00 the exhibition is both the site and genDresdenVol13 WALTHER KÖNIG, KÖLN WALTHER KÖNIG, KÖLN WALTHER KÖNIG, KÖLN Museo Diego Rivera Anahuacalli. FLAT40 Pbk, 9.5 x 11 in. / 240 pgs / Edited by Dietmar Elger. Reproduc- on the literature of Rosicrucianism, 9783863354176 U.S. | CDN $ 85.00 the result of transformative actions. 9783863355135 U.S. | CDN $ 85.00 9783863355425 U.S. | CDN $ 40.00 200 color. August / Art theosophy and esoteric yoga to FLAT40 Hbk, 9 x 11.5 in. / 290 pgs / FLAT40 Hbk, 7 x 8.75 in. / 118 pgs / ing a recently found 1962 note- FLAT40 Pbk, 7.5 x 10.5 in. / 132 pgs / SADIE COLES HQ RICHTER VERLAG demonstrate how, through breath- 732 color. June / Artists' Books | 47 color / 115 b&w. June / Artists’ book, this small, beautifully 62 color. June / Artists’ Books 9780992655600 U.S. CDN $ 200.00 9783941263635 U.S. | CDN $ 30.00 Books clothbound volume reveals a ing exercises and visualization, SDNR30 Hbk, 10 x 14 in. / 648 pgs / FLAT40 Pbk, 9 x 11.5 in. / 88 pgs / the reader can learn to split light illustrated throughout. July / Artists’ 54 color. August / Art never-before-seen dimension of into its constituent parts, then Books Gerhard Richter’s art. Comic Strip recombine the seven colors of the 1962 contains a series of cartoon- spectrum to form a glowing white like drawings, done in the style of cloud that envelops its creator, American greats such as Saul rendering him or her invisible. Its Steinberg (hence the artist’s car- author, London-based artist Ian toonist-style abbreviation of his Whittlesea (born 1967)—well name to “Gerd” here). The black- known for his book works based and-white drawings generally fea- on spiritual-physical exercises, ture one or many hatted silhouette such as Yves Klein: The Founda- figures, floating in the air, against tions of Judo and Mazdaznan bare backdrops or atop planets, Health & Breath Culture—notes jamesjarvis: PREVIOUSLY ANNOUNCED juliãoSarmento:One johnConnell DavidNovros AndrzejWróblewski: with occasional handwritten text in the preface: “These exercises (in German, and mostly illegible) SphericDialogues hundredSeventy Text by MaLin Wilson-Powell. An Text by Jörg Daur, Matthew L. AvoidingIntermedi- are intended to allow you to be- Davidhelbich: interspersed around them. These important member of the Santa Fe Levy, Roland Mönig. Preface by come invisible. This does not, Spheric Dialogues is a series of 365 belgianSolutions OneEntertainment aryStates works, printed at their original size, art community during the 1980s Harald Kunde. David Novros (born however, mean that you will cartoon drawings by James Jarvis In 2006, David Helbich (born 1973) Celebrities Edited by Magdalena Ziólkowska, and made at the outset of Richter’s and 90s, artist John Connell (1940– 1941) is internationally known as physically disappear or dematerial- (born 1970), made daily in 2012, In this volume, Portuguese multi- Wojciech Grzybala. Text by Noit career, greatly expand our picture began photographing eccentric 2009) is known for his paper and an exponent of Minimalism, work- ize. Instead you will be hidden that explore the philosophy of art, media artist Julião Sarmento (born Banai, Boris Buden, et al. In only a of the influences and factors at “solutions” for everyday dilemmas, wire sculptures and unconven- ing and exhibiting alongside artists from view, concealed within a knowledge, logic and skateboard- 1948) showcases the archive of the single decade—he died prema- play in his early years as part of the such as unwittingly confusing signs tional still-life paintings. The artist’s such as Carl Andre and Donald cloud of your own creation.” ing. Jarvis is a London-based film critic Rui Pedro Tendinha, turely at the age of 30—Polish figu- Capitalist Realist movement. graphic artist, working in cartoons for an escalator or a bike route. He first monograph includes studio Judd. This first major publication of Gorgeous color abstractions by which features indefinably odd pho- rative painter Andrzej Wróblewski WALTHER KÖNIG, KÖLN and comics, printmaking and the posted these “Belgian solutions” shots, selections from his sketch- the artist in many years shows his Whittlesea illustrate the volume tos of Tendinha posing awkwardly (1927–1957) created an unusual 9783863355081 U.S. | CDN $ 55.00 moving image. books and a full chronology. sculptural canvases from the piv- throughout. online and the project grew to in- (and often with the same hand oeuvre depicting the decay of the FLAT40 Pbk, 4.5 x 8.5 in. / 140 pgs / otal phase of his career, between clude contributions from viewers gestures) with celebrities such as RADIUS BOOKS human body and soul. This volume 67 color. June / Art THE EVERYDAY PRESS NIEVES about 1965 and 1975. U S | CDN around the globe. Belgian Solutions 9781934435830 U.S. | CDN $ 55.00 presents the artist as a theorist and 9780956173898 U.S. | CDN $ 25.00 9783905999501 . . $ 28.00 Christian Bale, Joan Cusack, Mike FLAT40 Hbk, 11 x 12 in. / 196 pgs / FLAT40 Hbk, 4.75 x 7 in. / 50 pgs / FLAT40 Pbk, 4.5 x 7 in. / 380 pgs / gathers over 300 of these images. Myers, Will Smith, Kevin Spacey, KERBER a commentator on the art and cul- 50 color / 35 b&w. September / Art 50 color. July / Artists' Books 380 b&w. July / Comics & Graphic Jon Voigt and Emily Watson. 9783866789401 U.S. | CDN $ 40.00 tural life of his time. Novels MEDIUMER FLAT40 Pbk, 9.5 x 11.75 in. / 88 pgs / 9789491775130 U.S. | CDN $ 35.00 MER. PAPER KUNSTHALLE 31 color / 88 b&w. July / Art HATJE CANTZ FLAT40 Clth, 6.75 x 5.25 in. / 302 pgs / 9789491775338 U.S. | CDN $ 35.00 9783775737968 U.S. | CDN $ 75.00 300 color. Available / Design FLAT40 Clth, 5.5 x 4.25 in. / 176 pgs / FLAT40 Hbk, 8.75 x 11 in. / 688 pgs / 172 color. July Artists’/ Books 450 color. September / Art

172 artbook.com artbook.com 173 Multimedia art SPECIALTY ■ ART

PhilippeParreno: OscarTuazon:Live Eliashansen:I’ma DavidMaljkovic TeresWydler: DamirOcko Anthonyjames: MichelleGrabner: Anywhere,Anywhere Text by Anna Brohm, Philipp LongWayfromhome Edited with text by Konrad Bitterli, PreSolarPost Edited and with introduction by MorphicFields IWorkfromhome OutoftheWorld Kaiser, Miwon Kwon, Nico andIDon’tReally Nadia Veronese. The installations, Text by Dominique von Burg, Sandro Droschl. Text by Marc Text by Katja Eichinger, Anthony Edited by David Norr. Text by Machida, Oscar Tuazon, Antek videos and collages of Croatian Bembekoff, Branka Bencic. This Text by Carlos Basualdo, Darius KnowTheseRoads Corinne Schatz, Elio Schenini, James, Christian Kracht, Matthias Rose Bouthillier, Dan Byers, Peter Walczak. Oscar Tuazon: Live, the multimedia artist David Maljkovic Tina Stolz. Using painting, pho- publication examines the work of Mühling, Glenn O’Brien, Rupert Ribic, Molly Zuckerman-Hartung. Khondji, Mouna Mekouar. Conver- Edited by Elias Hansen. Interview second major publication on the (born 1973) explore the turbulent tography and video, as well as Croatian multimedia artist Damir Sheldrake. Multimedia artist Interview by David Robbins, Brad sations with Carlos Basualdo, by Oscar Tuazon. This publication American artist (born 1975), con- history of his native country, from wall- and floor-based works and Ocko (born 1977), reproducing his Anthony James (born 1974) likes Killam. I Work from Home is a Philipp Parreno, Michel Serres, gathers photographs of multi- centrates on an exhibition of new the collapse of the Communist so- both indoor and outdoor installa- visual poetry, film scripts and stills, to work with heavy equipment, survey monograph on American Hans Ulrich Obrist. Photographs media artworks by American artist sculptural works at Museum Lud- cial order and its transformation tions, Teres Wydler (born 1945) collages, pages from an artist’s using a chainsaw to cut birch painter Michelle Grabner (born by Darius Khondji. Philippe Parreno Elias Hansen (born 1979), brother wig in Cologne, Germany, includ- into a capitalist economy. This vol- explores the often fraught book and installation views. The trunks and arranging them in glass 1962), presenting over 100 works (born 1964) reconceives the exhibi- of artist Oscar Tuazon, taken in the ing a full-scale reproduction of ume gathers his recent collages. intersection of nature and culture. book also critically evaluates the boxes with mirrors, or setting his from the past 20 years. The chosen tion experience by creating a mise- artist’s studio and in his backyard fragments of the artist’s house in This first comprehensive publica- artist’s approach to filmmaking. beloved Ferrari 355 Spider on fire works range from paintings of en-scéne in the Palais de Tokyo, in upstate New York. Hansen’s art MODERNE KUNST NÜRNBERG Los Angeles. tion on Wydler examines works and exhibiting the gutted wreck. textile patterns appropriated from shepherding the viewer through a ranges from small, deteriorated 9783869840604 U.S. | CDN $ 35.00 MODERNE KUNST NÜRNBERG FLAT40 Flexi, 9.5 x 13.25 in. / from the last 30 years. Morphic Fields offers an overview household fabrics to her more torrent of sound, image and per- DOPE PRESS/WALTHER KÖNIG, KÖLN found objects to delicate, hand- 9783869840772 U.S. | CDN $ 35.00 92 pgs / 184 color. July / Art FLAT40 Flexi, 6.5 x 9 in. / 160 pgs / of his oeuvre. abstract, metalpoint pieces. formance. 9780991180400 U.S. | CDN $ 65.00 blown glass sculptures. MODERNE KUNST NÜRNBERG FLAT40 Boxed, 2 vols, 9.5 x 11 in. / 80 b&w. July / Art 9783869840758 U.S. | CDN $ 50.00 HATJE CANTZ MOUSSE PUBLISHING WALTHER KÖNIG, KÖLN 336 pgs / illustrated throughout. DOPE PRESS | FLAT40 Hbk, 9.25 x 11.5 in. / 304 pgs / 9783775738217 U.S. | CDN $ 55.00 9788867490950 U.S. | CDN $ 40.00 9783863354831 U.S. CDN $ 45.00 July / Art 9780991180417 U.S. | CDN $ 25.00 200 color / 50 b&w. July / Art FLAT40 Hbk, 9 x 10.75 in. / 160 pgs / FLAT40 Pbk, 9.5 x 13.25 in. / 200 pgs / FLAT40 Pbk, 6.75 x 9.75 in. / 188 pgs / FLAT40 Pbk, 6.5 x 9.25 in. / 128 pgs / 126 color. September / Art 100 color. July / Art 104 color. June / Art 60 color. July / Art

KittyKraus:blink DominikLejman: Monahatoum SusanPhilipsz: hansOpdebeeck PedroG.Romero: LauraLima EnriqueMartínez oftheEye Paintingwith Text by Konrad Bitterli, Nadia YouAreNotAlone QuietSceneryand ArchivoF.X. Edited with text by Sara Arrhenius, Celaya:Working Texts by Kitty Kraus, Antonia Timecode Veronese. This catalogue accom- Edited with foreword by Brigitte WanderingExtras business,Economics, Heike Munder. Text by Ronald Methods panies a vast survey of the work Duarte, Victoria Noorthoorn, et al. Lotz. Afterword by Veit Görner. Text by Doris von Drathen, Timothy Franzen, James Lingwood. Text by Edited by Karsten Löckemann, Conjuncture Text by Mary Rakow, Matthew of Mona Hatoum (born 1952) at This publication offers an overview For a solo show in the Kestnerge- Persons, Anda Rottenberg. In the Sara Arrhenius, Katrina M. Brown, Ingvild Goetz. Text by Hans Op de Edited by Hans D. Christ, Iris Biro. Cuban-American artist Kunst-haus St.Gallen in Switzer- of Brazilian artist Laura Lima’s sellschaft gallery in Germany, late 1990s, Polish artist Dominik Carolyn Christov-Bakargiev, et al. Beeck, et al. A visual artist, stage Dressler. Text by Iris Dressler, et al. Enrique Martínez Celaya (born land. The pieces range from the (born 1971) multimedia oeuvre, in- Berlin-based artist Kitty Kraus Lejman (born 1969) began extend- You Are Not Alone presents ten designer and director, Hans Op de Since 1999, Spanish artist Pedro G. 1964) embraces painting, sculp- artist’s body-centered early per- cluding her drawing, performance (born 1976) developed new light ing the boundaries of his paintings sound installations by Scottish Beeck (born 1969) never allows Romero (born 1964) has been as- ture, photography and writing, formances of the 1980s, through and installation. Although Lima’s pieces, from everyday materials by combining them with videos. sculptor Susan Philipsz (born any one genre to define his work. sembling an archive of the Spanish inspired by sources as diverse large sculptures of threatening artworks are highly performative, such as glass, ink, mirrors and light Lejman pays particular attention in 1965), realized in Münster, Glas- This comprehensive overview of Civil War comprising more than as Nordic poetry and quantum household objects, to more recent, she never actually appears: visitors bulbs. This publication focuses on his work to architecture and gow, Stockholm, Oxford, Berlin, the artist’s oeuvre includes video 1,000 images, texts and sound physics (Celaya initially trained as a politically charged installations. are instead guided to either pres- this site-specific installation. spaces, and to how they influence Helsinki, Chicago, London, Edin- installations of the 1990s, sculp- recordings. This volume docu- physicist). Featuring new and un- ent or actively examine “objects” or determine people’s patterns of HOLZWARTH PUBLICATIONS burgh and Kassel. The publication tures, works on paper and site-spe- ments the staging of the project at published works, this volume is his MODERNE KUNST NÜRNBERG she has created. U S | CDN is accompanied by a web-based cific environments. Special focus is 9783869844985 U.S. | CDN $ 35.00 movement. 9783935567718 . . $ 50.00 the Württembergischer Kun- first comprehensive monograph. FLAT40 Clth, 6.5 x 9.25 in. / 64 pgs / FLAT40 Clth, 6.5 x 9.25 in. / 120 pgs / audio guide featuring excerpts placed on his still lifes and interiors. stverein Stuttgart in 2012. JRP|RINGIER HATJE CANTZ EDICIONES POLÍGRAFA illustrated throughout. July / Art 39 color / 7 b&w. July / Art from each piece. 9783037643440 U.S. | CDN $ 59.95 9783775738132 U.S. | CDN $ 55.00 HATJE CANTZ HATJE CANTZ 9788434313163 U.S. | CDN $ 55.00 FLAT40 Hbk, 6.75 x 9.25 in. / 192 pgs / FLAT40 Hbk, 11.5 x 9.5 in. / 192 pgs / WALTHER KÖNIG, KÖLN 9783775738392 U.S. | CDN $ 40.00 FLAT40 Hbk, 8 x 10.25 in. / 176 pgs / 9783775737784 U.S. | CDN $ 45.00 224 color. August/ Art/Latin American 150 color. September / Art 9783863354053 U.S. | CDN $ 75.00 FLAT40 Pbk, 7 x 9.75 in. / 112 pgs / 110 color. October / Art/Latin American SDNR30 Hbk, 5.75 x 8.75 in. / Art & Culture FLAT40 Pbk, 7.75 x 12 in. / 216 pgs / 50 color. October / Art 208 pgs / 200 color. September / Art Art & Culture 50 color / 110 b&w. June / Art 174 artbook.com artbook.com 175 Multimedia, installation, performance and film

AntonGinzburg: PREVIOUSLY ANNOUNCED MathiasKessler MarkWallinger: PiaMariaMartin: AntoniAbad EdAtkins WalkingtheSea Simenjohan:until Text by Stephan Berg, Hartmut Labyrinth AboutMyWork Text by Gerard Goggin, Alberto Edited by Beatrix Ruf, Julia TonyConrad: Text by Melanie Marino, Olesya theKingdomComes Böhme, Dieter Buchhart, Mads AjourneyThrough Edited by Andrea Jahn. Text by López Cuenca, Eliezer Muiz des Stoschek, Thomas D. Trummer. DoingtheCity Damsbo, Marc Dion, Elsy Lahner, Santos, Roc Parés, Jorge Morales Text by Ed Atkins, Joe Luna, Turkina. In Walking the Sea, Anton London’sunderground Andrea Jahn, Chris Newman, urbanCommunity Simen Johan’s ongoing series of David Ross, et al. The work of New Moreno. This book presents Beatrix Ruf. This first major publi- Ginzburg (born 1974) charts a Text by Christian Wolmar, Jane Ruth Rousselange. This catalogue Interventions photographs and sculptures, Until York–based Austrian photographer Catalan artist Antoni Abad’s (born cation on British artist Ed Atkins 26,000-square-mile area between Rendell, Will Self. Interview by looks at the production and the Kingdom Comes depicts a nat- Mathias Kessler (born 1968) cri- 1956) project megafone.net, cre- (born 1982) features a detailed Edited by Michael Cohen. Text by Kazakhstan and Uzbekistan known Marina Warner. Photographs by mechanics of recent work by Pia ural world that is at once familiar tiques and reimagines contempo- ated in 2004, a website that allows selection of his installations and Tony Conrad, Branden Joseph, et as the Aral Sea. Looking to Ameri- Thierry Bal. Celebrating London’s Maria Martin (born 1974), particu- and otherworldly. Towering giraffes rary conceptions of nature. In his people from such diverse groups video works. With powerful sur- al. Interview by Michael Cohen. can Land art of the late 1960s and Underground, Mark Wallinger larly her animated films. Produced populate a landscape created from photographs, elements of Roman- as young gypsies in León and sex round sound, Atkins’ digital com- Tony Conrad: Doing the City is the early 70s, and using film, photo- (born 1959) created a vast work using time-lapse photography, the images taken in Turkey, Bali and tic painting, Land art and digital workers in Madrid, to upload positions use saturated colors and first monograph printed to cover graphs and sculptures, Ginzburg of public art. In each of the 270 German video artist’s cartoons are Iceland; Javan peacocks from Asia imaging compete and collide, un- video, photo, audio and text and precise editing rhythms, exhibiting this pioneering film, video, music approaches the waterless sea as stations, he placed a uniquely populated by musically animated are camouflaged within a Spanish dermining familiar oppositions of articulate community issues. archival material as well as com- and installation artist’s oeuvre of a readymade earthwork to make designed labyrinth, which this vol- characters pitched against surreal pepper tree. Only a limited quantity nature/culture and representation/ puter-generated animations. the last 50 years. The copiously il- visible a territory and history that ume documents, with photographs scenery. TURNER of this oversize, unbound volume experience. lustrated, full-color catalogue in- remains largely inaccessible. of all 270 labyrinths in situ. 9788416142385 U.S. | CDN $ 25.00 JRP|RINGIER is available. KERBER cludes essays by noted Columbia FLAT40 Pbk, 6.5 x 9.5 in. / 160 pgs / | HATJE CANTZ HATJE CANTZ 9783866789272 U.S. | CDN $ 40.00 9783037643594 U.S. CDN $ 35.00 ART / BOOKS illustrated throughout. July / Art University art historian and Conrad YOSSI MILO GALLERY 9783775738231 U.S. | CDN $ 70.00 FLAT40 Pbk, 10.25 x 9.5 in. / 176 pgs / FLAT40 Hbk, 8 x 10 in. / 160 pgs / 9783775738316 U.S. | CDN $ 75.00 9781908970169 U.S. | CDN $ 40.00 scholar Branden Joseph; Whitney 9780615855875 U.S. | CDN $ 40.00 FLAT40 Clth, 9.5 x 11.75 in. / 68 color / 2 b&w. August/ Art FLAT40 Clth, 8.25 x 11.5 in. / FLAT40 Hbk, 9.75 x 9.75 in. / 320 pgs / illustrated throughout. August / SDNR30 Pbk, 12.5 x 15.5 in. / 64 pgs / 300 pgs / 150 color. October / Art Museum Performance Curator and 200 pgs / 100 color. December / Art 400 color. November / Art Art/Film & Video 26 color / 2 b&w. Available / 2012 Whitney Biennial Curator Jay Photography Sanders; filmmaker and Anthology Film Archives Curator Andrew Lampert; Swiss digital archivist Tabea Lurke; as well as an in-depth interview between Conrad and exhibition curator Michael Cohen examining Conrad’s life and career. The catalogue also includes a bonus DVD disc, Tony Conrad: Live at 80wse. This disc includes live performances of Conrad’s classic MartinVosswinkel: ShooshieSulaiman PhilippFürhofer: Dias&Riedweg GustavDeutsch& Corinhewitt: jimmyRobert: minimalist works “Chant” and “Early Minimalism: May 1965,” as ConcreteArtin Edited by Melanie Pocock. Text Diasphere Edited by Fanni Fetzer. Text by hannahSchimek: SevenPerformances DrawtheLine well as a lengthy video conversa- Dialogue by Jenniffa Hanum Dadameah, Text by Andreas Beitin, Mark Mauricio Dias, Fanni Fetzer, Shirley,Visions Edited with interview by David Edited by Julia Paoli. Introduction Christine Gamper, Hammad Nasar, Chantal Pontbriand, Walter tion with Conrad as he walks Edited by Martin Vosswinkel. Gisbourne. Philipp Fürhofer (born ofReality Norr. Texs by Rose Bouthillier, by Julia Paoli. Foreword by Gaëtane et al. This first monograph on Riedweg, et al. Brazilian artist through his old haunts in the Text by Rainer Bessling, Barbara 1982) is a man of the stage: the TheFilm/TheExhibition Judith Rodenbeck, Tina Kukielski. Verna. Text by Barbara Clausen, Shooshie Sulaiman (born 1973), a Mauricio Dias (born 1964) and Lower East Side. This volume is a Leicht, Christine Vogt. Working artist designs scenarios in light This book documents seven instal- Oliver Husain, Jacob Korczynski. celebrated Malaysian contempo- Swiss artist Walter Riedweg (born Edited by Gustav Deutsch, Hanna distillation, documentation and ex- within the chromatic and formal boxes that he hangs on the wall lation-performances by American Draw the Line critically examines rary artist, traces her journey 1955) have worked in collaboration Schimek. Text by Brigitte Felderer, pansion of the acclaimed exhibi- vocabulary of Concrete art, Martin like paintings or combines into sculptor and photographer Corin an exhibition by Brussels-based both as an artist and a curator since 1993, exploring issues such Olaf Möller. Interview by Thomas tion and series of concerts and Vosswinkel (born 1963) creates sculptural groups. Inside acrylic Hewitt (born 1971), from 2007. artist Jimmy Robert (born 1975), since the late 1990s. Sulaiman as human subjectivity and other- Edlinger. The latest film from Aus- educational lectures of the same paintings in thematic series such shells he layers painted, translu- The extensive collection of im- realized at The Power Plant in is a multimedia artist working in ness through video, performance trian filmmakers Gustav Deutsch name which was held at NYU’s as Lichtspeicher (Light Accumula- cent substrates and objets trouvés ages—including preparatory Toronto. The central focus is a collage, painting and installation, and installation. This monograph and Hannah Schimek restages the 80WSE Gallery in 2012. tors), Farbmühlen (Paint Mills) that give rise to mysterious por- sketches, process shots, exhibition commissioned performance piece whose work makes frequent presents a complete overview of paintings of American master and Gates, using glass-fiber fabric traits or landscapes. documentation and discrete that explores the gestures, marks 80WSE PRESS reference to Malaysian history. the duo’s diverse oeuvre. Edward Hopper. This catalogue 9781938922596 U.S. | CDN $ 25.00 and acrylic glass as supports. photographic works—constitutes and effects produced by the HATJE CANTZ documents the making of the film, FLAT40 Pbk, 11 x 9.5 in. / 80 pgs / KERBER JRP|RINGIER a rich, comprehensive study of moving or performing body. KERBER 9783775737869 U.S. | CDN $ 70.00 including costumes and sets. 69 color / 12 b&w / 12 duotone / 9783866789173 U.S. | CDN $ 59.95 FLAT40 Hbk, 11 x 9.5 in. / 144 pgs / 9783037643587 U.S. | CDN $ 55.00 Hewitt’s oeuvre. 9783866789562 U.S. | CDN $ 47.50 THE POWER PLANT DVD (NTSC). July / Art FLAT40 Hbk, 7.75 x 11.5 in. / 100 color. September / Art FLAT40 Pbk, 9.25 x 11.25 in. / MODERNE KUNST NÜRNBERG FLAT40 Hbk, 11 x 8.75 in. / 120 pgs / MOUSSE PUBLISHING 9781894212373 U.S. | CDN $ 24.95 240 pgs / illustrated throughout. 160 pgs / 100 color / 60 b&w. 9783869844916 U.S. | CDN $ 38.00 illustrated throughout. August/ Art 9788867490622 U.S. | CDN $ 40.00 FLAT40 Pbk, 4.75 x 7.5 in. / 65 pgs / August/ Art/Asian Art & Culture September/ Art FLAT40 Flexi, 10.75 x 8.25 in. / FLAT40 Pbk, 6.5 x 9 in. / 334 pgs / 14 color / 5 b&w. August/ Art 120 pgs / 90 color. July / Art 300 color. July / Art 176 artbook.com artbook.com 177 Film, performance and sculpture SPECIALTY ■ ART

Apichatpong harunFarocki: SashaWaltz: WilliDorner:bodies AlexandreArrechea: Karlablack RezaAramesh: jasonDodge: Weerasethakul: Diagrams Installations,Objects, inurbanSpaces unavoidableObject Foreword by Veit Görner. Text by 12Midnight WhatWehaveDone Photophobia ImagesfromTenFilms Performances Text by Willi Dorner, Franz Thalmair. Text by Cristina Vives. The promi- Susanne Figner, Barry Schwabsky. Introduction by Milovan Farronato. Introduction by Luis Croquer. The large-scale forms of Scottish Edited and with introduction by Edited by Benedikt Reichenbach. Edited by Christiane Riedel, Photographs by Lisa Rastl. nence of surveillance systems has Text by Media Farzin, Milovan Foreword by Sylvia Wolf. Text by sculptor Karla Black (born 1972) Brynjar Bjerkem. Text by Apichat- Text by Thomas Elsaesser, Maren Yoreme Waltz, Peter Weibel. Text Viennese choreographer Willi served as a key source for the Farronato, Eugenio Viola. In 2013, Jason Dodge, Matthew Dickman. evoke the pastel, towering layer pong Weerasethakul, Nach Grimm, Jan Verwoert, et al. This by Nike Bätzner, et al. German cho- Dorner’s Bodies in Urban Space work of Cuban sculptor Alexandre Iranian artist Reza Aramesh (born This two-volume set documents cakes one might see in a bakery Widner, Chaisiri Jiwarangsan. Best publication attempts to map the vi- reographer Sasha Waltz (born takes us on a walk through the Arrechea (born 1970) since 2003. 1970) installed five sculptures in American-born, Berlin-based window. Materials include cello- known for his Palme d’Or prize- sual approach of one of Germany’s 1963) is a pioneer of the so-called His public artwork, documented in five nightclubs in New York City. sculptor Jason Dodge’s (born urban landscape. Along routes phane, plaster powder, lip gloss, winning film, Uncle Boonmee Who foremost documentary filmmakers, “turn to the installation,” expanding Unavoidable Object, investigates The sculptures, which drew on 1969) 2013 exhibition at the Henry choreographed by Dorner, a troupe glitter hair spray and tracing paper. Can Recall His Past Lives (2010), Harun Farocki (born 1944). Unlike the genre to include actions and loss of privacy, human fragility and media images of violence and Art Gallery in Seattle. The first vol- of local dancers and acrobats This publication explores Black’s Apichatpong Weerasethakul (born other, more theoretical publica- people. This volume documents an the failure of control systems. conflict, were exhibited in boxes ume is comprised of installation moves through downtown areas of tactile, confectionlike creations. and viewable through keyholes. shots; the second includes an 1970) is a Thai filmmaker and tions on his work, Diagrams looks exhibition at the ZKM | Karlsruhe, TURNER cities worldwide, intertwining and This book documents the project’s exchange between Dodge and video artist. Photophobia captures at still images to trace specific comprised of huge installations 9788416142347 U.S. | CDN $ 40.00 WALTHER KÖNIG, KÖLN his creative process as he prepares movements and patterns in ten supplemented by many smaller in- stacking their bodies in doorways FLAT40 Hbk, 9.5 x 11 in. / 320 pgs / 9783863354886 U.S. | CDN $ 55.00 conception and progress. poet Matthew Dickman. FLAT40 Pbk, 9 x 11.5 in. / 129 pgs / his new film, Cemetery of Kings. Farocki films. stallations and objects, archival ma- or above architraves, on landings 300 color. October / Art/Latin Ameri- DAMIANI HENRY ART GALLERY 150 color. June / Art terials and performances. or park benches. can Art & Culture | | TRANSNATIONAL ARTS PRODUCTION WALTHER KÖNIG, KÖLN 9788862083133 U.S. CDN $ 50.00 9780935558531 U.S. CDN $ 35.00 FLAT40 Pbk, 9 x 12 in. / 160 pgs / SDNR30 Slip, 2 vols, Pbk, 6.5 x 9 in. / 9788299720595 U.S. | CDN $ 24.95 9783863354596 U.S. | CDN $ 69.95 HATJE CANTZ HATJE CANTZ illustrated throughout. September / 124 pgs / 42 color / 35 duotone. FLAT40 Hbk, 6.5 x 9.25 in. / 128 pgs / FLAT40 Pbk, 6 x 9.5 in. / 384 pgs / 9783775738002 U.S. | CDN $ 60.00 9783775738477 U.S. | CDN $ 50.00 Art/Middle Eastern Art & Culture July / Art illustrated throughout. July / Film & 1,052 color / 1 b&w. June / Art/Film & FLAT40 Pbk, 10 x 11 in. / 300 pgs / FLAT40 Hbk, 12 x 9.5 in. / 160 pgs / Video Video 200 color. September / Art 100 color. October / Art

LucyMcKenzie& MyriamMihindou: MarcelDuchamp: MarcelDuchamp: SongDong&Yin AngelikaArendt: Arturoberned: LadislavZívr AlanMichael: CommonSkin Étantdonnés Porte-bouteilles Xiuzhen:TheWay Sculpture&Drawing Sculptures Foreword by Jaromír Zemina. Text unlawfulAssembly ContextWithoutWalls byjeffWall byLarsblunck. ofChopsticks Edited by Christiane Bühling- Text by Toyo Ito, Juan Manuel by Jaromír Typlt. Sculptor Ladislav Zívr (1909–1980), a leading expo- Unlawful Assembly is a collection Text by Daphne Pappers, Liesbeth Introduction by Michael R. Taylor. Duchamp’s “Bottle Rack” (1914) Edited by Sarah Archer. Text by Schultz, Karin Rase. Text by Bonet. Arturo Berned (born 1966) nent of modernism in Czechoslo- of interrelated short stories by the Levy. In Common Skin, the first Afterword by Stefan Banz. This vol- was his first true readymade—an Sarah Archer, Britta Erickson, Hendrik Bündge. Interview by started his career as an architect, vakia, most commonly worked artists Lucy McKenzie and Alan volume of the series Context ume documents photographer Jeff artwork made without “artistic Eileen Boris. Interview by Philippe Christiane Bühling-Schultz, Karin working mainly in Mexico, Eng- with fired clay, aiming for simplicity Michael. First published in a lim- Without Walls, the work of Myriam Wall’s lecture on Duchamp’s “Étant handiwork.” Taking a fresh look at Vergne. This catalogue presents a Rase. Angelika Arendt (born 1975) land, Italy and Spain. In the early and fecundity of form. This cata- ited edition, it was intended as a Mihindou (born 1964) is explicated donnés,” at the First Annual Anne this work, art historian Lars Blunck site-specific collaboration by creates labyrinthine, sometimes 1990s, while in Mexico, he began logue celebrates his life’s work and cheap holiday read to entertain by philosopher Liesbeth Levy and d’Harnoncourt Memorial Sympo- shows how Duchamp, using irony Chinese artist couple Song Dong psychedelic black-and-white ink to create abstract sculptures in documents his participation in the summer visitors to the Mediter- author/curator Daphne Pappers. sium at the Philadelphia Museum of and wordplay, turned against the and Yin Xiuzhen (born 1966 and drawings, often depicting mineral- metal, drawing on the geometric 1962 Venice Biennale. ranean island of Stromboli, and as Levy and Pappers delve into Art in 2009. Wall records the impact “retinal” paradigm of his time. 1963), in the Wetherill Mansion in like accretions, that are reprised in vocabularies of modernist architec- a site-specific work. Mihindou’s multilayered sculptural of “Étant donnés” upon his own Philadelphia. While Song Dong biomorphic sculptural form. This ture. Since 2003 he has focused KANT MODERNE KUNST NÜRNBERG photographs and videos from work, which liberated him from the makes use of found objects, film catalogue gathers her recent entirely on sculpture, which this 9788074370298 U.S. | CDN $ 95.00 9783869840628 U.S. | CDN $ 25.00 WALTHER KÖNIG, KÖLN works. volume surveys. FLAT40 Hbk, 9.5 x 11.5 in. / philosophical and practical stand- prevalent model of Conceptualism. FLAT40 Clth, 5.5 x 4.25 in. / 132 pgs / and video, Yin Xiuzhen is known 9783863354909 U.S. | CDN $ 25.00 408 pgs / 753 color / 295 b&w. points. 20 color. July / Art/Nonfiction & for fiber and textile work. KERBER LA FÁBRICA FLAT40 Pbk, 4.5 x 7 in. / 144 pgs / MODERNE KUNST NÜRNBERG September / Art Criticism 9783866789593 U.S. | CDN $ 45.00 9788415691785 U.S. | CDN $ 60.00 13 color. June / Artists’ Books VALIZ 9783869845005 U.S. | CDN $ 25.00 PHILADELPHIA ART ALLIANCE FLAT40 Hbk, 8.25 x 10.75 in. / FLAT40 Hbk, 9.5 x 12.5 in. / 160 pgs / 9789078088677 U.S. | CDN $ 27.95 FLAT40 Clth, 5.5 x 4.25 in. / 152 pgs / 9780989704014 U.S. | CDN $ 40.00 104 pgs / 46 color / 6 b&w. illustrated throughout. September / Art FLAT40 Pbk, 6.75 x 9.5 in. / 128 pgs / 21 color. July / Art/Nonfiction & FLAT40 Pbk, 8.5 x 11 in. / 96 pgs / August / Art 50 color / 50 b&w. August / Art Criticism 120 color. July / Art/Asian Art & Culture

178 artbook.com artbook.com 179 Multimedia & sculpture SPECIALTY ■ ART

AlexPrager: KirstineRoepstorff: NotVital SteveSabella: hansScheib: jake&Dinos jake&Dinos SimónVega: FaceintheCrowd WalkingbesideTime Edited by Alma Zevi, Christian Works1997–2013 Games,Symboland Chapman:Theblind Chapman:Come TropicalDepartures Texts by Kaitlin Booher, Elizabeth Edited by Claudia Emmert. Text by Rümelin. Text by Christian Edited with text by Hubertus Celebration LeadingTheblind andSee Mexican artist Simón Vega (born Rümelin, Not Vital, Alma Zevi. Banks. Los Angeles–based artist Katharina Dohm, Claudia Emmert, von Amelunxen. Since the early WoodenSculptures Text by Jake Chapman, Otto M. Edited by Kathryn Rattee, Emma 1972) creates ephemeral sculp- Although working mainly as a Alex Prager (born 1979) creates Kirstine Roepstorff. In Walking Be- 1990s, Berlin-based Palestinian 1977–2013 Urban, Sˇárka Komedová. This Enderby. Text by Jake Chapman. tures and installations inspired by sculptor, Swiss-born artist Not highly staged, cinematic images side Time, Kirstine Roepstorff (born multimedia artist Steve Sabella catalogue documents an exhibition A resource for visual artists and the improvised architectures found Vital (born 1948) has produced a Edited by Angela Cerny. Text by inspired by street photography, 1972) combines austere abstract (born 1975) has created photo- in Prague by English duo Jake and tattoo artists alike, Come and See in shantytowns and by street ven- sizeable body of works on paper, Michael Freitag. This book, the classic Hollywood and experimen- metal sculptures and black-and- graphic cycles, such as Jerusalem Dinos Chapman (born 1966 and gathers a group of tattoo drawings dors’ carts. These works, made in especially prints, drawings and artist’s second retrospective publi- tal films. Published for an exhibi- white collages in a philosophical in Exile (2006), Exit (2007), In Exile 1962) and serves as a retrospective and designs by Jake and Dinos wood, cardboard, plastic and multiples. These works, which cation, is dedicated to the neo-ex- tion at the Corcoran Gallery of Art, ensemble that, in its exhibited in- (2008), Euphoria (2010), Beyond of the brothers’ controversial Chapman (born 1966 and 1962) found materials, and documented continue the abstract explorations pressionist wooden sculptures of Face in the Crowd features por- carnation, also included a sound Euphoria (2012), Metamorphosis oeuvre. and invites the reader to become a here, often parody famous modern of his sculpture in a looser idiom, Berlin-based Hans Scheib (born traits of large crowds at airport ter- component, creating a continuity (2012) and Independence (2013), Chapman work by having one of and mythological buildings, cities often include discrete hand-drawn 1949). Often inspired by mythol- GALERIE RUDOLFINUM minals, beaches, movie theaters between parts. that explore exile, identity and their designs done. and high-tech robotics. ogy, his highly sensual painted 9788086443300 U.S. | CDN $ 35.00 and other public spaces. captions. migration. This book describes the KERBER objects are a key component of FLAT40 Hbk, 9.75 x 11.5 in. / 159 pgs / MODERNE KUNST NÜRNBERG genesis of his oeuvre. WALTHER KÖNIG, KÖLN | KERBER | LEHMANN MAUPIN/M+B GALLERY 9783866789487 U.S. CDN $ 45.00 his oeuvre. 312 color. August / Art 9783863354893 U.S. | CDN $ 40.00 9783869844961 U.S. CDN $ 38.00 U.S. | CDN 9780615901749 U.S. | CDN $ 55.00 FLAT40 Pbk, 8.25 x 11 in. / 144 pgs / 9783866789180 $ 49.95 HATJE CANTZ FLAT40 Hbk, 5 x 7.75 in. / 96 pgs / FLAT40 Pbk, 8.5 x 11 in. / 60 pgs / FLAT40 Hbk, 8.25 x 11 in. / 120 pgs / KERBER SDNR 30 Hbk, 9.75 x 12.75 in. / 49 color / 2 b&w. August / Art 9783775737678 U.S. | CDN $ 75.00 58 b&w. June / Art/Artists' Books illustrated throughout. July / Art/Latin 9783866789104 U.S. | CDN $ 50.00 60 pgs / illustrated throughout. 85 color / 2 b&w. August / Art FLAT40 Clth, 9.25 x 9.25 in. / 256 pgs / American Art & Culture FLAT40 Hbk, 9.5 x 11.75 in. / 208 pgs / July / Photography 180 color. November / Photography/ 210 color / 2 b&w. August / Art Middle Eastern Art & Culture

MaartenSleeuwits: WolfgangWeileder: ThomasZipp: johnvonbergen: benG.Fodor: PatrickScott: Stephanbalkenhol RogerRigorth Objectsand Continuum Comparative Core IncipitVitaNova ImageSpaceLight Text by Nicole Fritz, Ninja Walbers. Edited by Roger Rigorth. Text by Recordings Text by Alistair Robinson, Ludwig Investigationabout Edited by John von Bergen. Text Edited by Dorothee Frank. Text by Edited by Christina Kennedy. Over the last three decades, Ger- John Grande, Ishmael von Hei- man sculptor Stephan Balkenhol drick-Barnes, Christoph B. Lukas. Edited with text by Silke Seyfarth, Rachel Wells. Wolfgang theDispositionofthe by Kimberley Bradley, Arsalan Georg Schöllhammer, Jan Tabor. Text by Mary Ann Bolger, Michael (born 1957) has sculpted a Roger Rigorth (born 1965) creates Opitz. With art objects made of Weileder’s (born 1965) installation, WidthofaCircle Mohammad, Heinz Stahlhut. Core Creating ensembles composed of Craig-Martin, Brian O’Doherty, lead, clay or bamboo, Dutch artist sculpture and photography fo- presents drawings, objects and architectural models, photographic Corban Walker, Mel Gooding, menagerie of human and animal sculptures and installations out of Text by Zdenek Felix, Veit Loers. Maarten Sleeuwits (born 1978) cuses on human interaction with large-scale installations by Ameri- works and drawings on masonry Christina Kennedy, et al. Patrick figures from bronze and various natural materials such as fiber and This book documents Thomas allows the viewer to perceive the architecture and public urban can artist John von Bergen (born that resemble archaeological relics, Scott (1921–2014) was the first woods. This publication unites new stone, exploring themes of time, Zipp’s (born 1966) contribution to specific qualities of his materials. space. Continuum offers a survey 1971). Von Bergen’s sculptures are Hungarian-born, Vienna-based exponent of pure abstraction in and previous works, focusing movement and change. This publi- the 55th Venice Biennale, 2013. Sleeuwits’ interactions with of the artist’s expansive oeuvre composed of twisted and de- artist Ben G. Fodor looks at the fail- Irish art. Patrick Scott: Image Space specifically on the artist’s handling cation explores the Swiss artist’s For the occasion, the German the urban space or with the from the past 15 years. formed industrial shapes that are ures of various utopias. His Incipit Light considers the artist’s life and of gender. poignant creations, including danc- artist constructed a replica of a ing wing mobiles and floating bee- participants form the essential core also present in his line drawings on Vita Nova project is documented in work as an architect, designer and KERBER KERBER psychiatric unit, playing the part of hives suspended from trees. of his art. paper. this handsome volume. artist, including his paintings, 9783866789333 U.S. | CDN $ 49.95 9783866789166 U.S. | CDN $ 55.00 both patient and doctor himself. FLAT40 Hbk, 9 x 11 in. / 160 pgs / screens, tapestries and prints. FLAT40 Hbk, 8.75 x 11.25 in. / KERBER HATJE CANTZ KERBER KERBER 127 color / 9 b&w. August/ Art KERBER 120 pgs / 75 color / 3 b&w. 9783866789630 U.S. | CDN $ 40.00 9783775738200 U.S. | CDN $ 45.00 9783866789326 U.S. | CDN $ 45.00 9783866789470 U.S. | CDN $ 65.00 IRISH MUSEUM OF MODERN ART 9783866789067 U.S. | CDN $ 47.50 August/ Art FLAT40 Hbk, 9.5 x 12.5 in. / 112 pgs / FLAT40 Pbk, 7 x 9.5 in. / 80 pgs / FLAT40 Hbk, 8.75 x 12.25 in. / FLAT40 Hbk, 11.5 x 10.5 in. / 224 pgs / 9781909792043 U.S. | CDN $ 30.00 FLAT40 Clth, 8.25 x 10.75 in. / 96 pgs / illustrated throughout. August / Art 95 color. September / Art 116 pgs / 46 color / 5 b&w. 127 color / 41 b&w. August/ Art FLAT40 Pbk, 7 x 9.5 in. / 160 pgs / 32 color / 16 b&w. August/ Art August/Art 70 color. July / Art

180 artbook.com artbook.com 181 Sculpture and painting SPECIALTY ■ ART

hannaRoeckle: SimonIngram jacobKassay: beateGeissler& MaxGimblett:The SuseKrawagna: juanMuñoz: EduardoChillida: Configurations Edited by Christina Barton. Text NoGoal OliverSann:Volatile SoundofOnehand Deviations ArtistMonograph EarlyPrints inFlow by Su Ballard, Michelle Grabner, Edited by Rachel Bohan. No Goal Smile CalligraphyPractice A general overview of the artist’s While Spanish artist Juan Muñoz Edited with text by Astrid Ihle, Simon Ingram, Margit Rosen. Works2004–2014 documents the exhibition of Jacob German artist duo Beate Geissler 1967–2014 career, this catalogue also exam- (1953–2001) is known mostly for Reinhard Spieler.This large-format, New Zealand–born painter Kassay (born 1984) at The Power ines a new series of works by Aus- folio-style volume presents ab- Text by Sabine Arlitt, Friedemann and Oliver Sann photograph the Foreword by Eric Shiner. Text by his sculpture, this booklet focuses Simon Ingram’s (born 1971) first Station, featuring a 65-foot-long trian painter Suse Krawagna (born stract works on paper by the well- Malsch, et al. The sculptural works offices of trading companies in Tom Huhn. This is the first publica- on the artist’s drawings. The 20 monograph surveys work from muslin drape cascading down the 1964). Deviations specifically illus- known sculptor Eduardo Chillida of Hanna Roeckle (born 1950) are Chicago, where they live and tion to focus entirely on the sumi original and unpublished drawings 2007–2013. With three essays and building’s interior. The book fea- trates the central role that drawing (1924–2002). Spanning the late based on serial systems, and are work, as well as interview traders, ink paintings of American–New highlighted here are based on the abundant illustrations, this publica- tures a transcribed This American plays within Krawagna’s oeuvre, 1950s to the early 1970s, and also informed by physics, systems programmers and businessmen. Zealand artist Max Gimblett (born Joseph Conrad short story An Out- tion explores Ingram’s robotic kits Life episode on Niagara Falls, with and the interplay between drawing ranging from the gestural to the theory and architecture. For the Volatile Smile explores the impact 1935). Known for his work with the and self-painting machines, drawn photographs from the artist’s fam- and abstract painting. post of Progress, written in 1897. constructivist, these works have grounds of the Haus für Kunst Uri, of technology on systems of global quatrefoil shape, Gimlett paints on from theories of artificial life, that ily archive. LA FÁBRICA rarely been reproduced. she developed a sculpture based commerce. canvas, wood panel and exquisite MODERNE KUNST NÜRNBERG make monochromatic artworks. 9788415691594 U.S. | CDN $ 70.00 on the polyhedron in Dürer’s clas- THE POWER STATION/DALLAS papers. 9783869844831 U.S. | CDN $ 35.00 KERBER MODERNE KUNST NÜRNBERG SDNR30 Pbk, 11.75 x 15.75 in. / sic “Melencolia I.” This is the first KERBER 9780984023035 U.S. | CDN $ 35.00 FLAT40 Flexi, 7.75 x 9.5 in. / 80 pgs / 9783866789579 U.S. | CDN $ 29.95 9783869840826 U.S. | CDN $ 45.00 CHARTA 24 pgs / illustrated throughout. 9783866788558 U.S. | CDN $ 49.95 FLAT40 Slip, Hbk, 7.75 x 10 in. / 60 color. July / Art FLAT40 Pbk, 9.25 x 11.75 in. / 56 pgs / monograph on her oeuvre. FLAT40 Hbk, 11 x 8 in. / 192 pgs / 9781938922497 U.S. | CDN $ 65.00 September /Artists' Books FLAT40 Hbk, 7.5 x 10.5 in. / 152 pgs / 84 pgs / illustrated throughout. 36 color / 4 b&w. August / Art 100 color. July / Art FLAT40 Hbk, 9.5 x 11.5 in. / 200 pgs / HATJE CANTZ illustrated throughout. August / Art July / Art 200 color. November / Art 9783775738453 U.S. | CDN $ 75.00 FLAT40 Clth, 9.5 x 10.75 in. / 176 pgs / 150 color. September / Art

GunterDamisch: FabianMarcaccio: MichelPérez CharlesMayton: FrankWiebe: juanuslé: EvgeniDybsky: Lingjian Fields,Worlds Variants Text by Julia Cooke. This publica- Two-Step TheLastResort Works,Writings GiottoProject Edited by Christoph Noe, Lucie Chang. Text by Mark Gisbourne. (andbeyond) Variants is the first comprehensive tion examines the whimsical paint- Edited by Rachel Bohan. Foreword Edited by Thomas Levy. Text by Edited by Barry Schwabsky. Edited by Fatima Misikova. Text ings of Cuban artist Michel Pérez Living and working in Berlin, Chi- Text by Silvie Aigner, Peter Baum, monograph on Argentine artist by Blake Rayne. Text by David Jürgen Doppelstein, Belinda The paintings of Spanish artist by Jeanette Zwingenberger, Alena (born 1981). Pérez uses models of et al. Interview by Alexandra Fabian Marcaccio (born 1963). In- Lewis, Rochelle Goldberg. This Grace Gardner, Katharina Henkel. Juan Uslé (born 1954) are known Vogman, Evgeni Dybsky, Yuri nese artist Ling Jian (born 1963) figures and other shapes that he Schantl. Austrian artist Gunter spired by new technology, Marcac- publication highlights a grid of Reproducing around 30 works in for their bright, intense layers of Leiderman. Inspired by the renova- paints surreal and sometimes makes with clay, which are then Damisch (born 1958) is known for cio has developed a challenging paintings by New York artist oil by Hamburg-based abstract saturated color, almost kaleido- tions of Giotto’s fresco cycle in the deliberately vulgar large-scale enlarged and exaggerated in their paintings, drawings and graphic and innovative practice that ranges Charles Mayton (born 1974) exhib- painter Frank Wiebe (born 1959), scopic in appearance. This book is Cappelladegli Scrovegni in Padua, portraits, incorporating images translation to the canvas. works, but he has lately in media from transfer prints and ited at The Power Station, made in this beautifully produced publica- the first complete monograph to Evgeni Dybsky (born 1955) spent of uniforms, weapons and even sculpture to animation. reference to the rhythm of a two- tion offers an overview of his date on the New York–based seven years creating a massive focused his attention on sculpture. TURNER bunny ears into his hyper-realistic While offering a representative 9788416142392 U.S. | CDN $ 34.00 step dance. It includes written con- sober, expressionistic works of the artist’s career, bringing together cycle of paintings, watercolors and EDICIONES POLÍGRAFA yet fantastic compositions. This FLAT40 Hbk, 9.5 x 12 in. / 200 pgs / tributions by David Lewis and past ten years. important works and writings. drawings—220 works in all— view of Damisch’s career, this 9788434313231 U.S. | CDN $ 45.00 300 color. October / Art/Latin Ameri- Rochelle Goldberg. which this volume documents. monograph spans the artist’s monograph also highlights his FLAT40 Hbk, 6.5 x 9.25 in. / 224 pgs / KERBER EDICIONES POLÍGRAFA 110 color. October / Art can Art & Culture oeuvre of the past two decades. recent aluminum casts. THE POWER STATION, DALLAS 9783866789357 U.S. | CDN $ 47.50 9788434313309 U.S. | CDN $ 60.00 KERBER | FLAT40 Hbk, 11.5 x 9.5 in. / 96 pgs / FLAT40 Hbk, 8.5 x 11 in. / 240 pgs / | MODERNE KUNST NÜRNBERG MODERNE KUNST NÜRNBERG 9780984023042 U.S. CDN $ 35.00 9783866788930 U.S. CDN $ 60.00 FLAT40 Pbk, 7.75 x 10 in. / 128 pgs / 36 color. August / Art 170 color. November / Art FLAT40 Hbk, 11 x 11.5 in. / 192 pgs / 9783869840710 U.S. | CDN $ 40.00 9783869844909 U.S. | CDN $ 40.00 FLAT40 Hbk, 9.5 x 11.25 in. / 160 pgs / FLAT40 Flexi, 8.25 x 10.25 in. / illustrated throughout. July / Art 248 color / 21 b&w. August /Art 120 color. July /Art/Asian Art & Culture 248 pgs / illustrated throughout. July / Art 182 artbook.com artbook.com 183 Figurative painting SPECIALTY ■ ART

hansFurer: ChristopherOrr: MichelMeyer: PeterStauss:Snob DavidChieppo: VictorMan:Szindbád MartinKasper: CatalogueRaisonné Paintings jamTown Edited by Peter Stauss. Text by PaintingsandWorks DeutschebankArtistofthe Echokammer Paintings1971–2013 Edited by Pat Fisher. Text by Max Edited by Anne Sommer-Meyer. Marcus Steinweg, Tal Sterngast. onPaper Year2014 Edited with text by Ralf Beil. The vibrantly chromatic paintings Text by Hans Furer. Interview by Hollein, Colin R. Martin. This Text by Martin Stather. In Jam Text by Patricia Bieder, Giovanni Text by Bogdan Ghiu, Friedhelm Text by Inger Christensen, and sculptures of Peter Stauss Claudia Jolles. A full-time lawyer monograph surveys the work of Town, German artist Michel Meyer Carmine, Irene Grillo. Zurich-based Hütte, Stefan Krause. The oil W. G. Sebald. German artist Martin (born 1950) combine philosophical by day, Hans Furer (born 1955) has Scottish painter Christopher Orr presents nearly 60 works from American figurative painter David paintings of Romanian artist Victor Kasper (born 1962) transforms the NeoRauch: concerns with lively narrative play over the decades produced an as- (born 1967), comprised mostly of 2009–2013, executed on canvas, Chieppo (born 1973) explores per- Man (born 1974) are charged with architectural spaces of his tempera Gespenster as seemingly collaged figures inter- tonishing oeuvre of around 800 ab- paintings and collages. Orr’s paper and wood. His expressionis- sonal, social and political themes personal memories and references paintings into places of emptiness Edited by Gerd Harry Lybke. Neo act across shifting planes. This first stract and figurative paintings, imagery derives from an extensive tic, colorful paintings flit between in broad, sensuous brushstrokes. to art history. Man, who lives in and atmosphere. This volume Rauch (born 1960) is one of the monograph surveys his works of 10,000 drawings and large num- archive of vintage magazines, figuration and abstraction, with im- This richly illustrated catalogue Berlin and Cluj, is winner of the documents in situ his exhibition most important figurative painters the past ten years. bers of watercolors and linocuts. science textbooks, 16mm and ages resembling anonymous provides an overview of Chieppo’s Deutsche Bank’s 2014 Artist of at the Künstlerkolonie Museum’s of his generation and a pioneer of This catalogue demonstrates the Super 8 film stills, and his inti- human faces in a crowd. KERBER paintings and works on paper from the Year Award, which honors historical sculpture studios. the so-called new Leipzig school mately scaled canvases oscillate promising international artists. wide range of his artistic activities. KERBER 9783866789159 U.S. | CDN $ 55.00 the past six years. HATJE CANTZ of painting. Gespenster (Ghosts) is between reality and the uncanny. FLAT40 Hbk, 8.25 x 11 in. / 112 pgs / published for Rauch’s most recent RICHTER VERLAG 9783866789302 U.S. | CDN $ 45.00 MODERNE KUNST NÜRNBERG HATJE CANTZ 9783775738101 U.S. | CDN $ 45.00 FLAT40 Hbk, 8.25 x 9.75 in. / 88 pgs / 63 color / 2 b&w. August/ Art FLAT40 Clth, 9 x 12.5 in. / solo exhibition of the same name 9783941263666 U.S. | CDN $ 55.00 JRP|RINGIER 9783869840741 U.S. | CDN $ 40.00 9783775738071 U.S. | CDN $ 60.00 58 color / 3 b&w. August / Art 116 pgs / 49 color. September / Art FLAT40 Clth, 8.75 x 11.25 in. / 9783037643730 U.S. | CDN $ 35.00 FLAT40 Hbk, 8.75 x 11 in. / 120 pgs / FLAT40 Pbk, 11.25 x 11.25 in. / at Galerie Eigen+Art Leipzig, in 224 pgs / 730 color / 5 duotone. FLAT40 Hbk, 8 x 11.25 in. / 64 pgs / 80 color. September / Art 196 pgs / 138 color. September / Art 2013. The catalogue contains the August / Art 50 color / 20 b&w. October / Art first reproductions of the 20 new paintings that were shown in the exhibition, as well as detailed views of the canvases and installation shots. Rauch’s new paintings portray brooding phantasmagoric scenarios composed of several different snapshots that spatially (and sometimes narratively) over- lay each other. A rusty, red-brown undertone suffuses the pictures, its muteness emphasized against intensely chromatic areas. Unlike Allenjones: Christophbouet: KlausStümpel:Deep jörnGrothkopp AnijaSeedler: MichaelZansky RobertYarber: the large-scale paintings, Rauch’s smaller works are softer and MelodyMaker RightOutsidethe SleepandGliding Edited by Andreas Vitt. Text by ImperfectCinema Text by Donald Kuspit, Max PanicPending more graphic, with isolated figures Edited by Thomas Levy. Text by Door Edited by Michael Schwarz. Text Wulf Herzogenrath, Thomas Thiel. Edited by Anija Seedler. Text by Weintraub. This overview of New Edited by Alex Daniels. Text by and deserted landscapes, like frag- Jonas Beyer. A leading exponent Landscapes2010–2013 by Ursula Bode, Michael Schwarz. This publication assembles still Frank Motz, Karoline Mueller-Stahl. York–based artist Michael Zansky Herbert Marks. Panic Pending ments from completed pictures of British Pop art, Allen Jones The drawings, paintings and sculp- lifes, landscapes, individual and This publication gathers together (born 1947) surveys his paintings, comprises 43 works made be- Text by Kerstin Decker Gunnar that have become independent. (born 1937) played a decisive role tures of Klaus Stümpel (born group portraits by Berlin-based the many facets of German artist drawings, sculptures and installa- tween 2009 and 2013 by Texan Decker, Robert Dämmig, Jutta LUBOK VERLAG in the figurative art of the 1960s. 1941), surveyed in this volume, are painter Jörn Grothkopp (born and scenographer Anija Seedler’s tions. It includes the monumental artist Robert Yarber (born 1948), Götzmann, et al. This publication 9783941601840 U.S. | CDN $ 40.00 This catalogue features more than characterized by their precise real- 1969). Sidestepping photorealism, (born 1974) 20-year oeuvre. Her installation Giants and Dwarfs, known for his large-scale, psyche- brings together the landscape FLAT40 Pbk, 8.75 x 12 in. / 56 pgs / 20 new oil paintings by the artist. ism. His compositions range from Grothkopp creates striking images works in ink, watercolor and acrylic a series of complex drawings and delic paintings that inspired the paintings of Christoph Bouet (born 35 color / 4 duotone. July / Art The works portray figures on a still lifes of birds and animals from of weddings, parties and Koi fish are characterized by their simplicity sculptures burnt and carved into movie of Fear and Loathing in Las 1974) made between 2010 and stage of light, achieving a sensu- the 1970s to more recent large- that resemble out-of-focus snap- of both line and color, as well as by large plywood panels. Vegas. Yarber’s pastel, pencil and 2013. A plein-air painter, Bouet ously ecstatic fusion of bodies and scale collages and relief paintings. shots with soft, blurred edges. fragmented, filmlike image se- ink drawings were in turn influ- uses a palette knife to apply the oil CHARTA color spaces. quences. enced by his time in Nepal. paint directly from the tube in thick KERBER KERBER 9781938922503 U.S. | CDN $ 47.50 9783866788879 U.S. | CDN $ 50.00 FLAT40 Hbk, 8.25 x 8.25 in. / 144 pgs / KERBER layers, turning apparently tranquil 9783866789135 U.S. | CDN $ 55.00 KERBER REFLEX EDITIONS AMSTERDAM FLAT40 Hbk, 11 x 8.5 in. / 160 pgs / 90 color. September / Art 9783866788992 U.S. | CDN $ 39.95 landscapes into unsettling images. FLAT40 Hbk, 9.75 x 12.5 in. / 176 pgs / 9783866789050 U.S. | CDN $ 49.95 9789071848186 U.S. | CDN $ 80.00 126 color. August / Art FLAT40 Hbk, 9.75 x 8.75 in. / 72 pgs / 151 color / 1 b&w. August / Art FLAT40 Hbk, 8.75 x 11.75 in. / 96 pgs / FLAT40 Hbk, 9.5 x 13 in. / 120 pgs / 54 color. August/ Art KERBER 61 color. August / Art 55 color. July / Art 9783866789111 U.S. | CDN $ 55.00 FLAT40 Hbk, 9 x 10.5 in. / 160 pgs / 88 color / 2 b&w. August / Art

184 artbook.com artbook.com 185 Painting and works on paper SPECIALTY ■ GROUP EXHIBITIONS

MarcelOdenbach: MarcelOdenbach: FranciscoSierra RoomService ChambresdeLuxe hansulrichObrist: bigSignLittle WorksonPaper CatalogueRaisonné Edited with text by Roland Wäspe, Text by Johan Holten, Volker Artistsashoteliersand Chambre763 building 1975–2013 ofWorksonPaper Christoph Vögele. Text by Raphael Albus, Markus Miessen, Bärbel Guests In 1993, the curator and art critic Edited by Marta Kuzma, Antonio Gygax. Interview by Nadine Küster, Klaus Honnef, et al. Edited with text by Stephan Berg, Edited by Stephan Berg, Christoph Chambres de luxe approaches Hans Ulrich Obrist (born 1968) Cataldo. Text by Robert Smithson, TalR:TheVirgin Wietlisbach. This is the first Looking at hotels in art and cinema Christoph Schreier. Marcel Oden- Schreier, Anna Czerlitzki, Stefanie the hotel room as a space of organized an unannounced Venturi and Rauch Architects comprehensive publication on the and the cultural history of the hotel Edited by Marie Nipper, Anne bach (born 1953) is known as a pi- Fischer. Text by Stephan Berg, production and retreat in works by exhibition in a hotel room in Paris, and Planners, Peter Eisenman, work of Chilean-born Swiss artist since 1840, this fascinating, hand- Mette Thomsen. Foreword by oneer of video art, but this is the Anna Czerlitzki, Stefanie Fischer, Mladen Bizumic, Alighiero Boetti, where he lived for the duration Steven Izenour, Marta Kuzma. Francisco Sierra (born 1977). Sierra somely designed volume features Jens Erik Sørensen, Marie Nipper. first catalogue to examine his work Christoph Schreier. Alongside the El Frauenfelder, Mario Garcia of the show. This publication All the works selected for Big Sign creates photorealistic paintings works by 70 artists ranging from Text by Marie Nipper, Barry as a draftsman and collage artist. It video art for which he is famed, Torres, Martin Kippenberger, tours the now-legendary event, Little Building explore new and drawings that, in their out- Honoré Daumier to Sophie Calle, Schwabsky, Søren Ulrik Thomsen. begins with drawings from the Marcel Odenbach (born 1953) has Lang/Baumann, Fabian Marti, documenting the work of the interpretations of landscape that standing realism, are as unsettling alongside essays considering A mammoth scrapbook of 1970s and includes his collages of developed a large body of draw- Chantal Michel, Cristina Ohlmer, 70 invited artists. synthesize art and architecture. drawings, paintings, textiles and as his ambiguous and often surreal specific examples of artist’s hotels Florian Slotawa, Jules Spinatsch, Artists include Charlotte the 1980s, which act as both stud- ings over the last 40 years. These WALTHER KÖNIG, KÖLN collages by the popular Copen- subjects. and hotels as creative spaces of Daniel Spoerri, Monica Posenenske, Ed Ruscha, Claes ies for his video installations and range from freehand works to 9783863355357 U.S. | CDN $ 20.00 “temporary exception.” hagen-based, Israeli artist Tal R autonomous works. sketches for video concepts to MODERNE KUNST NÜRNBERG Studer/Christoph van den Berg, FLAT40 Pbk, 5.5 x 8 in. / 64 pgs / Oldenburg, Allan D’Arcangelo, (born 1967), The Virgin combines complex collages, comprehen- 9783869840574 U.S. | CDN $ 40.00 WALTHER KÖNIG, KÖLN Till Velten, Christoph Wachter and illustrated throughout. June / Art Robert Smithson and Jeff Wall. new and old work to offer a total KERBER sively gathered in this publication. FLAT40 Hbk, 8.75 x 11 in. / 160 pgs / 9783863355289 U.S. | CDN $ 60.00 Mathias Jud. 9783866788961 U.S. | CDN $ 50.00 WALTHER KÖNIG, KÖLN portrait of the vibrant oeuvre of 140 color. July / Art FLAT40 Hbk, 9 x 13 in. / 328 pgs / FLAT40 Hbk, 9.5 x 11 in. / 160 pgs / MODERNE KUNST NÜRNBERG 9783863355043 U.S. | CDN $ 35.00 this perennially popular artist. A KERBER 1,500 b&w. June / Art 113 color / 18 b&w. August / Art 9783869844763 U.S. | CDN $ 45.00 FLAT40 Pbk, 8.75 x 11 in. / 192 pgs / special focus of the volume is the 9783866789074 U.S. | CDN $ 59.95 FLAT40 Hbk, 9.5 x 11 in. / 184 pgs / FLAT40 Hbk, 12 x 8.75 in. / 116 pgs / 176 color / 75 b&w. June / Art pigment paintings upon which 237 color. August / Art illustrated throughout. July / Art he embarked in the early 2000s. Tal R’s riotously colorful works move freely between figuration and abstraction, and are characterized by an immediately evident ease with his media, and indeed with the very process of making art. As Barry Schwabsky writes, in an essay for this volume: “What’s obvious immediately is that Tal R is a natural. That means his being an artist, or something CarmenCalvo: EllyStrik:Ghosts, Chenhaiyan:Carving TowardsaNew Village MakeaPhotoYourself OntheRoad like an artist, isn’t exactly a AlltheShadows brides&Other theunconscious CulturalCartography OneLandTwoSystems PhotosfromChristoph Edited by Gloria Moure. Text by choice—it’s something he could theEyeCanTake Companions Edited and with introduction by Edited by Karen Marta. Text by andPlatformParadise Schlingensief’sAfrican José Luis Pardo. With specially have avoided only at great cost.” commissioned work by artists Edited by Alfonso de la Torre. Foreword by Manuel Borja-Villel. Britta Erickson. Text by Abby Chen, Hoor Al-Qasimi, Camp and Edward Edited with text by Malkit OperaVillage This volume traces the breaks such as Lawrence Weiner, Richard Known for the appropriation of Text by Ben Okri, Carlos Gamerro, Chen Haiyan, Britta Erickson, et al. Simpson, Patrick D. Flores, Shoshan, Maurizio Bortolotti. Edited with introduction by and continuities in Tal R’s two- Long, Tacita Dean, Anthony objects, Valencian artist Carmen Victoria Noorthoorn, et al. Interview Interview by Britta Erickson, Maya Françoise Verges, et al. In this This publication documents the Marie Köhler. Text by Christiane decade career. McCall and Francis Alÿs. On the Calvo (born 1950) intervenes on by Jean-Christophe Ammann. Kóvskaya, Craig L. Yee. Chen volume, curators, theorists, artists collaborations of over 20 artists Kuhlmann. Initiated by artist/pho- Road collects contemporary art WALTHER KÖNIG, KÖLN anonymous photographs, applying Ghosts, Brides & Other Companions Haiyan (born 1955) is remarkable and writers argue for methods and architects—Yona Friedman, tographer Marie Köhler, the project that responds to the ideology 9783863354848 U.S. | CDN $ 69.95 everyday objects or painting gathers new and early paintings and for her subversive rethinking of nar- of map-making that go beyond ge- Dan Graham, Ali Kazma, MAP documented here gathers photo- FLAT40 Hbk, 9.25 x 11 in. / 386 pgs / directly over faces in the image. drawings on paper by Dutch artist rative in the populist and politicized ographic representation. The artist Office, One Architecture, Debra graphs made by children living in of Italy’s patron saint, Francis of 285 color. June / Art This publication extensively Elly Strik (born 1961), spanning the medium of woodcut prints and the emerges as a new cartographer, Solomon, Berend Strik, Sharif Christoph Schlingensief’s Opera Assisi, beloved for his dedication chronicles the artist’s career, entirety of the artist’s career to date. fine art of traditional brush paint- who intervenes in existing maps to Waked and others—with Village Africa in Burkina Faso. to helping others. ing. This volume surveys her sur- reveal the knowledge and memo- Palestinian inhabitants of the including her installation of the It includes an interview conducted VERLAG KETTLER EDICIONES POLÍGRAFA real yet everyday imagery. ries that lie beneath the geo-politi- village Ein Hawd. U.S. | CDN Venice Biennale in 1997. by Swiss curator and art historian, 9783862063321 U.S. | CDN $ 39.95 9788434313323 $ 55.00 Jean-Christophe Ammann. cal realities of the present. FLAT40 Hbk, 8.25 x 10.25 in. / LA FÁBRICA/CEART, CENTRO DE ARTE INK STUDIO DAMIANI FLAT40 Flexi, 9.5 x 11 in. / 168 pgs / 122 color. October/ Photography/ 304 pgs / 180 color. August / Art TOMÁS Y VALIENTE ASAMER 9780615966137 U.S. | CDN $ 45.00 SHARJAH ART FOUNDATION 9788862082549 U.S. | CDN $ 30.00 U.S. | CDN FLAT40 Hbk, 9 x 10.5 in. / 160 pgs / African Art & Culture 9788415691631 $ 40.00 9788480264839 U.S. | CDN $ 50.00 9789948207825 U.S. | CDN $ 20.00 FLAT40 Pbk, 6.5 x 9.5 in. / 256 pgs / FLAT40 Flexi, 8 x 9.5 in. / 192 pgs / FLAT40 Hbk, 8.75 x 12 in. / 296 pgs / 175 color. December / Art/Asian Art & FLAT40 Pbk, 5.25 x 8 in. / 275 pgs / illustrated throughout. October / illustrated throughout. September / 150 color. July / Art Culture illustrated throughout. August / Art/Middle Eastern Art & Culture Art/Latin American Art & Culture Art/Middle Eastern Art & Culture

186 artbook.com artbook.com 187 Media and collections SPECIALTY ■ GROUP EXHIBITIONS

ActsofVoicing TheStingofthe 13thbiennalede booster TheRevolutionof Oh,MyComplex TheDeathandLifeof Artist?:The OnthePoeticsandPolitics Scorpio Paris1985:AFilm KunstSoundMaschine theRomanticists Onuneaseatbeholding theTotalWorkofArt hypothesisof oftheVoice ACadavreExquisafterLuis byjefCornelis Edited by Marta Herford. Text by FluxusMadeinuSA theCity henryvandeVeldeandthe bodiness Edited by Hans D. Christ, Iris buñuel’sL’Âge d’or Edited by Yves Aupetitallot. Text Jessica E. Edwards, Friederike Edited by Dirk Blübaum, Gerhard Edited with text by Hans D. Christ, LegacyofaModernConcept ANewApproachtounder- Dressler. Text by John Barker, Edited by Ralf Beil, Michael Buhrs. by Yves Aupetitallot, Jef Cornelis. Fast, Steve Goodman, et al. Graulich, Katharina Uhl. Text by Iris Dressler. This volume examines Edited by Chris Dähne, Rixt standingtheArtistandArt Samuel Beckett, Natalie Boseul Text by Ralf Beil, Michael Buhrs, Filmed during the mounting and From fairground organs to Matthias Bleyl, Lars Blunck, et al. the ideological implications of Hoekstra, Carsten Ruhl. This byFréIlgen. Shin, Hans D. Christ, Ines Doujak, Luis Buñuel, et al. This volume opening of the 1985 Biennale de acoustic-warfare machines, mobile Like the European Romantics, utopian visions of the modern city, book is a compendium of essays, Through the writings of Dutch Iris Dressler, et al. Acts of Voicing examines Luis Buñuel’s 1930 Paris, this film documents conver- sound systems possess fascinating Fluxus artists were intent on in particular since the 1970s, from presented during the 12th Interna- artist Fré Ilgen, Artist? offers famil- addresses the aesthetic, performa- masterpiece L’Âge d’or as a source sations held during the preparatory sculptural and cultural possibilities. changing society through reverie the perspective of art, pop and tional Bauhaus Colloquium 2013, iar as well as surprising insight tive and political importance of of inspiration for contemporary art. phases of the event, featuring This volume surveys sound sculp- and imagination. This publication protest cultures. Works by around on the idea of the Gesamtkunst- into the human need to create and the voice from the perspective Here, artists such as John Bock, artists such as Georg Baselitz, tures by, among others, Janet examines the connection between 20 artists—in gouache, paper, werk. It offers an interdisciplinary experience art. Well researched of visual art, dance, performance Keren Cytter, Julian Rosefeldt, Daniel Buren, Richard Deacon, Cardiff and George Bures Miller, Fluxus artists such as George photography, video and multime- approach to an important aspect and masterfully executed, Ilgen’s and theory, dealing with both the Tobias Zielony and the artist Keith Haring, David Hockney, Tamara Grcic, Gregor Hildebrandt, Maciunas, Geoffrey Hendricks, Al dia installations—are placed in en- of the Bauhaus. approach discusses the various resistive as well as the disciplined duos Chicks on Speed and M+M Anish Kapoor, Anselm Kiefer and Mark Leckey, Olaf Mooij, Nik Hansen and Ben Patterson, and counter with historical documents JOVIS struggles in art, including voice, with voices that are heard present unconventional renderings Lawrence Weiner. Nowak, Tintin Patrone and Jean Romantics such as Caspar David and objects. 9783868592610 U.S. | CDN $ 39.95 insecurity and mediocrity. and those that are not. of Buñuel’s film. Tinguely. Friedrich and Ludwig Tiek. JRP|RINGIER HATJE CANTZ FLAT40 Pbk, 6.5 x 9.5 in. / 256 pgs / WASMUTH | 45 color / 15 b&w. October / Architec- HATJE CANTZ HATJE CANTZ 9783037643600 U.S. | CDN $ 35.00 KERBER MODERNE KUNST NÜRNBERG 9783775737760 U.S. CDN $ 45.00 ture & Urban Studies/Nonfiction & 9783803033642 U.S. | CDN $ 40.00 9783775737777 U.S. | CDN $ 45.00 FLAT40 DVD (PAL), 5.25 x 7.5 in. / 9783866789418 U.S. | CDN $ 49.95 | SDNR30 Pbk, 6.75 x 9.5 in. / 240 pgs / 9783775738484 U.S. | CDN $ 60.00 9783869840581 U.S. CDN $ 45.00 FLAT40 Hbk, 9.25 x 11.25 in. / SDNR30 Hbk, 6.75 x 9.5 in. / 480 pgs / 24 pgs. August / Film & Video FLAT40 Pbk, 7.75 x 10.25 in. / 184 pgs / 200 color. October / Art/Architecture & Criticism FLAT40 Hbk, 8 x 11.75 in. / 240 pgs / FLAT40 Hbk, 11 x 8.25 in. / 256 pgs / 298 pgs / 130 color / 20 b&w. July / Art 210 color. September / Art 200 color. September / Art/Film & Video 139 color / 20 b&w. August / Art 200 color. July / Art Urban Studies

FinalCut ColorCubed Lens-basedSculpture Cash,Cans&Candy Planningunplanned TotheMoonviathe ElectiveAffinity ForYourEyesOnly PaperCutoutsasa YujiTakeoka,Werner Edited by Bogomir Ecker, Raimund Text by Ernst Hilger, Katrin-Sophie TowardsaNewFunctionof beach TheEstherGretherCollection APrivateCollection,from Stand-AloneArtMedium haypeter,ChristianF.Kintz Kummer, Angela Lammert, Herbert Dworczak. A dialogue between ArtinSociety Edited by Liam Gillick, Philippe Edited by Esther Grether. Text by MannerismtoSurrealism Edited by Paula von Sydow, Text by Matthias Bleyl, Ulrike Molderings. Text by Michel Frizot, graffiti and the art market, Cash, Text by Barbara Holub, Georg Parreno. Text by Liam Gillick, Hans Kerstin Stremmel, Hans Hollmann. Edited by Andreas Beyer. Foreword Sandrine Teuber. Text by Rosanne Schick. In Color Cubed, the three Ursula Frohne, Friedemann Cans & Candy displays works by Winter, Jane Rendell, Paul Ulrich Obrist, Maja Hoffmann, Contributions by Arno Wiechert. by Bernhard Mendes Bürgi, et al. Altstatt, Antje Buchwald, et al. In renowned but stylistically different Malsch, et al. Lens-Based Sculp- over 40 international artists, from Rajakovics, Angelika Burtscher, Tom Eccles, Beatrix Ruf, et al. Photographs by Thomas Schorn, The collection of Richard and Ulla Final Cut, 17 artists present works abstract artists Yuji Takeoka, ture demonstrates the relationship guerilla pioneers like Robbie Conal Roberto Gigliotti, Torange This book documents a perform- Simon Wegener. The private collec- Dreyfus-Best in Basel resembles a in the medium of silhouette or Werner Haypeter and Christian F. between sculpture and photogra- to established street artists like Khonsari, et al. Artists have in- ance event in the Amphitheater tion of Swiss-based entrepreneur cabinet of curiosities, wherein sec- paper cut, including Noriko Ambe, Kint discuss their respective ap- phy from a historical perspective. Retna and Shepard Fairey from creasingly played a central role in in Arles, France, with artists Uri Esther Grether is famous for its ular artifacts are contrasted with Felix Droese, Birgit Knoechl, San- proaches to painting as a physical With 200 works from more than 70 Los Angeles, Faile from New York, the restructuring of cities, in the Aran, Daniel Buren, Fischli & Weiss, quality and scope. In this first pub- works of ars erotica. Also included dra Kühne, Charlotte McGowan- and sculptural three-dimensional international artists, the publication and Roa from Belgium. wake of de-industrialization, dereg- Jef Geys, Douglas Gordon, Oscar lication on the collection, photo- are works by Hans Baldung Grien, argues that the camera, a tool for Griffin, Stefan Saffer, Annette medium, and share relevant MODERNE KUNST NÜRNBERG ulation and privatization. This Murillo and Lawrence Weiner, graphs of the works show how the Bellmer, Böcklin, Brueghel, de spatial and structural representa- Schröter, Yuken Teruya, Tilmann examples of their own work. 9783869840765 U.S. | CDN $ 35.00 volume assesses the role of the among others. Using imported rooms are subordinated to art and Chirico, Clemente, Doré, Kubin, Zahn, Kris Trappeniers and more. tion, serves as a sketchbook for FLAT40 Flexi, 9.25 x 13 in. / 106 pgs / “urban practitioner” as an emerg- sand, the space was transformed testify to its independence from Moreau and others. KERBER modern sculpture. 150 color. July / Art ing transdisciplinary figure. into a beach and a moonscape. the values of the art market. KERBER 9783866789043 U.S. | CDN $ 35.00 HATJE CANTZ 9783866789432 U.S. | CDN $ 49.95 FLAT40 Hbk, 6.5 x 9.25 in. / 128 pgs / WALTHER KÖNIG, KÖLN MODERNE KUNST NÜRNBERG JRP|RINGIER/LUMA FOUNDATION HATJE CANTZ 9783775737432 U.S. | CDN $ 60.00 | FLAT40 Hbk, 10.5 x 13.25 in. / 88 pgs / 88 color. August / Art 9783863354916 U.S. CDN $ 59.95 9783869840635 U.S. | CDN $ 40.00 9783037643716 U.S. | CDN $ 55.00 9783775737906 U.S. | CDN $ 120.00 SDNR30 Hbk, 7.5 x 9.75 in. / 288 pgs / 34 color / 10 b&w. August / Art FLAT40 Hbk, 9.5 x 11.75 in. / 354 pgs / FLAT40 Flexi, 7.5 x 10.25 in. / FLAT40 Pbk, 8 x 9.75 in. / 368 pgs / FLAT40 Hbk, 9.75 x 13.75 in. / 176 color. September / Art 300 color. June / Art/Photography 208 pgs / 30 color / 30 b&w. July / Art 800 color. October/ Art 394 pgs / 260 color. September / Art

188 artbook.com artbook.com 189 Collections and guides | Art photography SPECIALTY ■ PHOTOGRAPHY

TheNoColours TimePieces DesMoinesArt GermanArtinthe YoonjiSeon FilipDujardin: ursulaSchulz- WilliamLin:Living VideoArtsince1963 CenterCollects LouisianaCollection Text by Suejin Shin, et al. Yoon Ji Fictions Dornburg: CollectioninhongKong Edited by Marius Babias, Kathrin Edited by Lea Rosson Delong. LouisianaLibrary Seon (born 1975 in Seoul) uses an Text by Pedro Gadanho. Since SomeWorks array of techniques in her portrai- Text by Birgit Donker, Hu Fang, Becker, Sophie Goltz. Foreword by Introduction by Jeff Fleming. Text Edited by Charlotte Glahn, Michael 2007, the photographer Filip Du- Edited with text by Wolfgang ture, for instance adding sewing to jeffWall:Tableaux Fimnuala McHugh, Christoph Noe, Marius Babias. Text by Kathrin by Neal Benezra, Debra Bricker Juul Holm. Text by Siegfried Gohr. jardin (born 1971) has been work- Scheppe. This complex artist’s her self-portraits—distorting her et al. The art collection of architect Becker, Dieter Daniels, Gisela Jo Balken, et al. This beautifully de- In this book, German art historian ing on a series whose humor is book by German photographer Ur- PicturesPhotographs face with rhythmic quilting stitches and artist William Lin is considered Eckhardt, et al. Founded in 1971, signed volume highlights over 250 Siegfried Gohr surveys selected accompanied by references to art sula Shulz-Dornburg (born 1938) 1996–2013 and now in possession of more artworks in the Des Moines Art whose lines recall painting—or history. With the aid of a digital col- one of Hong Kong’s cultural high- works from the Louisiana Museum contains nine notebooks with pho- Jeff Wall (born 1946) is both one of than 1,400 international works, Center’s permanent collections, using handmade paper. Reminis- lage technique, the artist creates lights. This publication provides in- of Modern Art’s illustrious collec- tographs printed on cardboard, a the most innovative and classic Video-Forum is the oldest collec- by renowned artists such as Ai cent of archaic masks, these works buildings whose construction sight into a brilliant multimedia tion of German art from 1965– map and a large individual print on photographers of his generation. tion of video art in Germany. This Weiwei, Takashi Murakami, Bruce deconstruct human appearance would be impossible, using photo- collection and acquaints the reader 1990. Artists include Dieter Roth, tissue paper, plus an essay and He became well known in the book documents the complete col- Nauman, Martin Puryear, Jean- and create chimeras—some hu- graphs of existing buildings in and with a new generation of Hong Joseph Beuys, Georg Baselitz, statements by Lawrence Weiner. 1970s for his large-format trans- lection, including focal points such Michel Basquiat, Claes Oldenburg, morous, some nightmarish. around Ghent. Kong–based artists, such as Nadim Anselm Kiefer, Gerhard Richter, Schulz-Dornburg’s work unites parencies, backlit by fluorescent Abbas, Tang Kwok Hin, Tsang Kin- as Fluxus and feminist videos, as Andy Warhol, Jasper Johns, Sigmar Polke, Arthur Köpcke, HATJE CANTZ HATJE CANTZ conceptual and documentary pho- lightboxes. His subject matter is Wah, Lee Kit and Tozer Pak. well as historical and contempo- Robert Rauschenberg, Francis Jörg Immendorff and others. 9783775737852 U.S. | CDN $ 55.00 9783775738026 U.S. | CDN $ 60.00 tography. varied and wide-ranging, based on rary video art from Berlin. Bacon and Georgia O’Keeffe. FLAT40 Hbk, 9.5 x 11.75 in. / FLAT40 Hbk, 11.75 x 9.5 in. / 112 pgs / HATJE CANTZ LOUISIANA MUSEUM OF MODERN HATJE CANTZ situations experienced by the artist 144 pgs / 53 color. September / 61 color. September / Photography 9783775737883 U.S. | CDN $ 60.00 WALTHER KÖNIG, KÖLN DES MOINES ART CENTER ART that are then recreated for the Photography /Asian Art & Culture 9783775737791 U.S. | CDN $ 120.00 SDNR30 Hbk, 6.5 x 9.5 in. / 392 pgs / 9783863350741 U.S. | CDN $ 29.00 9781879003637 U.S. | CDN $ 95.00 9788792877178 U.S. | CDN $ 35.00 SDNR30 Boxed, 9 vols, 6 x 6.25 in. / camera. Wall’s combination of 413 color. September / Art/Asian Art & FLAT40 Pbk, 6 x 9 in. / 456 pgs / FLAT40 Hbk, 9.25 x 12.25 in. / 496 pgs / FLAT40 Flexi, 6.75 x 9.5 in. / 180 pgs / 400 pgs / 125 color. September / color prints and lightbox images, Culture 576 color. June / Art/Film & Video 300 color / 10 duotone. July / Art 110 color / 50 b&w. July / Art Photography which he calls “cinematic” photographs, were completely novel and somewhat controversial when he first used them: only black-and- white photographs were considered appropriate for a serious museum exhibit. In 1996, Wall expanded his repertoire to begin producing monochrome images, further exploring the cinemato- graphic—particularly film noir— ArsElectronica2014 8thberlinbiennale FriezeLondon StruckbyPictures MichaelReisch: ChristianWeber: E.bradyRobinson: and the aesthetics of classic photography. This volume, Edited by Hannes Leopoldseder, forContemporaryArt Catalogue2014 Edited by Mark Gisbourne, SelectedWorks Explosions ArtDesks accompanying a Kunsthaus Christine Schöpf, Gerfried Stocker. Clemens Meyer, Harald Wieser. ShortGuide Edited by Tamsin Perrett. The Text by Roland Mönig, Bernd Edited with text by Christian Introduction by Andy Grundberg. Bregenz exhibition, begins with For the Prix Ars Electronica, a jury Text by Mark Gisbourne, Michaela Text by Tarek Atoui, Juan A. Gaitán, Frieze London catalogue is an es- Stiegler. Preface by Harald Kunde. Weber. This monograph presents E. Brady Robinson’s Art Desks these monochrome pictures and of international experts evaluates Kühn, Clemens Meyer, Harald Natasha Ginwala, et al. From May sential guide to international con- This book gathers the latest group the series Explosions by New features photographs of the desks continues through the present. thousands of works submitted in Wieser. Struck by Pictures repro- 29 to August 3, 2014, the 8th Berlin temporary art. Highly respected of works by German artist Michael York–based artist Christian Weber and working spaces of artists, Many of the works are reproduced six categories. For the first time in duces works by 115 German Biennale for Contemporary Art, critics profile over 150 acclaimed Reisch (born 1965), who is known (born 1971), consisting of multiple curators, art dealers and critics here for the first time. one volume, the accompanying artists, including Christian Achen- curated by Juan A. Gaitán, presents international artists, from the best for his poetic landscape photogra- high-speed images of fireballs and throughout the East Coast. book gathers the winning projects, emerging talents to established bach, Tilo Baumgärtel, Heiner Bind- phy. His images of folds and distor- explosives ignited in mid-air. Each Her subjects include collector KUNSTHAUS BREGENZ, STEDELIJK an exhibition at three venues MUSEUM AMSTERDAM other works in the festival and the names. New for 2014 is Frieze Live, ing, Norbert Bisky, Martin Eder, tions on a white surface appear to resulting shape is unique: some re- Mera Rubell, historian David throughout the city: Haus am 9783863354688 U.S. | CDN $ 55.00 recently introduced Golden Nica Paule Hammer, Leiko Ikemura, Waldsee, Dahlem Museums– dedicated to ambitious participa- be photographic, but are in fact semble nebula while others evoke Ward and photographer William FLAT40 Hbk, 10 x 11.80 in. / 140 pgs / for “Visionary Pioneers of Media Jonathan Meese, Justine Otto and National Museums in Berlin and tory works enacted within the computer generated. the twisting structures of DNA. Christenberry. 33 color / 12 b&w. July / Photography Art.” Uwe & Gert Tobias, that were pre- KW Institute. This concise, user- Fair’s environment. sented to the collector Thomas KERBER KERBER DAYLIGHT BOOKS HATJE CANTZ friendly guidebook is an essential 9783866789036 U.S. | CDN $ 55.00 9783866788848 U.S. | CDN $ 55.00 9780989798143 U.S. | CDN $ 39.95 FRIEZE PUBLISHING Rusche on his fiftieth birthday. 9783775738491 U.S. | CDN $ 60.00 tool for navigating the Biennale. 9780957249660 U.S. | CDN $ 39.95 FLAT40 Hbk, 11.75 x 9.5 in. / 96 pgs / FLAT40 Hbk, 13.5 x 10 in. / 106 pgs / FLAT40 Hbk, 10 x 6.5 in. / 112 pgs / FLAT40 Pbk, 6.75 x 9.5 in. / 450 pgs / FLAT40 Flexi, 9 x 11 in. / 500 pgs / KERBER 44 color. August / Art/Photography 45 color. August / Photography 57 color. October / Photography HATJE CANTZ 600 color. December / Art 500 color. October / Art 9783866789128 U.S. | CDN $ 47.50 9783775738408 U.S. | CDN $ 30.00 FLAT40 Hbk, 6.75 x 8 in. / 300 pgs / FLAT40 Pbk, 5.75 x 8.25 in. / 114 color / 2 b&w. August / Art 240 pgs / 100 color. October / Art

190 artbook.com artbook.com 191 Political and landscape photography SPECIALTY ■ PHOTOGRAPHY

uteMahler: Peterhebeisen: bertramKober: Taewonjang: ChemaConesa: joanFontcuberta: VojtaDukat Zusammenleben battlefields Transmission StainedGround Photobolsillo Photobolsillo Introduction by Antonin Dufek, Melchior de Wolff. Moravian pho- Text by Sibylle Berg. Ute Mahler How to convey the horror of indus- Edited by Bertram Kober. Text by Text by Suejin Shin, et al. Korean Text by Rosa Montero. This edition Text by Javier Arnaldo. The tographer Vojta Dukát (born 1947) (born 1949) is one of the most sty- trialized warfare? For his series on Dieter Daniels, Bertram Kober. In photographer Taewon Jang (born of La Fábrica’s series PHotoBolsillo provocative and otherworldly im- went into exile in the Netherlands TheSlovakNewWave listically influential photographers European battlefields of the twenti- this volume, German photographer 1976) documents abandoned steel celebrates the collection’s own di- ages in this new book from the after Czechoslovakia was occupied The80s of the former East Germany. After eth century, Swiss photographer Bertram Kober (born 1961) docu- factories, nuclear reactors, cooling rector—Spanish journalist and PHotoBolsillo collection represent by the Soviet Army in 1968. This Text by Lucia L. Fiˇserová, Tomásˇ the collapse of the Berlin Wall, she Peter Hebeisen (born 1956) took a ments transmitters and receiver towers, storage containers and oil photographer Chema Conesa (born the earlier work of Catalan artist, monograph displays his intimate, Posˇpech. This publication presents and other East German chroniclers different approach. Large-format plants in 12 different European refineries, in the gray of the dawn, 1952). Conesa has worked for both writer, teacher and curator Joan black-and-white images of people eight Czech photographers of Slo- founded Ostkreuz, today’s most tableaus in the tradition of Roman- countries, from the Italian moun- or the red of dusk, by moonlight, in El País and El Mundo, Spain’s most Fontcuberta (born 1955), recent conducting mundane, ritualistic vak origin working in Prague in the successful German photo agency. tic painting show Verdun, Stalin- tain range to the German lowlands. fog or snow. This volume presents prominent newspapers, but his winner of the Hasselblad photogra- tasks. 1970s and 80s: Tono Stano, Rudo Her series Zusammenleben which grad and Sarajevo from the His poetic images highlight the his ominous, overwhelming im- passion is for the art of the portrait. phy award. Prekop, Vasil Stanko, Martin Štrba, she began more than 40 years ago perspective of a strategic military sculptural properties of these tow- ages. TORST LA FÁBRICA LA FÁBRICA Miro Švolík, Kamil Varga, Peter is published here for the first time. vantage point. ering constructions. | 9788415691648 U.S. | CDN $ 20.00 9788415691655 U.S. | CDN $ 20.00 9788072154630 U.S. CDN $ 25.00 HATJE CANTZ Župník and Jano Pavlík, known FLAT40 Pbk, 5.25 x 7 in. / 96 pgs / FLAT40 Pbk, 5.25 x 7 in. / 96 pgs / FLAT40 Pbk, 6.5 x 7 in. / 144 pgs / HATJE CANTZ HATJE CANTZ KERBER 9783775737845 U.S. | CDN $ 55.00 illustrated throughout. September / illustrated throughout. September / 78 duotone. July / Photography collectively as “the Slovak New 9783775738224 U.S. | CDN $ 55.00 9783775738361 U.S. | CDN $ 60.00 9783866789388 U.S. | CDN $ 45.00 FLAT40 Hbk, 12 x 9.75 in. / 160 pgs / Wave.” The group—described FLAT40 Hbk, 9.25 x 12 in. / 144 pgs / FLAT40 Hbk, 11 x 12.75 in. / 160 pgs / FLAT40 Hbk, 9.5 x 11.75 in. / 112 pgs / Photography Photography 100 color. September / Photography/ variously as “photographers living 75 duotone. September / Photography 50 color. October / Photography illustrated throughout. August / Art Asian Art & Culture in Bohemia” or “Czech photographers of Slovak origin”—constitutes a kind of shared cultural asset for both countries and an interesting phenomenon for anyone studying the links between Czech and Slovak photography. In the 1970s and 1980s, FAMU was the only higher-education establishment in Central Europe that taught photography, and it is perhaps surprising that the members of the Slovak New Wave remained unin- fluenced by the Czech photo- Dirkbrömmel: RaffaelWaldner: Lardbuurman: Lissiehabie:ALifein jitkahanzlová:hier WorldImages5 MatadorP graphic tradition and were able to Kopfüber Salon Africajunctions Pictures Introduction by Terézia Mora. This Text by Andreas Fiedler, Simon Spain2022 create their own unique identity at FAMU. Despite—or possibly be- Edited by Erika Davis-Klemm. Text Edited by Christoph Doswald. Text CapturingtheCity Text by Christian Viveros-Fauné. new selection of images by Czech Maure. The fifth iteration of the Through the lenses of Belgian photographer Jitka Hanzlová (born cause of—the fact that this was by Dirk Brömmel, Klaus Honnef. by Christoph Doswald, Martin Foreword by N’Goné Fall. Text by Guatemalan artist Lissie Habie World Images series, this lively as- photographers Sebastian 1958) captures the eccentricities never an organized group with a Photographer Dirk Brömmel (born Jaeggi. In this publication, Swiss- Chris Abani, Chris Keulemans, (1954–2008) was fluent in a wide sortment of international photo- Schutyser, Marta Soul, Ricky and characters of the Ruhr region declared statement of purpose, 1968) photographs various types based photographer Raffael Wald- Alexander Opper. The photographs spectrum of techniques such as graphs ranges from California Davila and others, this year’s their relatively homogeneous visual of ships from an aerial perspective. ner (born 1972) focuses on motor of Lard Buurman (born 1969) cap- platinum-palladium prints, cyan- in Northern Germany. Hanzlová’s stoners to the war in Afghanistan, edition of Matador depicts a language became one of the first This volume examines these works shows, where new cars are pre- ture the African city as a site of otype and gum bichromate, and vibrant shots of people and nature from traditional Cairo to South prosperous future for Spain, a examples of postmodernism in by category: cargo ships, passen- sented to the public. Waldner doc- permanent change and incessant used these and other media to alike are tender and empathetic. Africa’s gay community. Partici- culturally rich country recently pants include Naoya Hatakeyama, Czechoslovakia. This volume gives ger ships, ships on China’s Grand uments the automobiles but also encounter. The images are the re- query the fidelity of the visual. WALTHER KÖNIG, KÖLN plagued by economic distress. Zanele Muholi, Tobias Zielony, special emphasis to works that Canal, gondolas in Venice and the the female models who accom- sult of combining several snap- This publication brings together 9783863353247 U.S. | CDN $ 69.95 It includes images of century-old were never exhibited at the time, floating markets in Thailand. pany them, providing intimate in- shots in time into a single scene, two decades of photographs, FLAT40 Hbk, 9 x 11.5 in. / 96 pgs / Georg Aerni, Daniel Schwartzand chapels as well as portraits of or were shown only on the fringe sight into a highly aesthetic and enabling the viewer to take in a alternative prints, assemblages 47 color. June / Photography and Cécile Wick. young, emerging professionals. KERBER of the scene. materialistic world. and sculptures. 9783866789555 U.S. | CDN $ 65.00 vast spread of urban space. MODERNE KUNST NÜRNBERG LA FÁBRICA FLAT40 ‘Hbk, 11.75 x 11.75 in. / 9783869844947 U.S. | CDN $ 45.00 KANT JRP|RINGIER HATJE CANTZ CHARTA 9788415691624 U.S. | CDN $ 90.00 FLAT40 Hbk, 10.75 x 8.25 in. / 9788074371233 U.S. | CDN $ 65.00 166 pgs / 230 color / 5 b&w. 9783037643631 U.S. | CDN $ 50.00 9781938922480 U.S. | CDN $ 27.50 FLAT40 Pbk, 11.75 x 15.75 in. / 9783775737913 U.S. | CDN $ 60.00 FLAT40 Hbk, 9.5 x 11 in. / 200 pgs / August / Photography FLAT40 Hbk, 8.5 x 11.5 in. / 136 pgs / FLAT40 Pbk, 6.75 x 9.5 in. / 128 pgs / 166 pgs / 120 color. July / Photography 168 pgs / illustrated throughout. FLAT40 Hbk, 11.75 x 9.75 in. / 93 color / 73 duotone. September / 120 color. October / Photography 12 color / 68 duotone. September / September /Journals 204 pgs / 100 color. September / Photography Photography/African Art and Culture Photography/Latin American Art & Culture

192 artbook.com artbook.com 193 ARCHITECTURE & DESIGN BACKLIST HIGHLIGHTS PHOTOGRAPHY BACKLIST HIGHLIGHTS

1968: Radical Italian Apple Design Beauty is in the Street Century of the Child A Country of Cities Anders Petersen Andrew Moore: Detroit David Bailey: Enrico Natali: Detroit 1968 The Family of Man Furniture 9783775730112 9780956192837 9780870708268 9781935202172 9789171262837 Disassembled Bailey’s Stardust 9780983587040 9780870703416 9786185039042 Hbk, U.S. | CDN $60.00 Hbk, U.S. | CDN $40.00 Hbk, U.S. | CDN $60.00 Hbk, U.S. | CDN $29.95 Hbk, U.S. | CDN $75.00 9788862081184 9781855144521 Clth, U.S. | CDN $49.95 Pbk, U.S. | CDN $24.95 Slip, Hbk, U.S. | CDN $80.00 Hatje Cantz Four Corners Books The Museum of Modern Art, Metropolis Books Max Ström Hbk, U.S. | CDN $50.00 Hbk, U.S. | CDN $75.00 Foggy Notion Books The Museum of Modern Art, Deste Foundation/Toilet Paper New York Damiani/Akron Art Museum National Portrait Gallery New York

Draw Me A House Fire Island Modernist: Formica Forever Grand Hotel Graphic Design: Francesca Woodman James Mollison: Nan Goldin: The Ballad of The Photographer’s Eye Richard Renaldi: 9780956205377 Horace Gifford and the 9781938922152 9783775734837 Now in Production 9781935202660 Where Children Sleep Sexual Dependency 9780870705274 Touching Strangers Pbk, U.S. | CDN $20.00 Architecture of Seduction Pbk, U.S. | CDN $39.95 Hbk, U.S. | CDN $60.00 9780935640984 Clth, U.S. | CDN $55.00 9781905712168 9781597112086 Pbk, U.S. | CDN $24.95 9781597112499 Cicada Books 9781938922091 Metropolis Books/Formica Hatje Cantz Pbk, U.S. | CDN $40.00 D.A.P./San Francisco Hbk, U.S. | CDN $30.00 Hbk, U.S. | CDN $50.00 The Museum of Modern Art, Hbk, U.S. | CDN $45.00 Hbk, U.S. | CDN $60.00 Corporation Walker Art Center Museum of Modern Art Chris Boot Aperture New York Aperture Metropolis Books/Gordon de Vries Studio

Le Corbusier: An Atlas of Lightopia Marian Bantjes: Otto Neurath: The Language Quilts and Color Ron Galella: New York Surfing Photographs from Sally Mann: Immediate Taryn Simon: The Photographer’s Modern Landscapes 9783931936051 Pretty Pictures of the Global Polis 9780878468249 9788862083553 the Eighties Taken by Jeff Family Birds of the West Indies Playbook 9780870708510 Slip, Pbk, U.S. | CDN $120.00 9781938922220 9789056627980 Clth, U.S. | CDN $45.00 Hbk, U.S. | CDN $49.95 Divine 9781597112543 9783775736633 9781597112475 Hbk, U.S. | CDN $75.00 Vitra Design Museum Hbk, U.S. | CDN $75.00 Pbk, U.S. | CDN $35.00 MFA Publications Damiani 9781935202448 Hbk, U.S. | CDN $50.00 Clth, U.S. | CDN $85.00 Pbk, U.S. | CDN $24.95 The Museum of Modern Art, Metropolis Books NAi/D.A.P. Distributed Art Hbk, U.S. | CDN $40.00 Aperture Hatje Cantz Aperture New York Publishers T. Adler Books

Robert Venturi: Complexity and Stefan Sagmeister: The Szenasy, Design Advocate Wim Crouwel: The Wrong House: This Is Mars Understanding a Photograph William Eggleston’s Guide Words Not Spent Today Buy William Christenberry Contradiction in Architecture Happy Film Pitch Book 9781938922398 New Alphabet The Architecture of 9781597112581 9781597112567 9780870703782 Smaller Images Tomorrow 9781938922275 9780870702822 9780884541257 Pbk, U.S. | CDN $29.95 9788890759413 Alfred Hitchcock Hbk, U.S. | CDN $100.00 Clth, U.S. | CDN $24.95 Hbk, U.S. | CDN $39.95 9781597112710 Hbk, U.S. | CDN $65.00 Pbk, U.S. | CDN $19.95 Pbk, U.S. | CDN $20.00 Metropolis Books Hbk, U.S. | CDN $54.99 9789462080966 Aperture Aperture The Museum of Modern Art, Flexi, U.S. | CDN $29.95 TF Editores/Fundación The Museum of Modern Art, Institute of Contemporary Art, SHS Publishing Pbk, U.S. | CDN $55.00 New York Aperture Mapfre/D.A.P. New York University of Pennsylvania nai010 publishers

194 artbook.com artbook.com 195 ART BACKLIST HIGHLIGHTS

21st-Century Portraits Air Guitar Andrew Wyeth: Looking Antonio López García: Art On the Edge...and Over Looking East Luc Tuymans Magritte: Attempting the Marcel Broodthaers Marcel Duchamp: 9781855144163 9780963726452 Out, Looking In Drawings 9780965198813 9780878468102 9781933045986 Impossible 9781938922299 The Afternoon Interviews Hbk, U.S. | CDN $49.95 Pbk, U.S. | CDN $19.95 9781938922190 9781935202257 Pbk, U.S. | CDN $24.95 Hbk, U.S. | CDN $29.95 Clth, U.S. | CDN $60.00 9781933045931 Hbk, U.S. | CDN $75.00 9781936440399 National Portrait Gallery Art Issues Press Clth, U.S. | CDN $55.00 Hbk, U.S. | CDN $75.00 Art Insights, Inc. MFA Publications, Museum San Francisco Museum of Hbk, U.S. | CDN $85.00 D.A.P./Distributed Art Pub- Pbk, U.S. | CDN $16.00 National Gallery of Art, D.A.P./Distributed Art of Fine Arts, Boston Modern Art/ Wexner Center D.A.P./Distributed Art Pub- lishers, Inc. Badlands Unlimited Washington/D.A.P. Publishers, Inc. for the Arts/D.A.P. lishers, Inc.

Arthur C. Danto: Remarks Barry McGee Bauhaus 1919–1933 Charles Dellschau Cindy Sherman: The Complete Mark Ryden: The Tree Show Michaël Borremans: Osamu Tezuka: Painting People Peter Fischli David Weiss on Art and Philosophy 9781935202851 9780870707582 9781935202905 Untitled Film Stills 9781931955089 As Sweet as It Gets The Mysterious 9781933045832 9780980108637 9780979764271 Hbk, U.S. | CDN $49.95 Clth, U.S. | CDN $75.00 Hbk, U.S. | CDN $55.00 9780870705076 Hbk, U.S. | CDN $40.00 9783775737692 Underground Men Pbk, U.S. | CDN $29.95 Hbk, U.S. | CDN $65.00 Clth, U.S. | CDN $32.00 D.A.P./University of California, The Museum of Modern Art, Marquand Books/D.A.P. Hbk, U.S. | CDN $45.00 Porterhouse Fine Art Editions Hbk, U.S. | CDN $85.00 9781939799098 D.A.P./Distributed Art Pub- Glenstone A.S.A.P. Berkeley Art Museum and Pa- New York The Museum of Modern Art, Hatje Cantz Hbk, U.S. | CDN $24.95 lishers, Inc. cific Film Archive New York PictureBox

De Kooning: A Retrospective Ed Ruscha: Fifty Years of El Lissitzky: The Experience Emilie Brzezinski: The Lure Gauguin: Metamorphoses Richard Serra: Robert Heinecken: Show Time: The 50 Most Sigmar Polke: Sophie Calle: Take Care 9780870707971 Painting of Totality of the Forest 9780870709050 Early Work Object Matter Influential Exhibitions of Alibis 1963–2010 of Yourself Hbk, U.S. | CDN $75.00 9781935202066 9788415691532 9781938922312 Hbk, U.S. | CDN $60.00 9780989980906 9780870709067 Contemporary Art 9780870708893 9782742768936 The Museum of Modern Art, Slip, Hbk, U.S. | CDN $65.00 Hbk, U.S. | CDN $60.00 Hbk, U.S. | CDN $49.95 The Museum of Modern Art, Hbk, U.S. | CDN $85.00 Hbk, U.S. | CDN $50.00 9781938922336 Hbk, U.S. | CDN $75.00 Hbk, U.S. | CDN $125.00 Hbk, U.S. | CDN $45.00 New York D.A.P./Distributed Art Pub- La Fábrica D.A.P./Distributed Art New York David Zwirner/Steidl The Museum of Modern Art, The Museum of Modern Art, Dis Voir/Actes Sud D.A.P./Distributed Art Publish- lishers Publishers, Inc. New York New York ers, Inc.

Gerhard Richter: Atlas Gerhard Richter: Panorama In the Making Italian Futurism, 1909–1944 John Singer Sargent: Tantra Song Toulouse-Lautrec in the Vasily Kandinsky: From Wes Lang What Is Contemporary Art? 9781933045474 9781935202714 9781891024597 9780892074990 Watercolors 9780979956270 Collection of The Museum Blaue Reiter to the Bauhaus, 9781939799111 A Guide for Kids Hbk, U.S. | CDN $60.00 Hbk, U.S. | CDN $65.00 Pbk, U.S. | CDN $35.00 Hbk, U.S. | CDN $60.00 9780878467914 Hbk, U.S. | CDN $39.95 of Modern Art 1910–1925 Hbk, U.S. | CDN $34.95 9780870708091 D.A.P./Distributed Art D.A.P./Tate D.A.P./Distributed Art Pub- Guggenheim Museum Hbk, U.S. | CDN $60.00 Siglio 9780870709135 9783775737340 PictureBox/Half Gallery Hbk, U.S. | CDN $19.95 Publishers, Inc. lishers, Inc. MFA Publications/Brooklyn Hbk, U.S. | CDN $45.00 Hbk, U.S. | CDN $60.00 The Museum of Modern Art, Museum The Museum of Modern Art, Hatje Cantz New York New York

196 artbook.com artbook.com 197 GIFT & POPULAR CULTURE BACKLIST HIGHLIGHTS MUSIC, WRITINGS, FILM & FASHION BACKLIST HIGHLIGHTS INDEX

#Sandy 97 Brommel, Dirk 192 Fires & Riots 5 Havik, Klaske 161 Lima, Laura 175 100 Masterpieces of Design 166 Bubriski, Kevin 96 Ebenstein, Joanna 75 Hebeisen, Peter 192 Lincoln, Abraham 74 13th Biennale de Paris 1985 188 Building the Baakenhafen Edgewise: Cookie Mueller 79 Heidersberger, Heinrich 102 Lippard, Lucy 97 28 Chinese 143 Bridge 162 Eisenman, Sasha 98 Heinsdorff, Markus 162 Local Action and Participation 164 30 Americans 126 Bungalow Germania 165 Eisler, Eva 167 Helbich, David 172 Longing for the Past 79 3+1 Stadia for Brazil 165 Buurman, Lard 192 Elective Affinity 189 Heritage as an Asset 163 Longo, Robert 132 60 Wrd/Min Art Critic 154 Byars, James Lee 117 Eleey, Peter 116, 117 Herms, George 119 Lorenzen, Carsten 162 8th Berlin Biennial 190 Elizabeth I & Her People 74 Hewitt, Corin 177 Lucas, Sarah 172 90 Degrees of Shade 109 Cabinet 54: The Accident 88 Elvarsdóttir, Katrin 105 Heyne, Stefan 110 Cabinet 55: Love 88 Emporer of China, The 76 Hickey, Dave 119 Maas, Winy 156 Aalto, Alvar 14 Calvo, Carmen 186 Esopus 21 87 Hido, Todd 31 Mäckler, Christoph 162 Abad, Antoni 177 Campany, David 3, 41 Ethics of Art, The 155 Hoffmann, Jens 121, 154 Mahler, Ute 192 5 Year Diary: Black Cover Baby Journal An Anthology of Concrete A Brief History of New Barney Bubbles: Reasons to Acts of Voicing 188 Campbell, Thomas 50 Evans, Simon 121 Hoptman, Laura 27 Majerus, Michel 129 9780977648139 9781908714053 Poetry Music Be Cheerful Adult Magazine 87 Capacity Development 164 Evolution 81 Horn, Roni 133 Make a Photo Yourself 187 Hbk, U.S. | CDN $24.95 Hbk, U.S. | CDN $24.95 9780985136437 9783037641903 9780955201745 Albers, Josef 152 Cash, Cans & Candy 188 Horna, Kati 102 Making Design 16 The Ice Plant Cicada Books Pbk, U.S. | CDN $28.00 Pbk, U.S. | CDN $29.95 Hbk, U.S. | CDN $49.95 Album 121 Catlin, George 74 Farocki, Harun 178 Human Factor, The 26 Maljkovic, David 174 Primary Information JRP|Ringier Adelita Alexander the Great 150 Céline, Louis-Ferdinand 78 Feingold, Deborah 109 Humphries, Jacqueline 140 Maltzan, Michael 157 Aller, Renate 42 Cézanne, Paul 72, 153 Feininger, Lyonel 152 Mammal’s Notebook, A 78 Als, Hilton 20 Chambres de Luxe 187 Feldmann, Hans-Peter 108, 172 Iannone, Dorothy 22, 124 Man, Victor 185 And/Or: On Contradiction 168 Chan, Paul 131, 142 Final Cut 188 Iles, Chrissie 122, 123 Mangini Studio 108 Ando, Tadao 162 Chapman, Jake & Dinos 181 First World War Poets 70 Ilgen, Fré 189 Marcaccio, Fabian 182 Andre, Carl 139 Charpin, Pierre 166 Fischerspooner 57 Ingram, Simon 182 Marker, Chris 54 Antonelli, Paola 85 Chaucer, Geoffrey 120 Fischli & Weiss 134 Ishigami, Junya 162 Marshall, Kerry James 127 Aperture 216: Fall 2014 88 Chien-Hsing Liao, Jeff 36 Fodor, Ben 181 Martin, Pia Maria 177 Aperture 217: Winter 2014 88 Chieppo, David 185 Fontcuberta, Joan 193 James, Anthony 175 Martínez Celaya, Enrique 175 Apology Magazine 87 Chillida, Eduardo 183 For Your Eyes Only 189 Jang, Taewon 192 Martinez, Daniel Joseph 133 Arab Contemporary 160 Chongqing Grand Theater 164 Forever Now 27 Jarvis, James 172 Martins, Edgar 110 Aramesh, Reza 179 Chow, Michael 129 Found: The Rolling Stones 48 Jeanne-Claude 118 Matador P 193 Arcana VII 79 Christo 118 Fowler, Eve 99 Jewels of Ancient Nubia 66 Matisse, Henri 84 Archiprix 2014 165 Christov-Bargiev, Carolyn 154, 174 Frazier, LaToya Ruby 93 Jian, Ling 183 Mayes, Elaine 107 Architecture in Context 159 Coe, Sue 131 Frieze London Catalogue 2014 190 Jianwei, Wang 130 Mayton, Charles 182 Architecture in the Colita 100 Fulford, Jason 82, 83 Johan, Simen 176 McKenzie, Lucy 178 Chewed Mira Cuba: The Cuban Derek Ridgers: 78–87 Everybody’s Autobiography Foam of the Daze Netherlands 2013–14 165 Collier, Anne 123 Funke, Jaromír 102 Johns, Jasper 113 Medina, Cuauhtémoc 100 9780972211178 Poster Art from 1959 London Youth 9781878972088 9780966234633 Architecture: A Historical Colom, Joan 100 Furer, Hans 184 Jones, Allen 184 Meier, Richard 121 Pbk, U.S. | CDN $24.95 9788836626991 9788862083591 Pbk, U.S. | CDN $17.95 Pbk, U.S. | CDN $18.00 Perspective 159 Color Cubed 188 Fürhofer, Philipp 176 Jonsson, Sune 105 Menoh, Lun*na 138 Ideal World Books Pbk, U.S. | CDN $40.00 Hbk, U.S. | CDN $50.00 Exact Change TamTam Books Arctic 144 Composite Landscapes 144 Jorn & Pollock 149 Mesrine, Jacques 77 Silvana Editoriale Damiani Arendt, Angelika 179 Conesa, Chema 193 Gaba, Meschac 127 Jorn, Asger 149 Meyer, Michel 184 Arets, Wiel 157 Conjunctions: 63 88 Gaines, Charles 137 Journeys of Casanova, The 75 Michael, Alan 178 Arnold, Eve 103 Connell, John 173 Geissler, Beate 182 Juhl, Finn 61 Middlebrook, Jason 140 Arrechea, Alexandre 179 Conrad, Tony 138, 177 German Art in the Louisiana Collec- Mihindou, Myriam 178 Ars Electronica 2014 190 Courbet, Gustave 73 tion 190 Kander, Nadav 95 Miró, Joan 151 Artist?: The Hypothesis Covert Operations 97 Gerritsen, Reinier 107 Kasper, Martin 185 Mitchell, Joan 148 of Bodiness 189 Creator, The 77 Gettysburg Address, The 74 Kassay, Jacob 182 Mollino, Carlo 39 Atkins, Ed 177 Crump, James 39 Gijs + Emmy Spectacle, The 167 Katz, Alex 113 Monolith Controversies 165 Axelsson, Ragnar 104 Cruzamentos 143 Gimblett, Max 183 Kentridge, William 125 Morbid Anatomy Anthology, Ginzburg, Anton 176 Kenzine: Volume II 89 The 75 Baartman, Nicoline 156 Damisch, Gunter 182 Gioni, Massimiliano 142 Kereszi, Lisa 98 Moreira Salles, Claudia 167 Bad Luck, Hot Rocks 83 DASH 10: Housing the Student165 Gober, Robert 20 Kessler, Mathias 176 Morris, William 69 Bailey, David 109 Davey, Moyra 139 Gonzalez-Torres, Felix 133 Killian, Kevin 99 Motherwell, Robert 148 Baldessari, John 59 De Geer, Carl Johan 109 Google, Volume 1 111 Kilpelainen, Annu 81 Mujercitos 100 Balkenhol, Stephan 181 De Keyser, Raoul 135 Gordon, Douglas 122 Kim Jong Il Looking at Things 108 Munoz, Juan 183 Balzac, Honoré de 76 Deakin, John 103 Gornik, April 141 Kippenberger, Martin 115 Murillo, Oscar 128 Pirate Nightmare Russian Criminal Tattoo Grey Gardens Richard Corman: Madonna A Scene in Between Ban, Shigeru 19 Death and Life of the Gossage, John 96 Klein, Yves 135 MVRDV: Book Mountain 156 Vice Explosion Encyclopaedia Volume I 9780977652365 NYC 83 9781908714060 Barlow, Phyllida 136 Total Work of Art, The 189 Goya 9 Knight, Laura 147 Mynona 77 9780956192875 9780955862076 Hbk, U.S. | CDN $45.00 9788862082884 Hbk, U.S. | CDN $24.95 Berned, Arturo 179 Death Instinct, The 77 Grabner, Michelle 175 Kober, Bertram 192 Pbk, U.S. | CDN $40.00 Hbk, U.S. | CDN $32.95 Free News Projects Clth, U.S. | CDN $49.95 Cicada Books Best Most Useless Dress, The 155 Des Moines Art Center Collects190 Grand Domestic Koons, Jeff 25 Nara, Yoshitomo 24 Four Corners Books FUEL Publishing Damiani Bialobrzeski, Peter 96 Deutsch, Gustav 177 Revolution Handbook 155 Kost, Jeremy 99 National Museum of China 164 Biesenbach, Klaus 57, 122 Devriendt, Robert 147 Grannan, Katy 52 Kotatkova, Eva 121 Neighborhood in Motion 163 Big Sign Little Building 187 Dias & Riedweg 176 Green Islands in the City 163 Koudelka, Josef 34 Nerdrum School, The 145 Bio Design 85 Diederichsen, Diedrich 182 Griffin, Chloë 79 Kraft, Richard 120 Neto, Ernesto 134 Black Forest 108 Disco 56 Grothkopp, Jörn 184 Kraus, Kitty 174 New Territories 166 Black, Karla 179 Discovering Downtown Cairo 163 Grotjahn, Mark 129 Krawagna, Suse 183 Nixon, Nicholas 93 Blackmon, Julie 44 Disfarmer, Mike 32 Grynsztejn, Madeleine 123 Kruger, Barbara 132 No Colours, The 190 Blackwell, Tom 147 Divine Comedy, The 126 Guardans, Xavier 111 Kusama, Yayoi 25 Nolde, Emil 153 Blind Spot: Issue 49 89 Dodals, The 68 Guyton, Wade 172 Not Vital 180 Bloomsbury Group, The 70 Dodge, Jason 179 La Rocco, Claudia 155 Novotny, Milon 103 Blow-Up 55 Dong, Song 179 Haas Brothers, The 60 LaChapelle, David 96 Novros, David 173 Blunck, Lars 178 Dorner, Willi 178 Habie, Lissie 192 Landscape and Energy 160 NYC Makers 80 Böck, Ingrid 156 Drake, James 141 Haiyan, Chen 186 Lange, Dorothea 30 Bonalumi, Agostino 173 Duchamp, Marcel 178 Halaban, Gail Albert 37 Langer, Jason 106 O’Brien, Glenn 99, 175 Book of Glyphs, A 79 Dujardin, Filip 191 Halley, Peter 132 Lê, An-My 94 Oase 92: Codes 165 Russian Criminal Tattoo Sock Monkeys Sonia Delaunay: Color The Quay Brothers’ Tim Burton Booster 188 Dukat, Vojta 193 Hammons, David 135 Lefas, Pavlos 159 OBJECT:PHOTO 11 Botta, Mario 158 Dumas, Marlene 21 Hanoi Museum in Vietnam 164 Lejman, Dominik 174 Obrist, Hans Ulrich 114, 128, Encyclopedia Volume II 9780972211123 Moves Art & Fashion Universum 9780870707605 Bouet, Christoph 184 Dybsky, Evgeni 183 Hansen, Elias 174 Lens-Based Sculpture 188 136, 174, 187, 189 9780955006128 Flexi, U.S. | CDN $24.95 9780910503846 9789462081277 Pbk, U.S. | CDN $19.95 Bowers, Andrea 131 Dyer, Geoff 94, 144 Hantaï, Simon 149 Leong, Sze Tsung 95 Ocko, Damir 175 Hbk, U.S. | CDN $32.95 Ideal World Books Pbk, U.S. | CDN $35.00 Pbk, U.S. | CDN $29.95 The Museum of Modern Art, Bradford, Mark 128 Hanzlová, Jikta 193 Letinsky, Laura 106 Odenbach, Marcel 186 Fuel Publishing Cooper Hewitt, National De- nai010 publishers New York Brandt, Matthew 40 Earth, Water, Air, Fire 163 Hatoum, Mona 122, 174 Life of a Mansion 65 Oehlen, Albert 148 sign Museum Brandt, Nick 43 Earthquakes, Mudslides, Hauptman, Jodi 27 Light, Michael 97 Oh, My Complex 189

198 artbook.com artbook.com 199 INDEX

Olaf, Erwin 38 Reisch, Michael 191 Seedler, Anija 185 Sulaiman, Shooshie 176 Vital Art Nouveau 1900 69 On the Road 187 ReNew Marxist Art History 154 Self-Portrait 145 Sunrise to High-Rise 81 Vital, Not 180 Only the Good Ones 106 Revolution of the Semmelweis 78 Superflex 131 von Bergen, John 180 Op de Beeck, Hans 175 Romanticists, The 189 Seon, Yoon Ji 191 Superlight 18 Vosswinkel, Martin 176 Open Road, The 3 Ribemont-Dessaignes, Georges 76 Severson, John 49 Surrealism and Non-Western Orr, Christopher 184 Richards, Eugene 104 Seydel, Robert 120 Art 150 Waldner, Raffael 192 Osmos Magazine: Issue 05 89 Richter, Gerhard 114, 173 Seymour, David 103 Sze, Sarah 134 Wall, Jeff 178, 191 Rickard, Doug 53 Shanghai Oriental Sports Wallinger, Mark 176 Parkett No. 95 88 Riedel, Michael 130 Center 164 Tal R 186 Walther, Franz Erhard 173 Parlá, José 128 Rigorth, Roger 181 Shenzhen Universiade Center 164 Tattoo 67 Waltz, Sasha 178 Parr, Martin 107 Road Cyclist’s Companion, The 80 Shopsin, Tamara 82 Tayou, Pascale Marthine 127 Wasser, Julian 111 Parreno, Phillippe 174 Robert Lehman Lectures No.5 154 Shore, Stephen 41 Temkin, Ann 20, 113 Watanabe, Hiroshi 106 Pearson, Jesse 87 Robert, Jimmy 177 Show and Tell 158 Templeton, Ed 51 Waxman, Lori 154 Pèrez, Michel 182 Robinson, E. Brady 191 Shults, Robert 110 Tennyson and His Circle 70 We Own the City 161 Pettibon, Raymond 124 Rockwell, David 15 Sierra, Francisco 186 Thek, Paul 135 Weber, Christian 191 Philipsz, Susan 174 Roeckle, Hanna 182 Sijmons, Dirk 160 This Equals That 82 Weerasethakul, Apichatpong 178 Photobooks Spain 1905–1977 101 Roepstorff, Kirstine 180 Simmons, Julian 172 Tianjin Grand Theater Wegner, Hans 61 Photography & Modern Romantic Poets and Their Sipp Green, Mary 147 in China, The 164 Weileder, Wolfgang 180 Architecture in Spain 101 Circle, The 70 Sirmans, Franklin 126 Time Pieces 190 Weiwei, Ai 134 Physiology of the Employee 76 Romero, Pedro 175 Six Canonical Projects by Rem Title TK: An Anthology 138 What Nerve! 23 Piech, Peter Paul 169 Room Service 187 Koolhaas 156 To the Moon via the Beach 189 Whittlesea, Ian 172 Pierson, Jack 99 Roselione-Valadez, Juan 143 Skreber, Dirk 135 Todd Harper, Jessica 45 Wiebe, Frank 183 Pink, Ariel 138 Rottenberg, Mika 123 Sleeuwits, Maarten 180 Toilet Paper: Calendar 2015 89 Wilcox, T.J. 122 Piper, Chrissy 107 Rotterdam Centraal 162 Slovak New Wave, The 193 Tokyo Void 163 Wilde, Oscar 70 Planning Unplanned 189 Ruffneck Constructivists 143 Solnit, Rebecca 97 Tools: Extending Our Reach 17 Wiley, Kehinde 127 Plot Thickens, The 33 Ruppersberg, Allen 139 SOM Journal 9 165 Toward a Geologic Conscience 83 Winters, Terry 140 Polke, Sigmar 125 Ryan, Kathy 92 Some Canterbury Tales 120 Towards a New Cultural Woolf, Virginia 71 Pollock, Jackson 149 Søndergaard, Trine 105 Cartography 187 World Images 5 193 Possible, The 144 Saadiyat Cultural District 160 Soulages in America 149 Troeller, Linda 98 Wróblewski, Andrzej 173 Posters: The Sea Voyage 168 Sabella, Steve 180 Soulou, Christiana 142 Trubkovich, Konstantin 130 Wydler, Teres 175 Prager, Alex 180 Sacré 101 155 Soviet Space Dogs 47 Tschumi, Bernard 62 Wyeth, Jamie 146 Pre-Raphaelite Circle, The 70 Sandback, Fred 137 Space, Planning, and Design 164 Tuazon, Oscar 174 Price, Ken 136 Sanders, Edward 79 Specifics 159 Tuttle, Richard 137 Xiuzhen, Yin 179 Price, Seth 142 Sann, Oliver 182 Sprouse, Stephen 58 Tuymans, Luc 111 Princen, Bas 157 Sarmento, Julião 172 State Ballet School in Berlin 164 Twombly, Cy 7, 112 Yarber, Robert 185 Prouvé, Jean 64 Satie, Erik 78 Stauss, Peter 184 Typemotion 168 Yau, John 140 Public Art (Now) 144 Scarpa, Carlo 167 Steinbach, Haim 133 Yamamoto, Lani 81 Public Intimacy 126 Scheib, Hans 181 Steir, Pat 148 Uneven Growth 63 Young Research Forum 164 Puppet and the Modern, The 68 Schimek, Hannah 177 Stína 81 Unity of Nature 74 Puttaert, Hugo 168 Schjoldager, Inger 145 Sting of the Scorpio, The 188 Urban Literacy 161 Zansky, Michael 185 Schlingensief, Christoph 122 Storr, Robert 28 Uslé, Juan 183 ZERO: Avantgarde 150 Qingdao Grand Theater 164 Schneider, Marion 98 Strand, Paul 30 ZERO: Countdown to Quintana, Norma 105 Schönfeld, Sarah 110 Strik, Elly 186 Van Gogh, Vincent 153 Tomorrow 29 Schulz-Dornburg, Ursula 191 Struck by Pictures 190 van Toorn, Jan 168 Ziolkowski, Jakub Julian 142 Rauch, Neo 185 Schwabsky, Barry 179, 183, 186 Strusková, Eva 68 Vega, Simón 181 Zipp, Thomas 180 Ray, Charles 136 Schwartz, Robin 46 Stümpel, Klaus 184 Vienna’s Ringstrasse 163 Zívr, Ladislav 179 Reflexive Design 159 Scott, Patrick 181 Sturtevant 116 Village 187 Zorn, John 79 Reinhardt, Ad 28 Scully, Sean 140 Sugimoto, Hiroshi 35 Visionaire No. 64: Art 59

IMAGE CREDITS PAGE 2: Inge Morath, Reno, Nevada, 1960 © Inge Morath/Magnum Photos. Stephen Shore, “U.S. 10, Post Falls, Idaho, August 25, 1974.” © Courtesy the artist. PAGE 3: Justine Kurland, “Claire, 8th Ward,” 2012 © Courtesy the artist. PAGE 10 : Umbo (Otto Umbehr), “Mystery of the Street,” 1928. Gelatin silver print, 11 7/16 x 9 ¼". MoMA, New York. Thomas Walther Collection. Gift of Shirley C. Burden, by exchange 1888.2001 © 2014 Umbo / Gallery Kicken Berlin / Phyllis Umbehr / VG Bild-Kunst, Bonn. PAGE 11: Willi Ruge, “Seconds Before Landing ...” from the series: I Photograph Myself During a Parachute Jump, 1931. Gelatin silver print, 8 1/16 × 5 9/16". MoMA, NY. Thomas Walther Collection. Gift of Thomas Walther 1849.2001.11. Karl Blossfeldt, “Adiantum Pedatum,” 1898–1928. Gelatin silver print, 11 11/16 × 9 3/8". MoMA, NY. Thomas Walther Collection. Gift of James Thrall Soby, by exchange 1626.2001 © 2014 Karl Blossfeldt Archiv / Ann & Jürgen Wilde, Köln / Artists Rights Society (ARS), New York. PAGE 20: Robert Gober, “Untitled,” 1991. Wood, beeswax, leather, fabric, and human hair. 13 1/4 x 16 1/2 x 46 1/8" MoMA, NY. Gift of Werner and Elaine Dannheisser. Background: "Forest," 1991. Hand-painted silkscreen on paper © 2014 Robert Gober. Photo: K. Ignatiadis, courtesy the artist and Matthew Marks Gallery. PAGE 24: Yoshimoto Nara, “Untitled,” 1988. Colored pencil and acrylic on paper, 38 x 23 ¾". PAGE 26: Frank Benson, “Human Statue (Jessie),” 2011 © the artist. Courtesy Sadie Coles HQ, London and Andrew Kreps Gallery, New York. PAGE 27: Kerstin Brätsch, “Blocked Radiant D (for Ioana),” 2011. Oil on paper, 110 x 72". Courtesy the artist and Gavin Brown’s Enterprise. © 2014 Kerstin Brätsch. Photo: Filippo Armellin. PAGE 28: Ad Reinhardt, Travel Slides, 1952–1967 © 2014 Estate of Ad Reinhardt/Artists Rights Society (ARS), New York; courtesy David Zwirner, New York/London. Installation view: Ad Reinhardt, David Zwirner, New York, 2013 © 2014 Estate of Ad Reinhardt/Artists Rights Society (ARS), New York; courtesy David Zwirner, New York/London. PAGE 32: Mike Disfarmer, “Jack, Nellie, Ray, Nita, Higgs.” © The Disfarmer Studio, Heber Springs, Ark., ca. 1939–1950, Gelatin silver print, 5 x 3 ½". PAGE 33: Todd Hido, “#2690,” 2000 © Courtesy the artist/Rose Gallery. PAGE 40: Matthew Brandt, “Mary’s Lake, MT 9,” 2012. Chromogenic color print soaked in Mary Lake’s water, unique. © Matthew Brandt, Courtesy Yossi Milo Gallery, New York. PAGE 41: Stephen Shore, “U.S. 97, South of Klamath Falls, Oregon, July 21, 1973.” © Stephen Shore. PAGE 54: Chris Marker, La Jetée (1962), film still. Image courtesy BFI Stills Collection © 1963 Argos Films. Chris Marker, Sans soleil (1983) © 1983 Argos Films. Chris Marker, Zapping Zone (Proposals for an Imaginary Television) (1990–1994), Video Still Production du Serv- ice Nouveaux Médias, CGP © Coll. Centre Pompidou. Photo: Georges Meguerditchian. PAGE 63: “Hong Kong,” 2013. Photograph by Pedro Gadanho. PAGE 67: “Tattoo” © Musée du Quai Branly, photo: Claude Germain. PAGE 68: artist unknown, “Acrobats,” Bohemia, 2nd half of the 19th century. Vaudeville marionettes for travelling puppeteers, polychrome wood, textile. Moravian Museum Brno. PAGE 72: Cézanne, “La Montagne Sainte-Victoire vue des Lauves,” 1904–1906. Private collection. PAGE 84: Henri Matisse, “Composition Green Back- ground (Composition fond vert),” 1947, Gouache on paper, cut and pasted, pencil. 41 x 15 7/8", The Menil Collection, Houston © 2014 Succession H. Matisse, Paris / Artists Rights So- ciety (ARS), New York. PAGE 85: Alberto T. Estevez, Alejandro Muino, and Diego Navarro, Biodigital Chair, Genetic Architectures Office, International University of Catalonia, Barcelona, Spain. Image courtesy of Alberto T. Estevez. Mitchell Joachim, Lara Greden and Javier Arbona, Fab Tree Hab, Massachusetts Institute of Technology, Cambridge, MA. Image courtesy of Mitchell Joachim, Terreform + Planetary ONE. PAGE 93: Nicholas Nixon, “The Brown Sisters,” 1981. MoMA, NY. Gift of the artist © 2014 Nicholas Nixon. Page 113: Jasper Johns, “Study for Regrets,” 2012. Acrylic, photocopy collage, colored pencil, ink, watercolor on paper,11 3/8 × 17 ¾". Art © Jasper Johns/Licensed by VAGA, New York. Photograph: Jerry Thompson. PAGE 116: Sturtevant. “Elastic Tango,” 2010. Video installation, 9 screens, total running time: 11:02, 87 3/8 x 158 x 27". Courtesy the artist and Gavin Brown’s Enterprise. © Sturtevant. Sturtevant, “Haring Tag July 15 1981,” 1985. Sumi ink and acrylic on cloth, 9 13/16 x 12 13/16". © 2014 Sturtevant. Photo: Prallen Allsten. Sturtevant, “Warhol Black Marilyn.” 2004. Synthetic polymer silkscreen and acrylic on canvas, 15 ¾ x 13 ¾". Ringier Collection, courtesy Anthony Reynolds Gallery, London. © Sturtevant. PAGE 170: Tal R, “Adieu Interessant (silver),” 2005–08. Collage, mixed media. 98.5 x 98.5 inches. Louisiana Museum of Modern Art.

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